#You didn't give me specific characters so I chose them myself

[shychick-52]

6, 10, and 17 for the fandom ask game please. 😊 ❤️

(6) Show us a bit of a wip!

My two DuckTales wips are on hiatus atm so I can focus on my Sofia the First wip. So, I'll share a snippet of that one (It's called 'The Master Wand'):

(10) What's your favorite piece of fanart for [Gyro and Boyd]?

Probably this one by @darkwingownsthenight, as it was the very first artwork of them I found even before I joined this site.

(17) What's a book, show, or movie you think [Boyd] would like?

I think he'd definitely be into the MCU, or as I hc it would be called in the Duckverse, the Marsh Cinematic Universe!

[silverskye13]

how did you get the confidence to write fanfiction? i always worry that i won't portray the characters properly so any ideas or wants to write fanfics that i have go away or i talk myself out of it :(

Well! First and foremost: Most people don't start writing,,,, anything with confidence. Let alone fanfic, where you know other people are going to be looking at it, with their own ideas of how the characters are supposed to act and feel influencing what they're coming to the story with. My first fanfic I was very insecure, which I feel like was evident, reading through the author's notes now. Apologies whenever something that required a lot of suspension of disbelief happened, a poll so readers could decide the ending so I wouldn't disappoint anybody, only to end in me writing and posting three different endings. Long justifications for why I chose certain things in the author's notes. The fic nowadays reads to me like a very rough apology.

"Hi I'm sorry I tried. Be kind I'm very scared."

But the thing about writing that fic was, it was the writerly equivalent of jumping into the deep end of the pool for the first time. After I bobbed back to the surface and realized a shark hadn't like, taken my legs off while I was down there, jumping in again got easier. And kept getting easier. And now I just write and post things.

There's kind of two schools of thought that I've seen people subscribe to, when it comes to taking the first leap. The one that's really popular around here on Tumblr is: Do it scared. It is simple and straightforward. You are scared. You will be scared. You probably never won't be scared. So do it scared. Write your thing, close your eyes and hit send [either to post it or to share it with one or two friends, or even just hitting the "save" button and not deleting it]. Get scared, do it, close your eyes, finish. When you open your eyes again and nothing terrible has happened, you can breathe a sigh of relief and do it scared again. It's a little nerve-wracking at first, but the idea is giving your mind the association of jumping and not falling. I did it and I didn't fail, therefore it is safe to do it again.

The other school of thought [the one I specifically subscribe to] is: Do it once. What you think or feel about it doesn't matter. What matters is you did it once. Maybe it will be hell, or it'll suck terribly. Maybe you're really excited! And it turns out great! Maybe its a wild ride of ups and downs, and by the end you need a few months to catch your breath and decide if it was worth it. Regardless: you did it once. Now you know, if you want to, you can do it again. Now you can decide if its worth doing again. For me, the euphoria of finishing a project always far outweighs the trouble getting there, so the step forward of "Do it once" is powerful for me. And that can be broken down too. "Write one chapter." "Draw one drawing." "Clean one room in the house." There is no pressure to continue if its really that terrible, but you at least get to decide if one was worth it [and a solid 9 times out of 10, one was worth it enough to do it more.]

Now, all that said, if what you're worried about is writing the characters right and nothing else -- don't worry too much. Most people care less about how true to life the characters are, and care a lot more about consistency in the story. An example from RnS: In canon, Helsknight is a cartoonish villain with one motivation, and that motivation is taking over hermitcraft Doofenschmirtz style. To date, no one has come into my inbox demanding I change him, because he's so OOC he's basically an OC at this point. What people have come into my inbox about though, is "Hey, you established X in this chapter, but he said Y in this chapter. Was there a reason for that?" which is them saying, "Why didn't you keep your character consistent?" If you tell your audience what the expectations are for the story and you stick with them, they will stop caring about OOC moments and characterizations, and will trust you're going somewhere with your writing. Suspension of disbelief, your powerful friend! They put the world on their shoulders and carry and everybody watches and claps.

If you're also worried about consistency, then start out with one shots! There's a lot less room for error, no large, sweeping character arcs to keep track of. And stringing a bunch of one-shots together can give you practice with character consistency and progression without committing to something massive and overarching. If you're truly worried about making the characters exactly like Canon [or the Canon in your head], I recommend making little lists of character traits, or important things you want to keep in mind. At that point you're scared of your own consistency, and you just need a framework to keep yourself consistent enough for yourself, if that makes sense?

Hopefully! This helps! Sorry I'm a little scattered today :'D

[do-you-know-this-adhd-character]

SUBMIT THROUGH THE FORM IN THIS POST, NOT MY ASKBOX, FOR YOUR BLORBO'S SAKE. I WILL LOSE SUBMISSIONS IF THEY AREN'T ALL IN ONE PLACE!

Hi! I've never run a poll blog before, but I like the "do you know this character" type blogs and I searched and didn't find one for ADHD characters so I decided I'd make one!

Submission Guidelines

Both canon and non-canon ADHD characters are allowed, but YOU MUST PROVIDE EVIDENCE FOR NON-CANON ADHD CHARACTERS! I completely understand just looking at a character and going "oh they have the Vibes" but it's not enough to be posted on this blog. Even just "they exhibit a lot of impulsiveness and distractability" is enough for me to go on - just give me SOMETHING to work with. However I reserve the right to not post a character if I don't think the evidence is compelling enough, i.e., if you don't list any traits that are specific to ADHD.

You may not submit real people, only fictional characters. I find it disrespectful and uncomfortable to speculate on the mental health of real people, and will not be posting those for my own comfort, even if those people will likely never see it. Also, the point of this is characters, not real people, so even people who have said they're ADHD won't be posted.

YOU MUST SUBMIT THROUGH THE FORM, NOT MY ASKBOX. I am, of course, ADHD myself, and I need all the submissions in one place or I'll lose them.

Got it? Here's the link to the form.

About the Mod/Blog

You can call me Mudkip if you'd like, or my name, Réka. She/her only please, do not use any other pronouns for me including they/them. I am an adult. I was diagnosed with ADHD at a very young age and have it bad enough that I consider myself disabled. So ADHD rep is very important to me! And I'd like to both learn about ADHD rep I might not have heard of, and spread awareness of what ADHD people are like through the characters that people might not even realize are like us.

My icon is the character 707/Seven from Mystic Messenger, I chose him because although it's a bit hidden he is canonically ADHD! There's a call where he talks about how he talks to himself, and if you say "I heard people with adhd talk to themselves a lot..." he agrees with you, as well as displaying other ADHD traits through the whole game.

...is this entire blog partially part of my agenda to spread the word of canon ADHD Seven? Maybe.

Header is Zack Fair from Final Fantasy VII; he's not canonically ADHD but there's strong evidence for it and I couldn't resist using the "Me? Gongaga." meme.

I often can't resist making non-poll posts on this blog, although I swear I try. If you're just here for the polls you might want to filter the tag "not a poll"!

My main is @hungarianmudkip69 .

Tagging System, for your searching or filtering convenience

#poll - the polls. this only includes "do you know this character" polls, not any other polls I might do.

#not a poll - anything that doesn't get the above tag. Including other types of polls. You know what I mean.

#canon adhd character - polls for characters that are canonically ADHD.

#noncanon adhd character - polls for characters that aren't canonically ADHD, but have solid evidence behind the headcanon.

#poll results - a reblog of an ended poll with calculations of how many people know the character and what percentage of those people know/see the character as ADHD.

#poll reblog - any reblog of a poll that isn't poll results.

#other polls - polls from other blogs.

#blog management - anything about the running of the blog.

#ask - asks. I don't know what else to tell you.

#approval inquiry - asks asking if a character has been approved for posting.

#submission inquiry - asks asking if a character has been submitted.

this was part of the original pinned and I always like seeing this part of poll blog pinneds so I'm leaving it

I'm supposed to tag other polls for visibility, right? This was largely inspired by @who-do-i-know-this-man and @doyouknowthisdisabledcharacter as well as @do-you-know-this-queer-character !

If you want to know if someone's been posted, check below:

Polls in progress:

707/Saeyoung Choi from Mystic Messenger (canon)

Kyle Klimson from The InBESTigators (noncanon)

SpongeBob SquarePants from SpongeBob SquarePants (noncanon)

Sherlock Holmes from the original Sherlock Holmes stories (noncanon)

Evan "Buck" Buckley, from 9-1-1 (canon)

Meg Murry, from A Wrinkle in Time (noncanon)

Bokuto Koutarou, from Haikyuu!! (noncanon)

Finished polls (under the cut):

Quicksilver/Pietro Maximoff from the X-Men movies (noncanon)

Rumpleteazer from Cats the Musical (noncanon)

Bobby Drake/Iceman from DC Comics (noncanon)

Karlach Cliffgate from Baldur's Gate 3 (noncanon)

Evelyn Wang from Everything Everywhere All at Once (canon)

Osana Najimi from Komi Can't Communicate (noncanon)

Barbara Gordon/Batgirl/Oracle from DC Comics (noncanon)

Sora from Kingdom Hearts (noncanon)

Dr. Coomer from Half Life VR but the AI is Self Aware/HLVRAI (noncanon)

Johnny Gat from Saints Row (noncanon)

Bart Allen/Impulse from DC Comics (noncanon)

Michael Tate from Greater Boston (canon)

Uraraka Ochako from My Hero Academia (noncanon)

Etcetera from Cats the Musical (noncanon)

Richie Tozier from IT (noncanon)

Gary Smith from Bully/Canis Canem Edit (canon)

Leslie Knope from Parks and Recreation (noncanon)

Leonardo from Rise of the Teenage Mutant Ninja Turtles (noncanon)

Mungojerrie from Cats the Musical (noncanon)

Achilles from the Iliad (noncanon)

Tajima Yuuichirou from Ookiku Furikabutte/Oofuri/Big Windup (noncanon)

Benrey from Half Life VR but the AI is Self Aware/HLVRAI (noncanon)

Crowven Corvuson from Cemetery Mary (canon)

Martlet from Undertale Yellow (noncanon)

Zell Dincht from Final Fantasy 8 (noncanon)

Skimbleshanks from Cats the Musical (noncanon)

Goku from Dragonball (noncanon)

Yuma Tsukumo from Yu-Gi-Oh Zexal (noncanon)

Moritz Stiefel from Spring Awakening (noncanon)

Sydney 'Syd' Novak from I Am Not Okay With This (noncanon)

Yuki Takeya from Gakkou Gurashi/School-Live! (noncanon)

Annabeth Chase from the Percy Jackson series (canon)

Maria von Trapp from The Sound of Music (noncanon)

Lift from The Stormlight Archive (noncanon)

Tim Drake from DC Comics (noncanon)

Monkey D. Luffy from One Piece (noncanon)

