#a make up scene between them now would be SO GOOD

[poguehearted77]

Between The Lines

Summary-> It's the little things that go on behind the scenes between you and Drew that makes your chemistry electric.

Belongs to my: OBX Season 5: Payback for Maybank Series

These can be read in any order!

"Park place." Maddison narrates where Drew lands his dog piece across the monopoly board. "I'll buy it." He says but your hand is in his face, "Not so fast. I'm sure you would love to buy it if I didn't already have a hotel on it. You owe me $1500. Pay up." You show him your open palm, ready for lots and lots of cash.

"He's so cooked. Look at that pathetic stack of cash Drew has. I've got piggy banks with more than that." Jonathan's comments send the four of you erupting into a fit of laughter which eventually dies down to a patient silence. "Sometime today would be great." Madison clears her throat.

"Josh is coming!" Drew points, appealing to our gullibility and youall fell for it. By the time you realized he was bluffing, the board was tossed and the pieces were all out of place. He gets up and runs off as if he already knew you'd be hot on his heels.

Your outburts left JD and Madison alone to pick up the pieces, but not without an interesting conversation. "50 bucks they're together by the time we finish the season." Madison says it so casually as she reaches underneath the couch for the pieces.

"So I'm not crazy? You see it too?" He looks almost relieved. "Trust me, I've got a knack for these things." JD seems skeptical about the timeline of the bet. "I dunno, we finish filming in four months. That might be too soon, I say by the premiere."

The both of them look up so Carlacia who seemed to have been streaming live on her istagram. She enters the room mumbling something about getting winded by you and Drew sprinting past her.

Madison scoffs, "That's like nine months from now. They could get together and break up by then, but you know what-- If that's what you wanna bet, then be my guest." She holds out her hand and JD shakes on it. "You're on."

"We're ready for you guys." One of the assistants notifys them that it was time to head to the screening room where the weekly table reads were held.

Today would be your first look at the script for the second episode, and to say you were shocked was an understatement.

Script Summary:

Eventually the pogues put their trust in Piper and she gives them a fair exchange of some arms that they can handle, while she opts for her weapon of choice, a steel pipe.

"How do you think I got the name and the scar?" She says and it puts an odd sense of comfort among the group, minus a skeptical Rafe, to know you were confident enough in your skills that you didn't need a gun.

They beleived they were in good hands, until they realized they weren't. There was movement coming from the bushes and it made the pogues stand on guard, beckoning them to come out. Soon, the figures finally revealed themsleves. More mercenaries.

"Nicely, done Piper. It seems you can still make yourself useful after all." The red-headed woman speaks up, tossing you a pouch of money that you caught with one hand effortlessly.

"Never doubt my capabilities, it's insulting." You warn, tucking the pouch into the bag strapped across your back. The british woman continues, "Y'know, Mr. Finch could use your talents again. Once we're done tying up loose ends, we're headed back to home base in Lisbon."

Rafe is livid. He knew he couldn't trust you. It couldn't be by pure coincidence that the mercenaries popped up in the middle of this oasis when you were leading. "Lisbon? You told us Finch was here-" Kiara exclaims and Rafe interrupts.

"It was all a lie, from the very beginning. Mr. Alami, the merchant from Agapenta, he was working with you, wasn't he? You knew he'd send us to you, and now you got your sad little payout from these dipshits for bringing us to them." Rafe seethes.

"I'll neither confirm nor deny that claim, love the enthusiasm though." Your attitude remains unbothered throughout the ordeal until Pope demands, "What do you want from us? We don't have the crown! Groff took it." The red head shrugs casually, sharpening her blades as she approaches the group.

"Don't you worry, Groff will get what's coming to him. For now, it's time to repay the debt that is owed. You get blood on your hands, I get blood on mine." Your eyes bulge, "Hang on, you never said you wanted to kill them." You step in and the woman pays you no mind.

"Perhaps because It's none of your concern. You've got your cut, now's a good time as ever to leave. It's about to get messy." She retracts her hand, about to plunge the blade into Pope when she's knocked out cold by a flying piece of steel.

The group looks over to you in shock, fear, and a hint of gratitude, but there's no time to gush about it when there's suddenly a brawl that breaks out between the mercenaries and the pogues.

You all hardly take them out before escaping.

"Piper, what the hell?!" John B yells and his anger is heavily agreed on in the group, you take it on the chin before offering the most sincere apology you could come up with. They're unconvinced. "I deserve that. Everything you heard back there is true. Finch's Fortress is in Lisbon. If you find him, you'll find Groff," You trail off, reaching into your bag, handing Cleo the pouch of money you'd just gotten.

"Take this. It's more than enough to get you a boat big enough to get across the atlantic and even have some leftover for food for a few days. When you arrive on the coast of Cascais, you'll need to head north in-land."

There's silence.

A long silence, nervous glances between the pogues and Rafe's eyes roll. "You guys cannot seriously be considering trusting her. She almost had us killed! Am I the only one who cares about making it back home?"

"Just shut up, Rafe!" John B silences him, and Pope speaks up. "Listen, I don't know about you guys but Piper just saved my life when she didn't have to. We've already lost someone. Going after Groff could be a suicide missison for all we know. But we all know this isn't about our safety, it's about revenge. For JJ." His speech is moving, the expressions agree.

"For JJ." They all agree.

"To Lisbon we go." Cleo chimes, and the group moves on.

End of Script*

You had just finished reading the script and you were blown away. The cast never knows what to expect whenevfer a new script is dropped in front of them.

"Wait a minute... If the pogues are going to Lisbon in the next episode then," Madison trails off and the director ties in, "So are we. Pack your bags, flights are booked for Saturday morning at 5am, please do not miss these flights, we're not opposed to writing you out!" Josh jokes and there's excited and shock all around the table.

You knew that the last season of the show had implied that the pogues would be on their way to Lisbon but it never dawned on you that it would be so soon, even though it made sense.

"You ever been to Portugal?" Drew leans in, a soft whisper in your ear tickled your skin and made the hairs on the back of your neck at attention. "Never, have you?" He thinks about it, "If a layover counts then yes, yes I have." You're not sure if the joke was funny or if it just left the mouth of an incredibly attractive man, nonetheless, it made you giggle.

Madison kicks JD from under the table, jutting her chin towards the two of you giggling in secret and he rolls his eyes. "Patience." He says it calmly, but Madison is impatient, she knows she'll reign triumphant by the end of it all.

-

It’s a Friday night—or, more accurately, the early hours of Saturday morning. The world outside your accommodations complex is still cloaked in sleep, and you should be too. But no. The responsibility of making your flight in two hours has ripped you from the warmth of your bed. Groggy but determined, you scrambled to gather your belongings, knowing you wouldn’t be back.

After a last sweep of the room, you opened the door with a flicker of confidence—only to jump at the sight of a six-foot-two figure standing in your doorway.

“Drew! Oh my god, you scared me.” Your hand flew to your chest in a theatrical gesture, your pulse thrumming in your ears.

A small smile tugged at his lips, his eyes crinkling slightly. “Sorry. Just wanted to make sure you were actually up. Everyone else already left. There’s one driver still waiting downstairs.” His voice was smooth, annoyingly easy to listen to this early in the morning. Too easy.

“You sound oddly refreshed for 3 a.m.,” you quipped, your own voice still husky from sleep as you grabbed your suitcase.

“That’s the beauty of insomnia.” He shrugged, gesturing to his temples with a finger like it was some kind of genius life hack. “You can’t wake up tired if you never really sleep.”

The elevator dinged open, and the two of you stepped inside. The silence that settled was heavy, charged with something you couldn’t quite define. It hung there until you both spoke at once:

“So where are you—” “How did you—”

You broke into quiet laughter, and Drew’s mouth twitched with amusement. “You first,” he said, giving you a slight nod.

“How did you know I hadn’t already left with the others?” you asked, tilting your head curiously. For a moment, something flickered across his face—an emotion too quick to name—before a light blush dusted his cheeks. He masked it with an easy tone.

“I did some askin' around,” he replied, the answer short and almost vague. It was just enough to spark your teasing instincts.

“Ah,” you said with a smirk, “so you missed me?”

Instant regret settled within you. The elevator seemed too small, too still as Drew turned to look at you, his gaze steady and disarming. For a heartbeat, he didn’t respond, and your cheeks grew warm under his stare.

“You could say that,” he finally said, the ghost of a smirk curling the corner of his lips. His attention shifted to the elevator doors as they slid open, leaving you to wonder if you’d imagined the whole thing.

The ride to the airport was longer than expected thanks to roadwork that forced a detour. You should've been annoyed, but at some point, your head found its way to Drew’s shoulder, and your eyes fluttered shut. The fabric of his hoodie was soft against your temple, and his warmth lulled you into a half-dream state.

Drew didn’t dare move. The weight of your head against him was almost too perfect, and he fought the sudden urge to reach for your hand resting on your lap. Instead, he focused on the ticking clock in the back of his mind and the quiet hum of the car.

When you arrived, he sprang into action. “C’mon, we don’t have time to waste,” he murmured, grabbing your suitcase and his carry-on in one hand while ushering you toward the terminal with the other.

You barely had to lift a finger. Drew handled everything—tickets, baggage check, even navigating customs—with practiced efficiency, his jaw set and his movements quick. He wasn’t just organized; he was determined.

“Do you always walk as fast as a drill sergeant?” you teased as you reached the gate, breathing a little easier now.

He shot you a look, his lips twitching. “I'm not a huge fan of being late,” was all he said. But the way his eyes lingered on yours for half a second longer than necessary told you there was more to it than that.

Finally, you made it to your seats in first class. You settled across the aisle from Madelyn, who flashed you a bright smile.

“I was starting to think you two wouldn’t make it,” she teased, leaning toward you with a glint in her eye. There was an underlying subtext to her words but you were too tired to decipher it.

“Drew made sure that didn’t happen,” you replied with a soft laugh. The words were simple, but they carried a warmth you couldn’t quite suppress.

From behind your seat, Drew caught the sound of his name on your lips--and god did he love the way it sounds. He didn’t know what you’d said, but it didn’t matter. The fact that you were talking about him stirred something in his chest.

As the flight began, you glanced back once, meeting his gaze. He held it for a fraction of a moment before looking away, his expression unreadable.

And yet, for the rest of the flight, he couldn’t stop thinking about you. Couldn’t stop replaying the memory of the weight of your head on his shoulder—or wondering what it might feel like to hold your hand in his.

Taglist: @percysley, @lilithblackkk, @rafegf-real, @eternallovers65, @drsza, @wearemadeofstardust0, @cadhlabear, @thepopcultureaddict, @citr0us, @sabrina-carpenter-stan-account, @madi44444,

[felassan]

David Gaider on Cassandra (the last of these retrospective character threads), under a cut for length:

"This is the last of the (major) characters I wrote during my time on Dragon Age. I could go into others, and considered moving onto Stray Gods... but I feel like fewer would be interested, and I honestly can't keep up the pace. So let's make this the last, for now. So, yeah. Cassandra. We knew early on that Cassandra would come into DAI as a companion, along with Varric, that this was part of what DA2 set up for the sequel. Now, I'd written Cassandra's short scenes in DA2, yes, but I wasn't her writer for DAI. Initially, she was Jennifer Hepler's character. By mid-project, in fact, Cassandra was more or less fully written. Jennifer did a great job - solid character, solid quest. The sticking point, it turned out, was her romance. Now, to be fair, Jennifer told me straight up when we began that writing romance wasn't her forte, but she'd give it a go. The problem with the romance as she wrote it wasn't in its execution but more a clash between the character as Jennifer envisioned her and the requirements of her being a romance. See, I mentioned previously that a romance arc inherently limits the kinds of stories you can tell with a companion. Many responses I got can be summed up as "lol skill issue", but consider this: a companion romance isn't a fic you can just throw up on AO3. It's an investment of a lot of resources. If a companion has one, most of their resources need to be devoted to it - it's not "now let's ALSO add a romance"."

