#a lot of my ideas follow the same kind of patterns so I'm afraid I'll rewrite something accidentally eventually

[cry-stars]

Just saw your tags from that prompt list - pleaseohplease do another sentence challenge with them! I loved your first one so much, would be so great if you did one again :D

Ahh thanks Sarah! :D I’m definitely going to try; I’ve been wanting to write something shorter again and I had a lot of fun writing those sentence prompts before. Thanks, hopefully I’ll get them done soon! ^_^

[beepboop358]

A Prom in S4 Theory & Music Coding Predictions

Some leaked set pics indicate that there MAY BE a junior/senior prom at Hawkins High, which they are calling the "Lover's Ball". It's unclear if this prom will be included on screen, or if it will just be mentioned as an event coming up at Hawkins High because this flyer could just extra set decor. Regardless if the prom happens on screen or not, there will probably be some tension about 'who's asking who' to the prom that we will see in s4. Given that this picture was just leaked a few weeks ago, it probably falls closer to the end of the season sequentially.

Having a big school dance in s4 is suspiciously close to how they had the Snowball scene in s2. This would certainly follow the even/odd season patterns, (and actually add to the list of the patterns), which kind of makes me think we will see this prom on screen, or at the very least it will be mentioned in the course of the season.

The Duffer Brothers love Steven King and reference his work and especially 'IT' a lot in the show, but they haven't done anything with Carrie yet so maybe we will get a Carrie moment this season at the prom...

Carrie was on the video store fridays movie inspiration board for ST4.

At the "Lover's Ball", there will be definitely be some music coding relating to Byler. Since music coding is kind of a key thing in the show, I've been rifling through 80's songs to try and find some that may fit with s4's themes/character storylines (and I may do a seperate post about that later), but for this post I'm just gonna focus on what they might use at the prom for relating to Byler.

Since the season is most likely going to take place in 1986, I only selected songs that had a compatible release year so it would be historically accurate. (these songs would also be great for a byler playlist!)

Some strong contenders for the songs that might play at the prom to reference Mike and Will's relationship could be:

"True Colors" by Cyndi Lauper (1986)

This song is honestly too good of an option for them not to use. I'm reallllyyy crossing my fingers for this one.

It's hard to take courage In a world full of people You can lose sight of it all And the darkness inside you Can make you feel so small

"And I see your true colors Shining through I see your true colors And that's why I love you So don't be afraid (don't be afraid) To let them show your true colors True colors are beautiful (you're beautiful, oh) Like a rainbow Oh oh oh oh oh like a rainbow"

If this world makes you crazy And you've taken all you can bear You call me up Because you know I'll be there

"Heaven" by Bryan Adams (1984)

This first verse is literally just the story of Byler... 😭 The rest of the song applies but that verse verse is just sooooo accurate. (I'm crossing my fingers for this one too)

"Oh thinkin' about all our younger years There was only you and me We were young and wild and free Now nothing can take you away from me We've been down that road before But that's over now You keep me comin' back for more

Baby you're all that I want When you're lyin' here in my arms I'm findin' it hard to believe We're in heaven And love is all that I need And I found it there in your heart Isn't too hard to see We're in heaven

Oh once in your life you find someone Who will turn your world around Bring you up when you're feelin' down Yeah nothin' can change what you mean to me Oh there's lots that I could say But just hold me now 'Cause our love will light the way"

"Take My Breath Away" by Berlin (1986)

This song is on Will's Spotify playlist, and I thought it could also be used at the prom since it's a romantic song. I see it as an 'entrance to the prom' moment song, almost like a 'first look' - like the Mike and El moment at the snowball when she first walks in, but with Mike and Will this time. I think the lyrics clearly hint to this kind of 'first look' moment as well.

"Watchin' every motion in my foolish lover's game On this endless ocean, finally lovers know no shame Turning and returning to some secret place inside Watchin' in slow motion as you turn around and say...take my breath away"

Watchin' every motion in this foolish lover's game Haunted by the notion, somewhere there's a love in flames Turning and returning to some secret place inside Watchin' in slow motion as you turn my way and say...take my breath away"

"In The Air Tonight" by Phil Collins (1981)

This song was originally meant to be included in the snowball scene from s2, but it ultimately was not used and "Every Breath You Take" was used for this scene instead. Since it was intended to be a part of the s2 dance, that's why I think it may be used at the prom this season. (you can read the scripts on 8flix)

——— I forgot to include this explanation originally BUT, I think this song might be used to show some anger/resentment between the two, and to show a decent amount of tension, depending on their development this season. Like maybe Mike is kind of leading Will on in private by continuing to initiate intimate scenes between them, but in public Mike is still trying to put on his “straight boy act” and kind of being a jackass about it, and this song could be used to show the tension between them that has caused.