Apollo Justice from the Ace Attorney games (noncanon)

Stella from Winx Club (noncanon)

Roy Harper from DC Comics (canon)

Michelangelo from Rise of the Teenage Mutant Ninja Turtles (canon)

Tony Stark from the Marvel Cinematic Universe (noncanon)

Aiden Clark from School Bus Graveyard (canon)

Serpaz Helilo from Vast Error (canon)

The Doctor from Doctor Who (noncanon)

Ronan Lynch from The Raven Cycle (noncanon)

Leo Valdez from the Percy Jackson books (canon)

Moth Flight from Warrior Cats (canon)

Ramona Quimby from the Ramona books (noncanon)

Joey Pigza from the Joey Pigza books (canon)

Anne Shirley from Anne of Green Gables (noncanon)

Spinner Mason from Degrassi: The Next Generation (canon)

Lupin III from Lupin the Third (noncanon)

Rainbow Dash from My Little Pony: Friendship is Magic (noncanon)

George Beard and Harold Hutchins from Captain Underpants (canon)

Alex Woodroe from All the Feels (canon)

Agent Curt Mega from Spies are Forever (noncanon)

TG from Castle of Nations (canon)

Shawn Spencer from Psych (canon)

Sydney Scoville Jr. from Grrl Power (canon)

Marinette Dupain-Cheng from Miraculous Ladybug (noncanon)

Zagreus from Hades (noncanon)

Sherlock Holmes from Sherlock & Co. (canon)

Ash Ketchum from Pokémon (noncanon)

Misfire from Transformers (canon)

Herlock Sholmes from The Great Ace Attorney Chronicles (noncanon)

Christine Canigula from Be More Chill (canon)

Aubrey Little from The Adventure Zone: Amnesty (canon)

Lt. Columbo from Columbo (noncanon)

Billie from Billie Bust Up (canon)

Wei Wuxian from Mo Dao Zu Shi (noncanon)

Jimmy Casket from VenturianTale (noncanon)

Sara Eriksson from Young Royals (canon)

Magnus Burnsides from The Adventure Zone: Balance (noncanon)

Scout from Team Fortress 2 (noncanon)

Luz Noceda from The Owl House (canon)

Zack Fair from Final Fantasy VII (noncanon)

Percy Jackson from Percy Jackson and the Olympians (canon)

April Polls' Day posts, for posterity - ran polls on non-ADHD characters:

Twilight Sparkle from My Little Pony: Friendship is Magic

Zenos yae Galvus from Final Fantasy XIV

P.I.X.A.L. from Lego Ninjago

Brutus the Ducky from Real Life and also Rubber Ducky Hell (our only canonically non-ADHD poll subject)

Sophia from Stranger of Paradise: Final Fantasy Origin (please play it)

[taylor-titmouse]

Julia is sick of working late. She's sick of being disrespected, and most of all she's sick of her boss. Lance is a burned out, smooth-talking playboy, but he also happens to be the son of the CEO.  When Lance pushes her buttons once too often, Julia is tempted to put him in his place – but is it worth throwing away her career for a moment of satisfaction? Content: -F/M -dom -degradation -small penis humiliation -directed masturbation -power play 5k words,  EPUB and PDF format Only $3, Releases later tonight! you can go read the first two pages on the shop page!

i've mentioned a couple times now that my editor and the author of roger crenshaw: the dogs at duskfall @mortalityplays is now available for freelance work for people other than me, but i don't think i've made as big of a deal how he's ALSO going to start releasing his own smut shorts on the last friday of every month! he is SUCH a talented writer on top of being an excellent editor and it's my absolute delight to work with him on the cover for his first release. FINALLY i have a great answer when asked "is there anyone else writing smut like you?"

and since this was the first time in a while i went through a cover design process that wasn't just me making one for myself, i thought i would go into how it went!

The Prompt

R/L wanted something that didn't visually describe the characters, because he had deliberately avoided that himself in the text. these characters are archetypes, ideas of characters: a woman who works in an office and her playboy burnout boss. for an erotic fantasy scenario, not going into detail can be ideal, as it allows the reader to project their own fantasies onto the characters. but what does that mean for a cover, when showing off the characters is often the point?

The Thumbnails

it means silhouettes, babie! if you're a reader of romance you've probably seen this approach a few times. silhouettes allow you to give the impression of a character without actually specifying them. HOWEVER! that can only go so far. note the female silhouettes in the left and right thumbnails--one with a pony tail, one with her hair down. these two very minor design elements say completely different things about the character, and pin her design down into something specific. (there is a whole line of feminist thought about this, that there is no such thing as an "unmarked" woman, or rather a woman whose presentation does not say something about her, ie a woman not wearing makeup is not perceived as neutral the way a man not wearing makeup is).

so anyway including her in the cover in full doesn't work for the prompt, because how she wears her hair or how she dresses would say something about her that we don't want to say. thus: we chose the middle design!

a man in a shirt and tie are super archetypal, and """neutral""" enough to not say anything specific about lance, our male protagonist, other than he has a job and is of average size (which are of course not technically truly neutral, but for our purposes, are functional as symbols). and while a long, narrow, leg does still say something about julia, it is abstracted enough to simply represent the concept of "woman" without projecting an overall image of her in the reader's head. she has a leg, and she wears high heels. that's all you get!

The Sketch

now we can move on to the sketch stage! this is the point at which the palette and text are figured out. i tried a few fonts before landing on one that had the retro paperback all-caps feel that i liked, and i used what i believe to have been a risograph print texture from retrosupply.

we went with the text up top rather than at the bottom, because it lends weight to the shoe and balances out the blacks in the pants. it also allows the figure to take up more of the cover, which is ideal. honestly, not a whole lot to say about this bit that i didn't cover in thumbnails: which is the point of doing thumbnails in the first place!

The Finish

well you can just scroll up to see that one. the final colors ended up a little less saturated, a little cooler, to bring it home to the retro paperback look i was going for and tie the colors together. i'm very pleased with it and had a lot of fun. cover design is one of my favorite parts of putting out books, and it was especially fun working with someone else to bring their vision to life.

anyway, you should go buy this book! it's only three dollars and i want to make more covers for these! your purchases would prove that i am a very good investment as a cover artist >:)

[lesbianpraetor]

Extra Extra Initial thoughts about Furiosa now in bullet point format Summary the movie made me want to write several essays about George Miller's brain, but also I wish somebody had rained him in just a little bit. Spoilers Ahead!

-It was super obvious that George Miller was trying to expand images that he couldn't show in the first (fourth?) movie. Speciallyyyyyyyyy the History Men, Miss Giddy in Fury Road was a character by herself, but now the archetype is well and truly established with a very specific cosplaying Saruman in the desert with tattoos vibe. Also showing in detail the other two citadels, showing the green place, showing the absolutely vile way that the wretched live, going in depth with the war boys million other things as well. I personally loved it and the picaresque sense it gave the movie.

-The citadel looked soooooo similar to Fury Road it was eerie, since everything else looked so different. But I think it made an important point about stagnation and how the men at the top will keep killing the world for as long as they possibly can only even changing their methods when forced to.

-There's a whole extra movie in the vault about how exactly the wives that were there ended up disappearing. how the politics of it changed from women desperately trying to stay there to have the high life to five women deeply committed to their own liberation (with little Cheedo being the only detractor in retrospect when she is spooked by the wider world). I feel like there is a whole lit fic novel in there about them reaching a breaking point. Maybe a situation where Joe throws out all of them and only keeps the very very best because I counted a whole 11 woman in that vault, maybe the Wives from Fury Road are kidnapped all since wretched woman would not be able to give birth without any deformities? Is Angharad that inspiring? I don't think it's the first one because the fact that woman that chose to be there then decided they didn't want to live as things is much more powerful

-the other extra movie is how exactly Furiosa befriended the wives since she actually didn't spend that much time in the vault itself. I did feel it weakened my favourite reading of Fury Road a little bit, but oh well that always happens with new instalments.

-Talking about Furiosa I'm actually so deeply sad that they casted Anya Taylor Joy for this, not even because she did a bad job, although I think Young Furiosa did a much better job, but because I have watched Queens Gambit so many times that her mere presence made me think about the movie in Doylist terms. She also just seems too Holywood? I don't know there was something about her face that made me think that she was CGIed it was too smooth. Did she even shave her head? I felt Furiosa would not have let it grow out in between escaping the vault and joining the war rig crew, and don't tell me she couldn't, everyone else had short hair Praetor Jack had a nice salon haircut. But the acting itself was good! I actually think it was an effects and direction issue.

-Since we are talking about casting Chris Hemsworth did work for me and I'm questioning if I'm having internalized misogyny about him working better than Taylor. Maybe it was the copious amounts of beard, or that he wasn't the main character but I could really inmerse myself in his character and his parallels to not Furiosa, he was a fucking lying piece of shit about that, but to Immortan Joe. Can't quite articulate waht it was exactly but I think it hit whatever Miller was trying to hit with him. Although my favourite casting was the people I didn't know from anywhere, specially Mary Jo Bassa and the Biker Crew. Burn down the media establishment where we even see actors outside of their characters, it ruins the movies.

-Most viscerally hated character from that movie was the organic mechanic though, instant visceral disgust coupled with professional disdain at this point. You are trying to tell me you couldn't even try to steam the bleeding of the man's throat? you are trying to tell me you are giving birth on the floor like a fucking amateur? he probably didn't even know the anatomy necessary to start trying to close a neck wound. And it's cannon now that he didn't create either Immortan Joe's or Rictus breathing apparatus, because they already had them before the prisoner exchange. Absolute charlatan, no this has nothing to do with me still being pissed as hell as to how he treated Angharad what are you talking about? There's one man in the movie that instantly made me think in Watsonian terms I hate his guts so much.

-And in general I felt the hypocrisy of even the men trying to be kind to Furiosa much more keenly in this movie, which is to say that I did like Praetorian Jack as the pinnacle of the archetypical road warrior and parallels to Max are very interesting and I adored how it created even more parallels to Furiosa and Max's character development in the two movies. But, I don't know, there's something about how he carried himself with Furiosa that rubs me the wrong way I just can't quite place how, might need a rewatch. Anyway Furiosa's crush on him that honestly seemed pretty unrequited from his part was fun, although I hope people don't make it the most important part of the movie (it honestly reminding me of Cheedo and the Dag, they even had a similar was it a stolen kiss moment? but I digress, the parallels between him and Max were much more interesting)

-Back to the topic of the wives there was a moment in the beggining when Mary Jobasa didn't kill the woman who claimed to be a mother and then she betrayed her, which both shows the kind nature of the green place, how it really doesn't work like that in the wasteland and how exactly the vuvalini might have been so diminished in numbers. But my favourite part about this scene was when she said "I'm not to blame" that had to be on purpose because I wanted to shout at the screen " THEN WHO KILLED THE WORLD?" so bad. The fate of the world really hinges on the simplest choices since without that little bit of snitching they just get to go home.

