#When its not the bisexuality it's the writing and also! Entirely my own opinion! Other ppl think differently to me!
Explore tagged Tumblr posts
aw-bean-s · 2 years ago
Text
Gotta say as someone whos been out since they were young, I'm really sick of having to defend the existence of queer people in media and explain how it's 'useful' or 'plot important' when straight ppl i know can like whatever trashy het romance they want no questions. Like does it have to be useful? Can it not just be there? It doesn't 'cheapen' anything its just there and suddenly you have to fight for your life to explain why it should get to exist. And it's always the bloody 'pandering' 'it's a trend' argument and I hate it because is it so terrible if they pander to ME for once instead of you?? Is that so terrible?? But you can't say that because then you're a fool who doesn't understand good storytelling. And then if they're real annoying, they'll pull the 'well i don't like when ANY romance is just pushed in' so then why. Is it always queer stuff you're complaining about?? And then I'm forced to be defending a (honestly poorly written) queer romance because all I said was that it couldve been handled better and somehow to straight ppl that translate to 'yeah they shouldn't have done it at all' and they don't even REALISE their bias and that SOMEHOW the ONLY FUCKING TIME we have this arguement it's about a queer character. Can I not enjoy the fact a superhero I like is bisexual while also admitting I don't like how they flattened their character after it? Can I not say 'yeah it's trashy but theyre cute' to some crap TV show? Does it always have to be perfect? Because yeah. I want good shows. I want complex dynamics. But sometimes it just feels nice when the silly comic book character is bisexual. And these motherfuckers will ALWAYS find some way to argue that it wasn't relevant and therefore they shouldn't have come out at all, which is just another way of saying that queerness should be kept away from the things they like and only be included if 'plot relevant' so then they can avoid it. I'm just so tired, so so fucking tired, of having the same argument over. And over. And over again with the same people about the same things when all I wanted to do was talk about a bisexual character WITHOUT some asshole jumping down my throat. I've been doing this shit since I was 12 and I'm just tired. Christ.
#'forced' my ass#If you can't tell i made the mistake of talking about comics to my dad#He's not like. Homophobic. He's just dumb and has internal biases he does not care to check unless he's drunk#And unfortunately I caught him before he opened the whiskey while he was still on beer :/ my mistake honestly#Also I know that it sounds like I go out of my way to pick fights (according to dad anyway) but I really dont#All I fucking said was 'yeah I like that they're bisexual but i don't like that they flattened their character afterwards'#'it's like they decided being bisexual and in a relationship was enough of a substitute for personality'#Which yeah I should have seen that coming but I wasn't wrong#Unfortunately he took it to mean that being bisexual is what ruined it and had no idea a character could be well written AND bisexual#When its not the bisexuality it's the writing and also! Entirely my own opinion! Other ppl think differently to me!#Just sucks when he's my dad and I have to make a compelling argument for why people like me should get to exist in fiction at all#Fuck that though I'm gonna write some big story and they're all gonna come out as bisexual for no reason just out of spite#Just one by one everyone becomes bisexual and what can he do? Complain about it?#Because mum would tear him a new asshole if he tried that shit in front of her#Anyway. Yeah. Probs was my fault because I shouldn't have mentioned the bi thing#I was just happy about it even if it wasn't up to my standards#It was silly of me. I might not have picked a fight deliberately but it was my fault#It's just frustrating because every 'plot important' bisexual is some seductress who swings both ways for their own benefit#There's no variety but it's the ONLY type of bisexual I haven't heard ppl complain about#Vent#Sorry abt this I'm just tired and angry and bisexual#(said like that isn't my default state)
2 notes · View notes
uranianrights · 2 years ago
Text
In 1923, Emma Goldman wrote to Magnus Hirschfeld concerning a profile of Louise Michel in Hirschfeld's Jahrbuch für sexuelle Zwischenstufen in which it had been argued by a contributer that Louise Michel had been an Uranian.
Having known Louise Michel personally, Emma Goldman requests from Hirschfeld that he publish her rebuttal of the former article, as she believes it to be mistaken and reliant on a stereotypical view of women.
