#William Tenn

[misforgotten2]

Cover by H. R. Van Dongen

[basicallyanotherwitchesthing]

William Tenn (aka Philip Klass) - The Square Root Of Man - Ballantine - 1968 (cover art by Stephen Miller)

[glanceart]

Flash commission for @ryuusea

[justmongu]

The moriarthree!!

[always-a-joyful-note]

I think the best thing about knowing that Soma Saito voices both Tenn and William is that I can definitely see Tenn voice acting for Yuumori on a job

[callmemana]

The Marked Ones MList:

*Coming 20-*

Characters:

Summary: some escaped over the years, some didn’t make it through the first procedure, some are still hiding in the shadows hoping to not get caught.

Those who are caught can be seen with a number on their arms and treated like trash.

A/N:

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15.

Meet the Characters:

Alana Metcalf|Bradley Bradshaw

Amanda Pruitt|LTJG. Leonard Wolfe

Baylie Pruitt|LT. Richard Neven

Cmdr. Jade Kerner|Cpt. Ronald Kerner

Cmdr. Rachael Kazansky|ADM. Thomas Kazansky

Grace Lowe|Cpt. Pete Mitchell

Josephine Harlan|LTJG. Marcus Williams

Cpt. Grace Bradshaw|Cpt. Nicholas Bradshaw

Rebecca Rogers|LT. Charles Piper

Dragon’s Angels📻: @dragon-kazansky @mrsjaderogers @gracespicybradshaw @bayisdying @starlit-epiphany

Birdie’s Basket: @mrsjaderogers

🏷️ list:

[lys-lilac]

[Fanart] Male version of Tsumugi (belongs to respective artist)

TENN? WILL?!! 

Who’s the artist? I found this online, so please let me know if you know the source...�� 

[retroscifiart]

Art by Rolf Mohr for Of Men And Monsters by William Tenn (Gollancz, 1989)

[70sscifiart]

Stephen Miller’s 1968 cover for William Tenn’s "The Wooden Star"

[velvet4510]

I guess I’m one of those weirdos who so deeply feels the essence of an instrumental leitmotif from a film score associated with a particular character or couple, that I start associating said leitmotifs in my head with ANOTHER character from an entirely different film/book/series. And I’ve built up a whole library of leitmotifs for LOTR characters even though I ADORE Howard Shore’s original score for the trilogy. I consider these leitmotifs to be add-ons, NOT replacements.

Nor do I intend to completely dissasociate all of these themes from their intended films/characters; some of them are perfect fits for the films they were written for. It’s just my mind going wild like usual. (But I admit, in some cases, the pieces are from films I dislike, and thus I would rather see these great songs associated with something of LOTR quality rather than what they were actually stuck with, especially when the lack of lyrics gives you the freedom to let the melody take you wherever it takes you, personally.)

In the case of Silmarillion characters and relationships, well, it’s a different story - it really is my attempt to cobble together what could be a hypothetical score, if it were brought to the screen. Obviously it’d never be this exactly, but I would hope a composer for a potential screen adaptation of The Silmarillion might be inspired by themes like these.

In some cases, the characters these themes were originally written for don’t resemble the corresponding LOTR characters very much, or at all. Also some of them have titles that by themselves could not be more different from and unfitting for Tolkien’s world. It’s just the melodies on their own, without context or even name, performed by these gorgeous orchestras, that have come to remind me of particular Tolkien figure(s).

I also have found lots of “love themes”, both romantic and platonic, for character relationships, as you’ll see. I’ve included romantic themes for canonical couples, as well as for pairings that I personally ship. I know Shore already gave Aragorn and Arwen a theme, but as I said, these are all extra additions and not replacements.

And yes I have a lot of Star Wars stuff in here, because I love Star Wars…but I love Tolkien more.

For the heck of it I’ll share some of these, with links to each song on YT. It’s hard to explain why I made these choices/associations, but maybe you’ll get it if you listen to some of them.