-Honestly just Mary Jo Bassa appreciation, she died on the third day but damn what impressive three days. If I write fic it's going to be about her and Furiosa's other mother, who made the movie pass my personal Bechdel Test with the true purpose of the original Bechdel test, to woman talk to each other in a way that let's you see the Lesbianism in their eyes.

-The scenery of the green place definitely deserves a mention as well, it felt so tiny! it felt so different from everything else of course, they didn't linger to preserve both the runtime and the feeling of it being a place almost from Furiosas's dreams. But from space it felt tiny! the space shot of the outback with the most minuscle amount of green made it feel so deeply vulnerable, and the presence of the crows everywhere made me genuinely emotional. It did clearly have enough of everything to survive and for people to thrive and be super healthy, but it seemed like every millimeter was planned to the last detail to be of the best use.

-Honestly I think the relationship between Furiosa and her mother was the beating heart of the movie, I definitely liked the first third more than anything, it felt the most like something new and fully immersed not only in the setting of Fury road but honestly more of Road Warrior in way?, I don't know closest I got to crying was at Mary's death and her little good girl when furiosa killed a man to protect their home was the cutest most uwu part of the movie. Not to mention revenge of her death is the entire point of the final confrontation.

-Also I have to mention Mr. Norton. Mr. Norton I'm free on saturday for tying up to a motorcycle, I'm sure everything you did was totally justified and also super hot, thank you for your dirty rabid woman duties it was fucking awesome how you shot a man and the quartered your former boss.

-Last comment before I forget, that scene where Jack was killed had impressive Hector vibes. Tied to the back of the chariot while hounds eat you and disfigure your corpse? More to add fuel to the fire of George Miller adoring archetypical images, and I do too no complaints, it was gut-wrenching when I realized what was going to happen. The Horde in general had a mixture of Greek Charioteers and Mongol horde I really loved it.

-Also their first fight scene together where they work seamlessly together and then Furiosa threatens his life? classic crazy wasteland, you and Max really were identical. It also cements my idea that the movie is Fury Road backwards, since Max threatened Furiosa's life first and then they seamlessly worked together. I'll have to find where all the beats parallel and how they fit together, to see if I'm right.

In Conclusion honestly excellent movie, I didn't leave with the deep emotions Fury Road made but how much it's making me think about it is deeply appreciated.

[gffa]

ABSOLUTELY, UTTERLY CHARMED BY THIS ENTIRE STORYLINE. It's Tim struggling to figure himself out, what he wants, who he is, what he's going through, and realizing that he's growing into something he never realized was there before. And the story makes a point of bringing Steph into the story, specifically framing her as Tim's ex, and then also bringing Conner into the story in the same way as Steph--someone who cares very much about Tim and is worried about him and checking in with him. I mean, also, STEPH APPARENTLY TALKS TO CONNER please understand that canon confirmation of that is A JOY IN MY HEART but the quiet parallel of Steph and Conner as these two people who are such important figures in his life, but that Tim's figuring something out that's just about himself, that's why I like this being a Tim/Bernard story while also giving nods to both Tim/Steph and Tim/Kon. Do I have a favorite pairing out of all of those, one that I think should be ultimate endgame? YOU BET I DO. But I love so much that this isn't a story wrapped up in a pairing that comes with so much extra other context, that it's a story truly about Tim Drake and who he is and what's going on with him. If this had been about TimKon, I probably would have been flying too high on my joy about it to have any criticisms, but I do think it has value in being about a character that doesn't have a long established history with Tim, because now the story can be about Tim figuring himself out, without having to balance it with all the Young Justice/Teen Titans history and Kon's own issues and the intense friendship-turned-romance between them. Instead, Tim has the space to focus just on what's going on with his sexuality and, as someone who struggled a lot with figuring that out myself, that space to let that kind of thing breathe for awhile without having to pile more onto it--that's extremely valuable. But I love that this is very, very easy to read as a nod to TimKon just as much as it's explicitly a nod to TimSteph, while still being a Tim-centric story. BABY BOY DESERVES THAT OKAY THAT'S A HILL I'M GOING TO DIE ON, LET THE BABY QUEER FIGURE HIMSELF OUT FIRST THEN WE CAN START THROWING HIM AT THE PEOPLE WE WANT HIM TO SMOOCH, TIM DESERVES THAT CHARACTER FOCUS. (I'm absolutely going to keep throwing him at Kon eventually though YOU CAN'T TELL ME this isn't more confirmation that Tim's feelings for him were threaded through with romantic undercurrents because like he didn't have to be part of this storyline, but they chose to make sure his face got in there and You Can't Tell Me That's Not Significant.) Anyway, ultimately I'm fine with this because you know what? Tim should get a storyline that truly puts him at the center of it, plus HE IS SUPER CUTE IN THIS STORYLINE, I want to wrap him up in a blanket and feed him soup, he's so adorable.

[mjjune]

How to be a Good Beta Reader (or: the difference between critique and beta)

This post is a follow-up to my ORIGINAL POST HERE "How to Have a Good Beta Reading Experience" [link embedded] so I recommend reading that one first for more info.

But I wanted to follow up because I've gotten some questions about it and I figured there was enough to make another post.

WARNING: this is SUPER LONG LOL

DISCLAIMER: Again, I want to clarify that this is based on my own experiences and what I personally look for in alpha/beta reading. Other writers/readers may disagree or have different tastes!

Topics Covered Below:

Critique vs. (Alpha &) Beta Reading

The Purpose of Beta Reading: Mindset

What Comments Should Look Like

How Much Should You Talk to the Writer About It? (Spoiler: it depends)

------------------------------------------------------------------------------

Critique vs. Alpha/Beta Reading

I want to start with this because so many times (as a writer) I have asked for beta readers, and basically gotten a critique (or "crit" as it will be called from here on). A crit can look a lot like many different things depending on the reader, but in general, here's the difference:

Critique: grammar, style, clarity, often line-by-line

Alpha/Beta: story structure, character arcs/development, plot, and overarching themes and ideas

And I say this because some writers might want both. Some want all these separately, and some want them all at once.

Generally, crits are harsher, and can resemble "tearing apart" a manuscript. They can certainly offer great feedback, but it depends on the writer and their needs.

Some writers, especially for those who have had critique partners in the past and this isn't their first story, may not want these comments at all. I generally prefer not to have them (unless it's something stark that draws you out of the immersive reading experience) because when it comes to grammar, style, and flow, these are things I can edit myself. I have had enough good critique partners in the past that I can handle that and don't need betas to do it for me.

However, some writers might not feel that way! But I definitely know I'm not alone here. Especially when manuscripts have already been critiqued and you specifically ask for a beta, it can be disheartening to receive this style of feedback (especially in large quantities).

Examples of critique-style comments:

Word choice and/or grammar edits

Line- or scene-specific comments like breaking down or giving advice on dialogue, action sequences, worldbuilding, and the writing itself

E.g. "this needs more visual description" or "this description is too long/drawn out" or "action sequences require faster pacing" etc.

Examples of alpha/beta style comments:

Character arcs/dev: "I liked this character's journey, but I didn't feel connected to them during XYZ parts of the book." or "I don't understand why this character chose to do this."

Plot: "This scene is what I consider to be the part where the plot really begins" or "I don't understand how ABC scene connects to XYZ scene."

So what's wrong with that? Nothing!

But you can see where if someone asked for an alpha/beta but the reader's comments are 90% crit-style, the writer might feel like the reader didn't like or connect with their work. If a reader is crit-style commenting x5+ per page, then they likely weren't engaged with the story so much as analyzing the writing style. And for alpha/betas, you want to be as immersed in the story as possible and analyzing the story.

Particularly if the manuscript has already been critted in depth, and is a polished draft (which, is certainly debatable, but that's a topic for another day) ready for betas, it can be frustrating to receive crit comments when that's not what you asked for. A lot of the times, for well-edited and mostly-polished drafts, these crit-style comments come down to personal preference with the reader editing your work to fit their personal taste. Which is not making the story better, just different.

But, to emphasize: if you were unclear in your expectations and the reader doesn't know that manuscript is already critted/polished going in, they might think you want these comments!

Also, some readers might be awesome critique partners, but terrible betas—and vice versa.

This is why I'm going to drive home my Big Takeaway from my first post: communication is key! Both writers and readers need to be clear on the type of feedback that's desired.

Of course, most readers probably do a mixture of both of these styles of comments, and this is fine! The important thing is to keep what the writer wants in the back on your mind. If you know the writer asked for a beta, then try to keep crit-style to <50% (or maybe even <25%) of your total comments. And vice versa, etc. etc.

TL;DR: A critique analyzes the writing. An alpha/beta analyzes the story. Many readers will look at BOTH, so it's important to discuss this beforehand and provide the feedback desired!

The Purpose of Alphas & Betas: MINDSET

So this piggybacks off of what I just discussed: if someone has asked for an alpha/beta, you should keep the GOAL of being an alpha/beta in the back of your mind. Especially if you're prone to crit-style comments, this will help you.

The goal of BOTH alpha and beta readers is to SUPPORT and ENCOURAGE the writer. I know that's obvious, but so many times I have gotten comments or questions about why some readers' comments seem rude/inconsiderate or not constructive. And, at least in my experience, it's because the readers went in with the wrong mindset—a mindset more appropriate for crit, rather than alpha/beta.

So what is the goal? To me, the goal should be to figure out what the story is the writer is trying to tell. Maybe in some cases the writer is upfront about that, or maybe you're going in blind. But when I go into a book as alpha/beta, this is the question I try to remind myself throughout the journey:

What is this story trying to tell me, and how could it be stronger?

But MJ, what does that mean??

Because no, I don't mean the genre, or the plot, or even the character arcs or writing style. I mean:

What theme is this writer exploring / what is the message they're sending to readers?

And from there: what about the narrative/writing/plot/etc. interfered with my connection with this message?

Side story: let me use avof as an example. This is an urban fantasy with vampires and werewolves and shifters (oh my!). I had some shitty "betas" for this book years ago which really threw off my groove as I was editing because I didn't know they were bad betas. But the truth is they weren't betas at all. They were critiquing it, and from the mindset of "this is vampire romance book." They went in critiquing my book for something that it wasn't. They completely disregarded that it more aligned with adventure, not romance, and the themes explored were self-discovery, self-acceptance, the impact of immortality on psyche, and gender & sexuality & identity - and because of that, they critiqued the book without engaging with the book. If they had asked themselves "what themes are being explored?" they (hopefully) would've seen it wasn't romance, and likely would've engaged better.

So, to continue on with this main goal, there are other things to consider—what kinds of mindsets you should avoid!

