#William glasby

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2020 Olympics South Africa Roster

Swimming

Martin Binedell (Pietermaritzburg)

Pieter Coetze (Pretoria)

Ethan Du Preez (Cape Town)

Michael McGlynn (Johannesburg)

Matthew Sates (Durban)

Michael Houlie (Cape Town)

Chad Le Clos (Durban)

Brad Tandy (Ladysmith)

Clarissa Johnston (Durban)

Laura Strugnell (Johannesburg)

Aimee Canny (Gnysa)

Mariella Venter (Johannesburg)

Emma Chelius (Pinecroft)

Kaylene Corbett (Bloemfontein)

Erin Gallagher (Durban)

Rebecca Meder (Pinecroft)

Tatjana Schoenmaker (Johannesburg)

Michelle Weber (Vereeniging)

Duné Coetzee (Pretoria)

Athletics

Tlotliso Leotlela (Phuthaditjhaba)

Phatutshedzo Maswanganyi (Soweto Township)

Akani Simbine (Kempton Park)

Clarence Munyai (Johannesburg)

Wayde Van Niekerk; Jr. (Bloemfontain)

Sokwakhana Zazini (Cape Town)

Elroy Gelant (George)

Desmond Mokgobu (Lempopo)

Stephen Mokoka (Mahikeng)

Cheswill Johnson (Germiston)

Ruswahl Samaai (Paarl)

Kayle Blignaut (Tuks)

Jason Van Rooyen (Johannesburg)

Rocco Van Rooyen (Johannesburg)

Anaso Jobodwana (Aberdeen)

Zakithi Nene (Ladysmith)

Thapelo Phora (Johannesburg)

Lesiba Mashele (Johannesburg)

Antonio Alkana (Cape Town)

Galaletsang Ramorwa (Johannesburg)

Ranti Dikgale (Phalaborwa)

Lythe Pillay (Benoni)

Lebogang Shange (Johannesburg)

Wayne Snyman (Welkom)

Marc Mundell (Pietermaritzburg)

Dominique Scott-Efurd (Stellenbosch)

Wenda Nel (Worcester)

Gerda Steyn (Dubai, U.A.E.)

Irvette Van Zyl (Sandton)

Jo-Ané Van Dyk (Potchefstroom)

Cycling

Nicholas Dlamini (Cape Town)

Ryan Gibbons (Johannesburg)

Daryl Impey (Johannesburg)

Jean Spies (Randberg)

David Maree (Kroonstad)

Alan Hatherly (Durban)

Alex Limberg (Johannesburg)

Stefan De Bod (Worcester)

Ashleigh Moolman-Pasio (Pretoria)

Carla Oberholzer (Bloemfontein)

Charlene Du Preez (Sasolburg)

Candice Lill (Durban)

Diving

Micaela Bouter (Johannesburg)

Julia Vincent (Johannesburg)

Equestrian

Tanya Seymour (Gqeberha)

Victoria Scott-Legendre (Pietermaritzburg)

Field Hockey

Mustaphaa Cassiem (Cape Town)

Nduduza Lembethe (Tuks)

Keenan Horne (Cape Town)

Matt Guise-Brown (Pretoria)

Dayaan Cassiem (Cape Town)

Mohamed Mea (Johannesburg)

Tevin Kok (Durban)

Nicholas Spooner (Johannesburg)

Sam Mvimbi (Plettenberg Bay)

Austin Smith (Cape Town)

Tim Drummond (Cape Town)

Taine Paton (Durban)

Jethro Eustice (Durban)

Rasie Pieterse (Virginia)

Nqobile Ntuli (Johannesburg)

Clinton Panther (Gqeberha)

Tyson Dlungwana (Johannesburg)

Rusten Abrahams (Johannesburg)

Ryan Julius (Johannesburg)

Daniel Bell (Johannesburg)

Edith Molikoe (Gqeberha)

Robyn Johnson (Johannesburg)

Nomnikelo Veto (Gqeberha)

Charné Maddocks (Kimberley)

Lerato Mahole (Johannesburg)

Taryn Potts (Stellenbosch)

Onthatile Zulu (Johannesburg)

Celia Evans (Johannesburg)

Kristen Paton (Johannesburg)

Lisa-Marie Deetlefs (Johannesburg)

Erin Hunter (Johannesburg)

Lilian Du Plessis (Johannesburg)

Phumelela Mbande (Pietermaritzburg)

Quanita Bobbs (Cape Town)

Tarryn Glasby (Cape Town)

Nicole Walraven (Johannesburg)

Marizen Marais (Pretoria)

Toni Marks (Gqeberha)

Soccer

Katlego Mohamme (Soshanguve)

Mondli Mpoto (Umlazi)

Sifiso Mlungwana (Emanguzi)

Ronwen Williams (Gqeberha)

James Monyane (Johannesburg)

Teboho Mokoena (Bethlehem)

Luke Fleurs (Fish Hoek)

Kamohelo Mahlatsi (Sebokeng)

Nkosingiphile Ngcobo (Pietermaritzburg)

Thabo Cele (KwaMashu Township)

Evidence Makgopa (GaMampa)

Luther Singh (Soweto Township)

Fagrie Lakay (Manenberg Township)

Sipho Mbule (Bethlehem)

Thendo Mukumela (Limpopo)

Sibusiso Mabiliso (Rustenburg)

Repo Malepe (Middelburg)

Lyle Foster (Soweto Township)

Goodman Mosele (Stilfontein)

Kobamelo Kodisang (Seraleng)

MacBeth Mahlangu (Kameelrivier)

Reeve Frosler (Port Elizabeth)

Golf

Christiaan Bezuidenhout (Johannesburg)

Garrick Higgo (Stellenbosch)

Paula Reto (Cape Town)

Gymnastics

Caitlin Rooskrantz (Johannesburg)

Naveen Daries (Johannesburg)

Judo

Geronay Whitebooi (Pretoria)

Rowing

Luc Daffarn (Rondebosch)

Kyle Schoonbee (Johannesburg)

Sandro Torrente (Johannesburg)

Jake Green (Makhanda)

Lawrence Brittain (Pretoria)

John Smith (Germiston)

Rugby

Kurt-Lee Arendse (Paarl)

Ronald Brown (Johannesburg)

Angelo Davids (Bellville)

Selvyn Davids (Humansdorp)

Mogamat Davids (Rondebosch)

Chris Dry (Bloemfontein)

Branco Du Preez (George)

Stedman-Ghee Gans (Pretoria)

Justin Geduld (Parow)

Sako Makata (East London)

J.C. Pretorius (Secunda)

Siviwe Soyizwapi (Qonce)

Impi Visser (Pongola)

Sailing

Leo Davis (Johannesburg)

Benjamin Talbot (Johannesburg)

Alex Burger (Cape Town)

Skateboarding

Dallas Olberholtzer (Durban) 

Brandon Valjalo (Johannesburg) 

Melissa Williams (Cape Town) 

Boipelo Awuah (Kimberley)

Climbing

Christopher Cosser (Johannesburg)

Erin Sterkenburg (Durban)

Surfing

Bianca Buitendag (Victoria)

Water Polo

Nardus Badenhorst (Pretoria)

Jason Evezard (Johannesburg)

Cameron Laurenson (Johannesburg)

Lwazi Madi (Johannesburg)

Magomad Mayman (Cape Town)

Yaseen Margro (Durban)

Liam Neill (Johannesburg)

Roarke Olver (Johannesburg)

Nicholas Rodda (Johannesburg)

Donn Stewart (Johannesburg)

Ross Stone (Johannesburg)

Gareth May (Durban)

Devon Card (Johannesburg)

Timothy Rezelman (Johannesburg)

Yanah Gerber (Port Elizabeth)

Amica Hallendorff (Cape Town)

Shakira January (Johannesburg)

Meghan Maartens (Bloemfontein)

Chloe Meecham (Johannesburg)

Georgia Moir (Johannesburg)

Boati Motau (Johannesburg)

Hannah Muller (East London)

Daniela Massoni (Waverley)

Megan Sileno (Hilton)

Ashleigh Vaughan (Port Elizabeth)

Jordan Wedderburn (Johannesburg)

Nicola Macleod (Johannesburg)

Hannah Calvert (Johannesburg)

Triathlon

Henri Schoeman (Vereeniging)

Simone Ackermann (East London)

Gillian Sanders (Johannesburg)

[essayprof]

Social work practitioners employ three sources of knowledge: (a) experiential wa

Social work practitioners employ three sources of knowledge: (a) experiential wa

Social work practitioners employ three sources of knowledge: (a) experiential ways of knowing and evidence, (b) theoretical ways of knowing and evidence, and (c) empirical ways of knowing and evidence (Williams & Glasby, 2010). Because most social work students come into the PhD Social Work or DSW programs with a firm practitioner identity, they may rely more heavily on experiential ways of…

[aion-rsa]

The Scariest Films Ever Made and How They Frighten Us

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It was while I was researching The Book of Horror, an illustrated guide to the scariest movies ever made, that I first started seeing things. 

Not the full Haley Joel Osment, you understand, but what we’ll call a seventh sense. I’d catch glimpses of something out of the corner of my eye, and my mind would fill in the blanks with spooky imagery because I was consuming so much of it. 

It didn’t help that my son had just been born. Lack of sleep combined with horror movie overload is a condition I wouldn’t wish on anyone. Night becomes dawn becomes day – the full George A Romero – and reality becomes harder and harder to rely upon.

Driving past the local garage one evening, I saw a Creepshow skeleton caked with remnants of clinging skin staring out at me from the front seat of a car. Watching The Great British Bake Off, that beacon of primetime TV evil, I glimpsed a J-horror wraith standing outside the tent. 

The cause of this – temporary – insanity was watching up to five horror movies a day for eight months as research for The Book of Horror, casting my net far and wide to seek out the most frightening films the genre has to offer. 

