#YANNIS VESLEMES

[gebo4482]

She Loved Blossoms More (2024) - Official Teaser

Dir: Yannis Veslemes Star: Panos Papadopoulos / Julio Giorgos Katsis, Dominique Pinon

[fearsmagazine]

YELLOW VEIL PICTURES announces world sales SHE LOVED BLOSSOMS MORE, surrealistic sci fi from director YANNIS VESLEMES.

Yellow Veil Pictures announces world sales today ahead of the Tribeca Film Festival world premiere of Yannis Veslemes’ sophomore feature and surrealistic science-fiction drama, SHE LOVED BLOSSOMS MORE. Written by Veslemes and Dimitris Emmanouilidis, the film will be positioned in the ‘Escape From Tribeca’ section of the festival, a genre specific sidebar of stand out titles with auteur-forward storytelling. Veslemes first earned acclaim with his 2014 breakout NORWAY, which debuted at Karlovy Vary International Film Festival. The film stars Panos Papadopoulos, Julio Giorgos Katsis, Aris Balis, Sandra Abuelghanam Sarafanova, Alexia Kaltsiki & Dominique Pinon (Delicatessen, Alien 4) and was shot by cinematographer Christos Karamanis (Monday, Suntan) and edited by Yorgos Mavropsaridis (Poor Things, Dogtooth).

The film is produced by Fenia Cossovitsa, alongside executive producers Christos V. Konstantakopoulos (The Lobster, Attenberg, Before Midnight), Ant Timpson (Greasy Strangler, Come to Daddy), Andreas Zoupanos Kritikos (Before Midnight) with co-producer Alexis Perrin (Vesper, Revenge). The film is supported by the Greek Film Centre, ERT (Hellenic Broadcasting Corporation) and EKOME (National Centre of Audiovisual Media and Communication)

In SHE LOVED BLOSSOMS MORE, three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.

Director, Yannis Veslemes said, “SHE LOVED BLOSSOMS MORE is a family drama in science fiction disguise. A ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”

Hugues Barbier of Yellow Veil Pictures added, “SHE LOVED BLOSSOMS MORE is the first film we've onboarded at script stage, and it's been quite amazing to see it come alive. We couldn't be more proud of Yannis' vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”

[statk]

Norway (2014) - Dir. Yannis Veslemes

Watched this over the weekend and I'm obsessed. A Greek vampire in '84 hangs around a disco and pretty much just vibes. It's like Harry Du Bois was a vampire (and greek). Good soundtrack too

[horrorpatch]

Teaser Trailer - SHE LOVED BLOSSOMS MORE!

Psychedelic sci-fi horror film SHE LOVED BLOSSOMS MORE recently premiered at the Tribeca Film Festival. The French/Greek film is written and directed by Yannis Veslemes. Be sure to check out the new teaser trailer, key art, and more details about the film on the other side. From The Press Release She Loved Blossoms More WRITTEN AND DIRECTED BY YANNIS VESLEMES (The Field Guide to…

[moviemosaics]

The Field Guide to Evil

directed by Severin Fiala, Veronika Franz, Can Evrenol, Agnieszka Smoczynska, Calvin Reeder, Yannis Veslemes, Ashim Ahluwalia, Katrin Gebbe, and Peter Strickland

[bluecollarfilm]

The Field Guide To Evil (2019)

A feature-length anthology film from Super LTD. They are known as myths, lore, and folktales. Created to give logic to mankind's darkest fears, these stories laid the foundation for what we now know as the horror genre.

Directed by:   Veronika Franz and Severin Fiala, Peter Strickland, Agnieszka Smoczynska, Katrin Gebbe, Can Evrenol, Calvin Reeder, Ashim Ahluwalia, Yannis Veslemes

Release date:   March 29, 2019

[detournementsmineurs]

"Norway : Sang Vampire pour Hitler" de Yannis Veslemes (2014) avec Alexia Kaltsiki, Vangelis Mourikis et Daniel Bolda dans le cycle spécial “Vampires” d'ARTE - mars 2022.

