#a new hope novel

[archerygun]

It’s always so heartbreaking to me that every time we see Owen display how he really feels about Luke in canon (the books, and Kenobi) Luke is never there to hear it.

When Owen faces down the inquisitor and declares that Luke IS his son, Luke is already way out of earshot (even though I do sort of consider the Kenobi show non-canon). When Owen talks to Beru after the argument with Luke on the day they die, telling her he feels bad about having to squash Luke’s dreams and wanting to find some way to make it up to him, he never hears it.

Owen’s relationship with Luke WAS complex, and it was rocky sometimes. I’ve always read this as Owen having difficulty being emotionally open, at least as far as the ANH novel and Kenobi show have shown. Owen loves Luke DEEPLY, right to his core. But he doesn’t know how to put that into words. He’s an awkward man! He’s been raised on nightmare hell planet where becoming too attached to someone might end up in them being killed or sold into slavery and you being miserable! Look at what happened to both of his mothers!

When someone you love dies, you look at all their actions with a new light and deeper introspection. Can you imagine the absolute world-shattering thoughts Luke must have had after Owen and Beru died?

Realising he was more deeply loved than he could have ever realised, even if Owen had a harder time showing it.

And Owen’s parental anxiety is shown in Kenobi! Owen Lars, one of the most dedicated fathers in the galaxy, probably died wondering if his son would ever know how much he really loved him.

Owen probably died with so, so many regrets. Owen probably died wondering if he deserved to raise Luke (which he DID) and if he had done enough to prepare his son for the world (HE DID).

Owen Lars has always been a heartbreaking character for me.

[gffa]

Can't believe I had to read about Leia thinking some Imperial officer looked like he would "blissfully lick Vader's boots clean if asked" in an official Star Wars book. Now I need everyone else to read that bit, too.

[friday411]

UPDATE from @contact-guy on the book!

"... another print run, and will be opening preorders here on MONDAY, NOVEMBER 11, at 9:00am PST/12:00 noon EST/5:00pm GMT."

Details on Original Post

Watson's Sketchbook series!

-=< 🎉🎉🎉 >=-

Is the best graphic author @contact-guy? A resounding "Of course!" was the reply. The fandom has spoken Your work we have chosen. An abundance of talent is why!

-=<+>=-

[phoenixkaptain]

Novel A New Hope Vader is my favourite Vader (so far) because he Is Anakin, he is everything Anakin is set up to be. He is intimidating, he is overwhelming, standing next to him feels like standing next to a black hole, he is-

The biggest little shit in the entire galaxy.

You canNOT convince me that he didn’t say half his lines with a shit-eating smirk. He is awful to be around, he is the worst person to ever exist, he is SO annoying.

And Novel Vader is so Anakin because the book can give us details the movie can’t. The book gives us the author’s choice of wording, the way the author intended the scenes to be, and Vader is such a little shit almost constantly but my FAVOURITE will always be when Tagge talks back to him about the Force, saying it isn’t as powerful or scary as he makes it out to be and Vader just-

“I find,” Vader ventured mildly, “this lack of faith to be disturbing.”

-the WORD CHOICE. The fucking WORDS chosen.

“Ventured”??? “Mildly”??? He is CHOKING this man!!! This man is DYING!! He is being such a little shit right now, this is it. This is the Him, this is Anakin Skywalker right here. He is using unnecessary force and being a bitch about it and there will never be anything that so perfectly encapsulates Anakin Skywalker than this fucking scene in this fucking novel.

On the topic and as a brief aside, the novel is what makes me think that Leia was planned to be Vader’s kid, or at least a narrative mirror to Vader, right from the start. She is also such an Anakin.

“Darth Vader… I should have known. Only you would be so bold— and so stupid.”

She just… also. Encapsulates Anakin. Like. Yeah. Yeah, this is what he could have been. He could have been a terrifying figure that people rallied behind. He is loyal to the death, as is Leia. She spits on Darth Vader while he’s having her dragged away. She mocks him to his face. This is the character that the Anakin Skywalker of future movies mimics. Her passion, her anger, her being a little shit and insisting throughout everything that it WAS a diplomatic vessel and they WERE on a diplomatic mission.

Leia is the first character to face down Vader in this novel and not show fear. She is the first character who refuses to submit in the face of the scariest guy in the galaxy. She continues to refuse to submit. She’s just. A great fucking liar.

Leia puts all her trust, her very life and the sake of the entire rebellion she’s fighting for, in a droid. An astromech droid. She begs for them to take the droid further, not for them to find her. She’s willing to die, and she trusts her death will not be in vain because she trusts a droid.