But once I’d seen all the main contenders, plus hundreds of wild cards, the question was how to compare them: just what is it that links the grottiest slasher with the most sophisticated ghost story? With the help of my publisher and some horror-fiend friends, I developed a system I called Scare Tactics to analyse how horror films actually work.

By my reckoning, there are seven main Scare Tactics. And while most horror films use most of the Scare Tactics at some point or another, the frequency and intensity of usage changes depending on the subgenre you’re watching. 

So Halloween might score highly on Dread (Scare Tactic #5) because we’re always waiting for Michael Myers to strike, but low on The Grotesque (Scare Tactic #4), because the killings are mostly gore-free – although he does eat a dog. The Descent, meanwhile, scores highly on The Unexpected (Scare Tactic #3), because of its excellent jump scares, but low on The Uncanny (Scare Tactic #6), because its bestial horrors could not be more, well, down to earth.

The seven Scare Tactics are as follows:

#1 DEAD SPACE

There are two kinds of Dead Space. Negative space is when there’s so much room around the subject of a shot it feels like something might jump out at any moment. A good example is the large expanse of curtain behind Janet Leigh in Psycho’s shower scene. Positive space is when there’s too the old crone lying in bed behind Christine (Alison Lohman) in Drag Me to Hell. A film that uses Dead Space really effectively is It Follows, which has viewers anxiously scanning the corners of the frame for the next incoming threat. 

Film to see: It Follows

#2 THE SUBLIMINAL

This refers to all the sly cinematic tricks that film-makers employ without us noticing. Think of The Texas Chain Saw Massacre’s slaughterhouse noises, or the unearthly breathing on Suspiria’s soundtrack. In The Exorcist William Friedkin uses buzzing insects to stimulate a fight-or-flight response, and there are several inserts of a black-and-white demon’s face (actually Eileen Dietz, Linda Blair’s stand-in) that occur for an eighth of a second, and couldn’t be easily seen pre-VHS. No wonder viewers thought the film itself was possessed. 

Film to see: The Exorcist

#3 THE UNEXPECTED

From jump scares to plot twists, The Unexpected covers all the ways horror films pull the rug from beneath our feet. When used well, as in Insidious when the red-faced demon appears behind Josh (Patrick Wilson), jump scares increase our anxiety levels as we wait for the next nasty surprise. Meanwhile, sudden plot twists like the shock death of Charlie (Milly Shapiro) in Hereditary break a pact with the audience. If the film’s capable of doing that to a little girl, we think, what the hell’s going to happen next?

Film to see: Insidious

#4 THE GROTESQUE

Whether splatter movie or creature feature, The Grotesque is all about grossing viewers out with leaking wounds and stomach-churning SFX. And it’s no wonder: we’re programmed to find broken bodies upsetting, and watching people in pain makes us feel vulnerable too, hence why Martyrs is so hard to watch. Triggered by everything from arachnids and aliens to blood and brains, disgust can be a powerful tool, as Neil Marshall shows in The Descent. Here the slimy, sightless crawlers get battered to death in inventive, unforgettably squishy ways.

Film to see: The Descent 

#5 DREAD

This is the awful feeling of anticipation when you know something bad is going to happen. It’s a common feature of the ghost story, where the house is clearly haunted but the spectres take time to reveal themselves. Dread can come from within the story itself, such as the many warnings about Hill House at the start of The Haunting, or technical elements such as extended Steadicam shots, which eke out the tension before a big reveal. In The Shining, the longer Danny (Danny Lloyd) wheels around the corridors in those insinuating, unbroken takes, the more we’re scared of what lurks around the next corner.

Film to see: The Shining

#6) THE UNCANNY

The Uncanny is that strange, slightly dreamlike sense that what you’re seeing is not quite right. It could be something inanimate, like a doll, seeming to move, as in the climax of Dead of Night; something normal subtly altered, like Banshee Chapter’s blank-faced human monsters; or something jarring in a mundane setting, like the old lady dancing behind Bev (Jessica Chastain) in It Chapter Two. Perhaps the best example if the way Sadako (Rie Ino’o) moves towards her victims in Ring. In fact, the actor was filmed walking backwards then the footage reversed, so it’s no wonder it looks so plainly, petrifyingly wrong. 

Film to see: Ring

#7 THE UNSTOPPABLE 

Unlike most films, which reach some kind of happy-ever-after, horror movies are more like nightmares, refusing to resolve themselves and let us off the hook. A good example is the end of Halloween where Michael Myers is revealed to be, basically, the bogeyman – an unkillable force stalking the streets in sequel after sequel. There’s also a sense of The Unstoppable in John Carpenter’s looping synth score, which keeps leading us back to the start. Ju-On: The Grudge, meanwhile, takes The Unstoppable to new extremes because its central curse keeps expanding outwards with no hint of how it can be stopped, and no closure for the viewer.

Film to see: Ju-On: The Grudge

So, to put all the Scare Tactics this in real-life terms, let’s look back at what happened to me. Seeing things out of the corner of my eye is Dead Space. The fact I’m hallucinating is The Subliminal effect of watching too many horror films. Suddenly spotting a skeleton as you drive past a garage is The Unexpected, and the skin still clinging to its bones is The Grotesque. Dread is driving past the garage the next time and being scared of what you’ll see, while The Uncanny is the incongruousness of a ghost appearing on Bake-Off. Luckily The Unstoppable only really relates to movies, otherwise I’d be in deep trouble. 

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The Book of Horror: The Anatomy of Fear in Film by Matt Glasby with illustrations by Barney Bodoano is out now.

The post The Scariest Films Ever Made and How They Frighten Us appeared first on Den of Geek.

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8 Advantages Of Transfer Centre And How You Can Make Full Use Of It | Transfer Centre

Queenslander Welch looked set to accompany Parramatta afore adversity his additional season-ending knee abrasion in aboriginal August and has now taken up his advantage to abide with Melbourne for 2020.

Transfer Centre - transfer centre | transfer centre Stream over 50 sports alive & anytime on your TV or favourite accessory with KAYO SPORTS. The better Aussie sports and the best from overseas. Aloof $25/month. No lock-in contract. Get your 14 day chargeless balloon >New Zealand Test second-rower Kenny Bromwich and Fiji all-embracing prop Tui Kamikamica, who are advancing off career-best NRL seasons, accept continued their deals until the end of the 2022 season.Tongan adumbrative Albert Vete, who was off contract, has been accustomed a one- year extension.The Storm attending set to lose centre Curtis Scott to Canberra, which is alike added of a draft accustomed Will Chambers’ abandonment to rugby abutment in Japan.MORE NRL NEWSLATRELL THE TIGER: Mitchell appears set for Concord afterwards Cowboys talks stallCOMING HOLMES: Val set to canal NFL dream for Townsville returnSAYONARA, AU REVOIR: The NRL stars branch across for 2020Meanwhile, the Wests Tigers accept accustomed a addition advanced of the 2020 division with advanced backpack duo Alex Twal and Luke Garner inking new deals.Both players accept continued their affairs with the club until the end of the 2022 NRL season.Twal, who abutting the Tigers amid through 2017, becoming alternative for Lebanon at that year’s Rugby League World Cup, starring in the Cedars’ memorable run to the knockout rounds.The 23-year-old, who didn’t absence a first-grade bold in 2019, said it was a absolutely accessible accommodation to re-sign.“This club gave me my admission and I’m absolutely blessed with area the club is activity and what administration (coach) Michael Maguire has us activity in. I’m aloof aflame to be a allotment of it activity forward,” Twal said.“I’m still a continued way abroad from the amateur I appetite to be in the NRL but I’m absolutely blessed with my progress.”MORE NRL NEWSMEETING MITCHELL: Cowboys spotted dining with adopted Roosters centreBURNING ISSUES: The affair your club needs to fix advanced of the 2020 seasonDEALBREAKER: The key amateur in the action for Jai Arrow’s signatureElsewhere, Canberra has appear the re-signing of Sam Williams on a two-year accord befitting him at the club until 2021.“I was consistently adequate about accepting the accord done and its an agitative time to be complex with the club,” Williams said.“We’ve got a acceptable band and we’re in a position now area we can abuse for a appellation abutting year.“I’m blessed to comedy whatever role I can in accepting the bays bottomward to Raiders HQ.��St George Illawarra has appear the signing of Issac Luke on a one-year deal.FULL NRL CONTRACT LISTPO = amateur option, CO = club option, MO = alternate optionBRONCOS