"And I've been waiting for this moment, for all my life, (Oh lord)

Well, I was there and I saw what you did I saw it with my own two eyes So you can wipe off that grin, I know where you've been It's all been a pack of lies.

Well I remember, I remember don't worry How could I ever forget It's the first time, the last time we ever met But I know the reason why you keep this silence up

No you don't fool me The hurt doesn't show, but the pain still grows It's no stranger to you and me"

"In Your Eyes" by Peter Gabriel (1986)

Some of the lyrics in this song just SCREAMS byler, just look at the 1st, 2nd and 4th paragraphs. I would be suprised if they didn't use this song in either s4/s5.

Love, I get so lost sometimes Days pass and this emptiness fills my heart When I want to run away I drive off in my car But whichever way I go I come back to the place you are

All my instincts, they return The grand facade, so soon will burn Without a noise, without my pride I reach out from the inside

In your eyes The light, the heat (in your eyes) I am complete (in your eyes) I see the doorway (in your eyes) To a thousand churches (in your eyes) The resolution (in your eyes) Of all the fruitless searches (in your eyes)

Love, I don't like to see so much pain So much wasted and this moment keeps slipping away I get so tired working so hard for our survival I look to the time with you to keep me awake and alive

"Heroes" by David Bowie (1975)

David Bowie was bisexual. A cover of his song “Heroes” is used in the show twice already, sung by Peter Gabriel. The song plays when they pull Will's fake body out of the water in season one and Mike cries in his Mom's arms, with some very queer-coded lyrics in the background, and after Hopper's letter in s3 (which is very Byler-centric)

"I will be king. And you, you will be queen 'Cause we're lovers, and that is a fact. Yes, we're lovers, and that is that. Though nothing will keep us together. We could steal time just for one day We can be heroes forever and ever. What d'you say? I, I wish I could swim, like dolphins, like dolphins could swim I, I can remember (I remember) Standing by the wall (By the wall) And the guns shot above our heads (Over our heads) And we kissed as though nothing could fall (Nothing could fall) And the shame was on the other side. Oh, we can beat them forever and ever. Then we could be heroes just for one day We're nothing, and nothing will help us Maybe we're lying, then you better not stay But we could be safer just for one day"

I just thought the above songs might be some highly likely possibilities given that they fit the year of the s4 and also make references to not only love, but the idea of hiding, pain, shame, longing, etc., and can make some (partially stretching here) references to other things in the show such as:

RAINBOWS and TRUE COLORS, SHINING THROUGH (rainbows imagery is always associated with Mike & Will in the show and a is symbol of lgbtq+ pride, True Colors shining through = who you really are on the inside finally coming out)

IF THIS WORLD MAKES YOU CRAZY ("crazy together", "only love makes you that crazy" and references the "world" motif in the show)

YOUNGER YEARS, ONLY YOU AND ME, YOUNG, WILD AND FREE (references "not wanting things to change" and wanting "to make things go how they were" part in Hopper's letter, and the "But we're not kids anymore" comment during the Byler fight)

ENDLESS OCEAN and SWIM, LIKE DOLPHINS (references water's significance in the show)

FLAMES (Will in front of the burning car in s4 teaser?)

LIES and LYING (Mike lying to El about how he feels)

INSTINCTS RETURNING, FACADES BURNING, WITHOUT MY PRIDE, I REACH OUT FROM THE INSIDE (Mike's feelings for Will are his instincts, the facade is the act he put on in s3 to seem straight, burning could reference Will & fire, and I think the last 2 lines of that 2nd verse reference vulnerability- perhaps in an apology/confession)

I GET SO LOST (confusion about his sexuality, feeling lost without the other) and SO MUCH WASTED TIME (known each other since kindergarten but were unaware the other felt the same way/was dealing with same things, they could have been even closer)

KINGS and QUEENS (the d&d game mike wrote where he has king Tristan give him a medal in s1)

STEALING TIME (references "turning back the clock, to make things go how they were" part in Hopper's letter and the time theme in s4 and time is central to the s4 plot)

AND WE KISS - AND THE SHAME (references the shame they both feel about being gay since it was so stigmatized in the 80's)

Byler @ Prom Possibilities:

If Mike and Will did dance together at the prom, they will probably get bullied because they live in a small conservative town. They will probably either run out, upset, or Eleven will step in to protect them which could lead to the Carrie moment.

