#William Tenn

[misforgotten2]

Cover by H. R. Van Dongen

[glanceart]

Flash commission for @ryuusea

[justmongu]

The moriarthree!!

[always-a-joyful-note]

I think the best thing about knowing that Soma Saito voices both Tenn and William is that I can definitely see Tenn voice acting for Yuumori on a job

[callmemana]

The Marked Ones MList:

*Coming 20-*

Characters:

Summary: some escaped over the years, some didn’t make it through the first procedure, some are still hiding in the shadows hoping to not get caught.

Those who are caught can be seen with a number on their arms and treated like trash.

A/N:

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Meet the Characters:

Alana Metcalf|Bradley Bradshaw

Amanda Pruitt|LTJG. Leonard Wolfe

Baylie Pruitt|LT. Richard Neven

Cmdr. Jade Kerner|Cpt. Ronald Kerner

Cmdr. Rachael Kazansky|ADM. Thomas Kazansky

Grace Lowe|Cpt. Pete Mitchell

Josephine Harlan|LTJG. Marcus Williams

Cpt. Grace Bradshaw|Cpt. Nicholas Bradshaw

Rebecca Rogers|LT. Charles Piper

Dragon’s Angels📻: @dragon-kazansky @mrsjaderogers @gracespicybradshaw @bayisdying @starlit-epiphany

Birdie’s Basket: @mrsjaderogers

🏷️ list:

[ltwilliammowett]

American " Old Glory Flag" flag, likely a U.S. Navy Flag, mid 19th century

The name “Old Glory” was first applied to the U.S. flag by a young sea captain who lived in Salem, Mass. On his twenty-first birthday, March 17, 1824, Capt. William Driver was presented a beautiful flag by his mother and a group of local young ladies. Driver was delighted with the gift. He exclaimed, “I name her ‘Old Glory.’” Then Old Glory accompanied the captain on his many voyages.

Captain Driver quit the sea in 1837 and settled in Nashville, Tenn. On patriotic days, he displayed Old Glory proudly from a rope extending from his house to a tree across the street. After Tennessee seceded from the Union in 1861, Captain Driver hid Old Glory by sewing the flag inside a comforter. When Union soldiers entered Nashville on February 25, 1862, Driver removed Old Glory from its hiding place, carried the flag to the state capitol building, and proudly raised it for all to see.

Shortly before his death, the old sea captain placed a small bundle into the arms of his daughter. He said to her, “Mary Jane, this is my ship flag, Old Glory. It has been my constant companion. I love it as a mother loves her child. Cherish it as I have cherished it.”

The flag remained as a precious heirloom in the Driver family until 1922. Then it was sent to the Smithsonian Institution in Washington, D.C., where it is carefully preserved under glass today.

[retroscifiart]

Art by Rolf Mohr for Of Men And Monsters by William Tenn (Gollancz, 1989)

[70sscifiart]

Stephen Miller’s 1968 cover for William Tenn’s "The Wooden Star"

[velvet4510]

I guess I’m one of those weirdos who so deeply feels the essence of an instrumental leitmotif from a film score associated with a particular character or couple, that I start associating said leitmotifs in my head with ANOTHER character from an entirely different film/book/series. And I’ve built up a whole library of leitmotifs for LOTR characters even though I ADORE Howard Shore’s original score for the trilogy. I consider these leitmotifs to be add-ons, NOT replacements.

Nor do I intend to completely disassociate all of these themes from their intended films/characters; some of them are perfect fits for the films they were written for. It’s just my mind going wild like usual. (But I admit, in some cases, the pieces are from films I dislike, and thus I would rather see these great songs associated with something of LOTR quality rather than what they were actually stuck with, especially when the lack of lyrics gives you the freedom to let the melody take you wherever it takes you, personally.)

In the case of Silmarillion characters and relationships, well, it’s a different story - it really is my attempt to cobble together what could be a hypothetical score, if it were brought to the screen. Obviously it’d never be this exactly, but I would hope a composer for a potential screen adaptation of The Silmarillion might be inspired by themes like these.

In some cases, the characters these themes were originally written for don’t resemble the corresponding LOTR characters very much, or at all. Also some of them have titles that by themselves could not be more different from and unfitting for Tolkien’s world. It’s just the melodies on their own, without context or even name, performed by these gorgeous orchestras, that have come to remind me of particular Tolkien figure(s).