[stainedglassgardens]

Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (André Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

[davidosu87]

[hmuncut]

Horror anthology ‘The Field Guide To Evil’ sees the light of day

Horror anthology ‘The Field Guide To Evil’ sees the light of day

  THE FIELD GUIDE TO EVIL

From all across the world every culture has tales of nightmares and despair. Usually from time to time we see these stories reach the light of day. The creators of the epic ABC’s OF DEATH and TURBOKID have come together to bring a plethora of filmmakers across the globe to give their folklores and tales to the masses. THE FIELD GUIDE TO EVIL is the name of this creation…

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: The Field Guide to Evil

Año: 2018

Duración: 117 min.

País: Nueva Zelanda

Director: Ashim Ahluwalia, Can Evrenol, Severin Fiala, Veronika Franz, Katrin Gebbe, Calvin Reeder, Agnieszka Smoczynska, Peter Strickland, Yannis Veslemes

Guion: Elif Domanic, Can Evrenol, Severin Fiala, Veronika Franz

Música: Stefan Will, Nicholas Brawley

Fotografía: Meryem Yavuz, Márk Gyõri, Kuba Kijowski

Reparto: Sarah Navratil, Claude Duhamel, Naz Sayiner, Sureyya Kucuk, Birgit Minichmayr, Jilon Ghai, Fatma Mohamed, Thomas Schubert, Niharika Singh, Kannon Hicks, Lili Epply, Andrzej Konopka, Károly Hajduk, Péter Jankovics, László Konter, Luzia Oppermann, Marlene Hauser

Productora: EchoWolf Productions / Legion M / Timpson Films

Género: Horror

https://www.imdb.com/title/tt6688354/

TRAILER: https://www.youtube.com/watch?v=aaJDA24est8

[ieatmovies]

THE FIELD GUIDE TO EVIL (2018) Encore une anthologie d’Horreur, me direz-vous, alors POURQUOI s’y intéresser plus qu’à une autre? Tout simplement parce que THE FIELD GUIDE TO EVIL n’est pas une compilation “standard” du genre, bien qu’elle ait un fil directeur nouant les huit courts-métrages proposée à une même thématique: s’attaquant au “dark folklore” de chaque pays dont sont originaires les réalisateurs, les espérances sont grandes. Ouvrant le bal avec une atmosphère païenne et forestière à la THE WITCH (2015), on retrouve Can Evrenol -BASKIN (2015), pour un conte masturbatoire et diabolique effrayant: dès le second segment, on part en Inde, où encore une fois, la chèvre partage une symbolique démoniaque dans un récit satanico-familial violent et épouvantable -dans le sens positif du terme-... Rapidement, THE FIELD GUIDE TO EVIL nous convainc, ses transitions s’effectuant par un bref résumé sur une des pages du maudit bouquin avant d’entamer chaque chapitre: dès le récit terminé, retour au livre, qui s’ouvre sur une nouveau chapitre. De plus, la liberté créative du format permet à ces orfèvres du Cinéma de genre de nous plonger dans ces sombres faits-divers sanglants et maudits avec leur propre style, nous donnant réellement l’impression de consulter un ouvrage relaté par plusieurs témoins: THE FIELD GUIDE TO EVIL brille par sa diversité qualitative, graphique et narrative. Hongrie, Turquie, Allemagne, Norvège, Inde, Grèce, USA, Autriche et Pologne sont autant de sources culturelles que d’occasions de nous engloutir dans ces légendes qui vont du groupe d’enfants difformes et cannibales errant dans les bois, au Gobelin capturé par des païens grecs en 1984 (!), en passant par le détrousseur de cadavres poussé à manger des cœurs humains par le fantôme qui le hante... Huit frissons fascinants originaux donc, qui proviennent de LEGION M., organisation permettant aux fans de compléter le financement de projets en investissant de leur poche, s’impliquant ainsi dans le processus de production -une sorte de Kickstarter de programmes télé, films, et essais en VR-: un jeu dangereux, surtout si on est déçus du résultat -ceux qui avaient acheté les goodies issus des films de Rob Zombie pour financer 31 (2016) connaissent bien le sujet LOL- par la suite. Heureusement, les moyens sont plus que généreux pour desservir l’entreprise, plus que séduisante, et mieux, pas qu’allumeuse: parmi les nouveaux talents, on succombe à Yannis Veslemes, qui se démarque grâce à un cachet visuel exceptionnel -la direction artistique-, à l’instar d’Aslim Ahluwalia, nous délocalisant dans une Inde aux contrastes magnifiques... En bref, THE FIELD GUIDE OF EVIL n’est jamais gratuit -pas de torture-porn programmé-, et reste d’ailleurs peu bavard, les personnages cessant de dialoguer lorsque le Mal entre en scène -c’est très souvent-: brisant quelques codes de nos acquis, et loin de l’ombre des maîtres du box-office -le CONJURINGverse en tête-, on ne peut que glorifier l’anthologie en question, sombre, sale, mystique, bestiale, enflammée, qui ne cesse de nous hypnotiser. Réalisations au top, originalité de concept, diversité des histoires, à y croire on penserait presque que l’étonnement de la bonne surprise éclipserait l’objectivité de cette critique: mais non, c’est bel et bien quelque chose à voir sur grand écran, et à se procurer si les sacro-saints éditeurs français décident un jour de nous l’offrir sur galette HD. Et que dire de ce bloodytale des Carpates, MONSTRUEUX de bout en bout -le spoil brûle, mais on dira rien- THE FIELD GUIDE TO EVIL est typiquement le genre de perle rare qu’il faut aller chercher soi-même, alternative parfaite pour le connaisseur lassé des films d’Horreur contemporains: c’est excellent, et avant même d’aborder le sujet du style, on cause GRAND Cinéma! On vous laisse découvrir les autres pépites de cette Anthologie ESSENTIELLE, qui est un des gros incontournables de l’année 2018. On savait pas qu’il existait, et THE FIELD GUIDE TO EVIL nous gave de satisfaction, c’est grand et beau. Vous faites un 2 quand? MON ÂME AU DIABLE POUR UNE AUTRE /20