WATCH: Transfer Centre Extra - Seria A - 8 August 8 8 .. | transfer centre 2020 squad: Jess Arthars (2020) Jack Bird (2021/PO), Darius Boyd (2021/PO), Patrick Carrigan (2022), Xavier Coates (2021), Thomas Dearden (2021), Herbie Farnworth (2020), David Fifita (2020), Thomas Flegler (2020), Payne Haas (2024), Jamil Hopoate (2020), Jamayne Isaako (2022), Jordan Kahu (2020) Richie Kennar (2020), Rhys Kennedy (2020), Matt Lodge (2022), Andrew McCullough (2020/PO), Anthony Milford (2021/PO), Corey Oates (2020, PO 21, 22), Joe Ofahengaue (2022), Cory Paix (2022), Tevita Pangai Jr (2022), Keenan Palasia (2020) Izaia Perese (2020), Sean O’Sullivan (2020), Gehamat Shibasaki (2020), Kotoni Staggs (2020), Jake Turpin (2022) Ilikena Vudogo (2020)Gains: Jordan Kahu (Cowboys), Jesse Arthars (Titans), Ilikena Vudogo, Keenan Palasia, Jamil Hopoate, Xavier CoatesLosses: Troy Dargan (Rabbitohs), Matt Gillett, Shaun Fensom, Sam Tagataese (retired), George Fai, Alex Glenn, Patrick Mago, James Segeyaro.Coach: Anthony Seibold (2023)RAIDERS2020 squad: John Bateman (2021), Luke Bateman (2020), Nick Cotric (2020), Jarrod Croker (2020), JJ Collins (2020), Emre Guler (2021), Siliva Havili (2020/PO), Josh Hodgson (2022), Corey Horsburgh (2022), Sebastian Kris (2020), Joey Leilua (2020), Dunamis Lui (2021), Jack Murchie (2020), Michael Oldfield (2020), Charnze Nicoll-Klokstad (2023), Josh Papalii (2022), Aidan Sezer (2020), Bailey Simonsson (2023), Sia Soliola (2020), Ryan Sutton (2022), Joe Tapine (2023), Elliott Whitehead (2022), Jack Wighton (2020/PO), Sam Williams (2021), George Williams (2022), Hudson Young (2021).Gains: George Williams (from Wigan), Tom Starling, Harley Smith-ShieldsLosses: Brad Abbey, Ata Hingano, Royce Hunt, Jordan Rapana (Japanese rugby union), Reuben Porter.Coach: Ricky Stuart (2023)BULLDOGS2020 squad: Jake Averillo (2020), Dean Britt (2021) Jack Cogger (2020), Christian Crichton (2021), Adam Elliott (2020), Raymond Faitala-Mariner (2020), Kieran Foran (2020), Corey Harawira-Naera (2022), Morgan Harper (2020), Kerrod Holland (2020), Will Hopoate (2020), Josh Jackson (2020), Lachlan Lewis (2021), Sione Katoa (2021), Jeremy Marshall-King (2021), Nick Meaney (2021), Marcelo Montoya (2020), Dylan Napa (2021), Ofahiki Ogden (2021), Jayden Okunbor (2021), Chris Smith (2020), Reimis Smith (2021), Joe Stimson (2021), Sauaso Sue (2020), Isaiah Tass (2020) Aiden Tolman (2020), Renouf To’omaga (2021), Brandon Wakeham (2020), Dallin Watene-Zelezniak (2022).Gains: Joe Stimson (Storm), Sione Katoa (Panthers), Dean Britt (Rabbitohs), Isaiah Tass, Jake Averillo (upgraded from lower grades).Losses: Connelly Lemuele (Cowboys), Michael Lichaa, Danny Fualalo, John Olive, Nu Brown, Kaiyne-Lee Kalache.Coach: Dean Pay (2020)SHARKS2020 squad: Blayke Brailey (2022), Jayson Bukuya (2020), Josh Dugan (2021), Andrew Fifita (2022), Wade Graham (2022), Braden Hamlen-Uele (2022), Shaun Johnson (2021), Sione Katoa (2020), William Kennedy (2020), Billy Magoulias (2021), Josh Morris (2020), Matt Moylan (2021), Ronaldo Mulitalo (2021), Briton Nikora (2022), Matt Prior (2020), Jesse Ramien (2023), Cruz Topai-Aveai (2020), Chad Townsend (2020), Connor Tracey (2021), Brayden Trindall (2020), Braden Uele (2022), Teig Wilton (2020) Jack Williams (2022), Aaron Woods (2021), Bronson Xerri (2021)Gains: Connor Tracey (Rabbitohs), Jesse Ramien (Knights)Losses: Jayden Brailey (Knights), Sosaia Feki (Castleford), Kyle Flanagan (Roosters), Paul Gallen (retired), Kurt Capewell, Aaron Gray, Scott SorensenCoach: John Morris (2021)TITANS2020 squad: Jai Arrow (2020), Shannon Boyd (2022), Tanah Boyd (2021), AJ Brimson (2020), Bryce Cartwright (2021), Dale Copley (2020), Anthony Don (2020), Darius Farmer (2021), Moeaki Fotuaika (2021), Keegan Hipgrave (2020), Ryan James (2020), Brian Kelly (2021), Leilani Latu (2020), Tyrone Peachey (2021), Nathan Peats (2020), Kevin Proctor (2020), Mitch Rein (2021), Tyrone Roberts (2020), Phillip Sami (2022), Treymain Spry (2020/CO), Sam Stone (2020), Ash Taylor (2021), Jarrod Wallace (2022), Kallum Watkins (2021), Jai Whitbread (2021)Gains: Darius FarmerLosses: Michael Gordon, Will Matthews (retired), Jesse Arthars (Broncos), Ryley Jacks, Brenko Lee, Jack StockwellCoach: Justin Holbrook (from 2020)SEA EAGLES2020 squad: Morgan Boyle (2021), Daly Cherry-Evans (2023), Cade Cust (2020), Kane Elgey (2020), Brendan Elliott (2020), Manase Fainu (2021), Addin Fonua-Blake (2022), Tevita Funa (2020), Reuben Garrick (2021), Jack Gosiewski (2021), Albert Hopoate (2020), Sean Keppie (2021), Api Koroisau (2021), Luke Metcalf (2020), Brayden Musgrove (2020), Haumole Olakau’ata (2021/CO), Brad Parker (2021), Taniela Paseka (2021), Toafofoa Sipley (2021), Curtis Sironen (2021), Samuel Smith (2020), Moses Suli (2020), Jorge Taufua (2021), Martin Taupau (2020), Joel Thompson (2020), Jake Trbojevic (2026), Tom Trbojevic (2026), Corey Waddell (2020), Dylan Walker (2021), Tony Williams (2020)

Sky Sports Transfer Centre - transfer centre | transfer centre Gains: Luke Metcalf, Brayden Musgrove (Knights)Losses: Api Koroisau (to Panthers), Kane Elgey (retired), Trent Hodkinson (retired), Lloyd PerrettCoach: Des Hasler (2021)STORM2020 squad: Josh Addo-Carr (2021), Nelson Asofa-Solomona (2023), Jesse Bromwich (2020/PO), Kenny Bromwich (2022), Will Chambers (2020), Brodie Croft (2020/MO), Sandor Earl (2020), Thomas Eisenhuth (2020), Tino Fa’asuamaleaui (2020), Dale Finucane (2021), Harry Grant (2020), Jahrome Hughes (2021), Cooper Johns (2020), Tui Kamikamica (2022), Solomone Kata (2020, Felise Kaufusi (2020/PO), Max King (2020), Cameron Munster (2023), Isaac Lumelume (2020), Justin Olam (2020), Ryan Papenhuyzen (2020), Curtis Scott (2021), Marion Seve (2020), Brandon Smith (2022), Cameron Smith (2020), Albert Vete (2020), Suliasi Vunivalu (2020), Christian Welch (2020)Gains: None.Losses: Joe Stimson (Bulldogs), Will Chambers (Japanese rugby union), Billy Walters (Tigers), Solomone Kata (Super Rugby)Coach: Craig Bellamy (2021)KNIGHTS2020 squad: Mitchell Barnett (2020), Bradman Best (2022), Jayden Brailey (2022), Phoenix Crossland (2021), Herman Ese’ese (2020), Beau Fermor (2020), Lachlan Fitzgibbon (2021), Tim Glasby (2021), Aidan Guerra (2020), Brodie Jones (2020), Hymel Hunt (2021), Josh King (2020), David Klemmer (2023), Edrick Lee (2021), Danny Levi (2020), Mason Lino (2020), Kurt Mann (2021), Sione Mata’utia (2021), Tautau Moga (2020), Mitchell Pearce (2021), Kalyn Ponga (2021/PO), Daniel Saifiti (2022), Jacob Saifiti (2020), Pasami Saulo (2020), Star To’a (2021), Enari Tuala (2020), Connor Watson (2020)Gains: Jayden Brailey (Sharks), Enari Tuala (Cowboys), Bradman Best, Star To’aLosses: Jesse Ramien (Sharks), Jamie Buhrer (retired), Shaun Kenny-Dowall (Hull KR), Slade Griffin (retired), Zac Woolford, Nathan Ross (retired), James Gavet (Huddersfield)Coach: Adam O’Brien (from 2020)COWBOYS2020 squad: John Asiata (2020), Jake Clifford (2020), Gavin Cooper (2020), Reuben Cotter (2020), Scott Drinkwater (2021), Mitchell Dunn (2020), Kyle Feldt (2020), Thomas Gilbert (2020), Jake Granville (2021), Ben Hampton (2021), Coen Hess (2022), Peter Hola (2022), Corey Jensen (2020), Connelly Lemuelu (2021), Esan Marsters (2022), Josh McGuire (2022), Jordan McLean (2020/PO), Francis Molo (2020), Michael Morgan (2023), Justin O’Neill (2021), Tom Opacic (2020), Emry Pere (2020), Reece Robson (2023), Daniel Russell (2020), Murray Taulagi (2021), Jason Taumalolo (2027), Shane Wright (2020),Gains: Reece Robson (Dragons), Esan Marsters (Wests Tigers), Connelly Lemuelu (Bulldogs) Reuben Cotter, Thomas Gilbert, Daniel RussellLosses: Matt Scott, Scott Bolton (both retired), Jordan Kahu, Javid Bowen, Gideon Gela-Mosby, Enari Tuala, Kurt Baptiste, Carlin Anderson, Te Maire MartinCoach: Paul Green (2021)EELS2020 squad: Daniel Alvaro (2021), Waqa Blake (2023), Dylan Brown (2020), Nathan Brown (2020/PO), Reagan Campbell-Gillard (2024), Andrew Davey (2020), Haze Dunster (2020), Kane Evans (2020), Blake Ferguson (2021), Clint Gutherson (2022), David Gower (2020), George Jennings (2020), Oregon Kaufusi (2020), Shaun Lane (2020), Reed Mahoney (2020), Ryan Matterson (2022/PO), Mitchell Moses (2022/PO), Marata Niukore (2020), Junior Paulo (2022), Jaeman Salmon (2020), Maika Sivo (2021), Brad Takairangi (2020), Will Smith (2020), Ray Stone (2020), Peni Terepo (2020)Gains: Ryan Matterson (Tigers), Reagan Campbell-Gillard (Panthers), Haze Dunster, Ethan ParryLosses: Tim Mannah (retired), Manu Ma’u (Hull FC), Tepai Moeroa (Super Rugby), Josh Hoffman, Michael Jennings, Greg Leleisiuao, Matt McIlwrick (all unsigned)Coach: Brad Arthur (2021)PANTHERS2020 squad: Caleb Aekins (2020), Dean Blore (2020), Shawn Blore (2020), William Burns (2022), Jed Cartwright (2020), Nathan Cleary (2024), Stephen Crichton (2020), Dylan Edwards (2020), Wayde Egan (2021), Kaide Ellis (2020), James Fisher-Harris (2022), Jack Hetherington (2021), Viliame Kikau (2022), Apisai Koroisau (2022), Moses Leota (2022), Jarome Luai (2021), Josh Mansour (2021), Liam Martin (2021), Tyrone May (2020), Braydon McGrady (2020), Brent Naden (2021), James Tamou (2020), Malakai Watene-Zelezniak (2020), Dean Whare (2021), Isaah Yeo (2021)Gains: Apisai Koroisau (Sea Eagles), Dean Blore, Shawn Blore, Stephen Crichton, Braydon McGrady