CHARACTER THEMES

The Valar = “Guardians of the Whills Suite” by Michael Giacchino

Lúthien Tinúviel = “Once Upon a Time in the West” by Ennio Morricone

Túrin Turambar = “Anakin’s Theme” by John Williams

Nienor Níniel = “Helena’s Theme” by John Williams

Frodo Baggins = “Romeo” by Nino Rota

Sam Gamgee = “Rey’s Theme” by John Williams

Aragorn = “The John Dunbar Theme” by John Barry

Gandalf = “Yoda’s Theme” by John Williams

Legolas = “Rose Tico” by John Williams

Éowyn = “Marion’s Theme” by John Williams

THEMES FOR LANDS/LOCATIONS

The Undying Lands = “Out of Africa” by John Barry

ROMANTIC LOVE THEMES

Frodo x Sam = “Love Theme from Ben-Hur” by Miklos Rozsa

Beren x Lúthien = “Love Theme from The Godfather” by Nino Rota

Faramir x Éowyn = “Han Solo and the Princess” by John Williams

Aragorn x Arwen = “Love Theme from Cinema Paradiso” by Ennio Morricone

Sam x Rosie = “Love Theme from Dances with Wolves” by John Barry

Bilbo x Thorin = “Andante Cantabile” by Bernard Herrmann

Thingol x Melian = “Indecent Proposal” by John Barry

Fingon x Maedhros = “Wuthering Heights” by Alfred Newman

Galadriel x Celeborn = “Central Park” by James Newton Howard

Finrod x Bëor = “Somewhere in Time” by John Barry

Aegnor x Andreth = “Love Theme from The Scarlet Letter” by John Barry

Finduilas x Gwindor = “Deborah’s Theme” by Ennio Morricone

Túrin x Beleg = “Across the Stars” by John Williams

Mablung x Nienor = “Wanda and Vision” by Christophe Beck

Tuor x Idril = “Conversation Piece” by Bernard Herrmann

Eärendil x Elwing = “Tennessee” by Hans Zimmer

Maglor x Daeron = “Midnight Cowboy” by John Barry

Elrond x Celebrían = “And Then I Kissed Him” by Hans Zimmer

Pippin x Diamond = “Love Theme from East of Eden” by Leonard Rosenman

Merry x Estella = “Love Theme from Rebel Without a Cause” by Leonard Rosenman

Elanor x Fastred = “Theme from A Summer Place” by Max Steiner (arranged by Percy Faith)

PLATONIC RELATIONSHIP THEMES

Elrond & Elros = “Brothers” by Hans Zimmer

Merry & Pippin = “Flying” by John Williams

Legolas & Gimli = “Rain Man” by Hans Zimmer

Boromir & Faramir = “Luke and Leia” by John Williams

Bilbo & Frodo* = “The Mother’s Love” by Miklos Rozsa

Sam & Elanor = “The Ludlows” by James Horner

I may add to this as I think of more, or even replace certain songs entirely if I come across a better match. Always return to the pinned post here to see the most recently updated list.

* Bilbo & Frodo’s melody is heard in the first minute of the linked track, 0:00–1:01, and again at 1:48. Also, the love theme I associate with Frodo & Sam starts playing at 1:03, making this whole thing fit all the hobbits even better.

[beardedmrbean]

NASHVILLE, Tenn. (AP) — The writings of the person who killed three 9-year-olds and three adults at a private Christian elementary school in Nashville last year cannot be released to the public, a judge ruled Thursday.

Chancery Court Judge I’Ashea Myles found that The Covenant School children and parents hold the copyright to any writings or other works created by shooter Audrey Hale, a former student who was killed by police. As part of the effort to keep the records closed, Hale’s parents transferred ownership of Hale’s property to the victims’ families, who then argued in court that they should be allowed to determine who has access to them.

Myles agreed, ruling that “the original writings, journals, art, photos and videos created by Hale” are subject to an exception to the Tennessee Public Records Act created by the federal Copyright Act.

The ruling comes more than a year after several groups filed public records requests for documents seized by Metro Nashville Police during their investigation into the March 2023 shooting. Those killed were Evelyn Dieckhaus, Hallie Scruggs, and William Kinney, all 9 years old, and adults Cynthia Peak, 61; Katherine Koonce, 60; and Mike Hill, 61.

Part of the interest in the records stems from the fact that Hale, who police say was “assigned female at birth,” may have identified as a transgender man, and some pundits have floated the theory that the journals will reveal a planned hate crime against Christians.

The victims’ families released statements about the ruling on Friday. Cindy Peak’s family wrote, “The last year and a half without Cindy has been difficult. But today brings a measure of relief in our family. Denying the shooter some of the notoriety she sought by releasing her vile and unfiltered thoughts on the world is a result everyone should be thankful for.”

The shooter left behind at least 20 journals, a suicide note and a memoir, according to court filings. When the records requests were denied, several parties sued, and the situation quickly ballooned into a messy mix of conspiracy theories, leaked documents, probate battles and accusations of ethical misconduct. Myles’ order will almost surely be appealed.

