#a guy that's just a guy who does guy things that have no relation to the mc

[zombiesinflannels]

I agree with you 100%, but also even a purely literal reading of The Metamorphosis very clearly communicates the horror and tragedy of how quickly people can detach from, dehumanize, and demonize things that they personally don't like, can't relate to/understand, or just otherwise deem Unpleasant.

EVEN IF YOU INTERPRET IT AS A GUY LITERALLY TRANSFORMING INTO A LITERAL BUG, that core theme remains totally unchanged. The reason English teachers + professors love it is because it is such an incredibly strong but simple core theme that it in fact CANNOT be "so open to interpretation that it could literally mean just about anything" to any good faith reader, but still supports a wide variety of complex deeper meanings, allusions, and parallels (such as the metaphor for disability, the inherently dehumanizing nature of capitalistic social values, the tragedy and horror and shame attached to the loss of one's ability to fulfill their own most basic needs and function independently [this of course ties strongly into the metaphor for disability/illness], the narrative's deliberate perversion of the more standard [and generally positive] caterpillar-into-butterfly transformation, dear God I fucking love analyzing this story, I could go on forever).

I really cannot relate to people who consume media in the way that that Goodreads user does because with something like The Metamorphosis, you don't actually have to be a skilled close reader, all you have to do is put yourself in Gregor's shoes. Imagine that you woke up in the body of a human-sized bug but in every other way were still you, except you could no longer communicate and you could no longer follow even the most basic routines/desires you'd dedicated your whole life to and you could no longer function on any level as an independent being, and everyone you loved and valued and worked so hard/sacrificed so much of yourself for took one look at you and went, "Ew! Gross! You should just kill yourself tbh because having to acknowledge that you exist as you now are makes us uncomfortable and your whole existence is now a burden to us."

It is absolutely unfathomable to me how anyone could read it and just go, "What a pointless and unnecessarily depressing story about some lame dude randomly turning into an icky bug and then dying."

goodreads reviewers aren't human

[bonelyheartsclub]

for the swap versions of eachother (undertale/underswap and underfell/fellswap) what was it like seeing themselves essentially swapped with their own brother? and do you think the swapped versions of themselves get along for being like minded or are opposed to each other for it (at least when they first met i know they get along now lol)

Stretch: Was definitely…… overwhelmed when he met Papyrus and Boss. Imagining himself running around, doing everything like that every hour of every day made him feel tired just thinking it. More power to those guys. And he gets along with them as easy as his “lazy” counterparts, just conversation naturally oozes out with them.

Blue: Was absolutely astounded to see Sans and Red, how could he ever be that lazy in any universe? Though given he also shares their trait of lacking motivation in some things, he supposes he can relate. Papyrus was a great make-up gift, though, and the two became quick friends! Boss not so much, but that was for other reasons. Mainly dissimilar wavelengths. If anything came from it, though, it was nice to see that no matter the universe, his brother still kept his sweet tooth.

Red: Felt right at home with Blue and Nox. Even with the switching, he just saw it as more people to playfully antagonize with puns and pranks a plenty. He knows himself, he'd enjoy some April fooling, even if they were a bit more uppity. Stretch and Rus were a bit odd; he never thought he'd see his brother be so lackadaisical about anything. It took a bit of adjustment, but he considers them good buddies now. Though he does try to tone things down a little bit for them, moreso than he does for Sans; the part of him that still sees his little brother deems it so.

Boss: The swap siblings were a bit of a surprise to Boss, initially. Though over time, he realized Stretch still had ambition in his own way. Maybe not for the same things HE did, but nonetheless. Blue was a bit more difficult to understand, but gradually he noticed more similarities with Red. Particularly in their need to mess with each other; something he was glad to not be a part of. He was most perplexed by Rus. Knowing he came from such a harsh universe, he was initially surprised someone so clumsy could make it out of there. Though seeing Nox, he supposed it wasn't too much of a surprise: his brother would look out for him in any universe.

Papyrus: For Papyrus, seeing other versions of himself was a little earth-shattering, since before he had assumed it was just he and his brother. At first, he's ecstatic that there's more skeletons!! More friends who understand, especially with Blue!! He does realize later on that not all of his alternates have had the best life, but he wants to make sure they're comfortable from now on.

Sans: Was initially a bit surprised by the swapped siblings (and he for sure had some thoughts about multiverse theory when he met them), but once he got over the moment of shock, he found it easy enough to get along with all of them. Both Stretch and Blue remind him of Papyrus at times, just in different ways. Nox and Rus don't exactly have that same odd familiarity, though he likes them enough to be a general nuisance to them.

Nox: Was defensive and confused at first; seeing different versions of himself and his brother disheartened and enlightened him a bit. Seeing that others had better lives than them had him disappointed, but knowing Boss and Red having similar experiences of the underground had him feeling a sort of comradery- especially with Boss, even if they don't see eye to eye all the time.