Of her own beliefs, she writes:
"Before I deal with von Levetzow's article, permit me to say this: It is not prejudice against homosexuality or the aversion to homosexuals which prompts me to point out the errors in the claim of the author. If Louise Michel had ever demonstrated homosexual traits to those who knew and loved her, I should be the last person to attempt to clear her from the "stigma". [...]
Years ago, when I knew nothing at all about sex psychology and when my only acquaintance with homosexuals were some of the women I had met in prison where I was incarcerated for my political opinions, I came out in defense of Oscar Wilde. As an Anarchist, my place has ever been with the persecuted. I saw in the persecution and prosecution of Oscar Wilde reflected the cruel injustice and hypocrisy of the very society which sent him to his doom. Hence my defense of him.
Later, I went to Europe, and there came upon the works of Havelock Ellis, Krafft Ebbing, Carpenter, and many others which made me see the crime against Oscar Wilde and his kind, this time, in a more glaring light. From that time on I used my pen and voice in behalf of those whom nature, herself, has destined to be different in their sex psychology and needs. Your works, Dear Doctor, have helped me much in shedding light on the very complex question of sex psychology, and in humanising the attitude of people who came to hear me.
From this, your readers will see that I have no prejudice whatever, or the least antipathy, to homosexuals. Quite to the contrary. I have among my friends men and women either complete Urnings or Bi-Sexuals. I have found them far above the average in intelligence, ability, sensitiveness and charm. I feel deeply with them, because I know that their sufferings are greater and more complex than that of most people. There is, however, one predominant tendency among homosexuals which I must oppose. It is their attempt to claim every outstanding personality for their creed, to ascribe to them traits and characteristics inherent in themselves."
After debunking the former article, she goes on to say:
"You will agree with me, I am sure, that neither the question of homosexuality or of the homosexuals can gain anything by a misstatement of facts."
The same can be said for the trans cause. This letter, which can be read in its entirety here, is the source of a quote which is often mistranslated (across time, not languages) when used in isolation. It is often claimed that where Goldman writes "I have among my friends men and women either complete Urnings or Bi-Sexuals" one should read "I have many friends who are trans."
While Uranians (and even more so Urningen, the German equivalent) most certainly referred to a group of people that included people we would call trans today, we can see from the context that that's not what Goldman is referring to.
Due to the lack of strong distinctions between (in modern terms) gay and trans people at that time, it's entirely possible that among the friends she was referring to there were trans people. It is however misleading -- both in general, but particularly in context -- to translate "Urnings" or "Uranians" as "transgender". It can of course also be misleading to translate it as "gay" without any caveats, but in the context of this letter, it is not significantly so.
By the 1920s, "bisexual" also tended to mean the same thing it does today. Had the letter been from the turn of the century, I would be inclined to believe she meant intersex people, but both the dating and the context indicates that she means "bisexual" in the modern sense.
Had Goldman meant to reference trans people specifically, the word "transsexual" would not have been available to her yet (Hirschfeld coins it later the same year), but she would likely have used the word "transvestite" (as Hirschfeld did prior to coming up with "transsexualismus").
Now do I find it likely that Emma Goldman supported the trans people of her time? Most certainly. She could hardly be as admiring of Hirschfeld as she plainly is in this letter without being pro trans. That quote is not the slam dunk some people treat it as, however.
Frankly, throwing that quote around like that is just ammo for TERFs, because it enables them to claim that trans people are "usurping" gay history or other such nonsense (as if the two can even be sensibly disentangled).
15 notes · View notes
lycanthrology · 2 years ago
Note
Guts from Berserk and Lennox from ocs for the character ask thing?