Transfer Centre - Football Transfers News & Rumours | Sky Sports - transfer centre | transfer centre Losses: James Maloney (Catalans), Reagan Campbell-Gillard (Eels), Sione Katoa (Bulldogs), Tim Grant, Sam McKendry (retired), Wayde Egan (released), Frank Winterstein (Toulouse), Hame Sele, Paea Pua, Tyrell Fuimaono, Nick Lui-Toso (all unsigned)Coach: Ivan Cleary (2023)DRAGONS2020 squad: Euan Aitken (2020), Eddie Blacker (2020), Jack de Belin (2020), Matt Dufty (2021), Jackson Ford (2020), Tyson Frizell (2020), James Graham (2020), Jacob Host (2020), Ben Hunt (2022/PO), Josh Kerr (2020), Tim Lafai (2020), Blake Lawrie (2022), Luciano Leilua (2020), Zac Lomax (2020), Joe Lovodua (2020), Issac Luke (2020), Cameron McInnes (2021), Corey Norman (2021), Jonus Pearson (2020), Jordan Pereira (2020), Mikaele Ravalawa (2020), Jason Saab (2022) Korbin Sims (2021), Tariq Sims (2022), Paul Vaughan (2021/PO).Gains: Issac Luke (Warriors), Eddie Blacker, Jackson Ford, Jason SaabLosses: Jeremy Latimore (retired), Gareth Widdop (Warrington), Reece Robson (Cowboys), Steven Marsters (Rabbitohs), Mitchell Allgood, Jai Field, Lachlan Maranta, Patrick Kaufusi, Darren Nicholls, Lachlan Timm, Tristan Sailor (all unsigned)Coach: Paul McGregor (2021)RABBITOHS2020 squad: Corey Allan (2021), Tom Amone (2020), Sam Burgess (2023 – abased on bacon cap ruling), Tom Burgess (2023), Braidon Burns (2021), Damien Cook (2023), Joshua Cook (2021), Cory Dennis (2020), Kurt Dillon (2020), Adam Doueihi (2021), Dane Gagai (2021), Edene Gebbie (2021), Bryson Goodwin (2020), Campbell Graham (2021), Dean Hawkins (2021), Alex Johnston (2020), Liam Knight (2020), Keaon Kolomatangi (2021), Ethan Lowe (2021), Steven Marsters (2020), Cameron Murray (2021), Mark Nicholls (2021), Adam Reynolds (2021), James Roberts (2021) Ky Rodwell (2020) Bayley Sironen (2020), Jaydn Su’A (2020/PO), Tevita Tatola (2021), Cody Walker (2020)Gains: Edene Gebbie (Wynnum-Manly), Bryson Goodwin (Warrington), Troy Dargan (Broncos), Steven Marsters (Dragons), Joshua Cook, Dean Hawkins, Keaon Kolomatangi, Ky RodwellLosses: George Burgess (Wigan), Dean Britt (Bulldogs), John Sutton (retirement), Greg Inglis (retirement), Connor Tracey (Sharks), Billy Brittain, Jacob Gagan, Mawene Hiroti, Kyle TurnerCoach: Wayne Bennett (2021)ROOSTERS2020 squad: Mitchell Aubusson (2020), Fletcher Baker (2021), Egan Butcher (2021), Nat Butcher (2020), Lindsay Collins (2022), Boyd Cordner (2023), Angus Crichton (2021), Poasa Faamausili (2022), Kyle Flanagan (2021), Jake Friend (2020), Ryan Hall (2020/MO), Matt Ikuvalu (2020), Luke Keary (2021), Asu Kepaoa (2020), Lachlan Lam (2020), Isaac Liu (2021), Joseph Manu (2022), Latrell Mitchell (2020), Brett Morris (2020), Victor Radley (2023), Billy Smith (2021), Siosiua Taukeiaho (2020), James Tedesco (2021), Daniel Tupou (2021), Sitili Tupouniua (2021), Sam Verrills (2021), Jared Waerea-Hargreaves (2020)Gains: Kyle Flanagan (Sharks)Losses: Cooper Cronk (retired), Bernard Lewis, Zane TetevanoCoach: Trent Robinson (2020)WARRIORS2020 squad: Bunty Afoa (2021), Leeson Ah Mau (2021), Gerard Beale (2020), Adam Blair (2020/PO), Lachlan Burr (2020), Josh Curran (2021), Wayde Egan (2022), Jackson Frei (2020) David Fusitu’a (2023), Blake Green (2020), Tohu Harris (2021), Chanel Harris-Tavita (2020), Peta Hiku (2020), Adam Keighran (2020), Eliesa Katoa (2020), Karl Lawton (2021), Sam Lisone (2020), Ken Maumalo (2022), Taane Milne (2020) Kodi Nikorima (2021/PO), Agnatius Paasi (2022), Isaiah Papali’i (2020), Hayze Perham (2020), Adam Pompey (2020) Leivaha Pulu (2020), Nathaniel Roache (2020), Jazz Tevaga (2021), Roger Tuivasa-Sheck (2022)Gains: Wayde Egan (Panthers), Adam Pompey, Eliesa KatoaLosses: Ligi Sao, Tevita Satae (Hull FC), Blayke Ayshford (retired), Issac Luke (Dragons)Coach: Stephen Kearney (2022)TIGERS2020 squad: Josh Aloiai (2021), Luke Brooks (2023), Michael Chee-Kam (2021), Oliver Clark (2020), Matt Eisenhuth (2020), Luke Garner (2022), Robert Jennings (2020), Chris Lawrence (2020), Jacob Liddle (2021), Benji Marshall (2020), Sam McIntyre (2020), Chris McQueen (2020), Thomas Mikaele (2021), Moses Mbye (2022), Paul Momirovski (2020), David Nofoaluma (2021), Russell Packer (2021), Josh Reynolds (2021), Alex Seyfarth (2020), Dylan Smith (2020), Elijah Taylor (2020), Tommy Talau (2020), Corey Thompson (2021), Alex Twal (2022), Billy Walters (2021)Gains: Billy Walters (from Storm)Losses: Robbie Farah, Robbie Rochow, Ben Matulino (all retired), Mahe Fonua (Hull FC), Esan Marsters (Cowboys), Ryan Matterson (Eels)

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[the-met-art]

Night (one of a pair) by William Glasby via European Sculpture and Decorative Arts

Medium: Glass-stained

Purchase, Gift of J. Pierpont Morgan, 1987 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/207692

[deanbrasil-blog]

[06.03.17 | HERO MAGAZINE] TRADUÇÃO ENTREVISTA / ARTIGO.

Conheça Dean, a estrela em ascenção levando o R&B coreano para o mundo

Texto por Taylor Glasby, Fotografia por Elliott Morgan /  06 de março de 2017. (Clique para ser redirecionado ao artigo original)

“Pense em música coreana e sua mente se voltará automaticamente para o K-Pop, mas assista a esse espaço - a maré está começando a virar.

R&B não é de modo nenhum algo novo para o cenário da música sul coreana, mas recentemente alguns cantores nativos tem levado o gênero aos holofotes. Como Dean, entrevistado abaixo, o cantor de 24 anos que começou a escrever canções para grupos de K-Pop antes de estrear por si mesmo com seu primeiro single, I'm Not Sorry, uma colaboração em inglês com o cantor e compositor americano Eric Bellinger. Desde então, ele recebeu vários prêmios (incluindo Discovery of the Year no GAON Chart K-Pop Awards há poucas semanas), lançou um aclamado EP, 130 MOOD: T R B L, colaborou duas vezes com a cantora e rapper coreana Heize e com a Girls' Generation Taeyeon, em seu single 'Starlight'. Na semana passada, foi lançado seu mais recente single, Come Over.”

“Grupos coreanos de R&B voltam tão longe como nos anos 90. Tome Sech Kies, que interpretou canções no estilo Vanessa Williams 'Letting You Go', ou a multi-premiada cantora Gummy, que entrelaçou R&B e soul em seu som desde sua estreia em 2003. No entanto, esta nova geração de artistas R&B - de Dean para os fiéis Jay Park, Zion. T e Crush - geralmente assinam com rótulos independentes ou empresas subsidiárias, o que significa que eles são menos restringidos do que seus antecessores e atuais artistas pop, com menos fronteiras em seu som e com quem eles escolhem trabalhar.

Hoje, a indústria da música da Coréia do Sul pode ser pequena, secreta e acelerada, mas também está com fome de canções de sucesso e artistas multi-talentosos que podem escrever, produzir e performar. O que significa que esta nova onda de artistas coreanos de R&B trabalha e escreve para cantores e grupos K-Pop, os levando para o centro das atenções das massas. Pode parecer friamente calculado, mas muitas vezes é o início de algo mais familiar - como Dean (cujo nome verdadeiro é Kwon Hyuk), que é um terço da FANXYCHILD, uma colaboração que inclui o parceiro estrela do R&B, Crush, e o rapper e líder de da boygroup de K-pop BlockB, Zico.