Or Mike and Will will not dance together in the actual dance room, but instead sneak off to somewhere else in the school and have a private Byler dance moment where they can't be teased and it's just them together.

OR Mike and Will are still acting weird at this point in the season because neither of them is communicating what needs to be said out of fear, or one of them has confessed or done something to indicate how they feel, but the other hasn’t so everything is weird between them. There would be lots of tension from this and we would get lots of longing looks and adoring moments between the two of them from the sidelines. (I think this one is the most likely)

[shadowsinger11]

Insomniacs In Love

Pairing: George Weasley x Reader

Word Count: 1.6k

Description: Wrote this ficlet for @wand3ringr0s3 's writing challenge. Congrats on your milestone, Haley!! I'm so proud of ya and ily so much girl💕💕

Warnings: Brief descriptions of war

Tags: @spilled-prose @susceptible-but-siriusexual @hufflexpuff @neovannii @jenniweasley @theweasleysredhair @elf-punk @heart-of-tempered-steel @itseatyourdamnapples @aaannabbanana @l0ttadreamz @potter-redheads

Message me to be added!

Masterlist

The white ceiling was staring right back at you.

Your tired eyes had no strength to fight back the hot trail of bitter tears rolling down your cheeks and falling on your pillow. The heavy, cold sheets, tangled between your legs, shrivelled even more under you as you struggled to ease your anxious mind into sleep, but every blink would bring images of explosions and unmoving bodies. The intrusive smell of blood and rotting flesh had been ingrained into your brain for years; the earsplitting, violent screams of terror had become nothing more than a background noise.

Adults and children were fighting side by side, desperately holding onto whatever hope for a future they might have had. The fresh summer soil was soaked in blood, old and young; with a burning passion, you prayed to whoever could hear you, that you wouldn't spot the faces of your loved ones in the sea of corpses that stretched out far into the distance.

There was chaos, and in between - grim visions of morning light.

You couldn't fall asleep, not when you could still vividly picture that night as though it had just been yesterday. Years later, the memory didn't fail to turn you into its slave every time you'd close your eyes.

The moon was wide awake. The air seemed to not be enough for you and the buzzing silence had nearly driven you to the point of insanity when you finally jumped out of your bed. The sharp moonlight caused your silhouette to dance as you walked barefoot out of your bedroom.

It was eerily unsettling to be strolling down the hallway of Fred and George's apartment without being bombarded by cheerful laughter and occasional explosions - there was only creaking of wooden stairs as you walked down to the kitchen. You poured yourself a full glass of cold water and immediately downed it entirely, hoping it would shake off the anxiety bubbling in your stomach.

You took a refill for just in case and sat beside the small kitchen table. You let out a deep breath and rested your head in your palms, shoulders heavy as if the carried the world.

A gentle voice nearly caused you to knock over the glass.

"Trouble sleeping?"

You looked up from your lap to see George standing by the doorway, hands in the pockets of his pajamas. His spiky hair and sleepy gaze let you know he had just woken up, but his expression immediately softened when he noticed your tearful eyes.

You smiled as best as you could, "You have no idea."

George approached you and sat beside you. He moved closer to try to take a better look at your distressed face; he didn't miss the stiffness of your body and the puffiness of your bloodshot eyes. The sight sent an electric shock through him and his heart began to ache.

"You're pretty shaken up, darling. What's wrong?" He asked just above a whisper, as though he was afraid he'd scare you away. He tucked a piece of hair behind your ear and you leaned into his touch, seeking some kind of warmth.

How could you explain to him you were still being haunted by the past? It had been years, why were you still chained by sorrow? You hated yourself for letting it settle in your bones, for not being able to return to the person you once used to be.

George was unharmed and so was his family. You were too. There was no logical reason for you to be thinking about it. Nevertheless, your nightmares were the reason you'd wake up every night in cold sweat, limbs of lead. Yet George didn't know a thing.

"It's nothing to worry about," you assured him despite your stomach twisting at the lie you had just spat out. "Just bad dreams."

"You seem to get a lot of those lately," George stated sympathetically; he could always read you so effortlessly. The sudden vulnerability caused you to shrink further into your chair, a fresh tear rolling down your cheek.

