#YOU’RE SO GOOD AT ART!!!! EVERYBODY COME LOOK AT MY FRIEND WHO IS SUPER TALENTED AND DOES GOOD ART!!!!! /GEN

[solalunar-eclipse]

Conversation idea under the cut…

Sniper: Nice view, ain’t it?

Spy: I’ve seen better.

Sniper: Really? What’s your favorite place you’ve seen?

Spy: Le Jardin des Tuileries.

Sniper: Really, Spook? You’ve never seen anything better than France?

Spy: Non, not particularly.

Sniper: How come?

Spy: My work never left me much time for sightseeing.

Sniper: Ah, ain’t that the truth.

Spy: (sighs)

Spy: Though I suppose that would make this the second-best view I’ve ever seen by default.

Sniper: (laughs) You’re a proper riot.

Chillin’

Aka I listened to toby fox’s roast chicken song on loop because I’m normal and then I experienced a Thought :)

(Just in case click for better quality.. tumblr loves to butcher my posts)

[pluviophile-bookworm]

High School Musical: The Musical: The Series: The Rewatch pt.3

Ok, full disclosure: I should not be doing this right now. But I've been thinking about it since yesterday and, well, I reckon I can go over 1x4 and 5, and then move on to my actual work. So here we are. I'm really, really excited for these two, so without further ado, I'll dive right into:

1x4: It's hard to believe that I couldn't see... the majority of what happens in this episode when I first watched it

Why is Nini such a pro at making a scene with whoever her current boyfriend is in the middle of a public place? I mean, I get it that she's upset about EJ going through her phone — who wouldn't be — but maybe - and this is just a friendly suggestion — she could try and discuss that in private, not start a shouting match within view of all their classmates. Just saying.

'Ricky would never steal my phone' — well, perhaps not, but he's not quite above deleting stuff from it, either... I wonder if whoever is writing this show knows that there are many other ways to make a relationship unhealthy... it's not funny anymore. Just repetitive.

Ahhh Natalie and her emotional support hamster! At least there's one good thing about this scene.

Sure, Ricky, blame Big Red for the fact that you misplace your stuff... a very nice best friend he's got, indeed.

Gosh, everything is so awkward and there is just so much tension all over the place — Ricky's parents, then EJ and Nini, and then Carlos just being oblivious to the fact that they just broke up... you know, that last part just made me laugh. And then Ricky's reaction to his parents legally separating just broke my heart. That boy's been through too much.

Big Red being completely clueless about theatre terms is super funny and endearing, but let me just put myself in his shoes for a sec. He's followed his best friend into a badly thought-out scheme to get back together with his ex, got dragged into joining the crew, and is now expected to know what everything is. I would not put up with that... ok, who are we kidding, I'm a massive pushover and would put up with anything, but my point is... he shouldn't have to. At least people are doing the bare minimum to help him learn and nobody's laughed at him for not knowing. That's the good thing about this crew.

Ok, so I have posted about my thoughts of their take on What I've Been Looking For before, back when the episode was brand new, so I won't go into detail about that. In short, I think they've got the arrangement all wrong considering that it is a plot point in the original movie, but... the execution is funny. The scene is about Nini and EJ's post-breakup tension and it shows. I just kind of wish now Miss Jenn had pulled Nini out and put Gina in, even just for this rehearsal — and I might or might not be saying this as a Portwell shipper.

Miss Jenn is done with the students' personal drama and honestly, I'm right behind her. These kids are being completely unprofessional — and well, I realise that we can't expect them to be professional at this stage, but... they could at least try to concentrate on rehearsal and not their personal lives for a second.

Ricky hugging a cushion is my spirit animal. That's it, that's the comment.

Ahhh the tension between EJ and Gina though... 'around here seniors don't follow sophomores' — well, we'll see how it goes, Mr. Senior.

What gives Nini the right to shout at strangers about their relationship? I am honestly so frustrated with her these days. Wonder why I never was during season 1. The reasons are all there.

'He loves you' — yeah, like a little sister, he does. Also, Ash is so precious, always trying to see the good in other people. EJ 1.0 is so lucky he had her as an example.

Ok, I'm not going to go into what an amazing best friend Big Red is because we all know that (plus I'm saving it for a certain scene in 1x5), but this must be so hard for him. I mean, he's trying his absolute best to help Ricky feel better and distract him from his problems, and Ricky is turning everything down. I mean, I guess I understand where he's coming from too, but I'm unable to look at things through the lead-centric lens alone anymore. I'm more aware of non-lead characters now (some more so than others) and this is putting a whole new spin on my perception of everything that happens.

I've got no idea how Big Red can sleep with all this noise, though. I could never. But to each their own.

'perfect on paper' — that's EJ 1.0 to a T. I've got to give Nini that.

Ricky wearing the pride t-shirt... we love to see it.

See, this is why I keep forgetting why I ever shipped Rini and then remembering again... their chemistry is just so on-again-off-again, and here it's definitely present, but I just need a couple with consistent chemistry, you know. Hey, isn't that kind of what All I Want is about? Kind of. I don't know. I've been unable to listen to that song ever since it got big irl. I have this... problem with media that becomes popular and mainstream... I mean, I never hold a grudge against things just for being popular, but I just... relate to underrated stuff much easier. Not because it's underrated, but it just so happens that nearly everything I like and relate to is underrated in some capacity. Even HSMTMTS itself — it's practically unheard of here in Bulgaria, so I would not have found it if I hadn't been looking for it specifically. Ok, this comment got derailed several times. I guess I'll just stop here and move right on to 1x5 at this point.

1x5: A bedazzled tablecloth, a perfectly balanced unicycle and bad reception at the barn... not the perfect ingredients, but they can still... Work This Out

'Miss Jenn says that's a life in the arts... well, that and almost constant unemployment' — alright, I know this line is not supposed to be funny, and that it's a painful reality for a lot of people, but... maybe it's the delivery. I just laugh every time.

See, this is what I mean when I say I want to see consistent chemistry — Seblos have it. I mean, I really don't want to jinx things, but... they do.

Big Red seems to be in a more... outspoken mood today, I guess you could say. Too bad Ricky is still shutting everything he says down. Seriously, Big Red and Seb should start a club for people who try their best to be there for their loved ones and still keep being shushed.

I might be super frustrated with nearly everything Nini says and does (can somebody please tell me why that is?), but... flushing her dress down the toilet? Major mood.

Listen, I love Miss Jenn and that she's close to her students, but... emerging from a toilet cubicle and inviting herself to Kourtney and Nini's girls' night was... Will Shuester level of questionable.

Ricky being the mature one about his parents separation is... I mean, it's admirable, but how did he move past the impending depression of last episode and towards being the one who tells his dad to get up and move on? Well, I mean, good for him. But I think the issue is far from buried yet.

'Friend of the year'? Ricky? I don't think so. First of all, if he were, he'd know that Big Red does not have two left feet. Wasn't it you, Ricky, who was stumbling over the steps in HSM a couple of weeks ago? You're one to talk. Plus Big Red's been listening and trying to help while you've just been spouting off about your personal problems for... how long has it been now? I get it, Ricky has issues that he needs to work through, but he's almost legally blind in both eyes when it comes to Big Red.

Ok, but Ricky is the epitome of 'cannot solve his own problems but has a suggestion on how everybody else should solve theirs' in this episode. Maybe take a step back and listen to your own advice?

'My parents think I'm bonding with the livestock' — I've got no idea why I find this line so funny, but I do. And I've got so much love for this entire scene. Carlos' reaction to Seb's response to his invitation is just... the most adorable thing ever! My heart might just burst. Especially given what we're about to go through tomorrow in 2x10... I am. Not. Ready.

The entire karaoke scene just reminds me of... pretty much every extended family reunion on my mum's side. Her cousins love karaoke and are also completely tone-deaf. I love it that they're able to have fun with it, but my ears are still recovering from my great aunt's birthday party two years ago.

'When did you become Nini?' — Why does Mr. Mazzara know so much about his students' dating lives? I mean, Miss Jenn does, too, but he doesn't strike me as someone as invested in them as her. Idk, it just struck me as kind of weird.

'I didn't agree to photos' — please, EJ, I'm sure you'll want memories from your first fake-dating gig with Gina... once you're no longer fake-dating, you know. Boy, these two are going to have stories to tell to their grandchildren.

I've said some stuff about Nini, but... 'a bedazzled tablecloth' is the funniest description I've heard for Gina's homecoming dress.

'Maybe it's not actually about you at all.' Yeah, you tell him, Reddy! Ricky needs to get over himself.

The way Big Red sniffs out the drama, though... I was not-so-randomly reminded of that moment in 2x9 where Seb was like Carlos. and Big Red was like, 'Are you guys fighting?'...

Big Red doing a comedic lip-reading of Gina and EJ's dramatic scene is absolutely hilarious. I might or might not have sold my heart and soul to him after seeing that scene for the first time. But I just remembered how he said earlier that maybe he can't read lips and that just makes this 100% funnier — he was basically like a child who can't read yet making up a story based on the pictures in a book, and I mean it in the best way possible. He's a theatre dark horse, this one, and they should all be intimidated — or inspired, whatever they choose — by his hidden talents. Gosh, I love this guy. But can you blame me?

'You think I'm actually going to confide in you?' — Absolutely. You can't bully someone from your position of authority over them and then act like you're their friend. I do know now that Mr. Mazzara has hidden depths, but he had no right to be as rude to Carlos as he was in 1x3. He was right about one thing, though — Carlos doesn't need a dance partner to dance.

Ricky saying he was going to apologise to Gina and counting that as an apology is giving me major TJ/ Buffy flashbacks. I wonder why that is... * sarcasm *

Nini feeling like a fraud makes me actually sympathise with her for a second. But I feel like Nini's flaw of defining herself through boys and Ricky in particular has been addressed one time too many now, since it was first addressed here in this episode. If they make her and Ricky get back together again in season 2, I will riot. [side note: I feel like the Born to Be Brave scene says a lot about both Rini and Seblos as couples. Nini and Carlos both feel, in the moments leading up to the song, like they are incomplete without their partners. Ricky, too, has built his personality entirely around Nini at that time (and is still not completely over that in s2). And then the song comes in to remind them that they don't need a partner to be happy. I'm just thinking of Big Red's 'perfectly balanced unicycle' comment from the promotional materials, and of how he and Ashlyn, even when they're dating in s2, are never portrayed as being incomplete without each other. I guess there's a reason why they're the Beta Couple of the show — their relationship drama is nearly non-existent, and when it does exist, it's just caused by them caring too much about each other. Every other couple on the show should learn from them.]

Everybody supporting Carlos during the Born to Be Brave number just warms my heart so much... I am actually crying real tears. And then the end, when Seb finally shows up, right in time for the slow dance... I have a lot of feelings about this scene.

Seblos' dialogue here still kind of makes me cringe a little... but like, in a good way.

Yikes... Miss Jenn's getting into trouble... I mean, it was bound to happen sooner or later. But she's lucky she's had enough time with her students for them to love her enough to fight for her. Still, this is a topic for another episode, and so I won't expand on it in this post.

Well, that's it. That was 1x4 and 5. Those were pretty much my favourite episodes when season 1 was airing. And I can definitely see why, even if my views on some things have changed due to stuff that happens later. But, as I constantly say, that's what rewatches are for. In other words, 'once more, with feeling this time' as my choir director used to say.

[wri0thesley]

many many anons under the cut bc i didn’t want anyone to feel like i was ignoring them and i wanted to respond to u all! warning for small text too, it was so long i wanted to make it look smaller fgbnjkgkjn

Anonymous asked: NAT... you can write WHATEVER you want! It's your blog, and I hope that rude anons can learn to respect that. I used to be on your blog just for jjba content too, so when you started getting into jjk I was indifferent but eventually you dragged me into jjk so hard!! I already like bnha, so seeing you write for it only made me happier! I hope that you continue to write whatever make YOU happy:) ❤and yes, longer fics certainly doesnt mean it's better, quality over quantity

ahh i’m happy that you are here for all three!! i always feel so accomplished when someone is like ‘your constant screaming made me think about jjk <3′. all three of the fandoms are fairly popular and i tag everything v carefully so i hope people who do use the filtering find that useful!!! 

Anonymous asked: Goodness gracious. People really be out there thinking they're entitled to dictating what kind of content you should be making

i think part of it might be that i do take requests so people feel like they have like . . . a certain right to certain kinds of my content? i take requests mostly bc they keep me motivated, i like making content for ppl who cant find what they want bc i’ve Been There, but maybe people think i am a pushover? idk i am just trying to have a good time!!!

Anonymous asked: Hi. I only started following you a few days ago but please ignore that rude anon. People are so fucking entitled towards writers it's insane. I recently had someone throw a fit for "spoiling" something in my fanfic, even though the fic was about a manga-exclusive character, so what did they expect?? Overall I've really enjoyed your writing so random assholes coming to guilt you is just a shitty thing that happens. Keep going with what you wanna do.

ah gosh anon i’m sorry about that :(. i’m always super careful tagging spoilers and stuff but like, if someone clicks on a fic about say, naoya or the steel ball run boys and is mad that i spoil something they havent found out yet . . . yeah thats on them fgbnkjgfkjn

Anonymous asked: That...that anon had the nerve to say "we". The fuck?! No no no anon, YOU'RE the only one talking and you're just talking for yourself, don't you dare try and lump us other anons/followers up with you to make yourself look like you're right. We love you nat and we appreciate you. It's your blog, you're allowed to write about whoever and whatever. This brain dead anon just needs to either go read someone else if they're that salty or write their own stuff if they're that impatient.

gosh i WISH some of my mad anons would just write their own stuff honestly. idk if this anon thought they were talking for everybody but i guess they expected anons to agree with them and not be mad at them. i appreciate u anon ;_;

Anonymous asked: Just want to say that ily and you’re one of the best jojo fanfic writers in my opinion 💗 I don’t think you’re half assing jojo fics and there’s absolutely nothing wrong with you being multi fandom. A lot of jojo blogs have started posting about jjk so it’s not as if you’re the only one. I’m not sure why you get hate like this but I think it’s just because you’re one of the popular writers and that makes people bitter for whatever reason. Keep being you and posting about the things that make you happy 💕

honestly after so long writing for jojo - i’ve written well over 200 jojo reader insert fics - sometimes it feels like i’m retreading stuff, and that’s when i take a break bc i dont wanna half-ass stuff!!! i love all of my fellow jojo friends who are posting about jjk too, i appreciate them <3. 

Anonymous asked: Hey my dude, ur writing has really grown since the jojo days and its better and awesome seeing u become happier to branch off and write in different fandoms 🤌🤌 those stupid anons are just boring farts that couldnt be bothered making their own content 😤😤 is it possible to block them to ease ur mind?

hello anon!! i run a statcounter for IPs but it doesnt always work for ppl who access through the tumblr app, i don’t think; a lot of the anon hate i get i just use the ‘block’ option, but last night got to me because i’ve been getting that kind of writer a lot which is . . . a bad look for the jojo fandom who are, as a whole from the ones i’ve interacted with, lovely!!! <3

Anonymous asked: People often forget, the person behind art or writing, is just another regular fan. You deserve to be happy with what you create and we should be thankful you share your talent with us. You also have right to change your main interests, and it's very normal thing. Jojo is one of the MANY things that you write for and all you get from that is a like or share. Its not your job. It's your fun thing to do, in spare time. You haven't betrayed anybody. That person was just rude, selfish and bored.

i am just a person doing my best!!! anime fanfic is one of many interests i have and i already devote a lot of time to it honestly, i love when people tell me they’ve enjoyed something i made bc it makes it feel worthwhile but equally it gets to me a lot when people are rude because i am usually trying my hardest. 

Anonymous asked: Bro that jjba anon... the entitlement🤮 Fam, you write whatever you want to write😤 -Saturday

dfnjbkjnkgf i find most fic readers are NOT entitled at all and are just grateful but when they are . . . oof. 

Anonymous asked: It's funny how people throw "we got you popular" and they think you start apologize and cry. Your writing and passion made you gain few numbers on a follow counter, nothing more. I think I'm too old for stuff like this, we are nothing more, but +1 on a number scale. You ow us nothing, we ow you nothing. Popular... Funny word. You just write for fun of it, fake scenarios about someone's manga characters. It's not that deep. Have fun and don't listen to people like this. I knew it's not that easy, but they are really not that important as they think they are.

extremely fun fact for people who think ‘popularity’ is important to me: i would 100% rather have 10 people who regularly comment, reblog my fics with tags and interact with me than 100 people who read my fic and either leave a like or simply move on. i think this is true for the VAST MAJORITY of writers tbh. i’m glad that people think i am a ‘popular’ blog (i am not in the grand scheme of things, one of my ex-best friends used to run a kpop reader insert blog with like 30,000 followers) bc it gives me an ego boost lmao, but i really just want people to read and enjoy the stuff i write!!! 

Anonymous asked: I followed you a while ago for jojo and when my friends started getting into jjk i was like...eh sounds like work...but now that I see you writing for it I feel really motivated to get into it!!! I really enjoy your writing and I want to be able to read the new stuff too!

ah anon i really hope you like it!!! it’s only one season rn if u wanna watch the anime and there isn’t too much of the manga to catch up on either but it is a lot of fun and it’s nice to be in a fandom that’s like, excited about a new chapter and new plot developments every week!

