About Willi Smith
Willi Smith was considered one of the most successful African-American designers in the fashion industry at the time of his death in 1987, and the inventor of streetwear. His label that launched in 1976, WilliWear Limited, grossed over $25 million in sales by 1986 according to The Guardian. Inspired by the fashion he saw on the streets and also his desire to shape it, Smith’s accessibility and affordability of clothing helped democratize fashion.
Born in 1948, Willi Donnell Smith grew up in Philadelphia with an ironworker father and a mother skilled in the creative arts. “I was Mr. Bookworm. I was the artistic child no one understood. But my parents supported me. If I was doing a little drawing, my father didn’t say, ‘Why don’t you play baseball?’... The family sometimes used to say there were more clothes in the house than food.” After his parents divorced, Smith’s grandmother, Gladys “Nana” Bush, stepped in to nurture him, a role she played throughout his life.
Smith studied commercial art at Mastbaum Technical High School and fashion illustration at the Philadelphia Museum College of Art. He found himself bored by the limits of illustration, always “changing the design of the dress [he] was supposed to be illustrating.” Through the connections of a family for whom she cleaned, Bush organized an internship for Smith with venerated couturier Arnold Scaasi. At Scaasi, Smith assisted in creating fashions for clientele like Brooke Astor and Elizabeth Taylor, learning form, fit, embroidery, and the power wielded by access to a certain type of dress—a crash course in elite levels of fashion and the clothes he didn’t want to make
His label, Williwear, was ahead of its time: mixing the relaxed fit of sportswear with high-end elements of tailoring. His clothes were not meant to be untouchable, catwalk-only designs. Although the term “streetwear” has been much chewed over recently, Smith’s more elastic definition of the term (bringing urban culture to the catwalk) has been incredibly influential.
His clothes were meant for everybody. He said: “Fashion is a people thing and designers should remember that. Models pose in clothes. People live in them.” Though he was inspired by New York City, he wanted people everywhere to appreciate the culture and inspiration of the city. “Being black has a lot to do with my being a good designer,” he said. “Most of these designers who have to run to Paris for colour and fabric combinations should go to church on Sunday in Harlem. It’s all right there.”
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Luz: this is my mom and my other mom and my momses partner raine
Someone: oh so your first mom is single.
Luz:huh? Oh no no, raine is dating both of them
Someone: wha-
Luz: they have two hands after all
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(ID in ALT Text)
Happy very, very late Mother's Day!
I am not saying that zuko is sokkas substitute for kya. or they look in any way similar!
The whole concept here is that something was happening at the moment, be it how they were laying in bed, how the hair pooled over the pillow, or how sokka was able to hold onto it. It just brought sokka back. It triggered a memory, and suddenly he relived a brief memory. Making him suddenly miss his mother again.
hope you enjoy!
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Aimee, from Leonard Nimoy’s 2010 photography series Secret Selves
Aimee — tattoo and body piercing
I like being a girl…no one knows I am a woman, let alone a lesbian. My beard is natural, there is no imbalance.
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