Whenever I have gotten insensitive (and sometimes, full-on offensive) comments, these were contributing factors. Regardless of critique, alpha, or beta, these are true:

You are not the only reader. There are going to be multiple people giving comments, and your comments are all of equal weight. You may be the only person who can't visualize that fight scene. You might be the only one who thought a plot point was too predictable. In most cases you will never know if other readers agree/disagreed with you, which is why it is the writer's decision whether to take action on your comments are not.

You are not an expert. I don't care how long you've been reading, writing, or beta reading. I don't care if you've read 100 published books in this genre before. You are not the expert on this book. The writer is. You do not know what is better for the story than the writer does.

You are not here to decide whether the writer is a good writer or not. You should not be making statements that imply that the writer is inexperienced or new to writing. You should not go into reading a manuscript with the mindset of "I have more experience than this writer and I should share my knowledge & teach them something." (But if the writer has expressed this, then it might be okay in some instances to give advice.)

If a specific minority group is being repped on the page that is not ownvoices and you are part of that community, you could offer insight that can be helpful, but should ask the writer if they want that kind of feedback prior to giving it. If you are not part of the community, you should not comment unless the writer has requested it (unless ofc you're complimenting it lol)

When betas go in without these ideals, it can lead to at best, unhelpful comments, and at worst, condescending and hurtful comments. These are the comments that make writers feel like failures, or like their book is bad, or that they are bad writers. Or, for experienced writers who know you went in with these (toxic, imo) mindsets, it can hurt relationships, break trust, and/or make a writer roll their eyes and disregard all of your comments.

That isn't to say that you should only compliment and not have any negative feedback or ignore flaws you see in the writing, narrative, character development, etc... but it is best to go in with the mindset that you are here to give them insight so they can make their story stronger, not to teach/give advice or change the story.

A note on sensitivity, authenticity, and expert readers: In my opinion this is one of the only cases where direct education/advice should be given. I also recommend having at least 2 sensitivity readers per any group that's repped that's not ownvoices, because even two people from the same group may interpret your story differently or see different weaknesses/strengths. That said, it is important for readers who are not of the repped groups to hold their tongue. It doesn't matter if your partner or sibling or parents are part of a group repped on the page. If you are not a member of that group, you are not an expert. If you have an inkling that the writer has not had sensitivity readers yet, you can politely suggest it. But it could also be a case of you having different life views, ideals, and/or opinions than the writer and the group being repped, and that is why you are not a sensitivity reader. I can't tell you how many times I had cis/het betas say my representation of an identity or repping gender as fluid was inaccurate/offensive when it was ownvoices, or when I'd already had 3+ sensitivity readers for the group(s).

Basically, as an alpha/beta reader, you are here to offer insight and immerse yourself in the story. It's also good to remind yourself throughout reading that "this might rub me wrong, but another reader might like it." Framing your ideas and comments this way will help you be more objective and less "this is wrong/right" because there is no such thing in writing.

TL;DR: The goal of alphas/betas is to engage with and understand the STORY, give the writer insight into how you interpret it, and help the writer figure out how to make their story stronger. It is not to give advice or teach. The writer decides what changes to make and is the expert on their story.

Ok, now I got the Beta Mindset™. So how do I comment?

Well, really this will depend on the person. Everyone is different and will notice different weaknesses and strengths in any given manuscript. And, as I said above, most people naturally will provide some crit-style comments, it's just in our nature to point out when a writing style doesn't mesh with our preferences.

From a writer's perspective, at least for me, these are the kind of comments that are the most helpful for me:

"I..." statements. For example: "I am struggling to visualize this fight scene." Instead of rewriting it or pointing out that the descriptions or actions are weak or explaining how to fix it—this is an open statement that leaves the decision up to the writer.

Immediate emotional reactions are awesome for writers to know. For example, if a line made you laugh out loud, say so! If you get to the end of a chapter and were so immersed that you forgot to comment, say so!

And on the other end, if you were immersed but then something happens that snaps you out of it, say so! But without "because..." or "you should..." advice. Just say "hey I was super immersed, but in this paragraph you lost me."

I also recommend holding comments until the end of a chapter/section (minus immediate reactions as above). Look at scenes, chapters, acts, as a whole rather than individual pieces. This will help you focus on the story, rather than the writing.

I would also recommend this post!! Excellent, and I agree 100%!!

Other critical examples: "this is my favorite character but this decision is frustrating/confusing me"; "I was bored and skimming through this chapter"; "I'm not sure what [insert worldbuilding feature] means"; "I didn't know that the magic system could do this and I feel blindsided"

Other complimentary examples: "This line of dialogue really resonates with me"; "this has been my favorite description so far"; "I didn't see this coming but it makes perfect sense!"

And here are comments I suggest you avoid:

Anything that implies that the story is unfinished, too long, too short, etc. This might be ok for crits or alphas or if the writer has said that it's unfinished, but probably not for most betas. If the writer is at the beta stage, then likely they consider their manuscript finished (minus any changes they make based on beta feedback). If you feel the need, you might say something like "this genre is usually 80-100k and yours is 150k" but avoid wording like "the story is overwritten/underwritten", which can be hurtful. (Once, a story of mine was on draft 8 and had been called polished and ready to publish by various other people, and then one beta said, "this is a good attempt at a draft of an opening scene." So yeah, avoid stuff like that.)

Wording things in a way that make them seem like Facts. As a reader, everything you say is subjective. Regardless of what you are commenting on, what you are providing are opinions. Especially for writers who tell unconventional stories/structures, comments like "this isn't the way this is done" are just annoying and are not even true half the time.

Unless you can provide sensitivity feedback personally, do not criticize the representation of a group you are not a part of. If you see something overtly harmful toward a group on the page, you can politely suggest sensitivity readers, and leave it at that.

Try your best to not give reasons or "because" statements. "This action scene felt slow because-" "I didn't feel connected to this character because-" Nope. Stop right there, unless/until the writer asks to elaborate.

Side Story: My Favorite Comment One of the single best comments I've ever received in a beta was when they noticed a character making a decision that didn't seem right. They pointed it out and basically said, "This feels out of character to me because I don't think this character would do this. They have done XYZ in the past, and I thought their motivation was ABC, but this decision directly conflicts with that." Why was this the best comment? Because 1) they didn't tell me how to fix it, 2) it was objective with evidence and nonjudgmental, and 3) they were 100% right. What they had actually found was a plot device I had used to push the character in the direction the story required. But because they pointed this out, I was able to see the source of the issue and rework the scene so that the character's motivation was consistent and they still ended up in the direction of the plot.

Since I foresee questions, allow me to elaborate on the last point: so often, a reader will say "this isn't working for me because of this reason" but actually, they're wrong about the reason. Like the comment above, this beta could have easily said, "this feels out of character because you messed up their motivation." But the problem wasn't motivation, it was me using a half-assed character decision to move the plot in the right direction! The issue was the scene, not the character development. The advice to "fix the character's motivation" wouldn't have fixed anything and might've even made the problem worse.

This isn't to say that advice should never happen in an alpha/beta, but I personally believe that the best comments are not those that say "you should change/fix this" but instead say "this is working for me/this isn't working for me." It leaves it open for the writer to figure out how to solve the problem, if a problem even exists.

**Edited Summer 2024**

To paraphrase a writer I used to respect and did have some good advice, when people tell you something isn't working for them, they're always right. When they tell exactly what is wrong or how to fix it, they are always wrong.

TL;DR: Basically, you aren't here to give advice, or fix anything, or change the story in any way. You are here to show the writer how their story impacts you, what you connected with, what you didn't, how their writing style works for you. Keep your comments open-ended and use specifics to show the writer what you connected with and what you didn't. You are giving the writer insight into how readers will interpret and understand their work, and it is the writer's duty to then grow their work.

And that leads directly into our final section...

How Much Should You Talk to the Writer About It?

This depends on the writer. Sometimes, writers will do 5+ betas at once (even on the same document) in which case they might not talk individually with the readers about any of the comments. Some writers (not me lol) will have an alpha as they write the first draft so it's not even complete yet, so they would probably talk a lot.

Personally, some betas I talk to for hours trying to brainstorm fixes (see: @jamieanovels and @wildswrites lmao tysm 🙏), and some betas I will just say "thanks for reading <3" and that's about it. It depends on how much you commented, the types of comments, and if I felt like you genuinely connected with the story (or not).

Side Note: I do want to clarify that by "misinterpret" below I don't mean that the readers are wrong, I just mean that they interpreted differently than what the writer had in mind. There is no misinterpretation when it comes to any form of art. But if a writer intended for the Main Takeaway of their story to be one thing, but the majority of readers took away another—that's important for the writer to learn in the beta stage. (Also, some stories are vague or open to multiple interpretations on purpose.)

For me, I talk in-depth with alphas, and maybe some betas, but there are also a lot of betas I barely talk to. I don't think there is a right or wrong here. Because as stated above, alphas/betas are here to provide insight into how readers interpret, relate to, and understand the story.

So once the writer gets that, there may not be anything else to talk about. Or, maybe the writer has questions about something you commented, and will want to follow up. For me, especially if you interpreted something way differently than I intended, I might want to follow up to see what in the narrative made you go that direction. Or, if you interpreted exactly as I intended, I may want more insight into which parts stood out the most to you, or what your favorite parts were. Or... I might not feel the need to follow up at all, for either.

In general, in my opinion, writers should be leading these interactions. Unless the writer has welcomed it, readers shouldn't be reaching out to writers to further discuss the comments they left.

(Note: this is not the same as hype/fangirling. Please come to my dms unsolicited and go hype about my book)

You have agreed to read it and leave comments, but the writer has not agreed to have full discussions with you about their own work. The writer doesn't owe you follow-up on the comments you leave, and whether they liked or disliked, agreed or disagreed with your comments doesn't really matter.

You may leave comments that are totally out of line with what the writer wanted, and that's fine. You might leave comments that make the writer uncomfortable, and that's fine too. We can't control these things, and there is no way to know how someone will interpret a story or what comments they might leave.

That said, If a writer doesn't follow up with you on anything, that doesn't mean your comments were bad. It might just be the writer's style to process and make changes alone. Even if you "misinterpret" their work, or even dislike it, all perspectives bring something to the table. Giving the writer insight into how one might "misinterpret" and/or dislike what they've written can be just as valuable as the betas who loved it.

Regardless, it's important to comment in a respectful way—respectful to the writer and what types of feedback they request, the story itself, and yourself as a reader. We are all growing and learning together, and miscommunication or writers and betas who have misaligned goals can lead to hurt on both sides. Hopefully this longass post gave you some insight into how/why that happens, and how to avoid it in the future.