Here we go
GUTS
Sexuality Headcanon: He’s bi but a) doesn’t understand the concept of bisexuality b) is 90% attracted to women so doesn’t dwell on it
Gender Headcanon: Cis man. But trans guts is an incredible concept. Congrats on the top surgery king
Tumblr media
A ship I have with said character: Guts and Casca. After the eclipse, I don’t like how Guts treats her. I know it’s more to do with how Casca’s behaviour has dramatically changed and Guts is struggling to adapt but he’s done some really nasty things to her. Meanwhile, Golden Age Casca and Guts <333. Before the eclipse, Casca/Guts/Griffith wouldve been legendary. All three of them were so obsessed with each other. They could’ve stopped the whole eclipse
A BROTP I have with said character: PUCK!!!!!! Again, as it’s gone on, I think Puck is becoming less relevant and interesting which is such a shame because he’s literally puck. I like how he lightened the tone and acted as an audience insert. Guts needed someone to prove to him that people were still willing to fight by his side and Puck delivered + also the entire band of the hawk I guess 🙄
A NOTP I have with said character: Farnese. Post-eclipse Griffith/Femto. A lot of the characters. If Guts ever has a sex scene imagine me shaking my head and tutting to show I disagree with it
A random headcanon: Ofc Guts is traumatised that’s obvious. But I think his rage comes from unprocessed abandonment issues. He’s constantly in a heightened state of fear and unease so small things push him into anger as a defence mechanism. I don’t think he’s an intrinsically angry person, I think it’s his way of protecting himself. He gets so incredibly, incredibly upset at himself when he rages at the people he cares about because he pushes people away and creates the very situation he’s terrified of
General Opinion over said character: He’s the worst man in the world. He’s my best friend. Reading about Guts Berserk’s horrific life inspired me to get my own life together for two weeks then I got lazy and it went back to normal
My friend Lennox
Sexuality Headcanon: Bisexual!!!! And everyone wants him
Gender Headcanon: Transgender man. He’s been on hrt for around 7 years. Can’t be bothered with surgery
A ship I have with said character: Lennoxbaize truthers where are you?!?!? I’m joking ok ok. hanging my head in shame. Crow. It’s not healthy for either of them. I could discuss this for hours, but I won’t. Lennox can’t stand by and let Crow kill people, but he can’t intervene without putting the both of them in serious danger. Am I using this guy like everyone else or do I genuinely care about him and what does that mean for me and my culpability. Am I becoming complicit in the oppressive system I intended to disrupt etc etc. The amount of turmoil and guilt here. It’s palpable. Anyway we all know the only true ending for Crow is death. So whatever. Does any of this even matter
A BROTP I have with said character: Kaleela!!!!! They’re friends :) They really do care and try to look out for each other. I think they’re the only true friendship in the main cast. That’s so sad but I’m glad it’s them <3 Welcome to werewolf story everyone is miserable everyone has an ulterior motive everyone is so deeply horrifically flawed but kaleela and lennox are friends so its all ok
A NOTP I have with said character: These should be fairly obvious but Kaleela, Dashwood, Matthew, Romulus, William. I’m probably forgetting someone
A random canon: Errrr I’m not sure. His mum calls him Lenny and it embarrasses him. He once bought one of those expensive replica lightsabers. His brother and him used to watch sport on tv together when they were younger (mostly football and cricket)
General Opinion over said character: I love him SO MUCH. I know I created him but he’s so much fun I love him to death. He’s so good to write for I love thinking about him
6 notes · View notes
soupthatistohot · 3 years ago
Text
Why do I write primarily mlm fanfic?
This was something I asked myself the other day. I am a girl, I think I'm queer (but I am attracted to men, whatever I am), so why do I fixate on mlm relationships? Why do I never feel compelled to write wlw or even just some good 'ol straight stuff? I brought this up to a few friends of mine who also watch anime. One of them said that it’s because lots of popular media only really focuses on developing their male characters well, and I think this to be a very suitable explanation (as well as the fact that I’m queer and thus gravitate towards queer stories).
Take Sk8 the Infinity for example. I could count the number of female characters in this anime on one hand, and one of them is a robot. The others are supporting roles who only serve to support the male main characters. I love Sk8 very much, and with the possibility of a 2nd season I’d love to see a prominent, well-developed female character (but if they make her Reki’s love interest I will literally stab someone). But as the anime stands right now, there are no female characters that aren't just basically plot devices.