[blackdieselcinema]

Movies I Saw In 2018 (July - December): 159 - 302

Everything else I saw (for the first time) last year. 

July 159. Marjorie Prime (Michael Almereyda, 2017, USA) 160. Aloys (Tobias Nölle, 2016, Switzerland/France) 161. Buchanan Rides Alone (Budd Boetticher, 1958, USA) 162. Duck Butter (Miguel Arteta, 2018, USA) 163. Before I Wake (Mike Flanagan, 2016, USA) 164. ‘R Xmas (Abel Ferrara, 2001, USA/France) 165. Annabelle: Creation (David F. Sandberg, 2017, USA) 166. Shockproof (Douglas Sirk, 1949, USA) 167. Resolution (Justin Benson, Aaron Moorhead, 2012, USA) 168. Abel Ferrara: Not Guilty (Rafi Pitts, 2003, France) 169. Underworld U.S.A. (Samuel Fuller, 1961, USA) 170. Love & Other Drugs (Edward Zwick, 2010, USA) 171. Creep 2 (Patrick Brice, 2017, USA) 172. Road Games (Richard Franklin, 1981, Australia) 173. Mirror, Mirror (Marina Sargenti, 1990, USA) 174. Incredibles 2 (Brad Bird, 2018, USA) 175. Tale of Cinema (Hong Sang-soo, 2005, France/South Korea) 176. Go Go Tales (Abel Ferrara, 2007, Italy/USA) 177. Hotel Artemis (Drew Pearce, 2018, UK/USA) 178. Claire’s Camera (Hong Sang-soo, 2017, France/South Korea) 179. Sorority Babes in the Slimeball Bowl-O-Rama (David DeCoteau, 1988, USA) 180. Mission: Impossible - Fallout (Christopher McQuarrie, 2018, USA) 181. Mamma Mia! (Phyllida Lloyd, 2008, USA/UK/Germany) 182. The Purge: Anarchy (James DeMonaco, 2014, France/USA) 183. Blood Feast (Herschell Gordon Lewis, 1963, USA) 184. Ant-Man and the Wasp (Peyton Reed, 2018, USA)

