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sylver-drawer · 9 months ago

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Oh god the plagiarism. I took it with a grain of salt, but then I dived into the document DotE’s author released and the similarities were too much. If it were the simple father daughter trope, that’d be fine because it’s a trope. But the level of similarities were all the way down to words describing physical appearances, specific insults the female leads used to describe their fathers, and even the general relationships and plot points the love interests and supporting characters fill in regards to the plot or the lead herself. Even the integral plot points and character traits the fandom seems to associate with Athy (especially in the first season) lined up with DotE’s. The document shows the plot points of the two side by side for the first season, and it’s uncanny. The fact that Yunsul even said they never got contacted for a trial (that Carrotoon(?) claimed they resolved via trial) is also concerning. I’m glad that Spoon strayed from the standard plotline Plutus made.

... I ranted in discord again, and it turned out to be an essay. So here’s another Syl Tea, let’s fight.

Spoon Deviating from the Novel’s Plotline

Readers have been complaining for a while. It started in the amnesia arc, and still continues on to current times. Complaining, insulting, begging and begging, all for Spoon to stop changing the story.

But it’s been getting worse recently, the complaining comments shouting louder than those of praise and positive reinforcement, and I’m sick of it.

Part One: The Source Novel

Suddenly Became a Princess One Day (SBAPOD) was a novel written by Plutus. That is what Who Made Me a Princess (WMMAP)’s source material. In the story, Lee Ji Hye after taking too many sleeping pills one day, transmigrates into the world of a novel called, ‘The Lovely Princess’ (TLP). In TLP, it features two heroines. One is the main heroine, Jennette, who was loved and adored by all. With her sunny and angelic disposition, she melted the icy cold heart of her father, the emperor, Claude De Alger Obelia.

The girl, the baby she had reincarnated into however, was the second heroine, Athanasia De Alger Obelia. In TLP, Athanasia was born from Claude and a concubine named Diana. She grew up unloved by her father in the ruby palace, the palace of concubines where Claude had commit a genocide. She met had briefly met her father when she was nine, and had become obsessed with him and trying to earn his love and affections. Those affections, however, went to her half sister Jennette, who was introduced at the debutante.

TLP ended with Athanasia getting executed for a crime she did not commit. Jennette had been poisoned by her aunt and fell into a coma, and Claude had immediately blamed Athanasia for it. Without an investigation, he had killed her. It was then revealed that Jennette’s aunt, Rosalia, was the perpetrator, in which Claude had reacted with no remorse. Rosalia went unpunished, and Claude had forgotten Athanasia’s existence as if she had just been a fly he had swatted. The only one who mourned and grieved over Athanasia, was Jennette.

Lee Jihye refused to die again. Her actions, however, as the reborn Athanasia, had led to somehow gaining the affections of her father. SBAPOD had ended with Jennette being exiled for being the product of black magic and an unintentional threat to the royal family, leaving Athanasia to live in a Happily Ever After ending with her father and magician lover, Lucas.

I’m going to have to say a very unpopular opinion within the fandom. Plutus is a terrible writer. And I don’t mean by skills in writing. Plutus cannot... write a good story. Taking example from their other works, Beware Of The Brothers (BOTB) which takes place in the same universe as SBAPOD. Hari, who had went back in time, spent half of the story trying to fix her relationship with her adoptive brothers. As she was severely neglected and downright abused by her step brothers in her previous life,s he strived to be accepted as their family.

It seems nice right? A story of a girl trying to improve her relationship with her family. She eventually succeeds, and her brothers defend her and call her their precious sister.

But here’s the catch. She marries one. Yes, marries her brother, and another one of her brothers also fall for her. If that wasn’t bad enough, she’s the carbon copy of their dead sister. She was adopted for the sole reason of looking exactly like their sister, who had died. That was why their parents took her in. The eldest son, the eldest brother, fell in love with a girl who he had abused and neglected in the past out of jealousy and childish hate, a girl who looks exactly like his dead sister. What’s even worse? Hari chose her elder brother, someone who abused and neglected her in the past for no reason, over a sweet guy who she was actually engaged to. When half of the story was about being seen as their family, acknowledged as their sister.

But I digress, this post isn’t about BOTB.

Plutus is a bad writer. They have countless issues in SBAPOD as well. For example, characters. Plutus cannot for the life of them, build and develop their main characters, nor can they write a stable plot.