Ao contrário de seus companheiros, Dean tem conscientemente procurado ter uma presença nos mercados coreano e norte-americano - através de mais colaborações centradas nos EUA com Mila J, Anderson Paak e o cantor filipino-americano, Jeff Bernat - assim como ele vive indo e vindo entre Seul e Los Angeles. Independentemente disso, foi seu single coreano, Pour Up (ft. Zico), que fez sua carreira subir rapidamente. Embora K-Pop e seus grupos de ídolos (como EXO, Twice, Girls Generation e Big Bang) sejam indiscutivelmente os artistas mais reconhecidos para sair da Coréia do Sul, Dean está mudando coisas - rápido.

(Começo da entrevista)

Taylor Glasby: Há vários relatos de você cantando desde que você era muito jovem e durante o ensino médio, mas não decidiu seguir a música até quando você tinha vinte anos. Qual é a representação mais precisa de sua jornada em música como uma carreira em tempo integral?

Dean: Eu amava pintar e escrever desde que eu era criança, mas eu sempre tive dificuldade em ficar focado em uma coisa por um longo tempo. Quando eu comecei a gravar músicas em casa, fazendo batidas e rap, eu sabia que eu realmente gostaria, porque eu poderia fazer o dia todo. Então, eu comecei a escrever canções. Um produtor ouviu algumas das minhas músicas e sugeriu que começássemos a trabalhar juntos e esse foi o início da minha carreira musical.”

Taylor: Você se nomeou assim por causa de James Dean e seu EP, 130 MOOD: TRBL pelo número em seu Porsche Spyder. Há quanto tempo é interessado por ele e você vê nele algo que você vê em si mesmo?

Dean: Minha mãe era uma grande fã de James Dean. Mesmo que eu não pudesse assistir a todos os seus filmes, eu realmente gostava do espírito forte e rebelde em seus olhos. Eu pensei que sua atitude é como o meu lema quando eu crio música. Eu quero fazer música rebelde e experimental ao invés de música comum ou estereotipada. É por isso que eu escolhi o nome Dean como meu nome artístico.

Taylor: Seu EP contém uma faixa intitulada Bonnie & Clyde e eles, ao lado de James Dean, tiveram vidas precárias e morreram jovens, mortes violentas - há neles um elemento particular sobre qual está atraído?

Dean: Eu estava procurando o conceito certo para o álbum EP TRBL, que é abreviação para "problema". Eu queria criar minha própria história original no gênero trapsoul, que se tornou bastante comum nos dias de hoje. Quando criança, eu realmente gostava de contar histórias com pinturas ou artigos e para Bonnie & Clyde eu queria criar minha versão da história de um casal fatal.

"Minha mãe era uma grande fã de James Dean. Mesmo que eu não pudesse assistir a todos os seus filmes eu realmente gostava de seu espírito rebelde. "

Dean, fotografo por Elliott Morgan.

“Taylor: Você trabalhou em algumas colaborações surpreendentes, particularmente com Heize em And July. O que você, como artista, consegue ao trabalhar de perto com alguém que também é novo na indústria?

Dean: Não me importa se esse artista é novo ou um veterano, Heize tem uma voz interessante e ela era nova. Então eu pensei que seria divertido se eu fizesse alguma música em alta e desse a ela uma nova imagem. Estou sempre procurando por colaborações que sejam divertidas desse jeito.

Taylor: Por outro lado, o que você pode aprender com o trabalho com um artista extremamente experiente como Taeyeon?

Dean: Isso também foi divertido para mim. Eu ainda era um artista mais novo, do underground, naquela época. Eu pensei que a colaboração entre um artista underground e um mainstream deveria ser divertida.”

“Taylor: Em 130 MOOD: TRBL, você conta uma história de amor em sentido inverso. Qual foi a idéia por trás disso? Por que era importante que o ouvinte terminasse no ponto em que o amor começasse?

Dean: Na verdade, há um monte de histórias em TRBL, eu tenho um monte de arrependimentos daquele tempo porque eu era um problemático. Eu fiz o TRBL cortando meu coração para que todos vissem. Eu escrevi sobre um monte de minhas experiências pessoais nesse projeto e TRBL significa muitas coisas. Eu também adoro fazer as coisas de forma diferente e de maneira inversa. Este foi o meu primeiro álbum, então eu queria fazer o projeto como eu. Por exemplo, se você verificar o meu Instagram você verá um monte de fotos estão de cabeça para baixo - eu sempre gosto de ver as coisas de perspectivas diferentes. Eu escrevi muito sobre minhas experiências pessoais e dei ao projeto minha personalidade de muitas maneiras. Eu pensei TRBL poderia explicar muito sobre mim.

Taylor: Qual é o significado do nome FANXYCHILD, seu projeto com Zico e Crush e quem pensou nele?

Dean: Zico veio com ele e eu ainda não tenho certeza do que significa. Talvez seja apenas para nós.

Taylor: Entre você, Crush e Zico, há um monte de individualismo e personalidades fortes - como vocês equilibram isso quando estão escrevendo e produzindo como uma equipe?

Dean: Nós expressamos nossas opiniões de uma forma muito ativa e instintiva. É sempre natural e confortável, porém, porque temos gostos e sentimentos semelhantes.

Taylor: OK, pergunta aleatória, com quem você iria preferir ficar preso em um elevador por 6 horas - Crush ou Zico?

Dean: Bem, se eu disser Zico, Crush ficará desapontado. E, se eu disser Crush, Zico ficará desapontado. [Risos] Mas realmente eu preferiria ficar preso com uma garota em vez de qualquer um deles.

"Seria ótimo se pessoas de outros países quisessem aprender e entender mais sobre a cultura coreana ouvindo minha música".

Taylor: À medida que mais e mais artistas e produtores experimentam a junção de diferentes gêneros, isso incluindo você, como se mantém em progresso sonoramente? Você mexe muito com programas de música, você ouve muita música nova ou música antiga?

Dean: Sim, estou sempre cavando através da música antiga e indie. Eu tento ouvir música "boa" (ele usou "boa" como ironia) ao invés de música moderna - não há motivo especial para isso. Não lhe faz feliz quando você escuta a música realmente boa? Recebo novas idéias e inspiração de boa música, e isso me faz sentir bem.

Taylor: Você está trabalhando em material novo ... o que você pode me dizer sobre isso? O som é uma continuação da mistura de elementos encontrados no EP, ou você tem trabalhado em algo marcadamente diferente?

Dean: Eu chamaria isso de hip hop / R&B alternativo. Eu quero ter certeza de que ele tem grande qualidade de som para a Coréia e internacionalmente. Quando eu era mais jovem, pensei que poderia tentar entender a cultura dos EUA ouvindo N*E*R*D. Seria ótimo se pessoas de outros países quisessem aprender e entender mais sobre a cultura coreana ouvindo minha música. Eu quero fazer isso acontecer.

Taylor: Qual foi o ponto mais memorável do ano passado? E o que é uma coisa que você gostaria de fazer em 2017 que não está relacionada com a música?

Dean: Cada momento de 2016 é memorável. Eu quero fazer cada momento em 2017 muito especialmente em vez de fazer apenas um grande momento. Claro que isso nem sempre é fácil. Eu também quero fazer uma viagem com minha família e com minha equipe, com quem faço música.

'130 MOOD: TRBL' de Dean está disponível agora via Universal. Siga Dean no Instagram aqui.

Créditos do texto original no título do artigo.

Tradução inglês - ptbr: Vivicos, Dean Brasil & DEANFLUENZABR.

NÃO RETIRE SEM OS CRÉDITOS.

[infactforgetthepark]

[Free eBook] El Diablo by John Glasby [Western]

El Diablo by the late British author John Glasby is his vintage standalone western historical action adventure novel, free for a limited time courtesy of publisher Endeavour Press' Pioneering imprint.

This was originally published in 1963 by John Spencer under the title The Peacemakers using the pseudonym Tex Bradley and was later reprinted by Robert Hale as part of their Black Horse Western line using the pseudonym William B. Carter.

The story stars a man who discovers that an old friend has been framed for a crime and killed, and adopts a vigilante alter ego to obtain revenge upon the culprit he holds responsible, a powerful man against whom he'll need all the allies he can get.

Offered worldwide, available at Amazon.

Free for a limited time @ Amazon

Description Slim Keene rides into Texas, to the small town of Canders Bend…

He’s there to meet an old friend of his, Jim Lehr.

But Jim has been killed, hanged for a crime he would never have committed.

Slim Keene may have ridden into town but it’s his alter ego, El Diablo, that goes out for revenge.

But revenge on who?

There’s more than just one man to blame, but it seems like Bart Hagerman is the man who set Jim’s death in motion.

But Hagerman is a powerful figure in Canders Bend and if Slim wants his revenge, he’ll need all the help he can get.

The only question is, will anyone side with a man who calls himself the Devil?

The streets of Canders Bend echo with the sound of gunshots in this epic tale about friendship, honour and revenge.

[theseaeaglelives]

GRAND FINAL PREVIEW

THE SEA EAGLE

MAKING RUGBY LEAGUE GREAT AGAIN!!!

As is well documented, and has been for many years, the patented Sea Eagle GF Preview using the following rating system:

0-5- reserve grader, should have to pay to enter the ground;

5-7- Competent first grader of varying levels

7-8- Origin/Test quality (UK and NZ only)

8 and above- All-time great

9- 10 Immortal status.

It goes without saying these are subjective views of the Sea Eagle, based on nothing more than what he has seen and witnessed for many  years of watching rugby league.

FILTHY WRESTLING SALARY CAP RORTING STORM

1 Billy Slater. Was not suspended for the filthy cheating shoulder charge, against the Sharks. What a disgrace. All the Sea Eagle can say about Slater, is that the Sea Eagle saw him dropped to reserve grade and play for the North Sydney Bears early in his career, at Brookvale. If anyone thinks the curse of the bear is not real, there is no better evidence of it than this. It now waits for this great player greatest chance at glory to win a GF in his final game, to strike – like the stench of the Bear that it is. That said, despite being a cheating filthy wrestler, he is a great player. Height 178cm Weight 88kg Age 35 8.5/10. 2 premierships.

