#William Gray

[80smovies]

[calistico]

I was looking through my notes and found my Days Gone x Control dream that I had written down a while back. Of course I wasn’t an active participant, it was more like a movie. So why not share it. If anyone turns this into a fanfic I will literally squeal

Story Below!

Characters: Deacon St. John, William “Boozer” Gray, and Langston

Deacon and Boozer were in this corporate (I presume the FBC) building, surprisingly there were no Freaks, instead it was the Hiss, and Deacon had these Fire and telekinetic powers, he started to fly around and taking them down and so did Boozer except he had metal powers and he was on the ground, AND he had both arms.

After a little bit of fighting, Deacon landed and felt the Oldest House doing a thing and then the ground caves in(?) and Boozer begins to fall through. Deacon, in a rush to catch him falls through too.

(I can’t really remember this part too well) but it seems like they fell through to a dark, abandoned room, and couldn’t make their way back the same way they came. The dark room looked like the Investigations Sector (AWE) but it was more open space.

So they moved forward in the sector, later they begin to fight the Hiss again, this time, Deacon was struggling. Out the corner of his eye, he sees a bomb-lookin’ thing, and he SCREAMED at Boozer to get away, as the thing was perched on a support beam for the upper level to investigations(?)

The bomb blew up. Deacon felt the blast-wave and was knocked back into the wall quite hard, he passed out on impact, and then was nearly buried under some rubble. When he woke up, he pulled himself from under and started to yell for Boozer, even though Deacon thought he was too close to the blast, and assumed the worst.

Eventually he found Boozer. Deacon sat on his legs (even though his body hurt, mainly his left arm, chest, and abdomen), shook Boozer wake, calling him. After what seemed like forever, Boozer woke up and got up from under the rubble. The first thing the older brother saw when he got up were the glassy eyes and worried face of the younger. (Yes Deacon canonically says he’s younger than Boozer in the “Lisa Ending”, that’s also how I pegged Deacon to be 20s to early 30s)

Turns out Boozer had scared Deacon. They talked and kept moving forward.

More fighting, this time Deacon was in the line of fire. Boozer, instead of saying anything rushed to push Deacon out the way of the oncoming debris from the Hiss Warped about to crush him. Deacon was pushed out the way and landed on his back, immediately flipping over onto his hands and knees.

Something was different, Deacon could feel an Object of Power near by but not Boozer’s presence. As he got closer to the ruble, what Boozer was underneath (again), as he got closer to the pile of debris. Deacon felt this wave of fear and nervousness, it was enough to make his hands and breathing shaky.

With a hint of hesitation, Deacon lifts the debris from off of Boozer and uses it as cover. Boozer gets up immediately but he has something on his head, that Deacon thought was VERY amusing.

Deacon made a noise that sounded like a cross between a chuckle and a wheeze. When Boozer(?) turned his head to look, Deacon had hid behind the debris, and desperately tried to muffle his laughter. Deacon got up on his knees and turned to see if Boozer was still looking, he wasn’t. Deacon called him. Boozer responded and tried to take off the mask and when he did... the mask had made a noise. Deacon burst out into a laughing fit. Boozer had given him the dumb look once he had gotten it off.

Deacon slowed to a stop in his laughing fit, and grabbed the Object of Power, which was the rubber chicken mask on Boozer, and cleansed it. They returned it to Langston.

WHAT A DREAM

And this is the (old) art that went with it. I should revisit this AU.

[insearchofannwalker]

Ann's Mourning of Anne

Discover the ways Ann implicitly and explicitly mourned Anne Lister after her death in 1840. Read this new blog by Diane Halford

This blog seeks to show the ways in which Ann Walker explicitly and implicitly mourned her wife after her death in 1840. She would not have been able to grieve in the way we would expect a widow to do so due to the lack of acknowledgment and acceptance of the true nature of their relationship within wider society. These facts are based on primary resources found in the archives. Anne’s Death and…

[mariocki]

Black Moon Rising (1986)

"Mr. Quint and I go back a ways. We used to be... what, in competition?"

"I never considered you competition, Marvin."

"Aw, that's not nice, Quint. We had our moments."

"You must've had yours in private."

[lxxse-cannxn]

↳✦║ WILLIAM ‘BOOZER’ GRAY

"Survinin'- isn't livin'. Doesn't matter when you hit the road, where you're headin' out to, but you damn well better know where you're comin' home to."

X X X / X X X / X X X 

◤PSD◢

Requests are open!