Another show I love dearly, Yuri!!! on Ice, is much the same. While there can be more of an argument made here because 1) competitive figure skating is split up between men and women, and 2) I believe that the story Yuuri and Victor is absolutely meant to be a romance, so having the two men as the focus is somewhat necessary, there's an overwhelming lack of fleshed-out women in the story. All the female characters are supporting members that only exist for the benefit of male characters. Yuuko and Minako support Yuuri, Lilia exists so Yuri P. can improve, Mila is just... kind of there, and Sara's whole character is centered around her brother being overprotective of her.
Okay, so let's look at something a little less... fruity. Horimiya. I've only watched the anime, so if there's stuff I miss from not having read the manga (yet), please forgive me. I still think this is a valid perspective, though, because if there's female development that the creators decided was so unimportant that it could be cut, that still supports my point here. In my opinion, Miyamura is a lot more developed than Hori. He has his tragic backstory of being a loner, and having his secret piercings and tattoos and all that. A lot of the story ends up focusing on his side of things... despite the fact that Hori is the protagonist. The story follows her perspective for the most part, we learn things about Miyamura as she does, yet I feel like she's a bit dull. She has a uncommon home life and has to take care of her younger brother, that's her big bad secret? I get that it's kind of unexpected since she's the pretty, perfect, popular girl, but I still feel like it's a tad anticlimactic. It's hardly ever addressed beyond the first few episodes, too, and it just kind of exists as a fact within the story. Even beyond our main couple, it seems like the other female characters development and stories are all focused on the boy they're interested in (except for Sawada, but she's there for like a couple of episodes and then doesn't really show up all that much again... and her crush on Hori is handled really weird, I didn't exactly love it). Remi's entire character is pretty much centered around her boyfriend, and Sakura and Yuki are basically competing for Toru. Meanwhile, the guys have story beats themed around the girls they're interested in, but I feel like it's not as obsessive or dramatic as how the girls are depicted.
So, we're given these female characters, who are really watered-down and honestly kind of boring, and we're not super compelled to write about them. When we are given flat female characters, there's nothing to work with. It's more fun to use the characters who have had development and play around with the "what ifs" and our own personal headcannons. The characters who get this special treatment are primarily male. And while I commend a lot of shows for developing their male characters in such a way that doesn't exactly fit with society's idea of masculinity (ex: Reki's insecurities and depression, Yuuri's anxiety and femininity, Miyamura's isolation and depression), in the end these characters are still boys, men, males.
I also think mlm is so prominent because of both straight girls and queer people. For straight girls, it can often be fetishization (forgive my generalizing, I'm sure not all straight girls are like that, but an overwhelming amount definitely are). I think one of the best examples I can give for this is Phan. This is a bit different since it's not anime, but instead real people, but if anything that really drives home the point even more. The way Dan and Phil were (and probably still are) treated in the fandom internet space is disturbing, to say the least. Their audience, while much of it was queer, was also made up of an overwhelming amount of heterosexual girls who not only shipped them intensely, but also often sexualized them. And look, there's nothing inherently wrong with being a straight girl and writing smut, but it gets to a point where it can be kind of weird if its excessive. Like, if that's all the relationship is really about, and if the people you're writing about are real human beings, that's definitely overstepping. I will admit that I had a Wattpad and that I wrote Phanfic way back when, and this is something I'm not exactly proud of. Granted, I did not write anything explicit, it was still super weird, whether or not I was queer. And I'm not saying all the problematic aspects of the Phandom were because of straight girls, because what I contributed was arguably problematic, and I did not identify as straight at the time. At the same time, though, there were straight girls who wrote exclusively smut (or "lemons" as they might've been referred to at the time). There were those who analyzed every post, every bit of information they could find about these men on the internet. They obsessed over the fact that they occasionally shared clothes (which is fairly common for roomates of similar sizes to do), and gathered evidence to support the theory that they shared a bed. It was bad. It was invasive, and it got to the point where it wasn't about the people, it was about the fetishized fantasy these girls made up in their heads about these real, actual men.