After the initial records requests last year, police said they would eventually release the documents but could not do so right away because their investigation was still open. The groups suing for the immediate release of the records — including news outlets, a gun rights group, a law enforcement nonprofit and Tennessee state Sen. Todd Gardenhire — argued that there was no meaningful criminal investigation underway since Hale, who police say acted alone, was dead.

Meanwhile, a group of Covenant parents was allowed to intervene in the case and argue that the records should never become public. They said the release would be traumatic for the families and could inspire copycat attacks.

Myles found that the copycat risk was real and “of grave concern.”

“Hale used the writings of other perpetrators in similar crimes to guide how this plan was constructed and accomplished, mimicking some not only in their methodology, but also choice of weapons and targets,” Myles wrote. “Hale even held past perpetrators out as heroes in their attacks, idolizing them.”

Also intervening in the case were The Covenant School and the Covenant Presbyterian Church, which shares a building. They argued the records should remain closed because their release could threaten their security.

The Associated Press is among the groups that requested the records but did not participate in the lawsuit.

As the court case has dragged on, pages from one journal were leaked to a conservative commentator who posted them to social media in November. More recently, The Tennessee Star published dozens of stories based on allegedly 80 pages of Hale’s writings provided by an unnamed source. The publication is among the plaintiffs, and Myles briefly threatened to hold the paper’s editor-in-chief, Michael Leahy, and owner, Star News Digital Media, in contempt.

Although Myles’ ruling will shield many of the documents created by Hale from public release, other documents in the police file can be released once the case is officially closed as long as they fall under Tennessee’s open records law.

An attorney for the lead plaintiff in the case did not immediately have a reaction to the ruling.

[twistedtummies2]

I just wanted to point out that the voice of William James Moriarty is also a singer AND rapper. He's in several idol series including as Kujo Tenn in Idolish7 and raps as Gentaro Yumeno, and did one of the theme songs for Katsugeki/Touken Rambu.

Oh, that I already knew. At least the part of him being a singer and a rapper. Sadly, I've never heard any of his work yet. I will say...the idea of William James Moriarty rapping is HILARIOUS in my head. XD

[darkmaga-retard]

Dr. William Makis MD

Sep 18, 2024

By Tony Garcia and Jordan Gartner

Published: Aug. 28, 2024 at 8:31 PM MDT

PLEASANT VIEW, Tenn. (WSMV/Gray News) - A teenager in Tennessee died on Tuesday while he was out for a jog in the neighborhood.

The Cheatham County Sheriff’s Office identified the teen as 15-year-old Tristen Franklin.

The Sycamore High School student was jogging that day on his normal route as a cross-country runner when he collapsed.

Neighbor Troy Simpkins said he would usually see Tristen on the teen’s afternoon runs and they would say hello to one another.

On Tuesday, he said he saw him on his run and didn’t think anything of it until his husband was called by another neighbor about the teen collapsing.

The group quickly called 911, but Tristen died.

“My heart just goes out to them. I mean, it is so sad. He was so young and had his whole life ahead of him,” Simpkins said. “Tell the people in your life how much you love them.”

The Cheatham County School District said it was “deeply saddened” to learn of the high school student’s death.

“Our heartfelt thoughts and prayers go out to the student’s family and friends during this difficult time. The impact of such a loss is immeasurable,” a spokesperson with the school district shared.

Counseling support would also be provided at Sycamore High to assist those affected.

Temperatures surpassed 100 degrees Fahrenheit in the Pleasant View area on Tuesday.

[ignitesthestxrs]

still working my way through truman capote's letters and it turns out he was friends with tennessee williams, whom he referred to as 'Tenn' and occasionally '10' and with whom he ended up in several moderately disastrous gay adventures (broke into his apartment as a joke when he wasn't there and got arrested about it when the neighbours noticed, was on a trip with him in rome when a sex worker tw had previous engaged with robbed his house and tw did not want to go to the cops about it for fear of being outed. tw also lost the manuscript for his latest play on this misadventure.)

he was also childhood friends with, of all people, harper lee, who saved him from bullies when she was a young tomboy and he was a young effete boy in small town alabama, and they both had expys of their childhood selves in each others' books.

[mariacallous]

The COVID-19 pandemic’s sudden onset in 2020 and its persistent impacts in ensuing years posed new challenges for large U.S. cities and metropolitan areas.

Some of the initial challenges were related to the specific nature of the coronavirus and public health responses. In March 2020, residents of cold, dense cities seemed at greater risk of contracting the airborne illness than those in more spread-out, temperate communities where people could spend time outside year-round.1 More persistent challenges are related to the rapid adoption of remote work technologies, which enable certain kinds of work to be done anywhere with a high-speed internet connection, and not necessarily in big-city downtowns dominated by what today are increasingly vacant office buildings.