Let’s give an example. Lee Jihye as Athanasia does not... develop. For context, Lee Jihye was an orphan in korea. She grew up alone and had to fend for herself for her whole life. This premise is common, but can be interesting if well done. SBAPOD falls under the reincarnation category of, ‘their past life has no impact’. By this, I mean, none of the characteristics from her life as Lee Jihye carry over to her life as Athanasia. It was fine in the beginning, when she strived to survive no matter the cost. For someone who was struggling by herself in Korea, of course she was greedy and hyper focused on survival and having back up plans. She was flawed, but human.

This changes. For someone who had to grow up alone and fend for herself, the moment she gets too comfortable? That doesn’t matter anymore. All of her instincts, gone. When Claude gets amnesia and threatens, humiliates, and almost kills her—

She comes back. She comes back to the man who has tried, and she knows is the most capeable from reading TLP, to kill her. You don’t need to be an orphan to know that if someone is trying to kill you, you run and never look back. Even before then, her instincts have completely faded. Claude had taken a liking to her so she can live comfortably now, but who knows what would happen? In the modern world, especially for people of low income, money and wealth can easily fade away. She never once checked on her secret stash of gold and precious items, was never conscious or had any struggle of the ‘what if Claude turns around and tries to kill me earlier’.

It was as if her life experience of orphan Lee Jihye only mattered for when she came back to claude because she’s never had a family.

See, Plutus has this constant theme in their work of, ‘there is no such thing as found family’. I’ve explained a bit of it before in my post about the theme of WMMAP, about Family Bonds. This is prevalent in all of Plutus’ work. Beyond Jennette’s naivety, TLP Athanasia had the exact same mindset because she wasn’t alone. Lily. Lily was her caretaker, her nanny, who loved her the most out of anyone in this world. Yet Athanasia craved for the love of someone who hated her, and paid no mind to love of the woman who raised her like her daughter. Because there is no such thing as found family in Plutus’ work.

Plutus is not a very good writer, as they can’t write a well developed story. It isn’t just a fault in Athanasia’s character, it’s also a fault in all of the characters in Plutus’ work. Claude, Ijekiel, Lucas—their purpose in SBAPOD was solely to benefit the main character, Athanasia. Claude never developed. He remained as he was in TLP, an emperor who threatens his people for the simplest things. Just because he’s kind to Athanasia, doesn’t mean he’s changed. This was proven in the novel’s amnesia arc, as the moment he lost memory of Athanasia, he immediately threatened to kill her. And when she returned? He threatened to kill everyone at the festival if she ran away again. There was no development in his character. His character is just to give Athanasia a reason to stay. Same with Ijekiel, who was never truly explored other than the fact he was the ‘princely’ second love interest for Athanasia. We didn’t know his drive, his reasons, his interests his character. All his traits are, ‘princely’ and ‘loves Athanasia’. Lucas is in the same category. Lucas, the almighty powerful magician, solves all of Athanasia’s problems. Athanasia is afraid fo Claude dying? Gives him immortality, which coincidentally returned his memories. Aeternitas is the villain and has been causing Athanasia and Claude pain this whole time? Just kill him, and he’s no longer a problem. Jennette has a mental breakdown because her whole world has been torn apart and her magic burst is a threat? Takes her magic away, and would have killed her had Athanasia not told him to spare her life. Lucas had solved all of Athanasia’s problems, and inadvertently prevented Athanasia from improving.

The side stories in SBAPOD had solidified the ‘everyone was made to make the main characters look better’, as the whole timeline had become scewed because Plutus had added information that didn’t make sense. Backstories and changing characters to the point where they didn’t even seem like the characters Plutus had wrote earlier in the story. Claude and Diana’s whole backstory revealed in the side stories at the end was made just to justify Claude’s horrible actions and make him look better. Diana, who was a dancer sold to Claude and became his concubine, suddenly had a tragic and downright depressing backstory. And apparently Claude saved her from it when he still was engaged to Penelope? Even though they met after he killed Anastacious and Penelope had escaped? And it tried to justify his genocide of the ruby palace, by saying some concubines poisoned Diana which was why she died—even though it was revealed earlier on that Athanasia’s mana killed Diana. And it still didn’t justify Claude killing everyone in the ruby palace, the concubines he himself kept and let live there as well as the countless servants, just because a few supposedly poisoned Diana.

Plutus was a bad writer, who wrote a poorly developed novel, and fans bash Spoon for not following it.

