#Yuki Matsuo

[annyouknowme]

o (futuro) casal secundário mais fofo já visto. Se tornou meu vicio atual, li todo os volumes já lançados e agora estou triste.

[gothidecorem]

Haphazardly thrown together (I’ll make a better one later) but I saw a post asking for a Bullet Train lockscreen so I made this

If you save, please reblog 🫶🏻

[antinousamongthereeds]

[bengiyo]

Tadaima, Okaeri Ep 12 (Finale) Stray Thoughts

Last week, Mochizuki accidentally ran into Hiromu, but didn't piece together that he was Masaki's husband. Later, while in heat, he and Hiromu reacted to each other and both felt embarrassed. Hiromu remained polite, but Mochizuki was upset and left with Michiru, saying they would never be back. However, our hero Hikari is expecting to see his friend, so we're gonna fix it.

Hikari is being so brave and not falling apart.

I get Hiromu. It's hard to care too much about what everyone thinks.

It's the last episode! Are Yuki and Matsuo going to figure it out?

Okay, we confirmed that Yuki is a beta.

I adore Yuki so much. He just wants to help.

It really is a good summation of the core themes of this show that even buying into the stereotypes and presumptions is harmful for those on the worse end of it.

He took the present!

I love how much their circle has grown. Masaki thought he'd be alone his whole life, and now he's got to cook a huge spread for everyone.

Hikari remains so adorable until the end.

Oh no, the twins both want Mochizuki.

Final Verdict: 10, This Is The Married Gay Dads Show I Didn't Know I Needed. This show was so delightful for 12 amazing weeks. We got to see two guys who faced a difficult path to be together build a home and family they could love together. It was so joyous to see two men in love with each other, and have that love grow even more because they got to be parents together. There are some really solid themes about acceptance and healing from rejection in this that are handled with such care that I will never stop thinking about this show. If omegaverse isn't a hard no for you, this is the best show you've ever skipped if you care about what married queer joy looks like.

[ecargmura]

Tadaima Okaeri Episode 1 Review - The Fujiyoshi Family

It’s here! It’s here! Ah! My most anticipated show for this season is finally here! It’s the first ever omegaverse anime! Before I get into the review, I’ll inform you of two things:

If this reminds you of Gakuen Babysitters, you are perceptive! The character designer for this anime, Mina Owada, did the character designs for Gakuen Babysitters. The three kids in this anime are all voiced by voice actresses who were in the anime too with Hikari, the black-haired baby being voiced by Atsumi Tanezaki who voiced Kazuma Mamizuka and Kirin’s mother, Yayoi Kumatsuka, Michiru, the brown haired boy being voiced by Kaede Hondo, who voiced the infant Midori and Ryuichi’s classmate Yuki, and Hinata, the infant girl, voiced by Konomi Kohara who voiced Kirin.

What is Omegaverse? It’s a universe where male and females can be impregnated by those of the same genders, but there are additional sub-genders, alpha, beta and omega. Alpha are the elites, the ones on top of the hierarchy. They excel in anything they do and are considered the favored species in the universe. Beta are ordinary people. Omegas are usually considered inferior because they go into heat cycles, which causes their pheromones to become stronger in order to attract mates, specifically alphas. Males can impregnate other males, females can impregnate females, and in some cases, females can impregnate males in this universe. So yes, Hikari is biologically Masaki and Hiromu’s child and he’s not adopted or born from surrogacy.

Now that you understand the basics, here’s my review of the premiere!

The premiere of the very first omegaverse anime is adorable as heck! You can see there is a soft, sweet and domestic atmosphere in the Fujiyoshi family with Hiromu, the black-haired husband and an alpha, and Masaki, the brown-haired husband and an omega, being the sweetest and happiest couple with their equally adorable son Hikari. The story is just about their daily lives as they deal with being an alpha-omega couple in a world where different sex couples are looked upon unfavorably compared to marriages of the same sex.

The first episode shows the type of world Hiromu and Masaki live in and details of how they dealt with prejudices from how the previous home they lived in discriminated against Masaki to Hiromu’s subordinate being shocked that his boss married someone of a different sex. It can be shown in their behavior too with Masaki being rather self-degrading and timid when these topics are brought up and Hiromu being rather protective of his mate and child because of this. There isn’t a lot of gender drama in this first episode, fortunately. It’s mainly a set-up to how future conflicts will come to them.

