#William Gray

[80smovies]

[digitalprincesa101]

Jamesy Boy (2014) Dir. Trevor White

Photos by William Gray

[calistico]

I was looking through my notes and found my Days Gone x Control dream that I had written down a while back. Of course I wasn’t an active participant, it was more like a movie. So why not share it. If anyone turns this into a fanfic I will literally squeal

Story Below!

Characters: Deacon St. John, William “Boozer” Gray, and Langston

Deacon and Boozer were in this corporate (I presume the FBC) building, surprisingly there were no Freaks, instead it was the Hiss, and Deacon had these Fire and telekinetic powers, he started to fly around and taking them down and so did Boozer except he had metal powers and he was on the ground, AND he had both arms.

After a little bit of fighting, Deacon landed and felt the Oldest House doing a thing and then the ground caves in(?) and Boozer begins to fall through. Deacon, in a rush to catch him falls through too.

(I can’t really remember this part too well) but it seems like they fell through to a dark, abandoned room, and couldn’t make their way back the same way they came. The dark room looked like the Investigations Sector (AWE) but it was more open space.

So they moved forward in the sector, later they begin to fight the Hiss again, this time, Deacon was struggling. Out the corner of his eye, he sees a bomb-lookin’ thing, and he SCREAMED at Boozer to get away, as the thing was perched on a support beam for the upper level to investigations(?)

The bomb blew up. Deacon felt the blast-wave and was knocked back into the wall quite hard, he passed out on impact, and then was nearly buried under some rubble. When he woke up, he pulled himself from under and started to yell for Boozer, even though Deacon thought he was too close to the blast, and assumed the worst.

Eventually he found Boozer. Deacon sat on his legs (even though his body hurt, mainly his left arm, chest, and abdomen), shook Boozer wake, calling him. After what seemed like forever, Boozer woke up and got up from under the rubble. The first thing the older brother saw when he got up were the glassy eyes and worried face of the younger. (Yes Deacon canonically says he’s younger than Boozer in the “Lisa Ending”, that’s also how I pegged Deacon to be 20s to early 30s)

Turns out Boozer had scared Deacon. They talked and kept moving forward.

More fighting, this time Deacon was in the line of fire. Boozer, instead of saying anything rushed to push Deacon out the way of the oncoming debris from the Hiss Warped about to crush him. Deacon was pushed out the way and landed on his back, immediately flipping over onto his hands and knees.

Something was different, Deacon could feel an Object of Power near by but not Boozer’s presence. As he got closer to the ruble, what Boozer was underneath (again), as he got closer to the pile of debris. Deacon felt this wave of fear and nervousness, it was enough to make his hands and breathing shaky.

With a hint of hesitation, Deacon lifts the debris from off of Boozer and uses it as cover. Boozer gets up immediately but he has something on his head, that Deacon thought was VERY amusing.

Deacon made a noise that sounded like a cross between a chuckle and a wheeze. When Boozer(?) turned his head to look, Deacon had hid behind the debris, and desperately tried to muffle his laughter. Deacon got up on his knees and turned to see if Boozer was still looking, he wasn’t. Deacon called him. Boozer responded and tried to take off the mask and when he did... the mask had made a noise. Deacon burst out into a laughing fit. Boozer had given him the dumb look once he had gotten it off.

Deacon slowed to a stop in his laughing fit, and grabbed the Object of Power, which was the rubber chicken mask on Boozer, and cleansed it. They returned it to Langston.

WHAT A DREAM

And this is the (old) art that went with it. I should revisit this AU.

[movie-titlecards]

Prom Night (1980)

My rating: 6/10

This was obviously made before they decided that all the victims in a slasher movie should be irredeemable assholes - I was actually a bit upset when the fat kid and whatsherface got killed, they were cute together. There's generally a bit more depth to the characters (including the killer) than one might expect from the genre. Plus there's baby Jamie Lee Curtis disco dancing, if you enjoy that sort of thing.

[insearchofannwalker]

Ann's Mourning of Anne

Discover the ways Ann implicitly and explicitly mourned Anne Lister after her death in 1840. Read this new blog by Diane Halford

This blog seeks to show the ways in which Ann Walker explicitly and implicitly mourned her wife after her death in 1840. She would not have been able to grieve in the way we would expect a widow to do so due to the lack of acknowledgment and acceptance of the true nature of their relationship within wider society. These facts are based on primary resources found in the archives. Anne’s Death and…

[mariocki]

Black Moon Rising (1986)

"Mr. Quint and I go back a ways. We used to be... what, in competition?"

"I never considered you competition, Marvin."

"Aw, that's not nice, Quint. We had our moments."

"You must've had yours in private."