--------

ANYWAY that was a lot. I hope you got something out of this, because it took a week to write this up lmao

–mj

P.S. I am considering doing another in this series focusing on writers and how to handle comments (good and bad). If you'd be intersted in that let me know <3

P.P.S. if you'd like to be tagged in this series, message me or comment below!

[evelhak]

Seen so many bad jokes about autistic people's literal black & white thinking that I wanted to talk about how it might actually look like. Yeah, sure, haha it's very funny if you say you have to turn the place upside down and someone thinks you literally want to turn the house on its roof, but who would actually think that? Sure, that image would pop in my head but I wouldn't think that's what you meant. Like, most people can understand the meaning of common sayings they've heard all their lives, even if they did misunderstand them for the first few times of hearing them. So if you're trying to write an autistic character and you're not autistic, here's some examples that could be helpful.

My mom asked me to empty the dishwasher while she was at the store. Once she came back and went to the kitchen, I wanted to ask her something, don't remember what anymore, but she replied that she was admiring my work in the kitchen. To which I just laughed and continued with my initial question. At this point my mom was suddenly enraged and I didn't understand why, until it became clear that she had wanted me to both empty and fill the dishwasher, which I had not understood, and "admiring my work" was sarcasm because she thought I was just being lazy and did know what she had meant. And her rage came from the fact that she also assumed I had understood her sarcasm and chose to ignore it.

What I want a writer to take away from this is 1) there's an internal logic to my thought process and actions that is just as logical as my mom's. It's not random and once I understood where my mom was coming from there was no longer confusion. 2) I also learned from this and didn't repeat the same mistake ever again.

Once at the doctor's office I was given a list of about a 100 things that one should avoid eating if they have IBS. I took the list and went home, immediately started to follow the list for a month. Next time at the doctor's office I was asked if I had been using the list and which things I had been avoiding. I blinked in confusion. All of them of course. The doctor's eyes widened. "All of them??" I was just like... Yeah. Apparently I should have understood that I could pick and choose.

What I think is important here is that 1) autistic people aren't necessarily "rigid" as if that's negative. We tend to process things very deeply so we assume instructions are to be taken seriously. 2) Again I learned from this and remember to ask specific instructions more these days.

This happened a LOT with my girlfriend: she would say something half heartedly, like, she wanted to go to a movie, and I immediately began to arrange when we could go and when I asked her if that day was good she didn't even remember she had wanted to go to a movie anymore. Because it hadn't been a serious statement, just a thought. But I could not tell the difference between serious and non-serious wishes because the words used for them would be literally the same, and I default to seriousness.

Here I'd like to highlight how 1) this example is more complicated because this dynamic can apply to so many different situations that it's harder to not make the "same" mistake again. 2) The default assumption for me is that all of people's words have the same weight. Sure, I have learned to tell pretty well if people are joking, but when they are not exactly joking it's hard to tell the degree of seriousness.

Obviously I'm giving myself as just an example.

All in all, my point is I want writers to consider the LOGIC, the subjective reasoning behind a character's actions just like they would for any other character. You can't just copy and paste together a bunch of autistic traits with no rhyme or reason because the traits are just the outcome of an internal process. They are just the visible part. And for any individual just being autistic isn't enough of a reason to give them a specific trait you have to figure out why their specific autistic presentation is the way it is. Autism is just the label. It's not the explanation. You have to understand how the individual traits your character has, relate to each other and work together from inside out, if you actually want to create good representation.

Obviously I know this is hard. It's almost like it's difficult to think with a different brain type to your own. But that's something autistic people who are high maskers attempt everyday, and can be quite successful at too. But there are still "leaks". These examples are some of mine.

[wavebiders]

what do you think about campaign 2? is there anything it does better than campaign 3, and vice versa is there anything campaign 3 does better than it?

Interesting question! Gonna put the answer under a readmore since it'll probably get long and also bc my feelings on cr2 aren't all that positive so superfans of that campaign have a heads up to keep scrolling

So, I'm just gonna be completely honest up front and say I never finished cr2 so my judgement is gonna be very flawed. At the time I was younger and very caught up with the toxic positivity aspect of this fandom, so I stamped down basically every issue I had until it all spilled over and I was left feeling so negative about it I had to go complete cr cold turkey until tlovm aired.

I know that's oversharing, but I just don't feel right commenting on cr2 without being upfront about how my personal feelings on it come from a weird place. I try to be more objective about it these days, but I'm afraid I'm not entirely objective.

Anyway cr2 and cr3 are really two entirely different kinds of stories. The former I consider to be most like an open-world video game, while the latter is more like an ongoing comic book. It's hard to tell which one does things better because they're not really doing the same thing at all

In terms of pacing they both struggle in opposite directions. Cr3 has had too much going on for a long time with very little breathing room while cr2 was 90% filler. We haven't had balanced pacing since cr1 so for these two it's more about what you personally prefer. For me the difference would be determined by my connection to the characters.

Which brings me to the characters. This is of course the most subjective thing of them all. I'm not going to pretend I don't prefer the Bells Hells by a mile, but there is also a reason the Mighty Nein are so popular on social media. It's the party of NPC's vs the Be Gay Do Crimes party. The latter may has well have been built in a lab for tumblr queers. Hell it's what drew me to the show in the first place.

I think cr2 was more experimental for most cast members, with them really going outside their comfort zone(Travis playing a more serious character, Liam going more morally questionable, Travis and Ashley dipping into romance) and the results really resonated with a lot of people. Personally I struggled with most of the party for a few reasons. What they were trying didn't suit me, Ashley being gone for most of the early days, a party member dying before they could really get started, etc.

With cr3, I think it's clear they took the lessons they learned from the past 2 campaigns and really played into their strenghts while still exploring new ground. The fact that the players have lived in Exandria for so long now also allows them to craft backstories more tailored to the world around them which gives them a very unique feel. I also personally just find myself resonating more with the themes they chose to explore.

Honestly I could do a whole breakdown of each character and which ones I think work best for their campaigns but this is getting long enough so I won't.

Cr2 did spend more time digging into characters backstories but for me that had the massive downside of the gap between which characters got focus being incredibly blatant. I know people like to complain about main character Imogen, but that's nothing compared to how badly cr2 sucked at balancing narrative focus amongst the party.

That's not say I'm not bothered by cr3 not taking more time to explore things specific to the pc's backstories, but with the way most of them are tied to the main plot it still works. I do think it does a much better job at balancing focus, even if Imogen obviously has the strongest plot connection.

And finally, I think cr2 is best at being a more typical found family fantasy experience(cr1 is too but a very different flavor) in that you have a bunch of assholes slowly learning how to trust each other and help each other face their demons. The bond between the Hells is just as believable and more compelling to me personally, but it is not gonna scratch the itch a lot of people are looking to scratch with an actual play show.

What cr3 excells at is deconstructing tropes, posing ethical dillemas, really making you think about the world the story takes place in and considering different point of views. This is why so many long-term fans struggle with it so much. It's also why I think, especially if all 3 campaigns get adapted, cr3 will be the most memorable one with the biggest impact.

[dootznbootz]

Hi!! I love your blog and I’m enjoying your Odypen headcanons and theories very much! I recently started reading the Iliad so I’m new to all this and I just want to know your opinion on smth. In song 1, lines 135-140 Agamemnon mentions the bride prizes of several Achaean leaders, including Odysseus. Obviously nothing else is mentioned, no name, just that he has one, too. What’s your take on that? Any headcanons? I honestly hate the whole cheating discourse around him and I don’t want to add more fuel to the fire because in the Odyssey he was clearly a victim!! I would just love to know what you think about this particular thing in the Iliad. Considering the historical and cultural context, having a bride prize was normal in war (albeit awful from our modern standpoint). But Odysseus is a very interesting and complicated character so this could go in many different ways with him, and in any case it doesn’t really change my opinion on his love for Penelope. Thank you! :)

Thank you so much!!! That's so kind! And I'm so happy you're reading the Iliad! I hope you enjoy it! I'm so happy you're enjoying my silly and I DO have many thoughts about it! :D

And very good that either way, it doesn't change your opinion on his love for Penelope. My opinion/interpretation regardless of those lines, that should ALWAYS be the interpretation that people have of Odysseus.

So idk if you've seen my Aspec OdyPen silliness yet and/or my "Odysseus is a half-eunich from the boar". BUT those are my headcanons. (which I can delve into further later)

but I'll go over the canon evidence now. :P

(disclaimer: Slavery is a fucked up thing regardless of the circumstances. this is in no way excusing any of it)

So IDK which translation you're reading, but as someone who's read multiple versions...Some just say "Prize", and with the "it" and "something". I...didn't really see it as a woman and/or specifically a concubine.

Let Achaeans give me another prize, equal in value, something I’ll enjoy. If not, then I’ll take a prize myself by force,                                   something from you or Ajax or Odysseus.

(Book 1, Johnston)

Let the Achaeans find me a prize in fair exchange to my liking, or I will come and take your own, or that of Ajax or of Ulysses; and he to whomsoever I may come shall rue my coming.

(Book 1, Butler)

But if they do not give me such a gift, then I will seize your own prize or Ajax’s or Odysseus’ and carry it away, angering whomever I visit.

(Book 1, Heumann)

So to ME, (I do not know what the actual words said mean) I take "Prize" of "something of equal value" and/or just a slave.

As yeah...My Odysseus is aspec (basically Pen-romantic/Pen-sexual), I kind of plan to WRITE it personally as a bit of a thing with "Grab one of Odysseus' slaves, he doesn't use them as concubines."

And with Odysseus being the one to transport Chryseis, I have it where it's a bit of "I'll go bring her to her father. Take any slave you wish from my tent if you must. I don't care."

Agamemnon dragged a swift ship down the shore, chose twenty sailors, loaded on the oxen, offerings for the god, and led on fair-cheeked Chryseis.          Shrewd Odysseus shipped on as leader. All aboard, they set off, carving a pathway through the sea.

(Book 1, Johnston)

(Also with Ajax and his girlfriend/bride prize, I think this kind of made him extremely worried. My Odysseus and Ajax have "special beef" even BEFORE the war but they are fine about it by the war. Odysseus not only doesn't have a concubine or slave woman he's attached to but he also was helping a bro out in a way lol.)

And Odysseus is a king and a piece of shit. It's horrible but it feels in character for my lil asshole to basically use pretty slaves in trading. "Hey, you like lighthaired girls, yeah? Well, you have that really pretty silver-studded sword...I want it. Would you like to exchange?"

I want to make it clear that I'm not writing like this or interpreting this in the way of "UwU Odysseus is too of a good boy for that." as that feels icky to try and "make everyone else shitty to make him 'better'". It's literally because Odysseus is just simply LIKE this. He has basically no libido/sex drive if Penelope isn't around. (I'm keeping this as safe for wormlings as I can so I'll leave it at that.)