I also have found lots of “love themes”, both romantic and platonic, for character relationships, as you’ll see. I’ve included romantic themes for canonical couples, as well as for pairings that I personally ship. I know Shore already gave Aragorn and Arwen a theme, but as I said, these are all extra additions and not replacements.

And yes I have a lot of Star Wars stuff in here, because I love Star Wars…but I love Tolkien more.

For the heck of it I’ll share some of these, with links to each song on YT. It’s hard to explain why I made these choices/associations, but maybe you’ll get it if you listen to some of them.

CHARACTER THEMES

The Valar = “Guardians of the Whills Suite” by Michael Giacchino

Lúthien Tinúviel = “Once Upon a Time in the West” by Ennio Morricone

Túrin Turambar = “Anakin’s Theme” by John Williams

Nienor Níniel = “Helena’s Theme” by John Williams

Frodo Baggins = “Romeo” by Nino Rota

Sam Gamgee = “Rey’s Theme” by John Williams

Aragorn = “The John Dunbar Theme” by John Barry

Gandalf = “Yoda’s Theme” by John Williams

Legolas = “Rose Tico” by John Williams

Éowyn = “Marion’s Theme” by John Williams

THEMES FOR LANDS/LOCATIONS

The Undying Lands = “Out of Africa” by John Barry

ROMANTIC LOVE THEMES

Frodo x Sam = “Love Theme from Ben-Hur” by Miklos Rozsa

Beren x Lúthien = “Love Theme from The Godfather” by Nino Rota

Faramir x Éowyn = “Han Solo and the Princess” by John Williams

Aragorn x Arwen = “Love Theme from Cinema Paradiso” by Ennio Morricone

Sam x Rosie = “Love Theme from Dances with Wolves” by John Barry

Bilbo x Thorin = “Andante Cantabile” by Bernard Herrmann

Thingol x Melian = “Indecent Proposal” by John Barry

Fingon x Maedhros = “Wuthering Heights” by Alfred Newman

Galadriel x Celeborn = “Central Park” by James Newton Howard

Finrod x Bëor = “Somewhere in Time” by John Barry

Aegnor x Andreth = “Love Theme from The Scarlet Letter” by John Barry

Finduilas x Gwindor = “Deborah’s Theme” by Ennio Morricone

Túrin x Beleg = “Across the Stars” by John Williams

Mablung x Nienor = “Wanda and Vision” by Christophe Beck

Tuor x Idril = “Conversation Piece” by Bernard Herrmann

Eärendil x Elwing = “Tennessee” by Hans Zimmer

Elrond x Celebrían = “And Then I Kissed Him” by Hans Zimmer

Pippin x Diamond = “Love Theme from East of Eden” by Leonard Rosenman

Merry x Estella = “Love Theme from Rebel Without a Cause” by Leonard Rosenman

Elanor x Fastred = “Theme from A Summer Place” by Max Steiner (arranged by Percy Faith)

PLATONIC RELATIONSHIP THEMES

Elrond & Elros = “Brothers” by Hans Zimmer

Merry & Pippin = “Flying” by John Williams

Legolas & Gimli = “Rain Man” by Hans Zimmer

Boromir & Faramir = “Luke and Leia” by John Williams

Bilbo & Frodo* = “The Mother’s Love” by Miklos Rozsa

Sam & Elanor = “The Ludlows” by James Horner

I may add to this as I think of more, or even replace certain songs entirely if I come across a better match. Always return to the pinned post here to see the most recently updated list.

* Bilbo & Frodo’s melody is heard in the first minute of the linked track, 0:00–1:01, and again at 1:48. Also, the love theme I associate with Frodo & Sam starts playing at 1:03, making this whole thing fit all the hobbits even better.

[beardedmrbean]

NASHVILLE, Tenn. (AP) — The writings of the person who killed three 9-year-olds and three adults at a private Christian elementary school in Nashville last year cannot be released to the public, a judge ruled Thursday.

Chancery Court Judge I’Ashea Myles found that The Covenant School children and parents hold the copyright to any writings or other works created by shooter Audrey Hale, a former student who was killed by police. As part of the effort to keep the records closed, Hale’s parents transferred ownership of Hale’s property to the victims’ families, who then argued in court that they should be allowed to determine who has access to them.