Dan and Phil's online presence kind of disappeared for a few years... and I don't blame them.
Getting back on track, mlm is prominent for queer people because it's the LGBT representation they so desperately want to see actualized in media. If a show doesn't make their favorite queer ship canon (and they often don't), they'll do it themselves! That's what fanfic is for! I also know that queer people project onto these characters a lot, and that writing about them is almost like a form of therapy. They see these characters as queer, and they see themselves in these characters, so they write about these characters experiencing similar emotions to them. The thing is, the most compelling characters are male, so those are the characters they end up focusing on, even if the person in question is strictly sapphic. My best example is how I project onto Reki. Personally, I end up thinking of him as (and thus end up writing him as) having some internalized homophobia around being bisexual. That's literally what I am currently going through. I can't project this onto any of the female characters in Sk8, because I couldn't see them going through this experience because they're not developed enough to.
Despite all of this, I still enjoy all of the shows I mention a lot. I think it's just an interesting topic that I was thinking about. I'm not trying to bash anything that I used as an example, these were just my personal observations based off of what I know about these shows and their fandoms. I do, though, believe shipping real people isn't super cool, and I stand by that as someone who used to do it. I'm not going to stop you... I just think it's intrusive and inappropriate to pretend like you know enough about influencers to dictate who they should be involved with romantically. Their love life is, frankly, none of your damn business.
So, long story short, we should make anime (and popular media in general) less misogynistic.
(Also, please leave Dan and Phil alone, they deserve privacy)
20 notes · View notes
Note
Why do you think Tomarry would work? I see a lot of people hating on it and the only response I ever see is that they come from similar backgrounds or people just like enemies to lovers. Also which horcrux do you think Harry would go best with (including Voldemort)
So, this is probably a more complicated question than you intended, but that’s because I live in bizarre head canon lands that few ever dare venture towards.
With that, let’s get started.
But What Do You Really Ship, Muffin?
First, it probably bears saying that I’m not really a Tomarry shipper. I know, I’ve written more than one Tomarry story, so if that’s not Tomarry what is? Well, remember that those Tomarry pairing tags are a filthy lie. October I committed the grievous sin of breaking up the Tomarry and throwing Tom at Harry’s mother. Lily and the Art of Being Sisyphus is barely a Harry Potter fic in any capacity, and while the ship is the driving force of the fic, it’s also this nebulous, distant, thing that really shows up only in strange side stories where I try to make people laugh. When Harry Met Tom is probably the closest that I take seriously, but I also intentionally subvert all your typical Tomarry tropes for my own enjoyment. 
The only Tomarry story I’d say I’ve ever actually written is “The Burning Taste of Fire Whisky”. It’s a very popular story, sadly perhaps my most popular on Ao3, but I actually loathe it entirely. 
A lot of the time I feel like I just happen to have a Tomarry shirt on and then I suddenly became a subject matter expert. If you want the Tomarry opinions from real Tomarry people, I’m probably not the best person to ask. In fact, if you want really any standard answer about Harry Potter anything, I’m not the best person to ask.
Now, I’m not just saying this to be a hipster but to sort of give some background for why I’m going to give the answer I’m going to give and why it’s going to be 100% different from everyone else’s and yes, sometimes, I do think I came from Mars.
Will the Real Tomarry Please Stand Up?
So with that, the bottom line is: taking canon as JKR intended, completely at face value, Tomarry doesn’t work at all. This is because JKR fully intends a very flat, one-dimensional, and frankly quite boring Tom Riddle. Tom Riddle’s evil, Tom Riddle was born evil, Tom Riddle was evil in the womb because of rape. He is completely and utterly irredeemable and understands nothing of love.
Well, that sort of sinks the ship right out of the harbor, doesn’t it? A Tom Riddle incapable of love is one incapable of growth, especially in a romantic focused story. If you try to write it you just get weird sociopathic whump porn where Tom probably whips Harry in a closet somewhere.