An old wip post explains it more but I'll also put the wip itself here to kind of explain lol

Like... Love and Lust only exist in Penelope for Odysseus and vice versa. But he's still an asshole.

Not only do they just give SUCH ace vibes to me but also like, ngl, this is really nice to write and "let out some frustrations" with vent writing. I relate to Odysseus in a lot of ways and the whole "People/goddesses won't leave you alone despite wishing to be left alone" and the "pretty asexual" is really nice to vent through him. :')

I can't bitch someone out for trying to "change my mind" but Odysseus can. It's another reason why my Odysseus is a "pretty boy" as he is in canon as well :P

BUT these are just MY headcanons and/or what I plan to write, while I just don't really vibe with Odysseus being with folks willingly other than Penelope I have big gay for her. I live vicariously through Odysseus I can't stop others and other people COULD find evidence of Odysseus being with others if they truly wanted.

[goldenchocobo]

2023 Art Dump

Not as much as last year, which would be a feat. A lot of Kingdom Hearts art, still, as well as OC things.

In the Keep Reading below, you can learn about each thing, if it interests you;

From Left-to-Right, Up-to-Down:

-Baldr and Bragi's battle stances (specifically from when they were fighting Cerberus in the Underworld). wanted to draw them like this, but never found a reason to post it as-is. I was going to include it in another compilation that sat in my Drafts for half a year (with other art on this dump).

-Character art for a friend's KH D&D character- a 'Nort replica with no memory of who he is, only that he's running from Vexen.

-Art in that compelation. It's from the first time you speak to Demyx. I like how it's the first thing he ever asks Roxas; I was going to do more, but... didn't.

-Interpretation of the Keyblade from Missing Link's promo image. I needed it for my KH D&D, as I was going to give the players a keyblade based on the stats they chose in their DttH. The keyblade didn't end up being used.

-Silly Bragi/Luxu doodle. I think he'd have to try hard not to ace any history exams, or at least know more than what he's currently being taught.

-Aerith and Cid shop 'interface' I drew for my KH D&D. I wanted a visual for my players instead of just vague descriptions, so I drew these, the portraits are the characters currently in the session.

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-Young Xehanort headshots. I was going to do more each time I wanted to draw, but didn't know what- but these two were the only two that I did.

-Working out the design for a Minotaur Heartless that appeared in my fic, Working Together, for Ventus and Vanitas to fight.

-His Dark Materials AU Sora with his Daemon Amica. I was going to draw some battle poses with them, but I honestly never felt like it, and didn't want to force myself.

-figuring out a design for Vanitas's glider for my fic.

-Ventus holding an escapee-flood from a WiP fic, (continuation of Working Together) Trial by Light.

-New Unversed Vanitas makes when he and Ventus are on 'kind of okay' terms, that Ventus calls a Mawkeepit from my fic. I wanted to nail out a design for them, so I could describe them better.

-New Unversed Vanitas makes when he felt betrayed. They're currently unnamed- as I'm having trouble coming up with a portmantu or word-association for 'Backstab, Weasel or snake' for the WiP fic. These aren't going to feature as heavily as the Mawkeepit, but I wanted to draw them so readers could get a better idea of how they looked.

-Art of the Mawkeepit crowding an Unconscious Ventus while being surrounded by Heartless for my fic.

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-Chocopuffs. Art from a Nyancave stream of Final Fantasy XVI, where the Northern British actors pronounce the 'cho' in chocobo the same way as the 'cho' in 'chocolate'- the result was chocopuffs, a cereal.

-Diabloceratops getting its toe bitten by a territorial turtle. didn't finish the WiP.

-Bi frog I drew for my Bi friend who likes frogs.

-Absolute monster of an art dump for my OCs, Lupin an Iberis. I wanted to give them a more modern take, so I drew them in modern clothing, with only one being of an older time period (bottom right) based on a photo of two men sitting together like that. I have refsheets for them and may post them if I routinely draw and post more are of these two.

-Neovinator in a pond/river based on a photo of a Grebe, and Daurlong sitting based on a photo of an emu.

-depiction of a woman I dreamt of. The dream was very real, and I'm certain I met death, and that is what she looked like. If you're interested in it, let me know and I post the rest, because it's long.

-Warrior cat OCs (and my friends) all from different clans going to a fourth to ask to speak to their medicine cat. the ginger one is mine and his name is Flipleaf.

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-Nyancave Sonic OC. I think they were playing Sonic 06 or Shadow the Headgehog when I drew it, I can't remember.

-Drawn when there was a Subathon and the Nyancave were playing Final Fantasy XII. The memberships were a steal!

-Painting of their cats (now older) Dante and Nia, looking at Christmas lights.

[mania-sama]

Random ask, who are your favorite romantic relationship's couples in any media, like anime/manga, tv series, books, etc (can be canon or non-canon)? Feel free if you want to write the reasons or not of why you love them....

Thank you so much for sending in an ask! I would love to answer this question! I didn't go through every fandom I've been in, though I went through quite a few!!! Usually, there is only one ship I really love in a fandom that ends up being my favorite, but I like/love plenty of ships and don't limit myself to just one ship. I will say that when it comes to engaging with fandom and fanfiction, I tend to actually prefer platonic relationships, centered on found family and blood-related family than anything else.

Bungou Stray Dogs -> Shin Soukoku (Akutagawa Ryuunosuke/Nakajima Atsushi). I think most of this comes from the way they are quite literally yin and yang (my favorite symbol of all time) in almost every aspect. I firmly believe Asagiri is beating us over the head with a mallet saying "Look! Look what I did! Please look!" I'm under no impression that they will be canon, but BEAST gives me the hope that they can at least become friends, and that's testament enough to the development they go through. There is just so much there. I'm not an enemies to lovers person, but for them, I make the exception. There are so many parallels to draw between them, so much to look at and really dig into. I'm not delusional enough to say they wouldn't be toxic (all of the BSD ships except for, like, RanPoe, are toxic let's be real), but I am lenient enough to say that they can be good to each other in fanfics and decent friends in canon. Also, this applies to their BEAST counterparts, too. BEAST makes them better.

Jujutsu Kaisen -> ItaFushi (Fushiguro Megumi/Itadori Yuuji). There is a sort of trend I have with shipping, I think. I tend to like the second most popular ship, usually the younger generation of the most popular ship, which is arguably a form of torture in and of itself. JJK is not as bad as the BSD fandom is about the popularity difference, but it's still painful. Anyway, I think my love for this ship stems from the fact that Megumi has a big fat crush on Itadori and I will accept, under no circumstances, any other interpretations of his relationship with Itadori. Everything from the SatoSugu parallels (who are one handhold away from being canon let's be real), to their whole shtick being to save each other (physically and mentally), to Megumi literally describing Itadori as his type of person. Gender neutral. Even though it is so incredibly easy to use gendered terms in Japanese as it is in English. I feel like Gege is doing this on purpose because there is just no way he sees this as normal friend stuff. Recent chapters got me in a chokehold. I am SCARED. Besides all this, I think they just work very well together. They are also horribly tragic. Perfect combination.

Genshin Impact -> Xiaother (Aether/Xiao). I debated pretty heavily with myself here on what my true favorite is. I came to this conclusion mainly for one reason: Xiao. I love Aether, but I love Xiao. He is my favorite character, right next to Razor, so obviously he carries this ship. I also think that, of all of the implied relationships Genshin has supplied in plenty, Xiaother has had the most development. Every scene with them is better than the last, and the way that they make each other better is something I adore. And as for the ship being specifically Aether and not Lumine or nonspecific, it's because I chose Aether, so I'm more accustomed to using him as the traveler vessel rather than Lumine, but I'm honestly fine with either.

Identity V -> Elisop (Aesop Carl | Embalmer/Eli Clark | Seer). I haven't played this game in a hot minute for storage and laptop reasons, and I'm also not updated with the lore (nor was I entirely familiar with it from the beginning, outside of the MAIN main lore). But this ship and game were a huge part of my personal development, I think, and I do want to return to playing it in an honest effort eventually (I WANT MY ROBBIE RANK BACK). I think I perceive it differently than other people do, mainly because people oscillate between two sides of the Aesop Carl characterization spectrum. But there is something really fun in the idea that Eli, with his ability to see the future, thinks that he can somehow "fix" Aesop, under the impression that his and Getrude's relationship will never mend. And Aesop, who sees Eli and feels real love for the first time, finds that he doesn't know if he wants to kill and embalm Eli, or if he wants to indulge in this feeling called love. Toxic, probably. Their color schemes also match very well together (which is actually what led me to ship them in the first place, before fandom influence), and they are extremely compatible gameplay-wise.

Haikyuu -> IwaOi (Iwaizumi Hajime/Oikawa Tooru). If you told me two or so years ago that this was my favorite Haikyuu ship, I would have LAUGHED IN YOUR FACE. I hated Oikawa and didn't care much about Seijou. But then. But then. I went through a like. Month-long Haikyuu revival not too long ago and only read IwaOi fics because I came to this revelation. Oikawa is really goddamn relatable. I think we are all, in a sense, Oikawa, at one point or another. He is THE teenager. He is someone you can project every single one of your problems onto because his struggles with being untalented and unworthy are interchangeable with pretty much any self-worth conflict: internalized homophobia, eating disorders, socializing, etc. Iwaizumi can also provide these internal debates, but in a context with Oikawa makes it even better. Does Oikawa carry this ship for me? Yes. I don't care what you think I'm not here to defend myself.

Voltron: Legendary Defenders -> Klance (Keith Kogane/Lance McClain). Do NOT talk to me. They have ruined my life in pretty much every aspect. Also an exception to the not shipping thing because they are kinda the whole reason I even watched this show past season... three probably. I don't even wanna talk about them anymore because it'll just upset me. Just know that as far as the Sheith vs Klance debate goes, Sheithers are wrong for that after Keith called Shiro his brother. There. I added my fuel to the ever-burning garbage fire that is Voltron shipping. I may talk about Klance again in the future but for now I wanna leave my thoughts off here.

Merlin BBC -> Merthur (Arthur Pendragon/Merlin). Thank you Merthur fandom for teaching me what a good fic is supposed to taste like. They are kind of the epitome of the ships I tend to gravitate to: TRAGIC. The ending of Merlin is traumatizing and the fact that all of the cast pretty shipped it (as well as you can see the faint mouthing of the words "I love you" in the final death scene) is like. The first true healthy immersion into a ship I've ever had. I never obsessed over them too hard, I think, but Merlin is still my favorite live-action show, and Merthur is always well and true to my heart. They also got me introduced to the master/servant trope in terms of medieval times, and I had a very long affinity for it in fanfiction. I don't like it as much anymore, but I look upon that time with happiness rather than the usual slight embarrassment.

