#White Tara Thangka

[jptattooart]

White Tara Thangka . . . #thangka #thangkatattoo #tangka #thanka #WhiteTara #ommanipadmehum #buddhism #asianinkandart #instattoo #instatattoo #tattoodaily #worldoftattoo #tattoohk #hktattoo #hongkongtattoo #唐卡 #紋身 #刺青 #佛 #白度母

[tibetanthangkapaintings]

Constantly apply cheerfulness, if for no other reason than because you are on this spiritual path. Have a sense of gratitude to everything, even difficult emotions, because of their potential to wake you up.

~ Pema Chödron

[irithnova]

Thangkas I got from the UK based charity Tibet Relief Fund (only ship to UK unfortunately)

Top: Om mani padme hum thangka

Bottom: White Tara thangka

[sacredartofnepals]

White Tara Thangka Painting

TheWhite Tara Thangka Paintingcan be one of the exclusive paintings carrying the true blessings of the Female Lord. The Goddess has seven eyes, and it’s believed she can visualize human conflicts and sufferings. ‘Tara’ signifies the power to save; she is the Goddess who helps people get rid of their sufferings. Life thus becomes easy and you will prefer installing the nice thangka paintings.

[talonabraxas]

Green Tara (Goddess of compassion)

Talon Abraxas

Green Tara possesses the immense power of a divine being and the immense opulence of a divine being, as well as all of these precious jewels, which she can use to alleviate the suffering or poverty of all living things. She has a crown ornament that resembles a hat on the crown of her head, and a red figure is in the very center of that. The Buddha Amitabha, who is always red in color, is represented by that red figure at the very center of the reddish halo around her head. Green Tara signifies the energy winds of the body and breath, as well as the element of a Buddha that protects us from fear. Tara's influence is our ability to act, to move through life and to achieve our goals. Her name literally means "woman who ferries across."

Types of Green Tara

We can find ten different types of green tara on the basis of their symbolism, appearance, mudra, and iconography, each Tara is distinct from the others.

Khadiravani Tara Vasya Tara Arya Tara Mahatarri Tara Mahasri Tara Varada Tara Durgottarini Tara Dhanada Tara Jahguli Tara Parnasaban Tara Khadiravam Tara

In the Sadhansmala, Khadiravani Tara is depicted as being green and holding the Utasla on the left and the varada mudra on the right with two hands. She can be recognized by the presence of Asokakanta Marici and Ekajata. On her crown, she has Amoghaslddhi's image.

Vasya Tara

The European style of sitting known as Bhadrasana is Vasyatara's signature pose. She is, however, described as being single, and as such she is not accompanied by any gods or goddesses. She is portrayed by the Khadiravani class accompanied by Taras.

Arya Tara

This form of Tara is distinguished by the fact that she sits in the Ardhaparyahka posture and like Vasyatara she is completely alone. Vasyatara is said to have another name for Arya Tara. In the Ardhaparyahka posture, she is seated alone. She is green and has two arms.

Mahattari Tara

Mahattari Tara is distinguished by the Vajraparyahka posture in which she sits, as well as by the fact that she is represented alone. Mahattari Tara is a green goddess.

Mahasri Tara

Mahasri Tara is depicted as sitting on a golden throne that is covered in a variety of flowers. She has one face and two heads that are in the Vyakhyana Mudra. She wears ornaments and a crown with an image of Amoghasiddhi on it. Ekajata is seated in the ardhan pose and carries an angry face with a swelling abdomen. She holds the kartri and the kapala in her two arms and wears a dress made of tiger skin. Arya, jahguli is to the left of Mahasri Tara, Asokokanta, and Mahamayuri are to the right. Her green color comes from the Dhyani Buddha Amoghasiddhi.

Varada Tara

Varada Tara sits in the Ardhaparyanka position like Aryatara however she can be effortlessly perceived by the presence of four goddesses Asokakanta Marici, Mahamauri, Ekajata, and Janguli.

Durgottarani Tara

Durgottarini Tara has a green complexion, sits on a lotus, and wears white clothing. She has four arms, and the first pair of her hands are used to hold a noose and a goad. The second pair of her hands are used to show the Varada mudra and the lotus.

Dhanada Tara

Wealth Granting Tara is another name for Dhanada tara. Her second right hand is holding a rosary, and her first right hand is making the ultimate gesture of generosity. Utpala and a book are held in her two left hands. She has an animal as her Vahana, is accompanied by eight goddesses named after the eight vowels in her mantra, and her crown features an image of Amoghasiddhi. She sits in the sattva posture and is adorned with jewels and silks. She is surrounded by eight other Taras of varying hues and appearances, in addition to the four guards at her palace's entrances.