[build-a-problem-musical]

@tobyflollops Theo is actually a very eloquent boy and a pretty adequate narrator of his own feelings, but post-canon, he refuses to communicate the feelings he’s convinced he’s bad for having…I raise you William as his narrator.

brooding men who cannot communicate their feelings if their life depended on it are only hot when they're fictional. if i have to deal with one in real life i will curse him and pray for his downfall every night before i go to bed

[build-a-problem-musical]

oh and can you give a breakdown on each characters aesthetic and what their vibe is?

Hmm...let's break down the running threads in major aesthetic tags:

Emma: flowers, the sea and the sun (maybe in reference to some lines from "Sul finale" by Ultimo—E poi d'inverno, voglio indietro il mare / Ma poi d'estate non mi basta il sole—And then in winter, I want the sea back / But then in summer, the sun is not enough for me; this is the kind of thing Celeste thinks about her), deer, natural landscapes

Celeste: cats (aloof at times, but caring with the right people); stars, galaxies, and the moon; storms; mist and fog (as a nod to her possible DPDR); art; circuits, fasteners, and mechanical things; Maia Reficco; on occasion, Sadie Sink

Theo: natural landscapes (sometimes with Emma's brightness, other times, subdued like his brother William), the sun, storms, stars, deer (possibly in reference to "Litany in Which Certain Things Are Crossed Out": "Inside your head, you hear a phone ringing, and when you open your eyes, only a clearing with deer in it. Hello deer."), coziness, domesticity (with Miranda), sketches, circuits and mechanical things

William: subdued natural landscapes, coziness

Elaine: pastries (she has some undefined role at a bakery called HappySprinkles), elegance, flowers

Miranda: elegance, classical music, academia, cities and apartments, domesticity (with Theo), flowers

Starless Sky AU: bleak, empty landscapes, especially snowy ones; cemeteries

Stars Restitched AU: anything hopeful about life

[80smovies]

[build-a-problem-musical]

2: Emma and Theo

3: William

4: Emma

5 and 6: Emma and Theo

7: Theo

Whumpee who cries.

Whumpee who cries in great, violent, racking sobs that shake their whole chest.

Whumpee who cries silently, tears rolling down their face as they refuse to move of make a sound.

Whumpee who hugs themself and curls into a ball as they cry.

Whumpee who cries so hard for so long their whole face and head hurt.

Whumpee with eyes that are bloodshot from crying, and their face is sticky with tears.

Whumpee who cries until they can’t cry any more, only twitching and making little sobbing noises while no tears come.

[wuntrum]

2025 horror pin up calendar!!

print version | digital (/print it yourself) version

a labor of love, truly <3 prepare for the new year with 12 suggestive (and silly) horror characters :) featuring characters from: american psycho, bride of re-animator, the evil dead, hannibal, jason x, frankenhooker, alien, an american werewolf in london, jennifer's body, saw, the thing, and scream! to see the full specs of the calendar, check out the pages above!

[pierppasolini]

Big Guns (1987) // dir. William Higgins

[build-a-problem-musical]

Emma had three identical stuffed rabbits in rotation; they shared the name Gwendolyn. She also had collectible playsets where she’d act out elaborate storylines with Celeste.

Celeste herself did not have any toys that could hold her attention (no one knew what she wanted and just gave her overly simple toys to keep her from screaming in frustration if she couldn’t figure it out) until she became aware of snap circuits at some point between ages 5 and 7 and asked for them.

Thomas seems like he’d have been into action figures, but he’s always cared more about sports.

Theo and William had stuffed dragons in light blue and red with gold respectively.

What was your OC’s favorite toy as a child?

[kibby-reaper]

the crown spectrum

- mod kibby

[demonkitty-toebeanz]

"I actually met the original artist and she wrote a song about me😌💅🏾y'all are fake fans!!!"- Coriolanus snow probably

[build-a-problem-musical]

William, on Theo:

Here is your brother. He is turbulent, but he is yours. He stares at you with eyes that are far too wide. You are just a boy on the same ground he stands on. That won’t stop you from wanting to give him everything. You need to clear his poor stormy head, to shake the rage and the shame away. He does not listen to reason. Your touch can do nothing. He is much too proud, too certain he can take away your choice to love him. You won’t let him even if staying will tear you up.

Theo, on William:

Here is your brother. He is better than you’ll ever be. You are explosive, weak, undeserving. You are rain and you are a storm; he is the unfailing sun and he somehow thinks you are worth his effort. You know better. He would be happier without you. You scream at him that you don’t want his hands over yours, that you need your fists to hold the thunder over your head well past the point that your arms tire. He tells you it hurts; though you don’t want that, it has to get worse first and he will have to go eventually. He stays. He stays and he stays and he has tried to sit with you through all your episodes. You want to be better. You want to contain yourself so you don’t hold him back. He has friends and he has wants and he cannot put them all down to tend to you. You have tried not to be selfish. You have tried and you have failed. He will never let you remove yourself from the equation of communion. He loves you and you know it will ruin him.