"That means it needs to take priority in who they are as a character and their arc. What's more, they need to be *appealing* to a big chunk of the player base - or at least someone we can imagine being broadly appealing, anyway. Thankfully, there are still many many stories this can accommodate. 😊 This, however, wasn't one of those. Was Cassandra a fascinating character? Absolutely. Her romance, though... Well, Jennifer DID warn me. She'd written Cassandra as a serious, self-righteous, pious woman who put the Inquisitor on a messianic pedestal. Romancing her meant changing her view of you. You did this by being... pushy. Jennifer didn't mean it to, I'm sure, but sometimes it came off as, at best, negging. At worst, a bit harassy. And Jennifer would have fixed it. This was a 1st draft, and the issues - while serious - were something a skilled writer like her could handle. No problem. Thing is, Jennifer left. You may not remember, but this was around the time a bunch of GamerGate dudes decided Jennifer was somehow responsible for ALL of BioWare's faults. Oh, the power she wielded! She, a writer, could even command the combat Bio made! The result was a LOT of ugly harassment. 😞 Is this why she left? You'd have to ask her, but it undoubtedly didn't help. The important thing is, she left - and there was nobody as senior nor as superhumanly fast as her to take over any unfinished work. This is where Patrick Weekes comes in: a solid, senior writer who could fill her shoes."

"It was great timing - not only did Cassandra need a writer, I'd slowly fallen more and more behind. It was clear by that point that I'd never be able to write Dorian AND Cole AND Solas as planned. They needed to pick up two. And I let them choose the ones who interested them, like all my writers. Patrick taking Solas was no surprise, and while I had Big Plans for Solas in the future I knew at least he'd be in good hands. I was reeeeaaaally hoping Patrick would then pick Cassandra... but they wanted Cole. My baby. Who I created in Asunder. I grumped, but Patrick clearly loved the character. They had ideas for Cole which... yeah yeah, sounded cool. Fiiine. 😅 Now I had to figure out what *I* was going to do with Cassandra. We couldn't move the romance to someone else, all the other female characters were well underway, and I didn't know the character well enough to fix her with tweaks. That meant a re-write. I didn't WANT to erase all that good work, but I needed to start from scratch. Yet how? A pious, self-righteous character was already a risk in terms of romantic appeal. There are only a small number of traits sorta considered universally unappealing but they're on that list. In this instance, Cassandra already being a known character helped. I came across a webcomic (by aimo, I think? AHH I wish I could find it now) that made a joke about Cassandra reading Varric's books. Off-hand, no basis for it, but funny. 😆 And I thought: YES. THAT'S IT. THAT'S WHAT I'M MISSING."

"I sat down and wrote the "fangirl" scene, just to test it out. Everyone loved it, and it served to change my image of who Cassandra was - a view of the inside, at the idealistic and awkward passion she felt, for so many things... AND the Maker. "Yes," I thought. "I could fall in love with this." Who knew Cassandra could be funny? Not anyone, coming out of DA2, yet here we were. It worked so well and her voice came so easily. Miranda Raison was game ofc, and amazing. Though Caroline did gripe that, if we ever met more Nevarrans THAT accent meant we'd have the Tali Problem all over again. 😅 Cassandra's romance is burned into my brain as the time when we THE most awkward conversation with the animators ever. See, that moment during the sex scene on the picnic blanket when she leans back and... there were suddenly these strategically-placed candles, juuuust covering the Sordid Bits. Thing is, they were so obviously placed just to do that. Plus, we'd already decided to do full nudity in DAI, hadn't we? WHY WERE THEY EVEN THERE? Turns out, the nudity thing was still pretty new to the team. They'd forgotten and put the candles there almost as a reflex. So prudish. So Canadian. 😂 I do find it kind of funny that, these days, what I mostly hear about Cassandra is from female fans upset at me because she wasn't a lesbian option. I mean, right? Who wouldn't want that? Technically not my decision, but I guess I WAS behind the companions having set preferences so... fair enough?"

"Some of them do take it to an entitled place, though, like Cassandra *should* have been a lesbian. Why? Because she looks like one, apparently, and that that's a bit of stereotyping which feels... odd? But it's not as if lesbian players are spoiled for choice left and right, so again: fair enough. It did lead to the best end credits VO perhaps ever, and overall I'm pretty happy with how Cassandra panned out. Things never end up like you expect, right? But such is game dev lyfe. 🥸🖖 Did you know Cassandra was THE most-romanced DAI character, by a good margin? Least, by a good margin? Dorian."

[source thread]

User: "Did you have any hand in her writing for Dawn of the Seeker?" David Gaider: "No, none. Nobody at BioWare had any hand in Dawn of the Seeker, outside of maybe Mike approving the script or direction? Only he could say for sure." [source]

User: "Was Miranda a specific casting choice by anyone on the team (similar to your picks for Merrill/Fenris/Solas), or was she simply a lucky find? I loved Miranda on the BBC series "Spooks", so I was very pleasantly surprised to learn she voiced one of my favourite DA characters" David Gaider: "I don’t remember how Miranda was cast. Auditioned, I expect, and she had a good “steely warrior voice” which is surprisingly uncommon among actresses. The accent she made up was all her, as well." [source]

User: "What's the Tali Problem?" David Gaider: "When Tali was the only Quarian, the actress doing a made-up accent was fine. Once there were others… do we get them all to mimic her? That’s a tall order!" [source]

User: "I'd say Solas is the most popular nowaday, but you need to be such a specific race/gender combo + most straight guys wouldn't go for him, i get hes not on top of the list, but I'd have expected Josephine over Cass." David Gaider: "You can’t go by how fans online talk about playing the game. There is almost zero correlation between the playstyles of the vocal hardcore and the masses." [source]

User: "I was a Dorianmancer. The cut content in Trespasser DLC was sad to read, it definitely felt short/abrupt for Dorianmancers. Anyway to share what was cut at all?" David Gaider: "I don’t know what was cut out of the conversation, as I never played it. I just heard about it after the fact." [source]

User: "Those end credits are truly incredible. Do you remember who wrote them? I'm guessing a combination of Mary Kirby & you?" David Gaider: "I wrote them, but I recall the entire team kind of took part in brainstorming the pieces of it." [source]

User: "I’m very curious- Do you know what direction you would have taken Cole and his story if you’d kept him?" David Gaider: "It's hypothetical at this point, but I suspect I would have been less willing to lose the serial killer aspect... or, at least, would have made that transition occur as part of his arc in DAI. Yet that's easy to say from this side of the divide. Who knows, really?" [source]

User: "With Cassandra you created one of the best characters in DA history." David Gaider: "Personally, my favorite response of hers is where she gets mocked for loving romance and she comes back with a retort about how it's a strength - how loving something and striving for the ideal takes courage. To me, that's central to her core." [source]

User: "inquiry: did you not write any of the Awakening characters?" David Gaider: "I wrote Anders, Justice, and Nathaniel in Awakening - but it was such a hurried project, my memories of it are pretty much a blur. "Yes, I worked on that" is almost all I can say about it, I'm afraid." [source]

[capncurly]

ok guys i don't like how someone threw it out there that curly was an enabler and now we've made that his entire personality, just like how we made rapist the only thing jimmy was about.

yes, curly's reaction to anya's words was not great, but let's dig a little deeper there. it's very much implied/obvious that him and curly's relationship wasn't good at all, given how curly reacts to jimmy's outburst. the implication that there was emotional abuse shouldn't be taken as absolute but you should also take it into consideration

and also, the psych evals. normally, a responsible fucking captain would've honestly done it, but the way that he lets jimmy slide and passes him in spite of work ethics and the possible violation he might be making by doing that gives some vague feeling of him feeling a need to cover up whatever jimmy's answers were or something adjacent to it implies SOMETHING. you dont just risk a work violation to make your 'friend' pass for nothing.

(this also kinda ties in to jimmy going "i can do it, i can fix things, i can fix this.")

also, the scenes in which you play from curly's point of view, where you walk through a sea of blood with disturbing warnings and alarms just to reach the sun -- the sun, leading to the blank white peace before reaching the cockpit IN WHICH jimmy resides, can be a metaphor for attachment. he was willing to push past unspeakable and disturbing horrors merely to reach jimmy. just so he could talk to jimmy. there has to be a deep relationship between the two of you to be willing to go through things. obviously the scene isn't literal, moreso a sort of analogy for the type of things curly would go to just for jimmy.

imagine that amount of devotion towards a person, who you soon found out to be a rapist. you'd need a whole lot of time before processing that actually, because personally, when i found out that someone whomst i trusted the most would betray me in such a manner, i couldn't move on for fucking years. imagine the person who you've done everything to save, just for them to willingly plunge themselves into the depths of hell.

whether for indulgence, or for control, jimmy did what he did. and curly had barely any time to pross that before jimmy (who was, presumably looking for the gun though had it hidden from him) was walking to the cockpit and crash the ship as an attempt to flee the responsibility of anya's pregnancy.

curly was overloaded with emotional feelings before he could even reach jimmy. he isn't completely blameless, but he isn't an utterly morally reprehensible being. yes, he should have done something--anything than to merely stand by and let things happen, but you can't blame him for not doing so.

he couldn't lock him in the cockpit, because jimmy wouldve done what he did. he couldnt lock him in utility, jimmy would've fucked up the crypopods. he couldn't lock him in medical, jimmy would've messed with their supply. sure, he could try locking him in his own quarters, but what if curly got into an accident even without the crash, and tulpar was left with neither pilots?

curly is a morally ambiguous character. he is neither a wholly good person nor is he a wholly awful person. he is a victim, but he is also an enabler. being a victim shouldnt cancel out being an enabler, but being an enabler shouldnt cancel out being a victim.

stop being fucking media illiterate you idiot and view him through a lens other than black and white IM BEGGING YOU!!!!!!!! sobs

[srslylini]

I'm so sorry to tell you this OP, a micro expression that I need to pause the show for to see does not equal good writing. A show, and media in general, has to take our hand and guide us through it, I hate this stupid fucking sentence "you just want the show to take your hand" YES I DO, YES MEDIA NEEDS TO.

I don't want it to put everything infront of me and just carry me through it, I want it to fucking MAKE SENSE and GUIDE ME AS IT SHOULD. I do not want to sit here and decipher some weird fucking ass background to see "oh look the curtain split in the background indicates how this character is actually split in their decision🥺". That is NOT how this is meant to work. It is a nice addition but should not take away from actual character development.

Saying people rightfully calling this madness out "have an inability to read in between the lines" when what you are doing is adding your own context the show never gave or just straight up ignoring how "character" in media works

Them fucking in a cell was quite disturbing and disgusting. I'm a lesbian. I should be glad we got a lesbian scene. Yes, it has weird as fuck implications. Why are you talking as if your interpretation is the only one that can be right and now everyone needs to yield to it? Huh. Implications can and will happen unwillingly and willingly, by the way.

Caitlyn has war crimed her way through the Undercity, ruthlessly threw people into prison for no reason (they did actually show that, woah sick right), was ready to SHOOT someone with a child on their person that either would have hit the child or would have left the child with serious trauma, HIT VI INTO HER STOMACH AFTER SAID FACT, TOLD A PERSON WHILE SHE DIDNT YET WANT TO, SHE WOULD THROW HIM INTO THE DEEPEST DARKEST DUNGEONS, called people of the undercity animals, etc.

and you say 🥺actions mean more guys uwu🥺 shut up, genuinely.

Oh plus glorified suicide is never justifiable, wtaf. Do NOT dare to even say "but she lived". They SHOWED HER, a suicidal character, WILLINGLY JUMP WHILE PLAYING THE MUSIC SHE PREVIOUSLY TRIED TO KILL HERSELF WITH. They also made the other 2 characters that attempted sacrifice themselves. I watched this shit. I saw them imply a suicidal characters worth is to die as a sacrifice. This is not redemption. Redemption means a character getting better and hey, I think a character getting better kinda means they have to live, woah insane concept, right? I do not owe anyone any kind of private information about my person to talk about this, BY THE WAY.

They acted as if classism is a thing that simply disappears 🥺when faced with a bigger fiend guysssss die with us in our clothes, ignore how we treated you for years and years and how we killed and imprisoned you injustly and acted as if you were less🥺 yes, they fucked up Implications between Caitlyn and Vi never being addressed is insane. No "actions" (literally huh) do not mean more than words here.

edit: I'm gonna repeat, implication happens and will happen unwillingly and willingly and implications will also not be the same for everyone. If people tell you the implications of episode 7 with Vi's death was weird then that holds as much value as what you say it implies to you.