Added onto this we get that, despite what she put down on paper, Harry is supposed to be a straight man. That aside, he’s also a righteous man whose understanding of things like love and friendship mean he’d never sully himself with gross Tom Riddle. Ew, what are you people thinking?
Well, what if we take canon just mostly as JKR intended? What if we just look at the characters the way she actually wrote them versus what she was trying to do? Still no dice.
Tom might now be capable of love, be a far more engaging character who can go somewhere, and be pulled out of a pit of rage and despair by someone but that someone ain’t Harry.
First, while I firmly believe Harry is gay (gay, not bisexual, compare his descriptions of Cho/Ginny to Tom Riddle/Sirius Balck/Cedric Diggory/Charlie Weasley, that boy pants after Tom Riddle and Cho’s kiss is “wet”) he’s also a much worse person and much dumber character than JKR intended. It’s really the first that damns the pairing.
I have a whole giant post on how Harry’s a little yikes but the long and short of it is that while Harry thinks he understands friendship and love he’s also someone who will cut out his friends at a moment’s notice if he feels remotely slighted, uses and sacrifices them for his own ends, gleefully uses unforgiveable curses when given the opportunity, and is the kind of guy who would cut someone up in the bathroom, leave them to bleed to death, and only really feel bad about it when it seems he might get in trouble for it.
This Harry ending up even with a Tom who could potentially be redeemed would more likely lead to, well, weird psychopathic whump porn where Harry tortures Tom in his basement to make him pay for all the horrible things he’s done while Harry claims he’s the most moral person ever because his mother loved him.
So, yeah, no Tomarry for you.
But Wait, Didn’t You Say You Believed in Tomarry?
What I believe in are archetypes.
Remove what Harry’s supposed to be, remove what I think he actually is (one maladjusted, violent, dude with a whole lot of anger issues), let’s make Harry what perhaps JKR didn’t even know she wanted: one of those rare fundamentally good heroes who warps an entire story with the strength of their inner nobility.
Harry Potter is meant to be a story about love and friendship. Now, it’s not actually, and we sort of end with Harry being Jesus and none of us are sure why. Except that he apparently forgives Dumbledore and Snape for brainwashing him to be a kamikaze agent. They’re the bravest men he knows. But let’s pretend it actually is a story about love and friendship.
To me, the strongest story of love we could possibly have had in this world is the redemption of Tom Riddle. Here is a man who was supposed to have been irredeemable since birth, he has done many horrific and unforgiveable things, grew up in extreme hardship in a society that spits on everything he ever was, and is mired in bitterness, despair, and rage. Beneath all that, Tom Riddle has given up hope in the world and is now content to burn it down himself.
Harry, through the nobility of his spirit and integrity of his character, somehow managing to redeem Tom Riddle is not only a fascinating story but a very good one at its core. The fact that they are tied together by destiny as well as tragedy, that Harry houses a shard of Tom’s soul (and I do so love horcruxes), only makes it more so.
This is the kind of story that carries epics, and that is why I gravitate towards it.
Now, do I change Harry up to do so? Good god, yes. I wouldn’t say any Harry Potter I have written is anything close to the Harry we know from canon. Some are closer than others, but they always in some way deviate. That said, from what I’ve seen almost nobody writes the actual Harry we remember from canon, so this is a very standard practice I can get away with, without too many people calling foul.
Ultimately ending in tragedy or in the full redemption of Tom: either works with these base characterizations and the world is your oyster.
What About All Those Other Arguments?
I’m not going to get into this too much except that I wouldn’t argue Tomarry works for the reasons you list. At all.
On the similar backgrounds, the fact is Harry and Tom don’t have similar backgrounds, JKR just says they do because she likes that trope (and so do many of the readers).
Harry and Tom have dark hair, they both came from abusive homes, but that’s where the similarities start and end. Upon entering the wizarding world Harry is treated very very very differently from Tom Riddle.