Hiromu and Masaki are written to be a couple that has been together for a long time, but still act like newlyweds and it’s adorable. Individually, a lot can be said for both of them too. Hiromu is extremely doting towards Masaki and Hikari and is pretty much Maes Hughes from Fullmetal Alchemist if he was put in a domestic omegaverse setting. Masaki’s personality shows that while he is living a happy life, he still has his fair shares of insecurities and self-doubt due to him being an omega; I can tell that he’s someone who dealt with a lot growing up. Actually, I read the manga (and many times at that), so I know how the story goes!

Hikari is adorable and is a boy growing up with loving parents. As he’s almost two, he’s just a toddler. He’s still blind to the world of omegaverse, but that doesn’t matter as long as his parents, an alpha and omega, are happy. I can tell he will grow up to be a kind and sweet child just from how his parents talk to him and how he behaves around them. He’s legitimately so adorable. I was legit acting like Hiromu during some of his cutest moments here.

Other than the main three characters, there are a few other characters introduced. There’s Matsuo, who is Hiromu’s co-worker and childhood friend who’s like an older brother. He’s the biggest victim of Hiromu’s love life as he’s the one Hiromu shows off his family to the most in picture and video form. There’s the Hirai family who lives next door with the mother who treats Masaki and his family kindly by giving them flowers after complimenting her garden and going along with Hikari’s cute antics. Her son is introduced towards the end, but he won’t be formally introduced until the next episode, so I can’t say much other than he’s not a source of conflict, as you can tell by the opening that he’s going to be involved with Matsuo. There are also Hiromu’s subordinates whose names I don’t know, but the female one with red hair is super cool.

This anime is animated by Studio DEEN, who is practically the go-to studio for BL anime at this point. They animated Junjou Romantica, Sekaiichi Hatsukoi (a personal favorite of mine), Hybrid Child, Sasaki and Miyano and now Tadaima Okaeri. While the studio does get some flack for non-BL anime, you cannot deny their BL animes are some of the visually prettiest of their works by far. I think the animation in general is a step up from their previous works. Look at the scene where Masaki kisses Hiromu’s mole. The way he brushes his hair back was really smoothly animated.

The music is really cute! I am listening to the opening song on repeat! The song is sung by MADKID, a J-pop boy band. I do wonder if they were influenced by K-pop in a way because their song does have a K-pop feel. It reminds me of Seventeen in their rookie days with the refreshing concept. The ending song is also nice to listen to! The froggies being the Fujiyoshi family is a nice little detail!

The voice cast is very strong. Did you know that before the anime, there was a drama CD of Tadaima Okaeri? Well, the cast in the anime have been reprised from the drama CD. Masaki is voiced by Atsushi Tamaru. He’s a BL regular. For non-BL roles, he voices Kunimi from Haikyuu and voiced the stalker dude who stabbed Ai in Oshi no Ko. I love how his voice is so gentle when voicing Masaki. Hiromu is voiced by the one and only BL emperor Toshiyuki Morikawa. He’s practically a household name in the BL world. I love how silly he can be with Hiromu, especially the scenes where he’s gushing over his family. Hikari is voiced by Atsumi Tanezaki. If you’re not familiar with the name, her roles may be familiar to you. She is the voice actress of Anya Forger from Spy x Family and Frieren from Frieren: Beyond Journey’s End. Shocking, right? She did voice Hikari in the drama CD and reprised the role! Tanezaki is seriously a versatile actress as she can voice babies to immortal old elves. Another big name in this cast is Kosuke Toriumi who voices Matsuo. If you’re not aware, Toriumi used to be super active in BL in the past, but not as much recently. Some of his roles in BL includes Haruhiko Usami from Junjou Romantic and Akira from Togainu no Chi. Some of his non-BL roles include Yuri Lowell from Tales of Vesperia, Imaizumi from Yowamushi Pedal and Gilbert from Pandora Hearts. During the drama CD era, I thought Toriumi was a bit of a miscast at first, but now, I think he suits Matsuo well as he gives off the aura of a handsome elite. He doesn’t have to be deep-voiced; instead, the voice makes him sound caring, which he is. Also, the boy introduced at the end of the episode, Yuuki, is voiced by Taku Yashiro. He’s also a regular in BL in recent times. His non-BL roles include Friede from Pokemon Horizons and Spitz from Ron Kamonohashi: Deranged Detective. In all honesty, the voice cast is super strong and they all do an amazing job.

