#Wire Spool Rack

[camaraindustries]

Cable ‎‎Reel & Wire Storage Racks | Box Beams | Boltless Shelving

Elevate your storage solutions with Camara Industries, Inc.'s versatile Cable Storage systems. From reels to spools, we offer a range of options tailored to your specific requirements. Contact us today for a complimentary consultation and let our experts design the perfect solution to efficiently manage your cables. Choose Camara Industries, Inc. for innovative storage solutions that keep your operations running smoothly. 

[revelboo]

I'm really enjoying all the fics you write. Hopefully this will remain a fun little hobby you can relax with and you won't start feeling like an obligation or something because of the amount of followers or number of asks/requests. Remember to take care of yourself and don't be like wheeljack, skipping meals and rest :)

Thanks! And the asks are fine. I’m just doing this for fun, anyway

Circuits and Wires Pt 6

IDW Wheeljack x Reader

• Bare feet sliding on the counter top, you push your shoulder against the spool of wire and try to shove it back in place. Cleaning up after Wheeljack’s mess after he’d stopped in the middle of a project to run out at a jog with only a vague ‘wait here’ thrown over his shoulder. An emergency? Bending to start rolling what looks suspiciously like a giant alien screwdriver toward the rack it slots into even though you know there’s no way you’re lifting it to get it put up where it goes, you hesitate when the door opens. Wheeljack looking for and finding you, vocal indicators a sickly yellow-green that puts you on edge. “What happened?” You asked, suddenly breathless with worry.

• Reaching out his cupped hands, you don’t even hesitate to climb into his palm, leaning down so he can cage the other hand over you to run. “Ratchet has a hurt human,” he says, running past Ironhide and Trailbreaker as the other two flatten themselves against a wall and stare after him. Can feel the warmth of you in his hands, your shoulder bumping his servos when he rounds the corner and enters medbay.

• Heart racing from being jostled, you cling to Wheeljack’s servos as he lowers his hand to the berth Ratchet is leaned over, methodically dipping rags in a dish of water and then draping them over a still form. Stomach roiling at the pink tinge in the water, you reluctantly slide out of Wheeljack’s hands. But can’t make yourself move any nearer, because you can smell the blood, that pungent coppery bite twisting your uneasy stomach further. “How can I help?”

• “Blood pressure, temperature, or the broken bones?” Ratchet growls after rattling out a list of vitals and stats that mean absolutely nothing to you. “Come here. What needs to be dealt with first?” His head comes up to stare at you as you wrap your arms around yourself, because he can’t be serious. This person’s life can’t be dependent on you, because you know nothing about medicine. Don’t know if any of the numbers he gave you are normal or critically bad.

• “I-I don’t know?” Wheeljack wants to reach for you when you look helplessly up at him, not moving any closer to Ratchet’s human. Seeing the frightened anxiety on your face doing unpleasant things to his spark. Needing to pick you up, ease that fear. “I’m not a doctor, I was a legal assistant. Blood pressure?”

• “Primus,” Ratchet snarls, slinging a tool to clatter against the wall and looking around like he’s after something else to throw, his fury making you back up closer to Wheeljack, trembling as he curls his servos about you and lifts you against his chassis so his warmth and safety can calm you. Because right now? You feel less than useless and someone might die because of you. “Find the others. See if any of them know anything.”

Previous

[merakisphere]

I made a shape-articulating fidget / stim that I think a lot of people are going to enjoy - Fidget Bloom 🌸 Shop Here

Please consider sharing this video/tagging a friend. It would mean the world to me!

x10 Benefits of Fidget Bloom vs. other fidget toys

Easily convertible into dozens of whimsical shapes

Can be worn as a bracelet, or used as a hair accessory

Comes in thousands of bead styles, colour, and sizes possible

Can be displayed in a variety of ways as a desk toy, ornament, etc.

Used by therapy counsellors in a patient setting for stimming

Involves finger manipulation that improves/maintains finger dexterity

Teachers love this for their classroom, keeping their students engaged

A great tool to calm nerves, or distract the mind during anxious environmental settings (public speaking, waiting in line, on the phone)

Constructed more durably than decades-old iterations of this

100% hand crafted from scratch materials (wire spool, and beads) Handmade quality you can feel adds to the experience.

If you do, what ways do you get them under control, or treated? I'd love to hear your experiences.

PS (Post Statement) Making this video was so nerve-racking! I hate the sound of my voice, and public speaking gives me crippling anxiety. Plus I don't often show myself but all I know is that sometimes in order to persevere, we must do the things that scare us the most. ✌🏼

[madewithless]

Organize and Optimize: A Complete Overview of Wire Basket Spools

Wire basket spools are often an unsung hero in industries that rely on precise, organized cable management. From manufacturing floors to 3D printing labs, these spools provide an efficient way to handle and store various types of wires, cables, and even filaments. In this blog, we’ll take a closer look at the importance of wire basket spools, their key benefits, and how they can help you optimize your operations.

Wire Basket Spool

1. What Are Wire Basket Spools?

A wire basket spool is a cylindrical device, typically made of metal, designed to hold and store wire, cable, or filament in an organized manner. Unlike solid spools, basket spools have an open-mesh design that allows for easy visual inspection and ventilation. This makes them ideal for industries that prioritize durability, accessibility, and long-term organization.

2. Why Wire Basket Spools Are Essential

Wire basket spools offer multiple benefits that make them a valuable asset in various industries:

Organized Cable Management: These spools prevent cables from tangling, making them easy to unwind and reducing the risk of damage.

Enhanced Durability: Made from metals like steel or aluminium, wire basket spools withstand heavy-duty usage and provide long-lasting performance.

Ventilation and Protection: The open mesh structure helps with ventilation, preventing overheating in cables that generate heat over time, and provides a safeguard against accidental damage.

Wire Spool

3. Key Industries Using Wire Basket Spools

Wire basket spools find applications across several industries, each benefiting from their distinct advantages:

Manufacturing and Heavy Industry: In settings where long lengths of wire are frequently used, wire basket spools offer an efficient way to store and transport materials. Heavy-duty spools can handle the weight and environmental demands of manufacturing facilities.

Electrical and Telecommunications: Wire basket spools help keep cables accessible and organized, reducing the time needed to locate and deploy cables in complex installations. They’re particularly beneficial for high-density cable setups.

3D Printing and Prototyping: In these industries, spools hold various types of filament used in the printing process. Wire basket spools provide smooth feeding and are easy to replace, ensuring a seamless printing experience.

Wire Spool Manufacturer

4. Features to Look for in a Wire Basket Spool

Not all wire basket spools are created equal. Here are some essential features to consider when selecting the right spool for your needs:

Material Quality: Spools made from durable metals like stainless steel offer greater longevity and resistance to environmental factors.

Size and Load Capacity: Choose a spool size that matches the length and weight of wire needed for your operations. Oversized spools can lead to storage issues, while undersized spools may not hold enough wire.

Corrosion Resistance: For industries that operate outdoors or in humid conditions, corrosion-resistant spools prevent rust and extend the lifespan of your spools.

Portability: Spools with handles or lightweight designs make it easier to transport wire between locations, especially useful in construction or fieldwork.

Wire Basket Spool Manufacturer

5. How to Optimize Wire Handling with Wire Basket Spools

Proper organization with wire basket spools isn’t just about storage; it’s also about optimizing your workflow. Here are some tips for maximizing the benefits of your spools:

Label Each Spool: Labeling spools based on cable type, length, or application can save time when locating specific wires.

Use Vertical Storage Racks: Storing spools vertically saves space and makes them easier to access, especially in environments with limited floor space.

Perform Regular Maintenance: Check your spools for signs of wear or damage. Regular maintenance can extend their lifespan and prevent unexpected breakages.

6. Sustainability and Reusability

Wire basket spools are not only functional but also environmentally friendly. Unlike single-use plastic spools, metal basket spools are fully recyclable and reusable, aligning with modern sustainability goals. Reusable spools reduce waste and contribute to a greener supply chain, making them an eco-conscious choice for businesses seeking to lower their carbon footprint.

Wire Basket Spool

7. The Cost-Saving Advantage of Wire Basket Spools

Investing in quality wire basket spools can lead to long-term cost savings. By organizing and protecting your wires, these spools help reduce wastage and downtime. The open structure of wire basket spools allows for easy inspection and maintenance, enabling you to identify and address issues before they lead to costly repairs or replacements.

Wire Basket Spool Manufacturer

Conclusion

Wire basket spools offer an organized, efficient, and sustainable solution for handling cables, wires, and filaments across industries. From manufacturing to 3D printing, the right spool can transform your operations, providing not only a reliable storage solution but also a tool for optimizing productivity. By choosing high-quality spools that match your industry’s needs, you’ll benefit from a safer, more efficient, and sustainable work environment.

Whether you’re streamlining a factory floor or enhancing cable management in an IT setup, wire basket spools are a smart investment for any operation that values organization and long-term efficiency.

[lamneabruk]

Revolutionizing Cable Distribution with Overhead Spooling Machines

Cut-to-length wire and cable distributors cater to a diverse range of orders, from small requests to those involving hefty reels that complicate re-spooling. For larger reels, the conventional equipment often results in significant efficiency losses due to their size and weight. However, overhead, shaftless cable spooling machines emerge as a game-changing solution, streamlining the process and enhancing productivity while reducing the physical strain on operators. This innovative technology not only minimizes downtime but also optimizes handling and storage, making it an essential asset for distributors looking to improve their operational efficiency.