Part Two: Spoon’s Character Development

While finally on the topic of Spoon, let’s start what this post was supposed to be about before I got off topic.

Spoon is often ‘criticized’ (ie, my posts on criticism and suggestions) for changing the story to the point it’s apparently ‘boring’ and ‘not making Lucas strong’ (and yes, specifically Lucas, my dears).

When really, Spoon has... improved WMMAP? Especially in the most recent chapters? From a development standpoint in comparison. People have been saying it’s been really slow, which is understandable, but isn’t it because we get updates once to twice a month? When you binge read it, it’s not that slow. For readers who read it the moment it comes out, it feels slow because you take days and weeks between chapters.

But, especially now when the plot has actually sped up significantly, people call it boring? More boring than season one where all Athanasia and Claude did was have tea parties? I mean think about it.

In SBAPOD, Athanasia never had a proper interaction with the villain. Bad things kept happening, but Athanasia never really had a direct confrontation with the one causing all of her problems. If I remember correctly, she never questioned it either. When you think about, Athanasia, other than Claude, never had any struggles. No internal conflict, no doubts or worries, and no questions despite her past as Lee Jihye. And when she did, Lucas took care of it.

But in WMMAP, everything is happening at once. Claude is in a critical condition, Athanasia has to temporarily take over and confront the nobles, and in the middle of it all, the villain makes his dramatic entrance in front of everyone. And for the first time in a long time, Athanasia has to think about how to survive and protect not just herself, but others. And if she doesn’t think it through, she will lose everything.

And that? That in itself is an extreme improvement. The problem isn’t just between her and one person like when Claude had amnesia. This issue potentially involves and impacts everyone in obelia. Athanasia can’t worry about and stay in her little bubble of protection now. She’s forced to learn, because Claude is in critical condition.

Athanasia is actually preparing to learn how to rule a kingdom when she never did in the novel. Never, did she have to confront the nobles by herself. Even in her debutante, Claude had to threaten a crowd for staring at the only princess as she debuts, before even taking the first step. And Athanasia never needed to learn politics. The magic branch made her dad immortal so she never needed to learn. Which means, Athanasia never grew or improved as a character. She remained the same as when she reincarnated into the infant Athanasia.

Spoon even improved Athanasia’s connection with her peers. She seldom connected with the other noble girls, and never had anyone she was close to other than Lucas. But because of the whole Amnesia arc in WMMAP? She has Jennette now. Jennette, who in the novel she perceived as uncomfortable and a mild threat, is now one of her only friends that she regularly wrote to. Athy, who didn’t care about anyone else outside of her little bubble, has people to protect and fight for. Her character is already miles ahead of what Plutus had made her, and it’s because of Spoon.

And it’s not just Athanasia getting focus and development.

In SBAPOD, no one, minus Claude and Athanasia, was explored at all. The villains were shallow, the side characters were there only to add more to the main characters and were never expanded upon as people.

But in WMMAP? Ijekiel is having more drive and isn’t just a character meant to be Athy’s second love interest anymore, despite how he was for majority of the story. He had addressed and established his character of wordlessly obeying his father early on, and the novel never dealt with that. But now? He openly expressed bitterness to his father’s plan. And he’s currently going out of his way to tell Felix what’s been happening, essentially backstabbing his brainwashed father and risking possibly being labeled as a traitor for harboring a threat. This little change that Spoon made had already improved Ijekiel’s character. Because he isn’t just there, he has his own motives and thought process, like an actual human would.

Aeternitas who was the sole villain and’s only purpose was ‘Lucas look at me’ was changed almost completely to a villain that has depth. Anastacious, who actually has motivation and reasons why to be such a big villain has more development than Claude.

Spoon’s new character having more development than Claude already shows what a good writer she is—because Claude’s doing exactly what he’s done in the novel, what Plutus wrote for him. It’s lazy writing, but putting Claude in a coma is one of the best ways Spoon could have continued the plot. He has no character development left. He loves Athy again, so bringing his memory back right away completely contradicts the whole amnesia arc. The amnesia’s whole point was so that it could display that he doesn’t need his memories to loves his daughter (which I personally still think is badly written because TLP contradicts this). He can’t become less of a jerk because that’s literally the base of his character—his murderous demeanor towards everyone was a plot point Plutus permanently set into his character and can’t be changed without changing Claude’s character entirely. Spoon can’t work with the Claude Plutus created at all, so she made the best choice of sending him asleep to move the development of the others.