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

[verstappenf1lecccc]

Long one shot for Jealous!Toto Wolff with wife reader. With how many celebrities and famous people at the Las Vegas GP, it's no wonder how many times she has been hit. Toto and their son, Jack saved her. Fluff/suggestive. Anything, I don't mind. Thanks!! :)

With prompts : Are you jealous?” “No, I’m not!” “Oh, you really are jealous! Wait, why would you be jealous?”, "I trust you, I just don't trust them." & “Jealousy doesn’t suit you. I like to see you smile more.”

Pairing: Toto Wolff x Reader

i loved writing this fic!! i have a serieus one coming out soon with a rather similar plot just more angst it is toto based!!

Jealous!Toto Wolff - One-Shot

The bright lights of the Las Vegas Grand Prix shimmered like a thousand stars on the Strip, illuminating the desert night sky as the paddock buzzed with excitement. The air was filled with the sound of revving engines, the chatter of celebrities, and the occasional laughter of fans mingling with drivers and team members. But for you, the night had started to feel overwhelming, your patience tested by more than one unwelcome encounter.

You had come to the race with your husband, Toto Wolff, and your young son, Jack. The plan had been simple: enjoy the thrill of the race, soak in the electric atmosphere, and have a good time with the family. But as you wandered the paddock, admiring the sleek cars and waving to some of the familiar faces in the crowd, the attention you were receiving started to feel less flattering and more intrusive.

It wasn’t uncommon for people to approach you—many of them were fans of Toto, or simply curious about the wife of the Mercedes team principal—but tonight, with the who’s who of the celebrity world filling the stands and the paddock, it seemed like everyone wanted a piece of you.

It started innocuously enough. A few polite conversations, quick photo ops with fans, the usual pleasantries. But soon, it became clear that a few of these “fans” weren’t as well-meaning as they appeared. A touch on the arm here, a lingering gaze there—nothing outright inappropriate, but enough to make you feel uncomfortable. And when you tried to escape back to the hospitality area, a certain well-known actor had greeted you with a lingering kiss on the cheek that, while nothing more than friendly in appearance, sent an uncomfortable chill down your spine.

It was at that exact moment that Toto appeared. His sharp eyes, usually so focused on the race, were now locked onto the scene before him with an intensity that made your stomach flutter—though not in a good way. He was standing by the entrance of the hospitality suite, his gaze fixed on the interaction, his posture stiff and controlled.

“Are you alright?” he asked, his voice calm but with an edge you had never heard before.

You nodded, attempting to brush it off. “It’s fine, Toto. Just… a lot going on tonight, you know?”

His eyes narrowed, and he took a few steps forward, the crowd seemingly parting for him as if they could sense the subtle shift in his demeanor. He turned to the actor, his expression cold and polite. “Excuse me,” Toto said, his voice flat and even. “I’m afraid my wife is not interested in further conversation.”

The actor blinked, startled by the sudden intervention, and gave a half-hearted smile before backing off, muttering something under his breath.

As the actor walked away, you felt the warmth of Toto’s hand on your lower back, a gesture meant to reassure but also to stake a claim. You glanced up at him, catching the faintest flicker of something in his eyes—something between possessiveness and concern.

“Toto, you didn’t have to do that,” you said, trying to lighten the mood. “I was fine.”

His expression didn’t soften. “Are you sure? Because it didn’t look like you were fine.”

“I’m fine,” you reassured him, offering a small smile.

He didn’t return the smile. Instead, he took a deep breath and spoke slowly, as if carefully choosing his words. “I trust you. I just don’t trust them.”

You blinked, caught off guard by the admission. “Wait, why would you be jealous? It was just a kiss on the cheek.”

Toto’s lips pressed together in a tight line. “Jealous? Me?” He raised an eyebrow, as though the idea was ridiculous, but the tension in his voice betrayed him. “No, I’m not jealous.” He ran a hand through his hair. “Okay, maybe a little. But only because I don’t like how they treat you.”

Before you could respond, Jack appeared, holding a toy car in his hands and grinning from ear to ear. His innocence broke the tension in the air, and Toto’s stern expression softened. He crouched down, scooping Jack up and planting a kiss on his cheek.

“Are you having fun?” Toto asked, his tone much lighter now.

“Yeah, yeah! It’s so cool here, Daddy!” Jack exclaimed, looking between you and his father. “But I think Mummy’s getting bored.”

You chuckled, even as you shot a playful glare at Toto. “I’m not bored, Jack.”

But Toto wasn’t letting it go. “I think you need a break,” he said, glancing at you with an unreadable expression. “You’ve been dealing with a lot tonight. How about we get some privacy? Just the three of us. We can go back to the hotel, away from all this madness.”

His suggestion caught you off guard, but it was exactly what you needed. A moment to breathe, to relax, to remember why you were here in the first place: for each other. And maybe, just maybe, Toto needed a little time away from the chaos too.

Later that evening, after the race had ended and the crowds had dispersed, Toto had whisked you and Jack away to a luxurious suite in one of the quieter corners of the Strip. The moment you stepped inside, the world felt miles away. The chaos of the paddock, the glittering distractions of celebrity and competition—none of that mattered now. It was just the three of you.

You sank onto the plush sofa, feeling the weight of the day lifting off your shoulders. Jack immediately jumped into your lap, grinning as he showed off the race car he had “won” from one of the games in the paddock.

Toto, still standing by the door, watched the two of you with a soft, almost tender smile, his earlier frustration completely dissipated. “Jealousy doesn’t suit you, you know,” you teased, leaning back into the cushions and catching his eye. “I like to see you smile more.”

Toto’s smile grew, but there was still a playful edge to it. “I’m smiling now,” he said, walking toward you. “And I don’t want to see anyone make you feel uncomfortable again. You’re mine, and I protect what’s mine.”

You laughed softly, reaching for his hand as he sat beside you. “Toto, we’ve been together for years. You know I’m not going anywhere.”

He squeezed your hand, the unspoken words between you both speaking volumes. “I know. But I still don’t like the idea of anyone else thinking they can have you.”

You leaned in, pressing a soft kiss to his cheek. “Well, they can think whatever they want. But the only person who gets to be close to me, in every way, is you.”

Toto’s smile turned into a grin, and he wrapped his arm around your shoulders, pulling you close. “Good,” he whispered, resting his chin on top of your head. “That’s the way I like it.”

There was a long, comfortable silence between you, the kind that only true intimacy can bring. Toto leaned in, placing a soft kiss on your lips, the kind of kiss that spoke more of reassurance and love than anything else. When he pulled back, his eyes softened, and you could see the shift in him—the guard he’d been holding up for so long had finally come down.

“You know,” he murmured, his fingers brushing your cheek as he traced a gentle line along your jaw, “you’ve always been the one to make me smile the most. But tonight… tonight you’ve made me feel like the luckiest man in the world.”

A blush crept up your neck, and you ducked your head, feeling a flutter in your chest. “Stop, Toto,” you whispered with a shy smile, but your heart was racing, his words making you feel cherished in ways you hadn’t expected after a long, chaotic day.

He grinned and kissed the top of your head. “I’m serious. You’re everything to me. And I just want you to know… no matter what happens, you’re the only one I care about.”

You looked up at him, your heart swelling. “And I’m the only one who’ll ever have you,” you said softly, your hands moving to his chest, feeling the steady beat of his heart beneath your fingers.

Toto’s grin softened, and for a moment, he just looked at you—no words, just that quiet understanding that had always been the foundation of your relationship. His lips hovered over yours again, but this time, instead of kissing you immediately, he lingered, savoring the closeness.

“Let’s not think about the world outside for a while,” he whispered. “Just us. Here. Together.”

You nodded, a sense of peace settling over you as his lips finally met yours, slow and deliberate. The kiss deepened, and in that moment, everything else faded away—the buzzing, the noise, the world outside your hotel suite. There was just him, and you, and the soft, perfect rhythm of the love you shared.

As you pulled back, Toto’s fingers gently traced the line of your collarbone. “We need more moments like this,” he murmured, his voice low and intimate.

“Then let’s make them,” you replied, smiling up at him, knowing that no matter how chaotic life could get, moments like this—just the two of you—were the ones that would always matter most.

In the quiet of the hotel room, the two of you drifted off to sleep, wrapped in each other’s arms.

[okiedokrie]

All Is Fair In Love And War Pt.1

Summary: Joshua is nothing if not determined. If he wants something, he'll get it; not that he even had to try before. But sometimes, like Icarus, he flies a little too close to the sun. But hey, all is fair in love and war!

Characters/Pairing: Aphrodite Incarnation!Joshua x Fem!Detective!Very Mortal!Reader

Genre: smut, fluff, crack, angst if you really squint

AUs/Trope Info: Greek God!AU, Partners In Solving Crimes, Strangers to Lovers, "time isnt linear" trope, "holy shit im kind of obsessed with you" trope

Word Count: 3,194 (Full fic is around 10k)

Warnings: Depiction of a crime scene (gore, blood, gun, conspiracy), depiction of drug use, character death (major and minor), smut warnings in the next part

Rating: 18+

A/N: I decided to split this into parts since I'm not confident ill be able to finish this within the deadline, this is part of the The 13 Gods of Olympus: A Seventeen collab hosted by @beomcoups and @wooahaeproductions! This is just the first part, so if you enjoy it, please consider signing up for the taglist. Thank you!!

In the summer of 2000, Joshua Hong was almost five years old. People always commented on how pretty he was for a kid, that he’d surely grow up to be a very handsome man.

Which is why it was a tragedy when he died from a freak truck accident.

Yes, Joshua Hong died at the age of five. For like, 10 minutes.

The doctors called it a miracle - a small child should not have survived a whole six of the twelve truck wheels, but somehow he was resuscitated, much to his parents’ delight.

This incident caused two things to change dramatically - Californetherlands now has stricter trucking laws and Joshua woke up to memories of literally being Aphrodite.

Throughout the years, from that fateful summer day to the present day, Joshua flopped back and forth between believing that the memories were just fever dreams and genuinely considering that he may be a reincarnation of the goddess. But ever since he got to hone his powers, he’s been more inclined to believe the latter.

By the age of 28, he has mastered the art of seduction. No, not sleeping with people constantly. It was more so the art of getting people to say ‘yes’ to everything he asked of them.

This made Joshua a very powerful and influential figure in Los Amsterdam; You see, the way he dealt wasn’t by out-witting people or being richer than them. He dealt in favors. If you wanted to be a popstar, he’d introduce you to a famous producer, and get you a record deal that would solidify your career - all for the low, low price of free.

In turn, you’d owe him, like the many powerful people who owed him large favors.

Joshua found himself in downtown LA, in the club that he owned, just under his penthouse. He enjoyed playing the guitar and performing for his patrons, everyone seemingly captivated by his voice, or his beauty, whichever one caught their attention first. He finally strummed the last chord of his song, enjoying the applause of the crowd as the DJ started to play the usual club music. Just as he was about to retreat to the bar, a feminine voice stopped him.

“Joshua! Hey!” She said, hair bouncing over her new fur coat, jumping excitedly, calling him over.

Joshua smiled widely at her - she was one of the people he had helped start her career as a singer. He didn’t do much other than introduce her to the CEO of her current label, it was her natural talent that got her this far.

“Ah, Diana, good to see you!” He said, going over to meet her in a friendly hug, the kind that didn’t touch at all. “How has being a singer treated you? Any good news?” He said, making small talk with an old acquaintance.

“Oh please,” she started, her new haughty attitude showing, “It’s all over the news! I just got nominated for a Grammy!” She said in a sing-song tone. Joshua just nodded Truth be told, he didn’t really have much interest in pop music, but he did try to match her enthusiasm.

“That’s great! I knew you’d make it big.” he said, remembering the first time she came to him, a girl in clothes that almost looked like rags, now decked out in every designer brand you could think of. “So, what brings you back here then? Surely you already have everything you ever wanted?” He said lightheartedly. Even if all of Joshua’s connections owed him favors, it was quite uncommon for them to come back to him after having achieved their dreams.