2 Suliasi Vunivalu – Filthy wrestler hanging out on the wing. Another great advertisement for the strength of local junior league. in Melbourne. Height 192ckm Weight 99kg Age 23 7/10. 1 premiership.

3 William Chambers – A strong and competent origin tested filthy wrestler. For who else, Queensland. His best is behind him, and Rooster Latrell Mitchell is now going better than him. But still strong. Height 190cm Weight 100kg Age 31. 7/10 1 premiership

4 Curtis Scott.  A new recruit for the backline and noted filthy wrestler. But only had Cheyse Blair to beat for his spot, and let’s face it, after Cheyse’s efforts with the Eels and Manly, that is hardly a big hurdle. That said, he can play. Height 188 cm Weight 90kg Age 20. 6.5/10 No premierships

5 Josh Addo Carr. NSW origin proven and tested filthy wrestler. Played for the Tigers and was discarded on alleged lack of ability. He along with Tedesco, and Ryan Hoffman, is one of 3 ex Tigers in this game. Says a lot about how inept the Tigers are. Says a lot about how good Robinson and Bellamy are in spotting Moneyball talent.  Height 183cm Weight 88 kg Age 23. 7/10 No premierships

6 Cameron Munster – The big thing for Qld as a 5/8 and a filthy wrestler. The X factor in this game who along with Cameron Smith and Slater can make it happen alone. Which is what you need to win. Height 185cm Weight 89kg Age 22. 8.5/10. 1 premiership

  7 Brodie Croft. Untested in this atmosphere but is no doubt an up an coming filthy westler. But is a Queenslander. He will handle it. Height 177cm Weight 86 kg Age 21. 6.5/10 No premiership.

8 Jesse Bromwich – Very very very good. A huge NZ test forward and filthy wrestler. Players like this win premierships and lead the way and lay the platform. He already has 2 under his belt. Height 194cm Weight 114kg Age 27. 8.5/10 2 premierships.

9 Cameron Smith – Unbelievable talent. Looks like James Bond, but is a filthy wrestler with a repertoire not dissimilar to the Nature Boy Ric Flair. Melbourne usually win when he plays, and lose when he doesn’t That pretty much sums up his skill set. With him and Munster and slater combining the Roosters had better be on top of things. Height 185cm Weight 90kg Age 34 8.5/10. 2 premierships.

10 Tim Glasby – Filthy wrestler but Origin tested. For who else but Queensland. Will do it simple and tough. That wins premierships. Height 188cm Weight 104 kg Age 27 7/10. 7.5/10. 1 premiership

11 Felise Kaufusi . Queensland origin player and filthy wrestler born in NZ. No surprises there. Auckland is in Queensland right? A dominant game breaker. Height 189cm Weight 109 kg Age 26. 7.5/10 1 premiership

12 Joe Stimson. A typical Melbourne filthy wrestler no one has heard of until the GF. Queenslander. What a shock. No doubt will be an automaton in the Melbourne metronome. Height 189 cm Weight 104 kg Age 22. 6.5/10 No premiership

13 Dale Finucane. - Ex Dogggie.. Plays like one too except is now a filthy wrestler. Looks good in this forward pack. How did the Dogs let him go!!! Height 188cm Weight 102kg Age 25. 7/106.5/10. 1 premiership.

Interchange:

14 Kenny Bromwich. A Melbourne stalwart and filthy wrestler. Great player off the bench. Filthy wrestler. Height 183 cm Weight 105kg Age 27. 7.5/10 2 premierships

15 Christian Welch –Queenslander. Say no more. Filthy wrestler. Height 195cm Weight 105kg Age 22 6/10. 1 premiership

16 Ryan Hoffman. Last game as a filthy wrestler for the Storm and probably for life. Still, at least he is playing, which like the shoulder charging Billy the Kid, he also gets to play. Height 192cm Weight 105 kg Age 34. 7/10 2 premierships

17 Nelson Asofa-Solomona. A huge man and filthy wrestler. Comes of the bench because he can’t go the 80. Yet again another example of why we need a 4 man replacement rule, to weed out these behemoth’s that are making a lot of kiddies give league a wide berth as a sport. Height 200 cm Weight 115 kg Age 22. 7/10 1 premiership

Coach: Craig Bellamy  It is definitely his fault his teams play the way they do. The rules allow it to be so and the referees won’t pull up the wrestling. So why wouldn’t he? He is a good coach, so why wouldn’t do something that is clearly successful. But he is killing the game, and the more he succeeds, the more he will be copied and the worse it will be to watch as a spectacle. Nothing to like about his coaching or the way his teams play, other than they win premierships ugly and regularly. 

EASTERN SUBURBS ROOSTERS

1 . James Tedesco Ex Tiger who has come to the Latte sippers to play finals footy and maybe win a comp. great player. Origin tested. Height 184cm  Weight 95kg  Age25   7.5/10.  No premierships

2. Daniel Tupou. A hugely underrated winger. Very good player, under the high ball and getting the job done. Height 196cm  Weight  105kg Age 27  7/10.  1 premiership.

3 Latrell Mitchell The Rooster X factor. Makes it happen. Origin proven and tested. Kicks the goals. The one thing the Roosters need to do in this game is give the ball to Latrell in space. Height  193cm Weight  102kg Age 21  8/10.  No premiership

4 Joseph Manu A young, exciting prospect. Could have been an All Black, except that NZ produce 100’s of players as good as him which makes his chances of breaking through that much harder. So he chose league and the coin. Now he is in a GF. Height 192cm  Weight  98kg Age 22  6.5/10.  No premiership

5 Blake Ferguson. A beast of a human on and off the field.  Prone to schoolboy errors, and flashes of brilliance. The Sea Eagle considers him a liability on an overall basis. Unlike Todd Carney, at least he was not banned from Goulburn. Height  191cm Weight  100kg Age 28 6 /10.  No premierships

6 Luke Keary Came from Souths, and lit up the game last week when Cooper Cronk was playing with one arm. He will be the play maker this week and Melbourne will have a plan to deal with him. A risk for the Latte sippers but what choice do they have? Height 179cm  Weight 85kg Age 26  7.5/10.  1 premiership

7 Mitchell Aubusson. First player picked. They then work out what hole needs to be filled and he fills it. This time it is Cooper Cronk who is a million to one to play, so he plays half back. But he won’t be Cooper Cronk in this most key of positions. A real problem for the Roosters here. He is a defensive type with acceptable  ball skills. The best choice the Roosters have for this nightmare of selections. Height 185cm  Weight 96kg  Age 30   7/10.  1 premiership

8 Jared Waerea-Hargreaves. The one exception to the rule that they never go any better when they leave Manly. He went way better (but it’s fair to say he would have won premierships had he stayed at the nest). Has 1 premiership already and in his second GF. Needs to aim up and put in. His form of late has been subdued. But in a game like this he can lead the Latte sippers to victory. Height  193cm Weight  108kg Age 29   7/10. 1 premiership.

9 Jake Friend (c) Underrated talent. Queenslander. Tough, talented. uncompromising. Height 175cm  Weight 92kg  Age 28  7/10.  1 premiership.

 10 Siosiua Taukeiaho Say his name 10 times in succession eating a SAO. I dare you. Height  188cm Weight 106kg  Age 26  6/10.  No premiership

11 Boyd Cordner (c) origin proven and tested. Big metres, big defence, big motor, big heart, can play with pain. He won’t let the Roosters down. Height 188cm  Weight  102kg Age 26  7.5/10. 1  premiership

12 Isaac Liu Workhorse. Some skills. Height  Weight 187cm 108kg  Age 27  /10.  1 premiership

13 Victor Radley Think Bunny Reilly. Think Victor Radley. Height 182cm  Weight  92kg Age 20  7/10.  No premiership.

Interchange

14. Dylan Napa A bit of goose at times, but is a Queensland Origin prop forward, which is what you want on GF day. Great off the bench. And is fresh from another suspension for using his head as part of his defensive technique. Unlike Billy Slater, he got suspended for that. Billy the Shoulder Charger got praise and sympathy. Height 198  Weight 113kg  Age 25   7/10.  No premiership

15 Zane Tetevano A big unit. Tested at this level. Height 189cm Weight  111kg Age 27  6.5/10.  No premiership

16 Paul Momirovski. Did a good job last week. but still pretty green. Think John Rheinberger. Height  191cm Weight 88kg  Age 22  6/10.  No premiership

17 Ryan Matterson A young future star for the Latte sippers. The Sea Eagle has this feeling that he might implode in this one. Height  194cm Weight 107kg  Age 23  6/10.  No premiership

Coach: Trent Robinson . Already has one premiership to his name. His teams make the finals most years, and it’s his second GF .He has the brains to come up with a plan to beat the filthy wrestlers from the Storm. Does he have the players to execute it?

 Sea Eagle Prediction

Hard to see a team with Billy Slater, Cameron Munster, Cameron Smith, backed up by the Bromwich brothers, Will Chambers and a few Queensland Origin forwards, getting beaten. It’s even harder to imagine it, when Cooper Cronk won’t be guiding Easts around the Park.

The Sea Eagle will be supporting the Roosters, but it looks like a Storm victory, more is the pity. The Storm are filth. No good can come from them winning this one. None whatsoever.

This is the third GF in a row for the Storm. The last side to do that was the Roosters (2002-2004), and before them Manly (95-97) and before them the Eels (81-83). Both Manly and the Roosters were 1 from 3. The Eels were 3 from 3. No team is 2 from 3. The Storm are 1 from 2 trying to go 2 from 3. This is the main statistic that should give Roosters supporters some cause to dream. It seems it is very hard to play 3 GF’s in a row and win at least 2 of them. Add to that, the fact that the Storm are trying to be the first team to go back to back premiership winners since the Broncos in 92/93 and you can see how difficult the task is for the Storm.