And that, if nothing else, is all the proof needed that Leia is what Anakin could have been.

[simaraknows]

On the one hand I love Raphael getting mad when you go "Haarlep says your dick game's weak" BUT on the other hand I also adore the alternative reading that Raphael isn't getting upset over the insult (he's used to those) but rather over the fact that you've met Haarlep and might have killed/hurt them cause deep down he cares about them and Tav's taunt could easily be (miss)understood as a much darker "guess what I did to your lover"

[lunarriviera]

asylum (≈90k words) by lunarriviera chapters: 22 + extras fandom: 猎罪图鉴 | Under the Skin relationships: Shen Yi/Du Cheng rating: E warnings: chose not to warn characters: He Rongyue, Li Han, Chief Zhang, Jiang Feng, Yan Tansheng, Jiang Xue, Qin Huai (Are You Safe), Huo Tengyi, Xiaoxuan (Shen Yi's Cat), Du Qing, Bai Xilin, Original Characters tags: Post-Canon, Police Procedural, Corruption, Canon-Typical Violence, Trauma, Childhood Trauma, Painting, Implied/Referenced Abuse, Angst, Awkward Conversations, Slow Burn, Hidden Depths, Miscommunication, Therapy, Each Chapter Tagged Separately summary:

He’s been through canvas after canvas but they’re always the same, until he yanks them off the easel, flings them off to one side and primes another, then another. Instead of gesso or zinc he uses an asphaltum he’s mixed himself, somewhere between brown and gray. The murkiest underpainting he can conjure, phthalo and alizarin pulped together into a dull colorless swamp. And then, as if helpless to do otherwise, every time, his arm jerks up and slings a hot wet spatter of perylene red across the canvas’s glazed surface, three-dimensional globs and drips, an arterial spray, and the bright sheen of it sickens him even as his hands make the movement again and again. And again.

posting two chapters a week | read it on ao3

[thisonelikesaliens]

Now that we’ve seen the whole show, I’m curious for your final thoughts on the changes The On1y One made to the source material. Obviously, they very much did not finish the narrative. Were there things you thought they changed for the better? Choices you thought were bad or baffling? And how do you feel about where they left us?

I actually thought it was smart to add in all those very moments so we could see Jiang Tian's pov, but I think they set up false expectations for the pacing and after the halfway point of the show I found myself asking "why are we still here?????" every episode after.

I honestly still can't wrap my head around what exactly they were trying to do. It's just a bizarre way to manage a project.

My biggest beef is probably with the change they made to Zhao Xi and Lin Bei Ting's relationship. They were an established couple in the novel and I would've loved to see them serve as queer elders mentoring our boys. That weird love triangle took up way too much time.

And that ending. How very Netflix of them to drop one season in a short time and dangle empty promises of a second season over us. It would've been kinder and more hopeful to end at the beginning of their romance after they've worked through their individual hang ups. That would've left plenty of material still to work through in a second season if that actually happens.

[lichqueenlibrarian]

Have I mentioned I love Uhura?

[duplicityvn]

Welcome to Duplicity!

Below you’ll find links to tags and the new itch page (once part 1 releases; tags will be added as they’re posted). You’ll also find some general information about the game and what to expect from here on.

As per usual, this is a yandere game with dark themes and twists. It will feature an optional NSFW toggle, and it is not safe for minors. Minors DNI with this blog or the game.

Game development, art, & writing: me, @indycinders

Draft editing and Ideas Chief: @winndycakes

Game Summary:

It’s been several years since you’ve been home, and a lot has changed. After failing to meet the strict deadlines of your former publishing house, your contract was terminated and you were left to fend for yourself. Once a prolific and popular author of romance and adventure stories, you’re now forced to move back home to live in your best friend’s apartment as their roommate. Struggling to figure out the next book in your series, you’re faced with many life-changing events, such as having to go back to work a customer service job you thought you’d left behind.

As you navigate this new chapter in your life, you’ll meet friends, old and new, and perhaps finally experience your own romantic tale… Just don’t trust everyone you meet.

Art/Important Info:

Griffin Profile, Shipping memes

Tris Profile

Tag List:

#duplicityvn - general tag to encompass everything

#duplicitydevlogs - tag for dev-specific posts like progress and updates

#duplicity asks - tag for asks submitted to the blog

#duplicity griffin - Griffin specific tag

#duplicity tris - Tris specific tag

#duplicity taipan - Taipan specific tag

#duplicity dell - Dell specific tag

#duplicity nina - Nina specific tag

#duplicity savoy - Savoy specific tag

#duplicity riley - Riley specific tag

#duplicity melon - Melon specific tag

#duplicity mags - Mags specific tag

#duplicity all - general tag when everyone is involved in one post

#duplicity lore - tag for lore related to characters or settings

#duplicity AU - tag for AU posts and some silliness

#duplicity memes - tag for memes/silliness/etc.

