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hurtcomfortguaranteed · 3 months ago

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In Crossbow 2x03, Mathew is caught in a savage trap that spears him to a tree. William works to comfort his distressed son, and get him out of it.

#whump #caregiver #worry #angst #impaled #trapped #crying #scared whumpee #lots and lots of pain #poor Mathew #father son whump #will lyman #david barry gray #crossbow 1987 #hurt/comfort

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davidwarnercorner · 1 month ago

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Hostile Takeover (1988), starring David Warner, Kate Vernon, Michael Ironside, Jayne Eastwood, and Will Lyman (Youtube Link).

This is the first obscure David Warner movie I'm reviewing! Not the first one I've watched, but the one that made the biggest impression on me so far. I genuinely liked it and would recommend it (the only downside is that the only versions I can find online are VHS rips with not the highest video quality).

The premise: Eugene Brackin (David Warner), a disaffected, repressed office worker at a local power plant, takes three of his coworkers—Larry Gaylord (Michael Ironside), Sally Laird (Kate Vernon), and Joan Talmudge (Jayne Eastwood)—hostage, but makes no specific demands. Outside, local police chief Smolen (Will Lyman) tries to diffuse the situation without resorting to violence.

The sets are limited: most of the action takes place either in the office or just outside of it (it would probably make for a good stage adaption). Hostile Takeover is a character driven story about what it takes for someone to crack and what happens when they do. It engages with ideas about modernity, alienation, and longing; interwoven throughout are references to the T.S. Eliot poems "The Hollow Men" and "The Love Song of J. Alfred Prufrock" (and maybe others that I didn't pick up on). Whatever you make of it, this movie was trying to say something about modern life.

(More under the cut because this gets long. Spoilers below.)

Reviews

Reviews for Hostile Takeover are mixed, but I'm going to defend it a bit. Is it a perfect movie? No. But I think the experience suffers if you come into it with the idea that this is a true horror film, when really it's a psychological thriller. There are two brief scenes where there's a lot of dramatic blood, but those make up maybe half a minute of the total 90. There are tense, suspenseful moments, but I'm quite a coward when it comes to horror and this didn't bother me.

A lot of other online reviews call it a "Thanksgiving horror movie," and I'm not sure how this category got attached to it. It came out in December 1988, so it can't be based on release date, and Thanksgiving is never mentioned, we only see that it's autumn. Maybe it's because the movie was released in some countries under the title Office Party and the fact that it starts on a day when people would normally be out of office, like for a holiday (admittedly, I thought it was just a weekend).

Characters

All the central characters in this are interesting in their own ways and get their own moments of backstory, but the ones I want to talk about most are Eugene, Sally, and Smolen.

Eugene - a man who is frustrated enough to take his coworkers hostage but also polite enough to demand that the police bring dinner for them and repeatedly says he doesn't want to actually hurt anyone. David excels at playing characters that are a bit angsty and not quite satisfied with themselves, and Eugene fits that mold.

We're never explicitly told why he did what he did, but it's not that hard to infer. Eugene is a shy middle-aged man who lives alone in a tiny apartment, has nothing better to do than come in to his meager-paying job on an off day, and is maybe a little infatuated with his younger female coworker but is too restrained (and too self-conscious?) to pursue her even when she shows interest. He seemingly followed the "right" path for the 20th-century man and yet still feels his life is hollow. He insists that he's not a crazy, "psycho-type," he only wants to be perceived that way so he'll be sent to a hospital in the end, presumably because he wants to escape it all.

I wouldn't pick up a gun about it, but I can understand his despair. The loneliness and alienation he feels (and, on the other hand, the obsession some of his other coworkers have with money and power) are predictable side effects of the capitalist hellscape we live in.

...Moving away from that, let's talk about how hot David is in this. Some of that may be down to my personal preferences: I'm a sucker for stressed-out businessmen and the role that made me notice him for the first time was Sark/Ed Dillinger in TRON. But here...the suspenders with the gun holster. Him walking around with his tie loose. Being 1988, he'd started going grey and late 80s-early 90s David is peak dilf for me, the silver streaks in his bangs and at the temples make me feral. It's no wonder the next character, Sally, wanted him.

Sally - some Letterboxd reviews were very negative to Sally, saying that she's actually the most unsympathetic character and that she manipulates and seduces Eugene. I disagree, though I may be biased because if I were in her situation, I'd probably (want to) act the same. Textually, though, I think there is some support for my interpretation.