Go the Roosters! (and for the Sea Eagle to say that, after years of spraying the Latte sippers, is something in itself!).

 THE SEA EAGLE

[crewcebr]

Entrevista do Dean para a revista HERO. (6 de março de 2017)

Pense em música coreana e na sua mente automaticamente vem k-pop, mas preste atenção neste novo espaço, a onda tá começando a virar. O estilo R&B não é de nenhum modo novo no cenário sul coreano, mas recentemente chegou em um ponto em que artistas estão se colocando no projetor. Assim temos Dean (entrevistado logo abaixo), de apenas 24 anos que começou a escrever canções para grupos de k-pop antes de se destacar sozinho com seu primeiro single ''I'm Not Sorry'', uma colaboração em inglês com o cantor americano e compositor Eric Bellingner. Desde então, ele recebeu vários prêmios (incluindo Discovery of the Year no GAON Chart K-Pop Awards há poucas semanas), lançou um aclamado EP, ''130 Mood: TRBL'', colaborou duas vezes com a cantora e rapper coreana Heize e com a líder do grupo coreano Girls Generation Taeyeon em seu single ''Starlight''. Semana passada foi lançado seu último single, ''Come Over'' com a cantora coreana Yerin Baek. Grupos coreanos de R&B vêm desde os anos 90. Se tem Sechskies, que interpretou canções como Vanessa Williams-esque ''Letting You Go'', ou a multi-premiada cantora Gummy, que entrelaça o R&B e sua alma em suas músicas desde seu debut em 2003. No entanto, esta nova geração de artistas R&B - que vão de Dean para outros como Jay Park, Zion.T e Crush - geralmente assinam com empresas independentes ou subsidiárias, o que significa que eles são menos impedidos do que seus antecessores e contemporâneos de k-pop atuais, e com menos fronteiras em fazer seu tipo próprio de som e também com a liberdade de escolher com quem eles escolhem trabalhar. Hoje, a indústria da música da Coréia do Sul pode ser pequena, secreta e de ritmo acelerado, mas também está com fome de canções de sucesso, e artistas multi-talentosos que podem escrever, produzir e performar. O que significa que esta nova onda de artistas coreanos de R&B trabalham sozinhos e escrevem para cantores e grupos k-pop, mudando-os para o centro das atenções das massas. Pode parecer uma estratégica fria, mas muitas vezes é o início de algo mais familiar - como Dean (cujo nome verdadeiro é Kwon Hyuk) sendo um terço de Fanxy Child, uma colaboração/crew que inclui uma das estrelas do R&B coreano Crush e o k-hiphop de Zico, rapper e líder do grupo de k-pop Block B. Ao contrário de seus companheiros, Dean tem conscientemente procurado ter uma presença nos mercados coreano e norte-americano - através de mais colaborações centradas nos EUA com Mila J, Anderson Paak e o cantor filipino-americano Jeff Bernat - migrando entre Seul e Los Angeles. Independentemente disso, foi seu single coreano, Pour Up (ft. Zico), que o fez subir rapidamente na carreira. Embora k-pop e seus grupos de grande sucesso (especialmente EXO, Twice, Girls Generation e BigBang) sejam indiscutivelmente os artistas mais reconhecidos para sair da Coréia do Sul, Dean está mudando as coisas, e rápido.

ENTREVISTA:

Taylor Glasby: Há vários relatos de você cantando desde que você era muito jovem e através do ensino médio, mas não decidiu seguir a música até quando você tinha vinte anos. Qual é a representação mais precisa de sua jornada em música como uma carreira em tempo integral?

Dean: Eu amava pintar e escrever desde que eu era criança, mas eu sempre tive dificuldade em ficar focado em uma coisa por um longo tempo. Quando eu comecei a gravar música em casa, fazendo batidas e rap, eu sabia que eu realmente gostava, porque eu poderia fazer o dia todo. Então, eu comecei a escrever canções. Um produtor ouviu algumas das minhas músicas e sugeriu que começássemos a trabalhar juntos e esse foi o início da minha carreira musical.

Taylor: Você se nomeou de James Dean depois de seu EP, ''130 Mood: TRBL'' após o número em seu Porsche Spyder. Quanto tempo você está interessado por ele e você vê nele algo que você vê em si mesmo?

Dean: Minha mãe era uma grande fã de James Dean. Mesmo que eu não pudesse assistir a todos os seus filmes, eu realmente gostava do espírito forte e rebelde em seus olhos. Eu pensei que sua atitude poderia ser como o meu lema quando eu começasse a criar música. Eu quero fazer músicas rebeldes e experimentais ao invés de música comum ou estereotipada. É por isso que eu escolhi o nome Dean como meu nome artístico.

Taylor: Seu EP contém uma faixa intitulada Bonnie & Clyde e eles, ao lado de James Dean, tiveram vidas precárias e morreram jovens, mortes violentas - há algo em particular sobre eles que você se sente atraído?

Dean: Eu estava procurando o conceito certo para o álbum TRBL, que é abreviação para ''trouble'' (problemas). Eu queria criar minha própria história original em música trapsoul, que se tornou bastante comum nos dias de hoje. Quando criança, eu realmente gostava de contar histórias com pinturas ou artigos para Bonnie & Clyde, eu queria criar minha versão da história de um casal fatal.

"Minha mãe era uma grande fã de James Dean. Embora eu não pudesse assistir todos os filmes dele, eu realmente gostei do espírito rebelde".

                              Dean Fotografia tirada por Elliott Morgan

Taylor: Em ''130 Mood: TRBL'', você conta uma história de amor em sentido inverso. Qual foi a ideia por trás disso? Por que era importante que o ouvinte terminasse no ponto em que o amor começasse?

Dean: Na verdade, há um monte de histórias em TRBL, eu tenho um monte de arrependimentos daquele tempo porque eu era um troublemaker. Eu fiz TRBL cortando meu coração para que todos vissem. Eu escrevi sobre um monte de minhas experiências pessoais nesse projeto e TRBL significa muitas coisas. Eu também adoro fazer as coisas de forma diferente e de maneira oposta. Este foi o meu primeiro álbum, então eu queria fazer o projeto do meu jeito. Por exemplo, se você verificar o meu Instagram você verá um monte de fotos que estão de cabeça para baixo - eu sempre gosto de ver as coisas em perspectivas diferentes. Eu escrevi muito sobre minhas experiências pessoais e dei ao projeto minha personalidade de muitas maneiras. Eu pensei que TRBL poderia explicar muito sobre mim.

Taylor: Qual é o significado do nome FANXY CHILD, seu projeto com Zico e Crush, e quem deu ideia a dele?

Dean: Zico veio com a ideia, eu ainda não tenho certeza do que significa. Talvez seja apenas para nós.

Taylor: Entre você, Crush e Zico, há um monte de individualismo e personalidades fortes - como vocês equilibram isso quando estão escrevendo e produzindo como uma equipe?

Dean: Nós expressamos nossas opiniões de uma forma muito ativa e instintiva. É sempre natural e confortável, porém seja porque temos gostos e sentimentos semelhantes.

Taylor: Ok, agora uma pergunta aleatória, com quem você prefere ser preso em um elevador por 6 horas, Crush ou Zico?

Dean: Bem, se eu disser Zico, Crush ficará desapontado. E, se eu disser Crush, Zico ficará desapontado. [Risos] Mas eu preferia ficar com uma garota do que com qualquer um deles.

Taylor: A medida que mais e mais artistas e produtores experimentam a junção de diferentes gêneros, você mesmo incluído, como você mantém avançando sonicamente? Você continua a mexer com programas de música, você ouve muita música nova ou música antiga?

Dean: Sim, estou sempre cavando através da música antiga e indie. Eu tento ouvir música "boa" ao invés de música moderna - não há motivo especial para isso. Não lhe faz feliz quando você escuta a música realmente boa? Recebo novas ideias e inspiração de boa música, e isso me faz sentir bem.

Taylor: Você está trabalhando em material novo... O que você pode me dizer sobre isso? O som é uma continuação da mistura de elementos encontrados no EP, ou você tem trabalhado em algo marcadamente diferente?

Dean: Eu chamaria de hip hop / R&B alternativo. Eu quero ter certeza de que ele tem grande qualidade de som para a Coréia e também internacionalmente. Quando eu era mais jovem, pensei que poderia tentar entender a cultura dos EUA ouvindo N*E*R*D. Seria ótimo se pessoas de outros países quisessem aprender e entender mais sobre a cultura coreana ouvindo minha música. Eu quero fazer isso acontecer.

Taylor: Qual foi o ponto mais memorável do ano passado? E o que você gostaria de fazer em 2017 que não está relacionada com a música?

Dean: Cada momento de 2016 é memorável. Eu quero fazer cada momento em 2017 muito mais especial em vez de fazer apenas um grande momento. Claro que isso nem sempre é fácil. Eu também quero fazer uma viagem com minha família e minha equipe com quem faço música.

''130 Mood: TRBL'' de Dean está disponível agora via Universal. 

Siga Dean no Instagram: https://www.instagram.com/deantrbl/ 

LINK ORIGINAL DA ENTREVISTA:

https://hero-magazine.com/article/90012/meet-dean-the-multi-skilled-star-bringing-korean-rb-to-the-world/

[deantrblfrance]

TRADUCTION : interview de Dean pour Hero Magazine

Pensez à la musique Coréenne, et la première chose qui vous viendra à l'esprit sera la K-pop, mais c'est une affaire à suivre, le vent est en train de tourner.