[montrealmagique]

Place Jacques-Cartier

Vieux-Montréal

[kittycatlukey]

A screenshot I took earlier of Deek🤍🥺

[ome-magical-ramblings]

Recursive Magical Formula, Great God ABLANATHANALBA, and Lotus Sutra

Recursive magical formula or structure is when the magical formula, concep, or symbol repeats it's process inside of itself. Like a function calling itself in programming to compute a value. Here is the same idea employed in these three separate occasions.

In Chapter 11 of Lotus Sutra a Jeweled Stupa appears and inside of it is another buddha praising the Lotus sutra, but the that would be "self-referential". Prabhūtaratna appear in chapter 1 1 but goes back in chapter 22 back to the Stupa. The problem is that we are Assuming that the Lotus sutra was mentioned the first time, or even if we trace the Lotus sutra to the first time it was mentioned Prabhūtaratna would appear and praise the sutra before it was even told...

If we look at the common Formula in Greek Magical Papyri, ABLANATHANALBA. ( ΑΒΛΑΝΑΘΑΝΑΛΒΑ ) It is a very interesting Formula that's palindromic in nature. Using Isopsephy it shows the "nature" of this name. I Used Kieren Barry's Greek Qabbalah for this.

1+2+30+1+50+1+9+1+50+1+30+2+1 = 179

1 7 9 Divine-Venus-Moon

179 Activity, effect ( ε ν ε ρ γ ε ί α )

ΑΒΛΑΝΑ Θ ΑΝΑΛΒΑ

85 9 85

13 9 13 4 9 4

We can say the astral body is Lunar, and the mental-physical body is Jovial.

9 in greek gematria is Γεα(Gaea/Earth's Soul)

85 is To Know( οίδα ) and Life(ζοη)

13 is Strength, force (βία)

ΑΒΛΑΝΑ and ΑΝΑΛΒΑ would be two different modality passive/active form of it in a sense.

Using Jean Dubuis's meaning of hebrew letters, I know it is a big jump here from Isopsephy to using Gematria but I wouldn't have used it if it didn't have an interesting concept in it. Also because even in Betz's translation the formula was considered "Hebrew".

The first name(ΑΒΛΑΝΑ ) would be Primordial Consciousness Air/Energy - Container/action/channel - Learning/Extension/Omnipotence - Energy/Air - Reflection/Passivity - All potential

Th would be Teth Goodness, Female Energy, Refuge, Strength balancing of Empress/Emperor.

The Second name(ΑΝΑΛΒΑ) All potential - Reflection/Passivity - Primordial Air - Balance - Channel - Primordial Consciousness

The name is of "god of this world" It is used for Abraxas, and for other operations but in a way it's not necessary they're part of each other/ not a one-to-one mapping to each other. In Betz's PGM translation, the name is mentioned as "most common in magic lit, this magical name has not been adequately explained although it has boon suggested that the name contains Hebrew" The name itself is used for protection, for revelation, for divine invocation, prayers, vision, compulsion, spell, favor and victory charm, prosperity, money, sending dreams, love spells.

My own analysis of the name would be (1) ΑΒΛΑΝΑ , The primordial divine is channeled and balanced through the mouth, passively the operator and the universe vibrate in resonance. (2) Θ , The force/vibration take refuge resonate WITHIN the person. (3) ΑΝΑΛΒΑ, The resonance BURST forth out of the UNIVERSE back into the operator where the consciousness is transformed, balanced, channel(inside), and integrated in the consciousness of the operator

The Formula is for vibrating divine names, as per Mather's original instructions of Vibratory formula. This takes back to our concept of recursion. Here the Formula reference how a formula is to be vibrated. If the formula is vibrated then you're vibrating the concept of vibrating a divine name. was this a handicap or a way to assist people who didn't know how to vibrate names to carry the concept of lack of actual practice. The Formula is a symbolic representation of vibration to help activate Vibration when there's lack of. The hidden aspect of this formula is...if you vibrate it, properly then what happen? this is up for more experimentation and study.

Lastly, the master symbol or the God+Man symbol From William Gray's Magical Ritual Methods. On page 53 of the book, and on a graphic desgin by Candlehawk from Temple of Solomon discord server. The recursion in this ritual is that you if you use it in your LBRP-style rituals it will recreate a miniature symbol of the WHOLE of LBRP in each direction. The four blue lines are cardinal directions, the white lines are reference to the line from Kether to Malkuth(QBL cross, "above me and below me shine the holy hexagram") and the green line connect the two elements in relation to each other, Fire-Air Water-Earth. The person himself doing the ritual in the center, thus if you think about it there's a symbolic representation of the ritual in each direction, and this "master symbol" is created by drawing a pentagram from bottom left and an inverse pentagram from top right hand.