She-Ra and the Princesses of Power -> Catradora (Adora/Catra). I also make an exception for enemies to lovers for them because they even added that extra-friendly step of friends to enemies to lovers. Genuinely, no show surprised me as much as She-Ra did. Shout out She-Ra for giving me the worst envy I've ever felt in my life. I want to rock a suit as well as Catra did in that one scene. Anyway, I loved their development. I know some people criticize it for being rushed towards the end, but I like the way they were able to forgive Catra so easily. They understood what it meant to be used and manipulated, what it meant to be unable to fight against oppressive forces. People are mad at compassion, even though that's the literal whole point of She-Ra. Whatever. They could never make me hate you Catradora.

Percy Jackson (all book series) -> Percabeth (Annabeth Chase/Percy Jackson). The blueprint. That's it. That's all you gotta know. I don't read fics about them because there is nothing to improve upon. One of the best written series and best written romances of all time. It was basically everything Avatar: The Last Airbender failed to do with Kataang (sorry for ragging on them for a second but that's the only thing I didn't like about ATLA; the romances) failed to accomplish, with all the same in-depth and wonderful characters. Like, they are everything I aspire to have in a relationship. The way they are simply meant for each other and aren't rushed, but are always implied to have that cutesy young crushes until they finally got together. I love them. Ugh. Uncle Rick you win again.

Anyway, these were some of my favorite ships of all time!! Sorry, I blabbered a lot. Probably listed more ships than you meant to but I take whatever opportunity I can to talk about things I enjoy IN DEPTH. There were also a lot of M/M romances, which, I swear to God, just happened out that way. I love plenty of F/F and F/M relationships, they just rarely end up as my top favorite. DO NOT accuse me of anything because I WILL NOT hear it.

[redpiperfox]

was rereading rosette, and your author's note mentions that you chose specific characters for specific roles. i am VERY curious about All Of Them, i cant pick just one, so i'll leave you with the jurisdiction of choosing which ones to talk about? or you could mention all of them... haha jk unless

tldr: GIVE ME THE INSIDER INFOOOO

Just so you know how much I waffled this answer, I've currently been text-character-limit blocked on my response O.o Did not know there was a limit, but uh, I reached it trying to reply >.<

Will give you the answer over a couple of reblogs!:

I saw Rosette and my heart started racing, I clutched my pearls, I needed to sit down, I AM NOT NORMAL ABOUT THAT FIC ToT

I could Actually write endless essays about so many little details of that work... so much went into it, and I have to remind myself that I need to remind myself that the streets aren't aware of how Insane I am, and that is probably for the better XP

BUT YOU ASKED AND I SHALL DELIVER SO WITHOUT FURTHER ADO:

Hwang family: other than the obvious of all the characters featured in the extended family home 2hwang grow up in sharing the surname "Hwang," I picked dancers and the sort of connections that reflect canon. Niki looking up to Hyunjin and following in that legacy (yeah, I know he's not a "real" Hwang, but my au so I do what I want XD), SinB [Hwang Eunbi] as the kindest to them as the pioneer in 4th gen dancing gems. Also, the name Eunbi gives me mother-hen visions from my time knee-deep in Iz*one so XD

Hometown village: I had decided I needed to save all of SkzItzy for the new village they move to, which left me with the current village to fill of good friends, but not found family people. Aespa was an obvious choice as Itzy's irl friends, and I decided to dust in Enhypen members since I already had Niki. "Taeyhyung" was a generic enough name that I didn't feel like I was villainizing any particular boy group member XD Picking 2PM's Wooyoung was probably my favorite part of the hometown village-- it's been so sweet watching him be this JYP mentor figure for all of skz publically since Kingdom, and for the group personally since much before from what Chan's told us. This "respectable gentleman" figure who's removed enough from current happenings seemed to fit him really well.

Foster family: [giggles] Okay so SeungBin being siblings? Absolutely completely canon, Seungmin is such an annoying younger brother and Changbin takes the preachy protective older brother so well, and making them the first thoughtful and concerned people 2hwang meet was the perfect way to build them into the new village. I built the rest of the family around them: Chaeryeong is already Changbin's annoying baby sister confirmed XP Sunmi was easy to fit next to them, I think of Chaeryeong as sort of the next generation Sunmi performance wise, and Seungmin is always joked as being the role Sunmi was in teasing the company and JYP himself. Younghyun I knew needed to be central in someway, and as a very involved, very well known and respected idol of his generation who has so much history and present influence in the company, I put him right in the center as an older adult who makes the village feel like home.

[imagoddamnonionmason]

Behind the OC Name

So, I was tagged by the wonderful @iamcautiouslyoptimistic so thank you!!

So, as I currently sit at my laptop, staring at this screen, my brain says "do every original character you have ever made" and I have to quietly bat at it to tell it to shush because we'd be here for centuries. But, as a reminder, one day I may showcase other ocs that I have and add their names to this post.

For now *glares at my brain* I think sticking with the three originals people actually know about would be best- so here goes.

Jodie "Bell" Hall, a.k.a Nadezda Pugachev.

So, to avoid confusion, I mostly refer to my Bell oc as either Bell or Jodie, as in the 'canon' narrative (not my Call of Booty fic) she decides to stick with the name she was given by Adler and Park. I decided to go with Bell being in the MI6 as I am from the United Kingdom myself and so I then decided that I wanted to give her a name that sounded British.

As much as I'd like to say that name for her goes much deeper, it doesn't, but I feel like that reflects this whole idea that her identity was rushed to be made in the face of her brainwashing. I am not convinced that Adler and Park (and whoever was involved with that process) sat down around a table, cigarettes in hands, and took the time to find a fitting name. I 100% believe that they would have gone with what sounded enough to convince Bell.

To me, Jodie Hall was that fit.

As for her actual name? Well, I had this feeling that her name would have begun with an 'N' and I went looking at Russian names. I always like to make sure, when it's a language or culture not my own, that I look into it as much as possible - I'm ADHD and it gives me the strength to do this kind of research.

With that in mind, I was looking through them and waiting to see if a particular name resonated with me and eventually Nadežda/Nadezhda stuck out to me. The foremost name's spelling took my fancy, I liked how it looked and I can't explain how I knew that it was perfect for my Bell oc, but there it was, looking at me like 'HEY HELLO HERE PICK ME!'

What I love about that name, though, is that it means hope. I think I have mentioned this before, but I really loved that hope was the meaning of the name because I feel like it was something her family would have always told her to have. It's also something that she loses sight of but regains during the narrative I have for her.

Not only that, but isn't Bell the last hope that Adler and his team had at stopping what Perseus was trying to do at Solovetsky? I just liked the parallel and I only came to this specific realisation about Bell being their hope after I chose the name.

As for her last name, again there isn't a meaning from what I could find, but it was this feeling again of knowing what I wanted her last name to start with and then finding a surname that jumped out at me and seemed to fit with her.

I had originally played with the idea of giving her a surname from one of the previous Russian characters from World At War or Black Ops, but I thought using Reznov or Petrenko might have been a bit too on the nose and I wasn't certain of how to fit the idea of them being related into her backstory.

Anyway, I didn't end up going with that idea and allowed myself the creative freedom to ruin her life by NOT having her be related to any previously known characters.

~~~~~~~~~~

Franca "Major" Lorenzetti

Franca was only known as Major for quite some time while I was working on her - she came about after my first play through of MW2's reboot and a lot of the character progression and little stories I thought about didn't really push me to find a name.

When I eventually started working on what I wanted her to be called, Franca was not the first choice. I actually called her Seraphina. But that name didn't sit right with me and for several weeks I remember going back to it and thinking 'that name doesn't fit. it's not her'.

Seraphina most definitely is a name I'm going to use, just it wasn't for her, you know? Cause I ended up going down a rabbit hole of Seraph could be a good callsign, but again... it just wasn't this character.

It was then back to being nameless. Here I was, her entire family being named but her.

I ended up going with Franca because it means 'free one' and her entire backstory is about struggling with the expectations of her family, feeling like she was obliged to go through with what they wanted, but then deciding to do what she wanted and breaking free. So, that was the one. I said it out loud and my brain was like 'yep, itch has been scratched'.

I also thought about having her surname be different to the one she has now, initially having Nota. However, the only reason I went with that is probably because I was lazy - Nota is the surname of my Italian family that moved over in the early 1900s. It was a safe option, but again didn't end up fitting my character. Sorry fam! Lorenzetti was then chosen and seemed like the perfect fit!

~~~~~~~~~~

Nanette MacTavish

I'm pretty certain that Nanette means something along the lines of graceful, merciful, or something similar and given that she has such a kind heart it felt right for her to have this name. I didn't really do much research into her name as it was the first one that came to mind for her. Sometimes I'm either right on the money the first time around or I have to do a little bit of figuring out before a character's name ends up being chosen. Like I say, Nanette's came right to me.

Of course, her surname is MacTavish because I kept seeing husband headcanons and what he'd be like as a dad and I needed that. So they're married.