“Well,” She said, her old, meek bashfulness coming to the surface. “I just wanted to see you again, to thank you for what you have done for me.” She tucked a hair behind her ear. “And I know no matter what favor I do for you in return, I could never break even for just how much you’ve impacted my life. So, thank you, Joshua.”

Joshua genuinely felt relieved to hear her say that - usually, people’s pride and greed got in the way of them acknowledging those who truly helped them along the way, but as he suspected, this girl still had a soul so pure. “Let's get some drinks by the bar and chat some more, yeah? My treat.” He offered, which she gladly took, the conversation between them flowed naturally, Joshua enjoying her tales of success.

It was an hour after the club closed that Diana decided it was time to head home. Joshua offered to see her off, like the gentleman he was, and so they walked to the sidewalk, her hand around his arm.

Joshua opened the taxi door for her, offering her a few bills in cash to cover the fare, “It was nice seeing you again, hopefully, you’ll make time to catch up with me in the future.” he said through the taxi window.

“Yeah, I hope I get the chance to see you again soon. Goodnight Joshua.” She said as she rolled up the taxi window.

Joshua watched the taxi drive until the end of the block, and everything seemed to be going smoothly. Then, another car intercepted her in the intersection.

It happened so quickly, too quickly for Joshua to even register the new car’s window sliding down, holding a gun out to the taxi Diana was in. Gunshots echoed through the street, the sound of tires popping and glass shattering but all Joshua could make out was the sound of two sets of four tires screeching against the concrete. Diana’s taxi collided with a nearby lamppost, the taxi flattening and curling around it.

That was the last time Joshua saw her alive.

It was all over the news “Beloved Grammy-nominated rising star, Undyne, passed at a downtown intersection in a successful assassination.” Headlines went crazy with her story, telling her life before her short-lived success as a pop star.

The police were on her case, and the street cameras identified a black car with a non-existent plate number. they couldn’t find the people who owned it, but they did have enough evidence to call it a homicide.

Joshua, being close to the scene at the time when it happened, was one of the key witnesses to the whole case.

Currently, Joshua is in the waiting area of the police station, waiting for the detective on the case to lead him to the interrogation room where he will give his statements. He was just mindlessly scrolling through his phone when a voice snapped him out of it.

“Mr. Hong? Correct?” One of the officers asked him. He nodded to confirm it, repeating his full name. The officer just nodded too, “Okay, please follow me. Detective L/n will be there to ask a few questions.” He turned to the direction of the interrogation room, Joshua trailing behind him quietly.

The officer stopped in front of a door, “Here we are, just head on in.” He said, nodding at him. He walked into the interrogation room, the chilly air making goosebumps rise on the surface of his skin, the thin cardigan he wore did nothing to shield him from the cold. He took a seat at the chair facing the door, poking at the cold metal table as he waited.

“Good Morning Mr. Hong, I’m Detective L/n. I’m here to ask you a few questions, everything said here will be transcribed as evidence for this case, do you consent to this?” You started, taking the seat in front of him, your tone was very professional, as he expected, you didn’t even bother with pleasantries other than introducing yourself, which didn’t bother Joshua. He confirms his consent verbally, politely smiling at you with his hands clasped over the table.

“Great, I’d like to ask a few questions about you first.” You said, taking out your folder for the case, “You’re Joshua Hong, born on the 30th of December, 1995. You own the club downtown where your place of residence is also. Is all of that correct?” Joshua confirms all of the information is correct.

“You can just call me Joshua, by the way, Mr. Hong makes it seem like I’m someone important.” He said bashfully, scratching the back of his neck.

You just nod, writing something down in your notebook, “What was your relationship with Diana Kamatayan?” You asked, reviewing the official file which states that she is one of Joshua’s ‘clients’.

You were well aware of how the king of Los Amsterdam does his business, favors for favors. That’s how he got this far, and if you don’t hold up your end of the bargain, he’ll take away everything he gave you. You knew asking for Joshua’s help would make this investigation go quicker, but that would mean you’d owe him.

Owing Joshua Hong anything is a dangerous position to be in.

So while you have him in this interrogation room, you’re going to try to milk every bit of information out of him while it’s free.

“Well,” he started, getting comfortable in his seat, “She was one of my clients, I’m sure your file on me already knew that. Other than a professional relationship, I don’t really have one with her. That night was the first time I’ve seen her in a little over a year, actually.”

You nod, the timeline matches up, “And why did you meet her that night?” You ask next, trying to get more out of the nature of this last meeting.

“She approached me while I was in my nightclub. I was just about to turn in for the night when she came up to me to catch up. She thanked me for introducing her to a producer and wanted to catch up.”

Joshua really wasn't giving any information for free, as the interrogation went on you could only collect information you already knew. He didn't reveal any more than a simple google search did.

You drop your file folder onto the table, where Joshua's posture remained calm, cool, collected across from you, the small, charming smile still on his face.

“Did you get what you needed, Detective?” Joshua asks politely, tilting his head with his query.

“All I got was everything we already knew.” You sighed, rolling your shoulders in your seat. You turn in your seat, facing Joshua head-on once more. “Joshua, you are one of the most powerful and influential men in Los Amsterdam. We need your help in solving this case. All our leads have gone cold. We need your connections.”

Joshua smirked, the only time his expression changed from the relaxed and polite smile he had for the rest of the interview. His posture relaxed, leaning forward over the table, he placed his palms down on the cool metal surface, and said, “You do know what that would mean, right? The price you’d have to pay?”

You nodded, “I know all too well.”

“Asking me for a favor would mean that you’d owe me, do you think you can afford to pay that price?” He raised his eyebrows, you’d think your eyes deceive you when his irises glowed a soft gold—tilting his head in an almost teasing manner, taunting you.

Your breath hitched as you looked back at the one-way glass, knowing your co-workers were watching every detail of this interaction. “I promise I’ll deliver what I owe you. Just- please help us.” You said, not being able to look at him directly in the eyes.

He straightens his back once more, his polite smile returning to his face. “It’s settled then, I look forward to working with you Miss.”

Driving through the streets of a somewhat more affluent neighborhood, you stop in front of a well-known party den. There are plenty in Los Amsterdam, but this one was popular because of their ‘free-love’ policy.

Essentially, if you want to fuck, every surface is available to borrow for the duration.

You don’t look forward to entering the den, especially since you don’t know which surfaces are good to touch, but your partner beside you seems to be relaxed and content to visit such a place.

“God, I haven’t seen Jackson in forever. I hope he’s still having the time of his life here.” Joshua said with his bright eye-smile. You turn back to him, eyebrows furrowing in disgust. How could he find a place like this enjoyable? You don’t understand how the minds of party-goers work.

“Okay, how exactly is visiting a party den supposed to help with our investigation?” You finally ask him, he refused to elaborate on how relevant this location was when you met up with hiim, or during the entire car ride to said location.

“Well, Jackson still owes me, and he’s Diane’s ex’s first producer. If there’s anyone with a motive to get her killed, it’s her ex. I asked him to get Johnny drunk enough to pass out in one place. Now you have the perfect stage to corner and investigate him!” He said, with a smile on his face as if his plan didn’t just open up a whole new can of worms for you.

“You do know it’s illegal for me to just interrogate him without a warrant right? He might lawyer up if he figures out we’re onto him.” You said running a hand through your hair.

“Which is why I got you this,” he pulls out a skimpy party dress and matching heels from his duffle bag, “We blend in with the party-goers, that way you’re not interrogating him, you’re just having a conversation.”

“Joshua Hong you are insane.” You said, tone raising, “I’m not walking into a sex den looking like a hooker!”

“Don’t worry, we’re just trying not to stand out, please, just trust me.” He said handing the outfit over to you. You think over his words, it would be wise not to draw too much attention to yourself. If you made it obvious that you were a cop you’d have to resort to improvising.

You were never good at improvising.

Joshua gave you the decency to turn away while you changed, he was already in his usual relaxed suit that already made him look like a pimp, so he was already dressed for the occasion.

You both step out of the car, your heels clacking on the pavement below you. How Joshua managed to find your shoe size is in itself impressive, but you don’t have the time to dwell on that.

You both enter the bustling house filled to the brim with people indulging in their vices, whether it was alcohol, drugs, the ‘free-love’. It was a mess of bodies and fluids that you’d rather not inspect closely.

Joshua expertly weaved through the crowd, parting it like Moses did to the red sea. He didn’t have any difficulty locating Jackson Wang, the host of these parties.

“Jackson!” Joshua called out, the man was sitting in one of the many loveseats, a can of beer in hand and two ladies under his arms, giggling and getting very comfortable with him.

Jackson squints over the flashing lights, eyes widening in recognition after seeing Joshua. “Joshua! My man! Glad you finally made it! Got to say though, that favor of yours was an odd one. But you’ll be able to find him in my room. You know the way.” He waves him off, resuming to talking to the women clinging onto him.

You follow after Joshua, quickly climbing a few sets of stairs to get to the third floor, the entirety of the third floor was just Jackson’s room. He made sure to lock the door behind the both of you when you guys arrived.

The floor was far quieter than the floors below you, and less of a mess than them too. This room felt like Jackson’s actual home, and not like a party den.

Joshua spots Johnny stumbling around the room, nursing a liquor bottle- a few of them.

“Joshua we can’t interrogate him when he’s like this, he can barely even stand!” You said, waving your arms in front of you to point at the inebriated man.

“That’s not a problem, watch this.” Joshua takes long and purposeful strides toward him, once he finally reaches him, he takes his face in his hands and stares directly into his eyes.

You watch in awe and slight confusion, until Joshua speaks up, “You want to tell us everything we want to know, and you will be sober as a priest while you do so.”

Suddenly the haziness in Johnny’s eyes faded in an instant, his brown eyes now have a golden ring around the irises, like a puppet on a string.

“What did you need to know?” Johnny says, no longer under the influence of alcohol.

“Joshua, what did you do to him?” You ask in slight horror.

“Nothing illegal, don’t worry about it.” He said, “Continue your questioning on him, detective, if we spend any more time here Jackson’s gonna think we’re having sex here.”

Not wasting any more time you ask Johnny, “Are you aware that Diane Kamatayan had been assassinated? Do you know any information about that?” Johnny squints before his eyes widen in recognition, “Diane, yeah, her, we dated a bit. I was obsessed with her. But she broke it off when she got big. Yeah, I’m pissed, but instead of doing anything healthy with my time I just chose to shit-talk her on Twitter and drown in alcohol. When I heard the news about her passing, I lost it, went straight here where Jackson just kept handing me bottle after bottle with no questions.”

You look at Joshua, raising an eyebrow, not much of a motive if he didn’t even contact her directly in the entire duration of their time as exes.

You shake your head, back to square one then.

“It didn’t help that she started dating the old geezer of a producer of hers.” Johnny said, eyebrows furrowing in frustration, “That whore, she probably got big because that sleaze of a producer gave her banger after banger for sucking his dick or something, tch.” he said, clicking his tongue and crossing his arms.

“I’m pretty sure it was him who killed her too.”

You and Joshua look at each other in shock, eyes meeting for a second, almost as if communicating telepathically.

“Why do you think that?” You ask, cautious around the increasingly irritated Johnny.

“He’s always been a greedy bastard, worked with him before. Wanted to claim all the royalties of my song, so I sued him. Pretty sure he got threatened by how rich Diane was getting for that hit.” Johnny spat, distaste seeping into every word he said, “Now Diane is dead, and the bastard is getting married to some Slavic model, most likely cashing in all those royalty cheques.”

You and Joshua nod at each other. Joshua snaps his fingers, it’s almost as if snipping a puppet off its strings, the glow around Johhny’s eyes dims and disappears, suddenly slumping over the seat, stumbling drunkenly like he did when you found him.

“Okay, we have a lead.”

[mintaikk]

Why Morpherine should be canon

Remember: all of these are just MY opinion. In all honesty, I just want Morph's feelings for Lpgan to addressed instead of just burying it immediately. That's all I'm asking, I'm not even asking them to get into a relationship. Morph's VA even agrees that Morpherine doesn't even need to be canon, and that their friendship should be explored more. But, these are just my reasonings on why it would be good for morpherine to be canon.