Your friend wiped it away with the pad of his thumb and hummed.

"That's alright. So do I."

"How do you know this about me?" you questioned, more confused rather than embarrassed.

His lips curled up in a tiny, sad smile, "You're not the only one wandering the house at night, sweetheart."

"I didn't know you still dream of… of it," you let out in a moment of realization. You didn't have to say what exactly you were referring to - you shared the same tragic memory.

"Yes, I do," he murmured. "Every night."

Your eyes met his dark brown ones and your heart sank; they were just as tortured as yours, and lacked the spark they once possessed. Never had you believed George would have to feign joy in his lifetime, he was the source of joy to everyone around him. But how could you expect flowers to bloom in a garden that's been burned to the ground?

Silence fell over you. Your eyes burned again.

"You should try to get some sleep," George advised, attempting to mask his hoarse voice, shaking ever so slightly. Your face fell. "I know it might be hard, but you can't risk getting a headache in the morning, you know."

The moon was still shining brightly through the window, illuminating his concerned face and the tears that had already formed in his eyes.

You swallowed hard.

"You're right. But I don't really want to go. It's just…" you sighed. Your hands were trembling. "It feels kinda lonely up there."

George nodded in understanding; there was no judgement in the way he observed you. He himself had spent way too many cold, sleepless nights. Fighting the same demons as you. 

It hurt him beyond measure to know you too were being held hostage by the weight of the past; the past which was robbing you both of your future. But what hurt him more was his inability to help you. He desperately yearned to heal you of your misery and hear your laughter, the laughter that had made him fall for you long before he even knew what love was.

The redhead was suddenly struck by an idea and his shoulders relaxed, a small smile causing his dimple to appear.

"I can go to bed with you, if that's okay with you, of course. Only until you fall asleep, that is. Then I'll go back to my room."

Your instinctive reaction was to refuse, but you stopped yourself before you could respond. Surely it wouldn't be so bad to have company, would it? It didn't seem like George was only doing it out of pity either; he genuinely cared about you and had your best interest in mind.

"You can say no, it's fine," said George when he didn't receive a reply. "I don't mean to make you uncomfortable."

"It's okay with me, I promise," you mirrored his smile. "Shall we go?"

You rose to your feet and headed towards your bedroom upstairs, George following closely behind. He couldn't recall a previous time when he had been in there, and he was pleasantly surprised to see how you had changed the design to your liking after you had moved in to live with the twins. The room looked cozy and truly felt like... you.

You were the first to climb into the bed and scooted over to make room for George's long legs. The mattress sank under his weight and he pulled the covers over the two of you, making sure he didn't take too much of them. George then rolled over to the opposite side, not wishing to invade your personal space.

Despite being taken aback by his action, you did the same - if that was the closest you'd get to being together with him, so be it.

You pulled the blanket over your shoulder and closed your eyes, but alas, your lungs constricted with anxiety. The intrusive silence let your mind wander back to memories you had been trying so hard to push away. The empty space behind your back was cold.

Less than an hour later, you were still as awake as you could be. Your friend was a quiet sleeper and thus you had no idea if he was asleep yet or if he was about to drift off. Nevertheless, you still felt guilty for whispering.

"Georgie?"

Rustling in the bedsheets.

"Hm?"

You wettened your lips and timidly asked, "Can I hold your hand?... For just a bit?"

George turned around and you expected to see him scowl for being woken up like that, especially for a thing as silly as your request. But you were met with such a fond expression, immense care swimming in his eyes.

Any sleepiness was nonexistent on his features; he couldn't fall asleep either.

"Of course," he smiled and lifted your hand to press a tender kiss to your wrist. His soft lips stayed there, pulse racing madly underneath, and the warmth lingered on the skin long after George pulled away and placed your hand on his chest. You let out a quiet gasp when you felt his own heart hammering against his ribs.

His other hand slid down to your waist and pulled you closer. You buried your face in his neck.

You could finally breathe.

He began tracing lazy patterns on your lower back. "Better?"

"Better."

George's fingers lightly grazed your skin, slow and gentle touch never once stopping its loving path. Drowsiness welcomed you much sooner than you had expected and your eyes fluttered closed. The last thing you remembered was George's lips on your eyelids.

It wasn't much, but it was enough to keep your demons at bay at least for just one night. George gave into slumber as well, both of you engulfed by divine serenity until the bright moon hid behind the horizon.

Reblogs and feedback are greatly appreciated!

