#You’re not getting off the LaManchaLand Ride just yet

[korroshiame]

Spoilers for Canto VII (Don Canto) Part 1 Ahead!!

One of my favorite things about Canto VII so far is how the bloodfiends are so fucking crazy and stylish in LaManchaLand.

But it makes a lot of sense. Like, you have time to kill I’m sorry Time Ripper but they will just heal off of you and you have literal centuries to spend time doing pretty costumes and shit.

But things get repetitive over time, and unless you have Don’s patience to yap for literal millennia, you too would go insane pretty quick.

Exhibit A: Cassetti, or as he is now known as, ruined casserole.

I was going to ask why The Barber had little time to prepare, but she must be a university student and La Mancha Land was her side gig fucking capitalism

And then the electro swing plays.

And I actually find that part really fascinating, because it’s a combination of an old music genre and a new music genre, Swing and Electronic music.

The Swing emphasizes the chaotic and flamboyant nature of LaManchaLand, almost celebratory in a bloodbath sense. That, and it represents how old the bloodfiends are. Hell, I wouldn’t be surprised if a Bloodfiend invented Swing in the City in the first place.

The Electronic music, however, emphasizes on the modern nature of the bloodfiends and the urban nature of the city. Urban vampires dancing to a modern remix of old songs, which contrasts well with P Corp’s futuristic style and how LaManchaLand is more garish and gaudy in comparison to inside the nest.

I could yap more about the contrast of the nest’s speck clean nature and the chaoticness of LaManchaLand, but that’s enough from me tonight.

So all in all, this is my analysis on why electro swing is appropriate for Don Canto VII Part 1 boss.