Anonymous asked: Pls dont reply if u dont want to! <3 I'm not sure if this will be of any help to you or not but this is the kind of thing that often helps me and is the only way I know to try comfort others so I wanted to give it a go~

Now im not gonna say 'dont feel bad pls' bc I know that's not really useful but what I do think is useful is just discussing why that anon and many others feel the need to respond that way. As someone who follows a lot of writing blogs myself and have done for a long time, i've seen my handful of favourite writers come and go for different reasons, lose motivation for a while, gain motivation for a while, go from multi to single fandom, or single fandom to multi. Often times as a reader it can be upsetting when things change but it's also important as a reader to understand that some things aren't in anyone's control, I can't control what my favourite writers become a fan of or lose interest of, I can't control things in their personal lives that may motivate or demotivate them to write, but what I can do is support them as long as they're active, and if they move on to do things i'm no longer interested in or i'm the one that changed interests, rather than being upset that they're evolving to do other things or that they're not evolving with me, I think it's important that I still feel thankful for the works that I enjoyed while we were still on the same page and this is how I personally deal with those negative feelings. I think the anons that lash out at you probably just dont know what to do with themselves, maybe they got attached to your works while you were still only a jjba blog and now that you're evolving they're upset, while I understand how they feel, they're going the completely wrong way about it. I've learned to take these things and turn them into something positive for myself or at least something bittersweet that I can move on from but the anons that lash out at you for whatever reason probably haven't learned this yet. Maybe it's because i've moved on and changed interests a lot myself that I know how these things go for both writers and readers but those anons maybe haven't experienced this as much so they dont know what to do with themselves other than complain that you've changed and throw insults at you in an attempt to get you to revert back. None of this is because of the quality of your writing like they want you to believe, it's literally just because you've evolved and while some of your old followers might not like the new content for no reason other than it not being their cup of tea, it's definitely not regressed at all. You are pumping out a lot of content right now but every single thing i've read has just been better than the last. Things that really stand out to me is how well you get characterisation down to a T and all of your dialogue is just on point and from the pov of a reader I think those things seem the hardest to get right so I am such a huge fan of your stuff at the moment and I can tell you're really putting so much thought and care into each and every fic no matter how fast you're producing it, I think the fact that you're also proud of what you're writing at the moment really shines through as well and I just adore the passion that radiates from every completed request as well as in the responses for the subsequent thirsts resulting from these works that appear in your ask box later (I know i've sent quite a few by now~)

Just to be clear i'm not defending those anons in any way, while I can understand what they might be feeling/why they're reacting in the way they are I still believe it's just so immature to be hateful online point blank. Even during a time where I still got upset with writers if they started doing something else I still never targeted that negativity directly to the writer and sending rude or hateful comments whether on anon or not never something i'd stooped low enough to do even when I still had an immature way of thinking, however, I hope that it might make it a little easier to brush them off if we try and understand what they're really upset about, and that they're just putting the blame for their negative feelings onto the wrong thing rather than coming to terms with change themselves.

hello anon!! i appreciate the long message. i do feel bad for people who have no interest in what i’m currently producing and i get that they feel upset about it; i’ve watched a lot of fellow jojo writers move on completely or just stop posting, honestly. this kind of thing is why i was so intense about asking people if it would be better if i made a separate blog but the resounding answer seemed to be ‘i’m just vibing with whatever happens and i’ll block tags as needed’. 

i often return to works by my favourite reader-insert writers who no longer write for the fandoms i like (and i read stuff bc it sounds interesting or i trust the person who writes it), but change can be difficult and i guess at this point i’ve - whether u like me or not lmao - been a fixture in jojo reader-insert tumblr for a While so it’s probably kind of jarring. 

anyway i really appreciate you and the nice words! <3 

Anonymous asked: hi nat! I just wanted to pop in and say that regardless of what fandom you write for, the love and care you pour into your writing and into interacting with followers who care about your work as well is really obvious. you're doing this for FREE and people should appreciate what you've given us so far, since ultimately this blog should be for you, whatever that means to you at any point in time. it's ok to jump fandoms! the important thing is that you feel good about what you're producing and that it makes you happy. everyone else is just a bonus - but, seeing you on my dash certainly makes me happy : ) I hope you feel better soon!

thank you anon! i’m feeling much better and happier today. birthdays are very difficult for me (i did not think i’d be alive at eighteen, much less 25!) so this event is definitely kind of a way for me to concentrate on something else, and i’m a little bit extra sensitive atm. i appreciate you so much, thank you for the kind words!!! <3

Anonymous asked: Hello! I just wanted to say, write what YOU want and make YOUR writings as long as you'd like. 💖 To the anon who is like "We mAdE yOu FaMoUs dOnt HalF asS iT" stfu, let people do what they wanna do. If you think they half do it, write something better and longer you asshat.

this is an open invitiation to that anon to send me a link to their writing blog and i’ll hype them up i promise <3 

Anonymous asked: nat i'm so so sorry about that ask please know that your older followers don't share the same opinion :( sometimes people forget about the living, breathing person behind the screen smh. you are not a machine. you absolutely should not restrict yourself to posting about one fandom forever. yes, we're first pulled in by your amazing content, but we stay for your wonderful personality and work ethic. please just keep being you, taking up projects you feel comfy with! <333 bless u

ahh thank u anon! unfortunately i actually am a writing robot, i’m sorry u had to find out this way. my jojo chip has been removed, please send it back so i can continue to not half-ass my jojo work. fgnjkbgjkfn thank you so much angel!!! i appreciate you ;_;.

Anonymous asked: i don’t think it’s fair for other people to say shit about what you choose to write about because on tumblr and other writing platforms, writers are constantly developing how they write and the fandoms that they write for. it’s not fair for someone to criticize that “you don’t care about jjba blah blah blah” because you can enjoy new shows/manga. and like you said you’ve grown so much!! proud of you nat and im glad that ive been able to read your works (sincerely other nat)

i am STILL waiting for you to come and fight me other nat fgnjkbnf. it’s nice to be enjoying different things! i am constantly learning new things and reading new works and making new friends and improving and i think that’s important. i do care about jjba - a lot! but i can care about other things too! <3 

Anonymous asked: I may not be one of your oldest followers, but i've been here for almost 3 years. Yes, i started following u for ur jojo content, but let me tell u, ur newfound motivation and enthusiam for other fandoms was honestly contagiuos for me. And i say this as a person who finds very difficult to move from one interest to another. Jojo is great, but so are other fandoms. Please don't let some faceless scum rob u that motivation. This is ur blog and u r always free to write whatever u want.

honestly, i have been there! i am autistic and i have special interests and watching other people move on to stuff i’m not vibing with has made me sad in the past, but i want people to be happy more than anything and sometimes that means new things and change! <3 

Anonymous asked: Hi Nat! I saw that rude anon message & I just wanted to pop in & say that they're wrong. You're not betraying anyone & you should write whatever it is you want to write. I followed you for jojo & I'm not familiar with the other fandoms that you write for, but personally it makes me SO happy to see you enjoying new things! It's always good to find joy wherever you can, so keep writing what you're interested in. There a lot of ppl who want to see you happy and healthy <3

honestly the idea of it being a GRAND BETRAYAL is so funny, i am just writing anime fanfic here and thriving!!! tysm anon! <3

Anonymous asked: Those anons can piss off! They have no right to judge how long or how short your writing is. If they want longer content write it their damn selves. I think your writing has improved wonderfully and I originally followed for Jojo and I'm enjoying all the content period. I don't even watch jujutsu ( not my cup of tea personally) but I love seeing the creativity and the interactions. You write what makes you happy Nat and that's on that! You don't owe anybody anything! I know how hard writing is and when your consuming new content it's hard to make content for something else. That doesn't mean you don't like it any more your just doing something different for a while. Love you and your content and I'm enjoying the love your putting into your content whether long or short. ♥♥💕 Sending love your way!

honestly my idea of ‘short content’ is still over 1k words, i’m not good at reeling myself in! i guess it’s bc they see like, 1.5k jojo fic versus 5k jjk fic but it’s not that i didn’t enjoy the first fic, just that the point and the story came a lot quicker and so did the natural end! thank you anon, i appreciate you ;_; 

Anonymous asked: Hello! Just wanted to let your know that I think your writing is awesome, and that you should write for whoever and for whatever you want to! You dont have to stay loyal to one fandom or anything, and your followers shouldn't expect that from you! It's not like they are paying you to write, you are doing this for free, and because you enjoy it and it makes you happy! If they dont like your stuff, they dont have to follow you, they can go to other blogs that cater to their taste, and they definitely don't need to be sending you such hurtful comments, and they dont get to make you feel sad about your writing! Just because they followed you during your earlier stages of writing, doesn't mean you owe them some type of loyalty or compensation! You can write literally whatever you want as long as it makes you happy! That's what your hobby and your blog are for! I hope you know that alot of your followers love your work and think that you are an amazing writer and are down to support the work that makes you happiest! 💖💖

ahh thank you so much anon!!! i am always so bowled over by how many people are nice to me when something like this happens, i am sending you my love <3

Anonymous asked: don’t listen to them!! we love you as a writer no matter what you write, because you’re a good person and a talented writer!! you shouldn’t have to change what you write to please a bitter person, and if they only want jjba, they can go to another blog instead of bringing you down. you’re doing amazing and they should be thankful you grace us with your talents!!

to be totally honest, if i was half-assing or not vibing with content i was making i just. wouldn’t post it. like you’d be able to TELL when i was half-assing stuff just to get words out (source: i have re-read my own nanowrimo works). there are lots of great jjba blogs who could do with more followers n interaction!!! i hope they do find them and i hope they’re nice to them :(. 

Anonymous asked: Please don’t pay attention to that anon. People only have that confidence when they have anon turned on. Them looking through your blog despite feeling that way is peak fan behavior and speaks to how addicting your writing is. Naturally, you can’t please everyone and there will be people who are irrational and feel entitled to tell you what to do or what to write no matter what. Trust me when I say they’re a small minority and are more likely probably passing viewers rather than regulars. I check your blog about three or more times a day because I love reading not just your fics but also your takes, banter with other anons, or even random updates. Brainrot posts? LOVE TO SEE IT!!! Desk update? AMAZING!!! With that being said, don’t feel pressured to continue pushing out content for others. Write what makes you happy! You’ve been writing for JJBA for 4 years and it’s completely normal + healthy to get into new media. I’m not sure if it would mean much, but your love for JJK has gotten me excited to start it too!!

anon i really hope you enjoy it!!! sometimes these anons remember stuff i’ve posted and said better than i do tbh, i am living in their heads rent free i guess! 

Anonymous asked: I've been following you for a couple of years and honestly it would always be a joy to see when you posted. Your writing has improved and I'm very happy you're enjoying yourself ! I know it hurts hearing and seeing stuff like that but I'm happy you're here. I'm honestly blessed everytime you post. Your writing is phenomenal. I love reading it even if its characters that I dont care for. You capture their essences so well and weave an amazing tale within the prompts and whatnot. You're amazing nat!

wehh thank you so much!!! re: the improvement, i really don’t feel like it has and then i re-read something i wrote when i first started and i’m like oh my god maybe it has. did i really write about jotaro acting like that. 

Anonymous asked: Hi Nat. I recently became a follower of yours and I'm really saddened to see you get hate. You seem like a genuinely sweet person with amazing talent! I'm a writer myself and, unfortunately, get the same kind of comments. And when you get those comments, it doesn't leave you feeling motivated. People need to understand that people can and will, at times, grow out of fandoms. (1 Not just that but you're doing all of this for free. Again, I'm sorry you got such a comment. But please know that I'm proud of how far you've come. I'm proud that you're living a life that makes you happy. And no matter what fandom you may find yourself in next, I will always enjoy your writing. Take care of yourself. (2 end

HELLO NEW FOLLOWER I LOVE YOU (i get a lot more a day now than i used to and i feel guilty about not being able to look through so many blogs but i do try and follow back other writers for my fandoms!! ;_;). i’m sorry you get the same kind of comments! i’m always just happy to see people i like enjoying new things, even if i have no interest in it (hello to all of my mutuals who write for hunter x hunter and haikyuu, not interested but i’m sure you’re having a great time and i support you!!!). 

Anonymous asked: I'm sure you're getting a barrage of supportive messages now (at least I hope so) but I figured I'd add my voice, because I'm a longtime follower. Your writing is, and always has been, wonderful. I've been so happy to see you and Haz get to a place that works for you both. Idk if it's obvious for everyone, but you seem like you're emotionally in a pretty good place most of the time these days, and it makes me really happy to see that. I followed years ago for JJBA content, but I stayed because regardless of what content you put out, I find your wit delightful. And I'll stick around even if you move fandoms entirely, because whatever content or editorializing you produce is going to be worth reading, regardless of what it's for.

ahh, anon!! thank you for sticking around so long, sorry if you’re old enough to have been around the vore and jorts and spider rohan fiascos! <3 i am definitely a lot more stable than i have been and - barring the Pandemic Related Mental Health Issues - happier! i’m glad that it’s noticeable! <3

Anonymous asked: It actually makes me mad how entitled some people are. Nat, you're not a content creating machine and those who expect you to be are not worth wasting a thought on. Your love for something is not measured in word counts and for you to write every day without getting burned out in the slightest you really must have a burning passion and huge dedication to your craft. If others decide to send hate then allow me to send admiration because I can feel your love and hard work in each post you make!

i try and write every day bc it’s super good for my little ocd/autistic brain to have routines and distract itself, so i’m glad other people can enjoy them because that makes me motivated to carry on! like, i write for myself mostly bc the content i want i sometimes get find, but filling requests and writing for other people also leaves me with happy warm fuzzies too! i appreciate you!! <3 

Anonymous asked: If people only care about your writing for the jojo porn that’s on THEM, not you. Your writing was amazing when I followed about a year ago, and it’s only gotten better and will continue to get better! I think it really comes through when you enjoy what you’re writing and it adds a whole other layer of worth to it, because not only are you making free content but you LIKE that content and we can all gush about it together!!! More than just fans, I think you’ve created a community here and we don’t just stick around to read smut, I promise you that. -Reronon

i do miss having a discord community bc it was nice to talk to everyone in real time but it was hard work, i am glad that people feel like they can just come into my askbox and gush! i’m not very friendly in real life and people tend to think i am cold and stuck up so i work very hard to try and seem friendly and approachable online, which is much easier for me because i get to think and re-draft before i type! <3 

Anonymous asked: Hi Nat! I’m sure you’re getting a lot of messages like this right now but I just wanted to say for what it’s worth that, as a person who originally followed you for jjba content and hasn’t watched/read any of the other series you’re currently writing for, I’m honestly still along for the ride. This is your blog and you’re allowed to do what you want with it and put out what content you feel like writing. Sometimes??? People acquire new interests??????? Shocking! I know absolutely nothing about jjk or bnha but out of curiosity still read some of your posts about them and even though I might not Get It, I still enjoy them because I think you’re a very talented writer! Honestly, as long as you’re still writing, I’m still down to clown, and whenever you take breaks (which are important!) I’ll still be waiting for your return or supporting and respecting your decision to stay away longer. Don’t let the entitled assholes get you down. Utilize YOUR blog and YOUR space however YOU choose. Your talent and kindness speak for themselves. Love you!!! ❤️❤️❤️

anon i care about you and i am so appreciative of you and everyone for sending me such nice messages! i am running out of ways to say it but it’s true, it really does mean a lot to me ;_; <3

[smutty-ki113r]

Hi~ I wanted to hop on the match-ups as well cause I've read them and they're amazing. So could I request a romantic one? 👉👈

Hi, the name's Daniela but my friends call me Dina (pls call me Dina, after the Mr Worldwide post I wanna be your friend so bad 😭), I go by She/Her and I'm bisexual with a slight inclination towards males. I think I'm quite fun to be around, the most stupid things make me laugh and I can crack a few jokes even on the worst situations but at the same time I'm kinda serious, I get moody quite easily sometimes but for the most part I'm really bubbly. I suck at social interactions but I love people, so I'm absolutely an extrovert that's really scared to make people uncomfortable.

My insecurities are very much linked to me and my personality, I mean, I'm kinda self conscious of my weight and my body, but at the same time I always try to find beauty in myself, so much that it can lead to feeding my ego a little bit too much. And personality wise I feel like I can be really annoying, I like to feel special to the people I care about, so it lead to me being a really jealous person. Also I'm super competitive and that's not good at a certain point.

I like lots of stuff, very interesting things... I never really give much thought to the things I like, dang. I really like watching Anime and horror movies, drawing, going on walks, baking, I really really love to bake and clean, it's just so relaxing, ooh~ and I like dying my hair, a real fun activity if you ask me. In my friend group I'm chaos in person and also the one who's horny 25/8 and makes it known. Also, I'm known for hyperfixiating on anime characters (mostly mad scientists and intimidating blackhaired men). My music taste is quite normal, rock, punk, pop/punk, punk/rock, alternative rock, a bit of occasional metal. Some of my favorites are My Chemical Romance, Get Scared, Avril Lavigne, All Time Low, Three Days Grace, Hollywood Undead, Set It Off and Bring me The Horizon

The weirdest thing I do is thank the universe each and every morning for my incredible and amazing boobies 🥰🙏🖤🌸✨ and also I think being into esoteric stuff, crystals, demonology and that stuff could be considered a weird thing of mine(?) not sure how weird it actually is.

Oh yes yes, I just got admitted to college and imma be a Vet, super proud of myself, so I'm an animal lover. Btw I'm also libra, an ENFP with ego issues from time to time and an amazing person to dump your problems to (I love solving everybodies issues except mine). My ig is frutill.a, in case you need a physical description (don't be intimidated by how hot I am, I know I know, I'm amazing) and my abandoned art ig is frutill.art

For the ideal date thing? Yeah, cuddles, giving and receiving them, and eating, i like to be taken care of but also taking care of the other person(?. Even tho a picnic and cuddles under the stars sounds lovely. Yeah, maybe that's my ideal date, just doing something together at night that feels special to the both of us.

And to finish this up I just want to say that I love everything you do and you 😭 you're writing is so amazing, like just beauty, and I've read the other match-ups and they're so good, you're super duper talented and amazing. Keep up the good work and don't over do yourself, take care and keep it fun, I really look forward to see what other fic ideas you have in mind and I'll be there supporting whatever you come up with cause it'll be great. Kudos 🖤🖤🖤🤠

HI Dina, I match you with…..💞JEFF💞

Alright this was a hard one, quick quick why I didn’t match you with others. Demonology and EJ don’t mix, he has trauma. Plus, you seemed to be sort of similar to Jeff in some ways (not bad at all, you’re wonderful). I’m gonna go in order of what you talked about so that I can get my thoughts organized.

Stupid things make you laugh? At the worst possible times? At least you won’t be alone with Jeffy, he is the king of doing that, but he dosen’t exactly feel bad about it. AND you get moody often, Jeff too. Still, I feel like developing the relationship would take a while. You would have to constantly sit down with him and tell him what’s bothering you, open communication. Jeff is a master at feeding his ego, but he is fragile on the inside so be careful not to insult him, and once he warms up to you he is so so possessive. Does not want anyone else flirting with you at all, just goes to prove he thinks you might leave him for someone else.

He also loves horror (as we can tell) and he’s pretty much the chaos person too, you guys will bounce the energy off of each other for sure. //Also bro… what anime characters I have a thing for the murderers-// BUT BUT, set it off you say? Maybe go read some of this😏. I’m sure if you wake up next to Jeff he’ll be thanking the universe for your boobies too. HES AN ANIMAL LOVER TOO, and you being a vet is lovely, he wants to take care of his dog ya know?

I just know this man would bring you a rock thinking it’s a crystal. BRB BAWLING MY EYES OUT OVER THIS. Jeff isn’t one to dump his trauma on you, but he will tell you his current frustrations like how much Slender is pissing him off or something. He’s not very elegant but he would lay down a blanket and cuddle you if you like, once this man is attached he is attached. He loves being the big spoon in bed, and the little spoon too but don’t tell him I told you

He acts like he doesn’t pay attention but he really does, any slight changes in your mood and he will know what’s up. Very naggy about it, will try to pry it out of you (even though he doesn’t like other doing that to him), and gets angry if you don’t tell him. Just reassure him because he wants to help, he doesn’t want you to go to others for help when he’s right there.

Hope you liked this! BTW yes we ARE friends! Plz I almost cried at the Mr.Worldwide thing. I beg of you don’t let people dump their problems on just you, you need to have a space to share your struggles too. You can always message me, tumbler is like a safe place for me rn. I’m very understanding and wouldn’t ever make fun of you, I think that’s disgusting. You must be beautiful, I don’t have insta sadly. It got a bit toxic so-. You have great music taste, and I think you are a lovely person.

[ickle-ronniekins]

- fic recommendations -

everybody has been super kind as far as these fic recs go and honestly it’s time i’ve returned the favor; i’ll certainly be doing another one of these because i’ve found new writers who i absolutely adore — so consider this to be the first of many :)

for all you writers out there — thank you for doing what you do. we appreciate all of your hard work even if it doesn’t get the recognition it deserves. your stories and writing make the world a brighter place. never stop creating art. you are the reason we feel things so deeply. queue lucas/peyton from one tree hill — “your art matters.” (goddamnit now i have oth feels son of a bitc—)

also apologies — i normally don’t read any other fics besides fred/george. but if i find others i like i shall DEF recommend.

1. Contest for the Best - @angelinathebook | fred x reader

↳ the cutest lil fred fic you will ever read — fabulous banter, adorable story line, and i especially love the dumbledore cameo which we don’t see lots of in fics, at least that i’ve noticed! i’m a sucker for fluff and this for sure gave me my fill. i just absolutely LOVE the idea of the twins challenging you to a contest because of the cheeky bastards that they are — i’m undeniably obsessed. lena will leave you wanting more, for sure!