[honoredbastard]

I COME BACK WITH THOUGHTS/THEORIES ON ITADORI AND HIS RELATIONS- I THINK.

anyways, so i'll just point this out: i'm not good at speaking my thoughts in an organized manner. i absolutely suck at it, i speak on how my brain brings up the thoughts so i might ramble, get over my head in a thought, etc. i can't control it so i apologize in advance for the jumpiness of the texts. i will spell a lot of things wrong and not everything will be correct, as i read translations and on a manga site. don't worry it's not illegal, i believe.

MANGA SPOILERS AHEAD.

i apologize for my absence! last week or two weeks ago the tower to my computer completely broke and will not turn on. i tried to repair it and follow my fathers instructions but nothing worked. even cleaned off the fan and went through countless nights readjusting things. it's not my cords either so to help me out my father is working extra shifts to get me a new pc. so in the meantime i'll do small posts like these but not full writing/head canons until i have a computer tower lol. a family member was kind enough to allow me to have their phone while we work throughout this issue.

now onto the actual topic:

kenjaku and itadori's relationship. ( family wise ).

for context in the most recent chapter, 160 "colony" kamo shows up in sasaki's home and talks to her about the culling game and a barrier. but that's not the point, the point is as he's guiding her to the barrier inside her "dream" at the end he says "oh right. i almost forgot to tell you. thank you for getting along with my son." and then she is awakened inside the barrier, in her pajamas beside iguchi. when sasaki and iguchi look at the barrier and gather themselves they bring up kamo.

sasaki asked iguchi if he mentioned his son and he says no. this leaves sasaki in a state of confusion when itadori flashes in her mind. she says his name aloud like she finally connected the dots. now. why am i bringing up this whole kenjaku thanking sasaki for being his "son"'s friend. it throws me off because why didn't he thank iguchi?

did he not think iguchi meant their friendship? because sasaki was the one uninjured and still counted itadori as a friend? does iguchi not consider itadori as a friend anymore?

because we haven't seen these two at all since the incident. that raised many questions in me. as well "how can itadori be related to kamo?" and itadori is related to choso.

because kamo's technique is explained ( vaguely. we are aware he can create barriers, take over bodies, and has incredible cursed tools. chapter 134. this is also where choso makes his connection ( i believe. ) to itadori yuji as his brother. but because we saw this with todo many thought itadori just had another unconsious technique that allows the person who is hit create false memories and believe of a completely made up relationship with itadori without his knowledge. but alas, i was wrong. ) and we're given more hints shown than told ( imo ) i tried my best to make sense out of the situation and what he said. i think my conclusions are pretty solid, so continuing on.

we're given very little history on itadori, his past, and family. at the start of the manga we know that itadori's only family he knows is his grandfather and that he is ill in the hospital. at the very very beginning we learn that itadori is your average cute, fluffy, laid back but strong and goofy protagonist. in smaller words: itadori is kirby but even cuter and dumber.

my first impressions of him is a pineapple. if you're confused to this saying: it's calling a person prickly on the outside but sweet on the inside. and this is true, itadori's grandfather seems prickly and cold on the outside but he genuinely cares for itadori.

he raised itadori for all we know and did that with his all in assumption. but this ends up backfiring onto itadori, because he cares so much for his grandson - he ends up leaving a " curse " on yuji.

help people. save them.

itadori takes this to heart as his grandfathers speech is his last one. when he looks over to his grandfather the man is dead and now yuji is left alone. then the following events occur.

at this point in time i assumed itadori was an orphan ( he technically is if we're connecting the dots. his parents has not been shown, he doesn't speak of them, they aren't in the picture. we can conclude either they disowned itadori or died before he could make complete memories of them. )

but when we are shown in chapter 143 itadori's parents we see this "woman" jin ( yuji's father ) and his grandfather talking about has the same scar pattern. this scar pattern is either stitching ( assuming that is how kamo keeps the top of the opened skull from coming off. this is also how kamo revealed his cursed technique / body of sorts ( the brain, assuming that is kenjaku in his cursed technique and not the body / puppet he is controlling " getou suguru " ) to gojou. )

this is the only way i find kamo being able to assign itadori as his son. why is that you might be asking this dumbass here.

we do not have the full story, exact date, location, and full context of the memory/dream itadori is having. this cannot be fake either because kamo would than have no reason to call itadori his son. or is there? anyways.

take a leap of faith with me. imagine that before itadori is born ( he seems no more than a few weeks or days old in this memory. hence why i am thinking my conclusion is pretty solid in theory. but yknow gege, there might be something different. ) anywhooo.