In an increasingly hyper-polarized country, some of these dynamics intersected with partisan politics. Republican-led states such as Florida and Texas positioned themselves as refuges for movers seeking escape from “Covid lockdowns” in Democratic-led states. In response to these and other political factors, Elon Musk moved Tesla’s headquarters from Silicon Valley to Austin, Texas, and a prominent Chicago financier moved his hedge fund to Miami after his employees started working from a high-end hotel there during the height of the pandemic.

The housing market also played a role in fueling migration during this time. As more people worked from home, demand for homeownership rose, particularly for larger homes. For example, in San Diego County—which for many years had built little new housing—median home prices skyrocketed from $660,000 in January 2020 to $860,000 just two years later, according to Zillow. Prices also rose in more affordable, flexible markets, but much more modestly; in Houston over that same time, the median home price increased from $195,000 to $240,000.

My colleague William H. Frey was among the first to document significant migration away from big metro areas during the pandemic. His analysis of U.S. Census Bureau data showed accelerated domestic out-migration from large, coastal metro areas such as New York, Los Angeles, San Francisco, Boston, and Seattle between 2020 and 2021. Domestic in-migration, meanwhile, remained strong in Sun Belt metro areas such as Phoenix, Dallas, Tampa, Fla., San Antonio, and Raleigh, N.C. Frey’s subsequent analysis showed these trends moderated through 2022 and 2023 as the initial impacts of the pandemic subsided.

Even if they are temporary in some respects, these recent migration patterns could have lasting impacts. Richard Florida, for instance, points to the rise of “meta cities”—large U.S. metro areas distant from each other yet linked closely by the ties of remote work and Covid-era movers, such as New York and Miami (finance), the Bay Area and Austin (tech), and Los Angeles and Nashville, Tenn. (entertainment). The Economic Innovation Group chronicled a loss of high earners from major urban centers such as New York, San Francisco, and Washington, D.C. during the first two years of the pandemic. The home listing service Redfin, meanwhile, noted rising housing demand in affordable markets proximate to major metro areas (e.g., New Haven, Conn. outside New York; Richmond, Va. outside Washington, D.C.; Worcester, Mass. outside Boston), suggesting the growing prominence of hybrid (versus fully remote) work arrangements. How these dynamics play out could have significant implications for the economic and social health of cities, and for America’s urban hierarchy in the 21st century.

To better understand these dynamics, this report analyzes data from the Internal Revenue Service’s (IRS) Statistics of Income program on U.S. population migration at the county level. The data tracks individual income tax filers who changed addresses from one year to the next, and reports the number of tax filers moving between counties (a proxy for households), the number of personal exemptions among those filers (a proxy for individuals), and the total adjusted gross income reported on their returns (a proxy for household income). While the IRS migration data is only currently available through 2022 (versus 2023 in Census Bureau migration data), it has the advantages of tracking movements between specific counties and revealing something about the economic status of migrating households.2

This report uses the IRS county-level migration data to track movement before and after the pandemic’s onset among U.S. metropolitan areas, which are collections of counties that approximate regional economies and labor markets.3 The analysis assigns each county in the dataset to its corresponding metro area based on the latest Census Bureau metropolitan delineations.4 An important limitation of the IRS data is that it suppresses county-to-county flows of fewer than 20 tax filers to protect taxpayer privacy. In 2021-22, for instance, the data reflects a total of 7.6 million U.S. filers moving to metropolitan counties, with the source county indicated for 5.8 million of them. This means that the county-to-county data misses 1.8 million households (or 23% of all households) moving to metropolitan counties in 2021-22. Many of these households likely moved from small, non-metropolitan counties, but the flows among metro areas charted here inevitably miss moves occurring between smaller counties in metro areas of all sizes.

Despite this limitation, the IRS data is useful for answering basic questions about domestic migration and the possible impacts of the COVID-19 pandemic. Focusing on the nation’s metropolitan areas, this analysis specifically asks if and how the pandemic may have altered the:

Overall level of migration within and among metro areas

Key metropolitan origins and destinations of movers

Economic character of movers, and/or their sending/receiving communities

In general, the analysis confirms that the pandemic made an impact on metropolitan migration patterns, but also finds that these changes did not significantly alter the demographic or economic trajectory of metro regions. The analysis concludes with thoughts on the implications of these patterns as the economy returns to a “new normal” in the pandemic’s aftermath.