#Writing on Empty

[dreaminginthedeepsouth]

“Death blowing bubbles,” one of the several depictions of death created by Johann Georg Leinberger between 1729 and 1731 for the ceiling of the Holy Grave Chapel in Michaelsberg Abbey in Bamberg, Germany. The bubbles are symbols of the fragility of life.

[Traces of History and Archeology and Art]

* * * *

We have reached a hastier and superficial rhythm, now that we believe we are in touch with a greater amount of people, more people, more countries. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us. The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.

—Anaïs Nin (fourth journal, 1944)

[Writing on Empty: A Guide to Finding Your Voice :: Natalie Goldberg]

[mischievous-thunder]

The most flirtatious Logie Bear variant did use those words to mean whatever Wade wanted them to mean

[foone]

We keep finding space stations, and we don't know why yet.

Most are in orbit around planets, but plenty more are orbiting moons, stars, the odd black hole, or just floating in deep space.

Their age varies, some are so old that just getting close enough to dock makes them shatter like glass, others are so recently constructed that the lights are still on and the reactors are still fueled. All are empty of any life or robots smarter than a roomba.

The ones orbiting planets are orbiting dead worlds, or living worlds where nothing on them is smart enough to launch a space station.

The stations in deep space are weirder. The most information came from the one by Epsilon Eridani. A massive installation, it had docking rings for hundreds of vessels, all empty. It was in remarkable shape for how old it was (from the unrepaired micrometeorite impacts, we estimate it has been abandoned for about 3000 years), so we were able to access a lot of information from its main computer. We found the coordinates of several home planets, and visited them all. All were dead, empty, or in one case, simply missing. The star was still there, the other uninhabitable planets mentioned in the databanks were there, but their homeworld? Gone. No debris or expanding gas cloud, it's just missing.

And that's the thing: if we found space stations along with abandoned ruins of ground-based installations, that'd make sense. If we met dozens of living races, amongst a few empty satellites of long dead races, that'd also be expected. But this is all the evidence we're not alone in the universe we've found.

We've sent probes to over half the stars in this galaxy and visited hundreds in crewed spacecraft, but the empty space stations are the only evidence of alien life. Every planet is either a sterile husk, a gas giant, or a vibrant living world with nothing smarter than a giraffe living on it. Oh, there's strange life forms of every kind! But none of them seem sapient, certainly not sapient enough to build a space station.

Where is everyone? We've been asking that question since we first understood the Drake Equation and the Fermi paradox, but the question has taken on a new form as we've gone to the stars and found endless empty houses in the sky.

It's the difference between looking at an empty desert and walking through an abandoned city. In both cases, there's a silent emptiness, but in the latter case, it seems to contain a sinister element. This place is empty, but it shouldn't be. Something made it empty, and we haven't found out why yet.

We keep looking, and keep listening to the echoes of our own footsteps in the silent habitats.

[explodingstarlight]

I adore this little family

slightly more zoomed in version:

[tioraidh-tux]

an ageless, plastic poem

[caspervi]

Date time ⭐️

[leisi-lilacdreams]

i wonder if @somerandomdudelmao will touch upon the unique connection the donnies have with the kraang? hehehe

cass, think of the angst potential 🙏

i didn't mean to continue with the "twin senses active across space and time" bit, but i thought with the leos in the future, this would be a good chance for the donnies to talk and bond, but it gets derailed when they compared their kraang encounters and everyone's screaming and no one's happy

[catgirlredux]

The Corporation is distinctly opposed to calling pilots "angels". They've released several statements recommending that officers silence any such language, saying it "threatens the integrity of the forces", and that HAKs and the pilots who control them are "tools, not deities". But I mean, when you see the way a suit's holoprojectors form a pulsing ring around a pilot's helmet, or when one slumps forwards out of its cockpit to reveal that thick mass of wires creeping from its back, it's impossible not to see the resemblance. And when, like most of the men stationed here, you've found yourself pinned down by heavy artillery fire from two directions with no chance of survival, but out of the heavens a Bishop-class rig emerges and razes the enemy with what can only be described as holy flame? I mean hell, that's enough to make anyone a believer (pardon my language).