TW. D3ATH/IMPLYING ANTI LIFE ATTEMPT

kamo had to have taken over yuji's mothers body after an accident OR after she gave birth to yuji. his grandfather is interrupted by her before he can finish his sentence but it seems to be leading to the conclusion that either kaori ( yuji's mother ) died while giving birth to yuji or kaori could not conceive and tried to take her own life or cause an accident that would take her life. ( i read a fan translation for this part but im pretty sure i also read the official translation today too and it added up to the same. )

i believe in the first idea, but since kamo's cursed technique wasn't explained in detail i don't know the conditions of his body technique. does the original host of the body have to be dead? can he regenerate body limbs ( i highly doubt. getou lost an arm during his fight with yuta. overconfident dick. reminding me of an ex ANTWAYS. i forgive him for being overconfident smooch. he learned. OFF TOPIC but continuing on i promise.

this is being continued from the cut off point. i'm so upset so it'll just be summarized. i can't believe this shit lol i took three hours just to finish it for it to literally cut off the bottom half.

continuing on in a sadge mood. kamo must not have the complete ability to take over a body. after all getou took his only arm he had as he was dying and choked his own body to his full ability. getou was willing to die ( possibly, you never know he could be alive if he killed his own body. moving on. ) just to have the chance to save his friend from being swallowed by a damn box.

so there has to be a chance that kamo cannot fully take over the previous persons complete consious and memory of their body. if getou still had his other arm after losing the fight to yuta, he could've choked kamo with both arms. in theory kamo wouldn't be able to control the right arm and die to the previous host choking him to death.

so why wouldn't the other hosts do it? after all, kamo did say it was his first time experiencing such a thing. assuming kamo has lived throughout many bodies in his 150+ lifespan none of the previous hosts could take control of their body.

i believe getou was completely influenced by gojou and his six eyes. there is no way gojou would even try to speak out to his friend unless he had an inkling or saw getou still in there. helpless and without the ability to save himself from the cage he's in.

being used and puppeteered in his own body by an external force. laughing in the world he could not. putting getou into a constant misery and defeat that he couldn't escape his hell. the one he tried so hard to fight and get out of. even if it was the wrong path.

gojou was the last person to witness getou dying. he had to watch getou bleed out after their conversation because he couldn't bring himself to kill his friend. the one he spent his whole jujutsu student life with. so for gojou to say such a thing to getou despite all that he did had to break getou out of his misery and give him that small sliver of hope that he could do something. of course he failed, but i doubt that's going to be the end of that.

the only way i see kamo being related to yuji is if he took over kaori's body before the pregnancy. assuming that when kamo takes over a body he becomes one with said body and is that person for however long he lives in said body. my only thing is, can he take over a persons body whilst they are alive? i would go more in depth like i did the last time but i am extremely upset about my work being erased so that's the end of this part.

thank you for reading! i have one more thing for you though.

the last time we see sukuna in a manga page after the shibuya incident is where he is on his throne and in his domain. this is after yuji is stabbed by yuta and is presumed "dead" at the time. he seems to be interested in yuta and i can think of 2-3 things. I would love to hear your theories too so don't be afraid to barge into my dms like the koolaid man.

A - sukuna is interested in Yuta because of his ability to use the reverse healing technique ( only a few sorcerers know this. sukuna being the first. shoko being the second one to be told that she has this power and then gojou. ) because of this he sees potential in yuta as well or has added this boy into his plans. after all, there is very few that can make sukuna make an expression that isn't an RBF. aka megumi and possibly gojou. I was looking at the page of him stabbing yuji and noticed we only see the entry point of where the blade enters. it's smaller because some got chunked off so its a possibility yuta used this to his advantage when "killing" yuji and instead hit an artery that could kill him but quickly healed him afterwards. or just his heart. the ideas.

B. Rika, Yuta is able to completely control Rika as shown. Even though he claims he is on the weak side, these two combined seem like an unstoppable force. He may be interested in Rika as she is a curse that has been put on someone that can fully control it. Not many people is shown to be able to control their curse. As we haven't met many.

this was enti and that's the last of my post! thank you for reading and it was a fun one. even though i had to restore this shit. anyways, i'd love you to add or fix up my ideas and tell me your thoughts and opinions! Thanks a bunch!

^ this is for pure humor