#Xavier Magali

[havaforever]

SIMPLE COMME SYLVAIN - Aime-t-on, désire-t-on ce qui nous est étranger, ou ce qui nous ressemble, ce que l’on nous a appris à aimer ? Vous avez deux heures.

C’est à ces questions qu’est entièrement rivé le troisième long métrage de l’actrice et cinéaste québécoise Monia Chokri qui, déjà dans Babysitter (2022), se colletait avec outrance et fracas avec toutes les injonctions du désir, de l’amour et à ce grand imaginaire amoureux nourri de fantasmes et de théories.

Sofia (géniale Magalie Lépine-Blondeau) en enseigne d’ailleurs les principes philosophiques à une classe de retraité·es. Elle vit depuis dix ans avec Xavier (Francis-William Rhéaume) une relation transformée par le temps en une parfaite complicité intellectuelle, tout aussi stimulante qu’ennuyeuse.

Sa rencontre avec Sylvain (Pierre-Yves Cardinal), charpentier sexy et absolu négatif de sa vie d’érudite, fait bientôt exploser les fondations de son petit monde cérébral et bourgeois. Les questions sont posées sans que le film n’ambitionne d’y répondre et c’est avec une infinie habileté (qui n’évite pas le cliché et le regarde, au contraire, comme le stigmate influent d’un système de représentations à la peau dure) que Chokri les déploie.

Simple comme Sylvain épouse les codes très calibrés de la comédie romantique, quand son héroïne succombe sciemment aux fantasmes testostéronés de “l’homme”, et les stéréotypes de la dissociation entre l’homme-physique et l’homme-cerveau. Mais il ramène également sans cesse le genre à une contemporanéité féministe et à une lecture politique où la lutte des classes est complexifiée par l’enjeu d’une relation à deux.

Et bien que Chokri ne se montre d’ailleurs pas toujours très tendre avec l’équation périlleuse d’une histoire entre un prolo et une intello (les deux clans en prennent pour leur grade), on sent qu’elle le fait non par mépris ou refus catégorique d’une possible utopie, mais par souci émancipateur pour une héroïne écartelée entre deux visions binaires des rapports amoureux hétérosexuels. Le film sait d’ailleurs aussi très bien capter, avec beaucoup d’allant, le surgissement dans le corps de son interprète d’un retour d’érotisme et de sensualité.

NOTE 15/20 - D’une très grande drôlerie, Simple comme Sylvain renferme toutefois une musique plus amère mais aussi plus profonde et mélancolique sur les amours passées et les fantômes d’une vie – pas un hasard s’il s’ouvre et se clôt dans une station-service...

[moviesandmania]

FARANG (2023) Reviews of action thriller

Farang is a 2023 French action thriller about a former boxer who is blackmailed into smuggling drugs for a crime lord. Directed by Xavier Gens (Gangs of London; Hitman) from a screenplay co-written with Magali Rossitto and collaborators Stéphane Cabel and Guillaume Lemans. The movie stars Nassim Lyes, Olivier Gourmet, Vithaya Pansringarm and Loryn Nounay. Plot: Sam is a professional boxer about…

[choses-dingen]

«Le discours de Macron rate le sens de l’histoire. Il aurait pu être tenu dans les années 1980, pas en 2022 » Magali Reghezza-Zitt, géographe et membre du Haut Conseil pour le climat

Dire en 2022 qu'on ne savait pas, c'est simplement une 'fake news'.

Les modèles du climat sous-estimeraient-ils le réchauffement climatique induit par les activités humaines ? Professeur Xavier Fettweis (Uliège)

[agendaculturaldelima]

#ProyeccionDeVida

🎦 Cine Club CCFV.- Amor de a Tres. Triángulos Amorosos😼✊🔪, presenta:

🎬 “LOS AMORES IMAGINARIOS” [Les Amours imaginaires / Heartbeats]

🔎 Género: Romance / Drama / Homosexualidad / Amistad / Celos

⌛️ Duración: 102 minutos

✍️ Guion: Xavier Dolan

📷 Fotografía: Stephanie Weber Biron

🗯 Argumento: En Montreal, tres amigos íntimos se ven involucrados en un triángulo amoroso. Marie (Monia Chokri) y Francis (Xavier Dolan) conocen un día a Nick (Niels Schneider), un chico recién llegado del campo. Pronto empieza a surgir entre ellos un vínculo sentimental.

👥 Reparto: Xavier Dolan (Francis), Niels Schneider (Nicolas), Monia Chokri (Marie), Anne Dorval (Désirée), Anne-Élisabeth Bossé (Mujer #1), Olivier Morin (Hombre #1), Magalie Lépine-Blondeau (Mujer #2), Benoît McGinnis (Limpiador), Patricia Tulasne (Peluquero #1), Louis Garrel (Invitado en la Fiesta) y Gabriel Lessard (Hombre #3)

📢 Dirección: Xavier Dolan

© Productoras: Mifilifilms, Radio Canada Télévision, SODEC, Téléfilm Canada & Quebec Film and Television Tax Credit

🌎 Pais: Canadá

📅 Año: 2010

📽 Proyección:

📆 Sábado 24 de Agosto

🕔 5:00pm.