The innovative design of the Spool Winding Trolley from Lämneå Bruk exemplifies advancements in cable spooling. To fully appreciate its effectiveness, however, we first need to examine traditional wire spooling machines. These standard solutions often reveal inefficiencies in cable distribution, highlighting the need for improved methods that enhance productivity and streamline operations.

Conventional Wire Spooling Solutions

The take-up cable spooling machine market is primarily divided into two designs: shafted and shaftless.

Shafted reeling technology involves operators removing a take-up spool, typically made of wood, or a steel reel from storage and attaching it to the machine. This setup allows the spool to rotate with the help of a motor. The reel arm can lift the reel from the ground either manually with a jack or using powered lift controls.

Shaftless spooling machines use short pegs on adjustable pivot arms to hold reels, making it quicker and easier to attach them. Aside from this difference, they operate much like shafted machines. A motor turns the attachment point, which then rotates the reel.

Take-up machines come in various designs, including roll-through, gantry configurations, and single-sided models that need loading and unloading from the same side. Regardless of the design, they all share a common drawback: operators must manually bring the spool or reel to the machine and load it, which can be time-consuming.

Managing Cable Reels and Spools for Large Orders and High-Voltage Wires

High-voltage conductors need thicker insulation, so take-up reels and spools must be larger to store the same length compared to mid- and low-voltage cables. Even for smaller, low-voltage cables, large orders for installations often require bigger spools and reels.

These larger drums present two common material handling challenges: size and weight.

Reusable steel reels are even heavier and demand similar handling efforts to transport them to the spooling machine. When empty reels and spools are stored in racks or on A-frame pallet jacks, extra time is needed to remove them. If they are stacked in storage, retrieving them safely becomes even more challenging.

In summary, before filling an order, operators must complete several material handling tasks to safely prepare an empty high-capacity spool or reel:

Prepare and deploy material handling equipment, like forklifts with reel-handling attachments. 

Remove empty spools and reels from storage. 

Transport them to the spooling machine located elsewhere in the facility. 

Attach spools or reels to the shaft or shaftless arms of the spooling machines. 

Lift spools to enable smooth spinning.

After filling an order, users face the same material handling challenges in reverse, now with the added weight of the product. This multi-step process can lead to increased labor costs for cable distributors. Until recently, there were few alternatives for handling large cable orders, but traveling cable spooling machines with overhead engagement now offer a better solution.

Overhead Cable Spooling Trolleys with Top-Down Rollers

Transporting empty cable reels to spooling machines can be inefficient, but with effective rod preparation, the process becomes streamlined. Instead of moving reels, the innovative Spool Winding Trolley from allows staff to bring the spooling machine directly to the reels. This portable solution saves time and eliminates the need for specialized forklift attachments, enhancing efficiency in cable distribution. With its overhead rim drive, the Spool Winding Trolley simplifies adjustments and speeds up the spooling process.

Transforming Cable Spooling Processes with IIoT Innovations

Introducing the new SWT-IIoT model of Spool Winding Trolleys from our company equipped with a cutting-edge cloud software package that enhances Industrial Internet of Things (IIoT) functionality. Operators can easily access orders through an intuitive touch screen human-machine interface (HMI). With robust connectivity to external cloud-based IIoT analytics systems, the length counter enables real-time tracking of inventory payout, empowering decision-makers with customized reporting to optimize operations continually. While traditional wire coiling equipment gets the job done, the advanced IIoT features and the innovative design of the Spool Winding Trolleys position them as the premier choice for cut-to-length cable order fulfillment in today’s market.

Conclusion

In conclusion, cut-to-length wire and cable distributors face challenges with large reels, but overhead, shaftless cable spooling machines offer a valuable solution. These machines improve efficiency, reduce operator strain, and optimize storage and handling, making them essential for enhancing operational productivity in the industry. The Spool Winding Trolley from Lämneå Bruk represents a significant leap forward in cable re-spooling technology. Addressing the inefficiencies of traditional spooling machines boosts productivity and streamlines operations. Embrace this innovative solution to transform your cable distribution process!

[avtechnologysworld]

Industrial Strength: Audio Visual Cable Management for Commercial Spaces

The increasing reliance on audio visual technology in commercial spaces like offices, retail stores, hotels, educational institutions etc has led to a growing need for efficient av rack cable management. A mess of cables snaking across floors and behind furniture can not only look unprofessional but also pose safety hazards. Proper cable management ensures workplace safety and reliability of AV systems over long run.

The Basics of AV Cable Management

Any cable management system for commercial spaces needs to be rugged and durable to withstand high traffic areas. It must be able to accommodate growing cable needs as technology and systems upgrade over time. Some basic elements involved in av rack cable management are:

Cable Trays and Raceways

Open cable trays allow hooking cables on surfaces above false ceilings or below raised floors. Enclosed raceways provide additional protection and are preferable for public areas with dust, moisture. Trays can be surface mounted, recessed or suspend from structure. Material choices include steel, aluminum or non-metallic.

Cable Ties and Wraps

Reusable cable ties of different sizes are essential for neat bundling of loose cables. Heat shrink tubing or sleeves provide abrasion protection during installation and movement. Velcro wraps allow adjustable grouping.

Cable conduits and Channels

Flexible or rigid metallic/non-metallic conduits safely route cables along walls or floors. Surface mounted wiremold channels elegantly conceal cables against baseboards or along skirting.

Patch Panels and Outlets

Neatly terminated connections at central patch panels in equipment rooms allow flexible reconfiguration of signals. Welcoming additions are surface mounted boxes, floor boxes or in-wall outlets for end points.

Junction Boxes

Pull boxes, disconnect boxes provide easy access for future cable additions/changes without dismantling entire runs. Covers keep intact when not in use.

Cable Management for Specific Areas

Different functional areas have customized cable management needs:

Lobbies and Reception

Welcoming first impressions require subtle, blended-in solutions. Under-carpet raceways, discreet skirting channels, small in-wall boxes serve purpose aesthetically.

Conference Rooms

Tight management is key around tables with multiple user devices. Tables with central grommets, floor pockets, high-density outlet boxes facilitate easy access.

Open-Plan Offices

Breakout spaces need versatile, movable screens. Modular tray systems, movable furniture channels create flexibility for regular shifts.

Cafeterias and Lounges

Ability to withstand moisture, impacts becomes important. Exposed conduits paired with durable enclosure back boxes hold up to wear-and-tear.

Techniques for Efficient Implementation

Proper planning and established techniques ensure long term, scalable av rack cable management:

Documentation

As-built drawings guide future upgrades/troubleshooting by depicting existing cabling plant layout, pathways, termination/patch points.

Labeling

Consistent identification of cables, outlets, termination points aids tracing circuits, troubleshooting fast.

Spooling

Looping generous lengths of slack cable into junction/pull boxes eases future pulls/repairs without dismantling.

Conduit Fill Calculations

Maximizing fill without cramming ensures smooth pulling of future cables through pathways.

Firestop Sealant

Maintaining compartmentalization at wall/floor penetrations safeguards wiring from fire, smoke spread in emergencies.

Testing

Post-installation certification verifies cabling, termination integrity before use, acts as baseline for future tests.

Future-Proofing AV Systems

Proactive considerations future-proof av rack cable management:

Cable Specifications

Selection of ‘Category’ rated cables supports higher bandwidths of tomorrow’s AV/IT systems on existing pathways.

Sizing of Infrastructure

Oversizing conduits, raceways, termination capacity to handle bandwidth intensive applications like 4k video, IoT.

Consolidation Points

Creation of intermediate cabling/equipment distribution hubs eases scalability across zones.

Power Distribution

Careful load calculations, ample circuits accommodate more devices/displays with PoE/PoE+.

Monitoring

Incorporation of network switches with LAN monitoring/alerts alerts early bottlenecks ahead of failures.

Outsourcing Installation

Engaging certified cabling installers secures high quality, standards compliance for longevity, ROI.

Conclusion

Implementing robust industrial strength av rack cable management ensures easy upgrading, reworking of commercial AV systems crucial for long term business operations. Done right, it delivers aesthetic, functional benefits with scalability to support technological evolutions to come. Neat, buried cabling gives clean feel while simplifying troubleshooting and future changes to networked infrastructure.

[pancakeke]

hey what do you use for organizing your sewing stuff? ive been getting into it bc the clothes i wanna wear are expensive and im having a hard time keeping my space clean and organizing my projects. thanks for the help in advance!

I mostly utilize stacking bins and my wall space for as much stuff as possible.

Those spool racks are available at Joann Fabrics (use a coupon tho) and Amazon. They have hardware on the back to hang them up with nails or command tabs (use wire hook command tabs though, like these. The plastic hook ones aren't shaped right to fit in the hanging hardware). You can also use those command tabs to hang other things to keep them out of your way, like cutting mats, embroidery hoops, and rulers.

For stacking storage boxes, I bought this huge set from amazon but it's pricey and it's for 12 bins. If you have one nearby, Harbor Freight sells similar bins individually though they're a smidge smaller. Menards sells a variety of stacking bins but you have to purchase them in varying qtys, so check that on the listing before to buy any. I use bins to store medium sized things like zippers, elastic spools, velcro, boxes of buttons, bag of fabric clips, tailor's chalk, awls, bias tape, yarn, some cut fabric I'm putting off sewing, a bag of sewing machine feet, and my shipping scale.