I can’t believe I can look forward to Mondays thanks to Tadaima Okaeri! I just hope the animation stays consistent as well as the cuteness. I can’t wait for Mondays to be my happy days—shocking, I know! If you’re watching this anime, what are your thoughts on the premiere?

[rifki16]

Tadaima, Okaeri Episode 5 Review

Photo Source: Tadaima, Okaeri Twitter Promotional Twitter Account

A very yummy salmon sashimi that left me feeling weird

I have to confess something yall. I freaked out on Twitter. After the cold open, when Matsuo was at the Fujiyoshi's, I really thought that Matsuo had actually got engaged or married to Yuki. Like, damn bro, I need to see Matsuo and Yuki dating! They looked so perfect and comfortable together ^^

HOWEVER, as I watched the opening scene again, it turned out that the ring that Matsuo had resided on his middle finger NOT the ring finger haha, Gomen nasai to all my Twitter followers or who read that tweet of mine.

I really don't know what it is with Matsuo and his obsession in teasing Hikari about being an older brother. I mean, the interaction about being the older brother started out fine. Then, Matsuo told Hi-chan about all the responsibilities of being the older brother. He could have just said that it was fun yet you just needed to adjust how you behave in order to teach your younger siblings about the world. Matsuo is something else haha

I was so sad when Hi-chan got a mild fever :(. I'm so glad that Hi-chan and Hina-chan have two dads and they agreed to divide up the attention so none felt like they were abandoned. When Ma-chan told Hi-kun that he had done enough, I cried so hard yall. I really don't know that parents could do that.

You know, loving without harming self-growth, providing space emotionally to grow.

When Matsuo was on a call with Ma-chan, Matsuo needed to apologise because he didn't think that his teasing could have made Hi-chan catch a mild fever, I really wanted to tell Yuki to just discipline his man lol.

Okay, I really need to type carefully about the next subtopic as it's something that needs very thorough research and nuanced perspectives, yet I have time to do neither and I really want to just put it out there. Treatment of Women in the Male-dominated Space within Omegasphere

First of all, I was quite pissed off that Hinata didn't get her own banner. I don't know why yet, it could be that maybe Hinata was just born, and her name was also just recently given - as indicated by the fact that when Fujiyoshi-san was on a call with Hiromu, Fujiyoshi-san still asked Hiromu about Hinata's name. It could be that maybe only firstborns were allowed to have a banner like that. It could also be that Fujiyoshi-san was just reinforcing the old tradition and that he didn't really want to put up the banner with Hinata's name.

Secondly, does any of you remember the scene in Modern Family, when Cam was given breakfast on bed by Mitchell? Cam was hysterical because Mitchell made it seem that Cam was the woman in the relationship.

I mean, homosexual relationships are always confronted by this problem, even by those who were supposed to tolerate us; "who's the man in the relationship?" and most of the time they answer said question by inferring from an answer to the question of "who's the top?"

My point is, that these heterosexual normies seem to always insist that we conform to their gender roles in a relationship, even when we are definitely not a heterosexual couple.

The scene of when Hi-chan was wearing the hat and costume which his grandfather bought for him. I really don't get why Ma-chan needed to stay in another room with Hi-chan's grandmother. I mean, as Ma-chan bore Hikari and Hinata, I guess there was no doubt about who the bottom is. But, Ma-chan is still a man and he seems to still identify as one, so why the forced equivalence?