🏘 Centro Cultural Federico Villarreal (av. Nicolás de Piérola 412 - Centro de Lima)

🚶‍♀️🚶‍♂️ Ingreso libre.🌛

[thevalleyisjolly]

[Video description: A Silmarillion parody of “We Didn’t Start the Fire,” with the lyrics overlaid atop art and map images.  Each event mentioned also has its date included in its caption in the video.  The video starts with the screenshot of a TikTok comment reading “Now do it to the tune of “We Didn’t Start the Fire”! Jk, excellent reading and lore!” over top the book cover of the Silmarillion.  The title of the video then appears “A Timeline of the First Age In the style of Billy Joel.”  Instrumental solos are captioned as “Maglor solo,” and every chorus reprise is accompanied by the same image of the House of Finwë. The chorus lyrics read:

We didn't start the fire. Middle Earth's been burning Since Morgoth's returning. We didn't start the fire. No we didn't light it But we tried to fight it.

At the end of the video, artists and instrumentalists are credited.  The instrumental track is by CC Karaoke, and the art credits go to: Ted Nasmith, Jenny Dolfen, AlystraeaArt, Kimberly80, Elena Kukanova, _Element_E, choistar, Justin Gerard, Alan Lee, moumou38, Righon, Noliel, steamey, alyruko, ECUST, Tuuliky, JovanDarkArt, Heinrich Nichaus, Anna Lee, aautio, Melissa Hudson, Zagreb-Dubrava, Mysilvergreen, Herbstlied, Peter Xavier Price, KatyChamberChorus, Catherine Chmiel, Šárka Škorpíková, Magali Villeneuve, ebe-kastein, and Tatyafinwe. End ID]

Timeline of the First Age – The Silmarillion to the tune of 'We Didn't Start the Fire' by Tim DeMarco (bardofarda)

[ronald-films]

Short Review | Simple comme Sylvain

Original/Dutch title: Simple comme Sylvain

Production year：2023

Director/Writer：Monia Chokri

Produced in: Quebec, Canada; France

Rating：7.0/10 (Douban); 3.7/5 (Letterboxd); 7.2/10 (MUBI) (29 Jan. 2024)

My rating：7.89/10

Last week’s cinema was quite busy: the latest hit All of Us Strangers (Andrew Haigh, 2023) was on première, alongside with the hits of the past weeks – Monster (Hikokazu Hore-eda, 2023), The Holdovers (Alexander Payne, 2023), and Priscilla (Sophia Coppola, 2023). Also, the cinema starts to prepare for the upcoming International Film Festival Rotterdam (IFFR). This lower-budget film, Simple comme Sylvain, gains therefore less attention from the audience.  

Simple comme Sylvain, written and directed by Quebecois director Monia Chokri, tells a story about the relationship life of Sophia (Magalie Léphine-Blondeau), a senior’s university lecturer. After living with her partner, Xavier (Francis-William Rhéaume) for 10 years, she met Sylvain (Yves-Pierre Cardial), the worker for her new house in the countryside, and fell in love with him. Such a storyline may sound very ordinary and even cliché, but it is presented in this film with a strong visual style and through detailed description of psychological activities, and discusses the love life and desire in modern relationships. 

The first impression of watching this film is the ‘lively’ camerawork. In the beginning, the zooming reminded me of a typical Lars von Trier zooming in his later films such as Nymphomaniac, Melancholia, and The House that Jack Built — a high-speed zoom-in to the face of a character while moving the camera. As what it physically does, it makes the audience’s attention also to focus on the targeted subject, to remind the audience to pay attention to their reaction or their psychological activities. I imagine that to focus on someone quickly after the zoom-in is not easy, but this film used this technique throughout the course of its length. Compared to Von Trier, this film’s zoom-in is more frequent, greater in depth, and more complex. It zooms from outside the window to the face of characters through a book shelf. Beside, I noticed that there were few takes of fixed-position camera - it moves more or less to and from the subjects, or around them. Although I am not sure how this necessarily associates with the other aspects of the film, but it does make me remember its camerawork — and I guess it is an advantage. At least, I like it.

Under the basic structure of ‘cheating’ within marriage and that sort of plots, Simple comme Sylvain goes deeper into the different needs of people in a relationship, namely life and (sexual) desire. There are often discussion about the (quite significant) role of sex in a relationship, which also explains why people cheat, but the discussion stops there. What if the sexually-satisfactory life also disappoints you? This film presents you such an experiment of choice. There is the traditional lover, your ‘soul mate’ who is intelligently similar to you and whose social circle consists mainly people on such level. Sometimes it gets boring, but after spending time with someone who sexually satisfies you but with a totally different social, economic, or educational background, with which you always feel like an outsider, you realised that the only thing that really satisfies you is just sex. Sophia tried to go back with Xavier, while after unsatisfying sex, they broke up again, and she finally chose Sylvain. Life is not simple: ideally, we want to live with someone that shares the same amount of vocabulary with you, and meanwhile having sex with someone who provides you with sexual pleasure; but that is not realistic. The title says “Simple comme Sylvain”, literally ’Simple as Sylvain’, but to be a Sylvain is not easy, either, especially for those knowledgeable, intelligent, and on a higher social-economic level than those ‘countrysiders’, they talk about abstract topics and getting more and more distant from the real happenings. Broadly, the polarisation of different social classes causes our split world. How can that be simple?

