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#a little echoy but not too bad considering
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CATS -  US Tour 6 (Ottawa) - March 16th, 2022
My Master (Please do not share link outside of tumblr)
Vinny Andaloro (Alonzo), Lexy Bitner (Cassandra), John Anker Bow (Peter/Bustopher Jones/Gus the Theatre Cat), Zach Bravo (Bill Bailey/The Rum Tum Tugger), Michelle E. Carter (Jennyanydots), Max Craven (Mungojerrie), Kelly Donah (Rumpleteazer), Kieran MacDonald (u/s Pouncival), Paul Girratano (Mr. Mistoffelees), Tayler Harris (Grizabella), Kayli Jamison (Jellylorum), Brianna Kim (Sillabub), Elana Valastro (u/s Demeter), José Raúl Mangual (u/s Munkustrap), Sean McManus (Tumblebrutus), Chelsea Nicole Mitchell (Bombalurina), Hyla Mayrose Perillo (Victoria), Aiden Pressel (Plato/Macavity), Taylor James Rosenberger (Coricopat), Christopher Salvaggio (Skimbleshanks), Indalecio De Jesus Valentin (Old Deuteronomy), Alexia Waites (Tantomile), Tony Mowatt (Cats Chorus), Carolyn Bacon (Cats Chorus), Kelliann DeCarlo (Cats Chorus), Connor Orion Bermingham (Cats Chorus), Brian Craig Nelson (Cats Chorus)
Notes:  Untracked. Missing “Overture”. Begins at “Jellicle Songs for Jellicle Cats”.
https://mega.nz/folder/J9dU1ZSL#3pMIin_kISNJfzxn8FSEDA
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d00dt00nz · 4 years
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Obligatory promo stuff at the top because it sucks and I hate it and let’s get it out of the way! follow me on twitter where I’m active, check me out on spotify for music, or like my facebook for sparse updates on music stuff. Thank you. The Cover art is by Ellie Tison
This one’s a lil bit long so I’ll put it behind a break
A while ago I posted about a song that was called The Howl that Lay the Canyon Bare. I mentioned that there were a few false starts on that song. One of those songs was a ripoff of Jackson Browne's The Pretender. Basically, while I didn't like the song, it became some kind of freakish mushroom creature. It budded its spores and they grew into their own creations. There was another song that came from it but it's not very good and I didn't use it. This song, however, did.
Basically it came from me wanting to write like, a fast paced and kind of old fashioned rock song. Not necessarily a standard blues rock structured song, but maybe something that was had the same force and power. My old song had some lyrics that I liked “I'm gonna get a good job in the city, I'm gonna buy a big screen tv/I'm gonna make a lot of friends and forget their names, 'cause they don't mean much to me”. Sometimes I think it's a shame for lyrics to go to waste because I always have a pretty tough time of writing them. A lot of times I'll just pluck lyrics from unused stuff, which is a little annoying because then I can never use that unused thing.
That lyric was written while I was still working at the RESP place and I was feeling pretty miserable and gross. I felt evil. I wanted to write something gross. More recently when I actually wrote this song proper, I was feeling a little less evil, but still very aware of those same evils. This was back in Febuary when my boss had recently laid off everyone except me. The amount of work hadn't reduced. He'd essentially used Coronavirus as an excuse to save a few bucks on his business. To this day, we don't have any masks, sanitizer, or gloves. The car the company gives me is literally falling apart. I have no right rearview mirror, the transmission is broken so that sometimes the engine just revs but the car doesn't move, the AC is broken, the winter tires are still on, the entire car shakes all the time, and up until recently it'd stall if you took a turn too sharply. If you can recall that time in Febuary, it was also when there was a whole asinine debate in the media about how many deaths were “acceptable” to keep the economy going.
Obviously I know that capitalism is “evil”. We all know that somewhere in the back of our minds, and saying it in that way (especially online) is pretty trite. At some point I started reading books about socialism in my spare time. I don't claim to be an expert, I couldn't make it through Kapital (that fucking thing is like a thousand pages and he spends the first 200 talking about a coat). I just want you to understand that it is something that I don't just invoke for cheap jokes. I think it'd be a good thing. Anyway, the evils that capitalism is based on really started to show their faces around that time. We had to let people die because we couldn't let the system slow down. A lot of liberal leaning people like to begin and end the conversation with “greed”, as if so many problems could be solved if we fixed the individual, personal problem of greediness. Maybe that'd go a long way if we could somehow magically shame people into good behaviour, but the way things are set up means you'd have to convince the people who make the rules to act against their own interests. The whole idea is silly.