Harry, grows up in this weird sort of pseudo poverty where he dresses in rags because the Dursley’s hate him but he never actually has to worry about money. When he gets to the wizarding world he can afford everything he wants. He can buy a new wand, he can buy new supplies, he can buy all the candy off the trolly cart. Money’s not an object to Harry, is barely even a concept.
Tom Riddle is presumably on scholarship and money is everything to him. He buys a new wand but likely all his clothes and books are second hand. He can’t buy whatever candy he wants, probably can’t afford gifts for his peers, Tom is very aware of the haves and have nots.
Harry similarly never has to worry about a career. He never gets that far, fearing for his life so much, but the fact is that Harry has enough money that he doesn’t actually need to work. More, who would turn down the great Harry Potter? He wants to be an auror, is afraid he might not qualify, but it’s not really desperate.
Tom Riddle is to the world an impoverished muggle born. He tries for the Defense position and is turned down mostly because Dumbledore threw shade. Dumbledore tries to make it seem like Tom desperately wanted to work in this weird shop in London’s magical back alley, but probably that was the only position Tom could get (everything Dumbledore ever says, especially in those pensieve lessons, must be taken with a large grain of salt). Everything else goes to friends, family, and purebloods.
Adding to this, Harry has this glowing reputation. Now, Harry might not like it, he might want to be just Harry but the fact is that everyone has heard of him and most people worship the ground he walks on. Doors are open to him everywhere. His first introduction to the wizarding world is from a man who loves him and gushes about Harry as a baby.
Tom Riddle is someone with a muggle last name, who comes from a muggle orphanage, in other words he is nobody from nowhere. (For reasons I won’t get into here I find it very doubtful Tom ever revealed he was the heir of Slytherin until he became Voldemort and let Tom Riddle fade into obscurity). His first introduction to the wizarding world is some asshole lighting all his stuff on fire because the matron talked shit about him.
Harry wants to stay at Hogwarts because the Dursleys are abusive. Yes, this is terrible, but Tom wants to stay because Nazis are bombing London and Dippet says, “So sorry, Tom, no exceptions. Enjoy those luffas!” Harry’s concerns are never treated with the same disdain.
To make a long story short, they do not have similar backgrounds, at all. To say they do is utterly laughable and not much better than saying “they both have dark hair, they have so much in common!”
They both came from abusive homes, yes, but even the nature of those homes were very different and when they went to Hogwarts they were worlds apart.
... So much for not getting into it, eh?
As for Enemies to Lovers, well, it’s a trope and people enjoy it but it’s not my jam. I could go into why, but I think I’ve said enough.
Which Horcrux Do You Think Harry Would Go Best With?
We see so little of the individual horcruxes I’m not sure I can really take a stab at this. I sort of just make up their personalities as it suits me every time I write them.
With that I suppose I’m partial to the one in Harry’s head? Given that he has a front row seat to Harry, has seen Voldemort’s tragic demise, I think he’s in the best position to end up with Harry in a meaningful manner.
Especially as, if you think about it, he could represent the very last of Tom Riddle’s humanity. The single shard of humanity that remained in him until the bitter end.
155 notes · View notes
itsclydebitches · 4 years ago
Note
(WLW anon) I really don’t like the “bad rep is better then none at all”. I hate that. We should want good rep, because bad rep has been used time and time again by homophobes as to say we shouldn’t get representation. To me it’s not “gay can have the same flaws as het”, it’s “fix the flaws in the het”. Also I know Renora being independent was a good, I was just saying in comparison BB. Also, yes, they were separated, but also didn’t stop thinking about each other. Especially bad with Yang.
Indulge me for a moment because I want to take a trip down memory lane and list some—just some—of the queer rep that has been important to me over the years:
Ellen comes out both as herself and as her character… years later, she’s a hated millionaire who is criticized for how she treats her staff
The wildly influential Buffy gives us two women entering a loving relationship… except then Tara is killed off, Willow goes evil for a time, and Buffy comes under fire for Joss Whedon’s everything
The beloved and respectable headmaster of one of the most popular book series ever published is revealed to be gay… except it doesn’t count because it wasn’t in the text and now all of Harry Potter is cancelled because JKR is transphobic
Kurt is an unambiguously gay teen in a hugely popular TV series, acting as one of the first overt representations a generation has seen… except he’s way too stereotypical and Glee is a joke now
Orange is the New Black gives us a number of queer women, including one of our first trans characters… but isn’t it problematic that they’re all criminals?