Myles agreed, ruling that “the original writings, journals, art, photos and videos created by Hale” are subject to an exception to the Tennessee Public Records Act created by the federal Copyright Act.

The ruling comes more than a year after several groups filed public records requests for documents seized by Metro Nashville Police during their investigation into the March 2023 shooting. Those killed were Evelyn Dieckhaus, Hallie Scruggs, and William Kinney, all 9 years old, and adults Cynthia Peak, 61; Katherine Koonce, 60; and Mike Hill, 61.

Part of the interest in the records stems from the fact that Hale, who police say was “assigned female at birth,�� may have identified as a transgender man, and some pundits have floated the theory that the journals will reveal a planned hate crime against Christians.

The victims’ families released statements about the ruling on Friday. Cindy Peak’s family wrote, “The last year and a half without Cindy has been difficult. But today brings a measure of relief in our family. Denying the shooter some of the notoriety she sought by releasing her vile and unfiltered thoughts on the world is a result everyone should be thankful for.”

The shooter left behind at least 20 journals, a suicide note and a memoir, according to court filings. When the records requests were denied, several parties sued, and the situation quickly ballooned into a messy mix of conspiracy theories, leaked documents, probate battles and accusations of ethical misconduct. Myles’ order will almost surely be appealed.

After the initial records requests last year, police said they would eventually release the documents but could not do so right away because their investigation was still open. The groups suing for the immediate release of the records — including news outlets, a gun rights group, a law enforcement nonprofit and Tennessee state Sen. Todd Gardenhire — argued that there was no meaningful criminal investigation underway since Hale, who police say acted alone, was dead.

Meanwhile, a group of Covenant parents was allowed to intervene in the case and argue that the records should never become public. They said the release would be traumatic for the families and could inspire copycat attacks.

Myles found that the copycat risk was real and “of grave concern.”

“Hale used the writings of other perpetrators in similar crimes to guide how this plan was constructed and accomplished, mimicking some not only in their methodology, but also choice of weapons and targets,” Myles wrote. “Hale even held past perpetrators out as heroes in their attacks, idolizing them.”

Also intervening in the case were The Covenant School and the Covenant Presbyterian Church, which shares a building. They argued the records should remain closed because their release could threaten their security.

The Associated Press is among the groups that requested the records but did not participate in the lawsuit.

As the court case has dragged on, pages from one journal were leaked to a conservative commentator who posted them to social media in November. More recently, The Tennessee Star published dozens of stories based on allegedly 80 pages of Hale’s writings provided by an unnamed source. The publication is among the plaintiffs, and Myles briefly threatened to hold the paper’s editor-in-chief, Michael Leahy, and owner, Star News Digital Media, in contempt.

Although Myles’ ruling will shield many of the documents created by Hale from public release, other documents in the police file can be released once the case is officially closed as long as they fall under Tennessee’s open records law.

An attorney for the lead plaintiff in the case did not immediately have a reaction to the ruling.

[scotianostra]

On November 7th 1974 Eric Linklater, the novelist and playwright, died in Aberdeen.

Although born in Wales, Linklater always considered himself as an Orcadian. Indeed like many on the island Eric can claim viking heritage and his family has documental proof that goes back to the 15th century an 18 generations.

There is a great wee story about his Great- Grandfather that I am sure you will appreciate, he worked on the whaling fleet from Stromness. When given leave he’d walk 10 miles home to Harray. It’s said there were many ale-houses by the road, and he never did the journey in less than 3 days!

Educated at Aberdeen University, Linklater spent many years on Orkney, the birthplace of his father, and even commanded the Orkney garrison during the Second World War.

Linklater was initially rejected by the army because of his poor eyesight, but joined up in 1917, his poor eyesight however meant he was not meant to see any action, he was sent to a Yeomanry regiment stationed in the north of England.

I read he lied about his age to join up, he would have been around 17 at the time, it’s partly true,and if you look at the pic of him in his uniform he does look very young.I did manage to dig up the truth about the lie though . While in England he heard that they were sending a small draft to the Black Watch in France, he made a few adjustments to his own medical record (improving his eyesight and adding a year to his age) and, using his own authority as Orderly Corporal, added his own name to the list of those sent abroad.

From 1919 to 1925 he studied at Aberdeen University, first in medicine and then in English. Between 1925 and 1927 he was an assistant editor of the Times of India, living in Bombay. After a year working at Aberdeen University in 1927-8, he spent two years as a Commonwealth Fellow in the USA, at Cornell and Berkeley.