Jahguli Tara

Jahguli Tara can be yellow, white or green depending on where it comes from in Aksobhya. She carries the Trisula, the peacock's feathers and a snake in three of her hands when she is green, and she performs the Abhaya mudra with the fourth hand.

Parnasaban Tara

Parnasaban comes in different forms and colors. Some of them are as follows:

Parnasaban (green parnasaban)

When Parnasaban is green, it is emitted by Amoghasiddhi.

Parnasaban (yellow parnasaban)

Aksobhya is represented by Parnasaban in its yellow form. Parnasaban is typically three-faced and six-armed, but may have four arms in rare cases. The green variety is unique in that all three faces depict irritated smiles.

[sidewalkchemistry]

Thangkas of White Tara, Guru Rinpoche, Shakyamuni Buddha, and Chenrezig

"...the Peony has long been a deeply significant flower for Chinese culture (cultivated all the way back to 900 BC), and it’s also commonly known to the Chinese as the "Flower of Riches and Honor." It is common to see Peonies in paintings, ceramics and other household items in Asia.

Aside from the Lotus flower it is one of the most common flowers painted as a sacred offering flower in thangkas, or Tibetan paintings. It is commonly seen in Chinese, Korean and Japanese art as well."

[hindulivesmatter]

I was browsing on internet looking at bodhisattva tara painting from nepal and tibet. I mistakingly the painting of parvati and shiva as bodhisattva tara and avalokitesvara. Even in tibetan thangka i mistakingly see saraswati as bodhisattva tara just because both of them have white skin

Their paintings and sculptures are always so pretty aahhhhhh.

I recently went to Sikkim last year, and we visited multiple monasteries and I think it was my favorite part of the whole trip. The colors, the incense, the serenity. Love it all.

[lamathanka]

According to Vajrayana Buddhism Tara is completely enlightened Buddha who made a promise in the distant past that after reaching complete enlightenment she would always appear in the form of a female for the benefit of all beings. White Tara’s special function is to promote long life both for practitioner and for the others. Her practice means for attaining realization and accomplishing liberation.

White Tara is usually portrayed seated, dressed and crowned like Bodhisattvas. And sometimes she is regarded as Saptalochana or Seven eyes Tara. Extra Eyes on forehead, palm and feet and lotus flower at the one of her shoulder. She is related in Vajra posture, white in color and peaceable manifestation.

#mother #compassion #buddha #enlightenment #buddhahood #nirvana #himalayan #art #thangka #whitetara #tara #dolma #saptalochana #seveneyes #bodhisattva #bodhicitta #thankapainting #lamathankapaintingschool

[yunahandicrafts7890]

https://yunahandicrafts.com/product-category/tibetan-thangka-paintings/green-tara-white-tara-thangka-paintings/

[luckythanka]

✨May the compassionate and healing energy of White Tara guide and protect us on our journey towards inner peace and well-being. 🙏🌸 #WhiteTara #ThangkaPainting #BuddhistArt #Compassion #HealingEnergy #thangka #thangkaart #buddha #buddhateachings #dhamma #prajna #wisdom #compassion #nonduality #awakening #innerself (at Nepal) https://www.instagram.com/p/CqICrcOPE8E/?igshid=NGJjMDIxMWI=

[nununiverse]

Large White Tara Painted Thangka, Dharamshala School, Mid-20th Century, India

[jptattooart]

White Tara Thangka . . . #thangka #thangkatattoo #tangka #thanka #WhiteTara #ommanipadmehum #buddhism #asianinkandart #instattoo #instatattoo #tattoodaily #worldoftattoo #tattoohk #hktattoo #hongkongtattoo #唐卡 #紋身 #刺青 #佛 #白度母

[tibetanthangkapaintings]

When you feel kindness and compassion toward all beings as if they were your own mother and understand their suffering, you will be blessed by the Bodhisattvas, and the experience of their blessings will be born in your mind. ~ Chogye Trichen Rinpoche

[divinum-pacis]

Om Tare Tu Tare Ture Mamaayuh Punya Janan Pustim Kuru Svaha

This Thangka is handpainted by the Nepali Thangka Artist from Bhaktapur, Nepal.

White Tara is peaceful deity sitting in vajra posture above a moon disc and lotus seat she is surrounded by a nimbus of various coloured rings and with pink lotus blossoms.

White Tara’s body is made of light. Transparent, it appears and yet is intangible, like a rainbow, mirage, or illusion.

In this way, her body represents the compatibility of the two truths conventional and ultimate. On the conventional level, she appears and exists.

White Tara conventionally appears, like an illusion, but ultimately cannot be found and is empty of an inherent essence.