It would put an end to the not love triangle between Jean, Scott, and Logan

Love triangle has been going on for a while now, and I think we're all sick of it. I like that it let's us see a softer side of Logan, but Jean isn'tinterested! She's been with Scott since high school, and there's no way in Hell that she is going to leave him.

What sucks to me is that the fact that nothing has really been where he develops abd is able to get over his crush. I get it. Feelings are hard, and they don't go away. But, nothing is going to be done with this except useless pining and have Jean kiss him for some fucking reason. I literally just want Logan to get over Jean. That's it. He gets over Jean, and find someone thar actually likes him in that way.

And that's Morph bcuz the entire post is about :).

It already has good buildup

Half of this section was just stolen from a post made by @waywardsou2 bcuz I haven't watched the original series in a while and they put it perfectly lol.

Morph and Logan were best friends, with Logan famously saying that, "He [Morph] is the only one that could ever make me laugh." But (in literally the first episode lol), Morph dies protecting Logan from a sentinel. And Logan was fucking PISSED. He didn't like Scott before, but I think Morph dying contributed to his dislike for him even more, since he believes that Scott's decision is the reason that his best friend was killed. He then goes to grieve and then later avenge Morph ("This one's for you, Morph!" Slayed so hard with that line tbh). Later, when they find out that Morph is alive, but under Sinister's control, Logan is the first one to offer and go out to rescue them, even though they all think that Morph betrayed them. He says that "He's the only one that could ever make me laugh", quote and also mentions that he's "not giving up on him again." When Logan goes to talk to Morph, the purple around Moeph'a eyes dissappear, and only return when Logan isn't around, so they're already shown to be pretty close.

Another thing is that when Morph and Logan are fighting, Morph turns into Sabretooth and Jean to get under Logan's skin. It's already and open secret among the X-men thst Logan has feelings for Jean, but he hadn't told anyone about Sabretooth. Morph turning into Sabretooh implies that Logan gold Morph about him. I find it sweet that Logan trusted Morph enough to tell them about Sabretooth.

Morph wanted to get revenge on the rest of the team, but with Logan, they just explained what they were going through. And Logan understands them because he wants them to feel better.

And then, in X-men 97, they're just attached by the hip and are literally always seen together. Morph cheers Logan up when he's upset, Morph is always the first one to save him, etc. They're even like this in the comic, being the first one to notice that Wolvie is upset during Scott and Jean's baby shower.

Oh yeah, the thing that made me go "HOLD UP" and got me into this ship: Morph's (confirmed) love confession to Wolverine.

And that fuckass shower scene.

We could just leave it at that, but I'm a fanfic reader and writer, meaning that I latch onto ANY angst I can find. So, here's the stuff this scene implies.

-The illusion of Logan was made by Mr. Sinister when he was bringing out the worst fears of the X-men. And Morph’s worst fear? Logan finding out their feelings for him, and Logan finding them repulsive

-Mr. Sinister is aware of Morph's feelings for Logan, which implies they've had feelings for him for a while now

Those two things are very important for me, and just adds to their relationship more. Imagine a scene where Morph tells Logan expecting him to be grossed out by him, but instead, Logan accepts them and hugs them or smthn. I'd honestly cry if I saw that.

Happy ending for the gays :D

So, so many stories of unrequited gay love or "burying your gays." I don't think they're gonna kill Morph as a lot of their time was spent being dead, but I can see them being rejected by Wolvie. Which is completely fine! Again, I'm not saying that they need to be together! Having a scene like this or this would be great!

But also, I think a lot of people are just tired of having gays get unhappy endings in media, be that rejection for a straight relationship or just straight up dying. Morph's VA believes that it's important to have a gay character be rejected by a straight guy since it's happened to so many people in real life, and I do agree with it! But also, this is fiction, and escapism, and goddamnit, people just want their favorite characters to be happy!

Good queer rep

Imma br so fr: Marvel shows and movies are shit when it comes to queer representation. It's getting better, but it's still shit. It's either a one-off comment or queerbaiting. Apparently, Loki is genderfluid? That's great! Would've been nice to actually see! Bucky Barnes is implied to be bisexual (he mentioned a lot of tiger photos on Tinder, tiger photos are mostly posted by men, it implies he was looking at men's profiles on tinder) but again, that's only implied, and you gotta dig deep to realize it, so really, only people who are actively looking or are in those communities know. America Chavez is gay, (haven't read her comics, but I think she's also gay in the comics :D), but I didn't even know that until I saw it on the wiki. I don't feel like going through all of it, so here are some links to posts that talk about it. Link 1, Link 2, Link 3

Honestly, it'll boils down to wanting to appease the cishet male audience.

X-men is a bit different though, as the series was literally MADE to be woke. Like, here's a post I made that talks about it bcuz I don't feel like repeating myself. Except Marvel shows are cowards, so they'll probably tone-down the wokeness. Smthn about "Wolverine can't be queer bcuz he's mainstream" and they gotta appease that cishet audience! Except that's exactly WHY it would be great for Wolvie to be in a queer relationship! Because he's mainstream! He's already a super popular character, and having him be queer would be great, because a lot of queer people will look up to a character that they already liked before! Straight men have a shit ton of characters that represent them. What's wrong with queer men having a character thar can represent them? Same with lesbians, bisexuals, trans people, literally anyone under the queer umbrella.

I latched onto Morph so heavily because they're nonbinary and gender-nonconforming, which matches my gender expression so heavily. And if I can be so extremely happy with a character that gets a couple minutes of screen time being queer, imagine how happy people will be when a main character whose in a queer relationship gets even more screen time?

Also, Wolvie dated the literal actually Hercules in one comic. Don't come at me yall, it can happen.

And if Marvel wants to add queer rep but is still shy about it, Morph would be a great start. It's like putting little kids into the shallow end of the water because the deep end is scary.

Morph only exists in the X-men cartoon and Exiles comics. Unless you're this tiny community on tumblr, no one gives a shit about Morph. When people think about their nostalgia for X-men 92, no one thinks of Morph. Their ass literally DIED in the first episode, wasn't even in the goddamn intro, and only appeared for like, 6 episodes, and they didn't even exist in the comics. So, paring up with Wolverine would be the "safe" option. It wouldn't be like pairing up Bucky with Sam or Cap (no matter how many people would love that), because no one knows who Morph even is. People would say, "Oh, Wolverine got with Morph!" and most people would reply with, "Who?" Safer option so less people get mad. Just dipping a foot into the pool of queerness, lol.

Yeah, it sucks that there has to be a "safe" option, but I'm also very attached ti this ship and Marvel needs to learn that queerness isn't some evil thing that drives away customers.

Tldr; Morpherine should be canon bcuz It would put an end go the Jogan love triangle, it already has good buildup, it leads to a happy ending for the gays,

[hyog-blog]

Fangs of Fortune (ep. 06 - ep. 07)

Uh, not Li Lun, out of all people, making everyone finally question why Zhu Yan actually killed Yichen's brother and all those people years ago. We know he lost control over his malicious energy, but why didn't anyone ask him why it happened? Come on, people, you seem to be so smart))

Well, Wen Xiao seems to be accepting enough to not care about what our gorgeous Demon Lord has done in the past, which is quite refreshing. Ambiguous, morally grey characters need more unconditional love (especially when they're, uh, 34,000 years old? XD). But he doesn't even seem to be so 'grey' at this point - he's doing too many good things right now.

The whole thing with being a 'vessel for malicious energy' is quite intriguing. Was he born like that? Can he actually stop 'the cycle of rebirth'? Why did he 'lose control' after so many years of cultivation? I'm also trying to figure out the timeline - the killings must have happened after he dropped Wen Xiao off at what seemed to be the gates to the demon-hunting bureau. But she wasn't staying there when that stuff happened? Did his demonic self come back there just to wreak havoc or for some other reason? Was Li Lun involved? Mmmm, the plot is deliciously mysterious, I will have to wait to get those answers.

Also, I can't even be angry with Li Lun at this point, although he's playing the bad guy now - the poor baby was so visibly hurt when Zhu Yan called him a scumbag. And that painful look he had when our Demon Lord thought something along the lines 'screw you, I know how to wake this boy up from his nightmare' and pierced himself with Yichen's sword (which, uh, seems to be quite a recurring motif and the symbolism of it isn't escaping me, nope XD). In the world of jianghu, the next best thing you can do to show you CARE apart from cutting sleeves is to stab (or get stabbed by) the person you care about. Or get stabbed FOR the person you care about.

I also love how effortlessly Yichen is third-wheeling without creating a feeling that he's actually third-wheeling XD Wen Xiao is obviously biased towards Zhu Yan, now even more so that she knows he IS that Great Demon who accompanied her and the Bai Ze Goddess all those years ago. I would totally trust him, too, if I were her. I also love the messed-up dynamic of a former caretaker/child who's grown up because now Zhu Yan definitely doesn't give us those parental vibes, he's oozing sensuality wherever he goes (and him pretending to be all hurt so she stays with him, ahah, that whole sequence was cute and hilarious). And Zhu Yan saying something along the lines that they now get to 'meet all over again' - was it to build a new relationship with her from scratch? M-hmm, yummy, utterly delicious :D

And you can see how Yichen kinda sorta admits defeat in the way Wen Xiao no longer needs his protection against the 'big bad demon' (the man is using his big bad demonic energy to push her swing, for Christ's sake XD), but still can't let the other man go so easily because of REASONS and that 'you'll have to pay for your sins either way' thing still going on between them. Zhu Yan does know what buttons to push when it comes to Yichen, but the feeling seems to be quite mutual (they're cute together and their interactions are so yummy 😍). That scene at the temple is EVERYTHING. And then at Zhu Yan's mansion with the swing. Is he swinging both ways? Ahah XD For a 34,000-year-old being I don't see how that could be an issue)))

Okay, cutting and piercing still seem to be the show's love language and I APPROVE (never had a kink like that, but there's a first thing for everything, I guess XD). The undertones just make it all so yum))

The introduction of the new character, Yinglei, was hilarious))) We also find out that the Wilderness is crumbling down, which makes the whole Bai Ze token thing even more important.

/and I've finally reached the picture limit in one tumblr post, ahah XD/

[skimmingmilk]

i've just found out your tumblr has even MORe picket fence writing and im over the moon?? But also my heart was shattered with the back in time wip 😭😭😭 how does sonic find the strength to leave baby tails behind, how does he react when he sees tails again in his own timeline after having met sick abandoned baby tails??

Heheheh, yeah, there are some little fics or scenes I've written that I hesitate to put on AO3 sometimes (or just aren't complete enough to be a story on their own), so I like to throw them at Tumblr from time to time. Glad you found them! :D

Ohh, the back in time WIP... Not sure how much I can give away because of the chance that it's going to end up part of a bigger fic... but it'll still be a long while until I get around to posting that xD Maybe people will forget lol.

Potential future spoilers under the cut?

So! The way I see it playing out is that Sonic is going to find it in him to leave baby Tails behind because he knows they'll cross paths one day, the way they're supposed to and everything will play out from there. He knows he can't stay in the past and he can't take baby Tails to his present. Plus, Silver's with him and it probably wouldn't go over well to try and explain why it'd be a good idea to take baby Tails with him when it would negate pretty much everything Sonic and Tails experienced together since meeting on West Side Island or cause a split in the timeline where now there's a universe where Sonic never got to meet Tails because he wasn't there and now Sonic's time with have two Tailses. He knows that it can't happen.

But... Sonic still can't stop wondering about the little guy. Is he cold? Is he scared? Is he getting enough to eat? Is he lonely? Hurt? All the things he's not letting himself think about when it comes to his Tails (the 10 year old who's on his first solo adventure and basically gone as close to no contact as possible in order to "prove himself"). He projects all that onto the baby version of him because he knows Tails can handle himself (and that's not why he's worried about him, what he's uncomfortable with is the motive behind the journey). So he gets his hands on two Chaos Emeralds and goes back to check on baby Tails by himself. Just this once.