Rus: Was a bit overwhelmed in general by the different versions, but he finds them all to be good company now. Papyrus was the oddest version of himself to see, but he admires Paps' energy. Boss reminded him a little of his brother and Rus admires him for his drive and ability to get things done. Stretch is the easiest to get along with for him, and Blue is a bit perplexing to him at times. Sans and Red are odd and definitely different from Nox, but he likes them both well enough (as long as Red keeps any big pranks to himself.)

Via @/Buttergriffin332 (Stretch), @/DuskySkye (Blue, Red, Boss), @/Creative-poptart (Papyrus), @/Lost-immortality (Sans), @/ChrysanStarset (Nox), & @/Goatdadjaxx (Rus).

[alphajocklover]

When I first started this blog — and started reporting on transformation in general — my first report was on a strange phenomenon I called ‘Supernova Transformations.’ It’s where any wish made upon a certain star, an unusually bright and mysterious supernova, would be granted in a twisted, sexually charged way. I haven’t talked about it in a while, since lately I’ve been focusing more on mysteries a little closer to home, but I’d be lying through my teeth if I said I wasn’t still intrigued by the seemingly magical exploding star. I think every reporter, TF or regular, has a special place in their heart for their first story, and I’m no exception. That fondness is part of the reason why I recently decided to look further into the Supernova itself, which has led me to discover something… fairly strange.

I once theorized that the light from the supernova was what was granting wishes and transforming people, but new evidence I’ce found suggests that is only half right. The light is magic, and is of the power of the supernova to grant wishes comes from, but the light isn’t actually what transforms people. Because the magic of the light actually travels faster than light itself.

Part of what defines magic is the fact that it does the impossible. That’s why when someone wishes on the mysterious supernova, the wish is granted quickly, instead of taking the years it would take for light to travel from a distant star. The magic itself travels much faster, comes to earth, and grants to wish in a sexually charged way.

But… that doesn’t mean the light isn’t also coming to earth. And while the magic is faster… the magic infused light is much, much more powerful. And once it reaches earth… Everyone will be transformed. By all the wishes made on the star, all at once. Or, in other words…

When the light of the supernova comes to earth, everyone will be transformed into dumb, horny sex gods.

I didn’t believe it at first. I mean, I’ve used a Time Machine before, I’ve been to the future! I know not everyone is transformed. But… after taking a closer look at my Time Machine, I realized I’ve never been that far into the future. In fact… it won’t take me that far. The people who gave me the Time Machine, the Douchebag Revolution, they must have programmed the machine not to go to that time period. I’ve reached out to them but they’ve been weirdly quiet about the whole thing.

The good news is we have plenty of time before the light gets here. By my calculations the light still has another 100 light years to travel. So, we have time. But… in about 100 years, things are going to get really crazy.

It might not last forever, and we might figure out a way to stop it from happening at all, but if we don’t? The world might just end with a huge worldwide orgy.

Not the worst way to go out.

**hey everyone! Sorry this took so long! I’ve been kind of depressed lately but I’m getting myself back in the swing of things, and getting back to writing! I hope you guys like my 100th story, and how it relates back to my first story. Stay tuned for more!**

[lokiina]

Lucanis x Rook x Spite

Okay hear me out tho

Throuples? Not usually my jam. Unless things like, genuinely make sense and it feels like it actually works. But I guess it's just cuz that's how I view most ships in general. But basically I've never made a throuple just for the sake of having a throuple. That's just not for me.

BUT.

lemme just.....

(I'm putting this behind a cut cuz it's a lot of rambling most people probs don't care about. There are spoilers not like HEAVY spoilers but def stuff mentioned from like end game time frame.)

I do think Spite actually appreciates Rook from the get go, at least in my play it felt like that cuz I never reacted to Spite related convos in a perceived negative way. And all Spite really wants to do is talk to Rook from the start, Lucanis is the one stubborn about that not happening for a while. The main time he properly can, he literally asks Rook for help. Like genuinely asks for help for both him and Lucanis. "Help us" he says.

So I think his fondness for Rook grows like Lucanis' does. Naturally over time. Now is it because they're tied together? Who knows. I'm not sure it's clear that their feelings influence each others, I don't think that's addressed, the two still feel pretty separate in that regard...? (I'm in the middle of replaying so maybe there's shit I missed the first time I dunno)

Now the wings situation there's a voice line where Lucanis openly admits to Harding he has 0 control over the wings. The wings are 100% Spite. So spite does it to help. So them fighting is just team up, rather than one using the other. So if there's ever a situation Spite might be mad at Lucanis, he's probs gonna get no help. No wings. sdjhfgdjfhg

BUT THIS MEANS in the Romance scene when those wings pop... Spite's consciously involved. He's made the decision to not sit this one out. My guy created a threesome without warning. 😂 Either he is just like super rooting for them and ships them too and is being the worlds best wingman (pun intended) by lending aid or he's getting in on that action cuz he's also developed some sort of feels as well. Tbh it could go either way... The point is, he got involved.