2. The Name of the Game - @harrysweasleys | george x reader

↳ omfg alexa literally slayed me with this — give me a frustrated, flustered, can’t-keep-his-cool george and i will melt, no doubt. i’m undeniably obsessed with this story. i just adore the gryffindor/slytherin game, rather than the normal hatred we see between the two houses, especially the reader being hermione’s friend. i love george being so in love he can’t handle his own goddamn emotions. draco being a git and george pining dramatically with a happy ending? sign. me. the. hell. up.

3. I Wish It Was Me - @theweasleysredhair | fred x reader

↳ GOOD GOD. by far one of my all time favorite fics i’ve ever come across. it’s like chloe wrote it specifically for me. if you’re looking for angst, it’s got it. if you’re looking for fluff, it’s got it. if you’re looking for a passionate, desperate kiss to send you over the moon, IT’S GOT IT. the friendship between the reader and george is adorable — especially how he just knows her, you know? and fred, my sweet boy, who’s so in love and can hardly handle his own emotions. a freaking good one. just do yourself a favor and read it over and over.

4. Elementary, My Dear Weasley - @writesowhatnext | fred x reader

↳ this one legitimately had me SQUEALING out loud at my laptop; it’s just about the cutest thing you’ll ever read. love letters, george being a right prat, fred being a complete cheeky bastard, reader being way too relatable when describing their feelings — ugh, it’s so bloody perfect. actually every single story is perfect. read them all, would you? sincerely one of THE greatest writers i’ve come across. i highly recommend going and binging the entire masterlist because this writing is just so eloquent, will leave you so hungry for more, i just — ‘brilliant’ does not seem to be a strong enough word.

5. Love Poems - @thoseofgreatambition | george x reader

↳ i discovered leeann’s writing when she was inactive and my heart broke, but thankfully she had a masterlist of like, 100+ stories, WHICH I BINGED. i read this one right before my breakup and oof when i tell you, my heart broke even more in the most beautiful of ways. not to sound too overdramatic, but it almost helped me through my breakup? because the right person will work with you through rough patches if they want too; if they want to be with you, they will make it known and will put in the tiresome hours and push through the arguments and won’t give up — which is exactly what i needed to hear to get over my dumbass ex who didn’t give a fuck about our relationship at all. this will leave you f u c k i n g sobbing, i promise.

happy reading, babes. promise i have more lined up — y’all are way too talented and i’ve been so blessed with your stories.

[groovegalaxxxy5]

The Art School AU nobody asked for

I’ve had this idea for an emercury AU fic kicking around in my head for a while now, but I have so many other projects on my plate rn and nowhere near enough time or energy to write it. So instead I’m just gonna post all the deets in the hopes that one day I’ll be able to come back and actually do something with it.

Emercury Art School AU Summary:

“Emerald Sustrai may have managed to get into the dance program at one of the most prestigious art schools on Remnant, but she has one big issue – after just one year of study, she’s barely managing to stay afloat even with two part-time jobs and her grades have been suffering for it. Fortunately for her, her school offers extra credit to any students who are cast in the school’s yearly exhibition performance.  Unfortunately, this year’s production’s theme is “passion” and the only spot up for audition for sophomores in the dance program is for a couples’ dance performance based on said theme.   

Enter one Mercury Black—a fellow dance student with a reputation unsavory enough to overshadow his considerable talent, and quite possibly the last person on Remnant Emerald would ever want to work with…He also happens to literally be the only other person she can find to pair up with her for the show.  Somehow, improbably, the unlikely duo actually make a pretty good team once they finally start to work out their differences, but as they perfect their routine for the big audition, Emerald finds herself in a whole new predicament: She may have set out to steal the show, but if she’s not careful she might just end up getting her heart stolen in the process...”

So yeah…as you can see, the basic premise is that Em and Merc are classmates at this school for the arts, but both of them are having trouble earning passing marks in this one foundation course they both need to graduate—Emerald because she is completely on her own and has to work a lot to pay for her living expenses and studio fees and stuff even though she has a pretty decent scholarship, and Mercury because he keeps really odd hours and misses class quite a bit for unexplained reasons.  Noticing that she’s struggling even though she is a gifted dancer, one of Emerald’s teachers suggests that she try out for the big show that their school puts on every school year, since anyone who makes the cut receives a bunch of extra credit and each faculty also gives a grant to the students who they judge to have put on one of the top three best performances.  The problem is, there are only a limited number of spots up for audition for each graduating year of each concentration course due to time and resource restraints, and this year’s 2nd year dance spot happens to be billed as a couples’ performance.

Emerald hits up everybody she can think of, but they're all too busy or can't commit to the project for other reasons. Pretty much out of options at that point, she’s just about ready to give up when she has a chance encounter with a classmate, one Mercury Black, after school.  Through some sort of clerical error they managed to book the exact same practice studio for exactly the same time, and since they both really need the extra practice time and neither one is willing to back down, they end up sharing the room for a few hours.  When they do, Emerald is really surprised to find out that Mercury is actually a really talented dancer, she just never noticed before because even though they have some classes together he comes in very irregularly.  After a long, sleepless night contemplating doing something really, really ill-advised, she ends up approaching him at school the next day to propose that they team up and audition for the big show together since they appear to both be failing the same class and need the credit really bad, and to her surprise he agrees rather easily.

Thus, the two of them become reluctant accomplices. However, once they start working out the choreography together, they just can’t seem to see eye-to-eye on anything, which doesn’t bode very well for their performance considering that it’s supposed to embody the show’s theme. Emerald is more of a ballet dancer, while Mercury is more of a street dancer, having started out with breaking and had almost zero classical training before starting school.  After a while (with a lot of practice and a LOT of unsolicited intervention from their nosy friends) our two favorite mayhem children finally start to bond and find some common ground, and naturally, lighthearted romantic hijinks ensue and sparks fly between the unlikely duo as they struggle to cooperate and put together a passionate couples’ dance good enough to get into the final production.

The Supporting Cast:

Em’s peeps -- Cinder (in the class above, sort of her mentor and was the one who encouraged her to apply to school in the first place), Weiss (met in freshman year, in the same ballet, jazz and contemporary classes this year, snarking buddies), Blake (ended up in most of the same classes together this year), Coco (upperclassman in the design course, loves dressing Em in different outfits and often forces her to stand in as a house model for her when she needs to work late into the night to meet a deadline)

Merc’s peeps -- Sun (met in class in freshman year, breaking and sparring buddies), Neptune (met thru Sun, in pop class together this year), Scarlet (ditto), Blake (in a few classes together, waits tables at the same diner where he works), Yang (met at a stunt training camp the Summer of freshmen year, waits tables at the same restaurant, fellow gym rat and occasional sparring partner)

Salem -- Headmistress of the most prestigious arts school on Remnant; has a bitter love-hate (mostly hate) relationship with her ex

Oz -- The headmistress’ ex-husband who runs a very successful Circe du Soleil type show and recruits a lot of his performers from her graduating classes

Glinda -- Chair of the dance department; Contemporary and ballroom dance instructor; is so so weary of her faculty’s incessant bickering

Winter -- Ballet instructor; came up in a rigid traditional Atlesian ballet school and generally looks down on all the other dancing disciplines and their instructors (”What they do can BARELY be described as dancing”); wishes the dance department were as disciplined as the music department

Qrow -- Jazz and tap dance instructor; doesn’t think that what his sister does really counts as actual dancing; jazz hands, rain hands and double dream hands and he’s dead serious about em

Raven -- Acrobatic and contortion instructor; thinks jazz hands look really stupid, just like Qrow and his corny, goofy ass dancing; was actually trained extensively in traditional Mistralian Highlands step dancing from childhood alongside her brother and used to perform internationally before switching disciplines

Tai Yang -- Hip-hop and pop dance instructor; specializes in pop and lock; Raven's ex; constantly catching strays from Qrow and Raven’s feud; just happy to still have a job tbh

Arthur & Tyrian -- Co-chairs of the theater department; Arthur teaches classical acting and Tyrian teaches method acting and they both think the other doesn’t teach “real acting”; somehow their department is actually really popular and all the students love the yearly musical theater production, which is the only time they ever seem to agree on anything

Hazel -- Long-suffering theater production instructor; works really hard to keep things running smoothly in the background despite the department heads' antics; hates the headmistress’s ex with a burning passion

Ironwood -- Chair of the music department; runs his department like a well-oiled machine and has put the fear of god into all his students; has won the national marching band championships seven years running

All the other students are in various departments at their school—e.g. Ruby plays the sax, Yang and Jaune are both acting majors, Oscar plays the cello, Nora and Ren play the tuba and the erhu respectively, Pyrrha is a triple threat etc.

A bunch of random plot points:

-Merc, Em and their friends are all in the same foundation classes together and the two of them start off vaguely aware of one another mostly owing to the fact that all their friends are friends, but they don’t really know each other (…or DO they??? *DUN DUNNN DUNNNNN*)

-Most of the faculty at their school can’t stand each other and the different departments have been engaged in bitter rivalries for years but somehow they all work really well together because at the end of the day they’re all professionals who are good at their jobs

-All of their friends are convinced that they’re secretly dating or hooking up at the very least, because they suddenly start hanging around each other a lot, holing up in the practice studio together until all hours of the night and showing up school at the same time the next morning and are constantly snipping at each other whenever they interact.  Merc’s squad is actually v supportive and (against his wishes) are doing their very best to try and help their boy lay down the mac (Sun: “Hey Merc! Thanks for letting me drive the convertible last weekend!😉👍”) , even though they all generally acknowledge that he’s way out of his league and is headed down the path to utter destruction. Meanwhile, Em’s friends are pretty appalled by her abysmally low standards (Weiss: “Emerald, you’re dating down....WAY down.🙁”) and think that shes going thru some kind of self-destructive phase or something.  They’re convinced she’s about to have her life absolutely ruined by that one smirky fuccboi type from their grade who has super sus habits and “reeks of criminality” (also Weiss).

-Almost everybody including most of his friends are convinced that Mercury is doing something really, really shady for cash on the low because he keeps super odd hours, misses class a lot and is always showing up with all these bizarre, unexplained injuries.  In reality, Em finds out that it’s all because he’s been training as a stunt-man outside of school and works a lot of weird hours at his part-time job so that he can pay off his prosthetics, finance his extra courses and pay for his own living expenses, etc. Although he actually was involved in some serious criminal activity in the past, he’s been trying his best to stay on the straight and narrow ever since he finally cut ties with his scumbag dad, and now just works a lot of nights and weekends as a short order cook at the local greasy spoon.

-Once Mercury realizes that Emerald is like...constantly on the brink of starvation because she’s a destitute vagabond baby but has too much pride to ask for help, he starts subtly bringing her leftovers from work, which she grudgingly accepts (because he owes her for putting him onto the whole extra credit thing, so it’s not really charity...definitely NOT because she is extremely susceptible to offerings of food and her partner also happens to be a surprisingly good cook).  

-Cinder is in the year above them and has known Emerald since they were in the foster system together as kids. She’s a prodigy at ballet and also a very accomplished acrobat and contortionist (as in, like, can easily shoot an arrow into a bullseye with just her feet while her legs are bent backwards all the way over the top of her head and stuff).  At some point she sits in on one of Em and Merc’s rehearsal sessions and ends up dragging the hell out of them both for being way too stiff and exhibiting almost zero chemistry despite the “obnoxiously obvious sexual tension” between them.  She basically ends up barking directions at them until they alter their choreo a bunch and finally start to look somewhat like an actual couple ("For fuck's sake... Lift her like she's the most precious thing you've ever laid eyes on and you're about to make sweet love to her, you idiot, not like she's a frigging sack of potatoes you're bringing home to peel!!!" "This man is supposed to be the moon to your stars...if you don't loosen up and melt into his arms like your soul is on fire, I will flip ALL this shit over and burn this wretched studio to the ground with both of you trapped inside!!!" ), after which things gradually start to get all awkward and messy between them because they start thinking about one another differently.  

-They get into a bunch of compromising situations by virtue of the fact theatre and dance people are just kinda naked  a lot and don’t care.  At various points in the story their friends will walk in on the two of them in some sort of really eyebrow raising situation, get the complete wrong idea  and run away, which in turn makes the two of them start to feel awkward as hell toward each other.

-Coco forces them to wear matching outfits that she made just for their performance.

-Their act ends up being this spicy contemporary couples’ dance that incorporates a lot of elements of acrobatic dance, breaking and ballet, essentially blending together both of their unique dance backgrounds.

 This story idea has absolutely nothing to do with canon and Remnant is a lot like modern-day Earth with some exceptions, so there are no semblances etc. There’s no antagonist; in fact everyone around them is generally supportive and wants them to succeed--the main conflict comes from Emerald and Mercury only having three brain cells between them and not being used to caring about someone else in a lovey-dovey sort of way. I got the idea when I was watching dance videos online and started remembering all those cheesy dance-themed teen movies from the 90’s and early 2000’s.  It’s pretty much just a wholesome little meet-cute/will-they-won’t-they type school romance in that same vein, where Em and Merc are forced to team up out of necessity, start to fall for each other and then have to deal with all the awkwardness that ensues...all with a bunch of help from their extremely eccentric, meddling-ass friends who are all convinced that the two of them are either already dating or about to be and are trying to keep them both from getting their hearts broken lol

 Whew! Guess that’s about it for now...I’d like to try and flesh this one out more and maybe even publish it as a legit fic one day, but first I’ve gotta get back to work on *signal lost*

[soda-drabbles]

Doodle Break | Arin x Reader

Request by @nonsense-on-main : Tiny lil x reader thing where Arin finds a drawing of him that you did and you get super embarrassed about it but he absolutely loves it (and possibly gets a lil flustered but like in a good way)?

Type : Fluff

Pairing : Arin x Reader

Art was always your passion. Growing up, your sketchbooks and pencils were your best friends. During recess, instead of playing with other kids on the slide or playing tag, you sat on the ground with your pencil and paper and doodled whatever you liked. Nothing about it has changed much since then other than you just don’t draw as much since you’re an adult now and working a full time job.

That still never stopped you from bringing your sketchbook and a pen during your spare breaks, drawing whatever was on your mind. The break room was your preferred and perfect place to get some good sketching done while you ate. You even had your own special spot, one farthest away which worked well since you were a little insecure about others seeing your art.

Thankfully, the room looks fairly empty today. You assume your co-workers went out for lunch this time and with a ding on your phone, your suspicions were correct. A message notification was staring you back in the face, from Jory specifically.

‘We’re gonna get some McDonald’s so let us know what you want. ‘

With your free hand, you type out what you want and hit send. Afterwards, you place your phone back in it’s pocket. Although you’ve been to the break room plenty of times, it never ceases to satisfy you with how peacefully quiet it can be. Which is honestly laughable, considering that rooms over Dan and Arin were probably giggling themselves shitless right now.

Thinking about it now, your mind drifted to Arin. Nothing that unusual nowadays, as he took over most of the thoughts.

His name pops into your head and you can’t help but sway a little. As cheesy as that was, nothing was cheesier than the fact that you actually ended up drawing him more. It sounds like it’d be better suited for some high school Disney movie. Yet here you were, flipping through many already drawn pages to a new clean one.

Your pencil traces out the features you can remember. His broad nose, those delicate eyes, his warm soft smile. Things that for some reason you can’t forget, the little details. Sometimes you found yourself getting annoyed after drawing, as if somehow drawing him over and over will make you forget about him. Of course it doesn’t, and sometimes you’re glad for that.

“Holy shit, where is everybody?”

Speak of the devil.

“Uh, I, they-“ Your words nearly trip over themselves, an underlying guilty tone in them as if you were caught doing something you weren’t supposed to. “They went out to grab something.”

“Shit, really?” He groans, as if he’s been betrayed. Your eyes watch as he brought his hand through his hair in a frustrated manner, the blonde streak and brunette being pushed back. Your throat dries, the muscle under his arm clenches and you notice. “You didn’t go with them?”

“Nah,” You clear your throat, tapping the table repeatedly with the eraser of your pencil. “Jory texted me like, five minutes ago, asking me what I wanted. I thought he would’ve texted you or something.”

His hand falls from his face to his pocket, the once held up ball of hair falling back around him. Arin’s once frustrated expression settles into a relieved one, one that is also a little annoyed with himself. “My phone was on silent,” Another Arin groan. He quickly texts them back and his phone returns to his pocket. The attention is back on you now, as he walks over. “What’s on the drawing menu today?” He takes it upon himself to lean over the table some, elbows resting on the table. It wasn’t unlike him to ask something like that. Working at the Grumps office for nearly a year brought you guys close, a lot closer since video games and art were something you had in common.

Still, in this case, this art was on the secret menu for your eyes only. Your arms were over your work nearly instantly, cheeks feeling like they’re on fire. You can’t imagine how red you must look right now.

Arin’s eyes slightly widen and he teases, “Dude, if you’re drawing hardcore porn, at least let me give an opinion on it.”

A soft crack fell on your flushed face, lips curving into a bit of a smile. Maintaining your serious look was hard, especially when Arin decides to crack jokes like that. Jokes that were meant to fluster you. “It’s not porn, Ar. It’s not really anything bad but..”

He laughs and puts on a dramatic scrunched pouty face that made you snort. “Not even if I say pretty please?”

“Especially not that. God, don’t ever make that face again.”

His face falls back to a neutral yet pouty face. Your heart is practically heaving in your chest but the relief settles in. You think that you may have ceased his curiosity or at least put it off. Now though, his eyes were practically setting on you and the gears in his head were turning. Problem was that they’re looking more curious than before.

“Ah!-“ A light feathery poke near your side was all it took for your arms to jolt downward, drawing a sharp gasp from you. You were hugging yourself at this point, to defend yourself from any new attacks. “Arin!-“ Your scolding falls short, eyes landing on your now bare sketch of Arin for all to see. Your eyes fart away and the heat that fills your cheeks is immaculate.

Thankfully, with your head turning the other way, it was impossible to see how he looked right now. You really weren’t sure if you want to either. Sure, he was a popular Internet personality and yeah, you were sure he’s seen his fair share of fan art (some dirtier than others) but still, this held a much more deeper meaning to you. Especially since you have a crush on the guy. At some point, you gather to courage to finally look at him. Instead of the look you expected him to have, Arin was seemingly stunned. About what is something you’re unsure of.

“When did you draw this?” He asks, bringing the sketchbook a bit closer to him. “Is this me?”

“I don’t know. Maybe five minutes ago.” You find yourself murmuring now. “Yeah, it’s uh, it’s you. Why?”

Arin breathlessly chuckles, in awe. “Dude, this is fucking amazing for five minutes. I also gotta say, I look hella handsome in your style~.” Although he’s teasing you right now, you turn to get another look and he looks sort of, what’s the word, flustered? It’s a look you’ve only seen Arin have once or twice.

“So you like it?” You ask, awkwardly rubbing the back of your neck. “If it’s weird, you can tell me. Seriously, I-“

He shuts you up by giving your shoulder a firm pat. “I think it looks awesome. Seriously.” He smiles, a light tint of pink dusting across his face. A part of you knew he wasn’t lying and the relief dawns on you once again. Another part of you knew that you probably shouldn’t worry as much as you do, as things usually went the opposite from what you assumed they were.