August 185. Ride Lonesome (Budd Boetticher, 1959, USA) 186. Friday the 13th Part V: A New Beginning (Danny Steinmann, 1985, USA) 187. Detective Bureau 2-3: Go to Hell Bastards! (Seijun Suzuki, 1963, Japan) 188. Justice League (Zack Snyder, 2017, UK/Canada/USA) 189. Evil of Dracula (Michio Yamamoto, 1974, Japan) 190. Friday the 13th Part VI: Jason Lives (Tom McLoughlin, 1986, USA) 191. 47 Meters Down (Johannes Roberts, 2017, UK/USA/Dominican Republic) 192. The Meg (Jon Turteltaub, 2018, China/USA) 193. Ruin Me (Preston DeFrancis, 2017, USA) 194. To All the Boys I’ve Loved Before (Susan Johnson, 2018, USA) 195. The Changeling (Peter Medak, 1980, Canada) 196. Demons (Lamberto Bava, 1985, Italy) 197. The Ranger (Jenn Wexler, 2018, USA) 198. Summer of 84 (François Simard, Anouk Whissell, Yoann-Karl Whissell, 2018, Canada/USA) 199. The Cleaning Lady (Jon Knautz, 2018, USA) 200. Braid (Mitzi Peirone, 2018, USA) 201. Piercing (Nicolas Pesce, 2018, USA) 202. Rock Steady Row (Trevor Stevens, 2018, USA) 203. Blue Sunshine (Jeff Lieberman, 1977, USA) 204. Ravers (Bernhard Pucher, 2018, UK) 205. One Cut of the Dead (Shin'ichirô Ueda, 2017, Japan) 206. Chuck Steel: Night of the Trampires (Michael Mort, 2018, UK) 207. What Keeps You Alive (Colin Minihan, 2018, Canada) 208. Upgrade (Leigh Whannell, 2018, Australia) 209. Hell Is Where the Home Is (Orson Oblowitz, 2018, USA) 210. The Man Who Killed Hitler and Then The Bigfoot (Robert D. Krzykowski, 2018, USA) 211. Bodied (Joseph Kahn, 2017, USA) 212. Terrified (Demián Rugna, 2017, Argentina) 213. Anna and the Apocalypse (John McPhail, 2017, UK/USA) 214. Open 24 Hours (Padraig Reynolds, 2018, USA) 215. The Field Guide to Evil (Ashim Ahluwalia, Can Evrenol, Severin Fiala, Veronika Franz, Katrin Gebbe, Calvin Reeder, Agnieszka Smoczynska, Peter Strickland, Yannis Veslemes, 2018, New Zealand) 216. The Dark (Justin p. Lange, 2018, Austria) 217. The Golem (Doron Paz, Yoav Paz, 2018) 218. Climax (Gaspar Noé, 2018, France) 219. Police Story (Jackie Chan, Chi-Hwa Chen, 1985, Hong Kong) 220. BlacKkKlansman (Spike Lee, 2018, USA)

September 221. Bull Durham (Ron Shelton, 1988, USA) 222. The Legend of Boggy Creek (Charles B. Pierce, 1972, USA) 223. Crazy Rich Asians (Jon M. Chu, 2018, USA) 224. Jumanji: Welcome to the Jungle (Jake Kasdan, 2017, USA) 225. Searching (Aneesh Chaganty, 2018, USA) 226. Tango & Cash (Andrei Konchalovsky, 1989, USA) 227. How Stella Got Her Groove Back (Kevin Rodney Sullivan, 1998, USA) 228. The Predator (Shane Black, 2018, USA/Canada) 229. A Simple Favour (Paul Feig, 2018, USA) 230. Kwon Ji Yong Act III: Motte (Byun Jin Ho, 2018, South Korea) 231. Let the Corpses Tan (Hélène Cattet, Bruno Forzani, 2017, France/Belgium) 232. Police Story 2 (Jackie Chan, 1988, Hong Kong) 233. The Comfort of Strangers (Paul Schrader, 1990, USA/Italy/UK) 234. Best F(r)iends: Volume 1 (Justin MacGregor, 2017, USA) 235. Den of Thieves (Christian Gudegast, 2018, USA) 236. Truth or Dare (Jeff Wadlow, 2018, USA) 237. SuperFly (Director X., 2018, USA)