I HAVE TO STRESS THIS ALSO BEING A CALLED A WOMAN IS NOT AN INSULT. I'm not saying that somehow Ma-chan lost his dignity because he got misgendered, or rather treated misgenderedly. I just don't like that Hi-chan's grandparents seem to only see Hi-chan as their grandchildren's baby incubator, and not as a full man who has a womb. It's such a queer erasure to treat Ma-chan as a woman because it means that Fujiyoshi-san really just sees their son marrying a woman, just with different genitalia, instead of seeing and accepting that their son is in a loving and thriving homosexual relationship.

Thirdly, now, this is why I call this episode a yummy sashimi that made me felt very uneasy. When Hi-chan's grandmother gave Ma-chan her kimono, I cried uncontrollably. Ma-chan even got shy when Hiromu saw him in one, that really warmed my heart. I understand that the scene was supposed to highlight how Fujiyoshi-san really saw Ma-chan as one of their family members. But again, there's a part of me who wants to protest making a Kimono as a gift, but I really have no cultural perspectives as to whether a Kimono could be worn by a man too or not.

All in all, watch it yall, it was so cute. Hi-chan saying bye-bye was EVERYTHING

[konjaku]

唐鼠黐[Tōnezumimochi] Ligustrum lucidum

唐[Tō] : Old China, Tang dynasty

鼠[Nezumi] : Rat, mouse

黐[Mochi] : 黐木[Mochinoki](Ilex integra)

鼠黐[Nezumimochi] : Wax-leaf privet(Ligustrum japonicum)

It is a naturalized plant that introduced during the Meiji period(1868-1912) and has since been feral in many places. Although much like the native species Nezumimochi, it has larger and thinner leaves, and when held up to the sun, the veins of the leaves show through.

雪ふりの明る日ぬくし藪椿　 之道 「ヤブツバキ」という植物は別にあるらしい。『本草圖譜』などは女貞（ネズミモチ）の一名として「ヤブツバキ」を擧げてゐる。さふいふ事の當否は専門家の知識に俟たなければならぬが、もと／＼俳句は博物學に立脚したものでなし、俳人は植物學者ではないのだから、どう解決がついたにしろ、それのみに則るわけには行きさうもない。この句なども女貞と解したのでは、やはり面白くないやうである。

[Yuki furi no akuru hi nukushi yabutsubaki　Shidō 「Yabutsubaki」 to iu shokubutsu wa betsu ni aru rashii. 『Honzō zufu』 nado wa jotei (nezumimochi) no ichimei toshite 「Yabutsubaki」 wo agete iru. Sō iu koto no tōhi wa senmonka no chishiki ni matanakereba naranu ga, motomoto haiku wa hakubutsugaku ni rikkyaku shita mono denashi, haijin wa shokubutsu-gakusha dewa nai nodakara, dō kaiketsu ga tsuita nishiro, sore nomi ni nottoru wake niwa ikisō mo nai. Kono ku nado mo jotei to kaishita nodewa, yahari omoshiroku nai yō dearu.] (Today,) the day after a snowfall, it's warm and a flower of Yabutsubaki(Camellia japonica) is blooming.　Shidō There is apparently another plant called "Yabutsubaki". "Honzō zufu(The botanical illustrated reference book; written in the Edo period)" mentions "Yabutsubaki" as another name for Jotei (Nezumimochi). Although we can only rely on the knowledge of experts to determine the suitability of such things, since haiku is not based on natural history, and haiku poets are not botanists, so no matter how it is resolved, it is not likely to be based solely on that. This haiku also does not seem to be interesting if it is interpreted as Nezumimochi. From 古句を観る[Koku wo miru](Appreciating haikus from the past) by 柴田 宵曲[Shibata Shōkyoku] Source : https://dl.ndl.go.jp/pid/1128306/1/35 Shidō, or 槐本 之道(Emoto Shidō), is one of Matsuo Bashō's students. The relevant page in Honzō Zufu : https://dl.ndl.go.jp/pid/926450/1/7

[eirinstiva]

Dios - ＆疾走 (Dios - &SPRINT / Official Music Video)

((( Dios ))) Tanaka Ichika Nito Sasanomaly

((( credit ))) Directed by Creative Collective　F A T I M A Girl：Riko Cinematographer：Yosuke Torii 1st AC：Sei Shimura 2nd AC : Yuto Mori 3rd AC : Riku Matsuo Lighting Director : Takuma Saeki Lighting Chief : Akira Nishimoto Lighting Assistant : Mizoe Toshifumi, Yasuda Masanao Stylist : Yuki Tsuchida Hair & Make : Tomoya Nakamura Assistant Producer : Ryo Kato Character Design：Naoyuki Asano Character Motion Designer: nmr