“McDonald’s train coming through!” calls Jory, who comes bustling through with a bag of McDonald’s that holds yours and Arin’s order.

Arin’s hand leaves your shoulder to grab the bag, leaving the spot warm and tingly. “Thanks, Jory.” He says, sitting the bag on the table.

“Woah, that’s really good, (Y/N)!” Jory exclaims upon seeing your ‘doodle’. “I knew that you drew in your free time but— wow.”

You awkwardly laugh, not being as flustered as you were when Arin got to see. Arin smiles again, sounding like a proud dad. “They’ve got talent. No other artist has been able to capture the Hanson essence like (Y/N)~”

“...Anyways.” You say after letting Arin’s cocky comment sit a moment of silence, which brought the burliest of laughs from him. Your heart sort of flutters. The fact that you can make a man like him laugh like that kind of brings you hope about your little love situation.

[leverage-ot3]

notable moments from The Fairy Godparents Job

leverage 2.04

parker trying to console their client and failing HORRIBLY

she’s trying her best, your honor

+

Parker: That went super!

- - - - -

hardison and eliot are wearing the same color shirt, like the EXACT SAME color ???

matching boyfriends

also eliot is wearing the hair braids again 🥰

- - - - -

parker making herself at home, getting cereal and perching on the edge of eliot’s chair

- - - - -

sophie coming in and immediately eating (cookies)? me too

- - - - -

Hardison: Fowler's confined to his $6 million penthouse overlooking the Charles River.

Eliot: Yeah, that's a rough punishment, huh?

Hardison: The whole place is outfitted with 24/7 surveillance so the feds can keep an eye on him. Now, (hits button) we can, too. I piggybacked on their wireless feed

parker and eliot smile brightly at hardison’s cleverness I love it

- - - - -

Sophie: Still, for us to get in and search the place, we've got to get rid of Fowler.

Nate: Now, there are three general exceptions for house arrest. There's personal safety, death of a relative, and family events.

Eliot: Personal safety. We could burn the apartment down.

Parker: Ooh! Ooh! (raises hand)

Eliot: Or death of a relative

eliot being chaotic and parker being HERE FOR IT also stfu we all know you wouldn’t kill anybody

- - - - -

Nate: Uh, w- who's that?

Hardison: Oh. Oh, the kid. Kid's from her first marriage. Widmark.

Eliot: Oh, I'm sorry. "Widmark"?

Hardison: Rich people, man.

Eliot: Geez..

big mood

- - - - -

Hardison: He's a fifth-grade student at Dalton Academy. Academically unexceptional. No extracurriculars. He's allergic to strawberries.

Parker (laughs): Strawberries...

HER LAUGH

- - - - -

Sanford: Mark Sanford. I'm head of the concerned parents association.

Nate: That must be very exciting for you

- - - - -

I wonder if they actually wrote a book for nate’s cover story

- - - - -

[Apartment above the Fowler’s]

(Parker and Hardison are walking through an empty apartment with a real estate agent)

Real Estate Agent: Open floor plan. 3,200 square feet. Uh, panoramic views of the park and the Charles. Uh, there's a fitness center, a rooftop pool, uh, concierge service. It's the perfect newlywed apartment.

Hardison: Oh, it's, the place, it's fantastical. What do you think, Binky?

Parker (head and shoulders inside ductwork): It's a little small.

Hardison: Th-the apartment, Binky. What do you think of the apartment? We'll take it. She, she loves air

this is hilarious but you couldn’t convince me that this is exactly what would happen if they went house hunting for real (brewpub ??? I think the fuck so)

- - - - -

(Skyler trips Widmark, who falls to the floor)

Eliot: Hey. You. Take your helmet off. What's your name?

Skyler: Skyler Sanford.

Eliot: Sky... Skyler?

Skyler: Yeah.

Eliot: Is that a boy's name? Don't do that again. Put your hat on. You're up against Wid--

(Eliot sees that Widmark has gotten back on the line)

Eliot: I said get out there, man. Get out here.

(the boys move onto the mat)

Eliot: All right.

(Widmark struggles with his helmet as kids giggle)

Eliot: What are you doing, man? What are you doing? (to kids) Don't laugh! What are you doing? (whispering) There's girls here. You're better than that. Turn your hat around

I personally didn’t like this scene with him making fun of the kid’s name but he did technically deserve it because he was a bully + the whole girls thing? I mean I guess that’s a motivator but idk he could have said something different

- - - - -

(Parker is installing a motion detector above a doorway)

Parker: Stop moving!

Hardison (kneeling for Parker to stand on): Look— it don't have to be exact. Woman, it's a motion detector. Just point it that way.

Parker: Watch out..

poor hardison she’s standing on his back WEARING H E E L S

+

THEIR MATCHING OUTFITS THO

- - - - -

Hardison: R- right. Right. Right. So, uh, what you all been up to?

Taggert: Well, actually, we've had a pretty good run of it lately. Closed some big cases.

McSweeten: Big.

Taggert: Moscone, for one.

McSweeten: Moscone, no more-ne.

Taggert: We also shut down a huge meth ring in California during a bank robbery.

the bit about them directly profiting off of the leverage crew? hilarious every time

- - - - -

Eliot: (swinging the thing in his hand) One of you two can identify the gunman, right?

Hardison: Oh, yeah, sure. He stopped and let me take a picture of him as I was chasing him.

Eliot: Hey, you know what, man? I've been around little kids all day. I don't need to come home and do all this crap.

Hardison: Hey, man, with all that? I've been in this pink shirt and these tight plaid pants, these old webster loafers, this girl is walking on my back. I don't need this, man.

married bickering

- - - - -

(Parker hands Eliot the pad she’s been drawing on that has a picture of the gunman)

Eliot: Is this the guy?

Parker: Mm-hmm.

Eliot: See? (tosses the pad on the table)

Hardison: Wow. I didn't know you could do that.

Parker: I thought everybody could do that

SHES SO TALENTED + her boys are behind her v impressed

- - - - -

the smooth lil handoff of the metal detector phone between parker and hardison

- - - - -

Nate: Eliot had trouble adjusting, all right? But he found a way to make his style work in this setting, so...

[Gym]

(Eliot leads the kids through martial arts movements)

Eliot: Hai! Pain! Honor! Strength! All right. Come at me!

(all of the girls rush him at once, taking him to the ground)

eliot, when faced with having to teach a gym class for little girls: thEY MUST BE ABLE TO PROTECT THEMSELVES

- - - - -

(Parker puts a takeout cup down on the middle of some blueprints. Hardison sighs and takes it off the blueprints)

Hardison: This is why we can't have nice things

bruh you’re literally no better you have literally NO right

- - - - -

McSweeten: Oh, that one's actually mine.

(Parker drinks from the cup and smiles at him)

McSweeten: Uh, I just had my lips on that. If, uh, it's like I gave you a little coffee kiss.

Taggert: I think your partner is sweet on McSweeten.

Hardison: What? No.

(turns to see Parker and McSweeten laughing by the window)

hardison: *whips his head around* NO WHAT NOT ON MY WATCH

- - - - -

Taggert: No? Well anyway. (pulls a letter from his pocket) Uh, the judge approved Fowler's day pass so he can go see some play his kid is doing at school.

Hardison: Final-freaking-ly, man! I-I love the theater. It's-- "Cats". R- reow

that whole cats thing hits different post-2019

(no doubt, hardison has OPINIONS™ about that movie)

- - - - -

hardison poorly rappelling throughout the series is an aesthetic

- - - - -

Widmark (comes out of the stall): Do you have a lot of friends?

Sophie: No. No, I-I never used to have any. But, um, now, yes, I-I do. A few.

her SMILE your honor

- - - - -

Sophie: Did you know I was an actress?

Widmark: No. Are you good?

Sophie: Well, others don't seem to think so.

Widmark: Maybe they just can't see you for who you are.

Sophie: Do you know what they say about acting? They say it's about telling the truth, about, about sharing a little part of yourself that people don't normally see. But if you don't--if you don't really know yourself then they think you're lying. And I think that's my problem. I've been lying for so long, that, um, I don't even know what the truth is anymore.

Widmark: I don't want to lie to anybody.

Sophie: No. No, you don't have to, Widmark. What you need to do is you just have to go out there and be Widmark. Just tell the truth. Be, be who you really are. If you can do that, then I promise you, people will believe in you

this was a slightly sophie-centric episode and I loved it

- - - - -

Nate: Well, you know, this is interesting. This must be a-a first. I mean, it's the only time I can remember that the con depended solely on you telling the truth. How'd it feel?

Sophie: Eh, good. Don't get used to it.

Nate: Oh, no. No.

Sophie: I start telling the truth all day, I stop being Sophie Devereaux.

Nate: Maybe that's, uh, A good thing. (walks away)

Sophie: Uh-uh

[insidious-apple]

LONG POST ABOUT SHIPPING IN FANDOMS

Last night, my gf and I were discussing shipping in fandoms (specifically mcyts) and it got me thinking so I’d like to present my fully awake thoughts on the matter.

okay so!

Shipping isn’t new. shipping has been around since fandoms have been around and fandoms have been around a long time. but with how expansive and connective the internet is, fandoms have become way more of a thing and so has shipping and ship art and parasocial relationships and all that jazz. parasocial relationships are actually completely normal because as humans, we seek to form social connections with people, so when we hear or see them (i.e. on TV or on youtube), we seek to establish a friendship bond with them. This is why celebrity crushes are a thing. The problem with that is that these celebrities are people too and they can be completely overwhelmed by all the attention, especially if it’s sexual in nature. None of this is new information.

Then there’s a completely different thing, which is shipping. When fans ship a celeb or cc with one of their closest friends, that can make stuff a bit weird. Like, imagine if all the randos at your school thought (and told you) that you and your best friend would make a really good couple. Or even if they said that you and an acquaintance of yours would be really good friends. Kinda creepy, right? Because it’s none of their business who you date or who you’re friends with. Same concept, only it’s hundreds of thousands, or maybe even millions, of people telling two celebrities or content creators that they would be really good friends or make a really good couple. It’s creepy and it’s none of the fans’ business.

On one hand, fandoms should stop shipping altogether. It’s creepy and rude and it’s especially tolling for these celebs that can’t get out of the limelight, whether that be physically, mentally, or online. It’s got to be extremely difficult to just let all that stuff wash over them all day every day. This includes fanart and fanfiction (both sfw and nsfw), comments on videos, blogs, everything. Also, it’s kind of dehumanizing. When a person is famous, they get all these pictures painted of them, but the unknown gaps are always filled in, whether they want them to be or not. This turns the person into more of a brand or character that can be whatever the fans want them to be and that can pressure the person into trying to be more like that character instead of being more like themselves. Stuff like this can also violate boundaries as some people are just straight up not okay with seeing fanart or fics of themselves, to name a couple of things. And these celebs are people and their boundaries should be respected. If you draw a weird drawing of your friend that you know they wouldn’t be okay with, you wouldn’t post it on the internet for everyone to see because it would hurt their feelings. Same goes here, just on a much larger scale. This ESPECIALLY goes if the celebs or content creators are young and still mentally developing. And I don’t just mean young like under 18. I mean young like college age, like 25 and younger. These people are still developing in the world and the fact that they have to encounter all this stuff about them on a daily basis is just not good for their mental health and we should respect that. Like even if they said they’re completely fine with it, it still gives me weird vibes when I remember that the art or fic or whatever is about real people who are trying to live their lives without everyone knowing every little tiny detail about them, yet they still know that people are trying to find every detail about them. This sucks because fans aren’t entitled to every little detail. That’s just a fact, and always will be. And fandoms are kind of riddled with this. It almost looks like people trying to talk behind someone’s back, which always weird for they person they’re talking about, whether they’re talking shit or talking good.

On the other hand (especially with the dream smp), fanart and fics are so fucking cool! Being inspired and making art out of your inspiration will never not be one of the coolest things the human brain can do. And holy FUCK there are so many talented individuals out there who can do so much with so little information, it’s insane. And fandoms are the perfect place for these people because they have stuff to go off of, but they also have the freedom to express themselves. Especially when celebs say that they’re okay with stuff, it opens up a whole new world of expression and I think that’s super fucking cool.

Another note: the internet has free speech, which i think is pretty damn cool. However, this does not include freedom from consequences. If you say some dumb shit or some fucked up shit on the internet, I guarantee you there will be consequences. These can come in the form of your post getting taken down for violating community guidelines or someone calling you out in the comments. And I think that’s a good thing. Reporting and blocking are some of the best functions on the internet and i think that people should use them more often, especially in relation to aforementioned things that violate people’s boundaries. Often, people will just comment and share it saying “yo wtf this is gross” but that just draws more attention to the fucked up thing in question.

I didn’t really have a place I was going with this, but basically: - Don’t violate celebs/content creators’ boundaries. - Don’t dehumanize people just because you don’t know every little thing about them. - DON’T MAKE NSFW ART/FICS ABOUT MINORS. - Don’t push stuff on celebs/content creators. They’re people too. - Differentiate between characters and the people behind them in your works. The difference is VERY important. - If you do any of the above things, don’t be surprised if you get called out about it. - Most importantly, have fun! Don’t be afraid to put fanart or fanfic out there if the celeb/content creator is okay with it. The internet and fandoms are supposed to be fun for everybody, including the fans and the thing/people they are a fan of.

Okay that’s all I have to say about that for now. *steps off soapbox*

[oftenderweapons]

Small Town Swoons

Hello buttercups! Here is the big fat project I was talking about. I am giving you snippets and teasers of the whole thing, just to let you know what you’re all getting yourself into. 

There are some spicy tidbits here and there, so I would suggest only mature (18+) people read and/or engage with this post. 

I’ll be starting with Yoongi since his piece is really in the holiday spirit and I’m super hella inspired to write it, but don’t worry, Steamy waters is still coming (just know that I’m not done publishing stuff for the night 👀)

Let me know what you think about this project, what story you like the most and which one you really really look forward to reading 💕✨

Just in case you need it, here is my masterlist

Enjoy 💜

Apple of My Pie — Jin

In the bakery and café near the university many students barge in, desperate for coffee and the delicious apple pies served there once October comes. Some of them barge in for the sweet sight of the owner, still mysteriously single. Little do you know that he’s been pining after you for years, since you ran into his café in a slow, rainy Sunday morning, drenched like a stray kitten, asking only for friendly help. Friendship sparks easily and his comfort tastes as sweet as autumn apples. That’s how you find yourself flatmates, watching movies with his secret recipe hot cocoa on Saturday evenings and waking up to the delicious scent of his pies on Sunday morning. But the sudden apparition of a rival makes you wonder, what would it be like to fall asleep in his bed every night?

Mold Me New — Taehyung

Divorce is a mess, especially when you’re so young and you had bet your life on your high school crush. All those things you never had to learn are scary now: dating, friends with benefits, all those secret rules on social interactions and flirting. But then your friends gift you a clay modelling lesson at the local pottery. Your teacher looks like a quiet, grumpy man who slowly warms up to you, offering you his kind smiles and gentle laughs. Right when fear that your lack in courtship manners might cost you your greatest chance at a new happiness, his lessons indirectly turn into small advice, and suddenly it feels like his hands are shaping your heart into the perfect, beautiful whole you needed. And to show him your gratitude, you’re more than willing to gift the artist his creation.

“Don’t let it dry too much. Too much water will mess it up. It will become too pliant and it won’t hold up.” That was it. The rule to love. You had bathed him in reassurance and affection, and just like that he had melted underneath your touch, and he had turned into nothing. And the love had run out. “Every shape has its specific requirements.” He explained, dipping his hands in the basin and letting the droplets fall from his fingertips. “Wet hands, but not drenched.” Once he was happy with the result he sat up, his foot starting a small pressure on the pedal. “See, here we go. The clay will show how much water it needs. Easy on the pedal. Very slow. You’re warming it up. Be gentle. You’re not sure it’s good. Just like with people. Easy at first, and once it works you speed up.” He smiled at the material underneath his hands. “Gentle. Easy.” He said, his sinewy fingers gently pressing into the art piece to be. His fingers seemed to stretch and bend imperceptibly, as if he was feeling the very texture of the material, and of the final result he wanted to obtain. “That’s the secret to good things.”

The Shrew, Untamed — Jimin

Everyone gets married in small towns. The hairdresser’s daughter, the butcher’s niece, the doctor’s granddaughter. Even your best friend. And someone has to organise all the weddings. You have taken part in so many it is unnerving. You’re not asking for a husband, a simple fuckbuddy would suffice. You don’t even need someone with skill, you just need to have sex with a human. Though your goal seems unattainable and life apparently truly sucks, the petty florist where you order the flower arrangements offers you a beacon of hope, comforting you and spoiling you whenever you visit his shop, condescending to your every whim. Will he satisfy your every wish or will you have to supervision your best friend’s wedding on the verge of sanity?

“Sit down, sweet pea.” He said, offering you his chair. He immediately stood behind you, digging his fingers into your shoulders, massaging them. He always smelled like greenery. It was relaxing. “Who pissed on your roses, tiger?” He asked, his thumbs drawing circles at the base of your neck. You moaned and closed your eyes. “Poor baby. So stressed.” He purred, laughing. “Portia is getting married.” You groaned. He ohed. “Your friend, Portia?” You frowned and pouted. “That bitch. Portia.” You growled. He laughed a silvery sound. “It’s your best friend.” “It’s a stressed out insult. She wants me to plan it. Jimin, I am so tired of watching people getting married.” He kneaded the nerves near to your spine. “It’s a professional hazard, baby’s breath.” His finger stilled as he reached the middle of your back without finding the clasp of your bra. He moved upwards, ignoring the small detail. “It’s the third in two weeks. I can’t. Is everybody getting married this spring?” You asked, your head rolling forward. “I’m tired. Stressed. Grumpy.” You whine. “Baby, you have your sugarcane at home, use it.” He said, referring to your swirl shaped dildo. You shook your head. “It’s the warmth. Human touch. Sympathy.” Ask me, please — Jimin mentally begged — I’ll be so sweet to you. “And now I even need a plus one for Portia’s wedding. Lest she pairs me up with her cousin. Did I mention that he’s thirty and bald?” You sighed. “I can help.” He said. “With the Plus one.” He clarified. “Don’t expect me to get my fingers in your pie, blossom.” He stated. You shook your head. “Your loss.” You tutted. His loss, for sure. Not like you wanted him massaging your breasts as you sucked him off, laying on your white silk sheets, his dulcet moans filling your lonely room and your empty

Natural Connection — Namjoon

The city sucks. And before you definitely choose to resign from your job, you spend the money earned with your all-work-and-no-play attitude in a reinvigorating holiday in a natural resort in the woods. What you find is true heaven on earth, an eden of wonders and explorations. When you meet your guide, who will follow you and you alone, you almost cannot believe your luck. The closed-off man leads you through all the breathtaking sights of your location, offering you emotions and landscapes unrivalled — both in terms of wildlife and... well, humans? The steamy atmosphere seems to keep growing hotter together with the summer days, and before you can think twice your big friendly giant helps you get rid of the hots. What happens when your Adam and Eve idyllium gets interrupted by a ruckus of stag-partying jocks?