You will inevitably end up with a bunch of bobbins if you aren't using plain bobbin thread so get a bobbin box. I used to use this one but outgrew it and upgraded to this one. Also for pins, I started keeping mine in a jewelry dish so I could pick them up easier. They came in a little snap-top box which was handy but it was hard for me to dig pins out of there. Something with more surface area was more helpful to me because it spread the pins out a bit. It's easier to spill them though lol. I have a bunch of fabric clips too but they're just dumped in a sandwich baggie. They came in a cute little tin but the tin didn't fit in my storage bins so I got rid of it.

Pens and cutting tools I store in some cute mugs. I also have a small basket sort of hidden in the lower right behind that ivy where I keep small things like extra needles and hardware. Everything is organized in there using portion control baggies (get them at a grocery store, amazon prices are awful). I like the "portion control" style because they're tall rather than wide so they fit into that basket nicely and are easy to flip through to find what I need. The wide snack size baggies just form a pile of stuff that's hard to root through.

If you buy patterns keep the bags and put the pattern pieces back inside when you're done with them. But if you're like me and you print patterns yourself a lot, get these oversized plastic envelopes to hold your pieces. They hold a lot and you don't have to fold your pattern pieces a ton to fit them inside. Folding printer paper too much really smashes it up so I prefer these huge envelopes over regular envelopes or folders. Also label your pattern pieces if you're printing them off or making them by hand on paper!! I have sooo many mystery pattern parts right now because I'm dumb and didn't label anything...

If you plan on hoarding fabric, I recommend getting a plastic storage tub to keep everything safe from dust and pet hair. A storage tub also makes it easy to move the fabric around and it's stackable. I keep a small pile of fabric beside my desk on that shelf but everything I don't plan on using soon is in a storage bin in my closet.

This is totally unreasonable to expect of anyone, but I also put a huge industrial shelf in my office to hold all my crafting tools and bulky materials (like rolls of batting, big pieces of leather, and faux fur) lol. But I have like a knitting machine, tufting gun, soldering tools, etc. I also needed to store so I was desperate for a place for it all. A small version of this shelf (like this one) may come in handy if you need more storage space but can't put a 7 foot shelf in your room. Wall mounted shelves are also an option (my wobbuffets are on one of these, brackets sold separately) but it's kind of a pain to anchor stuff into walls safely.

Other than that, to maximize space I use a tabletop ironing board because it's small and easy to store out of the way. I originally got this when I had an apartment and didn't have room for a full size ironing board but it came in handy now that I'm doing all my sewing in my office! Also for space management: if you need a light I recommend a clamp desk light. They're handy because you can bring the light to wherever you need it but the lamp takes up maybe 2 square inches of desk space so it's not wasting space.

[camaraindustries]

How to Purchase Used Pallet Racking: A Comprehensive Guide

Warehouse storage racks, such as Used Pallet Racking systems like pre-owned teardrop rack or pre-owned structural rack, provide cost-effective space management solutions. This guide assists in navigating the purchase of secondary pallet racks for optimal value. Benefit from their cost-effectiveness and often higher capacity, with the added advantage of immediate availability for installation.

[roci-by-book]

Nemesis Games [WIP]

“Towers of curved ceramic and steel made great piles, denser than mountains. Hair-thin wire hundreds of kilometers long stood on plastic spools taller than Filip.” (5)

“Filip shuffled down the rows of welding rigs and metal printers. Tubs of steel and ceramic dust fine than talcum. Spiral-core mounts. Layers of Kevlar and foam strike armor piled up like the biggest bed in the solar system.” (5)

“At the emergency ward, he found himself wheeled into an automated surgical bed not that different from the ones on the Rocinante.” (158)

“The passage was the usual design of inflated Mylar and titanium ribs.” (221-222)

“The curve was like the airlock on the Roci, and the design of the latch. Martian design. And more than that, Martian Navy.” (222)

"The bridge looked like the Rocinante's younger brother" (222)

“She pulled herself out of her crash couch and walked out to the common room. It was so much like the Roci’s galley that her brain kept trying to recognize it, failing, and trying again.” (262)

“Magnetic pallets locked to the decks and walls in neat rows. She wondered idly where it had all come from, and what promises had been given in exchange. She went to the nearest, plugged the array into the pallet, and popped it open. The crates unfolded.” (263)

“A toolbox in the machine shop had a bent hasp and, given a few minutes, could be forced open. The Allen wrenches inside would open the access panel on the lift wall between the crew quarters and the airlock, which was where the secondary diagnostic handset for the comm array was stored.” (304)

“While she worked, pressing the plastic into the seams, scraping out whatever had gathered there, doing it again, she tried to fit the new information into the larger scheme of things.” (306)

“When the deck was clean, she dropped the spatula into the recycler, stood, and stretched.” (307)

“In her bunk, her fingers laced behind her neck, she stared up at the blackness on the ceiling. The interface screen at her side was dead.” (311)

“The ship lurched hard, snapping the gimbals of the couches forty-five degrees to the deck.” (329)

“One bulkhead failed to open, reporting vacuum on the other side, and they had to backtrack.” (330)

“The comm array was unable to transmit either broadcast or tightbeam.” (330)

“She popped the straps loose and sat up, pulling her leg away from the needle.” (338)

“In the lift, she selected the machine shop and gripped the handholds as the mechanism dropped her down the body of the ship.” (338)

“The machine shop was empty, all the tools locked in place, but with enough tolerance that when the ship lurched, they all rattled: metal against metal like the ship itself was learning to talk.“ (338)

“She stumbled, her head crashing against the metal shelves.” (339)

“All the wrenches, epoxy welders, voltage meters, and cans of air and lubricant were strapped in place, She flipped through the close-packed layers to a line of Allen wrenches and plucked out the 10 mm.” (339)

“She gathered up a voltage tester, a wiring crimp, and a light-duty soldering iron and stuffed them in her pockets.” (339)

“She killed the lift between the crew quarters and the airlock, bracing herself so that the deceleration didn’t leave her trapped in the middle of empty air.” (340)

“The access panel was fifteen centimeters high and forty wide and opened on the major electrical routing through the center of the ship. If she cut though all the cables there with a welding torch, all the traffic would have rerouted instantly to other channels. Apart from a few warning indicators, nothing would happen.” (340)

“The screws were integral to the plate and didn’t come free, but she felt it when the metal threads lost their grip.” (340)

“Ten. The plate came free. She scooped up the handset, checking its charge. The batteries were nearly full. Connection read good.” (341)

“Channel eighteen was a comm array using the D4/L4 protocols that the Rocinante did for broadcast.” (341)

“Hand over hand, she pulled herself along the shaft and then into the corridors.” (342)

“The narrow corridors of the crew deck seemed too wide.” (344)

“The occasional ticking and popping of the expansion joins adjusting to shifts in temperature were like the knocking of ghosts.”(344)

“He undid the straps on his couch, floating forwards.” (346)

“He stopped at the med bay on the way to his quarters.” (346)

“Fred landed feetfirst on the wall, ankles hooked into the handholds like he’d been born in the Belt.”(348)

““All the bunks are the same,” Holden said. “Except mine. You can’t have mine.”" (349)

“The halls had the same anti-spalling covering that the bridge and the mess had, but marked with location codes and colored strips that would help navigate the ship. One line was deep red with HANGER BAY written in yellow Hindi, English, Bengali, Farsi, and Chinese.” (355)

“Across the corridor from Alex, Prime Minister Smith was huddled behind the lip of a doorway.” (356)

“Another burst of fire sang past, tearing long black strips from the walls and deck and filling the air with the smell of cordite.” (356)

“She drank the same version of chamomile tea that the Rocinante made, and it felt like having a secret ally.” (364)

“The mess was empty, the screens turned off and the crew set away.” (364)

“First drawer: gauze and bandages. Second drawer: one-use blood cards for maybe a hundred different field tests. Third drawer: emergency medical supplies like decompression kits, adrenaline shots, defibrillation tape.” (368)

“The medic had her sit up, the cushion of the medical table crackling under her shifting weight. The analgesic was a spray that went in Naomi’s mouth. It tasted like fake cherry and mold.” (369)

“The cabinet doors were open, spilling test cards and preloaded hypodermics across the floor.” (369)

“She fell to the side, her belly to the deck, decompression kits the size of her thumb pressing into her face as Miral writhed around to kneel on her back.” (369)

“She wanted to say something, but she couldn’t, so she just watched as Karal opened the door then closed it behind him. The lock slid closed.” (371)

“Wet with her saliva and no bigger than her thumb, it was the sort of thing any mech driver kept with her. A tiny ampoule of injectable oxygenated artificial blood and a panic button what would make an emergency medical request for an airlock to cycle.” (371)

“Fred held up the coffee cup. The name TACHI hadn’t quite worn off the side, red and black letters half-erased by use.” (381)

“The crash couch was bolted to the deck with thick steel and reinforced ceramic canted so that any direction the force came from was compression on one leg or another.” (407)

“The drawers were thinner metal, the same gauge, more or less, as the lockers. She pulled them out as far as they would open, examining the construction of the latches, the seams where the metal had been folded, searching for clues or inspiration.” (407)

“The tiny black thumb of the decompression kit, she kept tucked at her waist, ready to go if she could just find a way.” (407)

“The mirror was polished alloy built into the wall. No help there. If she could take apart the vacuum fan in the toilet...” (408)

“A simple EVA suit hung there, suspended in the null g by thin bands of elastic.” (423)

“The indicator went from green to red under her thumb.” (424)