She is the goddess of Increase Life and Wisdom. It is believed that White Tara is associated with Avalokitesvara, the god of compassion, and considered his female counterpart.

[sacredartofnepals]

Lord Buddha Thangka Paintings Bring The True Peace Of Mind

The thangka paintings featuring the life of Lord Buddha come up as unique pieces to decorate your interiors. There are different types of thangka paintings, and it’s easy to choose the one that improves the overall ambiance of your place. Sacred Art of Nepal brings a stunning collection of thangka art, making it easy to find the best one.

[talonabraxas]

Green Tara (Goddess of compassion)

Talon Abraxas

Green Tara possesses the immense power of a divine being and the immense opulence of a divine being, as well as all of these precious jewels, which she can use to alleviate the suffering or poverty of all living things. She has a crown ornament that resembles a hat on the crown of her head, and a red figure is in the very center of that. The Buddha Amitabha, who is always red in color, is represented by that red figure at the very center of the reddish halo around her head. Green Tara signifies the energy winds of the body and breath, as well as the element of a Buddha that protects us from fear. Tara's influence is our ability to act, to move through life and to achieve our goals. Her name literally means "woman who ferries across."

Types of Green Tara

We can find ten different types of green tara on the basis of their symbolism, appearance, mudra, and iconography, each Tara is distinct from the others.

Khadiravani Tara Vasya Tara Arya Tara Mahatarri Tara Mahasri Tara Varada Tara Durgottarini Tara Dhanada Tara Jahguli Tara Parnasaban Tara Khadiravam Tara

In the Sadhansmala, Khadiravani Tara is depicted as being green and holding the Utasla on the left and the varada mudra on the right with two hands. She can be recognized by the presence of Asokakanta Marici and Ekajata. On her crown, she has Amoghaslddhi's image.

Vasya Tara

The European style of sitting known as Bhadrasana is Vasyatara's signature pose. She is, however, described as being single, and as such she is not accompanied by any gods or goddesses. She is portrayed by the Khadiravani class accompanied by Taras.

Arya Tara

This form of Tara is distinguished by the fact that she sits in the Ardhaparyahka posture and like Vasyatara she is completely alone. Vasyatara is said to have another name for Arya Tara. In the Ardhaparyahka posture, she is seated alone. She is green and has two arms.

Mahattari Tara

Mahattari Tara is distinguished by the Vajraparyahka posture in which she sits, as well as by the fact that she is represented alone. Mahattari Tara is a green goddess.

Mahasri Tara

Mahasri Tara is depicted as sitting on a golden throne that is covered in a variety of flowers. She has one face and two heads that are in the Vyakhyana Mudra. She wears ornaments and a crown with an image of Amoghasiddhi on it. Ekajata is seated in the ardhan pose and carries an angry face with a swelling abdomen. She holds the kartri and the kapala in her two arms and wears a dress made of tiger skin. Arya, jahguli is to the left of Mahasri Tara, Asokokanta, and Mahamayuri are to the right. Her green color comes from the Dhyani Buddha Amoghasiddhi.

Varada Tara

Varada Tara sits in the Ardhaparyanka position like Aryatara however she can be effortlessly perceived by the presence of four goddesses Asokakanta Marici, Mahamauri, Ekajata, and Janguli.

Durgottarani Tara

Durgottarini Tara has a green complexion, sits on a lotus, and wears white clothing. She has four arms, and the first pair of her hands are used to hold a noose and a goad. The second pair of her hands are used to show the Varada mudra and the lotus.

Dhanada Tara

Wealth Granting Tara is another name for Dhanada tara. Her second right hand is holding a rosary, and her first right hand is making the ultimate gesture of generosity. Utpala and a book are held in her two left hands. She has an animal as her Vahana, is accompanied by eight goddesses named after the eight vowels in her mantra, and her crown features an image of Amoghasiddhi. She sits in the sattva posture and is adorned with jewels and silks. She is surrounded by eight other Taras of varying hues and appearances, in addition to the four guards at her palace's entrances.

Jahguli Tara

Jahguli Tara can be yellow, white or green depending on where it comes from in Aksobhya. She carries the Trisula, the peacock's feathers and a snake in three of her hands when she is green, and she performs the Abhaya mudra with the fourth hand.

Parnasaban Tara

Parnasaban comes in different forms and colors. Some of them are as follows:

Parnasaban (green parnasaban)

When Parnasaban is green, it is emitted by Amoghasiddhi.

Parnasaban (yellow parnasaban)

Aksobhya is represented by Parnasaban in its yellow form. Parnasaban is typically three-faced and six-armed, but may have four arms in rare cases. The green variety is unique in that all three faces depict irritated smiles.