Namjoon knew your average blood pressure at rest and under effort, your shoe size, your weight and height. Still when he found you right before him he could barely believe the sight of you. He knew you were small but this small? He was surprised. Amazed. Completely dazzled by your size. “Uhm. Kim Namjoon?” You asked, hesitant. God, even your voice was small — he noticed. As you got even closer, he realised you barely reached his sternum. He was endeared. He imagined how hugging you would feel. Why was he imagining to hug a stranger? “Hello! Welcome to the Valley!” He said, offering you his hand. You took it and shook it energetically. “Thank you. I assume you will be my guide during my stay.” You commented. “Exactly. I'll be your coach and your guide through the whole experience.” “Perfect.” You smiled. He was dumbstruck by it. So sweet and bright. You noticed he had a nice voice. And a kind smile. He looked like a very gentle giant. “Have you brought any specific equipment with you or would you prefer to use the one we offer?” “I have trekking boots and walking sticks. You know, basic stuff that's difficult to find when you're the size of a teapot.” He laughed a loud belly laugh, which surprised you and pleased you. “Okay, we can head to the hall and chat about your activity plan.” He said, leading you. Walking behind him was definitely a hard challenge, both because his legs were kilometric — and damn fine — and because how could you not stare at that ass right in front of your gaze, clad in oh-so tight shorts? Once he realized you were basically running behind him, he turned, a bit confused. And then embarrassed. “Sorry,” he smiled sheepishly, taking shorter steps. "Don't worry, it's okay. I'm a fast walker." You stated. He grinned. He barely stopped himself from murmuring a 'cute'. You were adorable.

Ink ‘n’ Run — Jungkook

People find awful ways to inculcate mean insecurities in our lives. It is to get rid of insecurity that you head to the talented tattooist in a small town near your campus, ready to ink your fears away. Ready to start from zero, you let yourself enjoy a night out clubbing and a steamy one night stand with a tattoed god. Hit by the morning-after regrets, you run away before he wakes up. Little do you know that he’ll be the man you’ll be spending several hours underneath, half-naked as he inks you. Such a shame that you keep running away each time he is ready to ask you for a date. And that he keeps running away after you convince yourself to concede him one. Will you manage to let each other see that you click perfectly or will you let that night be just an accident?

“Oh. You’re back. Lovely to see you, how can I help you?” He looks sweet. God, he was sweet, of course he looks sweet; you thought. He was the most gentle man you had ever been with. Wicked hips, but such a sweet mouth. “Uhm, I have an appointment?” You said, showing him the business card with the date and time of your appointment. “Oh.” His expression was the perfect depiction of confusion. “Uhm. I guess you can come into my studio, then. Do you have someone with you? Would you like Daisy to come in?” He said, looking at the girl sitting at the reception table. “No, I’m cool.” You forced yourself to form a tiny, polite smile on your face. As he walked ahead of you you noticed the way his tight black t-shirt hugged his narrow waist. And his wonderful, jeans-clad, toned ass. God, he had rammed into you like a mad man that night. You shook your head, trying to bring yourself back to reality. Meanwhile, his mind was fuelled by millions of questions. Why had you run? Were you freaked out by what was happening? Were you as affected as he was at the idea of him working on you? Did you think he was a fuckboy? Would you let him take you out on a date? Would you let him fuck you again? Wait, scratch the last one.

Head over Heals — Hoseok

You are the most talented ice skater of your state. Or rather, you were. Your career was harshly interrupted by an unfortunate accident. Healing from the hurtful events takes strong nerves and positive energy. Luckily, your physiotherapist — the neighbour of your childhood home — is the most positive, enthusiastic person. New feelings bloom like daisies on a warm spring morning, while old feelings rekindle and light your way back home like a field of fireflights, back to places that you’ve always loved. It takes little time to get used again to his sweet energy and his gentle hands, healing your body and your soul. It takes even less time to fall head over heels for him.

“What changed?” He asked, drying your tear with his thumb. “I don’t know. It feels like it changed.” He smiled. “You’re still the same to me. Same bright eyed little girl running around in a summer dress, smelling like honey shampoo and sun cream. You feel like home. I think nothing has been okay since you were gone.” Your heart took a second to melt and resolidify around that new truth. “Hobi.” His eyes were glittering. “I think I always had a soft spot for you. You and your knees always scraped, the small curls framing your face, the way your braids came undone that night as we were driving away after prom in the convertible your parents ran away in when they eloped.” He looked so sad. And so beautiful. “Hoseok, I never forgot you, you know. You were my first.” You confessed. “And you were mine.” He replied. He paused. “We were perfect.” “We were.” You replied. We still could be. We are.

Sugar and Spice — Yoongi

A new girl moves into town, her goal starting her life from scrap. And then on a foggy autumn night she ventures in the local pub, where she meets a cute, tattooed bartender who happens to be the local sweetheart. Fate — and the sweet granny next door — seem to push them together; it’s only a matter of time before feelings bloom and attraction becomes too intense to resist. The magic of a small town, and that loneliness that they share and understand so deeply, bring them close at the most wonderful time of the year. Love can blossom even in the dead of winter and who knows, maybe they’ll find a new life by the time of the new year?

“How does it feel to live in a small town?” You asked, stretching your legs out the flannel blanket. Sunlight came in through the yellow leaves of the apple trees. “Like time doesn’t really exist. Until you don’t have any left and suddenly your friends are getting married and having children and all you have is a useless piece of paper stating that you’re a doctor.” He said. “But it’s okay. It’s lovely, at times like this.” He said, looking at the sky. “Marriage and kids are overrated.” You said, laying down. He looked at you, your eyes closed, your hair coming out of his beanie, currently covering your head. “Don’t leave me alone here.” You had a beauty he had never known. Or that maybe he had seen in his mother. That rough, tough beauty that looks dangerous from afar. Delicate from up close. You weren’t gracious. You weren’t cobwebs and golden hair and clouds. You were the ground, the trees, the stone. You were the mountains capped in ice, beautiful and so endangered. Still, so steady. You were the forest, eternal. Nothing could marr you. No man, no humanly disgrace. You would weather and transform, like nature does. Maybe he was idealising you, maybe he was giving you all those traits he had always wished in a woman. “Stop staring at me. Lay down. Enjoy your seconds before you turn into a fifty-something lonesome worm.” You teased. He laid. Your hand found his. “I’ll tell you how a small town feels like, based on the opinion of a girl from a big city.” He exhaled a laugh. “It’s comfort. Like when it rains outside but you’re in your bed and you’re warm and you don’t have to get up. You can simply lay.” He rolled onto his side, staring at your eyelashes. If I blink, will she disappear?

[stylesnews]

Harry in Conversation with Steve Lacy for Man About Town Magazine

Steve Lacy is a rare creative talent. Having been nominated for a Grammy in his teens for his work with his genre-defying band The Internet, and on the back of a critical acclaimed album — Apollo XXI — this year, the young star takes time out of his tour to chat with Harry Styles.

HS: Hey Steve!

SL: What’s up, Harry?

HS: I’m good, man. How are you?

SL: I’m good. I’m in bed, in my tour bus.

HS: [Laughs] Oh, yeah? Where are you on the way to?

SL: We’re our way to Boston.

HS: I like Boston! Boston’s like, not trying to be… it’s just… Boston. And it’s great. How’s your tour been so far?

SL: It’s been really good. It’s a big learning experience I guess, doing it by myself. But it’s been sick.

HS: What do you find is the biggest difference for you? I mean obviously being on stage by yourself, or the touring part? Travelling, the off-time…

SL: I think it’s probably just as easy, because as far as travelling and everything, we have the same team. I have the same tour manager and the same techs, so that’s easy. And then being on my stage is super easy, because I didn’t find another band — it’s just a DJ and me. So I kind of treat it like a rapper, who plays an instrument and sings melodies to people. Because I really want it to be as easy as possible, or else I’m just going to cancel. I really didn’t want to leave my house after I came back from the other tour with The Internet [laughs], so my tour had to be at ease for me to leave!

HS: What do you usually do between shows and stuff?

SL: I’m usually sleeping. Or I’m walking around. Like yesterday, I walked around a little bit, and I shopped. I ran into this guy that was a fan — this Korean dude — and I ended up getting food with him [laughs]. Then we went to Balenciaga and played dress up for like an hour. My days off are pretty spontaneous! I might make some music; I write. But yeah, it’s pretty cool to hang out with everyone.

HS: [Laughing] How was the dress up?

SL: It was good! I always throw on at least 8-10 looks in there. Throw on some dresses...it’s real nice.

HS: How do you find you relationship between fashion and music? Do you feel like one usually influences the other, or do you feel like they both end up influencing each other? And how much do you find it to be an important part of performing and being on stage, and being in music in general?

SL: I feel like they flow from the same river. They come from the same place of self-expression. I’ve always admired style, so, yeah, I think I appreciate it just as much. I don’t know if one inspires me more than the other, but I think they come from the same place. They kind of just mesh. But it’s definitely important for me to appear a certain way to perform. I don’t know, I just like to feel… I guess like characters. So I like to separate the stage presence from the person off stage. It’s like a little mind game I play with myself. But it makes me feel more like a... star.

HS: You put your suit on and do your thing, right?

SL: Exactly. And then take it off. I love it. I think it’s good to separate the two.

HS: Yeah, totally. Like Prince. How much are you inspired by him with fashion, with music; does he play a big part? Is it seeing people like him do stuff like that that’s played a part in it, do you think?

SL: I think a little bit, yeah. He inspired me more musically than fashion-wise, I think. He did have a couple of fashion looks that I liked and am yet to explore. But it was a look he did for… do you know the Dirty Mind Tour? Have you ever seen the concert clips from that?

HS: Yeah!

SL: Well he had like, this thong/panty thing. With these long socks that go up to his thigh, like right under where his panties were. With these boots. And a trench-coat. That’s a look I’ve yet to explore, but I’m definitely inspired by that one. And the music inspired me after he died, actually. I didn’t grow up listening to him. But the guy who taught me how to play guitar, some years back — I guess right after Prince died — he asked me [if I] was listening to Prince. And I was like: ‘’No, not really.’’ He was just one of those people that knew was a legend, but I didn’t question why, or try to figure out why. I was just like: ‘’Yeah. He’s a legend’’ [laughs]. He told me to listen to the first album. And then, from there I was like: ‘’Oh shit. Yeah.’’ He just made sense to me, and a lot of things connected. Because, you know, he was a Gemini man, who produced everything, worked on [his first demo] when he was like 15 or 16, something like that. It came out when he 19. So, yeah. It was special to me when I found it.

HS: Growing up, were your family musical, or was it something that you found on your own? When did you realise, “Oh, I want to do that”?

SL: I was kind of desensitized to music from my family. My family sings; I guess I should start there. My whole family sings, from my grandma, to my cousins, to my aunt, to my... you know. Everything. We all sing. So, I didn’t really have thought of creating, it was just like: “Oh yeah, Music is cool, everyone sings. Cool.” I didn’t really get inspired to start making it until I saw people making music, and that was when I was 15 or 16. When I met the band. That’s when I saw music happening, and I though, “Oh cool, I think I can do this”.

HS: You were still in high school when you were nominated for a Grammy. How was it to go back to school and be like: “Sup, I’m kind of doing this now, and I’m, like, good at it”, you know?

SL: [Laughing] It was sick. I was really low key though. I didn’t want people to think I was some celebrity kid, because I didn’t want people to treat me weird. So I just told my closest friend and my teachers. But I didn’t, like, run around school yelling “Hey everybody! I’ve been nominated!”, because I was still in school, you know? Like, no-one really cares. But it was definitely cool. Well I guess not even ‘cool’ is the word, it was... What’s the word I’m looking for... I guess super assuring that I was in the right place, essentially.

HS: With The Internet, the’d obviously put out a couple albums before you joined them. Were you a big fan of them before, or was it just something that you ended up finding yourself being a part of?

SL: I just found myself a part of them. I didn’t hear anything about them, before I joined. They were just complete strangers to me — which is pretty cool. I got to see them as people first, so it was really nice, you know? Just feeling that personal connection, and then making my own way into the music somehow.

HS: Nice. I want to talk about ‘Apollo XXI’, I’m sure you do as well. It’s such a blend of so many things: there’s R&B, and hip-hop, and lots of other stuff. How do you think genre really holds up now, compared to solidly things used to be labelled before? Do you think we’re getting to a time where it’s becoming redundant, and more just 'good music’ and 'bad music’? Because I know a lot of the time, especially with newer stuff, when people are asking me what kind of music I make, I don’t necessarily know how to call it. Do you think the times of ‘you’re this, you’re that’ are going, or do you think it’s still very much the same?

SL: Yeah, I think it’s definitely getting redundant as far as the artist is concerned. I think genre is put there to make the music like a business plan. And that’s the part that I hate about it, and why I might not put out another album for a long time, until it’s figured out. Because I hate looking at music and thinking about songs like a fucking iPhone 5 that I have to sell. And then I have another version, the 5s coming out next week, with a different feature, that’s gonna project ‘this many’ sales. I really hate looking at music like that man, so I’ll be happy when it’s figured out. I guess at the end of the day it is a business that I signed up for, but I think when art and business collide, it’s this weird mushy language that you have to, kind of, dance between. So, yeah, I guess I’m still figuring out what to call it to this day. It was definitely a big learning experience releasing my first album. For me, I put ‘Pop’ on it, because albums like the James Brown shit and the Prince shit — those were all ‘Pop’, right? And the had all types of shit on there. So I did that, because I didn’t see it as being anything else. However, what’s considered ‘Pop’ these days, is far from what my album was, you know? It’s super... I guess I can call it white. If you’re black you’re in, like, R&B, or ‘Urban Contemporary’. You’re not ‘Pop’. So, I kind of wanted to challenge artist and no-one gives a fuck. [Laughs] But, still.

HS: No, they do. I think the waves have changed, coming from people who are just doing it differently. I don’t think that’s necessarily defined on the side of the artist. People like you end up influencing people who love you, and who realise “Oh I want to make shit that sounds like that”. I think it makes a bigger impact than you maybe think it does. With the album, there’s so much of you in it; you’re pouring so much of yourself into it. Is there any point to even making music for you if you’re not just being honest, writing the truth, and being vulnerable and stuff? I know for me, there’s not really anything that appeals to me about just writing songs, just to have them be ‘good’ songs. I need them to mean something to me, you know? SL: Right, one hundred percent.

HS: From the album, I’m assuming you feel the same way? It’s so personal…

SL: Oh yeah, oh yeah. it’s been cool for me, to see it, because I don’t look for acclaim. So when people ask me how the album’s doing, I’m like “I don’t know”; I’ve got to see people react to it for me to know. But the tour’s been showing me that it’s been doing what it’s supposed to be.

HS: You put [architect and designer] Verner Panton’s Living Tower as the cover… What was it that made you go: “I want this to be the cover of my record”?

SL: I think I found his rooms online, and I really loved his builds, and his architecture. How he would do these rooms — the colour palette. Then my friend got me his book for Christmas, and I look at that and was like: “Fuck. I probably can’t find any of these rooms, but i can probably get that chair!” So, we managed to get one, and we shot with it.

HS: Do you still have it?

SL: Yeah, it’s in my house now. It’s in my room, by the window. And it’s really nice.

HS: And why did you want to call it Apollo XXI?

SL: I wanted the number 21 in there, because it was coming out on my 21st birthday. And then I was just thinking of words that could go in front of the 21. I couldn’t just do 21 because, you know, Adele, she already ran that one. So I was just being a little brazen there. I was just thinking of little phrases, something I could just put in front of it. And “Apollo” popped up in my head. Someone told me to look up Apollo, and the Greek god popped up. I connected a lot with that, and I just ran with it. It sounded good together.

HS: In terms of the subject, how — especially being in America right now — does the politics influence you when you’re writing? Do you ever feel like you should be being political, or do you feel completely opposite, that you shouldn’t, or you just don’t want to be political? How does it affect you in terms of what you’re making?

SL: I think there’s different ways to be political.

HS: Yeah, I would have to agree with that.

SL: I don’t think you have to necessarily be an activist to be political. […] I think me being my free self is a political statement.

HS: Yeah. Especially coming out of a collective and then going on your own, I think people then want to know what you think, rather than knowing what a band thought. What are some of the props and cons of moving more into the solo stuff from working on band albums? Obviously the creative process is way different, then the touring is way different. It's almost like a whole different job in a lot of ways. What’s your favourite thing about it, and what’s something you don’t like about it as much?

SL: Um… I think my favourite thing about it is that I’m in full control. I guess I had to ease into that, because I got super used to being the guy in the back, you know? And that was cool — I got used to that. But learning to be a boss is pretty fun, I think [laughs]. When you’re in a band, everyone compromises for whoever, for each other, for everybody. So I guess my favourite part is not having that compromise, and doing all the crazy shit, and funny stuff I want to do. Yeah. I think that’s the best part.

HS:  want to ask you about a couple other people for a second. You’ve got Kari faux and Alima Lee [on tour]; Alima filmed a bunch of stuff with me in the studio.

SL: Oh really!?

HS: Yeah, she’s so great.

SL: Oh shit — that’s crazy! I love her. Wow. Small world. That’s insane.

HS: What about them made you choose them? Did you know them beforehand? How did it come about?

SL: Yeah, I knew them before. Alima’s one of my favourite DJ’s, and I didn’t want a band for this tour. So I asked Alima, like: “Hey, I got a proposal, would you be down?” And then we started rehearsing, and out chemistry was great. She kind of saved the tour, to be honest [laughs]. And then Kari, she’s just one of my best friends. I wanted to bring her with me. It’s been great. We have such a good team, and it feels so good. Everyone’s having a good time, and yeah. It’s a really nice tour, man.

HS: And how was it working with Solange on When I Get Home?

SL: Oh, that was cool. She’s cool. Real big sister vibe. I came in as a stranger, and we spoke about music, and then just found our friendship from there. And yeah, it’s been cool ever since. She’s very nice.

HS: How do you find it working in someone else’s realm? In some ways, does it feel like a band thing, when you’re working on someone else’s thing?

SL: Kind of, yeah. It’s like you’re starting a new band with someone every time. I think that’s how it feels the most comfortable. I was talking to [producer] Raphael Saadiq about that, and he told me a line that he says to people when he’s producing is “I’m in your band now.” He says it helps people feel comfortable. Yeah. I like that one-liner.

HS: That’s a good one. How was working with Ravyn?

SL: Ravyn? Oh, sick! She’s like a little young, fairy goddess when it comes to singing. It’s crazy. I brought her out in Chicago with me, because that’s her hometown. I was like: “Yo, we have to perform these songs here.”

HS: How did you guys meet?

SL: We met on the internet. A couple of people had been telling me to mess with her. And then one day, I went driving, and I played her EP — at the time it was called Midnight Moonlight. I thought: “Holy shit”; her vocal production really flipped me out. And I hit up immediately like: “Hey. We have to do something together.” Initially I wanted to start a dup with her, but her label situation is interesting, so it had to be her project.

HS: Right. What are you listening to right now? What are three things you love?

SL: Okay, I can give you some songs. This song I’ve been loving is “You’re A Runaway” by The Bucketheads. It’s a really nice little house track. “She Live” by Maxo Kream with Megan Thee Stallion [laughs] — that’s a good one. A lot of my new demos I’ve been listening to... Oh! “Terrorize My Heart (Disco Dub)” by 795. That’s a good one. Was that three?

HS: Yeah! And then, a book that you’ve read anytime recently that you would recommend to anyone?

SL: Oh, yes! I left it in the hotel room. It’s a Murakami book, I’m trying to get them to ship it to my next hotel room. I think it’s... A Wild Sheep Chase?

HS: Oh yep. It is! Have you read any more Murakami things?

SL: No, I haven’t. My friends gave it to me before I left.

HS: He’s one of my favourites.