[matsudaryota-works]

MV chilldspot Digital Single「キラーワード」

映画『隣人×-疑惑の彼女-』主題歌

恋人役で出演しています

Staring : YAE, MIO

Ryota Matsuda

Yume Koga

Yuko Sakurai

Nobuyuki Hirose

Kurin Kusunoki

Shuji Yamamoto

Yoko Kaneshiro

Director : Takuya Setomitsu

Cinematographer : Yuki Maxima

1st AC : Seijun Ichinose, Mitsunori Nakata

2nd AC : Takahiro Kawahara

Lighting Director : Yamato Watanabe

Lighting Assistant : Hirari Okuyama, Ginji Ono

Compogitor : Daiki Matsuo (NANON CREATIVE)

Colorist : Yusuke Adachi

Hair&Makeup : Minami Ariga, sakai

Hair&Makeup Assistant : Kanoko Fukushima

Stylist : Yuya Nakajima

Stylist Assistant : Ryusei Higa

Casting : Kentaro Masuko, Mei Shibata(SKALY)

Production Manager : Yusuke Sato, Ayana Ishikawa

Production Assistant : Shion Uchida, Tomo

Sakamoto, Mikuto Hayashi

Assistant Producer : Rikuto Yoshikawa (Cyran)

Producer : Keita Sugai (Cyran)

Production : Cyran

[nnjzz]

WAMEI + ABYSMO + OCTAVE MAGESCAS + UNNECESSARY ATHLETICS

JEUDI 02.11

Le Non_Jazz WAMEI /jp ABYSMO / fr UNNECESSARY ATHLETICS ar / it OCTAVE MAGESCAS / fr

20:00 portes 20:45 action

P.A.F. 6€

à LES NAUTES 1, Quai des Célestins 75004 M° Sully-Morland

WAMEI /jp osaka Jeune musicien prolifique et très versatile, il est la moitié du duo " psych-drone- pop" Sarry ( avec la chanteuse Fuji Yuki ) et également membre de plusieurs groupes de la région de Kansai dont le groupe psyche/rock Hibushibure, le combo techno/noise Nasca Car ou le groupe post-punk Jacob’s Ladder. Solo, il construit de plus en plus sa musique dans une accumulation de strates de drones saturés, même si - à l'opposé de ce spectre - il excelle à concocter des vignettes électroniques compactes et mystérieuses, des mini-capsules sous forme de pop-ups délétères, comme des mini-bulles de soundtracks éphémères, tantôt lymphatiques tantôt agités, qui peuvent faire penser ( ou pas ) à, pêle-mêle, Conrad Schnitzler, Cosmic Jokers, Mort Garson, Matsuo Ono, Edward Artemiev, Gil Mellé, Coil, classiques d'early electronica ( Herbert Eimert, Otto Luening, Vladimir Ussachevsky... ), Kid Baltan & Tom Dissevelt, Delia Derbyshire, Daphne Oram et autres ciseleurs de la vintage electronica de l'âge d'or du BBC Radiophonic Workshop.  " Avec un style d'expression totalement abstrait basé sur le drone (performance avec son soutenu), ses performances s'intéressent aux « sons qui mènent à d'autres mondes », qui affectent directement les sens de l'auditeur plutôt que sa sensibilité musicale. Le style d'interprétation, qui utilise un minimum de synthétiseurs et de pédales, vise à faire entendre à l'auditeur la musique du plus profond de sa mémoire, et supprime en profondeur les éléments musicaux tels que la mélodie et le rythme, et, à la limite du bruit, détruit la pensée et crée des sons qui agissent sur les profondeurs pures du psychisme et sur les sens qui s'y trouvent. Le groupe joue des sons qui agissent sur les profondeurs pures du psychisme et sur ses sens les plus intimes. " Dans le passé, il a participé à des groupes et unités de divers genres, y compris l'unité que Sarry a formée avec la chanteuse Fuji-Yuki, et a également produit et publié de nombreuses œuvres sur des labels en Europe et dans d'autres pays, ainsi que des tournées en Europe, Australie et Taïwan. Il a également effectué des tournées en Europe, en Australie et à Taiwan et a collaboré avec des musiciens d'autres pays pour produire des œuvres

ABYSMO / fr paris bruxelles Mealbient, hypnagogic dance music

Nonmei9227 + C Folle : duo créant de la musique visqueuse inspirée des parcs à thème, des marécages et états hypnagogiques au travers de synthèses de vocalisation et de patterns flasques.