“The airlock door closed behind him, the magnetic seals clacking.” (424)

“The lock was small enough he could put flat palms on both doors.” (424)

“Naomi thumbed the emergency override. Three options appeared: OPEN SHIP DOOR, OPEN OUTER DOOR, RETURN TO CYCLE.” (424)

“Without magnetic boots, she’d have to reach it with bare handholds, but she was close.” (426)

“She plucked the black thumb out of her belt, twisted it to expose the needle, and slammed it into her leg.” (426)

“The airlock indicator on the Chetzemoka’s skin blinked, the emergency response received, the cycle starting.” (426)

“There were handholds on the surface – some where deigned, but others were the protrusions of antennae and cameras.” (427)

“Maneuvering thrusters lit along the warship’s side, an ejection mass of superheated water glowing as it jetted out.” (427)

“And then, Mfume was gone, bolting up the ladder toward the cockpit faster than the lift would have taken him.” (431 - 432)

“Holden tapped in an order for another coffee.” (432)

“Finding Sun-yi and Gor wired into gaming googles shooting the crap out of each other in simulated battles – because as weapons techs with no one to shoot at they were getting antsy – stopped being weird and edged into sort of endearing.” (432)

“The hatch to the cockpit was closed, but Holden could still hear the wailing of the raï that Mfume liked to listen to during his shift in the pilot’s seat.” (433)

“Holden sat on the couch beside Fred’s and leaned in.” (433)

“The first disappointment was that the controls were in lockdown. She tried a few passwords – FreeNavy and Marcoisgreat and Filip – but even if she got it right, there was no reason to expect that they’d left the biometrics profiles turned off.” (448)

“The three EVA suits that remained didn’t have batteries or air bottles. The emergency rations were gone. She expected the toolboxes to be gone from the machine shop, but they’d taken out the racks that held them too, the drawers from the cabinets, the LEDs from the wall lights. The couches were all slit open, gel and padding pooled on the deck beside them. The drug delivery system and reservoirs were gone. The only water was in the drives; ejection mass to be spit out the back of the ship. The only food was the residue in the recyclers that hadn’t been processed back into anything edible. The stink of welding rigs and burning still hang in the air, so the air recycler was probably running unfiltered.” (449)

“The deck shook under her, the vibration of thrust setting up resonances that no system even tried to damp down.” (449)

“There should be a way through the machine shop. All machine shops were supposed to be connected at the back.” (449)

“The EVA suits weren’t powered and didn’t have bottles, but they had seals and reinforcement. She could take the cloth apart, and salvage some lengths of wire. Maybe something solid enough to cut with. And could she use the helmet clamps as a kind of vise grip or clamp?” (450)

“In a real ship, it would all have been protected by conduit. On this piece of crap, the wiring had all been fixed directly to the hall with a layer of yellowed silicone epoxy.” (452)

“Across the space, maybe four meters away, an indicator light went amber, and she was falling sideways. With the extra illumination, she could see the round, tree-thick body of the maneuvering thruster. She put out her arms, catching herself against a steel strut.” (452)

“Three sorties ago -- number forty-four -- she’d thought there might be a diagnostic handset. Not that should could speak into it, but she might have been able to tap out a message. But despite the fact that handsets like that were standard and required, there wasn’t one” (454)

“She scrambled down, moving from strut to strut, watching her hands and feet with every movement so she wouldn’t midjudge.” (455)

“The air in her suit didn’t feel stale or close; the carbon dioxide scrubbers worked well enough on passive that she wouldn’t feel the panic of asphyxiation. She’d just gently pass out and die.” (455)

[someonestole15]

7.62, 6000RPM

Lost the time.

Ticking inside the brain, CPU cooling rapidly from the thoughts it was flooded with, yet I can’t feel calm about any of this. Finger twitching for the trigger, my rifle is buried somewhere beneath the horde of dead clones, most of my armor plating was ripped away by them before the heat kicked in.

Battle seemingly approaching its end, Valkyrie has been working on breaking down the firewall keeping us from accessing the carriers defenses. Head in my hands, organizing the data and talking with her as she runs through the systems have kept my mind in check for the most part. Stabilize breathing, get the job done and live to see another day.

Many a question within my mind, one of them revolving around this Goddess he was obsessed with, does she even have a form?

Brought back to reality by Valkyrie slamming the console, the screen glitched a bit before returning the “ACCESS DENIED” message on it. Back on my feet, I opened up the console and looked around the insides of it. When software doesn’t solve it, you go hardware; connecting a wire to my arm gave off an unsteady and static filled beeping. Tuning the frequency cleared the static and after that, the beeping was clear to hear. Three beeps, and then steady for a moment before resetting. Lock it in, Valkyrie triggered the firewall as I kept the signal steady, it fell silent.

ACCESS GRANTED.

Sometimes hardware, sometimes software, or both, two minds work better than one in most cases. Turrets outside silenced, the alarm died down as the lockdown was lifted.

“Nine, we’re done here, how are you doing?”

“Hostile troops detected. Requesting assistance.”

“Hold steady, we’ll come to you.”

Valkyrie took point, the PDW in my hands left me with little to defend myself but the lack of armor kept me light, and stealing/borrowing a rifle from an enemy might prove useful. Make haste, we routed fastest way through to Nine’s location, the slight smirk on my face as the line formed across my HUD. Whirring within the chest, slight leak of coolant as the mask formed back over my face.

Rack the bolt and let it rip, the corridors from this level would connect with a catwalk within the hangar, and then it was just the descent to worry about. Remote upload with the codes, every door opened up before we reached them, any soldier standing between us and the objective falling from either a burst of 4x6 or a blade of Valkyrie, the final door in sight, I holstered the PDW and forced it open, no codes would work on something with any electronics to hold it shut.

“Nine, we’re ready to go.” Squad of ten soldiers looking around the area where Nine’s transponder was, all heavily armed and protected but that leaves them low on mobility.

“Understood, starting countdown.”

Down from ten, I hooked my grapple up with the railing and lowered myself down as Valkyrie took aim from above, combine the skills of all three and see where it leads you. One shot, the squad turned their attention to me as Nine rushed past them, smoke clouding the area as blue sparks within made the air electric. Besides me, I synchronized my vision with Nine as the smoke covered most of the area, blue glow in both eyes as the visor covered them.

“Got you on sights.”

All yours, it was easier to get around the soldiers in the mist. Stand behind one, Valkyrie took her shot. Fall on the blade; I grabbed the soldiers shotgun as his systems died, 7 shells, I kept my aim steady as the distant shots of the marksman rifle kept my footsteps silent.

“Nine, one here.”

Shotgun shell to knee, Nine tackled the soldier down. A bullet to my back, the force spun me around but the shotgun returned the fate upon the soldier who had hit me, he fell back against the hangar floor. Not today, I pulled myself up and pinned the soldier down, firing two shell into his chest. PDW in one hand, my scanners kept a steady pulse with the soldiers outlines appearing through the smoke, there was no hiding amidst it.

Drop another as they were aiming at Valkyrie, grab a leg, pull, force off balance, shotgun butt to the back of the head.

5 left, the sheer adrenaline kept rushing within as the smoke started to fade. Crimson heavy in the midst, armored like a brick of Tungsten with a gatling gun in his hands; he took aim at the catwalk with a soft whirring of the electric motor spooling up the barrels. Flinching from Valkyrie’s shots, he wrestled the gun towards the catwalk and opened fire.

Sweep the leg, the bullets sprayed all across the hangar as I ripped it away from his hands and released the trigger. Shotgun shell to the chest, another for the road, third one made its mark. Out of rounds, I dismissed the shotgun as I took hold of the minigun. Too heavy for me to operate solo, we formed a plan. Backpack of ammunition on Nine, he stuck close as I kept the gun low and spooled it up.

“Val, hold tight.”

“Oh…I see you’ve found a new toy.”

Symphony of BRRRR, the recoil kept me from moving too fast as it fired, but there wasn’t anything between the soldiers and I, a few stray rounds made their marks on my upper torso, but failed to deal any major damage. Barrels glowing red hot, the belt of ammo still about half-full, no more targets left. Locked in place, I placed the minigun onto my sling and grabbed the slightly lighter ammo pack from Nine.

Regroup, Valkyrie lowered herself down to us and we prepared for evac, the silence on our comms was unsettling to say the least. No signal getting through, the deactivated turrets were a clear indication we were done, but the Empire wouldn’t know we were waiting.

Need a backup plan, hell this is their carrier, why not borrow a ship with zero intention to give it back?

Locate the elevator, prep the gun and stand by. Slow descent, the storage deck seemed quiet, nothing but robots working on repairs to various Corporation issue ships. Hard to remain covert with a gun this size on my back, we moved between the ships and avoided detection were possible, scanning the damage on the ships within the bay to locate one that could still fly.

Out of 17, two of the ships seemed fit to fly without too many issues. One was lacking in oxygen systems and had damage to the reactor causing an occasional power spike, the second one?

Aggressive angles, large caliber gun beneath the cockpit and two more before the engine nacelles. Gunship class, name was blanked out but the damage to it seemed minor enough to fly back home.

Transponder had several error codes and the navigation system was missing, but otherwise it seemed fit to fly. Lacks a jump drive, unable to get out of this system as is, but good enough. No keys, the system access codes were held in a terminal nearby.

Grab the keys and grand theft gunship.