I have a buddy who deals with the HAKs directly. He works in biomechanics, combat simtech or whatever. I asked him once what he thought about the whole "angel" thing. He got real quiet, and he looked directly at me and said, "you don't even know the half of it." And I stared right into his eyes and I could see that same heavenly flame burning in there and I knew that he had seen something he couldn't quite understand, but that he loved with all his heart.

[dreaminginthedeepsouth]

David Hayward

* * * *

I continue, prattling on in the cemetery in the creeping dark. Here he is, after all—after all these years. I have a shawl wrapped around me and a streetlight nearby turns on. “I dried up after fifteen books,” I tell him. “One came after the other, crowded to get in line. Then nothing but the empty days on the portal and Covid burning up the sidewalks. My last book was about haiku.” I quickly drop that subject, afraid Hemingway didn’t care about haiku. I’m sure I repeated myself. Finally, I unwind as much as I can, and then there is nothing. But it is dumb clear, even with no revelation—it comes from me, not him: Write anyway. No ecstatic understanding. No big epiphany.

What did you think? I ask myself. You went to a writer for help. I was ignorant of a writer’s path when I was young and still hoped to escape, but I was married to it. Visiting Hemingway only drove that home. Like other marriages, you don’t know what you’re getting into until you stay and meet it, moment by moment. I think of the words of Suzuki Roshi, the Japanese Zen master, when someone asked him what enlightenment was: Seeing one thing through to the end. I guess that fit for anything you seriously take on.

[Writing on Empty: A Guide to Finding Your Voice :: Natalie Goldberg]

[shushmal]

There's an incredibly pretty girl at the front desk in Family Video, and Steve—Eddie's boyfriend of eight months—is leaning over the counter with a sly smile and half-lidded eyes.

Eddie pauses in the doorway, struck dumb for a moment as he takes in the scene, and then gleefully ducks down behind the nearest shelf.

"So tell me," Steve says, all low and intimate. "What kind of movie were you looking for?"

"Um," the girl says. She doesn't sound very enthusiastic—barely indulgent at best. Eddie wishes he could see, but any sight of him will ruin Steve's chances right now. He's got a pretty good mental picture though. "I really like those old black and white movies, the really glamorous ones, you know?"

"Oh, totally," Steve sighs, like he's swooning. "Like Cary Grant, Clarke Gabel?" Eddie can practically hear his smirk. "Katharine Hepburn? Ginger Rogers?"

"Oh, I love Ginger Rogers!"

"Really?" Steve says matching her excitement. "Well, you're just in luck! Robin here knows all about those old black and white movies, don't you Robin?"

Eddie presses a hand to his mouth to hide his snickering. Robin had looked like a hooked fish when he'd walked in, she's gotta be gaping stupidly right now. "Uuuh," he hears her mumbling, and tries not to snort too loud. "Y-Yeah, uh, golden age of Hollywood stuff, absolutely. I could? Show you where they are?"

"Oh my gosh, that would be amazing!" the girl says, her interest in the conversation now warmed by several degrees. Eddie is still a little in awe of how well his boyfriend can sniff out gay girls.

"I got the front here, Robin," Steve cuts in smoothly. "You ladies take your time, make sure you pick out a good one!"

Eddie waits another beat, listening at their footsteps shuffle away, before he pops up from behind the shelf. Steve, lighting up like a Christmas tree, beams at him.

"Am I a genius or what?" he whispers, grinning ear to ear.

"Your lesbian powers know no equal," Eddie says just as quietly, taking the girl's spot at the counter, leaning into Steve's space. Steve happily mirrors him, until they're tucked together, the world narrowing down to the two of them. It's Eddie's favorite place to be. "All hail Steve Harrington, blessid he, lesbian whisper. Come to aid all useless queers in the fight against singledom."

"Thank you, thank you," Steve says with an air of novel benevolence. "I promise to only use my powers for good."