But there's also evidence later in a possible party banter with Solas where Spite accuses Solas of trying to hurt Rook and is like ready to go to war for Rook against Solas. kdfjghdfkjgh

So... We have no idea what Spite and Lucanis chat about when Rook isn't around so who knows. But the vibes are there where this would in fact be a situation where this kind of ship makes sense.

Either way those three really need to talk about this... 😂

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[artdcnaldson]

Went 2 the bar last night and then spiraled……… thinking about how i’m a college aged kissless virgin who doesn’t talk to boys…….

Which led me to thinking about. Best friends artrick trying to make you feel better about being a virgin!! about never having a boyfriend!!! you get drunk and mayb confess this to them (or just pat. when u guys r getting drunk out on the courts at the academy). (they already know.) and talk about how u feel so lame and lonely and like you’ll be alone forever………. and ofc your boys are sooo sweet…. what kind of best friends would they be if they didn’t offer to be your first kiss??? to teach you how to touch a boy??? they don’t want you to be embarrassedddd when it does happen!!! (also they’re in love with U)

SIGH

-🩰

Babe this information gagged me… I literally would have SWORNNNN u had bitches left and right… just by vibes…. This is crazy…. But also so relatable and real like same

but yeah… it would be so on brand to have your first experiences with them on a tennis court </3 crying about how you’re just the same as you were when you met them at your first school tournament in middle school and you’ve had to watch them get all this experience and do stuff the right way and you’re on the sidelines feeling left out </3

And Art is so sweet, giving you your first real kiss. He’s a gentleman— he doesn’t push things further bc it’s all new and you’ve never done this before! Coaches you so gently and reassuringly, just silently corrects the way your tongue brushes against his until it feels natural.

But Patrick isn’t as sweet <3 he lets you show him how Art kisses you and moves your hand down so you can feel how hard your kisses made him. Any other guy would make it seem slimy and wrong but from Patrick it feels like the world’s best compliment. Lets you rub him over his boxers (bc you’re nervous to go farther. For now) while you go back and forth making out with him and Art.

SIGHHHH

[goodolddumbbanana]

The repressing thing, who's gonna bet it will blow up in Sun and Moon face just like how it blows up Nexus guys?

I bet after this episode Sun will be more happy than ever, just to be destroyed all over again by some horrific events upcoming happens.

Does anyone want the hallucinations Nexus arc to get longer? I mean, sure they find the solution pretty quick but I wish that Sun will have more episodes of hallucinations about Nexus.

Like it feels too quick to me, idk.

Sidelines, something very funny that subconscious Sun doesn't know Moon, I guess because Moon rarely brings him the positive feelings.

(bro torture Sun for years, mentally and physically, and then just dying with blood on Sun's hands and come back. Yeah, if that was me, I would not relate to Moon with positive feelings too. )

And remember when Sun gets trapped inside his head by Eclipse, he shows up here. But he doesn't seem to remember this place, he only remembered that he got tortured.

But by who? By what? The bad memories of Moon?

And Nexus in today's ep said superhell is always sunny. Does that mean he can always think about Sun whenever he sees the sun?

Also I think Nexus will be revived soon, I mean cuz negative mix with positive star power creating life.

Some screw up ideas I'm about to write: Sun intentionally goes inside his head and digs up Nexus sometimes just to chat with him. In some unhealthy way of grief, he tries to trigger himself by seeing Nexus in his head.

Haha funny idea right?

[raayllum]

What Is Up With Terry :: the Thread of Necessity

Intro

Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.

I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies

You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show

You can be okay with dark magic without changing your mind and that doesn't make you a bad person either

You can kill someone in TDP and that doesn't automatically make you a bad person either

We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.

That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.

But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:

Necessity

The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.

And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).

This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.

I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.

Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.

To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:

This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.

The reason I bring this up is to provide a contrast for Terry in a few ways, such as

Terry always being very emotionally open, rather than repressing or offloading blame onto other people

Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was

Is able to accept that this was a choice and move on

Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).

For now I want to talk about patterns, specifically two that he engages in with Claudia.

Patterns

The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:

1) Claudia keeps leaving him

This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:

But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.

He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.

We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.

Each entry in the pattern is a little different.

4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.

5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.

6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.

6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.

Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.

Then, we have the pattern of how

2) Claudia gradually stops listening to him.

This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.

In the beginning, Claudia listens to him.

But as the seasons go on, this gradually changes with twice back to back in 5x06.

T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.

Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.

T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.

And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).

None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.

But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.

Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).

Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.

Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.

Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.

This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?

Questioning

So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?

We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:

4x09 over the coins / being cruel

5x01 ("You'd think if dark magic does this to a person they might not do it")

5x02 over resting

5x06 over attacking the dragon

5x06 over killing the dragon

6x01 over her leaving

6x04 with telling her what to do

6x08 over seeing Viren's corpse

6x09 in helping / freeing Aaravos

However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.

To what he knows needs to be done, even if that means walking away.

Misc. Season Thoughts

Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is

TERRY AND IDENTITY

This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.

Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."

Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...

So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.

I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).