October 238. Mandy (Panos Cosmatos, 2018, Belgium/USA) 239. Assassination Nation (Sam Levinson, 2018, USA) 240. The Hate U Give (George Tillman Jr., 2018, USA) 241. A Star Is Born (Bradley Cooper, 2018, USA) 242. Hotel by the River (Hong Sang-soo, 2018, South Korea) 243. Asako I & II (Ryûsuke Hamaguchi, 2018, Japan/France) 244. L’Atalante (Jean Vigo, 1934, France) 245. Blind Beast (Yasuzô Masumura, 1969, Japan) 246. Hearts Beat Loud (Brett Haley, 2018, USA) 247. Fido (Andrew Currie, 2006, Canada) 248. Knife + Heart (Yann Gonzalez, 2018, France/Mexico/Switzerland) 249. Non-Fiction (Olivier Assayas, 2018, France) 250. Roma (Alfonso Cuarón, 2018, USA/Mexico) 251. Sorry to Bother You (Boots Riley, 2018, USA) 252. Destroyer (Karyn Kusama, 2018, USA) 253. Earth Girls Are Easy (Julien Temple, 1988, UK/France/USA) 254. Bad Times at the El Royale (Drew Goddard, 2018, USA) 255. Venom (Ruben Fleischer, 2018, USA) 256. Dead Pigs (Cathy Yan, 2018, China/USA) 257. The Night Comes For Us (Timo Tjahjanto, 2018, Indonesia) 258. Burning (Lee Chang-dong, 2018, South Korea) 259. Cam (Daniel Goldhaber, 2018, USA) 260. Support the Girls (Andrew Bujalski, 2018, USA) 261. Long Day’s Journey Into Night (Gan Bi, 2018, China) 262. Halloween (David Gordon Green, 2018, USA) 263. If Beale Street Could Talk (Barry Jenkins, 2018, USA) 264. Deadly Games (René Manzor, 1989, France) 265. Night of the Demon (Jacques Tourneur, 1957, UK) 266. Been So Long (Tinge Krishnan, 2018, UK) 267. Shirkers (Sandi Tan, 2018, USA) 268. Hell House LLC (Stephen Cognetti, 2015, USA) 269. Parents (Bob Balaban, 1989, Canada/USA)

November 270. Satan’s Slaves (Joko Anwar, 2017, Indonesia/South Korea) 271. Errementari (Paul Urkijo Alijo, 2017, Spain/France) 272. Widows (Steve McQueen, 2018, UK/USA) 273. Sundown: The Vampire in Retreat (Anthony Hickox, 1989, USA) 274. Wildlife (Paul Dano, 2018, USA) 275. Blood Punch (Madellaine Paxson, 2014, USA) 276. Think Like a Man Too (Tim Story, 2014, USA) 277. The Ballad of Buster Scruggs (Ethan Coen, Joel Coen, 2018, USA) 278. The Princess Switch (Mike Rohl, 2018, USA) 279. Things to Come (Mia Hansen-Løve, 2016, France/Germany) 280. The Hills Have Eyes (Wes Craven, 1977, USA) 281. Thumper (Jordan Ross, 2017, USA) 282. The Killing of a Sacred Deer (Yorgos Lanthimos, 2017, UK/Ireland/USA) 283. Creed II (Steven Caple Jr., 2018, USA)

December 284. The Bare-Footed Kid (Johnnie To, 1993, Hong Kong) 285. A Bramble House Christmas (Steven R. Monroe, 2017, Canada) 286. Love in a Puff (Ho-Cheung Pang, 2010, Hong Kong) 287. Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018, USA) 288. The Christmas Chronicles (Clay Kaytis, 2018, USA) 289. Gnomeo & Juliet (Kelly Asbury, 2011, UK/USA/Canada) 290. Beautiful Boy (Felix van Groeningen, 2018, USA) 291. Honeymoon (Leigh Janiak, 2014, USA) 292. The Story of Yonosuke (Shûichi Okita, 2013, Japan) 293. Aquaman (James Wan, 2018, Australia/USA) 294. Christmas Presence (Steve Davis, 2017, UK) 295. You Might Be the Killer (Brett Simmons, 2018, USA) 296. 6 Balloons (Marja-Lewis Ryan, 2018, USA) 297. Bumblebee (Travis Knight, 2018, USA) 298. Mary Poppins Returns (Rob Marshall, 2018, USA) 299. 13 Going on 30 (Gary Winick, 2004, USA) 300. Tetsuo: The Iron Man (Shinya Tsukamoto, 1989, Japan) 301. Black Mirror: Bandersnatch (David Slade, 2018, USA/UK) 302. Dumplin’ (Anne Fletcher, 2018, USA)

Cheers, Andrew

Follow me on Twitter @blackdieseluk.

