#Yorick Le Saux

[boardchairman-blog]

**Shots of the Movie**

Little Women (2019)

Director: Greta Gerwig Cinematographer: Yorick Le Saux

[sesiondemadrugada]

I Am Love (Luca Guadagnino, 2009).

[king-of-the-road]

Boarding Gate, 2007, Olivier Assayas

[filmy420]

Little Women (2019)

[lookforastronauts]

#96. Personal Shopper (2016)

dir. Olivier Assayas dop.  Yorick Le Saux

[lanconu]

I Am Love (dir. Luca Guadagnino, 2009) | DoP. Yorick Le Saux

[juniorstargazergoke1991]

Blitz (2024)

Director: Steve McQueen

Cinematographer: Yorick Le Saux

[vibe-stash]

Little Women (2019)

Director: Greta Gerwig DOP: Yorick Le Saux Production Design: Jess Gonchor

[artfilmfan]

Tromperie (Arnaud Desplechin, 2021)

cinematography: Yorick Le Saux

[nine-frames]

"I can't get over my disappointment at being a girl."

Little Women, 2019.

Dir & Writ. Greta Gerwig (Based on the book by Louisa May Alcott) | DOP Yorick Le Saux

[mariwatchesmovies]

Personal Shopper (2016) dir. Olivier Assayas cine. Yorick Le Saux

[lyxkryss]

Making of 'Demonlover' (2003) dir. Yorick Le Saux

Sonic Youth - Bande Originale Du Film Demonlover (2002)

[manuxmon]

See the Sea (1997)

DoP: Yorick Le Saux

Dir. François Ozon

[byneddiedingo]

Kristen Stewart and Juliette Binoche in Clouds of Sils Maria (Olivier Assayas, 2014) Cast: Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Lars Eidinger, Johnny Flynn, Angela Winkler, Hanns Zischler. Screenplay: Olivier Assayas. Cinematography: Yorick Le Saux. Production design: François-Renaud Labarthe. Film editing: Marion Monnier.  Olivier Assayas's Clouds of Sils Maria demands almost as much attention after you've finished it as it did while you were watching it. The set-up is this: An actress, Maria Enders (Juliette Binoche), is asked to perform in a revival of the play that made her famous when she was only 18. Now that she's in her 40s, however, she will play the older woman who has a relationship with the character she earlier played. She accepts reluctantly, and then wants to back out when she finds that the younger actress, Jo-Ann Ellis (Chloë Grace Moretz), who has been cast in her original role is a Hollywood star best known not only for working in sci-fi blockbusters but also for her off-screen affairs that draw the attention of the paparazzi and Internet gossip sites. However, Maria's personal assistant, Valentine (Kristen Stewart), thinks Jo-Ann is a good actress who has been exploited by the media, and persuades Maria to take the role. Maria and Valentine retreat to the home of the play's author, who has recently died, in Sils Maria, a Swiss village, where Valentine helps Maria learn her lines. As the film progresses, the lines of the play echo not only Maria's own feelings about growing older, but also the somewhat ambiguous relationship between Maria and Valentine. Indeed, it's often not entirely clear whether actress and assistant are reciting the lines of the play or are voicing their own feelings for each other. And then the casting of the film brings out another layer of meaning: Stewart is best-known for the Twilight movies, precisely the kind of Hollywood film that Maria turns up her nose at when she first hears about Jo-Ann's career. Assayas, who also wrote the screenplay, deftly juggles all these layers of art and reality, but the film would be nothing without Stewart's superb performance, which won her the César Award in France as well as the best supporting actress awards from the New York Film Critics Circle and the National Society of Film Critics. There are those who think the film is more talk than substance and that it feels like a "high-concept" product: Persona (Ingmar Bergman, 1966) meets All About Eve (Joseph L. Mankiewicz, 1950), perhaps. But seeing Stewart interact with Binoche more than justifies it for me.

[filmy420]

Little Women (2019)

[1hundred1hundred30]

03. Film - A Bigger Splash

Year - 2015 Director - Luca Guadagnino Cast - Tilda Swinton, Ralph Fiennes, Dakota Johnson, Matthias Shoenaerts Cinematographer - Yorick Le Saux Rating - 5/10 For fans of - Call Me By Your Name, Closer, Malcolm & Marie

What it is.

A famous rockstar named Marianne (Swinton) takes a retreat in a coastal Italian town after having an operation on her vocal cords. Unable to speak, she rests with her partner Paul (Shoenaerts) until her ex-partner, Harry (Fiennes) suddenly shows up with his daughter (Johnson).

Unable to accept Marianne’s new happiness and calmness with her new partner, Harry sets out to disrupt their relationship. Relentless and narcissistic, we watch as everyone around Harry is slowly pulled into his game as they become consumed by trying to resist it.

What rates it.

The cinematography is exceptional and the close-up shots of people using their hands and toes to complete everyday tasks builds up tension in the most artistic way.

The storyline is predictable which is what disappointed me. A personal gripe for me is when everyone in the film wants to have sex with one another. It cheapens the experience of humanity and reduces us all to animals which, often is the point of these storylines but I still can’t help but roll my eyes at them.