TERRY AND COMMUNICATION

If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.

The situation is urgent, and you're worried I'm not treating it that way.

Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.

I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.

Conclusion

There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.

[9mysterybook6]

really rhyli You still spread lies about me and harass me

You are really pathetic

Sick and pathetic person

You are really brainless if you think you will get away with your actions

You're just doing this because you have nothing against me.

Just trying desperately to get rid of me and hoping I'll leave tumblr.

And some of your posts just a copy of my my writing Then you edited the writing.

And all you do is take pictures of my gacha and write about that I'm I am evil and stuff.

Actually, you are the one who is afraid here.

You are afraid because I am right and I have a lot of evidence against you

You have nothing to prove what you're saying.

You are just a person who lives in her head and imagination

You don't just need to see a psychiatrist, you need to be taken to a mental hospital.

It is clear that you have many problems. I mean, look at what you write.

Redeem To Be Loyal, Outgoing And Clean Cluthes It Doesn't Mean corrupt,

Excuse me, what do you mean by loyalty? to you🙄

What about clothes? This is nonsense.

This is the talk of a crazy person who lives in her head

What about your bullying and harassment of others?

Stop harassing others

Are you really that blind that you don't realize you will regret all your actions?

You will regret bullying, harassing and annoying everyone.

I warn you to stop spreading lies about others and harassing them

Leave everyone alone now.

You are just a person who lives in her imagination and does not accept reality

You write stories about them as if they are the villains and you are the heroine. Don't make me laugh.

What about their pictures and you write that they are apologies to you?

This is all in your head and imagination and Not real

You are just a person living in your imagination Hazbin Hotel and thinking you are a god.

(And as everyone responds to your type)

If you were a god, make the sea fly in its air and the sky a more green and orange color.

Make Antarctica a place like Hawaii

Make the sun rise in the west and set in the east

Make it rain cotton candy all over the world.

But don't write it in a story, it has to happen in reality.

If you make rain cotton candy all over the world In reality

I would be wrong about you BUT If you don't do this. This proves what I'm saying about you.

Didn't you say that you created the earth?

Where is your evidence that you created the Earth?

Remember Don't write it in imagination, make it a reality.

I will follow the weather news and wait to a News about rain cotton candy

It would be better for you not to make up any excuse for not doing rain cotton candy

If you make any excuses, that will prove what I said about you.

This is the type of person who always gets slapped in the face when we say reality and logic.

Did you see what I did to you Rhylie?

I reply to you like a professional While YOU respond to me with harassing words and hateful drawings about me And steal my posts And you spread lies about me and others

Plus you didn't explain why I'm saying hateful things to you You didn't tell the whole truth.

You just took a screenshot of the bad part I said about you.

Now is the time to start

And as I said before, tomorrow I better find the weather forecast talking about rain cotton candy In reality.

You are not allowed to write a story or make a comic.

Or anything related to the choice of your mind in your imagination

I am asking you to do this in real life

But we all know the answer already.😏

Right guys🤣🤣🤣😂😂😂

[nightlyrequiem]

How would Valeria deal with a significant other who is a pop star? How would the two navigate a relationship like that considering that one of them is in the spotlight?

Oh there is lots of potential for angst here.... but I have to reel myself back and keep things happy.

What an interesting dynamic too. In the real world, I feel like Popstar!Reader would be in hot water for dating such an awful person.

Valeria x Popstar!Reader

I don't see Valeria as the type to listen to pop. A few songs here and there but I think she prefers 90s rap or even dramatic classical music. She had heard some of your songs playing on the radio and liked them enough to give your name a little search. She found you pretty. You had a few scandals, as comes with the job. The music industry is cruel after all.

Maybe it was drug related, relationship drama, you being 'rude' to paparazzi even though you were only standing up for yourself. Her interest in you starts off as not much. She likes some of your music and thinks you're pretty but then she slowly starts lurking about on your socials. She doesn't follow you but she regularly checks to see if you've made a new post or a new story. Then she starts saving pictures of you. Any kind that catches her eye but a lot of them are you in more revealing outfits.

She feels frustration and jealousy whenever she sees you with friends. You posted one story where you were side hugging some guy and she was in a foul mood all day. She firmly believes that if you and her had met that she'd have a chance with you.

And meet you she did! Maybe you live in Mexico or maybe you're on tout there. Either way, by some stroke of luck you wind up in Las Almas. You were at a club, and Valeria was also at the club. The rest is history.

Valeria did in fact have a chance. Surprising to no one really. She is one fine specimen. After a few drinks you two ended up in bed together. it turned from a one night stand into something more.

It wasn't like she thought though. You're famous. You preform. You're a goddamn popstar. Which means you're on social media a lot. Which means you receive a lot of attention. You have a lot of people in your DMs. Not that you really see or answer them. There's just too many for you to do that. But Valeria sees them. You had also posted a story of the two of you cuddled up on the couch. Now everyone wants to know who she is. What she does, and she doesn't like that so much. It's not good for her line of work after all.