OCTAVE MAGESCAS / fr paris Parisien de toujours, musicien et chercheur ( Sound Art Museum de Rome, EHESS ), Octave nourrit sa musique de  field recordings, crépitements synthétiques, clicks_+_cuts à la mode de Frankfurt, tout le langage sonore de l'ambigu et du contemplatif post-digital.

Incursions parfois harsh noise, parfois sleek lush ambient, parfois sound art-ish seront ( ou pas ) de mise, qui verra, verra.

UNNECESSARY ATHLETICS ar / it paris +ou-

des sons qui parcourent les quatre coins du tableau comme des pièces d’échecs des jeux d’avance et retours

Et ça sautille, et ça percute!

UA est un duo composé de : Luca Ventimiglia - électronique  + Joaquin Ortega - électronique.

Les deux font par ailleurs partie d'innombrables permutations entre d'innombrables membres du collectif 2035. 

Fly - Mehdi Hercberg aka SHOBOSHOBO

[nhacaitangtienvip]

Soi kèo nhà cái hôm nay Shonan Bellmare vs Yokohama FC, 17h ngày 24/2/2023

Soi kèo nhà cái hôm nay Shonan Bellmare vs Yokohama FC, 17h ngày 24/2/2023 tại nhà cái tặng tiền vip. Dự đoán tỷ số bóng đá giữa Shonan Bellmare vs Yokohama FC, 17h ngày 24/2/2023.

Yokohama FC hành trình đến Sân vận động Lemon Gas Hiratsuka vào thứ Sáu cho trận đấu tại J1 League với đội chủ nhà Shonan Bellmare.

Để xem tất cả dự đoán trận đấu, thăm dò ý kiến trước trận đấu và số liệu thống kê cho Shonan Bellmare v Yokohama FC, hãy cuộn xuống (cộng với tỷ lệ cược trận đấu hay nhất).

Shonan Bellmare đang hy vọng giành chiến thắng một lần nữa sau chiến thắng 1-5 tại J1 League trước Sagan Tosu.

Trong trận đấu đó, Shonan Bellmare kiểm soát bóng 37% và thực hiện 19 lần dứt điểm, trong đó có 12 lần trúng đích. Cho Shonan Bellmare, các bàn thắng được ghi bởi Yuki Ohashi (3', 36', 60'), Taiyo Hiraoka (45') và Kosuke Onose (64'). Ở đầu bên kia, Sagan Tosu có 9 lần dứt điểm trong đó có 2 lần trúng đích. Yuji Ono (45') ghi bàn cho Sagan Tosu.

Những bàn thắng gần đây hơn của họ thực sự minh họa cho điểm mà chất lượng đã được thể hiện rõ ràng ở hậu vệ Shonan Bellmare. Shonan Bellmare đã chơi tệ ở phía sau, dẫn đến số bàn thua mà thủ môn của họ phải ghi trong sáu trận đã qua của họ là 4. Chúng ta sẽ sớm xem liệu xu hướng đó có tiếp tục diễn ra trong trận đấu này hay không.

Bước vào trận đấu này, Shonan Bellmare đã bất bại trong 4 trận sân nhà trước đó.

Sau khi nếm mùi thất bại lần trước trước Nagoya Grampus trong khuôn khổ J1 League, Yokohama FC sẽ hy vọng sẽ xoay chuyển tình thế tại đây.

Ở trận đấu đó, Yokohama FC cầm bóng tới 71% và thực hiện 14 lần dứt điểm, trong đó có 1 lần trúng đích. Ở chiều ngược lại, Nagoya Grampus có 7 lần dứt điểm và 3 trong số đó trúng đích. Kasper Junker (4') là người ghi bàn cho Nagoya Grampus.