In her introductory scene, we see her walk into the office and immediately flirt with him. It didn't seem like she was doing it to mock him—she's also the only one (I think?) to call him "Gene" instead of his full name, which implies some fondness. We later learn that Sally is attracted to power, and she comments about how powerful Eugene is in his newfound position as hostage-taker, but let's remember that she was interested in him from her first scene, before there was any hint of anything being different that day. We also see that she previously attempted to "sleep her way to the top," but that it didn't work for her and she's bitter about the whole thing.

People also seem to think her affection towards him was just in service of self-preservation, but by the end she doesn't even seem to care about that anymore. She says to him, "you can still get away if you use me as a shield...you're loving and honest and kind, you don't have to die for this, Gene!". You could argue it's some kind of Stockholm Syndrome situation, but imo she seems to be basing this on experience beyond just the last two days spent in the office.

Also, like, is it really so hard to believe that she might genuinely be into him? Some people are just into dilfs and that's okay! It's normal! Us dilf-fuckers deserve the representation and Sally is great! She hates her asshole boss and wants the old man dick, she's just like me fr.

Unfortunately (spoilers), she doesn't get her tropical beach vacation ending with Gene and instead has to watch him die. And she'll have to live with that memory. It's all the more tragic because there are hints that their relationship could have worked if they had been able to open up to each other under different circumstances. As Smolen says, "what a fuckin' waste."

Smolen - there's more to this guy than initially meets the eye. He looks like the total opposite of Eugene, a stereotypical jock, but as the story progresses, parallels are drawn between the two. Someone even accuses him of holding the rest of the police force hostage because he won't let them go in guns blazing. He also takes the time to try to understand Eugene; he's the one who figures out the poetry connection. Eventually (spoilers), he ends up being the one to kill him and, though this is probably an artifact of the bad VHS quality, it looked like there was a trickle of blood running down his own forehead. In the end, both of them were forced into violence they didn't want.

Connections

Random connections I made while watching the movie, kind of like a trivia/fun facts section I guess?

Eugene reminded me a lot of D.B. Cooper. All these years later, we still don't know who he really was or why he hijacked that 727 on Nov. 24, 1971 (now that'd be a Thanksgiving movie!). What we do know was that he was middle-aged, polite to the crew, and had an unspecified "grudge."

One of the T.S. Eliot poems the movie references is "The Love Song of J. Alfred Prufrock," a stanza of which goes like this:

No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous— Almost, at times, the Fool.

This part is not quoted in the movie, but it hit me kind of hard considering this context: David played Hamlet on stage in 1965, but it'd been almost 25 years since then when Hostile Takeover was made, and he was in the middle of being in a bunch of random B-movies. It also makes me think of when he was asked, around the time TRON came out, about playing so many villain roles and what he'd like to be in next, and he said something like "I'd like a romantic comedy." And then he...didn't get that? Ever? At least not as a lead. I...yeah. He does at least get the girl in this one! Briefly!

Conclusion

Should you watch this movie if you're a David Warner liker? Definitely. Should you watch this movie otherwise? At least give it a try. I didn't know where else to mention it but the soundtrack also stood out to me, it's very 80s but still good. The way they incorporated the popping and clanging sounds the heaters inside the building make into the music...banger.

I'll be posting some gifs from the movie soon. If you do watch this, or have watched it, please let me know what you thought....am I getting it all wrong? Are you team Sally?

Youtube Link Here. This is to a different or upscaled version than the one I watched. I only found it after I took all the screenshots and did all the gifs. My loss is your gain...?

#hostile takeover (1988)#david warner #david warner (actor)#kate vernon #michael ironside #jayne eastwood #will lyman #80s movies #dwc reviews #if you made it this far and read the whole thing thank you omfg #I honestly could say more but this is long enough lmao #also I'm not good at poetry analysis so I'll leave most of that for someone else lol #hopefully this is interesting?#if not. have some pics of david warner at least

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hollygl125 · 7 months ago

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Allison Janney, Rob Lowe, Janel Moloney, Richard Schiff, Martin Sheen, John Spencer, and Bradley Whitford in THE WEST WING (1999-2006), “Post Hoc, Ergo Propter Hoc” (01x02)

After it, therefore because of it. It means one thing follows the other, therefore it was caused by the other. But it’s not always true. In fact, it’s hardly ever true.