January - June 

[fearsmagazine]

"THE FIELD GUIDE TO EVIL" Officially Greenlit As Equity Crowd-Funding Goal Is Met!

Producers Christos V. Konstantakopoulos (Before Midnight, The Lobster), Keith and Jess Calder (Anomalisa, Blair Witch, You're Next) and Legion M, the first ever fan-owned media company have invested and come onboard as Executive Producers for The Field Guide to Evil.  Theanthology is a global exploration into dark folklore, and will feature eight terrifying tales from the world's most exciting new voices in international filmmaking.

The Field Guide to Evil is currently engaged in a first-of-its-kind equity crowd-funding campaign for a film on First Democracy VC, a funding portal brought through a partnership between Indiegogo and MicroVentures. Investors and film fans across the world have the opportunity to become equity partners in this unique horror production.

With these three investments THE FIELD GUIDE TO EVIL has now reached its minimum fundraising goal and the project is officially greenlit.  The producers hope to attract additional fans as well as other industry-seasoned financiers to join the team.  The campaign has 47 more days to reach its stretch goal of $500,000.

"All of us at Faliro House, are excited to be joining trailblazers Tim and Ant, and the rest of the amazing film professionals attached to THE FIELD GUIDE TO EVIL, as well as over a hundred horror fan investors around the world, in bringing this thrilling project to life," said Executive Producer Christos V. Konstantakopoulos.

"Jess and I are long-time supporters of crowdfunding, and couldn't be more excited to help Tim League and Ant Timpson launch THE FIELD GUIDE TO EVIL," said Executive Producer Keith Calder.

"As a company that is built upon a fan-ownership model, this project is natural fit for our slate" said Paul Scanlan, Cofounder and CEO of Legion M. "We believe in Tim and Ant, and the exceptional team of award-winning directorial voices brought together on this project. We are proud to join the team and continue to pioneer the frontiers of equity crowdfunding together."

From producers Ant Timpson (Turbo Kid, The Greasy Strangler) and Alamo Drafthouse CEO/Founder Tim League (ABCs of Death), The Field Guide to Evil will showcase eight tales that have caused many sleepless nights in their country of origin.

The stories and filmmakers hail from Austria (Veronika Franz & Severin Fiala, Goodnight Mommy), Hungary (Peter Strickland, The Duke of Burgundy), Germany (Katrin Gebbe, Nothing Bad Can Happen), Greece (Yannis Veslemes, Norway), India (Ashim Ahluwalia, Miss Lovely), Poland (Agnieszka Smoczynska, The Lure), Turkey (Can Evrenol, Baskin), and the United States (Calvin Reeder, The Rambler).

Producers Tim League and Ant Timpson will be hosting a Reddit AMA at 12:30pm PT / 3:30pm ET today.  If you have questions about the project, the financing model or literally anything, please join them for the spirited online discussion.

THE FIELD GUIDE TO EVIL Indiegogo & MicroVentures: https://app.microventures.com/crowdfunding/field-guide-to-evil

For developments on THE FIELD GUIDE TO EVIL follow: http://fieldguidetoevil.com/ https://twitter.com/fieldguide2evil  

[horrorpatch]

Here is the first look at the upcoming horror anthology, FIELD GUIDE TO EVIL. Check out the first stills from the film below.

The film is directed by Ashim Ahluwalia, Yannis Veslemes, Can Evrenol, Severin Fiala, Veronika Franz, Katrin Gebbe Calvin Reeder, Agnieszka Smoczynska, and Peter Strickland.

There is no release date set for the film.

Plot Synopsis

A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

Source: Teaser trailer

First Look At Horror Anthology FIELD GUIDE TO EVIL! Here is the first look at the upcoming horror anthology, FIELD GUIDE TO EVIL. Check out the first stills from the film below.