It's also a bit of issue for you. Cancel culture isn't real and I stand by that, but some people are unnaturally obsessive and critical of everything a celebrity (Specifically women) does. See Chappel Roan. You feel nervous that someone will somehow figure out what Valeria does for a living.

There's also the matter of you leaving constantly. Going off on trips and tours. It puts a bit of strain on the relationship. Valeria is irrationally worried that you're cheating on her. You've come to an agreement though. Every night, after every show you either call her or send her a text. Just to make sure you two are communicating. Sometimes the time zones are too different and one of you is asleep by the time the other responds but it works. You also send her videos. Of the crowds or of you in your hotel room. Sometimes though, she’ll join you. Not on stage of course but she’ll put on a hat and attend a concert or two to support you. Amazed at how monolithic you seem.

You two also decided that you won't post Valeria at all. and when you talk about her you have to be as vague as possible. For the safety of both of you.

In short, it’s kind of difficult for you two. There’s a lot of issues that need to be resolved but Valeria likes you enough to actually fix them with you.

[centrally-unplanned]

I played some Victoria 2 today (a Japan campaign ofc, and admittedly with the Historical Flavor Mod), to sort of reflect on it in relation to Vicky 3. It is rough going back to the economy of Vicky 2 after playing 3, let me tell you - you knew intellectually it was "bad" system before, but you loved it anyway because of the full package. But now you can see the alternatives and remove the quotations, it is just bad! Building an ammunition factory that requires sulfur, having domestic RGO sources for sulfur but they are not producing enough to supply even one factory, and just not being able to do anything about it that isn't drastic or long-term because the world market is feeling fucky today is unacceptable once you have played a game where that isn't true. My industrialization strat should not waffle between "build a railroad for a 5% bump in output" and "invade Indonesia", give me a middle ground here guys! And it does not stop there - capitalists are useless, "build factory on RGO and expand forever" is optimal 99% of the time, key technologies will like double your output making them forced decisions, etc.

And, if you are can't build factories because you aren't civlizied yet...you have no econ game at all. You just do virtually nothing. Now that you see how that isn't required, the mechanics are ruthlessly bad in key ways.

But! But but but! I think Vicky 2 is a still a better game. The funny thing about that "I don't have enough sulfur" thing is that I didn't even care. I built the factory "for the future", subsidized it, it outputted zero bullets, and I barely notice because you make so much money anyway you can generally ignore it. I build the factories primarily so I can have clerks staffing them and generating research points! Is that insane game design? Yeah, it is! But it is insane game design that doesn't get in the way. Nothing stops me from building a factory, it just isn't very good. Wanna build a huge military? Encourage some soldiers with your national focuses and go to town. Want to declare war on someone? You can just do that! And then I take the army I built, click it on enemy, and it fights them - revolutionary new approaches to game design folks.

Even politics, where Vicky 2 definitely does get in the way a lot and is actively not-good, it is at least more permissive and more importantly simple. If you have elections you get events to shift voter ideology, and national focuses to boost party support that work exactly the way you would expect. If you are autocratic you can just swap who is in power! Liberals support political reforms, socialists support economic reforms, if you have a majority support for a law click a button and it passes. Done. Putting socialists in power in 1870 Japan might result in a revolution, sure, but it works, you can try it, and try to beat the militant tide.

Meanwhile in Vicky 3 if you are autocratic putting a "minority" faction in power literally breaks your government and prevents you from passing any laws. You can technically do it but you just die immediately. Wanna build a coalition then, where conservatives & agrarians ally together? You technically can again, but the penalty for "non-compatible" coalition partners is so high it 90% of the time crashes you into 0 anyway. So you have the "option" of switching parties, but...you can't. You just have to appoint the landowners every time or you die. So what is the point? Why have the option? Let me play the game!! Let me try reforming things and face a revolution I have 40% odds of losing to! That sounds fun, why are you rigging the game against that?

I tried an Iran run in Vicky 3 earlier, and I had a revolution against the landlords, who had ~50% of the "faction" points in government. I won, and so their points got knocked down to ~0%, how that works. So I made a new government, right? Well, no! Every faction left was "incompatible" with each other and none of them alone could even muster like 30%. I had literally no government capable of passing laws. So I fucking quit the game? Because this was the product of winning a revolution, why would I continue?

In Vicky 2 fascists win a revolution and they coup the government and it's fascist now. You get the fascist laws and can pass reforms they like. There ya go. Done. Is it interesting? No, not really. But it works! It doesn't literally stop you from playing the game.

My Japan game actually started as Satsuma, since in HPM Tokugawa Japan is split into substate Daimyo. I modernized via encouraging intellectuals, took military & railroad reforms, built a modern land army, and built up relations with the other domains. I launched the Meiji Restoration, got 60% of the Daimyo on my side, won the civil war. Began building factories everywhere, built up my industry, built up my research output. Used the new tech & money to build a larger army, fought the Qing in a tough war but got Korea & Taiwan, allied with the UK & built up a steamer industry to get a modern navy. Then Russia got into a crisis with Greece and so the UK and I backed Greece and broke Russia, with me claiming some territories around Manchuria in the process. Later I invaded China proper to annex Manchuria itself and get some treaty ports, easily now because my military was much more advanced. From all that my infamy was high so I coasted into the endgame and pivoted to culture techs to trigger "decisions" around modernizing Japan that gave me bonuses while having nice historical flavor to them.