The entire idea behind a neoliberal model of capitalism is a lack of true accountability. Kurt Vagnathghet (note to me, fix this spelling later when you have internet. Or don't and leave it in as a dumb hilarious joke) has a little part in Cat's Cradle where a brilliant engineer relinquishes his position as president because he is uncomfortable with authority – he'd rather be told what to do. The narrator wonders why until he begins delegating tasks to the engineer and realizes that the engineer has now managed to detach himself from his own humanity. He simply has become a cog in a system that sustains him. He is free of any real accountability because nothing is his own decision. He simply carries out orders because he must in order to maintain his own place in the world. That's kind of like the model we have today. Everyone is beholden to someone. Even CEO's are beholden to shareholders. Even shareholders are beholden to other shareholders. They cannot act against their own interests because there will always be somebody to replace them waiting in the wings. Yes, they make the rules, but they don't make the rules collectively, which means that if they stop “playing the game” then they'll lose what they have to somebody who is. I'm not saying I have sympathy for these people, I'm just describing the mental gymnastics that this system demands. I don't believe that people are inherently evil or selfish, but I do believe that we have a system that benefits those who are selfish and punishes those who are selfless. It's a self sustaining system where nobody is really in charge of their own life and the only real way to feel any control over your situation is to become vile – and the more vile you become, the more control you feel. It's not a question of staying true to your values, it's a question of how evil will you allow yourself to be.
Of course this only applies to people with that ability in the first place, as in people who are white, from a wealthy family, live in the western world, that kind of stuff. In my more unhinged moments I consider this about myself. I don't know if I could ever be in a position to take advantage of people, but what if I could? How much would I be willing to screw people? How immoral and wrong would I act if it meant a life of comfort? What if I just started scamming and hurting people? What if I “played the game”? How amoral would I allow myself to become before it wasn't worth it? These are questions I don't know if anyone can really answer. It's disturbingly easy to take an opportunity when presented with one. I'd like to say that I would stay true to myself, but would I? Would anyone?
Over the course of history, our ruling class effectively managed to replace the task of governing with a series of complex and often injust or imperfect systems. Over time, even the highest powers in the land have become beholden to something – something that is no longer even human. Something incapable of moral judgments because it does not think. It turns out we were living in the matrix a long time before computers were invented (That's really corny but let me have this one. I want to feel cool okay?). They created this system to absolve them of responsibility, and in doing so have rendered themselves powerless.
I wanted to outline this grotesque reality and my own personal worries in the most grotesque way possible. I didn't want to create nu metal, so I went to the second most grotesque form of music: 70s rock and roll. I wanted to have this angry frantic energy. It was really fun to record because I rarely get to just have straight aggressive 8th notes like I'm some sort of punk. It's also nice to just crank up the volume and the compressor and have a good time with distortion and different guitar tones. I love the dry sound that I was able to get. I do have to say, it's tough to keep that tempo and energy up for an entire song.
Vocally it's not the most difficult song, but a bunch of fun to sing. You get to be really aggressive with your delivery, and there's a bit of a showiness to the melody. For better or for worse, it's got that musical theatre kid energy to it with some old fashioned sounding musical phrases. I kinda like it for that. The lyrics are really unpleasant, so it adds to the fun where I can just say all this ugly shit and have this frantic energy behind it. At one point the compressor I was using did something weird on the vocal take, and it really jacked up a particularly deep breath I was taking. I decided to leave it in because it added to the vibe. I thought it'd be a weird quirk. Like the sound of somebody doing a big fat line of coke. Just getting fucked up.... Real twisted shit.
On the chorus I decided I wanted to add a little bit of variety and put in some sax backing. It was supposed to mingle with some vocals, which would have been a cool effect but the effect never really came through. I'm still not 100% on how to get a good sax sound out of a recording. At any rate, it does give this big echoy chaotic sound which I was pretty satisfied with so I left it in.
The solo section, I'm not so much a fan of. I think the guitar solo I did was pretty bad and amateurish sounding. There's this big buildup and then it's like this stupid meandering guitar solo that sounds like a 14 year old did it. I got my brother to record a guitar solo, which is technically a much better guitar solo, but honestly I wasn't a huge fan of the feel he went with in the context of the song. It felt a little bit too surf-y, and he didn't use any distortion. I kept it in and combined the two, which helped make things feel a little bit better, but I'm still not big on the part. There's also a harmonica bit. I kinda broke down and went back to my old standby of “well let's just make this part really noisy” which is a little bit of a crux, I admit.
In general I like the song. It's fun. It's fast, it's mean, and it breaks up some of the more introspective stuff. As well, I've just been feeling really uncomfortable with releasing an album of introspective naval gazy music. Like, I get it, I don't really have a platform. It's not like many people listen to me. Still though, there's so much awful shit going on in this world right now that I'm fortunate enough to be mostly sheltered by. I haven't participated in any protests either. I feel like I have to talk about it. In the end though I'm just busy with this self absorbed bullshit. I'm glad, then, that there's something political on this album that captures that feeling. I hope to be a little bit more worldly with my songwriting. I've done at least two very personal albums, and two high concept albums, I hope to maybe turn my focus outward into the world next time.
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