Except it doesn't end up being just once. Because there is this disconnect and distance between Sonic and Tails of the present, doubts that have arisen in the wake of Forces, Frontiers, and now Tails's absence, Sonic's drawn more and more to the past. Baby Tails smiles and laughs and he doesn't pull away from him and he likes to play and explore and he still needs him. It's just so easy for Sonic to make him feel better. Just by being there.

Also, because this is after Frontiers, going through cyberspace and the cyber corruption has opened the gates to Sonic's memories a bit and they're kind of leaking into his thoughts more and more. He's falling into the habit of ruminating, reliving moments and questioning choices he made, things he might've done wrong, could've done better. So that maybe Tails wouldn't feel like he needs to become a completely different person.

Present Tails won't listen to him, but baby Tails hangs onto every word. So maybe by being there... Tails might remember being loved and maybe the 10 year old won't only see the worst parts of himself when he looks in the mirror if Sonic can try again and show the younger version that he's worth something just as he is.

I think Sonic crosses paths with present Tails twice during all of this. The first conversation goes okay, but there's an awkwardness to it. But Sonic does try to make an effort to be more open with Tails in the hopes that maybe it will set a better example. And Tails is surprisingly receptive to it. So Sonic resolves to not go back to the past, because Tails seems to be doing okay after all. And he's reminded that he loves who his little brother is now. The good and the bad made him who he is, and would he really want to change that? Of course not!

Unfortunately, the second conversation doesn't go nearly as well...

So Sonic goes back to see baby Tails in the wake of it - not because he needs it, but because Tails clearly does - but when he arrives, the forest is burning and he can't find Tails anywhere...

[earthmoonz]

a/n: had to feed my covid/adhd riddled brain and write this scene out even though it's set years in the future and has little relevance to the current plot....come get y'all juice I guess!

(transcript below):

[lift doors open]

employee #1: [brightly] good morning mx. scott-ky- [max storms past them] oh, um never mind then.

max: open the gate amna, before I kick it off its hinges.

(amna - lena’s assistant): max, she’s in meeting, if you just wait-

max: [low] open the fucking gate.

[amna sighs before pressing a button, opening the metal gate to lena’s office]

lena: …I see what you’re saying john, but I do have to run…we’ll touch base next week. say hello to the wife and kids for me. buh-bye. [calls ends, she turns to max] my beautiful wife, to what do I owe the pleasure?

max: what the hell is your problem?

lena: right now it’s that you still have clothes on but that’s easily fixed babe. 

max: why the fuck did you cut anderson out of the indigo project and more importantly: why the fuck did you do it without talking to me?!

lena: max, you know I value your input but that doesn’t always mean I can take your advice. I had other interests to consider and anderson wasn’t the right fit. not everything can be discussed before it happens baby, you know that.

max: don’t baby me. you knew this would fuck things up for me and you did it anyway. what is the point of telling me over and over that ‘we’re a team and nothing comes between us’ if you only remember when it’s convenient?!

lena: max, you know I would never make a decision that hurt us in the long run. you need to trust me.

max: is this about the book?

lena: no.

max: I don’t believe you.

lena: max, as I said before, I support you regardless of what you choose to do.

max: why are you being so corporate about it? I’m your spouse not your fucking employee.

lena: [losing patience] if you were my employee you would’ve been fired and blacklisted already for conspiring with a competitor.

max: you are unbelievable!

lena: wait, max-

max: [storming out] get fucked lena! lena: [sighing, to herself] oh I fucked that one up.

[supremechancellorrex]

Okay, then, it's online space, we can go back and forth forever as it's all public discourse and there's no such thing as trespassing. Please give me examples of Mai saying fascist rhetoric or looking down on other nations racially. Aside from her just existing as a FN character born on the wrong side of the border. "Zuko did x" is actually a good measure when there's a double standard. Funny enough, I've met even people who call Zuko fascist and dislike Zuko's redemption story as it ends up with him as an absolute monarch, who mishandles the Fire Nation colony problem and puts FN citizen interests above Earth Kingdom interest for much of the Promise. The word is hardly stirring in this fandom now. Others have called him an abuser for how controlling he was in the Beach in who Mai could talk to. And they tell me all of that is so apparent. It seems in some opinions Zuko is badly written, despite the feels and "kindness" conclusions.

Also with Sokka and Suki it is not a "false equivalence" because Sokka and Suki were friends and then lovers who meet up again and kissed in the Serpent's Pass after spending days together and that whole spiel about Yue, his first girlfriend. He rebuffs Ty Lee in the Crossroads of Destiny by saying he's "with Suki now". Sokka went into a fit of rage and cried in Day of Black Sun over Suki, yet he didn't think of her missing until Azula mentions it despite it being weeks. Then as soon as they meet up again Sokka tries to smooch her immediately. They are in a relationship, it goes without saying. This is the nature of Avatar. You could complain the relationship between Suki and Sokka is fast, it could also be complained that Sokka forgets about Suki for a long time despite being committed to her. Arguably makes Sokka seem rather callous if one is to ignore this is an episodic kid's show, same with Zuko.

As for your conjecture of "We're supposed to think", that's just your interpretation, a rather absolutist one, but the context, voice acting, body language/smiles and structuring of those scenes, including the quotes I have shared but you're free to watch them yourself, make it unlikely for quite a number of others, myself included. Since you've talked about what you hate, I'll tell you what I dislike in the fandom. Absolutist takes where everyone in the audience is told "We're supposed to" with no evidence provided. This is what Azula stans say, they say "We're supposed to sympathise with Azula", "We're supposed to see that she's an abuse victim child and not judge her at all", despite it just being their interpretation. Mai does not dismiss everything Zuko says, there are many times she tries to understand and comfort him in Book 3, and Zuko's actual reasons for leaving are stated in the show.

Zuko: "Everyone in the Fire Nation thinks I'm a traitor... I couldn't drag her into it."

This is a protective measure for her, not "anti-war rhetoric" fears.

I think it's quite clear he didn't think she was going to do anything to him. He expresses no actual fear towards Mai at all. Even when he runs into her in the Boiling Rock, still no fear. It's because Mai and Zuko actually have a level of trust, because Mai has been often supportive of him despite a couple mistakes here and there. The more Zuko and Mai got to know each other in the show, the more time goes the more they ironed out problems like how most relationships work.

I also disagree with your accusations of how I allegedly "misconstrued" your argument when I actually think you misunderstand and misconstrue mine. You don't have to say someone doesn't need to be as bad as Ozai or Azula to be an abuser, although it's rather irrelevant, and I never said Mai's difficulty emoting was a good thing. Just like I would never say Zuko taking out his anger on others is a good thing, if we're talking about the relationship and responsibility. The funny thing is, Mai learns how to emote more and express herself. She even smiles more as the series progresses, she confronts Azula, she chooses Zuko over fear and bitterness. As for 'just "being human" and a teenage girl", think you restructured my sentence there, but regardless I never said Mai was perfect, there are reasons why, and I just don't believe it takes her out the running from having a relationship with Zuko just because they both have baggage or aren't perfect at communicating in every interaction. If you don't think Mai is "nasty", then why would Katara be supposedly justified in punching her in the throat and never liking her? I think the word is actually a good summary of your view of her, since you claim she's an "abuser" and "mean" to everyone, demanding a relationship with Zuko as if this is an entrapment case (despite Zuko clearly wanting the relationship as well and making his own decisions).

Zuko [surprised, happy]: 'Mai! You're okay! They let you out of prison?"

Mai : "My uncle pulled some strings. And it doesn't hurt when the new Fire Lord is your boyfriend."

Zuko: [happy, smiling] "So does this mean you don't hate me anymore?"

Look at Zuko's response, look at the context. Think we can take it that Mai isn't demanding anything here if they both know each other and what each other wants. Zuko is receptacle because he wants to be back with her, and she knows it, which is the context of the dialogue. It feels like you're forcing Mai into an aggressor/abuser role that doesn't fit her character. Mai herself is critiqued in the narrative for suppressing her emotions, and as the narrative continues we see her learn to express them more to the point she not only yells in the Beach but later goes against Azula. But Mai is never an abuser. Whether you appreciate this or not, these are canon scenes. You can argue bad writing, but it doesn't change that the writing is geared to Mai being a certain character, and that is likely not the one you're accusing her of, even with her earlier villain rep that felt rather mild in the narrative ultimately. She didn't even want to chase Katara and Sokka through slurry.

As for Ukano, guy hardly seems like a threat, Mai handled him and everyone easily while holding a toddler. Perhaps Mai didn't think Ukano would achieve much, or join with Azula, who was supposed to be in asylum. Do I think it's bad writing? Sure. Entire New Ozai Society is. Same with how I think Zuko regressing his character arc and getting advice from a genocidal maniac like Ozai is bad. At worst, they're just both muddled about their bad fathers and manipulated at times, Ukano plants doubts in Mai's mind in Smoke and Shadow (that undermine Maiko), Ozai plants doubts in Zuko in the Promise (that consequently undermine Maiko). Not sure how this adds to your Mai is an abuser narrative, Ukano and Ozai are a better fit for the blame by messing with their kids' feelings and relationship.

"I think Katara would get along with Azula/Mai because female solidarity!"

Cool. I think Katara would punch fascists in the throat.

[cipher26]

Arcane Brain Dump 1/? | Jinx & Caitlyn

There were a lot of things I wanted to see in the finale that I didn't get, which wasn't surprising knowing there wasn't much time. But one thing that I really wanted and didn't actually expect to get was a 1 on 1 conversation with Jinx and Caitlyn. I was so excited when it was happening, because I felt like it was necessary for both characters to talk with each other, especially after episode 6 when they're suddenly fighting on the same side, and where they COULD have become family if it hadn't all gone to shit.

Before the season started I didn't think there was any hope for Jinx and Caitlyn to actually reconcile. Like, I thought at best Cait might stop hunting her for Vi's sake, but would still hate her. But then Isha came along and Jinx changed so much, and Caitlyn was isolated and depressed and tired, and I thought "hmm maybe they can get past the feud?" Unfortunately I guess we'll never know for sure, but I really do think that conversation was step 1 for them getting along. It was so interesting to see because you can see that Caitlyn is still in pain about her loss, but it's also been enough time since then, and so much has happened that the rage she was feeling in the beginning of the season has fizzled out. Which is relatable. It's exhausting to keep up that kind of hatred for someone, especially if they change in the way that Jinx did. The Jinx in that cell in front of Caitlyn was a completely different person than the one who kidnapped her out of the shower and killed her mother. I think that seeing Jinx with Isha and Vi and Vander also showed Caitlyn how much had changed. Because even from her first meeting with Jinx, there was tension between her and Vi. Jinx held a gun up to Vi's face in that first meeting, and was instantly aggressive towards Caitlyn. But in that tent with the whole family, Jinx didn't even care that Caitlyn was there. If anything she seemed kind of smug, because Caitlyn still thinks of her as an enemy but Jinx just saved her life. It's almost like a game, like what can Caitlyn do now? She lost some of her argument about Jinx being evil. Also, in that moment she can't do anything even if she wanted to. I saw a lot of people talking about how it didn't make sense that Caitlyn was suddenly fine with Jinx and didn't try to kill her. Which is silly because first of all, Caitlyn didn't have her weapon, she left it in the tent with Vi and Vi hadn't returned yet. So she couldn't really do anything. Also they just watched Beast Vander throw this huge man out the side of the building to protect his daughter, so if Caitlyn tries to hurt Jinx in any way she's absolutely gonna get torn to pieces. And then immediately after that everything starts to go to shit, and Vi is there, and they have other things to worry about in that moment. Especially once Ambessa starts attacking. It's a shame that we didn't also get to see the immediate aftermath of the battle with Cait, Jinx, and Jayce rushing Vi to safety. I mean idk how far Piltover is from the fissure, but it's not a fast journey lol. The three of them together must have been interesting, especially since Caitlyn hasn't seen Jayce in however many months it's been since before the time skip. Another thing I was sad to not see actually, was Cait and Jayce's reunion and Cait being like "wtf happened to you? where have you been?!" Alas...