Here’s some potential questions I might get that I’m proactively answering now:

Why was the old blog deleted?

-I had a bad experience in the community and wanted to remove myself from it completely. I also had no idea where the game direction was going. Honestly, it started out with me wanting to make a yandere game with no understanding of what was going to happen really.

Why are you continuing with Duplicity?

-Duplicity originally stemmed from vague ideas about a horror romance I had started writing three years ago. Really, only some of the character names were similar. Once I started to feel like I wanted to come back and resume with development, I knew it needed a complete overhaul. So I went back to that old story and started piecing it together so it would work for a visual novel!

What changed and what can we expect?

-In the original demo, the game’s MC was around 20 years old. This has changed to player preference of anywhere between 25-30. Why? Because I’ve been wanting to see older characters in yandere visual novels, and just in VNs in general. I also don’t feel comfortable writing younger characters anymore. The characters’ ages will change depending on yours as well, which will be explained later. The only characters who have set ages are Mags and Melon.

-Speaking of characters, Sophie is no longer part of the story. I didn’t think about it at the time but I don’t want a minor to be included in this story when she’s not directly related to anyone, like a sister or a niece or something. In her place are several new characters: Nina, Savoy, and Melon.

-The game will be released in 3 parts instead of on a day-to-day basis. Part one will be mostly introductory but lengthy, part two will probably be the longest, and part three will mostly be focused on the endings of each route.

-The game will have more than just Griffin’s route. There are currently 9 endings I’m in the process of planning.

-As of the publishing of this post, everything previously known to the game is no longer canon, except for a few things.

What kind of asks can we send?

-Asks pertaining to the game and its characters and settings are all completely fine. In fact, it’ll probably help me develop the characters even better.

-NSFW asks are allowed! While there might not be NSFW in the base game (still juggling around the idea of a paid NSFW version), I am happy to write little fics if people are wanting them. I love writing, give me prompts!

-Hateful, derogatory, or other such topics that are sent to this blog will not be tolerated nor published. I wish to promote a safe space for everyone, and I won’t pay attention to any negativity.

-Silly and nonsensical asks are also allowed if they aren’t negative in context.

Alright this was long lmao but I hope it encompasses the general idea of what to expect from here on out! I’m not putting myself on a publishing schedule and I will update as frequently or as little as I do. I’m an anxious bean and can only do so much.

[deus-ex-mona]

favourite stupid relationship dynamic: idiots who would immediately protect and defend the other but never themself

[archerygun]

On an Owen Lars high so I drew this. Excuse the shit quality. I’ve not taken Graphics courses yet.

I know Owen can’t come back as a ghost but the idea of him and Obi-Wan reaching solidarity in death over not being able to do anything for Luke anymore just GOT ME.

[gffa]

This is always so fucking funny to me. Leia thinking about how she'd love to step on Vader's cape to make him trip, when the reality is that that tiny little thing would be going for a RIDE on Seven Foot Tall Robo-Stilts Cyborg Nightmare Man's cape and he would barely even NOTICE her there. (A New Hope: The Princess, the Scoundrel, and the Farm Boy | Alexandra Bracken)

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[livetogether--diealone]

- making history

[vertebrae-entertainment]

If you knew working in cyborg maintenance meant being hands-on with guys you met while clubbing, you would have applied sooner. But your simple life is about to be turned upside-down when an order of assassins contacts you with a request to kill a high profile client.

Teknokrat is a gay romance visual novel set in a future painted by class war, poverty and technological oversaturation.

Your choices determine their fate. Three love interests, six endings, and a raving techno-trance soundtrack- all packed into a wild journey from the trudging temp lifestyle at the bottom of society to taking down a highly influential politician at the very top.

Teknokrat is currently in development, and is a solo project with art, story, programming and music by @artbyhauk.

Keep up with development here: Vertebrae Discord (live updates and playtests happen here!) @vertebrae-entertainment Twitter // Check out our other projects on Itch.io! FAQ (Coming soon!)

[slightlycomicobsessed]

still one of my favourite comic panels of all time. this was really the moment that cemented dani as one of my all time favourites and the new mutants as one of my favourite x-teams.