[nemesisbinxartifactseries]

Artifact Series J

J. Allen Hynek's Telescope

J. Edgar Hoover's Tie

J. McCullough's Golf Ball

J. Templer's Wind-Up Tin Rooster *

J. C. Agajanian’s Stetson

J.T. Saylors's Overalls

J.M. Barrie’s Swiss Trychels

J.M.W. Turner's Rain, Steam and Speed-The Great Western Railway *

J.R.R. Tolken's Ring

Jack-in-the-Box

Jack's Magic Beanstalk

Jack Daniel's Original Whisky Bottle

Jack Dawson's Art Kit

Jack Duncan's Spur *

Jack Frost's Staff

Jack Kerouac's Typewriter

Jack Ketch's Axe

Jack LaLanne's Stationary Bike *

Jack London's Dog Collar

Jack Parson's Rocket Engine

Jack Sheppard's Hammer

Jack Sparrow's Compass

Jack Torrance's Croquet Mallet

Jack the Ripper's Lantern *

Jackie Robinson's Baseball

Jackson Pollock's "No. 5, 1948"

Jackson Pollock's Pack of Cigarettes

Jackson Pollock's Paint Cans

Jack's Regisword

Jack Vettriano's "The Singing Butler"

Jack's Wrench

Jacob and Wilhelm Grimm's Kinder- und Hausmarchen

Jacob "Jack" Kevorkian's Otoscope

Jacob Kurtzberg's Belt *

Jacqueline Cochran's Brooch

Jacques Aymar-Vernay’s Dowsing Rod

Jacques Cousteau's Goggles

Jacques Cousteau's Diving Suit

Jacques-Louis David's Napoleon Crossing the Alps *

Jade Butterfly

Jadeite Cabbage

Jalal-ud-Din Muhammad Akbar's Smoke Pipe

Jamaica Ginger Bottle

Jaleel White's Hosting Chair

James Abbot McNeill Whistler's Whistler's Mother *

James Allen's Memoir

James Bartley's Britches

James Ben Ali Haggin's Leaky Fountain Pen

James Bert Garner’s Gas Mask

James Bett's Cupboard Handle

James Braid's Chair *

James Brown's Shoes

James Bulger's Sweater

James Buzzanell's Painting "Grief and Pain"

James Buzzanell’s Survey Books

James C. McReynolds’ Judicial Robe

James Chadwick's Nobel Prize

James Clerk Maxwell's Camera Lens

James Colnett's Otter Pelt

James Condliff's Skeleton Clock

James Cook's Mahiole and Feather Cloak

James Craik's Spring Lancet

James Dean's 1955 Prosche 550 Spyder, aka "Little Bastard"

James Dean's UCLA Varsity Jacket

James Dinsmoor's Dinner Bell

James Eads How’s Bindle

James Earl Ray's Rifle

James Fenimore Cooper's Arrow Heads

James Gandolfini's Jukebox

James Hadfield’s Glass Bottle of Water

James Hall III’s Shopping Bags

James Henry Atkinson's Mouse Trap

James Henry Pullen’s Mannequin

James Hoban's Drawing Utensils

James Holman’s Cane

James Hutton's Overcoat

James Joyce’s Eyepatch

James M. Barrie's Grandfather Clock

James M. Barrie's Suitcase

James Murrell's Witch Bottle

James Philip’s Riata

James Prescott Joule's Thermodynamic Generator

James Smithson's Money

James Tilly Matthews’ Air Loom

James Warren and Willoughby Monzani's Piece of Wood

James Watt's Steam Condenser

James Watt's Weather Vane

James W. Marshall’s Jar

Jan Baalsrud’s Stretcher

Jan Baptist van Helmont's Willow Tree

Jane Austen's Carriage

Jane Austen's Gloves

Jane Austen's Quill

Jane Bartholomew's "Lady Columbia" Torch

Jane Pierce's Veil

Janet Leigh's Shower Curtain

Janine Charrat's Ballet Slippers

Jan Janzoon's Boomerang *

Janis Joplin's Backstage Pass from Woodstock *

Jan Karski's Passport

Janus Coin *

Jan van Eyck’s Chaperon

Jan van Speyk's Flag of the Netherlands

Jan Wnęk's Angel Figurine

Jan Žižka's Wagenburg Wagons

The Japanese Nightingale

Jar of Dust from the Mount Asama Eruption

Jar of Greek Funeral Beans

Jar of Marbles

Jar of Molasses from The Boston Molasses Disaster

Jar of Sand

Jar of Semper Augustus Bulbs

Jar of Shiva

Jar of Sugar Plums

Jascha Heifetz's Violin Bow

Jason Voorhese's Machete

Javed Iqbal's Barrel of Acid

Jay Maynard's Tron Suit

Jean II Le Maingre's Gauntlets

Jean Baptiste Charbonneau’s Cradleboard

Jean-Baptiste-Siméon Chardin's Bubble Pipe

Jean Chastel's Silver Gun

Jean Eugène Robert-Houdin's Pocket Watch

Jean Fleury's Aztec Gold Coins

Jean-François Champollion’s Ideographic Dictionary

Jean Froissart's Mirror *

Jean-Frédéric Peugeot's Pepper Mill

Jean Hilliard’s Earmuffs

Jean Parisot de Valette’s Sword Sheath

Jean-Paul Marat's Bathtub

Jean Paul-Satre’s Paper Cutter

Jean-Pierre Christin's Thermometer

Jean Senebier's Bundle of Swiss Alpine Flowers

Jean Valnet's Aromatherapy Statue

Jean Vrolicq’s Scrimshaw

Jeanne Baret's Hat

Jeanne de Clisson's Black Fleet

Jeanne Villepreux-Power's Aquarium

Jeannette Piccard's Sandbag

Jeff Dunham's First Ventriloquist Box

Jefferson Davis' Boots

Jefferson Randolph Smith's Soap Bar

Jeffrey Dahmer's Handkerchief

Jeffrey Dahmer's Pick-Up Sticks

Jemmy Hirst's Carriage Wheel

Jenny Lind's Stage Makeup

Jeopardy! Contestant Podiums

Jerome Monroe Smucker's Canning Jars

Jerry Andrus’ Organ

Jerry Garcia's Blackbulb *

Jerry Siegel's Sketchbook

Jesse James' Saddle

Jesse James' Pistol

Jesse Owens' Hitler Oak

Jesse Owens' Running Shoes

Jesse Pomeroy's Ribbon and Spool

Jester's Mask

Jesus of Nazareth's Whip

Jesús García's Brake Wheel

Jet Engine from the Gimli Glider

Jet Glass Cicada Button

Jethro Tull's Hoe

Jeweled Scabbard of Sforza

Jiang Shunfu’s Mandarin Square

Jim Davis' Pet Carrier

Jim Fixx's Shorts

Jim Henson's Talking Food Muppets

Jim Jones' Sunglasses

Jim Londos' Overalls

Jim Robinson's Army Bag

Jim Thorpe's Shoulder Pads

Jim Ward's Piercing Samples

Jimi Hendrix's Bandana

Jimi Hendrix's Bong

Jimi Hendrix's Guitars *

Jimmie Rodgers Rail Brake

Jimmy Durante's Cigar

Jimmy Gibb Jr's Stock Car

Jimmy Hoffa's Comb

Jin Dynasty Chainwhip

Jingle Harness

Joan II, Duchess of Berry's Dress

Joan of Arc's Chain Mail

Joan of Arc's Helmet (canon)