This film is also relaxing, bringing the audience a lot of comedic moments. My watching experience in the film theatre was joyful: I laughed very hard with the middle-ages. The comedic elements softens the conflict of this film, making it unconventionally non-miserable. The music style, the visual effect, the camerawork, and even the way the main title “Simple comme Sylvain” is presented — on a billboard along the highway — show that the film is not totally serious. It’s not heavy, yet inspires us to think.

30 January 2024

[leam1983]

"The Nature of Love" - Thoughts

My uncle Roger (fictitious name, as always), is someone whom I'll stick with a long-deceased movie critic's first name as retirement's brought about a kind of informal career development. Namely, after working for the Feds up Quebec for several decades, he's turned into the type who emails us every single year's best movies, according to him.

Roger and his girlfriend Martha aren't exactly blockbuster types, except in a few rare instances. Most of everything they gush over's been selected at Cannes - and this year included Monia Chokri's The Nature of Love.

We follow Sophia (Magalie Lépine-Blondeau), a Postgrad lecturer in Philosophy who's the exact type I came to know all-too well, during my time at my old alma mater: a thesaurus on two legs, her head stuffed with theories on anything and everything, with a pseudo-informed opinion all packaged up and ready for five-to-seven dinners with colleagues that devolve into inebriated pontification. We realize that she's unhappy with her current partner, another Postgrad lecturer by the name of Xavier (Francis-William Rhéaume) with whom she loves geeking out, of course - but for whom she no longer manifests any sexual attraction.

Enters Sylvain Tremblay, played by Pierre-Yves Cardinal, the handyman Sophia and Xavier hire for sprucing up their lakeside cabin. Sylvain's pretty much every woodsy contractor you've ever met: he wears flannel, has a constant five o'clock shadow, drives a Ford F-150 and has family up in Buck Country, where it isn't uncommon to see even bigger Fords with rigged-up support bars, typically decorated by the antlers of the last buck they killed. Sylvain's brash, honest, stomps away and screams when his feelings get the better of him - and has a bit of a jealous streak. Sophia obviously falls for him, with the movie taking pains to ensure we see that Sophia and Sylvain make for a terriffic pair in bed.

Very early on, I was annoyed by the framing device of Sophia's lectures, seeing as she was seemingly spending an entire semester discussing love. She spends the movie flip-flopping between a man she has intellectual compatibility but no sex drive, and another man with whom her sex drive is turned up to eleven - at the expense of nearly everything else. Similarly, we see her addressing Plato's definition of love as opposed to Schopenhauer's, then followed by other contemporary philosophers - and the movie dovetails exactly the way I expected it to.

Sophia feels slighted by Sylvain's poorly-timed proposal and for his offering of an entry-level all-inclusive package in a resort, drops her newly-received engagement ring in his glove box, and is left on the roadside.

All the while, Walt gave me looks. He noted that halfway through the movie, I took five to go get my mouthguard. I grind my teeth when I'm annoyed and oh boy howdy, was I annoyed...

See, Quebec as a cultural basin has a thing that I've noticed, a yen for a particular archetype, as far as fictitious characters go: that of the Pretentiously Soul-Searching Intellectual. From Denys Arcand's earlier work and onwards, we've sort of gotten stuck on the idea that people can spend decades stuffing themselves with knowledge, without ever finding enough time to figure out what makes them happy. The end-result is that you have simpler, more self-accepting characters like Sylvain, with his Ford and his humbly scrounged-for Puerto Vallarta getaway, who actually have a sense of Self - and then there's characters like Sophia, or like Alexandre Landry's Pierre-Paul Daoust, in 2018's The Fall of the American Empire, who idolize intellectualism to an extreme, but who also end up with a critical dearth of happiness and of self-assertion, as a result.

I ended The Nature of Love thinking that Sophia (with her very ironic name, come to think of it) would be better served if she abandoned her dreams of tenure, booked herself with a therapist and maybe took a year or so to find herself whilst on a backpacking trip across Asia.

In a sense, she reminded me of myself. In my Postgrad years, I was surrrounded with man and woman-children who were set for the narrow, unforgiving and extremely limiting ranges of Academia, and who attended Thesis lectures in pajamas, stained tee-shirts and unkempt beards - and who took calls related to their fucking laundry being done by their parents whilst attempting to come across as snooty enough to maybe shoot for a doctorate in ten years or so. I've left a world where most of the people I interacted with could shit out memoirs on the Post-Democratic anxieties of our Post-Post-9/11 world while not knowing enough to screw a lightbulb on their own - and I entered a world where people have arguably far less lofty aspirations.

My bigger concern used to be whether or not the three pedants in my promotion would shit down my defending the idea that Lovecraft could've been a repressed gay man before it was a trendy theory, and Walt's is whether or not Honda Canada is going to sanction the new promotions the Sales Directors cooked up for dealerships surrounded by whistling pines and miles of empty highway.