Cho thấy họ yêu thích những trận đấu hiệu quả, chúng ta đã có 21 bàn thắng trong sáu trận đấu trước đó mà Yokohama FC tung quân, đạt trung bình 3,5 bàn thắng mỗi trận. Đối thủ của họ đã quản lý được 10 trong tổng số này.

Nhìn lại các trận đối đầu gần đây nhất của họ kể từ ngày 25/06/2017 cho chúng ta thấy rằng Shonan Bellmare đã thắng 3 trong số các trận này & Yokohama FC 2, với số trận hòa là 1.

17 bàn thắng đã được ghi giữa họ trong những trận đấu này, với 8 bàn trong số đó của Shonan và 9 bàn cho Yokohama. Đó là con số bàn thắng trung bình mỗi trận là 2,83.

Lần gặp nhau trước đó giữa các bên này là trận đấu J1 League ngày 33 vào ngày 23/10/2021 và tỷ số kết thúc là Shonan Bellmare 2-1 Yokohama FC.

Ngày hôm đó, Shonan Bellmare kiểm soát bóng 62% và tung ra 9 cú sút trúng khung thành với 4 lần trúng đích. Những người ghi bàn là Yuki Ohashi (78') và Naoki Yamada (89').

Ở đầu bên kia, Yokohama FC có 8 lần dứt điểm trong đó có 3 lần trúng đích. Yusuke Matsuo (63') là người ghi bàn.

Trọng tài là Akihiko Ikeuchi.

Người quản lý của Shonan Bellmare, Satoshi Yamaguchi, không cần lo lắng gì về thể lực trước trận đấu này nhờ có một đội hình hoàn toàn khỏe mạnh để lựa chọn.

Nhờ có một nhóm cầu thủ chủ yếu có sẵn, chỉ có một vấn đề về thể lực mà huấn luyện viên Shuhei Yomoda của Yokohama FC phải lo lắng. Saulo Mineiro (đứt gân Achilles) sẽ không thi đấu.

Suy nghĩ của chúng tôi là Yokohama FC sẽ có thể ghi bàn vào lưới đội hình Shonan Bellmare này, mặc dù số bàn thua đó có lẽ không nhiều bằng số bàn thua mà họ có thể để thủng lưới.

Đá gà trực tiếp Campuchia cho rằng đây sẽ là một trận đấu rất sát sao với tỷ số 2-1 nghiêng về Shonan Bellmare trong cả thời gian thi đấu. Hãy xem những gì xảy ra ở đây.

[artspheres]

NY CONNECTION 2023 January 30 – February 4

Opening Reception: Monday, Jan 30, 5-7pm (Tokyo)

Virtual Reception via Zoom Monday, Jan 30, from 12:30pm (Tokyo)

Ayako Bando • Max Fujishima • Miho Hiranouchi • Yumiko Hirokawa • Kumi Hirose • Kunio Izuka • Keiko Koshimitsu • Ayane Kurai • Mariko Kuzumi • Akiko Matsuo • Mieko Mitachi • Miki Nagano • Hiromi Oikawa • Akemi Takeda • Kazuko Uchida • Akiko Yamamoto • Yukie Yasui • YUKAKO

Gallery SIACCA Ginza 2-9-16-BF, Chuo-ku, Tokyo 104-0061 Hours: Mon–Fri 12–7pm • Sat 12–5pm

[bengiyo]

Tadaima, Okaeri Ep 5 Stray Thoughts

Last week, Misaki had a huge moment of doubt before baby Hinata was born when he was worried about their daughter having to face the struggles he’s had. However, as always, Hiromu sensed it immediately and they talked about it as a team after making out. They prepared Hikari for the role, and even named baby Hinata because of Hikari associating the baby with the sun. They now have two adorable children. We left at Matsuo reacting to a comment from Hiromu that papa Fujiyoshi asked if Yuki was his mate.

Not know what babies are finding funny is so real. Masaki just chilling and reading his book is the correct response.