Lucas? Instead of everyone else gaining characteristics, she took away points where his character had to display his ‘almighty-ness’.

And that? That’s the best thing she could have done to a character who Plutus had set up as an ‘all powerful’ wizard. He was renowned as a great and powerful wizard in the history books, but in reality, he’s just a talented kid. He’s not godlike. He’s not the strongest in the world. And that’s good. We’ve already established how talented he is in magic, season one already proved that.

Compare Lucas to Gandalf from LotR. Gandalf was renouned as one of the strongest wizards, and displayed his power, but he wasn’t almighty nor did he ever help Frodo on on his mission. He was a guide, but never the answer. But that didn’t mean he was useless, and we never thought of him as that. He didn’t need to help the main character with their problems for us to know what good of a character he was. In the end, Frodo did his duty, solved his own problems himself despite how small and weak he was without Gandalf’s (or any of his comrades assistance). Did it make Gandalf weak because he didn’t throw the ring for Frodo? No. That’s the kind of Lucas we needed, not some Deus Ex Machina like in SBAPOD.

We don’t need Spoon to show us more of something we already knew, and Spoon knows that. And he is getting development, and people are so blind to see it. Even in the most recent chapters, it’s right there.

It’s Athanasia verbally telling him, ‘killing won’t solve anything’ to his immediate response to just kill the villain, which attributes to development for both her and Lucas. It’s small, but you have to treat him like a child. Because emotionally, he was deprived of growth. You have to tell him straight out what’s wrong, and Athanasia did that. And she’s still changing him. Athanasia trying so hard for Claude, and Athanasia confessing her knowledge of Jennette being her cousin and not doing anything to endanger her— those little actions are making Lucas see the importance of family. Someone who was deprived of a healthy family, someone who was abandoned by their only father figure, this is incredibly important. And people label this as useless?

Part Three: The Reader’s Backlash to Spoon

Spoon has single handedly given nearly everyone development, and people refuse to see it because other Manwha and SBAPOD had ruined them and heightened their expectations. That’s why they take it out on Spoon, the outlier. The exception. They take it out on the artist/co-writer/current writer of the story for not living up to the story others have created.

It really makes me wonder how the fandom would be if no one was spoiled and just read WMMAP like it was supposed to be read—by not being spoiled and just enjoying the story without having ruined expectations from something else.

But it’s not Spoon’s problem, it’s theirs. Because the moment they comment about how [Spoon] has ruined the story? That’s where no sympathy is given. Because the problem was never Spoon. It was the disappointment of their expectations, and taking it out on an amazing person who’s trying their best. And they? They don’t even care what they do to Spoon’s health. Those repeated comments of ‘Spoon made this story trash’, and, ‘Spoon made X character useless’ can seriously damage someone’s mental health. If not, severely stress someone who’s already placed under countless deadlines but still provides quality art every 10-20 days. They have no concern over Spoon, because as long as they get what they want due to the expectations set by other Manwhas and the Manwha community? Spoon could die for all they care. As long as they get what they want, what they were spoiled of? Who cares what Spoon wants.

It’s tiring and frustrating as an artist and writer who can hardly pick up my Apple Pencil and get the motivation to do what I love. To berate Spoon so badly because of their selfishness? When Spoon does so much more than what any of us could ever imagine to do? It’s entitlement, and just rude. And what’s worse? Spoon will never bend to them, but will still see those comments. She won’t change the story to their tastes, but her health will still be impacted. She’ll still know that her readers? Hate what she’s doing, what she loves to do. No ones going to win. No one will be satisfied, and their complaints won’t help anyone. It’s pointless, and incredibly sad.

Spoon doesn’t deserve this, and we aren’t entitled to anything. Our opinions are pointless, and that’s the truth. We have no say at all in what happens in the story. You paid money for it, you chose to read the story knowing that Spoon won’t give you what you want.

The company is promoting slips of color. You know you’re getting a color, and you want a specific color. Are you gonna take it out on the company for getting red in the mystery box when you wanted gold? When you know the chances of getting gold is nearly impossible? When gold was never guaranteed, and the company stated that there wouldn’t just be gold in the box? That’s what’s happening. You paid for it knowing you’ll disappoint yourself, you made the decision to spend money on something you don’t need. And you made the decision to bully Spoon for what you did to yourself.

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