Eric Linklater began publishing prolifically in 1929: altogether he wrote 23 novels, 3 volumes of short stories, 3 autobiographies, 10 plays, and 23 books of essays and non-fiction, as well as the books mentioned above in the first paragraph. Juan in America and Private Angelo are perhaps his best-known novels. He loved the Icelandic sagas, and wrote his own: The Men of Ness: the Saga of Thorlief Coalbiter’s Sons ; later, in 1955, he published a book about the sagas, called The Ultimate Viking.

On 1st June 1933 he Eric married Marjorie MacIntyre, and after a period in Italy they settled at Dounby in Orkney; they had four children.

Between 1939 and 1941 Linklater commanded the company of Royal Engineers on Orkney. In 1941 he was posted to the directorate of public relations in the War Office, and from 1944 to 1945 served in Italy, where he acquired the experiences necessary for writing Private Angelo, which was dedicated to the Eighth Army. It was a book about courage, but it did not celebrate war. Angelo’s remark “I hope you will not liberate us out of existence” might well have inspired William Tenn’s celebrated science fiction story “The Liberation of Earth” . In 1951 he published a history of that part of WW2, The Campaign in Italy, and, with the temporary rank of lieutenant-colonel he visited Korea.

In 1945 Eric Linklater was elected rector of Aberdeen University, and in 1947 the family moved to to Ross, and later to Aberdeenshire. From 1968 to 1973 he was deputy lieutenant of Ross and Cromarty.

Diana Gabaldon author of the Outlander books, told National Geographic: she researched for her series of books by reading a Linklater book. "I was reading a research book called The Prince in the Heather. She said. The account of Jamie Fraser surviving Culloden is partly based on a true story in the book where a Fraser of the Master of Lovat's regiment” took refuge in a farmhouse with 18 others and survived the slaughter.

Eric Linklater died in Aberdeen on this day 1974 and was buried in the Harray churchyard in Orkney. His widow, already an active political campaigner, moved back to Orkney, to serve as chairman of the Orkney Heritage Society. She helped to establish the St Magnus festival, and campaigned for the Scottish National Party.

Orkney makar George Mackay Brown wrote in the Orcadian, 14th November 1974,

“Orkney is a poorer place without him; even though for most of the year, he lived outside the islands. It is fitting that his dust should be brought back to lie in Orkney earth.”

[scoutbot]

Trick or trea?:3

have "what the fuck is this space suit?? william tenn and noel loomis explain!!"

[twistedtummies2]

I just wanted to point out that the voice of William James Moriarty is also a singer AND rapper. He's in several idol series including as Kujo Tenn in Idolish7 and raps as Gentaro Yumeno, and did one of the theme songs for Katsugeki/Touken Rambu.

Oh, that I already knew. At least the part of him being a singer and a rapper. Sadly, I've never heard any of his work yet. I will say...the idea of William James Moriarty rapping is HILARIOUS in my head. XD

[ignitesthestxrs]

still working my way through truman capote's letters and it turns out he was friends with tennessee williams, whom he referred to as 'Tenn' and occasionally '10' and with whom he ended up in several moderately disastrous gay adventures (broke into his apartment as a joke when he wasn't there and got arrested about it when the neighbours noticed, was on a trip with him in rome when a sex worker tw had previous engaged with robbed his house and tw did not want to go to the cops about it for fear of being outed. tw also lost the manuscript for his latest play on this misadventure.)

he was also childhood friends with, of all people, harper lee, who saved him from bullies when she was a young tomboy and he was a young effete boy in small town alabama, and they both had expys of their childhood selves in each others' books.

[mariacallous]

The COVID-19 pandemic’s sudden onset in 2020 and its persistent impacts in ensuing years posed new challenges for large U.S. cities and metropolitan areas.

Some of the initial challenges were related to the specific nature of the coronavirus and public health responses. In March 2020, residents of cold, dense cities seemed at greater risk of contracting the airborne illness than those in more spread-out, temperate communities where people could spend time outside year-round.1 More persistent challenges are related to the rapid adoption of remote work technologies, which enable certain kinds of work to be done anywhere with a high-speed internet connection, and not necessarily in big-city downtowns dominated by what today are increasingly vacant office buildings.