Anyway, I'm glad they gave us that prison scene with the two of them. They just came out and addressed their issue, realized how different things were, and both kind of chose to move on. I mean Jinx is devastated and suicidal, she's completely given up, and also she's still the good person that Isha helped her become. Jinx has no reason to hate Caitlyn. The only thing Caitlyn's done to Jinx is hunt her after Jinx murdered her mother. And because Jinx wants to die, she tells Caitlyn to just do it. Except Caitlyn's changed too. She's tired of fighting, and the kid in front of her (cause Jinx is a kid...) looks as sad and tired as she feels. Even more so. It wasn't a long conversation, but I think it was just what they needed to hear from each other, and what the audience needed to hear. Caitlyn admits that her hatred for Jinx changed her in ways that made her hate herself, and she didn't want to be like that anymore. And then Jinx comes pretty much as close as she's gonna get to apologizing to Caitlyn for killing her mom. She doesn't say the words "I'm sorry," but when she says "I didn't know your mom was there" it kind of does feel like an apology. Or at the very least, I think it's Jinx telling Caitlyn that it wasn't personal. She wasn't trying to hurt Caitlyn specifically, she was trying to hurt the system that had oppressed and neglected her home for so long. And in that moment, she was too filled with grief over Silco to hold back.

So I think that conversation really brings some closure to both of them. They kind of get past their feud and just move on. There are so many other things to worry about now, and so many bad things have happened. And in the process of rushing Vi back to Piltover, I imagine it helped each of them see how much the other loves Vi. And I think that loving Vi is part of the motivation to put it behind them. Vi would never forgive Jinx if she killed Caitlyn, or hurt her. And now, despite what Vi told Cait before their first fight, I think Cait knows Vi would never forgive her if she hurt or killed Jinx. They both do what they do in the end of that episode FOR Vi. Jinx runs and locks Vi in the cage so Vi can't follow her, and she tells Vi that she deserves to be happy without feeling guilty, and specifically tells Vi she deserves to be with Cait. I mean that's a HUGE deal. Especially since Vi wasn't present for the journey back from the fissures, so she didn't actually see Cait and Jinx working together. In her mind they're still at square 1 for the most part.

And then Caitlyn goes and calls the guards away so that Vi can free Jinx, knowing she'll do so. I've seen a lot of people confused about Cait's line "did you really think I needed all of the enforcers at the Hexgates?" which is fair because I was also confused at first lol. But what Caitlyn is telling Vi, is that she knew VI would come to free her sister, so she did what she could to clear the way for Vi to be able to do that. She's basically telling Vi in that moment that she's moved past her anger enough to let Jinx go, and to stop hunting her. It's such a freeing moment for Vi, because the two people she loves the most, who were furiously trying to kill each other before, have finally made peace. It takes a huge weight off of Vi's shoulders, no longer having to be stuck between two people she loves who hate each other. And Jinx has just told her "go get your girl" and now Caitlyn is standing there smugly telling her that she basically let Jinx go. That's why Vi reacts the way she does, it's such a relief to be past that conflict and have permission from both of them to be happy.

Anyway, I thought it was a great moment, and even though it wasn't a long conversation between Cait and Jinx, I think it's exactly what they both needed. It was the closure they needed to move on. If Jinx had stayed around, they still would have had more work to do surely before they actually got along well, but it was suddenly possible after that talk. And I hope that in the continuation of this story that they finally get there someday. Because based on the ending I really don't think Jinx is dead. And Caitlyn is holding Jinx's monkey bomb in her hand, contemplating and looking up the Hexgate plans. She has to be looking to see if there was any way Jinx could have escaped, probably because Vi is devastated and she wants to help take that hurt away. Imagine if Cait could bring Vi her sister back? Or at least if she could let Vi know for sure that she wasn't dead. That would be huge. What a difference between the way these three started, and where they ended.

[constantfragmentation]

Arcane S2 Thoughts

I've had a week to digest this season and well, I guess I have the unpopular opinion of being very disappointed. After the initial flash of gorgeous animation and some ooo's and awe's.... I was left with a bitter aftertaste. I can rewatch S1 loads of time. I don't think I can watch S2 again.

I'm happy for the fans that loved it and got what they wanted or the shippers that got what they wanted. I'm happy for you. Do your thing.

Me? Not so much. Even as a Silco fan (and I admit to squeeing for any footage of him at first), I'm not pleased. Yeah, my young Silco is a nerd, man-bun hottie, but that's where it ended for me. His entire characterization was nothing like the character I fell head over heels for in S1.

Vander's Flashback: I honestly don't find Felicia's inclusion necessary at all. In fact, I think it waters down everything between Silco and Vander. Their knowing her and the kids creates more questions, plotholes, and problems than it supposedly solves.

Why is Vander only in those memories with the kids? It's before the fallout with Silco. Why don't the kids know or remember nice Silco? Why do they only fear him (obv that's from Vander and Benzo, yes?)?

Why doesn't Silco seem to know Powder at Vander's dead body? Why would he kill Felicia's kids? None of it makes any fucking sense if he cared about Felicia. He hates Vander so much, he hates the kids too because he adopted them?

How the hell does S2 Young Silco turn into S1 Silco? Riot really messed this one up. Vander's attempted murder didn't change his entire personality.

It was a rebellion battle. People were going to get hurt and killed. They had to know this. So, whether Silco accidentally killed Felicia (as some fans are debating) or she died, is so damn dumb for Vander to solely blame Silco. Takes the kids, becomes a pacifist FIRST and then decides to (shave and grow younger) kill his brother for the greater good. Doesn't make one lick of sense narratively.

The narrative, characterization and animation inconsistencies don't help from S1 either. The drowning scene doesn't fit the S2 explanation. They're too young. Vander had a beard and appears much older on the bridge. Hell, S2 Young!Silco looks older than S1 Young!Silco. Sloppy, sloppy, sloppy. If people want to kiss Riot's ass, fine, but there was too much that was straight up lazy writing.

Silco's death is just glossed over considering how important he is. Silco did what Vander couldn't. Even without Shimmer, the Underground was thriving. Cait's mother's death/burial/statue gets more screen time and Silco gets dumped in the river. No one seems to question his death or what happened? Yeah, ok.

I'll use this moment to complain about the excessive music video montages this season too. I watched S1 again and the writing and use of music worked in unison and enhanced scenes. S2 felt like scenes in between music videos and it was irritating.

There was so much screentime wasted that could have been good dialogue heavy scenes that S1 was great at. Instead, time wasted on poorly executed plotlines that needed way more time to flesh out (Mel, Ekko and Viktor) and we have slowmo music videos and MCU fight scenes. Hermie's guitar song and Mission Impossible jokster crap was laughable and not in a good way.

Riot tried to pack too much into one season, and it was a mess. This season felt like watching a Marvel movie. Cool action sequences with little to no substance. All the nuance and grit from last season were gone in favor of the 'good vs. bad' trope. All the political-societal issues in S1 were abandoned that were far more fascinating to explore.

Mel has superpowers now? It feels all out of place. Her, Ambessa, and the Black Rose plot have zero time to make it interesting and plausible. She was introduced as this master manipulator/politician and her sage persona feels so forced.

Jesus Demigod Viktor was too much. I was excited for the Machine Herald and the psychedelic Arcane magical multiverse took me out. Making him to be the big baddie and timeloop it around to Jayce felt like a big cop out. Viktor deserved better. Hell, Jayce deserved better.

So much was sacrificed to make the whole Arcane magic THE point of the series when it was one of the least interesting aspects of the show. Hextech for weapons and the continuing problems between Piltover and Zaun was RIPE for storytelling. It seems each act needed several episodes to cover.

Ekko sure as fuck deserved better than that half assed time warp with Hermie. The AU really bothered me. Everything felt wrong. EVERYTHING. Nothing was explained well at all. It felt like complete fan service at the expense of the characters. Before people rip me saying "well duh! It was an AU!". You don't assassinate characters and plot to have a happy ending that insults your viewers.

They turned Zaun (its own cool character) into the bargain basement of Piltover. How is it sunny and pretty? Really? Mirror tricks? Everyone just forgave Piltover after years of oppression?

You're telling me Vi's death saved humanity? Fuck that shit right now. Piltover just stopped because a kid died? Suddenly everything became better? What happened to Jayce? Viktor? Hell, Hermie after decades didn't give two shits about Zaun, so what changed with the Council? Where's Singed? I don't buy it.

I don't buy Jinx/Powder being super normal smart girl. I LOVE JInx, but I believe she had mental issues prior breaking into Jayce's apartment. I don't think Vi's death made that go away (as I don't believe Silco's death did either). As someone who battles with mental health, this is insulting to me as a viewer.

I hated AU Silco. There. I said it. He just forgave Vander? Really? Bullshit. The reason Vander tried to kill him is stupid. A simple letter changed Silco? That fluffy-haired softy is not Silco. I can't imagine that Silco being the one who fought a rebellion. He probably would not have become a mob boss peddling drugs but this AU softboi dad feels so wrong. I never would have stanned AU Silco. Not in a million years.

S1 Silco's traits didn't magically appear because Vander betrayed him. The young S1 Silco had to be similar in many ways to older S1 Silco. Drive, ambition, ruthlessness, willing to die for a cause. I don't see Felicia's death changing that. I certainly don't see Vi's death changing that.

If Vander needed to kill Silco to stop the violence, etc, it's because he saw Silco as a threat to him or society as a whole. S1 Vander is known as The Hound. So, he seems to be violent as well. He takes credit for building the Underground when Felicia credits both 'bozos' for it. So Vander being upset she died and blaming Silco to the point of murder is a slap in the face to fans' intelligence.

I do hate that by Vi's death, everything is magically better. I can't express how much I hate that. AU Powder was irritating and was nothing like my Jinx that I love. Again so much wasted time that could have been better spent on good character driven scenes that actually advance the plot.

Pointless characters. Introduce Isha (who I adored). Make her seem important to Jinx. Kill her and never mention her again. So what was the point of her inclusion this season? Just to make Jinx suicidal? I hated that also. Again WASTED SCREENTIME.

Oh, and Caitvi was a disgrace. I think shippers deserved better here, too. Caitlyn goes crazy dictator because of guilt over her mom. Granted, Caitvi only knew each other for a week-ish? Not a lot of time to make their relationship serious past an infatuation. Cait turns from all her good points last season to Ambessa's padawan.

Don't get me started on that side piece Maddie. Really? Cait you were that hard up? And that long awaited sex scene was a big eye roll. Vi goes to her sister, and shit goes to hell, and a few minutes later, she's fucking Cait in the same cell. Vi was reduced to shit this season.

I mean, these characters just got shafted in every way for a high speed train wreck ending that we've seen a million times in Disneyfied stories. Action sequences were more important than actual character development and plot.

You can't make me believe that one speech from Jayce 'seeing a possible future' suddenly got Zaun to work with and dress up as Piltover soldiers? Really?

I had high hopes for Sevika, and the girl got shit nothing to do except in two episodes. Her seat on the Council feels like a last-minute decision and not worthy enough to expand on.

What made S1 so great was the class divide between Zaun and Piltover and how it affected the characters. S2 decided to scrap that and go with the easy good vs evil trope instead. Even the parallels didn't have the same hit as last season.

I did like Jinx talking to her 'ghost' Silco in the jail cell. He was calming to her in contrast to Milo/Claggor except the implication that she should die (that's what I got out of that).

We didn't even get much from Singed. Yeah, he got his daughter back (in some form) but his story was so blah. We didn't get nearly enough of him and Warwick and what made Warwick.

I guessed a few years ago it was going to be Vander but I didn't like how it was handled.

Too many plotlines all rushed together without getting any decent screentime and explanations that don't confuse or insult viewers intelligence. OR you have to be a LOL fan/player to understand. I never played LOL before S1 and wasn't confused as to the main plot.

I loved all the characters in S1 and felt they were pretty much watered down or assassinated in S2 for an apocalyptical Demigod villain vs humanity battle done to death finale.

The Zaun/Piltover political-societal problems, parallels, corruption, science going wrong, pathway to hell paved with good intentions themes from S1 was so much better in every single aspect.

I'm still a fan of S1 and the characters and frankly, I'm going to ignore 95% of S2.

[biblical-chronicles]

The weight of waiting

__________________________________________________

where Noel has always felt summat for the reader but she refused to acknowledge it, until potential competition arrived at the scene.