I've left a world that keeps searching for love in the pages of men and women who are never seen as offering a simple and honest exhortation to get out there and love someone - and I've done just that. I don't give a shit if all S.T. Joshi is for Walt is a funny name on some of my old thesis notes - I've left that kind of pedantry behind.

[celiacallois]

Astro, boulot, réseaux

"Dans une société en crise, l'astrologie connaît un grand succès sur les réseaux sociaux, boostée par la pop culture et la résurgence du mouvement écofeministe"

Article de Magali Moulinet 

L'Obs DA: Xavier Lucas Rotring sur papier, couleurs numériques Décembre 2020

[normallyparenthetical]

Thoughts on Written on Skin (Oper Köln, 2020)

I actually can’t remember if I’ve seen the Aïx performance of Written on Skin more than once, or exactly once. It’s possible that I’ve only seen it once, and I’m quite certain I’ve only seen Benjamin and Crimp’s later opera, Lessons in Love and Violence once, and have perhaps listened to Into the Little Hill twice.  Yet all of them have made such an impression, that the low figures of these numbers seem hard to believe.

Watching Written on Skin this time was an interesting exercise in self-awareness.  The piece was unfurling not only on its own terms, but also against my memory of it, which was both more detailed and less accurate than expected, and somehow continually surprising.  This seemed particularly suitable, what with the piece’s ideas of illumination (in multiple senses), control of knowledge and self-determination.

Having a sense of the outline, made the economy of means, and the determined nature of the part-whole relationships very clear, even while the minimalism of this particular production largely erased my awareness of boundaries between scenes.  The Wozzeck connection came to mind often; beyond the obvious structural comparisons and obsessions, one could even argue for a thematic connection I hadn’t previously considered, collapsing both Wozzeck and Marie into the figure of Agnès.

The production was very interesting technically.  Although this performance was only streamed, it was originally planned for the theatre.  I don’t know when the change was made, but there was a clear sense of “front”, with the orchestra on both sides (although one side may have just been percussion).  None of the singers ever touched, which for a piece so concerned with sensuality, and physical control made for some interesting choices, although it didn’t feel like a draw-back until the third part.

I liked the sparseness of the setting.  The text is less preoccupied with narration than that of Hill, but it’s also not unconcerned with it, and letting it simply speak works very well (I’m reminded of Ruhl in this connection: “Now we’re at the Dark Tower - OK”).  The costumes slowly updated themselves as we moved through the piece (it started to feel like the main three would leave the stage only to don more clothes to then strip out of onstage), which felt like a “universalising” move, when I feel the text’s modern images are intended anachronistically, and as part of the character/angel frame.  That distinction the production also seemed to want to erase as the piece continued, so maybe that was part of it; although I did like having Angels 2 and 3 onstage the whole time.

The performances were very good.  I only intermittently missed Hannigan.  I don’t know the piece well enough to really be able to comment, but Roth’s conducting felt effective, although perhaps too completely controlled.  There are outbursts, and moments of real violence, and despite (Benjamin might claim because of) the ever-present, controlling web of the structure, feeling like those are disruptions doesn’t seem to me like a bad thing at all.

[For later reference, the production’s programme is here; including the entire libretto, and many pages of essays.]

[mariascrapbook]

illustration by Magalie Foutrier

[dolan-daily]

Xavier Dolan and Magalie Lépine-Blondeau

[santmat]

One of the greatest rock operas of all time, the album 01011001 by Ayreon.

"01011001 is the seventh studio album by Arjen Anthony Lucassen's long-running Ayreon project. "01011001" is the binary representation of the ASCII value of the letter Y.

"01011001 is a concept album that tells the story of aliens called the "Forever", who create humanity, only to later endanger it by providing it with technology.

"Seventeen singers in total, including Lucassen himself, contributed to the album, more than any other Ayreon album. Apart from Lucassen, only Anneke van Giersbergen (ex-The Gathering) and Floor Jansen (After Forever, Nightwish) had sung on previous Ayreon albums, on Into the Electric Castle and Universal Migrator Part 1: The Dream Sequencer respectively." (Wiki entry for Ayreon)

No. Title Vocalists Length

"Age of Shadows" I. "Age of Shadows" II. "We are Forever" III. "Age of Shadows (reprise)" Tom Englund, Steve Lee, Daniel Gildenlöw, Hansi Kürsch, Floor Jansen, Jonas P. Renkse, Anneke van Giersbergen, Jørn Lande 10:47

"Comatose" van Giersbergen, Lande 4:26

"Liquid Eternity" Renkse, Gildenlöw, Magali Luyten, Bob Catley, Englund, Lande, Jansen 8:10

"Connect the Dots" Ty Tabor, Arjen Anthony Lucassen 4:13

"Beneath the Waves" I. "Beneath the Waves" II. "Face the Facts" III. "But a Memory…" IV. "World Without Walls" V. "Reality Bleeds" Gildenlöw, Catley, van Giersbergen, Jansen, Lee, Lande, Kürsch, Englund 8:26

"Newborn Race" I. "The Incentive" II. "The Vision" III. "The Procedure" IV. "Another Life" V. "Newborn Race" VI. "The Conclusion" Gildenlöw, Jansen, Englund, Renkse, Catley, Kürsch, Lande 7:49