Joan Feynman's Ski Pole

Joanna of Castile's Vase

Joan Rivers' Carpet Steamer

Joan Rivers' Red Carpet

Joe Ades's Potato Peeler

Joe Girard’s Keys

Joe Rosenthal's Camera Lens

Joel Brand's Playing Cards

Joséphine de Beauharnais' Engagement Ring

Johan Alfred Ander’s Piece of Porcelain

Johann Baptist Isenring’s Acacia Tree

Johann Bartholomaeus Adam Beringer's Lying Stones

Johann Blumhardt's Rosary

Johann Dzierzon’s Beehive Frame

Johann Georg Elser's Postcard

Johann Maelzel's Metronome *

Johann Rall's Poker Cards

Johann Tetzel's Indulgence

Johann Wolfgang von Goethe's Prism

Johannes Brahms' Coffee Creamer

Johannes Diderik van der Waals' Gloves

Johannes Fabricius' Camera Obscura

Johannes Gutenburg's Memory Paper *

Johannes Gutenburg's Printing Press *

Johannes Gutenberg's Printing Press Keys

Johannes Kepler's Planetary Model

Johannes Kepler's Telescope Lense

Johannes Kjarval’s Landscape Painting

John A. Macready's Ray-Bans *

John A. Roebling's Steel Cable

John A.F. Maitland's Musical Brainnumber *

John André’s Stocking

John Anthony Walker's Minox

John Axon's Footplate

John Babbacombe Lee’s Trapdoor

John Bardeen's Radio

John Bodkin Adams’ Stethoscope

John Brown's Body *

John Brown's Machete

John C. Koss SP3 Stereophones

John C. Lilly's Isolation Tank Valve

John Cabot's Map

John Carl Wilcke's Rug *

John Crawley's Painting

John Croghan's Limestone Brick

John Dalton's Weather Vane

John Dee's Golden Talisman

John Dee's Obsidian Crystal Ball

John Dee’s Seal of God

John DeLorean's Drawing Table

John Dickson Carr's Driving Gloves

John Dillinger's Pistol *

John D. Grady’s Satchel

John D. Rockefeller's Bible

John D. Rockefeller, Sr. and Jr.'s Top Hats

John Dwight's Hammer

John F. Kennedy's Coconut

John F. Kennedy's Presidental Limousine

John F. Kennedy's Tie Clip *

John Flaxman's Casting Molds

Sir John Franklin's Scarf

John Gay's Shilling

John Gillespie Magee, Jr.'s Pen

John H. Kellogg's Bowl

John H. Kellogg's Corn Flakes

John H. Lawrence's Pacifier

John Hancock's Quill

John Harrison’s Longcase Clock

John Hawkwood’s Lance

John Hendrix's Bible

John Henry Moore's White Banner

John Henry's Sledge Hammer

John Hetherington's Top Hat

John Holland, 2nd Duke of Exeter's Torture Rack

John Holmes Pump *

John Hopoate's Cleats

John Howard Griffin's Bus Fare

John Hunter's Stitching Wire

John Hunter's Surgical Sutures

John J. Pershing's Boots

John Jacob Astor's Beaver Pelt

John Jervis’ Ship

John Joshua Webb’s Rock Chippings

John Kay's Needle

John Keat's Grecian Urn *

John, King of England's Throne

John L. Sullivan's Boots

John Langdon Down's Stencils

John Lawson's Mannequin Legs

John Lennon's Glasses

John "Liver-Eating" Johnson's Axe

John Logie Baird's Scanning Disk *

John M. Allegro's Fly Amanita

John Macpherson's Ladle

John Malcolm's Chunk of Skin

John Malcolm's Skin Wallet

John McEnroe's Tennis Racket *

John Milner's Yellow '32 Ford Deuce Coupe

John Moore-Brabazon’s Waste Basket

John Morales' McGruff Suit

John Mytton’s Carriage

John Pasche's Rolling Stones Poster Design

John Paul Jones's Sword

John Pemberton's Tasting Spoon

John Philip Sousa's Sousaphone

John Rambo's Composite Bow

John Rykener's Ring

John Shore's Tuning Fork

John Simon's Mouthwash

John Simon Ritchie's Padlock Necklace

John Smith of Jamestown's Sword

John Snow's Dot Map

John Snow’s Pump Handle

John Stapp’s Rocket Sled

John Steinbeck's Luger

John Sutcliffe's Camera

John Sutter's Pickaxe

John Tunstall's Horse Saddle

John Trumbull's "Painting of George Washington"

John von Neumann's Abacus

John Walker's Walking Stick

John Wayne Gacy's Clown Painting *

John Wayne Gacy's Facepaint

John Wesley Hardin's Rosewood Grip Pistol

John Wesley Powell's Canoe

John Wesley Powell’s Canteen

John Wilkes Booth's Boot *

John Wilkes Booth Wanted Poster

John William Polidori's Bookcase

Johnny Ace's Gun

Johnny Appleseed's Tin Pot *

Johnny Campbell's University of Minnesota Sweater

Johnny Depp's Scissor Gloves

Johnny Smith's Steering Wheel

Johnny Weismuller's Loincloth *

Joker's BANG! Revolver

Jon Stewart's Tie

Jonathan Coulton's Guitar

Jonathan R. Davis' Bowie Knife

Jonathan Shay's Copy of Iliad/Odyssey

Jonestown Water Cooler

Jorge Luis Borges' Scrapbook

José Abad Santos' Pebble

José Delgado’s Transmitter

Jose Enrique de la Pena's Chest Piece

Jōsei Toda’s Gohonzon Butsudan

Josef Frings’ Ferraiolo

Josef Mengele's Scalpel

Josef Stefan's Light Bulbs

Joseph of Arimathea's Tomb Rock

Joseph of Cupertino's Medallion *

Joseph Day's Sickle

Joseph Ducreux's Cane

Joseph Dunninger's Pocket Watch

Joseph Dunningers’ Props

Joseph E. Johnston Confederate Flag

Joseph Force Crater's Briefcases

Joseph Fourier's Pocket Knife

Joseph Glidden’s Barbed Wire

Joseph Goebbels' Radio *

Joseph Jacquard's Analytical Loom

Joseph Bolitho Johns’ Axe

Joseph Kittinger's Parachute

Joseph Lister's Padding

Joseph McCarthy's List of Communists

Joseph Merrick's Hood

Joseph-Michel Montgolfier's Wicker Basket

Joseph Moir’s Token

Joseph Pilate's Resistance Bands *

Joseph Polchinski’s Billiard Ball

Joseph Stalin's Gold Star Medal *

Joseph Stalin's Sleep Mask *

Joseph Swan's Electric Light

Joseph Vacher's Accordion

Joseph Vacher's Dog Skull

Joseph Valachi's '58 Chevrolet Impala

Josephus' Papyrus

Joseph Wolpe's Glasses

Josephine Cochrane's Dishwasher

Joshua's Trumpet *

Josiah S. Carberry's Cracked Pot

Joshua Vicks' Original Batch of Vicks Vapor Rub

Josiah Wedgewood's Medallion

Jost Burgi's Armillary Sphere *

Jovan Vladimir's Cross

Juana the Mad of Castiles' Crown

Juan Luis Vives' Quill Set

Juan Moreira’s Facón

Juan Pounce de Leon's Chalice

Juan Ponce de León's Helmet

Juan Seguin's Bandolier

Jubilee Grand Poker Chip *

Judah Loew ben Belazel's Amulet *

Judas Iscariot’s Thirty Silver Coins

Judson Laipply's Shoes

Jules Baillarger's Decanter

Jules Leotard's Trapeze Net

Jules Verne's Original Manuscripts

Julia Agrippa's Chalice

Julia Child's Apron *

Julia Child's Whisk

Julian Assange’s Flash Drive

Julie d’Aubigny's Sabre

Julius and Ethel Rosenberg's Wedding Rings

Julius Asclepiodotus’ Shield Boss

Julius Caesar's Wreath

Julius Wilbrand's Lab Coat Buttons *

Jumanji

Jumper Cables

Junji Koyama’s Vegetables

Jure Sterk's Ballpoint Pen

Jürgen Wattenberg's Leather Provision Bag

Justa Grata Honoria’s Engagement Ring

Justin Bieber's Guitar

Justinian I's Chariot Wheel

Justin O. Schmidt's Wasp Mask

Justus von Liebig's Fertilizer Sack

Justus von Liebig's Mirror

[secretum-mori]

@lightningrevenge continued [x]

     While the cyborg wandered, Gustave was unraveling the spool of razor wire he had hanging off his kit. Unaware of the threat posed within the shadows of what he believed to be a safe haven, if only for a few minutes, his fortifying continued quietly. Strung from two racks, the razor wire would deter enemy entry from the most obvious set of doors. It is when he starts hauling a heavy appliance that Raiden’s voice reaches his ears and his efforts grind to a halt.

     “What do you mean?” He inquires, tugging the SG-CQB around to hold the shotgun at low ready. Dark brown eyes wander to the innocent objects and furniture that surrounds them, not spotting anything out of the ordinary. Doc isn’t augmented with cybernetics, hasn’t faced the monster that lurks nearby prior to now. As confident as he is in his gear, he’s seen even the most armored of soldiers get shredded like paper.

     A round is chambered in his weapon, the classic pump of a weapon that struck fear in those that heard it. Even with all of the new technology and super weapons, shotguns were still reliable to keep in one’s arsenal. Hopefully it would be enough... “Whatever it is, I’ve got your back.”

[gingerling]

THESE GENTLEMEN PROWL

THROW AWAY GOD AND DISPOSE OF THESE DAMNED VIRTUES. WHAT FOOLISH MORTALS THEY ARE! ONE SAID THEY DON'T FEAR THE DIVINE AND YET A SOUL FOLLOW THEIR FOOTSTEPS. 

these darling gentlemen will paint this night red and settle storms between their picket-fence white teeth. this night will be theirs and the devil couldn't seize from their claws. monsters donned in cashmere suits were these boys. (lion-hearted, fox-tongued, and wolf-born) they were hellbent on making god tremble and bow down in their grace and make the earth shudder beneath their feet. but one has yet to claw his way through lupa's womb and into the land of gods and beasts.

his heart is pounding can you hear it? there's a tremor in his bones can't you hear it? the bass? the beat? rumbling in his bones? the symphony of guilt playing like wildfire in his ears? its gnawing—ravaging at his conscience like ravens upon fresh corpses beset on the gloomiest of days. because he's going to kill you, darling. you'll be a face he's never going to forget: the hard lines--the harsh lines; drawn across your temple. (thirty eight he counted. his warm blooded mouth murmured)  the diner lights—bright as moonshine. the gold curled tresses upon your head worn like a gilded crown, the frown carved upon your lips, the wired jitters jostling within your crossed legs. all a memory his mind will devour only to be disgorge in his nightmares. but he stares from afar, as time tauntingly ticked with deathly cadence. (in twenty-nine minutes life will start slipping)  oh, how sick he felt inside.

they all watched her. their eyes searing onto the shape of her figure. her rose-tinted ocean eyes gaze out the window heedless towards their carnivorous stares. they were painted with false innocence but she didn't know. and who would? they were perfect boys—such sweet boys like them—such nice boys like them—such kind boys like them (they'd never harm a soul)  built on the foundation of spoiled ichor guts of man-made american white dreams with creme of the crop charm ingrained in their ivory jaws and pearled incisors—polished wax wrists adorned with devil's diamonds and soft pretty pink lips. these were good boys—these were gentle boys—these were honest boys-

these were—murderers. 