And generally the game just didn't get in my way on doing all that. I could "tell the story", which for an easy game like Vicky is normally what you are here to do. Vicky 3 is a much better economy simulator, but telling the story beyond that is such a chore, and often impossible. On politics, diplomacy, and especially military, it is philosophically a step backwards such that its more "developed" mechanics cannot compensate for the mistake.

(I think it is funny how much better a gameplay experience the "narrative via decisions" of Vicky 2 w/ HPM is. They give flavor to the nations with a ton of bespoke, scripted events. Which...just works because they are straightforward. Vicky 3 wants to be "emergent" and so limited such events, but missed the forest for the trees there)

I find this sad because honestly there is a "blended" version of these two games that is amazing. Vicky 3's econ system (with tweaks ofc like making trade valuable) and philosophical commitment to minimal military micro (SO finicky in Vicky 2 to replenish armies where individual brigades die off, ugh), with a system that understood storytelling is first. Let players do things, and then give them consequences that are manageable in response. Get out of the way of the stories your sandbox game is built to tell.

[skeletinmoss]

Let's talk about Sanders Sides and why it should end.

Disclaimer: this is my opinion, I don't have any malicious intentions by voicing it, please don't harass me or people working on the show as the result of reading this rant. You can just stop reading if you don't like what I am saying.

Thank you for understanding.

I myself only joined the fandom 3 years ago. Along the years there has been a lot of content and I was captivated immediately. The characters are the main thing of this fandom and I would like to talk about them first.

They started to not be themselves. Maybe it's now that obvious when you watch one new episode every year, but for someone who just showed up and binged it it's quite noticeable.

There is a thing that happens to every character in every long term content (I'm sorry I can't remember how it's called). With time they become parodies of themselves. And as the time goes on they become more and more simple. That can change the character drastically. Someone who was street smart becomes a character that you can't believe is still alive with how stupid they are.

The same thing is starting to happen is Sanders Sides. It's basically a running gag that Logan lost all his whimsy and is gonna snap at any time. This is the example of simplification, what is left of him is only his core elements. Logic, no feeling, smarty pants, facts, jam. However it ties into the story quite well. No one listens to logic. It makes us invested in how this unnoticed before conflict would be resolved.

With Patton it's not the same. He used to be innocent. An adult who doesn't want to grow up. He was relatable. Maybe it's because Thomas is older now, but the innocence in Patton's character started to come of as ignorance. He used to come of as deeper than at first glance, smarter than you give him credit for. Now he just acts stupid. A guy who can set water on fire. A guy who doesn't even try to confront reality. He was supposed to get character development. Where is it?

Virgil started to be more cringe and boring. He's emo and his character trait is to act like an angsty teen. However now it's more of an adult pretending to be a teen. You can most see it in the Jam video where he tries to do skateboard tricks and we can see his boxers sticking out. Why would you do this? He used to be sassy, he used to be arrogant villain who can't get rid of. He got excepted, and despite the Halloween episode about the phases, and him saying " It's still my job to scare you" we don't ever see him do it. He hangs around I guess, but he lost all his bark and bite. All that's left of him is just moody.

Roman likely didn't change that much. His original chaotic nature masks any changes so far. Although I would say Roman lost quite a bit of his drama and sass. Being sick because the ego was bruised, starting a rap battle just to prove a point and show off, singing and " Making the song 10 times better" in his opinion, freaking out because a person he ships Thomas with has called him back. In flirting with social anxiety he does freak out because of the cute guy, which is very Roman, but it's a bit strange that the embodiment of pure creativity would not find words to finish a poem. ( I have my questions with him in the nostalgia episode like playing the instrument poorly even if he showed he can draw a Mona Lisa with crayons, or not allowing Thomas to demonstrate the dance, but I'm just gonna put that under " Possibly Janus pretending to be Roman")

And Remus and Janus wasn't here long enough to start to fall apart. Although I don't think Remus would actually be able to fall apart as a character because of his chaotic nature.

The second thing I want to discuss are sponsorships.

I am happy that Thomas gets the money and has the opportunity to get more. But did he had to put characters into the sponsorship?

The jam one was fun. It was a joke what turned true. A running gag. But it also gave the community something to interact with. Four new jam flavours, characters on the package, limited sets. You could try something your favorite character likes!

There were good sponsorships on Thomas's chanel before. Like Hello Fresh. He did the advertising as himself, not as characters. It wasn't so in your face. And that's how it should be. He wasn't begging for you to buy it. He was simply sharing a good thing he uses. It wasn't loud and obnoxious. Even if it wasn't as entertaining as the jam musical or character jam merch, you still felt like you could buy it. The food looked good!