"Ride the Comet" Lande, Jansen, Englund, Renkse, Catley, Luyten 3:29

"Web of Lies" Simone Simons, Phideaux Xavier 2:50 Total length: 50:13 CD 2 – "Earth" No. Title Vocalists Length

"The Fifth Extinction" I. "Glimmer of Hope" II. "World of Tomorrow Dreams" III. "Collision Course" IV. "From the Ashes" V. "Glimmer of Hope (reprise)" van Giersbergen, Catley, Lee, Lande, Englund, Gildenlöw, Kürsch, Renkse, Jansen 10:29

"Waking Dreams" Renkse, van Giersbergen 6:31

"The Truth Is in Here" Lucassen, Liselotte Hegt 5:12

"Unnatural Selection" Englund, Lee, Lande, Catley, Kürsch, Renkse 7:15

"River of Time" Kürsch, Catley 4:24

"E=mc2" Wudstik, Marjan Welman 5:50

"The Sixth Extinction" I. "Echoes on the Wind" II. "Radioactive Grave" III. "2085" IV. "To the Planet of Red" V. "Spirit on the Wind" VI. "Complete the Circle" Englund, Lee, Kürsch, Gildenlöw, Jansen, Renkse, Catley, Lande, van Giersbergen 12:18

(Wiki entry for Ayreon)

[xavierdolandaily]

@xavierdolan: Kissy kissy

[bonheurportatif]

Porté par la bise

Le 1er, j'embrasse Carine, j'embrasse Julie, j'embrasse Raphaël, j'embrasse Françoise, je salue Maud, je salue notre ex-voisin le photographe, je salue Xavier, je salue Pauline en passant en voiture, je salue André du haut de mon échelle.

Le 2, j'embrasse Alexia, je salue notre ex-voisin le photographe, je salue Stéphane, je salue Nadia, j'embrasse Maud, je salue Sarah, j'embrasse Carine, j'embrasse Raphaël, j'embrasse Françoise, j'embrasse Julie, j'embrasse Corinne, j'embrasse Alphonsine, je salue puis j'embrasse Louis, j'embrasse Olivier, j'embrasse Vincent.

Le 3, j'embrasse Carine, j'embrasse Raphaël, je salue la collègue de Sophie, je salue Sophie, j'embrasse Julie, j'embrasse Françoise, j'embrasse Laurence, j'embrasse Isabelle, je salue le couvreur charentais, j'embrasse Bérengère, je salue André, je salue Martine, j'embrasse Djib, j'embrasse Nico, j'embrasse Fredda, j'embrasse Gaspar, j'embrasse Pauline, je n'embrasse pas l'autre Pauline qui est malade.

Le 4, j'embrasse Raphaël, j'embrasse Françoise, j'embrasse Carine, j'embrasse Julie, j'embrasse  Marie.

Le 5, j'embrasse Carine, j'embrasse Françoise, j'embrasse Julie, je salue Luciano, je salue Olivier, j'embrasse Raphaël, j'embrasse Éliane, j'embrasse Anne-Marie, j'embrasse Corinne, j'embrasse Christine, j'embrasse Floriane, j'embrasse Franck.

Le 6, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, je salue Richard, je salue Gwenaël, je salue Doria, j'embrasse Raphaël, j'embrasse Emmanuelle, j'embrasse Cécile, je salue Guillaume, j'embrasse Bérengère, je salue André, j'embrasse Béatrice, j'embrasse Élisabeth, je salue Carmen.

Le 7, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, j'embrasse Raphaël, je salue Cécile de loin, je salue Camille, je salue David, j'embrasse Sophie, je salue Norbert,  j'embrasse Laurent, je salue François-Pierre, j'embrasse Maud-Elisa, je salue quelques professeures du lycée, j'embrasse Thibault, je salue Wilfried, je salue Yan, je salue Titian, je salue quelques élèves, je salue quelques parents, je salue leurs professeures, j'embrasse Mathieu, j'embrasse Meige.

Le 8, j'embrasse Françoise, j'embrasse Carine, j'embrasse Julie,  je salue Leslie en la croisant, je salue Jacques, je salue Gwenaël, j'embrasse Raphaël, j'embrasse Karen, j'embrasse Virginie, j'embrasse Yann, j'embrasse Leslie, j'embrasse Julien, je salue Élian, je salue Jessica, je salue Gégé, j'embrasse Marie, je salue André, je salue Anouk depuis la fenêtre,  j'embrasse Habib, je salue Nicolas, je salue André, je salue Magalie, je salue Charlie, je salue Christelle, je salue un collègue de Christelle, je salue Benoît, je salue l'arroseur, je salue la rempoteuse, je salue Éliane, je salue la collègue d'Éliane, je salue Xavier, je salue Philippe, j'embrasse Anna, j'embrasse Jean-Yves, je salue Thierry, j'embrasse Christine, j'embrasse Anne-Marie, j'embrasse Corinne, je salue Dominique, j'embrasse Léonie.

Le 9, j'embrasse Carine, j'embrasse Françoise, j'embrasse Julie, j'embrasse Sophie, je salue David, je salue Anne-Claire, je salue les musiciens, j'embrasse Anne, j'embrasse Maud-Elisa, j'embrasse Laurent, je salue François-Pierre, je salue Norbert, je salue l'autre Laurent.