such was a dirty lie--it ate at his throat and coated it with grime—(what a nasty taste)—it made him want to heave his own rotten guts on the cracked dining-floor and strip the deceit from their skin. it made him want to scream the damned truth and thrash like a sinner plagued by hellish macbethian flames—

"WE ARE NOT GOOD BOYS! WE ARE NOT NICE BOYS! WE ARE BOYS MADE FOR BLOOD AND BONES LOOKING FOR ICHOR AND GLORY! WE ARE NOT SWEET BOYS! WE ARE NOT KIND BOYS! WE ARE HOPING TO STRIP GOD OF HIS TITLE IN ATTEMPT TO FEEL DEATHLESS! WE ARE FILTHY FUCKERS! WE ARE FILTHY LIARS! CASHMERE PAPER CUT-OUTS OF THE DEVIL. AND OUR SINS ARE THE ONLY THING WE LOVE TO COUNT MORE THAN OUR MONEY—"

but she hadn't looked their way. from prying eyes-she didn't seem like type to die.

she wasn't the type of girl to hold the stars in her bosom or caress moons between the crux of her fingertips (she certainly wasn't soft spoken, gentle boned, or rose scented) she wasn't the kind of girl to split her heart into crescent halves and hold them in the tender roots of her palms, and spoon-feed them to the mouths of endless nights. nor was she the type to burn rivers to watch oceans starve, or forge words of fire from scolding scalding twisted lips, (she wasn't cruel carved, vixen built, or bitter-ivy sweet) and snap her teeth in tempest wrath or ring her red nails dry with the blood of boys.

she didn't seem like the type to die but alas night had struck and the hunt begins.

out in the stillborn winds she couldn't hear him—hear them. along the hollow cobblestone streets, clandestine in every flick of their feet, silence sewn in the leather soles of their heels, the darkness tethered to their stone silhouettes, the sweet silk of the their suits were soaked in shadows sweat, and the wings of nightfall fostered them under a starless sky. faces masked with heads of beasts, (birthed from the jungle, burrowed from a den, cracked out of moons) like predators they basked themselves in satin blackness blessed by stitched shadows. the world seem to grip it's axis with glassy stillness—waiting-halting —for the falsetto of death's lungs to ravage the air as prey scampered with thin legs and fine strides.

"strike now." he felt the whisper rack his bones. then the lion bellowed fiercely. "take your claws and strike them." but his hands-paws quivered in tremors of weakness. (you can't do it can you? such a weak boy you are—something wicked in his head had stirred and shrieked—)

"WHAT IS A WOLF IF HE DOESN'T HOWL? WHAT IS A WOLF IF HE DOESN'T HUNT? WHAT IS A WOLF IF HE DOESN'T KILL? ARE YOU WEAK DARLING? ARE YOU WEAK? BECAUSE THE WEAK DON'T SURVIVE HERE FOR LONG. PUPS LIKE YOU WHO COWER AND CRY HAVE THEIR INNARDS PLUCKED FROM THE TOMBS OF THEIR BELLIES. BE A WOLF; BE A PREDATOR; BE A MAN; BE A GENTLEMAN; AND MAKE US PROUD DARLING."

and so he lurched his blade with the strength of a broken bone and left his heart of glass to shatter upon the street. oh how such a howl pierced the soundless night-

his butchering blade grinned with murder and struck her flesh like a brutal kiss. ripping into her stomach with cleaved kindness. sanguine streams surged from the gallows of her bowels-smearing his lapels and marking his skin with the scent of ruby ichor and bleeding strawberries. she looked like an all-american martyr—with bloody scarred skin, celestial knotted curls, and bright death-blue eyes— he just kept going and going, his wolfish claws crimson kissed in sin—until the wounds etched in her skin seeped into moses' rosebush, thorns unraveling upon her cadaver with spools of petals pooled in her blood. the monuments of her ribs were split like the red sea and oh lord there it was - her heart pulsing with the beat of a lifeless goddess. he hooked his molars to the piece of her tender soul— is this what it meant to be immortal? the meaning to being godless and godlike at once?

and so the lion put her to sleep and said he didn't fear god —(and god smiled) 

the fox scoffed at hindrance near his heels —(and god laughed)

and the wolf had cried for mercy as if the knife had struck his own beating heart —(and god pitied)

but let the fire start! hear the incense sing! listen as their voices screech with madness!—because these gentleman prowl and are the masters of night!—because darkness offered them a home where light had scorned such troubled youths causing; boys to be beasts and girls to be ghostly flames!

~art~

i heard god cackling as they let death sing and wave it's flag. what a heartless tragedy. 

(5)

[donseo]

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You and Whose Army

or;

What if the Seed family were actually good and Hope County is just really paranoid?

AU fic with slow burn Jacob Seed/Staci Pratt, and not-so-slow-burn John/male!Deputy in the background.

Keeping it on tumblr for now because AO3 creates scary ~commitment~ and I just want somewhere to share it with my FC5 buddies (especially you, @avaleahblog). I have not abandoned my Fallout fics. No content warnings for this chapter but I’ll flag ‘em up as necessary.

1

Pratt hasn’t been out to the St Francis Veteran Centre in years, not since he was a rookie and got called out to deal with a vagrancy complaint. The place had been long abandoned back then, the courtyard choked with weeds and faded trash. Inside it had stunk to high heaven. Bird and animal shit and the remains of campfires caked the floors.

Today as he walks up the gravel road to the gates, it’s like stepping back into another era when the hospital was open and thriving. The front court is visible, for one thing. No ivy or knotweed strangling the iron gate, and the paving beyond is level and clean.

The new owner is one Jacob Seed. Pratt’s never officially met him, though he’s seen him around now and again. Seed and his family—two brothers, plus an unknown number of hangers-on—rolled into Hope County a few months back after buying up a suspicious amount of property. The Sheriff’s Department started getting calls soon after. Just the odd one at first, but the longer the Seeds take root on this land, the more the locals are reacting against their presence.

Most of the attention is on Joseph Seed, the long-haired preacher who bought up half the island on Silver Lake and is setting up some kind of hippy commune there. Rumour has it he’s building a chapel, but in the meantime he holds open services a couple times a week in a big white tent on his land. Folks started going along out of curiosity at first, looking to sniff around what this weirdo and his barefoot harem were up to. Probably hoping there’d be naked dancing around maypoles or some such to tide them over in gossip until winter. But whatever Joseph has to say seems to be connecting with people, because almost as many locals love him as hate him now. Of course, that’s only made family members more concerned. There’s already accusations of brainwashing and devil-worship flying around.

While the Sheriff’s Department isn’t taking such nonsense seriously, there have been enough calls to the station by now that Earl Whitehorse finally agreed to address the issue. It’s been a slow couple of days, so Earl tasked his deputies with visiting various Seed family properties to cast an eye over things. Staci isn’t over the moon at being sent to St Francis’, but Jacob’s property is at the farthest reach of the county and he’s the only one who can pilot the chopper. He casts a glance back at where he left it—set down on the grass at the point of the little lake out front of the building—then sighs and pushes through the gates.

The courtyard seems deserted. There’s a new-looking Jeep with Montana plates parked near the gates, and a couple of mud-spattered ATVs further back, but no one attending them. Over in one corner is a stack of rusting bed frames and other trash, leftovers from the hospital’s former life. Pratt strolls past a dried-up fountain towards the front doors. The weather is warming up, and the prickle down his spine and under his arms makes him wish he’d left his jacket in the chopper.

Pratt lifts the brass knocker on the lobby door. His four sharp raps cut like gunfire through the hush of the valley. He turns from the door to wait and idly examines the plastic-wrapped pallets standing by the entrance. Masonry paint, sacks of cement, plasterboard sheets. Most likely ordered from out of county judging by the volume. Pratt raises an eyebrow at the huge spools of razor wire.

A couple of minutes pass, and he knocks again.

“Hello?” he calls out, but only his own voice echoes back off the high walls around the Centre.

He considers trying the door and hollering inside, but the locals he’s talked to who had run-ins with Jacob Seed have described him as anything but friendly, so he decides against it. He wanders along the ground floor instead, hoping to catch a glimpse within. The windows on this level are guarded by iron bars on the outside and dark blinds drawn inside. It seems a waste of time and fuel to fly out here for nothing, so he turns right when he reaches the corner to make a clockwise loop around the building. Along the western wall is a row of large boxes, each one almost as tall as he is, covered over with green tarps. Staci lifts a corner up to peek underneath. It’s not a box at all, but a metal cage. The kind you might keep a vicious animal or, say, a prisoner of war in.

“Great. Not disturbing at all,” he mutters to himself.

There’s more junk heaped up ready for a bonfire in back. Open dumpsters stuffed with dead weeds and other garbage. Still not a soul to be seen.

On the back wall of the hospital Pratt finds a window left uncovered. It’s barred like the others, but when he cups his hands around his eyes and leans in, he can make out the gloomy interior.

The room within is mostly empty, just a few boxes near the door and a folding table with paint trays and rollers. If Staci smushes his face to the bars and peers all the way to his left, he can see through an open doorway into another room, and in there…

“Oh, shit.”

The section of wall he can see is lined with racks, and on those racks are guns. Lots of guns. Identical assault rifles occupy one full rack, while the one beside it is harder to make out but he thinks he sees shotguns and a large hunting bow. In a glass-fronted cabinet under the racks he can make out the dark shapes of pistols against a red backing cloth.