It's not the same with VPN, now is it? I would not get any character interactions if I buy this thing. So why are the characters involved? Because I like them and it would be easier to sell me something if They tell me to buy it? Why are you so pushy for me to buy it?

We all are waiting for the season finale. Something grand. Something epic. Something to finish the story. But I don't think Thomas should start another season. He would probably be tempted to, because of the new character involved, but that might not be a good decision. I'm not saying he should stop with the Sides altogether. But I feel like short video format would suit the characters better from now on. No big plots, no storylines, just characters interacting with each other in different situations.

Finish it. Put a stop to the story. All good things need to end. Don't drag it out or you will ruin what we love so much about those characters. It would turn into 8 seasons of Winx instead of the planned 3.

Give them their happily ever after.

I hope I'm not coming of as rude, because I don't meat it in a rude way. I just have things that are bothering me that I want to talk about with someone and see if other people think the same

[puckpocketed]

hello i was tagged by @18minutemajor for WIP Wednesday. it is not Wednesday but i am also not a cop so . here we gooo!!!!!!! tagging my esteemed colleagues (very politely and with no pressure!!!):

@neonfretra @oensible @sorrellegiance @moregraceful @stereax

@wheelsnipecelebrini

@korshrimpski (EDIT: it won’t?? let me tag you. unless these are on separate lines <3)

what's in-progress in your life <3 writing? art? recipe? skill acquisition?

if any crafty people see this - if ANYONE sees this - and would like to join in, feel free and consider yourself tagged <3 (and tag me back so i can see your stuff!!!) link to 18minutemajor's post if yall curious :3 my VERY long wip dump + ramblings under the cut!

its christmas soon and i like to paint gifts for my friends + and i'm finally revisiting my anime/lineart/inking era (here you are K!! my lineart past, present, and future!! <3) so here are some things i've been working on/coming back to/MAY NEVER FINISH: hockey related:

this is juraj slafkovsky and his dinky little middle part which he can absolutely learn to style into something a little less dinky but never does. i am so charmed by him. i imagine he just rocks it because his pretty privilege supersedes dinky middle parts . LMAO!!

here is Sasuke from my Naruto Hockey AU. I am a little stuck on jersey mockups lol. here he is. our haunted little 1OA who is absolutely normal and regular about his captain (LOUD incorrect buzzer):

personal oc art

wanna know some puckpocketed deep lore? i've never been one to make OCs. i was just not a very creative kid tbh. spent all my time drawing sailor moon instead. i still go back to her sometimes because she is one of my favourite shapes in the WORLD!!

in my 20s i took up playing d&d because of the. uh. plague. <3 and got pretty close to having OCs!! those count right? anyway. here is my tavern-wench-turned-wizard!!! i think i painted this 2 years ago? <- put dates on your works guys it saves lives. her name is Mel (short for Melins (pronounced like melons. on account of her knockers. can you tell i never grew out of my 12 yr old booby/cock joke era?) i revisited Mel recently and have started painting her in earnest again!! :3

I briefly dated someone who was very into streetwear and fashion, and I fell down a techwear/gorpcore/cyberpunk rabbit hole for a couple days out of curiosity. i remember literally zero salient info on any of it except the broad strokes of silhouetting and Vibes. what i emerged with, however, was a ?? sorta OC?? im not sure what to call them. they dont rly have a name or gender. I did this little sheet ages ago + the aborted attempt at a portrait later:

Here are my most recent explorations (i have been doing SOOOO much art. <3) which include:

unfinished character sheet + chibi art. I played with their jacket (much more structured/square/tailored thing) and added a lotta random buckles and belts. i took textiles class years ago and have a little experience in garment construction. and i know for a fact this thing does not make any sense. it hurts me to look at a little bit LMAO so i've paused it while i go draft patterns (badly. i was never good at drafting. i think i may have to break out my scrap fabric stash and hand sew a real life mock-up. HELP!)

here is me having fun with them and imagining them as some kind of cyber-fisherman. the best part of every game is the fishing mini-game to me. i love fishing mini-games so much. I made their hair really big because i wanted them to have big unwieldy hair and the vibes told me i should add more movement to the piece aside from the fishing line. I messed with their jacket AGAIN because i can't stop thinking about what kinda jacket they'd wear. gorp-core ? idk. it sure is something!

gifts for my friends :3

back in my weeb era for real YAYYYY!!! up til now i'd been making hockey art using a zero pressure sensitivity pen brush because i simply did NOT want to deal with that. it is and has always been a barrier to me making art that uses line art. <3 easing my way back into it though!

I used to paint gifts for my friends and then get them printed into lil posters and mount them on nice backing :3 i am now ready and back to painting.

Here is my girlbestie's OC. just a rough pose sketch. i think im pretty unsatisfied with the gesture of the head/hand. i wanted to include her gun in some way. i fear i may have to rework the pose entirely <3

For the genshin girlies.. here are some of my friends fave characters.