SL: Yeah I’m trying to get into it. My attention span is shorter than my haircut right now.

HS: He did one called What I Talk About When I Talk about Running, which is kind of short and fun — wether you like running or not. It’s just so good. And then Norwegian Wood is my favourite. That was like, the book that got me into reading. That made me enjoy it the most.

SL: Woah. Okay, cool.

HS: Anyway, just to add mate, I love the album. And I listen to it a lot. It’s wonderful to listen to someone doing something so great. Everyone loves it, and it’s really interesting, and dynamic, and deep, and true. It’s amazing art, man. It’s very cool to listen to people just doing what they want to do. And you can tell that you love it, and you’ve obviously put so much into it. So thanks for making it.

SL: Oh, thank you! I appreciate it. I’m glad it got to you, man.

HS: I’m glad to do this, it’s fun. My final question is, what makes a good loafer?

SL: What makes a good loafer?

HS: What makes a good loafer.

SL: Are you saying “loafer”, or “lover”?

HS: Loafer. I mean, you can tell me what makes a good lover as well, but loafer. That’s the question. I always ask this because I know everyone’s answer will be slightly different, and I know you like a loafer.

SL: Loafer…. I think a good loafer is about… the shape. The shape of the loafer, for one. And then I think the sole is very important too. I don’t like a loafer with too thin of a sole. But I like a nice loafer that’s not too sharp at the tip. It’s kinda square, but it’s kinda round, as it’s square.

HS: What about the tassel?

SL: Um. I haven't eased into the tassel. I think that's too much of an uncle zone for me. I'm already an uncle as it is, so I keep the tassel to the other dudes.

HS: I'm not an uncle, and I do the tassel.

SL:  Okay! l love the tassel, but I'm not ready for that.

HS: It's so good, man. It's fun. It's definitely fun. You should try it.

SL: When you're dancing, do you, like, kick out and it moves?

HS: Yeah, it moves. It flaps. It adds a whole new dimension to the shoe.

SL: That’s pretty sick.

HS: Yeah, it is [laughs]. oKAY, SO. A thick sole, squared at the top, not too sharp on the tip. That’s your go-to loafer. You heard it here first: Man About Town.

SL: And the colour too. The colour’s great.

HS: Of course. Thanks, man. Thanks for having me. And I’ll see you.. somewhere down the road. I’ll see you in LA or something.

SL: Yeah! I’ll hit you.

HS: Take care.

[mrs-nate-humphrey]

tbf to dan re: his book, i think the reason rufus was pissed was more about HOW his character was written, rather than just the writing itself. based on other people’s reaction to his work, i think dan’s supposed to be a pretty good writer in the gg verse, even if the props of his writing you see in stills don’t necessarily indicate it lmao

i know!! i remember rufus’s dialogue to dan was even something along the lines of ‘your writing is beautiful as always but is that really how you think of me’. in that post i was half-joking, but also very serious, because like...  [ putting this under a read more because i am not capable of shutting up, like, ever ] 

there’s 2 parts to this: one is the super cool and practically canon thing that serena is just... naturally good at things, and everyone loves her because she’s sweet? the show brought out bits of this clearly, but the books did it better in some ways (i’ve read only 2 books so far, i could be wrong, but from what i read, anyway.) - in the books, there’s this bit where she wins some kind of movie making competition entirely by accident. she’s up against vanessa, who is sort of a pro, and she just, by complete fluke or whatever, wins, because she’s effortlessly charming and good at things without realising how talented she is. the show didn’t really do what it could’ve done with this - it touched upon that a little, i think, but from a relatively different angle.

now! time to talk about dan!! 

i have BIG FEELINGS about inside that i will one day get into with some deep meta dan-centric fic, but the tl;dr is that when it comes to rufus and dan and inside

1. rufus KNEW that vanessa stole the manuscript, from what i remember? to me, him being pissed off made less sense than the others being pissed off because it was like? sir?? you knew that whatever got published was an unedited draft and that dan himself wouldn’t have sent it off for publishing in the form & shape that it was in.

2. i think that rufus was highkey projecting himself as an artist onto dan. like, from what inside sounds like, to me it sounded like something dan was writing as vent-art, to process shit & come to terms with emotions and whatnot. you know how when you’re a kid and you keep a journal but you only write in the journal when you’re upset? my headcanon (which i KNOW a lot of people will veto but don’t rlly care) is that that’s what the manuscript was to dan, which is why he was pissed off that vanessa stole it before he could either refine it, or add a disclaimer, or warn his friends about it. 

so, why do i say rufus was projecting? because all his songs were grand declarations of love for lily. dan’s manuscript on the other hand, is essentially the worst interpretations of everybody.  rufus was singing to tell lily his true feelings; dan was writing inside to deal with the fact that he was in love with blair and she would never love him back - but he tells vanessa he’s been writing it for five years, so it’s probably safe to guess that all his messy feelings re: breaking up with serena probably also spilled in, and it is possible that he used this book to just. sort out his heartbreaks and terrible insecurity/ feelings of inferiority, while, you know, having unsolicited opinions about it all. classic dan. 

anyway. all THIS aside. i just think it’d be hilarious if like. dan’s been writing and writing and writing all his life, all through childhood, all through high school, and he’s good at it! he’s very good at it! serena, on the other hand, has never really written much. she thinks she’s not much of a writer. but the moment she starts writing, it’s obvious that she’s brilliant at it -  not because “everything comes easy to serena” -  it doesn’t. everyone underestimates serena, just like how everyone underestimates nate, just like everyone used to underestimate dan back when nobody knew who he was. so, like, duh. serena has a lot to say that nobody’s been listening to. and if people had been paying attention, they would know that she’s funny, interesting, thoughtful and perceptive. which - for me at least - are things i cherish when they translate into writing, ways of looking at the world that give a writer’s work real depth. 

[hamanuelton]

my favorite parts of hamilton:

- “I imagine death so much it feels more like a memory.”

- every time Leslie Odom Jr. as aaron burr begins another part with “how did a bastard, orphan-“ or like in that same way ‘cause he doesn’t always start it that way but you know what I mean

- the way Leslie Odom Jr. as My Boi Burr™️ says “well, the world got around, they said, ‘this kid is insane, man!’”

- also when Leslie Odom Jr. as A. Burr says

“WHAT’S YOUR NAME, MAN?!”

- “our man saw his future drip-dripping down the drain, a pencil to his temple, connected it to his brain”

- “Alexander Hamilton. My name is Alexander Hamilton. And there’s a million things I haven’t done, but just you wait, just you wait...”

- background “just you wait, just you wait”’s as hammy’s putting on a new jacket and ensemble is praising nyc

- “and me? i’m the damn fool that shot him.”

- “Burr, sir” + the continuation of this all throughout

- “If you talk you’re gonna get shot” / FORESHADOWING WOOOEEEEWOOOOO

- “i’m John Laurens in the place to be”

- Lafayette’s fuckinf accent

- “BRRRAH! BRRAAAH! HERCULES MULLIGAN UP IN IT LOVIN IT”

- “if you stand for nothing, Burr, what’ll you fall for”

- “‘Onarchy?”

- hey, yo, i’m just like my country, i’m young, scrappy, and hungry—

- the way Odom Leslie Jr. as The Hamburrglar™️ says ‘shot’ and they all take a shot

- this ⤵️

- Hammy getting //flustered// about friendship

- WHEN ARE THESE COLONIES GONNA RISE UP

- Angelica’s face when Burr is tryna tell her bout herself and she shows him up and ships him out

- Act 1: 6. Farmer Refuted

- honorable mention: “my dog speaks more eloquently than thee!" "but strangely, your mange is the same." "is he in jersey?”

- King George pouting

- Jonathan Groff’s overarticulation of each syllable as King George is a work of art

- “♪ Da-da-da-dat-da-dat-da-da-da-dai-ah-da! ♪ Da-da-da-da-dai-ah-da! ♪

- “Everybody! —“

- “We keep meeting.”

- “i imagine death so much it feels more like a memory. when’s it gonna get me? in my sleep? seven feet ahead of me?”

- “See, I never thought I’d live past twenty.”

- “this is not a moment, it’s the movement”

- “I’m laughin’ in the face of casualties and sorrow, for the first time, I’m thinkin’ past tomorrow!”

- “dying is easy, young man, living is harder!”

- “i’m being honest. i’m working with a third of what our Congress promised.”

- “you need all the help you can get. i have some friends. Laurens, Mulligan, Marquis de Lafayette, okay, what else?” — “we’ll need some spies on the inside, some king’s men who might let some things slide.”

- “watch this obnoxious, arrogant, loudmouth bother be seated at the right hand of the father.”

- “Martha Washington named her feral tomcat after him” — “That’s true.”

- “Yo, if your marry a sister, you’re rich, son!” — “Is it a question of ‘if’, Burr, or which one?” and then the little ‘hey’ ‘hey’ thing they do gets me every time

- literally the use of yo throughout the production fucking gets me every single fucking time

- “i’m writin’ a letter nightly. now my life gets better, every letter that you write me. — THE PURE UNBRIDLED SENSE OF FORESHADOWING IN “laughin’ at my sister, cuz she wants to form a harem” — ft. “i’m just sayin’, if you really loved me, you would share him!”

- the irony in “Eliza, i don’t have a dollar to my name”, you’ll be on the $10 bill, my man

- top-notch brain

- Angelica TRIED TO TAKE A BITE OF ME

- the way Anthony Ramos as John Laurens says “alright, alright. that’s what i’m talkin’ about!” and also the face that he makes

- hunger-pang frame

- “You strike me as a woman who has never been satisfied.” — “I’m sure I don’t know what you mean. You forget yourself.” — “You’re like me. I’m never satisfied.” — “Is that right?” — “I have never been satisfied.” — “My name is Angelica Schuyler.” — “Alexander Hamilton.” — “Where’s your fam’ly from?” — “Unimportant. There’s a million things I haven’t done but just you wait, just you wait...”

- tbh the way ‘Schuyler’ is spelled is oddly satisfying to me

- honestly just the way LMM says Alexander Hamilton+/ my name is Alexander Hamilton, and there’s a million things i haven’t done, ‘just you wait, just you wait...’ throughout the production

- “i’m the oldest and the wittiest and the gossip in new york city is insidious”

- “You are the worst, Burr.”

- Act 1: 12. The Story of Tonight (Reprise)

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes”

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes and we keep living anyway. we rise and we fall and we break and we make our mistakes. and if there’s a reason i’m still alive when everyone who loves me has died—“

- “Chick-a-plao!”

- the way they say ‘raise a glass’ is both elegant and (appropriately) reverent

- “i go back to new york and my apprenticeship” — i shouted MY BOI HERCULES MULLIGAN UP IN IT LOVIN IT DID NOT JUST SAY THAT, IF HE ACTUALLY LEFT AND ISN’T JUST UNDERCOVER OR SOME SHIT IMMA WRITE LIN-MANUEL MIRANDA A STRONGLY WORDED LETTER

- the minute General Charles Les came into the picture i hated him so hard, even though his literal first word was ‘Whee!!!!’, though i can appreciate the sentiment and what LMM was tryna do there

- “Washington cannot be left to his devices indescisive, from crisis to crisis” — sweet baby jesus that alliteration, and jon rua totally pulled it off (i hate General Charles Lee not the person who played him, i can also appreciate the fact that as an actor it takes a lot of talent to be able to make you hate a character so easily, also shoutout to Jonathan Groff as King Georgey-Boy™️, Sydney James Harcourt as james reynolds, and the general way LMM somehow made me fed up/turn on Alexander with the whole scene with him and Maria Reynolds — and not only that but somehow redeemed himself to me which is easier said than done for characters and people alike.. i’ve been hurt too much to play like that.

- Act 1: 15. Ten Duel Commandments

- honorable mention: “if you don’t reach peace, that’s alright. time to get some pistols and a doctor on site. you pay him in advance, you treat him with civility. you have him turn around so he can have deniability.”

- Act 1: 17. That Would Be Enough

- honorable mention: the melody that LMM went with for that turn of phraseis a truly beautiful thing

- “Immigrants:” — “We get the job done.”

- THE FACT THAT MY MAIN MAN HERCULE MULLIGAN WAS ON THE INSIDE NOT ONLY DID I CALL IT BUT DAMN HE REALLY GOT THAT GOOD HOT TRIBUTE HE DESERVED

- “To my brother’s a revolutionary covenant! I’m runnin’ with the sons of liberty and I am lovin’ it! See, that’s what happens when you up against the ruffians. We’re in the shit now, somebody gotta shovel it! Hercules Mulligan, I need no introduction, when you knock me down I get the fuck back up again!”

- Act 1: 21. What Comes Next

- honorable mention: “i’m so blue” — the little squat that Groffsauce does as the light turns blue really got to me

- Act 1: 22. Dear Theodosia

- Leslie Odom Jr.’s voice is so ding dang delightfully airy

- honorable mention: “You have my eyes. You have your mother’s name. When you came into the world, you cried and it broke my heart.”

- Act 1: 23. Non-Stop

- as someone with siblings i can appreciate that they’re bickering like that’s just what they are

- “I was chosen for the constitutional convention! *squeal*”

- “Burr, we studied and we fought and we killed for the notion of a nation we now get to build. For once in your life, take a stand with pride. I don’t understand how you stand to the side.”

- Act 2: 1. What’d I Miss?

- honorable mention: “But the sun comes up and the world still spins.”

- Act 2: 2. Cabinet Battle #1

- honorable mention: “DOIN’ WHATEVER THE HELL IT IS YOU DO IN MONTICELLO!”

- tomorrow and tomorrow and tomorrow

- “Daddy, daddy, look.... My name is Philip. I am a poet. I wrote this poem just to show it. And I just turned nine. You can write rhymes but you can’t write mine.” - “What!” - “I practice French and play piano with my mother.” — “Uh-huh!” — “I have a sister but I want a little brother.” — “Okay!” — “My daddy’s trying to start America’s bank. Un deux trois quatre cinq!” — “Bravo!” — “Hey, our kid is pretty great.”

- as much as i hate Act 2: 4. Say No To This (because for some reason i though Alexander Hamilton was better than that) Jasmine Cephas Jones sings in it is like a hot knife through butter — namely; “My husband’s doin’ me wrong beatin’ me, cheatin’ me, mistreatin’ me...”... I guess maybe I understand it ‘cause damn Jasmine Cephas Jones is so ding dang pretty and ding dang talented and wow what a remarkable person

- the way that Lin says “And her body’s saying, ‘hell, yes’ is um.. 😓

- “You see, that was my wife you decided to” — “Fuuuu—“

- Act 2: 5. The Room Where It Happens

- honorable mention: “Bros.”

- “Talk less. Smile more.” LMM being a dramatic bastard

- Act 2: 6. Schuyler Defeated

- Act 2: 7. Cabinet Battle #2

- “revolution is messy but now is the time to stand."

- honorable mention: “Ooh!!”

- “We signed a treaty with a King whose head is now in a basket. Would you like to take it out and ask it? ‘Should we honor our treaty, King Louis’ head?’ ‘Uh... do whatever you want, I’m super dead.’”

- Thomas Jefferson all like “but sir do we not fight for freedom” MY BAD SIR YOU ARE A SLAVE-OWNER HOW ABOUT YOU NOT

- mentioning Lafayette because apparently LMM has no problem with breaking the fourth wall

- “Daddy’s calling.”

- “I’m in the cabinet. I am complicit in watching him grabbin’ at power and kiss it. If Washington isn’t gon’ listen to disciplined dissidents, this is the difference. This kid is out!”

- “Southern motherfuckin’ Democratic-Republicans!”

- “The emperor has no clothes.”

- “Sir, I don’t know what you heard but whatever it is Jefferson started it.” — “Thomas Jefferson resigned this morning.” — “You’re kidding.” — “I need a favor.” — “Whatever you say, sir, Jefferson will pay for his behavior.” — “I’ll use the press. I’ll write under a pseudonym, you’ll see what I can do to him—“ — “Yes! He resigned you can finally speak your mind!” — “Ha. Good luck defeating you, sir.” - “I’m sorry, what?”

- Act 2: 10. I Know Him

- “—Vice President.” — “— No more Mr. Nice President.”

- “Sit down, John, you fat motherf—“

- Act 2: 12. We Know

- honorable mention: “You see that was my wife you decided to—“ — “WHAT—“

- Act 2: 13. Hurricane

- Act 2: 14. The Reynolds Pamphlet

- honorable mention: *DEEP VOICE* “DAMN”

- Act 2: 15. Burn

- i’ll be the first to say i wasn’t a huge fan of Eliza at first aside from Phillipa Soo’s killer voice

- this gave me a lot of respect for her

- honorable mention: “You have married an Icarus. He has flown too close to the sun.”

- Act 2: 16. Blow Us All Away

- i would like to point out that tweet where someone @‘s LMM about not mentioning Philip’s hot and he responds “I’M FAIRLY F**CKING SURE I DID”, y’know ⤵️

- “The ladies say my brain’s not where the resemblance stops.”

- “God, you’re a fox.”

- Act 2: 17. Stay Alive (Reprise)

- The ‘I know, I know. Shh.’ and the full circle back to his mom teaching him french on the piano really got to me for the beautiful artistry in it but also damn them feels

- Act 2: 18. It’s Quiet Uptown

- “I spend hours in the garden. I walk alone to the store and it’s quiet uptown. I never liked the quiet before. I take the children to church on Sunday, a sign of the cross at the door, and I pray. That never used to happen before.”

- “Philip, you would like it uptown. It’s quiet uptown.”

- “You knock me out, I fall apart.”

- “Eliza, do you like it uptown? It’s quiet uptown.”

- “There are moments that the words don’t reach. There is suffering too terrible to name. You hold your child as tight as you can and push away the unimaginable. The moments when you’re in so deep it feels easier to just swim down.”

- “There are moments that the words don’t reach. There is a grace too powerful to name. We push away what we can never understand. We push away the unimaginable.”

- “Can you imagine?”

- Act 2: 19. The Election of 1800

- honorable mention: “And they say I’m a Francophile: at least they know I know where France is!”

- “You used to work on the same staff” — “Whaaaat.”

- “Honestly, it’s kind of draining.” — “Burr...” — “Sir!” — “Is there anything you wouldn’t do?” — “No. I’m chasing what I want. And you know what?” — “What?” — “I learned that from you.” / this moment made the blow that he voted for Jefferson like a damn hole in my chest and i actually really felt for Burr. i get Hammy’s reluctance, i think if anything he was hoping voting for Jefferson would give Burr the chance to have experience as VP and then the next election he might vote for him then depending

- Act 2: 20. Your Obedient Servant

- A. Burr

- A. Ham

- “I just need to write something down.” / really resonated as one of the last things they showed him doing before going off to the duel, his life really was writing and that was the perfect way to say that in a very subtle sort of way. i really appreciate it artistically, whether it was intentionally so or not.

- Act 2: 22. The World Was Wide Enough

- okay but first of all i would like to comment on the fact that Ariana DeBose PLAYS THE GODDAMN BULLET, I JUST

- THE FACT THAT THE BULLET HAS A PART

- “This man will not make an orphan of my daughter.” / this made me really sympathize with Burr, as well as when he tries to go towards Hamilton (at least in the play but I sincerely hope that was historically accurate) / but also that fact that Theodosia Burr was lost at sea at 29 makes me sad because Hamilton’s life was taken to give her one and then she just up and disappears in a freak accident

- Act 2: 23. Who Lives, Who Dies, Who Tells Your Story

- the orphanage got to me

- i loved that he (LMM) didn’t end it with himself or anything

- he let Phillipa Soo tear my heart out

- it killed me but i died quite happily

- and really what more could you ask for.