__________________________________________________

You had always sort of known that Noel had feelings for you. The way he looked at you when he thought you weren’t paying attention, the little comments he’d make that made your heart skip a beat—those were all signs. But despite it all, you never acknowledged it.

Maybe it was fear. Fear of ruining the friendship, of making things awkward. Or maybe it was fear of rejection. After all, he was Noel Gallagher—famous, talented, and way out of your league. How could someone like him possibly want someone like you?

So, instead of confessing your feelings, you kept them hidden away, pretending that everything was fine, even though it tore you up inside. You spent countless hours with Noel, laughing, talking about everything under the sun, and yet you both remained just friends, both pretending there was nothing more than that.

The problem was, you had become so close to him that the line between friendship and summat more had blurred. His presence became something you longed for. His voice, his laugh, his teasing glances—they all felt like an embrace. But every time he was too close, you would pull away, scared that your feelings would betray you and he'd see the truth.

It wasn’t that you didn’t notice how much he cared. You did. It was just... you couldn’t bring yourself to believe it was real.

It was a Saturday night, and you were at a pub in Manchester with Liam, Noel, and a couple of friends. You all sat around a table, the noise of the pub buzzing around you, the clink of glasses and laughter in the air.

Noel was sitting across from you, leaning back in his chair with that familiar smirk on his face. He had his arm draped casually over the back of his chair, his eyes flicking between you and Liam.

Liam, of course, could not resist teasing Noel about some new song he’d written. "I don’t care what you say, it sounds like a bloody nursery rhyme, Noel,” Liam teased, shaking his head in disbelief.

Noel rolled his eyes. "Shut up, Liam. You wouldn’t know good music if it bit you in the arse."

"Oi, you two!" you called out, trying to stop the bickering before it escalated. "Let’s just have a good night, yeah?"

Noel’s eyes flicked to you, and for a split second, you saw a softness in them that made your heart race. You quickly looked away, pretending to be interested in the drink in your hand.

But Noel wasn’t one to let things slide easily. He leaned forward, his eyes now focused on you with a mischievous glint. "What’s got you so shy, eh? You’ve been quiet tonight. You’ve got somethin’ to say, don’t you?"

Liam snorted, leaning back in his seat. "Yeah, she’s probably just tryin’ to avoid you, mate. You’ve been bloody insufferable all night."

You shot Liam a playful glare, trying to hide the flush creeping up your neck. "Not true," you muttered, glancing at Noel again. But the moment your eyes met, your stomach fluttered, and you quickly looked away.

Liam noticed the tension between you and Noel and raised an eyebrow. "Oi, I’m just sayin’… you two should just get on with it already. Everyone can bloody see it."

You froze, your breath catching in your throat. You felt like a deer in headlights, caught in a moment where everything that had been left unsaid suddenly felt unbearably loud.

Liam didn’t stop, of course. He grinned, eyes gleaming with mischief. "Come on, lovebirds. It’s obvious. Just kiss and get it over with." He winked at you, clearly enjoying how awkward he was making things.

You opened your mouth to protest, but before you could say anything, you felt a warm hand on your arm. You looked up to see Noel, his expression a mix of confusion and something else you couldn’t place.

"Ignore him," Noel muttered, softly rubbing your arm to put you at ease, his voice softer than usual. "Liam’s a prick, but he’s not wrong about everything."

Your heart skipped a beat. "What do you mean?"

Liam, still grinning like the cheeky bastard he was, leaned in, muttering under his breath. "See? It’s obvious. You two are like a bloody soap opera."

You wanted to yell at him, but before you could say anything, Noel stood up fully, his eyes flicking to you one last time. "I’ll be outside for a smoke," he said quietly. "You coming?"

You stared after him, your heart racing. You could feel the weight of his words pressing on you, and for the first time, you couldn’t ignore it anymore. You did want this. But fear held you back.

As you were about to follow him out you noticed a women approach him through the pub's window. She was seemingly asking him for a light but you could see the big eyes she was making at him, and how her hand got way too close for way too long to his when passing him the lighter back.

You were still at your table, seemingly frozen, the frustration building inside you. You had seen that look before—the way Noel got all quiet and reserved when a girl came on a bit strong. But this time, it was different. It was summat about her laughter, her hand on his arm, the way she kept leaning in a little too close. It made something stir inside you, something you weren’t prepared to face.

Liam had been watching too, his eyes flicking between you and the pair of them. He nudged your shoulder, his voice low and teasing, but there was an underlying edge you couldn’t ignore.

"Oi, love," he started, smirking at you, "You seeing this? Little Noel’s got himself a proper fan club now, hasn’t he?"

You didn’t respond right away, your focus still fixed on Noel trying to kill the woman with your stare. Liam watched you carefully, a little amused. He knew summat was off, and he knew he needed to give you a slight push.

"You’re not gonna let some bird come between you two, are you?" Liam prodded, his voice almost serious for once. "You know he likes you, yeah? You’re just too bloody stubborn to admit it."

His words hit you like a brick to the chest.The signs were there, and you knew it. You knew it, but you hadn’t acknowledged it. Fear of rejection, fear of messing everything up — it kept you quiet, kept you still.

But now, seeing Noel there, looking slightly uncomfortable, the woman leaning in again, it was like something snapped inside you. You couldn’t wait anymore. You couldn’t stand the thought of him slipping away without knowing. You stood up abruptly, pushing past Liam only hearing him scream a loud "go get him tiger!". If it weren't for your current state you'd surely nudge him between his ribs for that one.

As you stepped outside, the cool air hit your skin, but it did nothing to calm the heat in your chest. You could still see them, Noel and the 'angin little rat, standing just a few feet away. But you didn’t care anymore. This was it.

Without thinking, you rushed up to them, pushing between Noel and the girl, your heart hammering as you stood there, chest rising and falling with rapid breaths. The girl looked at you, her eyes wide with surprise, but you barely noticed her as you locked eyes with Noel.

His face was a mix of confusion and something else — something soft and vulnerable that made your heart ache. You could feel the weight of your confession building, but you couldn’t find the words. Not yet.

You reached out, your hands trembling slightly, and cupped his face in your palms. Noel froze, his wide eyes watching you as you held him there, just inches away. For a moment, it was just the two of you, standing there in the quiet, the world seeming to pause.

"Noel," you breathed, your voice barely a whisper, full of all the things you couldn’t say. "I can’t... I can’t let you walk away without telling you. I’m sorry. I... I should’ve said this a long time ago, but I—"

Before you could finish, you kissed him.

It wasn’t gentle. It wasn’t hesitant. It was urgent, desperate, like you needed him to know right now that this was real, that this wasn’t just some fleeting feeling. Your lips pressed against his with all the emotion you’d been holding back, all the years of uncertainty, of watching him from the sidelines. Your hands gripped his face, pulling him closer, as if afraid he might slip away if you didn’t.

Noel didn’t pull away. At first, he seemed too stunned to respond, but then his hands moved, gently at first, to your sides, pulling you closer. And that was when you felt it — the warmth, the relief, the intensity of everything you had ever wanted. His lips softened against yours, his breath quickening as the kiss deepened. The sound of your heartbeat was the only thing you could hear, thudding in your chest, matching the frantic pace of your emotions.

Eventually, you pulled away, your breaths uneven, your face flushed with a mix of nerves and adrenaline. You looked at him, your hands still holding his face, your thumbs brushing against his skin.

"I... I’m sorry," you whispered, feeling tears start to well in your eyes. "I didn’t mean to... to wait so long. I was scared, alright? I was scared you didn’t feel the same way, and I didn’t want to mess this up, but I... I can’t stand it anymore. I don’t want to live in a world where we’re not together."

Noel was still looking at you, his eyes wide, his breath still heavy. His face was flushed, and you could tell he was processing everything. He opened his mouth to say something, but no words came out. He just stared at you, as if unsure if this was real.

He looked so shy now, the confident, laid-back Noel that you knew seemed to have disappeared, replaced by a man who was a little bit out of his depth. His lips parted and closed a few times, and you saw him take a breath, but he couldn’t seem to find the words.

You two didn't even notice the girl awkwardly fleeting the scene, too caught up in the moment.

Noel blinked a few times, as if waking from a dream, before his lips curled into a shy smile. His voice was low, a little shaky, as he said, "I... I didn’t think you felt that way. I didn’t think you’d..."

Before he could finish, you kissed him again, a softer kiss this time, but full of the same emotion, the same feeling of relief, of finally letting go.

When you pulled away, Noel was smiling at you, still blushing, but now his smile was full of warmth, of affection. And as he gently cupped your face in his hands, his thumb brushing away a stray tear, he teased, "Well, yer bloody mad, aren’t you?"

You laughed, wiping at your eyes, feeling a little silly but completely content. "Yeah, I know," you said, shaking your head. "If I’d known all it took was you getting jealous, I would’ve staged summat like that a long time ago." said Noel as he chuckled softly, his confidence returning, as he pulled you into a hug. His lips brushed the top of your head, and he whispered, "You’re my mad little idiot, you know that?"

And for the first time in a long time, everything felt right.

__________________________________________________

Another day, another request dragged out the drafts like me the morning after a bender. Hope it’s summat close to what you had in mind love !

And keep ‘em coming, yeah? Me inbox is always open xx

[bee-devilling]

I'm gonna be so honest, I'd wanna be an understudy above anything else. Like it would be so fun to play different people every evening, and also I think I'd be able to play a few different people. If we say that I get to rehearse for those few weeks/months, but I don't actually improve in any meaningful way between now and opening night, I think I could play Noel, Constance, Jane, and possibly Ricky? Ricky is like 50/50, but I have such good ideas that I wanna keep him on this list anyway. TO THE CHARACTERISATION IDEAS:

Noel Gruber:

I'd keep my long hair for this role. Somewhere way back I reblogged someone's post about Noel having long hair, and my addition to it was the symbolism it could hold, but even just to have it for Noel's Lament would be awesome.

More feminine voice + French accent for Monique's character in Noel's Lament. Mostly for the fun of it, but I could add some feeling in there. There are certain lines where I'd obviously go back to Noel's voice (eg. “I want to be that fucked up girl”) and that would also give me the opportunity to do it elsewhere too. Imagine blending from Monique to Noel during “Just to somehow prove I'm still alive”.

Subtly (or maybe not-so-subtly) staring at Mischa during This Song Is Awesome when he rips open his shirt.

Also staring at Ricky after the outfit change in Space Age Bachelor Man. You know, it's a real shame that he's the only gay guy in Uranium City, cos all the men around him are kinda hot.

He is so uncomfortable during The New Birthday Song. He actually wants to just sink through the floor. But he can see how much this means to Jane, so he's doing it anyway.

Also really uncomfortable during the scene directly after TNBS. Mostly because he hasn't had a one-on-one conversation with another man in years without someone calling them both gay. He is just hyper alert the whole time. At the end, he has to look around the warehouse several times before deciding that no one is watching, and he can lay his head on Mischa's shoulder without judgement.

Goes to hug Constance before her moment with Ocean after Sugar Cloud. This man has come to Constance's defense the whole musical, he isn't gonna not comfort her after that.

Him and Ocean hold hands during It's Not A Game/Just A Ride, like when they're all standing in a row? He totally acts like she's given him cooties the first time she reaches for his hand though. Then he actually grabs her hand and it's all sweet.

Constance Blackwood:

Jane Doe:

I have hypermobile shoulders, so I can kind of make it look like my head is detached. I will abuse this for Karnak's Dream Of Life. And maybe the rest of the show, I think it would be a funny gag to have her head fall off and to have her just instinctively catch it before it completely goes (cos obviously my head can't come clean off, I'm not that good)

Hypermobility would also be fun for the rest of her doll-likeness. Like imagine at some point in The Ballad Of Jane Doe having her collapse in on herself like a ragdoll.

,

Ricky Potts:

i have a fun question for people!

if you had to put on/be in a production of rtc from now (with same the amount of time to prepare as any production would, starting today) but you still only have your own current skill level, who would you play and how would you do it?

this is more directed towards people who don't have much or any theatre experience because it's fun to think about but anyone can answer, im just curious :D

[lover-of-mine]

Buddie Countdown to Season 7:

17 days.