Le 10, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, je salue les agents de la propreté urbaine, je salue Éric, je salue Jean-Yves, je salue Laurent, je salue Séverine, je salue peut-être Vincent, je salue peut-être Alain, je salue peut-être Philippe, je salue Pauline en passant, j'embrasse un autre Jean-Yves, j'embrasse Raphaël, je salue la vendeuse de la boutique SFR, j'embrasse Barbara, j'embrasse Leslie, je salue Julien, je salue les deux hommes qui les accompagne, je salue André, je salue Olivier, je salue l'homme du défilé, je salue Jean-Baptiste, je salue l'arroseur, j'embrasse Guiche, j'embrasse Olivia, je salue Jacques, je salue Carmen, je salue l'amie de Carmen, je salue au loin le petit-fils de Carmen, je salue Stéphane, j'embrasse Fredda, je salue Bruno, j'embrasse Sophie, j'embrasse Alexia.

Le 11, j'embrasse Carine, j'embrasse Raphaël, j'embrasse Julie, je salue Erwan, je salue Thierry, je salue Hermione, je salue Djib qui passe en tricycle, j'embrasse João, j'embrasse Laetitia, j'embrasse Françoise, je salue Carmen, j'embrasse Émilie, je salue Sébastien, j'embrasse Nicolas, je salue un garçon moustachu, j'embrasse Mickaël, je salue Borgia, je salue Luciano, je caresse Rita, je salue André qui sort son chien.

Le 12, j'embrasse Carine, j'embrasse Françoise, j'embrasse Julie, j'embrasse Éliane, j'embrasse Jordane, j'embrasse Aline, j'embrasse Christine, j'embrasse Anne-Marie, j'embrasse Corinne, j'embrasse Manon, j'embrasse Floriane, j'embrasse Franck, j'embrasse Audrey.

Le 13, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, j'embrasse Julia, j'embrasse Nathalie, je salue Charles, je salue Philippe, je salue Laurent, je salue Michel, je salue Léo, j'embrasse Mathilda, je salue Augustin, je salue Théo, j'embrasse Pauline, je salue Florent, je salue Jean-Claude, je salue Frédéric, je salue Léo, je salue Émilie en coup de vent, je ne salue pas Blandine en grande discussion avec Ariel, je ne salue pas Ariel en grande discussion avec Blandine.

Le 14, j'embrasse Françoise, j'embrasse Carine, j'embrasse Julie, j'embrasse Jacky, je salue Bruno qui passe à vélo, je salue Éric qui passe à vélo, j'embrasse Raphaël, je salue Luciano en passant, je salue Mélanie, je salue Didier, je salue Vincent.

Le 15, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, je salue Bruno qui passe à vélo, je salue Stéphane, je salue Jacques, je salue Gwenaël, je salue Philippe qui ne me reconnaît pas, je salue Luciano, j'embrasse Raphaël, je salue Christophe, j'embrasse Anne, j'embrasse Charlotte, je salue Toto, j'embrasse Mickaël, j'embrasse Virginie, j'embrasse Olivier, j'embrasse Emmanuel, j'embrasse Rose-Marie, j'embrasse Sandrine, j'embrasse Pierre, j'embrasse Corinne, j'embrasse Jordane, j'embrasse Jérôme, j'embrasse Isabelle, j'embrasse Lætitia, j'embrasse Emmanuelle, j'embrasse Fabrice, j'embrasse Marina, j'embrasse Édith, j'embrasse Florence, je salue Stéphane, j'embrasse Séverine, j'embrasse Daniel, j'embrasse Nathalie, j'embrasse Barbara, j'embrasse Cécile, je salue Xavier, j'embrasse Valérie, je salue Jackie en passant, j'embrasse Thierry, je salue Christophe, j'adresse un dernier geste d'hommage à Claire, je salue Ingrid en passant, je salue une autre Florence en passant, j'embrasse Jacky, j'embrasse un autre Jérôme, j'embrasse Rodolphe,  j'embrasse l'autre Florence, j'embrasse une autre Julie, j'embrasse Sophie, j'embrasse Vincent, j'embrasse Béa, j'embrasse à nouveau Pierre, j'embrasse Christelle, j'embrasse Christine, j'embrasse Anne-Marie, j'embrasse Paule, je salue un autre Thierry, je salue un tireur, je salue un autre tireur.

Le 16, j'embrasse Carine, j'embrasse Julie, j'embrasse Raphaël, je salue Stéphane, je salue Gwenaël, j'embrasse Cécile, j'embrasse Béatrice, je salue Frédéric, je salue Jacky de loin et derrière sa vitrine, je salue une mère d'élève en veste matelassée, je salue Emmanuelle de loin, je salue André de loin, je salue Carmen, j'embrasse Alexandra, je salue Faustine, j'embrasse Nathalie, j'embrasse Sophie, je salue Charles, j'embrasse Diane, j'embrasse Julia, je salue Jean-Claude, j'embrasse Émilie, je salue Michel, je salue Laurent, je salue Olivier, j'embrasse Hélène, j'embrasse Claire, je salue Antoine, j'embrasse Léo, j'embrasse Bruno, j'embrasse Johann, j'embrasse FC, j'embrasse Élise.