Yelan - this one i started many holidays ago and put on the backburner because the colouring was wigging me out. you can see where i started rendering stuff + got sidetracked and started on something else (the crystal choker IM LAUGHING @ past me...)

Ayaka - I reaaally like what i did here with the perspective + foreshortening. I don't know if the pose or expression is in-character or not, but i had fun :3 got stunlocked looking at references of genshin weapons so this is where i left off:

if you made it all the way down here hi... <3 ice hockey really cracked the ketchup bottle open for me when it comes to making art again. i love the communities i've found, and i'm inspired by every artist on here every day. thanks for being so cool + have a great day :)

[recurring-polynya]

a cool thing about writing bleach fanfic is that i have read certain parts of the canon so many times that i feel like i know it really well and then i'll realize there's something i have absolutely no clue about. today's example: in the wake of Ichigo storming Soul Society, how widespread was the knowledge that Urahara had been assisting him?

Aizen knew, obvs, for Aizen reasons, but some of the stuff he mentions, like Urahara's known base of operations being in West Rukongai-> the involvement of known Urahara associates Shiba Kuukaku and Shihouin Yoruichi and other clues probably had a number of characters such as Yamamoto, Ukitake, Kyouraku, Unohana suspicious. I feel like Soi Fon and Kurotsuchi could easily have put it together as well, but I did not get that vibe from them so either they didn't or they were just too distracted or in Kurotsuchi's case, he probably did put it together and just didn't care (or pretended not to care)

When the captains finally show up in Hueco Mundo, we learn that Urahara had been working with the Gotei for some time so obviously his involvement has been known at some high enough level of security clearance.

Did Byakuya ever officially report the fact that Ichigo Hollowified right in front of him, which may not have meant much to him, but probably would have been a big tip-off to Yams. On one hand, it does not feel very Byakuya of him to leave something like that out of a report, but on the other hand, I really feel like he just kept it to himself.

Would Rukia have mentioned Urahara in her debriefings after she was arrested? On one hand, I do not think she understood who Urahara was and would not have thought much of mentioning him. On the other hand, Rukia is a "snitches get stitches" type to the marrow of her bones and I feel like she would have intentionally wiped any mention of him from her narrative 99% on principle and 1% for the purposes of protecting Ichigo

If I were banished from Soul Society and hiding out in the Living World, I would use an assumed name, probably all the time, but AT VERY LEAST for the case of interacting with active-duty shinigami. The only person who actually did this was Isshin and I honestly believe he just changed his name for wife-guy reasons.

Ichigo did, very much, straight up tell Ikkaku that Urahara taught him to fight and it was quite clear that Ikkaku was fully aware of who Urahara was. Did Ikkaku tell anyone this or otherwise do anything with this information? I feel like he did not.

Does Ikkaku have a security clearance???????

I would not give Ikkaku a security clearance

If I were going 100% by the manga, I would assume that Yoruichi ghosted after they failed to arrest Aizen, given that she's still very much banished, but in Honey Dish Rhapsody, she apparently hung around with Soi Fon for a while. Is it possible that she had some meetings with the Gotei higher ups in the interests of re-establishing a relationship/working on getting the banishment reversed? My heart wants to say no, but Yoruichi often makes herself freely available to the Gotei in filler arcs, so who knows?

When the Advance Team first goes to the Living World, Renji goes to stay at Urahara's in the interest of "asking" Urahara why he put the hogyoku in Rukia (I assume "asking" is a euphemism for breaking his nose). I feel like this could be the natural follow-on to the idea that Renji just got handed a file of classified info related to this mission and is freshly Hot Mad at this dude he didn't know existed up until now.

Presumably, Rukia also could have given Renji a more detailed version of her time in Karakura in a non-official capacity

Presumably also, the Karakura kids could have gone around telling anyone who would listen about their Mysterious Shop Keeper Friend

I think the answer I'm leaning towards is that the Gotei higher-ups knew about Urahara's involvement and re-established communication with him, possibly in an obfuscated way so as not to run into trouble with Central 46 (fairly easy to do, since they were dead at the time). It's a pretty poorly kept secret, but on the other hand, Gotei op-sec seems to lean pretty heavily on the assumption that people who accidentally learn state secrets don't know what they are looking at and will most likely forget it in a day or two anyway.

[egophiliac]

the lovers, reversed

(aka I'm still freaking out about Jou)

[carnivalcarriondiscarded]

ON THE TOPIC OF BARNABY. as well as his relationship with Wally.

So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:

They put Barnaby in the “facade” section, and I entirely agree. To quote them;

“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.

Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.

What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”

And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );

Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.

Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”. 

& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as. 

The laidback funnyguy with a loving mom and not a problem in the world. 

And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful

(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)

& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?

This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!

Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if  his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric

Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s. 

And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory). 

Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism. 

Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown. 

I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.

Riv also presented this:

We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.

Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed. 

How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go! 

How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is  - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.

And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets. 

In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!