Love that they always treat Hikari as a full participant in conversations and accept him immediately when he joins in. It’s really cool how they consistently instill purpose and responsibility into Hikari in a way that he seems to find fun.

Then there’s the way they teach Hikari how to take care of Hinata. Hiromu can’t let Hikari feed apples to Hinata yet, but Masaki can give him a compromise of letting Hinata watch him eat them. I like that they don’t tell him that the impulse is wrong, and explain the reason why he can’t follow through on it.

Poor Hikari. I’m glad Masaki told him he doesn’t have to give all of his things to Hinata. He overworked himself and how he’s sick.

I really love that Masaki and Hiromu feel like a team when it comes to parenting.

Wow, I actually really like Hiromu’s apology for Hikari opening Masaki’s emails. It’s good to teach kids about respecting privacy and acknowledging when they’ve made mistakes.

I really like that Hiromu’s parents are putting in real effort to make up with them.

This kimono moment is very touching. There’s something really special about this show not making reconciliation for past homophobic offenses an ongoing process, and how that isn’t quick for the offended party.

I really love this show. I prefer my slice-of-life shows to have a clear drama or theme for the episode that they take care of, and Japanese shows seem to understand that best most of the time. They’re also doing a good job with contextualizing Hikari getting a little bit older and more aware of the world and his surroundings. Even in this episode we had instances of him displaying more independence and surprising his dads. I love a low stakes drama like this so much.

[rifki16]

Tadaima, Okaeri Episode 4 :)

Photo credit: Tadaima, Okaeri Twitter Promotional Account

A very delicious well-seasoned warm soba.

Before moving to the analysis, I would just like to congratulate Hiro-san and Ma-chan on their growing family, I'm so happy, and I wish all the best for them, and all the love for the newborn bebe Hinata and her big brother Hi-chan :)

The episode was a very good calming bottle episode. We only saw the four main characters, five after Hinara was born. My statement from Living with Him episode 3 analysis might be wrong, I think there have been many bottle episodes in the BL series which I have watched, it's just that I did not notice it.

You know, when I was becoming a big brother, I think I was also teased and joked around by a lot of my parents' social circles, however, I did not really remember as I was only 5. I think Hikaru handled the teasing way better than I did. I love that he's just him, his authentic self despite the social pressure of being an older sibling.

The microaggression in the mall was really uncalled for, I guess that's what the omegaverse is like, I suppose. I'm so glad tho that the old alpha person was made to look like the weird one when he put all of the imaginary, speculative, future burdens of being an alpha and a fujiyoshi to Hikari. Bro, he's no more than 3 years old, you already determined how his future was gonna look like.

Now, I'm gonna write this delicately. When Masaki was contemplating whether his daughter, Hinata, was going to be an alpha or an omega, I really wanted to write about how many disabled parents would not wish to burden their children with the traits they have. I have watched so many birthing scenes in sitcoms, and all I heard from them is the fear of how their new offspring is going to be some kind of disabled. However, I have not found any scholarly articles or even a news article about disabled parents and their fear of passing on their traits to their children. However, I did find an NYT opinion article about an XLH-gene having mother who passed it on to her son and daughter. Of course, she cherished all her children and that all of them were healthy. And I agree with her that disabled people must be seen through a generalized lens, rather that all of them are unique individuals like all mankind is. And I think, Masaki was very brave and emotionally strong in actually confronting his fear and preconceived notions about being an omega, internalized omegaphobia, when he said

"I'm the one person that cannot reject her"

I think it's good that he's not pushing his omegaphobia thoughts too far away and that he chose to address it. Hinata is so lucky to have a very dedicated, loving, and accepting parent like Masaka.

I really felt it when Hiromu hugged Masaki after the spiraling thought. I really hope that one day, I can have a great support system like Hiromu and Masaki.

The hide-and-seek scene was very lovely. The way that the whole family participated in the game was very heartwarming <3

I cannot end the review without cheering on Matsuo and Yuki. I was so sad that I thought the dating scene would not have appeared in this episode, but it turns out, that they made it into a post-credit scene. so kawaii ^^

watch it yall, it's so good :D

[burnt-toast-life]

So like. Complete ref list for the main Challenge the Die cast!!!

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