Le 17, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, j'embrasse Raphaël, je salue la mère d'élève à veste matelassée, je salue un père d'élève, je salue Alexandra.

Le 18, j'embrasse Julie, j'embrasse Raphaël, j'embrasse Carine, j'embrasse Sophie.

Le 19, j'embrasse Carine, j'embrasse Julie, j'embrasse Raphaël, j'embrasse Françoise.

Le 20, j'embrasse Carine, j'embrasse Julie, je salue Gwenaël, je salue Richard, j'embrasse Raphaël, j'embrasse Françoise, j'embrasse Florence, je salue la femme qui se trouve avec Florence, j'embrasse Cécile, je salue Jacques, je salue la mère d'élève à veste matelassée, je salue Édith, je salue le chauffeur du taxi, je salue le chef d'atelier, je salue la secrétaire du garage, je salue Baptiste, je salue André.

Le 21, j'embrasse Françoise, j'embrasse Julie, j'embrasse Carine, j'embrasse Ingrid, je salue Stéphane, j'embrasse Béatrice, j'embrasse Sophie, je salue Gwenaël, j'embrasse Vincent, j'embrasse Cédric, je salue Wilfried, je salue un autre Stéphane.

Le 22, j'embrasse Carine, j'embrasse Françoise, j'embrasse Raphaël, j'embrasse Julie, j'embrasse Djib, je salue David, j'embrasse Anne-Marie, j'embrasse Christine, je salue Dominique, je salue Thierry.

Le 23, j'embrasse Carine, j'embrasse Julie, je salue Ingrid de loin, j'embrasse Cécile, je salue Gwenaël, j'embrasse Raphaël, j'embrasse Françoise, j'embrasse Élisabeth, j'embrasse Anouk, j'embrasse Jacky, j'embrasse Béatrice, j'embrasse de nouveau Jacky, je salue la mère d'élève à veste matelassée, je salue Jacques.

Le 24, j'embrasse Carine, j'embrasse Françoise, j'embrasse Julie, je salue la mère des jumelles, je salue Richard, j'embrasse Raphaël, j'embrasse Emmanuelle, je salue la mère d'élève à veste matelassée, je salue une autre mère d'élève, je salue Jacques, j'embrasse Cécile, j'embrasse Béatrice, je salue Anne à vélo, j'embrasse Anne-Marie, j'embrasse Christine, je salue André, je salue un type à vélo sans me souvenir de qui il s'agit, je salue Laurent, j'embrasse João, j'embrasse Céline, j'embrasse FC, je salue Éric, j'embrasse Cédric, j'embrasse Sandrine, j'embrasse Bérengère, j'embrasse Armelle, je salue Damien, j'embrasse Quentin, j'embrasse Floriane, j'embrasse Franck, j'embrasse Émilie, j'embrasse Olivier, j'embrasse Pierre, j'embrasse Valérie, j'embrasse Estelle, j'embrasse Johann, j'embrasse Séverine, j'embrasse Daniel, j'embrasse un autre Olivier, j'embrasse Jessica, j'embrasse Vincent, j'embrasse Chris, j'embrasse Pauline.

Le 25, j'embrasse Carine, je salue Stéphane, j'embrasse Anne-Marie, j'embrasse Raphaël, j'embrasse Christine, j'embrasse Françoise, j'embrasse Julie, j'embrasse Albane, j'embrasse Marie, j'embrasse Fabrice, j'embrasse Vincent, j'embrasse Nicolas, j'embrasse Fabienne, j'embrasse Mathieu, j'embrasse Olivier, j'embrasse un autre Olivier, j'embrasse un autre Vincent, j'embrasse Émeline, j'embrasse Cécile, j'embrasse Cédric, j'embrasse Fredda, j'embrasse Jacky, je salue Éric, je salue Sébastien, j'embrasse Djib, j'embrasse un autre Nicolas, j'embrasse Valérie, j'embrasse Pierre, j'embrasse un troisième Vincent, j'embrasse Béatrice, j'embrasse un troisième Olivier, j'embrasse Arnaud, j'embrasse Alexandra, j'embrasse Barry, j'embrasse Marine, j'embrasse Guillaume, j'embrasse Bérengère, je salue Julien, j'embrasse un quatrième Vincent, j'embrasse une autre Bérengère.

Le 26, j'embrasse Julie, j'embrasse Raphaël, j'embrasse Carine, j'embrasse Aline, j'embrasse Corinne, j'embrasse Franck, j'embrasse Françoise, j'embrasse Diana, j'embrasse Louis, je salue Joséphine, j'embrasse Théo, j'embrasse Vincent.

Le 27, j'embrasse Carine, j'embrasse Julie, je salue les jumelles, je salue André, je salue Stéphane, je salue Gwenaël, je salue Richard, je salue Luciano, j'embrasse Françoise, j'embrasse Raphaël, je salue Franck, j'embrasse Bérengère, je salue Carmen, j'embrasse Élisabeth, j'embrasse Sophie, j'embrasse Béatrice, j'embrasse Emmanuelle, j'embrasse Fabien, je salue Jules.