Prior to that, though, her maiden name was Oakley! The only reason I chose this surname was because of how earthy is sounded - Nanette to me is someone very grounded, earthly, and she's also a Virgo. By extension, her father is very green-fingered and her mother loves nature. The family name fits all three of their personalities so it just fit too well not to go with it.

~~~~~~~~~~

Thank you so much for reading this far, I hope I didn't rattle your ear off too much!

Overall I love all my ocs' names but I think I like Bell's the most, if only because of how complicated their meanings are for that character in connection with the storyline.

As for tagging other people, I'm not sure who's been tagged and who hasn't. If you've already done this, I'm sorry for the re-tag and I'm heading straight over to read your behind the oc name posts.

@angstkings @walder-138 @adlerboi @adlersoldspice uh uh uh panique- and uh @ anyone else who wanna do it!

Goodness gracious me, who thought tagging people would be stressful-

Anyway, have an absolutely wonderful day as each and every one of you deserves it. Remember to be kind to yourselves <3

with much honk,

Goose

[izzy-b-hands]

15 QUESTIONS FOR 15 FRIENDS

Tagged by @sherlockig, thank u Alexz!!

Under the cut bc I got wordy and rambly as per usual lol.

ARE YOU NAMED AFTER ANYONE?

Kind of? In that I more or less named myself after Izzy from our flag lol. Not that I'm going to tell everyone I meet that, but it is a big part of why I stuck with it after trying it out (that, and I've always wanted a name that had the letter zed in it, silly as that may seem.)

One of my middle names (that I had been using as a first name for a few years) is after my grandfather and aunt who also have that name as their middle name.

My deadname was after an actress famous in the 90s (tho tbh my mum apparently didn't choose it for that, she chose it bc she didn't find out my gender until I was Out and then was like 'aw fuck I don't have a name for this situation' and went with the first one she saw in a book of names a nurse gave her. It was only after that she remembered the actress when I was like. 4. that she changed and started telling ppl it was after that instead.)

And technically Holden is after the book character, but mum never actually read that book (and after I described it to her, said she has no interest in doing so lmao), she just liked how the name sounded and that was the one solitary name she for sure had on hand when I was born apparently. Could have saved us all time had she just used that one for me anyway!

2. WHEN WAS THE LAST TIME YOU CRIED?

Couple of nights ago. I'm doing better abt missing my cat Nisha, but my phone will toss up compilations of pics of her to mark the year/month/etc and sometimes those still get me. It popped up just before I went to bed that night and I was already so tired that I just. broke down. Bc I know she's v loved and looked after w/my mum, but I do miss her goofy lil self a lot. She was my first cat that was given to me and meant to be mine alone, and there's something abt that first pet bond I guess.

3. DO YOU HAVE KIDS?

Nope, and it's not a likely thing for me. I've said before that that happening would be in a very specific situation, wherein I'm with someone who wants to dedicate the rest of our lives to raising a child, or god forbid more than one, tho I think I'd max out at two if I managed one at all tbh (and that's not even getting into the very complex for me thing of would I want to actually be pregnant ever (probably not, absolutely terrified of dying in childbirth and don't see myself getting over that easily), we have the funds to make that happen (and give the kid a good life, not just a decent one or 'could have been worse' like my own), and we feel stable mentally, emotionally, and physically (as much as one can outside of Life Happening of course) bc having a kid means putting allll of that first for them, ahead of yourself. Or at least I think it should mean that lol.

But that situation is incredibly unlikely considering my bigger goal in life is to wind up being a third for multiple couples while also fucking any of my friends who are down for it in a big poly ENM sort of thing for lack of better/more detailed definition (I know it sounds unrealistic and maybe it is to a degree, almost definitely is lol.)

I can admit I just. don't want to uproot the life I've been trying so hard to build for myself in so many ways, to have kids. I'll happily help babysit the kids of any friends tho and be the fun uncle that buys them junk food and lets them stay up late to watch movies. I think that's about the level of parenting of any kind that I can handle for now (also tbh I burned out on parenting bc my family admits they parentified the fuck outta me with my three younger cousins. It by far could have been worse, but I spent my teens spending most of my days after school helping look after them from the newborn years and on. Unless my above uber specific scenario happens, then I've probably had my fill of parenting for my lifetime.)

4. WHAT SPORTS DO YOU PLAY/HAVE YOU PLAYED?

I played volleyball for a few years in elementary school, and we were made to participate in a multi-school track and field thing for most of middle school every year, but I was never amazing at them. Housemate and I have figured out I likely have undiagnosed asthma tho (turns out running or going out in too cold or hot weather shouldn't instantly make you gasp, struggle to breathe, and make you taste iron in your mouth, who the fuck knew? Not me, genuinely) so I think that might have a lot to do with it.

I also enjoy tennis and badminton and would love to try rugby, but I've never played any of those beyond a hobby with family/friends.

5. DO YOU USE SARCASM?

I do! Probably too much and not always in the best situations, but I've been working for years to hone when and where it should be used so I think/hope I'm a lot better with it than I was when I was younger. Tho even then, I did get adults who found it funny when I was sarcastic bc of how adult I seemed to a lot of them (their words, not mine lmao.)

6. WHAT IS THE FIRST THING YOU NOTICE ABOUT PEOPLE?

I genuinely don't know. Usually I'm too busy running my script for meeting new ppl in my head and trying to maintain Common and Expected Etiquette to really notice much right away. I have found that after a bit of time/after the initial meeting has passed, I tend to notice colours ppl wear more often than others if I see them often enough, or hair colour. But I don't know if it counts towards this question at that point lol.

7. WHAT'S YOUR EYE COLOUR?

Kinda blueish grey? Some ppl say it's too grey to be blue, others that it's too blue to be grey. I had a lady at the ND DOT freak out abt not being sure if I should have blue or grey on my ID a few years back, and she finally just told me to put blue so 'she could stop feeling so confused.' Was a weird day and the first time I realised apparently they really do have a blend of both colours, enough for it to be upsetting lmao.

8. SCARY MOVIES OR HAPPY ENDINGS?

I can't choose between the two; I like both! I also like mixing them together when I write (a scary story with a happy ending, an ending that seems happy but is actually terrifying, so on and so forth.)

9. ANY TALENTS?

Writing? Maybe, I always list it bc it's something I know how to do and to (usually) do decently well. I can sort of draw? But not well enough that I think 'talented' would be accurate to describe how I draw lol. I'm not sure of anything else off the top of my head tbh.

10. WHERE WERE YOU BORN?

In California, USA! We were there bc dad was in basic training for the Marines and then just got stuck at Camp Pendleton for years lmao (or that's how he always talks abt it anyway lmao.) Only was actually there until either: a. I was 3 months old, b. I was 6 months old or c. I was actually basically still a fresh newborn. Depends on whether you're talking to my dad, mum, or grandparents as to which answer you get, and at this point I'm genuinely uncertain as to exactly when mum left and took me to North Dakota but 6 months seems the most potentially accurate lmaooo.

11. WHAT ARE YOUR HOBBIES?

Writing, drawing, reading (not enough but I'm trying to remedy that), napping, watching movies/fave shows, and giffing.

12. DO YOU HAVE ANY PETS?

Kind of? My cat Nisha had to stay in North Dakota after I moved, so my mum and her bf are looking after her now (and got her a little sister, a kitten who is getting so big already!, named Bella.) I help Housemate look after aer two cats as well, and I'd like to think the boys consider me like their fun uncle lol (aka I bend over backwards for them and let them steal my spot on the couch all the time, and will break out the treats if needed to corral them now and then. In my defense: they are the cutest lil baby boy cats and they deserve the world, even when they're being little gremlins lmao.)

13. HOW TALL ARE YOU?

Approximately somewhere between 5'3 and 5'4ish? I can't recall the last time I was actually measured, and most of the ppl I've been around were somewhere between those heights and I'm usually either slightly shorter or slightly taller than some of them, so??? I put 5'3 on my ID tho lol

14. FAVOURITE SUBJECT IN SCHOOL?

English bc it was easy and I liked almost everything we did in that class. All my general and more specific history courses were a close second, and my foreign language classes a close third.

15. DREAM JOB?

Ideally, I'd love to not have to work. But who wouldn't, so that said, probably something in a library or museum. I'd love to be a library page again, or help work the front desk/docent duties of a museum. Working at someplace like Mystic Seaport would be amazing too; I'd be happy to learn how to help repair/repaint ships that come in or just help do tours or look after artifacts and stuff (tbh they could hire me just to type up any random data entry work they need done for any/all depts and I'd say yes to the job offer lol.) Unfortunately there's fairly significant roadblocks to me achieving any of these jobs rn, but I like to keep them in mind, just in case.

Also, if I can have one dream job that would be even more unlikely and is slightly TMI probably but: paid third for a rich couple. I show up, look nice, [redacted], make sure they're both good for the night, then go back home to Housemate (if it wouldn't be a night they'd want me to stay over, which I wouldn't be against but also. That would require some overtime pay lol.) The chances of this one are...so unlikely it's stupid funny, but a man's allowed to have dreams right lmao?

Tagging (if u guys wanna, no obligation if u don't wanna/have already been tagged/etc!!): @starmoonchildfromthebeamsabove, @freebooter4ever, @willowenigma, @turtleduck-tales, @mash1972, @mysteriouslybluepirate, @turtles-on-turts, @cononeillbreastingboobily, @treesofgreen, @dianetastesmetal, @arsenicflame, @gydima, @king-bussy, @p0ochy, @crvwly, and anyone else following me who wants to!

[lixxen]

FNAF Security Breach Uniform Designs

For the last ten years I've been absolutely obsessed with FNAF. Lately I've been obsessed with the idea of what the Pizzaplex uniforms would be and how awful they probably would be (plus I wanted to cosplay a worker). So I decided to do a deep dive and create the most obnoxious uniforms ever.

I may actually make these very slowly and cosplay them at conventions. I was slightly inspired because of an artist on here does an xReader fic and I didn't see them in a specific uniform really, maybe besides a few accessories. So here we are. The most ugly FNAF uniforms you will ever see and I WILL expand to jackets and name tags on a later date.

(Explanations and designs UTC)

So, to preface I wanted to say that I am majoring in PR and social media management, so I have a little bit of an idea of how branding and marketing works. I've also have worn the most ugly uniforms in minimum wage jobs, so I do know that corporate companies do not care if they put their employees in the most ugly thing as long as it is on theme.

Things to consider:

What did uniforms for establishments in this category looked like over the years?

Are you doing specific uniforms for specific areas of the Pizzaplex?

What color pallets are branded to each character?

What aesthetic are you going for?

Establishments

For establishments, I chose Disney (theming being important and a big establishment that would hide skeletons) and Chuck E Cheese (animatronics and specifically the time frame). I did a deep dive on Chuck E Cheese and their uniforms in the 80-90's, which led me to doing a ton of Ebay and WorthPoint searching along with watching old taped birthdays from the 90's.

I personally believe that Fazbear Entertainment wouldn't stray from the bright and manufactured look that they have going and are very cheap, plus the glamrock phase was in the 70's. And companies tend to be very late to trends. So we can take these the fact that they would be ugly and bright uniforms that are severely outdated and put that together.

With this, you get something that looks like this (all being CEC besides the screencap of the movie trailer):

I used the idea that each area of the Pizzaplex would have its own uniform, much like Disney. So I assigned each of these uniforms a different animatronic's area (Roxy's Raceway, Mazercize, Superstar Daycare, Monsty's Wild Golf, and then for Freddy I did Rockstar Row). I did one general staff shirt, which is also very ugly.

Color Pallets

This was very simple. I just chose colors from the animatronics/their sign logos and then made a simple color pallet.

This process was easy enough and I made sure to give myself a few colors for some of the ones that had multiple shades or similar hues.

I didn't do Bonnie, only because he wasn't in the game. BUT, I do have a design in mind for him. And it is actually the least ugly one.

Uniforms

Each uniform comes with a polo and either a full cap or visor. You will wear them with either black or khaki colored pants or shorts, held up with a black belt. Black shoes. Then you will have a matching apron. The aprons I have not designed yet, so they will come with the others I am going to design.

Here are my ugly designs.

I hope y'all remember that they're supposed to be god awful and poorly drawn. I am not spending a ton of time perfecting them. I debated on putting the logo on the arms also, so that is an alternate design.

They're supposed to be ugly, not make sense other than theming, and just be obvious copy paste designs made just so they have a little bit of differentiating.

If anyone wants me to go deeper into it, I will. I'll make more shirts and make them even worse.

Please guys they're supposed to be poorly drawn and obnoxiously not good designs. I am using my shitty knowledge for bad