Le R&B est loin d'être nouveau pour la scène musicale sud-coréenne, mais récemment, nous avons pu observer un grand nombre de chanteurs locaux qui ont mis en lumière ce genre; tout comme Dean, interviewé ci-dessous, l'artiste de 24 ans qui a commencé par écrire des chansons pour des groupes de k-pop avant de sortir son propre single, I'm Not Sorry, une collaboration en anglais avec le compositeur et chanteur américain Eric Bellinger. Depuis, il a gagné plusieurs awards (dont la découverte de l'année aux GAON Chart K-pop awards il y a quelques semaines), sorti un album applaudi, 130 Mood:TRBL, a collaboré deux fois avec la rappeuse et chanteuse coréenne Heize, ainsi que Taeyeon des Girls' Generation sur son single Starlight. La semaine dernière fut marquée par la sortie de son dernier single, Come Over.

Les premiers groupes coréens de R&B datent des années 90. Prenez par exemple Sechskies, qui ont joué des chansons comme la chanson Vanessa Williams-esque Letting You Go, ou encore la chanteuse ayant gagné plusieurs awards Gummy, qui a incorporé R&B et soul dans ses chansons depuis ses débuts en 2003. Or, cette nouvelle génération d'artistes R&B – de Dean à Jay Park, Zion T et Crush – est généralement en contrat avec des labels indépendants ou subsidiaires, ce qui veut dire qu'ils sont moins contraits que leurs prédécesseurs et que leurs confrères dans l'univers de la pop, avec moins de limites sur leurs sons et leurs collaborateurs.

Aujourd'hui, même si l'industrie musicale de la Corée du Sud est petite, secrète et rapide, elle est aussi en attente de hits, et d'artistes multi-talentueux pouvant écrire, produire ET performer. Ce qui veut dire que cette nouvelle vague d'artistes R&B coréens écrivent et travaillent avec des groupes et chanteurs de K-pop, ce qui les met en lumière. Cela peut paraître très stratégique mais c'est souvent le début de quelque chose de plus familial – tout comme Dean (dont le nom réel est Kwon Hyuk – étant un tiers de Fanxychild, une collaboration incluant son camarade star de la R&B Crush et Zico, le rappeur et leader de Block B, un groupe coréen.

Dean, à l'inverse de ses confrères, a cherché à être présent sur le marché Coréen ainsi que sur le marché Américain – via des collaborations avec Mila J, Anderson .Paak et le chanteur américano-fillipin Jeff Bernat – en jonglant entre Séoul et LA. Malgré tout, ce fut son single Coréen, Pour Up (ft. Zico) qui a fait s'envoler sa carrière. Même si la K-pop et ses idols “populaires” globalement (pensez à EXO, Twice, Girls Generation et BIGBANG) sont les artistes les plus reconnaissables en parlant de Corée du Sud, les confrères de Dean changent les choses – rapidement.

Taylor Glasby : Il y a plusieurs vidéos de toi qui chante depuis que tu es très jeune ainsi qu'au lycée mais tu n'as pas décidé de poursuivre la musique avant tes 20 ans. Quelle est la représentation la plus précise de ton chemin dans la musique comme carrière à plein temps?

Dean: J'aime peindre et écrire depuis que je suis enfant, mais j'ai toujours eu du mal à rester concentré sur une seule chose. Lorsque j'ai commencé à créer de la musique à la maison, créer des beats, et rapper, je savais que je devais vraiment aimer parce que je pouvais le faire toute la journée. Alors j'ai commencé à écrire des chansons. Un producteur a entendu ma musique et m'a suggéré de travailler avec lui, et ce fut le début de ma carrière musicale.

Taylor: Tu as trouvé ton nom grâce à James Dean, et celui de ton EP, 130 Mood:TRBL, grâce à sa Porche Spyder. Depuis quand es-tu intéressé par lui et vois-tu en lui quelque chose que tu vois en toi?

Dean: Ma mère était une grande fan de Jambes Dean. Même si je ne pouvais pas regarder tous ses films, j'aimais vraiment l'esprit rebel et fort dans ses yeux. Je trouvais que son attitude est juste comme ma devise quand je fais de la musique. Je veux faire de la musique rebelle et expérimentale plutôt que de la musique commune ou stéréotypique. C'est pourquoi j'ai choisi Dean comme nom de scène.

Taylor: Ton EP contient une piste s'appellant Bonnie & Clyde et, comme James Dean, ont eu une vie précaire et sont morts jeunes et violemment. Es-tu attiré par un mystère qui se dégage par leur histoire ?

Dean: Je cherchais le bon concept pour TRBL, qui est un diminutif de « Trouble ». Je voulais créer ma propre histoire originale dans la musique trapsoul, qui est devenue plutôt commune de nos jours. Étant enfant, j'aimais beaucoup raconter des histoires avec des peintures ou des articles et pour Bonnie & Clyde je voulais recréer ma version de l'histoire d'un couple fatal.

Taylor: Tu as travaillé sur plusieurs ccllaborations géniales, particulièrement avec Heize pour And July. Qu'est-ce que tu gagnes, en tant qu'artistes, à travailler de près avec quelqu'un qui est également nouveau dans cette industrie?

Dean: Le fait qu'un artiste soit vétéran ou nouveau ne m'importe pas. Heize a une voix intéressante et elle était nouvelle. Alors je pensais qu'il serait amusant de lui faire de la musique tendance et lui donner une nouvelle image. Je cherche toujours des collaborations qui seront amusantes, comme ça.

Taylor: D'autre part, que peux-tu apprendre en travaillant de près avec une artiste avec beaucoup d'epérience comme Taeyeon?

Dean: C'était aussi amusant pour moi. J'étais encore un nouvel artiste underground à ce temps là. Je pensais que la collaboration entre moi et un artiste très connu serait amusante.

Taylor: Dans 130 Mood:TRBL, tu racontes une histoire d'amour à l'envers. Quelle est l'idée derrière? Pourquoi était-il imporatnt que l'auditeur termine au moment où l'amour commence?

Dean: En fait, il y a beaucoup d'histoires dans TRBL, j'ai beaucoup de regrets par rapport à cette période parce que j'étais un fauteur de trouble. J'ai fait TRBL en coupant mon cœur afin que tout le monde le voie. J'ai beaucoup écrit à propos de mes propres expériences dans ce projet et TRBL veut dire beaucoup de choses. J'aime beaucoup faire les choses différemment et en quelque sorte dans la direction opposée. C'était mon premier projet alors je voulais que mon album me ressemble. Par exemple, si vous regardez mon instagram (@deantrbl) vous verrez que beaucoup de photos sont à l'envers – j'aime toujours voir les choses de différentes perspectives. J'ai beaucoup écrit à propos de mes expériences personnelles et ai donné ma personnalité au projet dans beaucoup de façons différentes. Je pensais que TRBL pourrait expliquer beaucoup de choses à mon propos.

Taylor: Quelle est la signification de Fanxy, ton projet avec Zico et Crush, et qui a trouvé ce nom?

Dean: Zico a trouvé le nom, et je ne suis toujours pas vraiment sûr de ce que ça veut dire. Peut-être que ça nous représente juste.

Taylor: Entre toi, Crush et Zico, il y a beaucoup d'individualisme et vous avez de fortes personnalités – comment est-ce que vous les équilibrez quans vous produisez et écrivez en tant que team?

Dean: Nous exprimons nos opinions d'une façon active et instinctive. C'est toujours naturel et confortable car nous avons des goûts et ressentis similaires.

Taylor: OK, question un peu aléatoire, avec qui préfèrerais-tu être coincé dans un ascenseur pendant 6 heures – Crush ou Zico?

Dean: Bon, si je dis Zico, Crush va être déçu. Et si je dis Crush, Zico va être déçu. [rires] Mais vraiment, je préfèrerais être coincé avec une fille plutôt qu'avec l'un d'entre eux.

Taylor: Pendant que de plus en plus d'artistes et de producteurs font des expériences en mélangeant des différents genres, toi inclus, comment penses-tu avancer en matière de musique? Est-ce que tu bricoles constamment avec des programmes de musique, est-ce que tu écoutes beaucoup de nouvelle musiques ou ancienne musique?

Dean: Oui, je cherche toujours dans les anciennes et nouvelles musiques. J'essaie d'écouter de la «bonne» musique plutôt que de la musique tendance – il n'y a pas de réson particulière à ça. Cela ne vous rend-il pas heureux quand vous écoutez de la vraiment bonne musique? Cela me donne des nouvelles idées et de l'inspiration, et ça me fait me sentir bien.

Taylor: Tu travailles sur du nouveau matériel... qu'est-ce que tu peux me dire à propos de ça? Est-ce que le son est dans la continuité du mélange des éléments trouvés sur l'EP, ou as-tu travaillé sur quelque chose de radicalement différent?

Dean: J'appellerai-ça un album alternatif hip hiop/R&B. Je veux être sûr que c'est de bonne qualité pour la Corée et la scène internationale. Quand j'étais jeune je pensais que je pouvais essayer de comprendre la culture des Etats-Unis en écoutant N*E*R*D. Ce serait bien si les gens des autres pays voudraient essayer d'apprendre et de connaître un peu plus la culture coréenne en écoutant ma musique. Je veux que cela se passe.

Taylor: Quel était ton point le plus mémorable l'année dernière ? Et quelle est une chose que tu aimerais beaucoup faire en 2017 qui n'est pas reliée à la musique?

Dean: Chaque moment de 2016 est mémorable. Je veux faire de chaque moment en 2017 un moment spécial plutôt que de ne faire qu'un seul moment mémorable. Bien sûr que ce n'est pas toujours facile. Je veux aussi faire un voyage avec ma famille et l'équipe avec qui je fais de la musique.

CRÉDITS: article original : Hero Magazine traduction en-fr: Liz @ Dean France

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Day and Night stained glass windows (1897–1900). Designer and executant: William Glasby (1863–1941) Henry Holiday Studio, Hampstead.

Images and text courtesy The Metropolitan Museum of Art.     

http://www.metmuseum.org/collection/the-collection-online/search/207692?rpp=30&pg=16&ao=on&ft=stained+glass&pos=468

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Night By William Glasby