Le 28, j'embrasse Carine, j'embrasse Raphaël, j'embrasse Julie, j'embrasse Françoise, je salue  le responsable de la salle.

Le 29, j'embrasse Françoise, j'embrasse Julie, j'embrasse Carine,  je salue Stéphane, je salue Jacques, je salue Gwenaël, j'embrasse Raphaël, j'embrasse Élisabeth, j'embrasse Valérie, j'embrasse Pierre, je salue le fils de Thierry, je salue un tireur, je salue Thierry, je salue une tireuse, j'embrasse Anne-Marie, j'embrasse Christine, j'embrasse Djib, je salue Claude, j'embrasse Alexia.

Le 30, j'embrasse Carine, j'embrasse Julie, j'embrasse Françoise, j'embrasse Raphaël, j'embrasse Élisabeth, je salue Richard, je salue Jacques, j'embrasse Cécile, je salue la mère d'élève, je salue Martine, j'embrasse Jacky, j'embrasse Morgane.

Le 31, j'embrasse Carine, j'embrasse Françoise, j'embrasse Julie, j'embrasse Raphaël, je salue Ingrid, j'embrasse Bérengère, j'embrasse Guillaume, je salue Christine, je salue Djib. (précédemment publié le 1er avril 2017)

[nnjzz]

FLF + MIMI KAWOUIN + OCULUS TAPAGEUR + LEANDRO BARZABAL /

Le Non_Jazz avec l'aimable complicité du Collectif MU mardi 16 avril / au Garage MU 45, rue Léon 75018 M° Château-Rouge / Simplon

20:30 portes 21:00 1st live set

(fin son = 23:00)

P.A.F. 6€ ======================== FLF / clermont ferrand (aka FOU LUCIFER FOU... ) moitié de l’excellent duo  post-industrieux POINT INVISIBLE... 

"Experimental, deathindustrial, post-industrial. Voix, cassettes préparées et manipulées, synthétiseurs, no-input HS Tascam Portastudio 05, appareil de musculation amplifié, studio de karaoké Goldtone." (Accueil Froid) "MEMBRE D'ENNEMIS DE LA RÉALITÉ/ DÉPARTEMENT DE LA PARTIE ÉMERGÉE DE L'ICEBERG TEMPORAIRE VAGUE D'HUMIDITÉ ET DE SABLE CORRESPONDANT À UN PUZZLE DE BRUITS SUR K7 COMMENTÉ VOIX/MACHINE A LARSEN ET RESSORT"

https://www.youtube.com/watch?v=qbx8b-VwwyI

https://opprobre.bandcamp.com/album/la-nuit-nen-finit-pas

https://tanzprocesz.bandcamp.com/album/s-t-2

MIMI KAWOUIN /cherbourg Larsen accompli & Rien minimal No input/DIY/primitive electronics

"Du bruit minimal à l'électronique brutale. Intéressé par les sons bruts de l'électronique, la sérendipité en direct, la connexion entre audio et visuel, MMK noie l'audience dans un mélange texturé chaotique, utilisant principalement la rétroaction et l'électronique primitive. Lumière !" (Accueil Froid) https://www.youtube.com/watch?v=TjMaptPz4p4

https://www.youtube.com/watch?v=U10uYyNWdBg

https://www.youtube.com/watch?v=uPtPq3RZrTA

https://ikiktikikipik.bandcamp.com/

https://www.youtube.com/watch?v=7LRnOe-PADY

OCULUS TAPAGEUR / paris aubervilliers Projet électro-acoustique solo de Magali Sanheira  - - moitié du duo CARBON SINK. Surfaces vibrantes, objets, réverbérations, couloirs & chambres d'échos ... ..

https://entrefer.bandcamp.com/album/du-bruit-le-temps-des-voix

https://entrefer.bandcamp.com/album/transition

LEANDRO BARZABAL/ argentine paris

Leandro Barzabal, guitare et / ou autres, pratique l’improvisation et les musiques expérimentales depuis 2004.

Il a intégré les groupes argentins E°, Enjambre de Guitarras, COSO et son contexte musical a croisé le chemin des artistestels que Lasse Marhaug, Xavier Charles, Chris Corsano, Christof Kurzmann, Anla Courtis...

https://leandrobarzabal.bandcamp.com/music

https://vimeo.com/leandrobarzabal

Fly - Jo L’Indien

[lesterplatt]

Cyclamed from Gunther Gheeraert on Vimeo.

TV Billboards for Cyclamed

Production: Hors Ecran
 Producer: Charles Prunel 
Executive Producer: Prescillia Doué Executive Producer Assistant: Sabrina Perruchas Director: Günther Gheeraert 
DP: Nils Ruinet
 1st AC: Maxime Maujean 
Head electrician: Théo Hubert Electrician: Louna Peyrichou 
 Set Designer: Emmanuel Reveillere Sound Engineer: Jean-Nicolas Buenavista
 Stylist: Aurore Gasnot Hair & Make Up Artist: Magaly Brunel Location Manager: Eric Naudin Editor: Jean Luc Ichard Music: Xavier Prêtre

Talents: 
 Carine Ribert Jules Diassé
 Hélene Delahodde Nour Bettaieb