[mychemicalficrecs]

could i get a rec list of long (30k+) frank-centric any pairing fics? (preferably not in first person, and if there's smut with bottom frank)…weirdly specific but at least i know what i like?

Being specific is totally fine! Depending on what it is you’re looking for, it can even be super helpful :) I originally thought this would be difficult, but it turns out I already had all of these in my bookmarks. It didn’t specifically check for bottom!Frank though (sorry).

Frank-centric Longfic

Gerard Way's (Vampire) Detective Agency by jjtaylor, Pennyplainknits, mainly Frank/Gerard, 164k, Mature. Pete, in Decaydance Mansion, with a yarrow stake. Frank and Gerard, in the greenhouse, with a plant of questionable origin. Bob, everywhere you look, with a gang of assassins for justice. Vampires, valets, pamphlets, haunted furniture, dub-thrall, disembodied voices, zombie couriers, and sinister rituals.

Nightswimming by waxjism, Frank/Gerard, 141k, Not Rated. My Teenage Romance

Unholyverse by Bexless, Frank/Gerard, Ray/Mikey, 187k, Mature, Explicit. Religion! Horror! Exorcisms! Piercings! And Gerard is a priest.

Illyria (King and Country) by tabulaxrasa, Frank/Gerard, 57k, Explicit. Today, they'd woken up and Gerard was King of Illyria. Frank hasn't really been a stable boy since he ended up in the archduke's bed, but now Gerard's exile is over and he's king. Frank has to survive court, politics, and scheming nobles to figure out exactly what he is now.

Stunning Someone by morbid_beauty, Frank/Gerard, 82k, Explicit. Frankie, a tattoo artist living in Brooklyn, has basically everything ze wants...except, like, someone to cuddle with at night. As lame as that sounds. Gerard, an art student living in Manhattan, meets someone of questionable gender and starts a friendship with an unrequited crush. (Or: the one where Frankie is genderfluid, Gerard is kind of ignorant to much of the queer community, and sometimes you just fall for a stunning someone.)

Envision the Magic by innocent_wolves, Frank/Gerard, 69k, Teen And Up Audiences. Gerard is a talented magician, responsible for much of the success of the famous Envision Destiny cruise ship. He's also one of those people. You know, one of those people who just seem to take up all the space they come across with their arrogance and confidence. You wouldn't wanna touch their personality with a 10-foot pole, but still people admire them. That is beyond Frank. Working behind the cruise ship bars and seeing Gerard pretty much every day, he can't understand what's so great about him. Besides, everybody else doesn't have to deal with his snide remarks and rude comments. Because if there's one thing Gerard seems to love, it's the act of constantly pestering Frank.

Truths That He Learned by gala_apples, Frank/Mikey, Patrick/Mikey/Pete, Ashlee/Patrick/Pete, 37k, Explicit. It's Frank's senior year, and it seems like he's constantly having new experiences, at least half of which come as a complete surprise to him. He falls in love, comes out, and has sex, not necessarily in that order.

Fit to be tied by maryangel, Frank/Gerard, 56k, Explicit. Frank is a bartender. Gerard is an alcoholic. They were clearly made for each other. Also, Frank is a werewolf.

Only Going One Way by ataratah, jjtaylor, Frank/Gerard, 73k, Mature. Crossover with due South. Constable Gerard Way of the Royal Canadian Mounted Police and Detective Frank Iero of the Chicago PD team up find Mikey Way in a city where bowling alley score cards hide secret codes, where the good guys are either lying or undercover (and sometimes lying about being undercover), and where criminal bakers make drug-laced frosting.

James Cameron Got It Wrong by ladyfoxxx, Frank/Fun Ghoul/Party Poison, 57k, Explicit. In which 2005!Frank and Fun Ghoul get it on. Then Frank accidentally winds up in 2019.

Rock and Roll Never Looked so Beautiful by corruptedkid, Frank/Gerard, 58k, Explicit. Gerard Way is a rising solo artist, set to become the next big thing in the alternative scene. Frank Iero is a trashy punk with a reputation of his own as the frontman of Pencey Prep. When their paths cross, a love story is born, only to come crashing down when Gerard hits it big. As Gerard ascends to the A-list, Frank adjusts to life on his own. He almost manages it - until two years later, when fate puts him face to face with Gerard once more. Everything has changed, but the connection between them is still there. Their story has ended once before, but if they're lucky, they just might make a new one.

I never told you what I do for a living. by not0-fuckin-kay, Frank/Gerard, 60k+, PG-13 to NC-17. Frank Iero, male nurse at Pete Wentz's private hospital and possibly more to one new patient he can't keep his eyes off of. When a new pateint is brought in with amnesia, just days before Christmas, and with nothing but the clothes on his back and a strange drawing, it's left to Frank to find out who he is and what happened to him. When he does, it changes Frank's life forever, as he's thrust into love and health scares he never thought would complicate his life. This is the story of how he tries to make it through, juggling his job and his love-life and just trying to make things better. With Patrick the doctor, Bob the ward supervisor, Travis the unlikely therapist, and Mikey, the sometimes wannabe homicidal geek.

and me here on the ground by ohnoktcsk, Frank/Gerard, 32k, Explicit. Frank's worked hard to build a life for himself in the city of Jersey, where dragons swoop and dive over the river, and every day is divided by the ringing of the city bells. He knows the streets of the city like he knows the the tattoos on the backs of his hands, and he's content with what he has: a job as a bike courier, friends who love to give him shit, and a crush on a professor of art history at the local university. But he's also got a secret—one he's been running from for a long time. But all it takes is one delivery to a mysterious, quite-probably-magical bookshop to show Frank that there are some things you can’t outrun. Especially since he’s finally found a place that he doesn’t want to leave.

Companion by onceuponamoon, Frank/Gerard, 34k, Explicit. A workplace AU. There’s a dude sitting in one of the high-backed chairs opposite the reception desk. Mostly obscured by a fake ficus plant between them, the guy probably wouldn’t have been noticeable save for the lazy sprawl of his legs, the Chucks contrasting against the floral rug.

Your Heart The Only Place That I Call Home by dear_monday, Frank/Gerard, 30k, Explicit. When Frank and his crew of morally ambiguous ethernauts (pirates, as Imperial law would have it, but that's such an ugly word) fetch up on the doorstep of the fabled Sanctuary, they aren't expecting to find much - least of all a long-lost brother, a garden in a box and the key to an ancient riddle.

Give Me a Reason by mistresscurvy, Lindsey/Frank/Jamia/Gerard and most variants thereof, 38k, Explicit. July 2007. Frank is fucking stoked for the next tour. This one will be the best ever, because his wife's gonna be with him the entire time. They've been married for less than six months, and he still can't fucking believe he got to marry her. This summer is going to rock. But life never happens as he plans.

In Repair by autoschediastic, Frank/Gerard, 33k, Explicit. "Shit," Frank mutters, and shoves both hands through his hair. He looks around the kitchen like he's gonna find what he should do scratched into the old linoleum, then looks back at the bot. He gnaws on his lip. Fuck it. He already knows what he's gonna do. He's just gotta do it. Getting down on his knees, he braces a hand on the edge of the crate and leans over the bot. It's dressed in a plain white tee and matching drawstring pants like an escaped mental patient. Frank rolls his neck and cracks his knuckles, shaking the ache out of them before carefully laying his palm against its cheek. He's pretty sure his voice is steady when he says, "Activate." Nothing happens. Fucking shitty packaging-- the thing's busted. But Frank keeps his hand where it is, jumping a little when he feels the surge of energy beneath it. The robot's skin goes from room temperature to lukewarm, then warm. Frank watches it open its eyes, the light behind them adjusting until they're a pale sort of brown. It looks at him and asks, "Am I dead?"

Promises, Promises by silentdescant, Frank/Gerard, 31k, Explicit. "Sources on our investigative team say this was a bank robbery gone wrong, and that, when faced with a police task force surrounding the building, the suspect grabbed the nearest person and is now holding that young man at gunpoint as he makes his getaway."

Cover To Cover by silentdescant, Frank/Gerard, 32k, Explicit. You've Got Mail AU. Frank owns The Shop Around The Corner, which specializes in classic and rare books, and Gerard is opening up a large branch of Way Books & Café down the street. They meet online and fall in love.

Love: The Package Deal by jjtaylor, Frank/Gerard, Lindsey/Frank/Jamia/Gerard, 30k, Mature. Gerard gets a special kind of amnesia. Frank gets to reexamine his idea of acceptable relationship structures. Lots of people fail to communicate effectively, but they all sure remember how to kiss.

Let The Darkness Lead You Home by rivers_bend, Frank/Gerard, 49k, Explicit. Vampires are in charge and most of the humans on earth are prey, so Frank Iero's parents have him train as a cyber tech to protect him. Leaving the family he's born into may have saved his life, but his parents never could have expected the lengths he'd go to in order to find a new family to call home.

Gross roomies by turps, Frank/Mikey, 36k, Explicit. Frank loves living with Mikey. Sure, the apartment is a mess, the kitchen's a toxic wasteland, and there's something growing in the refrigerator that's just a day or two away from becoming sentient, but other than those minor inconveniences, it's all cool. Or it is until Mikey decides to embark on a journey of sexual discovery and adventure and Frank's left at home with nothing but the fridge monster for company. To make matters worse, Mikey insists on telling Frank everything he does with his new kinky friends, right down to the tiniest detail. And now suddenly Frank is best friends with his right hand and he can't stop thinking about Mikey in ways he never has before. The really big problem, other than suddenly being in lust with his best friend, is that Frank isn't sure why.

Of All The Hidden Corners by moneyes, Frank/Gerard, ~44k, PG-13. An epic, adventurous tale filled with alternate universes, lords, mischief, magical powers, snark, boyfriends, and luck of the bad kind.

Church of Hot Addiction by spleenjournal, 0nlymemories, Frank/Gerard, Frank/Mikey, 36k, Adult. When Gerard Way gets transferred to Our Lady of Peace in Arlington a few weeks into his Senior year, he thinks it's his chance to be cool. Too bad his idea of "cool" is no cooler than it was in 3rd grade, even if there aren't any green tights.

Paradox 'verse by stoplightglow, Frank/Gerard, 42k, Mature. You know the saying. The best part about hitting rock bottom is that you get to meet a hot psychic.

[rtonart]

My thoughts on sally face episode 5

I know I said I would have this out the other day, but this weekend kicked my ass and I needed more time to get all my thoughts out. So here it is, it’s a bit of a doozy just a heads up. I’d like to put a bit of a disclaimer here with this post: I do not want to, nor wish to start fights cause trouble, or invalidate anyone's thoughts or feelings on the newest episode. I just want to get my thoughts and feelings out there. I’d love to have an open discussion with everybody about this series as a whole, and see where most people stand on how you feel about the ending. There seems to be a lot of divide amongst the fans, and I’d like to know why you feel the way you do, some either loved the ending some absolutely hated it and some like myself just kind of felt empty after it was all over. Also, heads up spoilers. Spoiler free version: The ending felt hollow at first, and it still does even now, because of how rushed it all felt leading up to it. Even with the epilogue it just doesn't feel like this story is really over, maybe that's what you were going for, it seems like that to me, I feel like we haven’t seen the last of the Sally face crew. If it is however, then that just sucks, I knew there wasn’t going to be a truly happy ending but it could have ended much better than this. There was so much untapped potential, I hope Steve learns from this and whatever he decides to do next, he takes more time with thinks it through and things go better. You really are very talented Steve, I just think you need to pace yourself next time. Spoiler filled version: So for this section, I’m gonna talk about the things I liked about this game, and the things I didn’t. I’ll also be pointing out all the questions I personally have from this episode, and previous episodes Let’s start off with what I didn’t like, and I’ll end with what I did like here goes. What I didn’t like and questions I have: Let’s get the biggest thing out of the way right now, Steve, you did your characters so dirty especially Maple, Neil, Travis, Larry, and Ash. I’ll put them in their own little sections, and go from there when I get to them for now, here are some of the questions I have in no particular order. What happened with the red ball? I remember in the second episode I believe, Sal was talking to Jim’s disembodied head from the other side, and Jim said “The red ball, don’t forget the red ball” Why was that so important? What would the red ball have done?  Why did he need to bring it? And why did you just drop it in episode 5? Why was Maple overtaken by the demon when she was out with her parents the night of the incident? By all accounts she should have been okay, she was even shown in court when Sal was on trial totally fine. What happened between then and now to change her? I wanted to see her join Ash, and Neil and get revenge on the cult for taking her baby, her husband, and her friends away. But you just went and made her go crazy that was super disappointing. How big is this cults reach? Supposedly it’s Travis’ dad who tried to murder Sal as a child, then Diane sheilded him from the gunshot dying in the process. Okay, cool, fine, except that was in Jersey, when Sal was a little kid so like how old is Travis’ dad? Was that really Travis’ dad? Or do all the cult leaders wear that dog mask? And how did their reach spread so far, it seemed like this was only happening in Nockfell. But now you’re saying that they’re so powerful and evil, that they not only single handedly wiped out a majority of a group of people, they’re just going around murdering children by the dozens, and can cover it up completely okay, sure, why not. What happened to all ghosts in Addison apartments? Did they all disappear into the void, like Larry when the tree house was burnt down? I was wanting to see if they come back to help Sal while he was a ghost. What happened to the bodies of the dead that weren't taken away by police IE Dr Enon and Larry. Why when it was all said and done, when Larry vanished Sal was just like, “We’ll maybe, probably, see him again one day who knows.” Everyone in this episode just seemed off to me I can’t stand it. I believe those are most of the questions I have, that I can think of off the top of my head, that seemed like the most important to me. Let’s get onto the characters, I don’t want to make this too long but we’ll see how it goes. Jim Johonson: Jim seemed so cold and distant, and unusually out of character to me personally, like you’re this all knowing, all seeing being. You can see just how much not only Sal, but your wife, and your son have suffered, and all work it took to try and fix things and you just kind of brush it aside and don’t really do much in the grand scheme of things.  Ash: Ash got a raw deal, she is living with the guilt of betraying her friend, which at the time she had good reason to. He did murder an entier apartment complex, she was doing so good, and working so hard, up till the point she felt like she failed not only Sal, but herself and her firends. That she decided to off herself right there and then, without a second thought, I mean, it worked out in the end but jesus, it didn’t have to come to that. She could have I don’t know willingly let Sal’s soul into her body so they could fight the cult? 

Larry: I’m actually pretty mad with what happened to Larry, like, are you serious? He went on this whole adventure after his second death, and became an all seeing ghost wizard like his dad, and I thought, “Oh cool, he’ll get to live forever now as a spirit just like his dad, nice, now they can-” NOPE. Dead. He did get to help Sal till the battle was over but really?  We could have had a whole second section of the game going through his journey. Neil: It hurt to see all the crap he went through, not only did he lose his boyfriend for god knows how long to this cult. But he gets captured and murdered along with Maple trying to save him and stop the cult. When he kept saying, “My Todd” it hurt my heart, I just wanted them to at least be happy if nothing else, him Ash, Todd, Maple, and Travis deserved to at least come out of this together, messed up, but alive and able to move on. Travis: You did Travis so dirty it isn’t even funny, I honestly thought he was going to end up being a bigger part in all this, what with the bathroom scene the partial confession about all his problems to Sal, he was a really interesting character and I wanted to see him overcome at least some of his problems, and be a major part of the gang but that didn’t happen. How long was he apart of the cult? His entier life? Tala Grey: She seemed super interesting at first, and I was into the backstory and the notes about her, and her family, but at the same time this was one of the things that confused me the most. Why add her, and her backstory about her ancestors, this late into the game if you ultimately weren't going to do anything with it? I know that section went on a while, I’m sorry, I didn’t think this was going to go on as much as it did, my gosh. I’m almost done, I promise if you’ve read this far thank you. What I did like: The music is on par with all the tracks from the previous episodes.  The various alternate realities, this retroactively means everyone's AUs are cannon, which is always fun I say go ham everybody. The art Steve is getting better and better with each episode I just really like seeing improvement in people it warms my heart. The gameplay it was a bit glitchy at times, but it was fun beating cultist asses. The moment when Sal was in the car with his dad, on the way home with his prosthetic and he says, “I picked pink because it’s mommy’s favorite color, I hope she’ll recognize me with it on.” Made my heart hurt, it was so sweet and sad, I love that sweet boy so much. Baby Larry in that picture with him and his grandma. Old man ghost wizard Larry is my everything now, he’s amazing and I love him. Diane being a good, loving, protective, mom is valid. The claymation world, and rubber hose world were my most favorites and those were great. And finally the line, “Eat my ass, you red eyed bitch.” made me laugh so hard I about peed myself while playing. I liked that they were able to put an end to the cult if nothing else. Episode 5 was a mixed bag for me personally, just taking more time to look back on it, while I did have fun with it, it was simply too much, too soon, too fast, just as things felt they finally got going it had ended and it just felt hollow to me overall. Steve I hope you never stop creating, be it by making music, art, or games. I want you to hear what your fans have to say learn from it. You can do some incredible things and I want to see more from you in the future. If anyone read this far, thank you, and I’d love to hear what you all have to say if anything. 

[hmel78]

In conversation with Keith Emerson ...

Keith Emerson (02.11.44  – 11.03.16)

The Father of progressive rock; the man responsible for the introduction of the Moog synthesiser to the ears of the unsuspecting music lover in the 1960’s; and without a doubt one of the 20th and 21st Centuries (to date) most prolific and talented composers of modern classical music.   In a career spanning 6 decades, which has earned him notability as a pianist and keyboard player, a composer, performer, and conductor of his own music alongside the World’s finest orchestras; as well as achieving super success with “Emerson, Lake, and Palmer” - 2014 has been no less eventful for Keith Emerson! With his 70th Birthday approaching, Helen Robinson caught up with him for a very ‘up-beat’ chat about (amongst other things) the re-releases of his solo records, a brand new album with Greg Lake “Live at Manticore Hall”, his favourite solo works, and his memories of the times spent writing and recording with ‘The Nice’, and ‘ELP’.

HR : This has been a busy year for you so far Keith!   KE : Yes! I’ve been up to allsorts! [laughs]

Music wise – what can I tell you?   Cherry Red , Esoteric, have re-mastered and re-released 3 of my solo albums – “Changing States”,  another which I recorded in the Bahamas called “Honky”, and a compilation of my film scores which consisted of  "Nighthawks”, “Best Revenge”, "Inferno”,  “La Chiesa (The Church)”, "Murderock”, "Harmagedon” and "Godzilla Final Wars”.

HR : That must have been a difficult selection to make based on the number of scores you’ve written! Do you have a particular favourite genre of film to write a score for?

KE : Favourite genre?  Boy, well, I just love film score composition, you know? When I first started I had been touring with ELP for some years, and we’d toured with a full 80 piece orchestra but it was just too expensive – we had to drop the orchestra and continue as a trio, which was very upsetting for me.   I was entranced by what an orchestra could actually do, and found that with doing film music I could work under a commission and have the orchestra paid for by the film company!