"Dingus. Doofus."

They jump away from each other as if shocked. Robin glowers at them both, but the pretty girl behind her is giggling and standing way too close for friendly, just at Robin's elbow.

"Move it, lovebirds," she hisses as she rounds the desk. "I need to check Claire out."

"I think you already have," Steve says. His smile this time is down right evil.

Robin actually hisses at him, and hip checks him away from the register. Eddie does a bow, sweeping his arm out to give Claire the prime spot in front of the desk, before he turns back to Steve.

"My dear, if you could please," he simpers, all posh and nasally. "Show me to your finest, grossest horror movie, thank you my good sir."

"Ugh," Steve groans already heading off into the shelves, not waiting for Eddie to follow. "You're lucky I love you, Ed. Shit gives me nightmares."

"I know," Eddie sings, chasing him. "I love you too."

[tubbytarchia]

Missed drawing these two too

Bonuses

[ribbonsaikeaux]

Doll: Miss? Why do you get up up so early?

Witch, patting its head: early bird gets the worm, dear.

Doll, nodding then eyes lighting up with realization: The first thing Miss gets when she wakes up is this one!

Witch, confused: yes? And?

Doll: and Miss loves this one?

Witch, smiling: of course dear~

Doll, running around excitingly: MISS LOVES THIS ONE EVEN THOUGH ITS A WOOOORM!!!

Witch, laughing: sure dear. Sure.

[feral-ballad]

Caitlin Bailey, from Solve for Desire: Poems; “Paradise”

[Text ID: “Each morning you are / split open again: / you want the whole / world / You might never be / satisfied”]

[foone]

There exist another dimension called The Empty World. It's very much like ours, in fact it seems to have been identical up until a few weeks ago, but it always seems that way. If you go there today, it was identical in late february, and if you go there this october, it'll have been identical until september.

It's empty, as you might guess. There's no humans, and no animals bigger than a cockroach. The sky is grey, and it slowly rains ash. It's colder than our world by a bit, enough to require a jacket even in summer. The streets are empty, the cars parked neatly in their garages or in lots, but they're all empty and abandoned, their doors locked like they expect their owners to return any minute now.

The newspapers left on stands don't mention any oncoming disaster. We have no idea what the TV or internet would have said: the power is out. The power is very, very out. Not just the grid, but batteries are drained. The cars won't start, the emergency lights are out, and anything with solar panels seems to be getting less energy than you'd expect, even with the perpetually overcast sky.

It's a very silent world, like the calm after a snowstorm. Sounds don't seem to echo as much as they should, nor does sound seem to travel as far. The radio spectrum is empty except for static, there's no one transmitting on any frequency.

There's fewer fires than you'd expect. Even places you'd expect to soon catch fire without human intervention are still standing, undamaged. Campfires can be lit but with difficulty: something is keeping them from burning as they should. Even if you pour kerosene on a campfire it'll barely grow, it's like something sucked the energy out of everything.

All the locked buildings are still locked. Alarms don't sound if you break in (understandable, given the power situation), and of course no one comes to investigate. So The Empty World is your oyster: you can break in wherever you want (provided you can physically do it: some doors are pretty hard to pry open even with tools), take whatever you want, and bring it back here.

Everything resets when you leave. You always enter The Empty World like it's your first time there, like this just happened and you're late to the party... but the party keeps getting rescheduled. You can even take something multiple times if you want.

When you enter The Empty World you get there at the same relative position as you are on this world. If you're in New York, you show up in the empty New York. If you're in Topeka, you show up in empty Topeka. So you have to travel around this world to get to where you want, and you can't just appear in the middle of a bank vault... unless you break into the vault from this world. (So it's great if you work at a bank and want to steal from your employer without repercussions, but not so useful otherwise).

You don't just have to take things, you know. You can take computers and files and books and diaries. You will have to deal with recharging laptops and breaking through any security when you get back, but it's doable.

So, imagine you've just gotten access to The Empty World. What are you going to do with it? What will you take, and where will you go?