He shifts from foot to foot, wondering whether he should take out his phone and try to get pictures. But he’s not supposed to be here, at least not sneaking round the back of the property like a burglar, and he’s wary of taking away any evidence he might regret later.

Suddenly, all he wants is to get back to Fall’s End. He heads back the way he came and crosses the courtyard at a brisk pace. He glances back only once he’s halfway along the path. The hospital’s yellow walls are catching the late afternoon sun, and Staci can’t help but marvel at what a beautiful spot this is, nestled in its own lush, wooded valley with the vast wall of Monument Mountain curving around it like protective arms, and the lake reflecting the clouds. It’s a damn shame it’s been bought up by a family of crazies.

He jogs up the grassy rise to the helicopter and around to the side. As he rounds the tail end he stops short, boots skidding on the damp grass.

Jacob Seed is sitting in the cockpit.

One foot on the landing skid and the other in the opening, his ass parked on the pilot’s seat as though he belongs there. A sleek black rifle leans against the body of the chopper within easy reach. He’s holding a rosy red apple in one hand, turning it slowly as he strips the peel into a long spiral with a pocket knife. In a holster at his thigh is a much larger hunting knife, black and menacing against the faded blue of his jeans.

“Evening, Deputy,” he says at last, not looking up from his apple.

Staci shuts his mouth and swallows painfully, throat suddenly parched. He tries to calm himself, squeezing his already sweating hands into fists at his sides. It’s fine. Just because Seed chanced upon the helicopter doesn’t mean he knows anything else. Staci glances at the expensive scope on the rifle, and gets the uneasy feeling that perhaps he’s seen everything.  

“Mr Seed,” Staci replies. It sounds stupid coming out of his mouth; makes him feel like a kid addressing a teacher. But he doesn’t know the man well enough to call him Jacob. Maybe he should have just called him Seed; he’ll remember that for next time. At least he didn’t call him Sir.

He takes a few steps closer to the chopper, but Jacob doesn’t move.

“Do you mind?”

“Mind what, exactly?” Seed sounds bored as he finishes peeling the apple and lets the ribbon of red skin drop to the grass. He looks up at Staci then, and his eyes are a clear, vivid blue.

Pratt has never seen him up close before, and it’s hard not to stare at his scars. The ones on his face are most distracting simply due to their placement. His right cheek is marred worse than the left, pocked and mottled by what Staci assumes is a burn. The meanest scars are on his arms, angry red splotches against faded pink-brown, as though already marked skin has been injured again recently. As though his first trial by fire hadn’t taught him enough of a lesson. The thought makes Staci even more anxious.

He forces his eyes back to meet Seed’s. “This chopper is property of the Hope County Sheriff Department,” he tells him.

Jacob’s eyebrows raise in feigned surprise. “That so,” he replies. He gestures with the pocket knife at the land around them. “Well, since all of this is my property, I think that means you and your chopper aren’t supposed to be on it without an invitation.” He fixes Staci with that bright blue glare. “And I don’t recall inviting you, Deputy.”

Staci clears his throat. He’s being challenged, but he’ll be damned if he makes himself look weak by apologising.

“We’ve had a couple of reports of strange activity on your family’s properties,” he says, tucking his thumbs into his belt loops. Everything he does feels awkward and transparent. It’s maddening, and more than a little embarrassing, but he doesn’t want to draw more attention by moving his hands again. He presses on. “I just came out to have a word, but you were nowhere to be seen.”

“You’ve found me now.”

Clearly the opposite is true.

Staci nods anyway. “Mind me asking what sort of operation you’re running out here?”

Seed completely ignores the question and takes a bite of apple instead, forcing Pratt to wait for his reply while he chews. He squints against the treeline thoughtfully and swallows.

“What exactly constitutes ‘strange activity’, Deputy?”

“A lot of trucks bringing stuff in from out of county. Construction noise around the clock. Blocking off footpaths.” He shrugs. “All sorts of little things, but add it all up and it’s out of the ordinary for a quiet community like this.”

“Wasn’t aware out of the ordinary was the same as illegal.”

Pratt exhales impatiently. “It’s not. But it’s putting folks on edge. Maybe if they had an idea what was going on, it would set their minds at ease.”

Seed shakes his head, still looking into the distance. “Doesn’t matter where you go,” he sighs. “People can’t mind their own damn business.”

“Come on now, Mr Seed,” Staci says. “If everything’s above board, what’s there to hide? What are you doing out here?”

“Why don’t you tell me,” Jacob says. “You got a nice long look around. What’d you find out?”

Shit. Of course he saw him. Pratt pauses, considering whether or not to admit what he saw.

“You have a lot of guns,” he replies. “Sidearms and assault rifles mostly, from what I could tell. Not your everyday hunting fare.”

“Oh, I have hunting rifles too, Deputy.”

Staci can tell Seed is loving every second of his discomfort. He isn’t even trying to make himself look innocent. All that tells Staci is that he’s arrogant. Seed’s brother may be a fancy lawyer, but that doesn’t make him or anyone in his weirdo family untouchable.

“You care to tell me why you need that kind of firepower?”

Seed takes another big bite of his apple. “Security,” he says around his mouthful.  

Pratt shifts his weight to the other foot. “Security for what?”

“For my family’s property,” he replies. “My brother Joseph is very trusting, very patient. I’m not. I told him there were gonna be people in this county who wouldn’t want to see him succeed. You just proved me right.”

“Succeed at what?” Staci blurts out.

Seed is out of the cockpit and on his feet in one swift motion. For a big man, he sure moves fast. Pratt has to steel himself to stay put rather than backing up a couple of steps the way he wants to. The way Seed is expecting him to. Of course, he has to be taller than Staci, only by a couple inches, but he makes sure to flaunt it as he moves closer.

“Are we done here, Deputy…” He peers down at the name stitched above Staci’s breast pocket. “…Pratt?” The hard consonants grit out from between his teeth, cold and clear as ice chips.

They lock eyes for a few seconds. Seed knows exactly how intimidating he is with his bulk and his scars and those intense eyes, bright blue like a gas flame. Staci doesn’t have any of his presence, but he stares back anyway, keen to show the other man that he’s no cowering fool.

Eventually he nods his head once, holding the eye contact.

“We’re done.”

Seed steps back to retrieve his rifle. “I trust that I won’t find you trespassing on my property again.”

“As long as you don’t cause any trouble, I’ll have no reason to come back.” His attempt at a warning tone is laughable and they both know it, but all Seed does as he meets Staci’s eye again is tilt one corner of his mouth up ever so slightly.

“I’ll be sure to remember it.” Without taking his eyes off Staci, he says, “Here, Judge.”

Staci frowns in confusion, mouth opening to say What? when a blur of grey and white fur flashes past him.

“Jesus Christ,” he stammers instead.

The biggest fucking dog he’s ever seen bounds over to Jacob Seed’s side and sits, sniffing his hand before turning big yellow eyes on Staci. A long pink tongue like a slice of bacon lolls from its mouth. How long was that thing watching them? There are wolves in these mountains, and the monster sitting next to Jacob Seed is either one of them or a close goddamn relative. Heart hammering, Pratt makes a mental note to look up what the law has to say about keeping wolves as pets.

Seed leans his rifle across his shoulders and saunters off with the giant hound at his side. Staci is furious. He climbs into the helicopter, slamming the cockpit door too hard behind him, and quickly checks over the control panel in case Seed decided to fuck with anything. Everything seems fine. He’s relieved, but also disappointed he doesn’t have anything to pin on him. Jacob Seed is bad fucking news, and Pratt swears to himself there and then that he’s going to be the one to prove it.

He fumbles his headset on and fires up the chopper, scowling at the controls until he’s put air between him and the ground. As he tilts the craft in the direction of home, he glances down and notices Jacob still standing at the tree line watching him. Seed raises his right hand to his head in a mocking salute, and while he’s too far away to be sure, Staci just knows the bastard is grinning.

[avasghost]

any lines tag

thank you for the tag @zmlorenz!

Rules: Post any line or paragraph, regardless of quality and without context, just because you can, because you want to.

have i written anything recently i would be comfortable posting publicly to be read by anyone on the internet? hahahaha no. but here's a bit of a flashback in crane anatomy i wrote a while ago (and am still writing because i have not written in weeks):

Piper was four, hair still long and wild, black curls teetered down her back. Isobel was six, and knew even then she had to be serious to make the right impression. Piper giggled when she stuck her thumb through a hole in a fluorescent marigold and tugged it out again. Margaret, eleven, towered over them. Her wrists were spooled with friendship bracelets and she wore a floral box dress because she said it fit with the plant theme. She ran prickly fingers over the seedling trays on wire racks that columned down the centre of the greenhouse. Iris was nine, a baggy striped cardigan pendulum’d from her skinny shoulders and fell past her thighs. She didn’t have glasses yet, and stared around at the plants with wide juniper eyes. The air was thick like pollen, it glossed around them like a mirror without a reflection. Humidity oiled on their skin and made them nauseous, made them want to leave, made them want to stay, because the warmth was oddly comforting, oddly soft to the touch. Pamela was younger then, too, with short crimped hair tucked under a magenta cloche hat. She held herself taller, when the world was a brighter place, when there was less to grieve about. She was beautiful back then, wore makeup, dressed carefully, smiled genuinely. She lost all those things over time.

tagging: @alicewestwater @chewingthescenery @wannabeauthorzofija @moth-with-a-pen @writtendevastation