It’s always a challenge. I think a lot of composers like to write dramatic music. I like writing romantic music as well – I’ve also written for science fiction where you can let your musical imagination go pretty much where you want, but generally you have to cater specifically to the film. First of all I like to get a good idea of who the producer and director is, and who is likely to be cast as playing the lead roles.  I like to read the script – which helps prior to meeting up with the director and producer. When I wrote the music to Night Hawks I was sent, by Universal films, news of a new film to be made by Sylvester Stallone, a new guy at the time called Rutger Hauer, and Billy Dee Williams, also Lindsay Wagner.   It was basically a terrorist film – not the terrorism that we shockingly see today – but back then it was the beginning of terrorism and was quite mild by today’s standards, however it was still sort of ground breaking as far as writing the score was concerned.  

It’s about vision with film score work.

Although really it’s all about vision with anything you’re writing, and I suppose many of the disagreements that ELP had during their time – of course a lot of it came to wonderful fruition – were not seeing eye to eye because we had such different tastes in music. Ubiquitous I would say – we bounded from one thing to another. Just when you thought it was getting serious we’d want to have some fun and do something light hearted but I’ve always maintained that variation is essential.

I think that’s what helped ELP quite a lot – especially live - in any particular set you had the heavy stuff like “Tarkus” and “Pictures At an Exhibition”, for the guys in the audience, and for the females who attended reluctantly - dragged along by their boyfriend or husbands and just sit there -  I mean, I didn’t sit, I was standing and leaping around [laughs] but you couldn’t help notice the glum looking females in the audience wondering when all this was going to be over.

I think when ELP were together as a unit, we managed to meet everybody’s needs. Greg came up with some really great ballads which sort of got home to the feminine heart, like “From The Beginning” – the feminine heart goes “aaah aint that nice” [laughs] and then suddenly you get the bombardment of something like “Karn Evil 9” and it’s like “Oh GOD”!!

HR : I’d like to talk more about ELP, of course, however there’s so much more outside of that unit , which you have been involved with, that has had quite an influence on modern music.   You’ve got an extraordinary and fairly extensive discography, which we can pick whatever you’d like to talk about, but I’d like to start with ‘The Nice’  -  “Ars Longa Vita Brevis” ...

KE : Ah Yes ‘’Art is long, life is short” - Lee Jackson came up with that title - he’d studied a bit of Latin ... [laughs]

Going back to the 1960’s then – I suppose it was ‘66 when ‘The Nice’ formed – originally as a quartet. Drums, bass, Hammond organ or keyboards, and guitar player.  After the first album we decided to move on as a trio, although I did try to find another guitar player.   I actually auditioned a guy called Steve Howe, who was considering getting together with Jon Anderson, and Chris Squire and forming a band called “Yes”.  Steve was much more interested in getting with the “Yes” guys, so meanwhile ‘The Nice’ continued as a trio with Lee Jackson on bass, Brian Davison on Drums, and myself on Hammond and keys.   It was during this time that I was introduced to a new invention designed by Dr Robert Moog, which became the moog synthesiser, so I was the first to introduce that into live performance.  

With ‘The Nice’ we had come out of an era called the underground / Psychedelia.  

I was very friendly with Frank Zappa and the mothers of invention, and they were really far ahead of their time.

Frank approached me one day, because I was composing and playing with the London orchestras even then, and said ‘’Keith - how do you deal with English orchestras? They’re hopeless!”

And I said ‘’Well, they’re very conservative Frank. If you really want to make it with the London Symphony, or the London Philharmonic - if you really want my advice, I think you should try and change some of the lyrics of your songs. If you’re going to get in front of the London Philharmonic and sing stuff like ‘’Why does it hurt when I pee?’’ obviously these guys are not going to take very kindly to it!” [laughs]

I’d actually done Bachs Brandenburg concerto #3 with a chamber orchestra and had a degree of success in the English charts-  around about the same time ,  Jon Lord  [Deep Purple, Whitesnake] was writing his concerto for orchestra too. I’d already written the “5 bridges suite” which I had recorded with ‘The Nice’ at Fairfield hall in London. So basically Jon Lord and I were kind of both struggling with Orchestras and moving along into what came next musically for the both of us –   Jon was a very good friend.

I think round about the turn of 1970, I had noticed what Steve Howe was doing and it was very harmonic, whereas ‘The Nice’ - well we were a bit more bizarre, and I listen back to it now and I suppose I have a slight bit of embarrassment about how ‘The Nice’ were presenting themselves.

And back then I’d started looking at bands like ‘Yes’, and there were a lot of other bands too, who were really concentrating on the tunes and the vocal element, so that’s when and why I formed ‘Emerson Lake and Palmer’ - in 1970 - and endorsed the whole sound with the moog synthesiser. It sort of took off, and became known as what we know today as “Prog Rock”.  We didn’t have a name for it at that time, we just thought it was contemporary rock. I mean it wasn’t the blues, it wasn’t jazz, but it was a mixture of all of these things, and that’s when we went through.

The first album of ELP, [Emerson, Lake, & Palmer] recorded in 1970; we were still learning how to write together as a unit, so consequently when you listen to it, you’ll hear a lot of instrumentals; mainly because there were no lyrics and there was a pressure on the band to get an album out. For some reason there was an extreme interest in the band - We were to be considered as the next super group after ‘Crosby Stills & Nash’, which we certainly didn’t like the idea of.   That album went very well.   Unfortunately the record company decided to release “Lucky Man” - which was a last minute thought – as a single, and it took off. My concern was the fact that, OK yeah the ending has the big moog sweeps and everything like that going on – but how on earth  do we do all the vocals live? Thousands of vocal overdubs over the top and neither Carl nor I sang.   You know - I sing so bad that a lot of people refuse to even read my lips!   And as far as Carl Palmer was concerned he had “Athletes Voice” and people just ran away when he sang! It was a hopeless task of actually being able to recreate “Lucky Man” on stage, so eventually Greg just did it as an acoustic guitar solo.   It was that one sort of Oasis, in a storm of very macho guy stuff, where the women just went [in a girly voice] “Oh I like that, that’s nice”.  [laughs]

So, inspired by that we got more grandiose and put out ‘’Pictures At An Exhibition” – another bombastic piece based upon Mussorgsky’s epic work. For some reason Greg wanted it released at a reduced price because he said it wasn’t the right direction for ELP to go. So we released it for about £1 and it went straight to number 1!  Then the record company called up and said ‘’what are you doing? This is a hit record and you’re just selling it for £1??!!’’, so I said ‘’well yeah it’s a bit stupid isn’t it?” – so when it was released in America it was at its full price and ended up nominated for a Grammy award! ELP had a lot to do to create the piece you know?   We disagreed on lots of issues but in order to keep the ball rolling we just moved on with the next one, which was in fact “Trilogy”.

I thought it was about this time in ELPs life that we had learned how to tolerate each other, how to write together, and how to be very constructive. “Trilogy” is a complete mish-mash, you go from one thing to another; there’s a Bolero, and then ‘Sherriff’ – which is kind of western bar jangly piano playing on it.   I don’t think you could find such a complete diversity buying a record like that these days. We were very much inspired by our audience accepting that.  

Actually Sony Records are going to re release it in 5.1 – they’re doing a wonderful package with out-takes and everything – I’ve just competed doing the liner notes.

We moved on again then, and started the makings of “Brain Salad Surgery” which was a step further.  

After that I worked on my piano concerto played by the London Philharmonic Orchestra, and actually it’s still being performed all over the world - Australia, Poland, and in October I’m going to East Coast America to do some conducting – Jeffrey Beagle, who’s a great classical pianist, is going to perform it then, and I’m going to perform some other new works of mine.  

HR : Are you likely to release a recording of it?

KE : Yes I guess it might be ... I’ll let you know. It’s a dauntless compelling challenge. I have conducted and played with orchestras before and I’m very thankful to have classical guys around me who are able to point me in the right direction.   I was never classically trained. I started off playing by ear and then having private piano lessons, and then basically teaching myself how to orchestrate. I’m still taking lessons in conducting and I don’t think I’ll ever get to the standard of the greats like Dudamel or Bernstein – I don’t think I’ll ever be able to conduct Wagner, but so long as I’ve written the piece of music I think I’ve got an idea of roughly how it goes!  [laughs] Thankfully I’ve worked with Orchestras who are very kind to me.

HR : Do you enjoy the performance as much as the writing?

KE : Actually I enjoy the writing more than the performance. I know I wrote an Autobiography called ‘’Pictures Of An Exhibitionist” but that’s the last thing that I am really.   I’m pretty much a recluse. I’ve got my Norton 850 and I’m happy ...

HR : I was going to ask you about the Theatrics on stage – Why Knives and swords? Was there something which influenced the decision to include that as a part of your performance, or was it purely born out of frustration from working with Carl and Greg?

KE : [laughs]  Well you see in the 60s, I toured with bands like The Who, and I watched Pete Townshend; I toured with Jimi Hendrix too, and I thought that if the piano is going to take off then the best thing to do is like really learn to become a great piano or and keyboard player, but I also thought “that aint gonna last with a Rock audience in a Rock situation”, mainly because the piano or Hammond organ  - well from the audience you look up on stage and it’s just a piece of furniture! Whereas the guitar player can come on stage and he’s got this thing strapped around his neck, he can wander up and down the sage, check out the chicks, and he’s the guy that has all the fun.   The organ player meanwhile is just seated there at a piece of furniture like he’s sat at a table.   So a lot of what I did was for the excitement of it, and I suppose to exemplify the fact that I could play it back to front. A lot of my comic heroes like Victor Borg, Dudley Moore – they all came into the whole issue too.

I’ll tell you this ok? I once went to see a band at the Marquee club when it was in Wardour Street in London, and I can’t remember this guys name now, but he played Hammond organ - he was a very narky looking fellow, and went on stage wearing a schoolboys outfit which caused a lot of the girls in the audience to chuckle.   I stood at the back of the Marquee club and watched his performance - a lot of the stops and things were falling off his organ, so he had a screwdriver to keep holding certain keys down, and then suddenly the back of his Hammond fell off – and I don’t think it was intentional, because he looked really quite distraught, but he caused so much laughter from the audience. I went away thinking “there is something there, I’m going to use that” ... I actually thought it would be a great idea to stick a knife into the organ, rather than a screw driver -the reason for this was to hold down a 4th and a 5th , or maybe any 5th, or say a ‘C’ and an ‘F’ or a ‘G’, whatever, and then be able to go off stage, take the power off the Hammond, so that it would just die away -  it would go ‘’whoooaaaaaaaoooooh’’; and  then I’d plug it back in and it would  power back up and create like the noise of an air-raid siren, and of course the drummer and bass player would react to that.  It got really interesting. We actually had a road manager at the time by the name of ‘’Lemmy’’ who went on to be with Motorhead.   He gave me 2 Hitler Youth Daggers and said [best Lemmy impression] “here! If you’re going to use a knife, use a real one!”

So that was the start of all that, and people loved it, and actually Hendrix loved it too –  somewhere in his archive collection there must be some footage of me almost throwing a knife at him [laughs] .

The phase for it was my objection to the 3 assassinations they had in the USA -  JFK, Robert Kennedy, Martin Luther King -   I’d been to America once and seen how quick the Police were to pull out their guns to a woman parking her car illegally – so bizarre.  The 2nd amendment will not go away, as much as they want it to. I’ll reserve further comments on that but that was really the whole objective. I was banned from the Albert Hall for burning a painting of the Stars and Stripes, which took some time to get over, but everything worked and they allowed me live in California now. [laughs]

HR : What about the Manticore Hall show, also released this year, presumably you kept burning paintings off the agenda there? Was it good to work with Greg again? and then the complete ELP line up with Carl at High Voltage?

KE : No! [laughs], and Yes ... Actually that was recorded in 2010 and was an idea set up by a manager associate of mine, and an agent in California. I met up with them and they asked how I felt about doing a Duo tour to lead up to the High Voltage Festival in London.   They convinced me that it was a big festival ... and the idea was to have ELP on the Sunday night there. So the lead up was a duo tour with myself and Greg because Carl was off with Asia at the time.   It had its ups and downs, but it did eventually work very well and it was a very good warm up to doing that Festival date as the 3 of us.   I don’t think there was any intention of us going any further with it. I think the resulting “ELP at High Voltage” was good and also I think the album ‘’Live At Manticore Hall’’ - although it wasn’t released until this year, because Greg initially didn’t want it to be released at all - is good stuff too.   These things happen with bands, it takes a while for us to appreciate how good what we do is, sometimes.

HR : You’d had quite a break from ELP at that point, KE : [interrupts] I wouldn’t say that I ever take a break, if I can put it so lightly, and it’s not lightly, as to say that it’s kind of like a hobby – if I feel so inclined I will go to the piano and will write a piece of music. If that piece of music seems to warrant being augmented by anyone then I find the right people to do it.  I had a great experience last year of going to Japan and hearing the Tokyo Philharmonic play the whole of “Tarkus” – a 90 piece orchestra – I’ve never been so blown away. I worked with a Japanese arranger on the orchestration, and actually used it on an album which I recorded with Marc Bonilla, and Terje Mikkelsen called “Three Fates Project”,  which actually didn’t make it anywhere and I don’t know why. It’s a great album, very orchestral – I did the version of “Tarkus” on that complete with the Munich symphony orchestra. I changed it around slightly – I had Irish fiddle players coming in – I suppose, really you could refer to it as being World Music – it’s probably a great example of that.   It’s not based upon the ELP solo piano composition that we did on ELPs first album. I don’t think the record companies knew how to market it you know? Was it classical? was it rock? It has the complete amalgamation of group and orchestra. Wonderfully recorded. It really is quite mind blowing. Not that I want to blow my own trumpet!   Maybe if the art work had been a little more dynamic then it would have caught people’s attention. I agreed on it, but you see our names and they’re really small - I don’t think people realised who’s album it was.

HR : Have you any plans to perform it in the UK, or other parts of Europe? Scandanavia, for Blackmoon fans? Any tour plans at all?

KE : The thing is, first of all, that the direction that I am going at the moment is very orchestral. And that does take an awful lot of planning. As I say I’m going to play with the South Shore Symphony on the East Coast of America, but touring with an orchestra, as I learnt back in the late 70s with ELP, is very expensive.  It doesn’t make any money if I’m perfectly honest. If someone was to come up with the cost of shipping the instruments about then ...  but it’s not like dishing out the orchestral charts to an orchestra and then have The Moody Blues come on and play, and the strings do all the backing stuff, you know! This music is the music which I’ve written and really demands quite a lot of practicing.

For instance when I was recording “Three Fates” with the Munich Symphony, in Munich, I was interviewed during the break after the first day by a radio station, and they asked ‘’how do you think its going?’’ and I said “well if the orchestra are still here with me in 5 days time, I should be very surprised” [laughs] .   I remember on about the 4th day , one of the members of the orchestra had obviously heard the radio broadcast.   As and I walked out into the garden at break time, I passed one of the Trombonists who was smoking a cigarette and he said ‘’well we’re still here”...

There is an awful lot that can go wrong, of course, especially with orchestras. The copyist can sometimes write a b natural rather than a b flat, or they can get a whole load of other things wrong – and that’s what happened this particular recording.  

Marc Bonilla actually came up to me on a break and said “I think you should go up to the control room, and look at the score mate, something doesn’t sound right”, so you can imagine the look on my face! So off I go I’m up in the control room; radio through to the rehearsal room and start going through the score and sure enough it was wrong. I don’t know why I hadn’t heard that before, but it was down to the copyists – its the same with writing a book and you give it away to the editor – they can still mess it up – as copyists do with music. And sometimes you’ll get the orchestra, and they’ll just play what’s written rather than put their hands up and say “that doesn’t sound right”, for fear of retribution I suppose – so it is frustrating, but it’s very rewarding.

The Mourning Sun, taken from “Three Fates” 

https://www.youtube.com/watch?v=4PcOI8nDDeU

It’s been quite funny with some of these albums that Cherry Red are rereleasing. I happened to give one to my eldest son. I gave him ‘’Honky’’ and he came up to me and he said ‘’here Dad I’ve been listening to the Honky album and it’s really really good!’’  He and his friends are in their 40s now and they’ve all complimented me on it, so that’s the biggest compliment I could have really.

I was recording that album when he was about 4 years old. [laughs]

HR : Is that your favourite then? Honky?

KE : Oh yeah – I had so much fun making that album and I think it shows in it’s humour. It was great. The objective behind it was that I wanted to record with all the local bohemian people - I was living at the time in Nassau in the Bahamas. I didn’t really experience a lot of problems with the black bohemians –  I got on great with them all. There were some great musicians, and I wanted to do a very ethnic album to bring to the attention of the world that we can all get on! I used to drive around Nassau in a limited edition Jeep and kids would run out and yell at me ‘’Honky!’’ and I’d wave thinking ‘that’s kind of fun’.  Then, when I worked in the studio I noticed that the black musicians would all greet themselves with the ‘’N’’ word – we can’t say that now - says in an accent “Yo N ...” – so I thought ‘well if they can do that I am going to call myself a Honky!’ And they were horrified!!  [laughs] So I bluntly spoke to them and I said “listen you guys call yourselves ‘’Ns’’ so I’m calling myself a Honky, and damn it I’m going to call the album that too!” [laughs].  It was a lot of fun.

*** Honky - a derogatory term for a Caucasian person.

HR : We must get something down about Blackmoon – given that this is the title of the Magazine!

KE : [laughs] ELP, Blackmoon.  *sighs* Well  ... I remember from this time that Carl Palmer and myself wanted to have a different producer.

It was all well and good that Greg produced all the other albums but – I don’t think it’s a very good idea for any band ; if they’re involved in the writing and the playing, and then one band member decides he’s going to be a producer too.   You need someone objective to come in and say that they think it’s too long, or whatever ... whereas if you have a part in writing and playing, its obvious that you’re going to pay more attention to it, and Carl and myself really wanted an objective opinion about how to make it work. The producers that we auditioned were very familiar with ELPs work and were really considerate in how they constructed it.  The main consideration - and I think really it was a difficult time because Greg could see that his role as being a former producer of ELP was going to be taken away from him. Whereas for me I felt that Greg’s attention should be more on the writing and the lyrics and other aspects. There is so much that one had to pay attention to when running a band. There are the legal, accounting, and everything else – and above all you have the creative aspect and you really cannot go into a studio and become the producer and wear all these different hats. It doesn’t work, I don’t allow that even on my own music writing.  I’m quite happy to go in and play my music as long as I trust that the guy behind the music desk, and the mixing desk,  are on the same page, know who I am, and what I’ve done before – so at least there is a rapport where the engineer can see what you are trying to do and he will say – “ah you know what, why don’t we try and go for that you did on Trilogy - lets try it!” You have to work with people who understand you and then you can just sit back and work on it , accept a good idea, be pushed to your limits. The thing is with Greg - he felt that he had been removed from the situation which he had most power and pride in. Whereas I think most pride he should keep as the fact that he s a damn good singer and has written some great music. If you want a great team you have to designate to the right person.

That’s why I had Lemmy as my roadie.  If I hadn’t had Lemmy the knives wouldn’t have come out [laughs]. We owe Lemmy a lot! HR : Absolutely.  You two should record a duet!   Which Instrument would you choose? Moog, Melotron, Hammond?

KE : Hmmmmmmmm.  Piano. I’ve always written on the piano. I do have a mandolin hanging on the wall here, which is out of tune at the moment. You wouldn’t want to hear me play this mandolin ...

HR : Because it’s out of tune, or just in general?

KE : [laughs] because it’s out of tune but even if it was in tune I don’t know if it would work. It looks great hanging on the wall though ...

© Helen Robinson -  June 2015 Originally published in Blackmoon Magazine.

[Keith and I were great pals - I miss him <3]