In an increasingly hyper-polarized country, some of these dynamics intersected with partisan politics. Republican-led states such as Florida and Texas positioned themselves as refuges for movers seeking escape from “Covid lockdowns” in Democratic-led states. In response to these and other political factors, Elon Musk moved Tesla’s headquarters from Silicon Valley to Austin, Texas, and a prominent Chicago financier moved his hedge fund to Miami after his employees started working from a high-end hotel there during the height of the pandemic.

The housing market also played a role in fueling migration during this time. As more people worked from home, demand for homeownership rose, particularly for larger homes. For example, in San Diego County—which for many years had built little new housing—median home prices skyrocketed from $660,000 in January 2020 to $860,000 just two years later, according to Zillow. Prices also rose in more affordable, flexible markets, but much more modestly; in Houston over that same time, the median home price increased from $195,000 to $240,000.

My colleague William H. Frey was among the first to document significant migration away from big metro areas during the pandemic. His analysis of U.S. Census Bureau data showed accelerated domestic out-migration from large, coastal metro areas such as New York, Los Angeles, San Francisco, Boston, and Seattle between 2020 and 2021. Domestic in-migration, meanwhile, remained strong in Sun Belt metro areas such as Phoenix, Dallas, Tampa, Fla., San Antonio, and Raleigh, N.C. Frey’s subsequent analysis showed these trends moderated through 2022 and 2023 as the initial impacts of the pandemic subsided.

Even if they are temporary in some respects, these recent migration patterns could have lasting impacts. Richard Florida, for instance, points to the rise of “meta cities”—large U.S. metro areas distant from each other yet linked closely by the ties of remote work and Covid-era movers, such as New York and Miami (finance), the Bay Area and Austin (tech), and Los Angeles and Nashville, Tenn. (entertainment). The Economic Innovation Group chronicled a loss of high earners from major urban centers such as New York, San Francisco, and Washington, D.C. during the first two years of the pandemic. The home listing service Redfin, meanwhile, noted rising housing demand in affordable markets proximate to major metro areas (e.g., New Haven, Conn. outside New York; Richmond, Va. outside Washington, D.C.; Worcester, Mass. outside Boston), suggesting the growing prominence of hybrid (versus fully remote) work arrangements. How these dynamics play out could have significant implications for the economic and social health of cities, and for America’s urban hierarchy in the 21st century.

To better understand these dynamics, this report analyzes data from the Internal Revenue Service’s (IRS) Statistics of Income program on U.S. population migration at the county level. The data tracks individual income tax filers who changed addresses from one year to the next, and reports the number of tax filers moving between counties (a proxy for households), the number of personal exemptions among those filers (a proxy for individuals), and the total adjusted gross income reported on their returns (a proxy for household income). While the IRS migration data is only currently available through 2022 (versus 2023 in Census Bureau migration data), it has the advantages of tracking movements between specific counties and revealing something about the economic status of migrating households.2

This report uses the IRS county-level migration data to track movement before and after the pandemic’s onset among U.S. metropolitan areas, which are collections of counties that approximate regional economies and labor markets.3 The analysis assigns each county in the dataset to its corresponding metro area based on the latest Census Bureau metropolitan delineations.4 An important limitation of the IRS data is that it suppresses county-to-county flows of fewer than 20 tax filers to protect taxpayer privacy. In 2021-22, for instance, the data reflects a total of 7.6 million U.S. filers moving to metropolitan counties, with the source county indicated for 5.8 million of them. This means that the county-to-county data misses 1.8 million households (or 23% of all households) moving to metropolitan counties in 2021-22. Many of these households likely moved from small, non-metropolitan counties, but the flows among metro areas charted here inevitably miss moves occurring between smaller counties in metro areas of all sizes.

Despite this limitation, the IRS data is useful for answering basic questions about domestic migration and the possible impacts of the COVID-19 pandemic. Focusing on the nation’s metropolitan areas, this analysis specifically asks if and how the pandemic may have altered the:

Overall level of migration within and among metro areas

Key metropolitan origins and destinations of movers

Economic character of movers, and/or their sending/receiving communities

In general, the analysis confirms that the pandemic made an impact on metropolitan migration patterns, but also finds that these changes did not significantly alter the demographic or economic trajectory of metro regions. The analysis concludes with thoughts on the implications of these patterns as the economy returns to a “new normal” in the pandemic’s aftermath.