In Conclusion, the idea of recursion, exist in magical rituals, texts, and symbols. Surprisingly they're not expounded on a lot because...reasons. I hope that this post of 3 magical recursion that seems like 3 topics that have no relation at all between the three encourage discussion and people to think about them. Sources: The Lotus Sutra, Revised Second Edition - BDK America

The Greek Qabalah: Alphabetical Mysticism and Numerology in the Ancient World

by Kieren Barry

The Fundamentals of Esoteric Knowledge: An Introductory Course And Qabbalah's Course

By Jean Dubuis

Magical Ritual Methods by William G. Gray The Greek Magical Papyri in Translation: Including the Demotic Spells: Texts by Hans Betz

[build-a-problem-musical]

2: Emma and Theo

3: William

4: Emma

5 and 6: Emma and Theo

7: Theo

Whumpee who cries.

Whumpee who cries in great, violent, racking sobs that shake their whole chest.

Whumpee who cries silently, tears rolling down their face as they refuse to move of make a sound.

Whumpee who hugs themself and curls into a ball as they cry.

Whumpee who cries so hard for so long their whole face and head hurt.

Whumpee with eyes that are bloodshot from crying, and their face is sticky with tears.

Whumpee who cries until they can’t cry any more, only twitching and making little sobbing noises while no tears come.

[80smovies]

[build-a-problem-musical]

William, on Theo:

Here is your brother. He is turbulent, but he is yours. He stares at you with eyes that are far too wide. You are just a boy on the same ground he stands on. That won’t stop you from wanting to give him everything. You need to clear his poor stormy head, to shake the rage and the shame away. He does not listen to reason. Your touch can do nothing. He is much too proud, too certain he can take away your choice to love him. You won’t let him even if staying will tear you up.

Theo, on William:

Here is your brother. He is better than you’ll ever be. You are explosive, weak, undeserving. You are rain and you are a storm; he is the unfailing sun and he somehow thinks you are worth his effort. You know better. He would be happier without you. You scream at him that you don’t want his hands over yours, that you need your fists to hold the thunder over your head well past the point that your arms tire. He tells you it hurts; though you don’t want that, it has to get worse first and he will have to go eventually. He stays. He stays and he stays and he has tried to sit with you through all your episodes. You want to be better. You want to contain yourself so you don’t hold him back. He has friends and he has wants and he cannot put them all down to tend to you. You have tried not to be selfish. You have tried and you have failed. He will never let you remove yourself from the equation of communion. He loves you and you know it will ruin him.

[build-a-problem-musical]

Emma had three identical stuffed rabbits in rotation; they shared the name Gwendolyn. She also had collectible playsets where she’d act out elaborate storylines with Celeste.

Celeste herself did not have any toys that could hold her attention (no one knew what she wanted and just gave her overly simple toys to keep her from screaming in frustration if she couldn’t figure it out) until she became aware of snap circuits at some point between ages 5 and 7 and asked for them.

Thomas seems like he’d have been into action figures, but he’s always cared more about sports.

Theo and William had stuffed dragons in light blue and red with gold respectively.

What was your OC’s favorite toy as a child?

[pierppasolini]

Big Guns (1987) // dir. William Higgins

[kittycatlukey]

My screenshots of Deek🏍️🧟🫶

[wuntrum]

2025 horror pin up calendar!!

print version | digital (/print it yourself) version

a labor of love, truly <3 prepare for the new year with 12 suggestive (and silly) horror characters :) featuring characters from: american psycho, bride of re-animator, the evil dead, hannibal, jason x, frankenhooker, alien, an american werewolf in london, jennifer's body, saw, the thing, and scream! to see the full specs of the calendar, check out the pages above!

[build-a-problem-musical]

Elaine has some undefined position or other at a cupcake store called HappySprinkles; we learn at one point she's applying to be in charge of its business planning. At the suggestion of @stayinggoldforpony, James is a teacher. Miranda is a pianist-flutist in a band.

None of the teens work currently, but here are some careers I'd imagine them having:

Emma would make a good speech-language pathologist.

Celeste goes into civil engineering.

The Gray brothers might both be biomedical engineers, but if Theo decides on something else, he'd be a child psychologist and/or writer.

What’s your OC’s occupation?