Brooklyn Nine-Nine hosts an out gay captain and gives us a bisexual coming out story that resonated with many, myself included… except now we’re supposed to hate all the characters on principle because they’re cops
Korra and Asami walk off into the spiritual sunset together… but they never kiss or anything, so that doesn’t count either
Steven Universe gives us a queer relationship and a wedding… but it’s an issue that this is just a kid’s show and, really, does it count when the rep is embodied by space rocks whose entire species only creates a single gender? Feels like a cop-out
Same with Good Omens. Yeah, Crowley and Aziraphale clearly love each other… but you never see them kiss or declare their intentions. It’s great ace rep though! Unless you want to level the criticism that asexual characters are always nonhuman
A character intended to be a minor guest becomes a show staple and eventually declares his love for one of the two main characters… except then Castiel immediately dies, Dean doesn’t respond, and they never meet on screen again
I finished Queen’s Gambit the other day and the main character had a one-night stand with a woman! … but everyone is talking about how bisexuality is used to represent her lowest point, so that’s bad too
I could go on for literal pages. Some of these arguments I agree with (Dumbledore), others I’ve pushed back against quite strongly (Crowley and Aziraphale), but all of them are valid criticisms depending on what part of the queer community you’re in and what your expectations are. My point here is that it’s all “bad rep.” I mean that seriously. If anyone reading this is scrambling for the comment section to say why [insert media title here] is actually fantastic rep, I guarantee that someone disagrees. Or if they don’t, give it some time. Just wait until the characterization becomes offensively outdated, or another part of the story ruins the relationship, or it comes out that the author did something truly horrific, or the terminology changes and it’s labeled as “problematic” now… just wait. At some point, any rep we feel is good rep now will be criticized, cancelled, and dragged through the mud. The rep that I personally haven’t seen much push-back against—like the beloved Captain Jack Harkness in Doctor Who, or Schitts Creek that just won a ton of awards—is wrapped up in the criticism, “So it’s all just about able-bodied, cis, (mostly) white dudes, huh? :/”  Even the argument that queer characters need to be written by queer authors doesn’t hold up. I absolutely adored Sense8. “Wow, a gay main character in a loving relationship with another gay man, both of whom enter a loving poly relationship with a woman, another lesbian trans main character who marries the love of her life on screen, an entire cast arguably queer due to them sharing orgy scenes centered around the emotional intimacy they share, everyone survives, and this was written by two trans women! Great, right?” Well, not according to the wealth of opinions explaining how Sense8 is horrible rep, actually. Every piece of rep we’ve got is either currently flawed or will become flawed in the future.
So what do we do with that?
That’s where my “I’d rather have bad rep than no rep at all” comes in. For me, that’s not waving the white flag. That’s not an oath that I won’t expect better rep in the future (I do) or that I won’t criticize the rep we get (BOY DO I), but rather just an acknowledgement of reality. The vast majority—if not the entirety—of rep is “bad rep” in one way or another, but I’d still rather have it than nothing at all. Because I’ve lived just long enough and studied media just enough to know what nothing looked like. It was watching all queer characters meet untimely deaths. Before that it was watching queer characters be derided and treated as jokes. Before that it was nothing but coding, where queer characters didn’t exist except in our own headcanons and interpretations. Obviously “bad rep” covers a very large range of issues and “They haven’t even confirmed this relationship yet” is a bigger issue than “This queer character embodies one or two, mild stereotypes,” but ultimately I’d take any of it over nothing at all. And enjoying what we’ve currently got doesn’t mean I’m willing to settle for it indefinitely.
To use an iffy analogy, imagine there’s a factory. This factory makes plates. So. Many. Plates. Big plates, small plates, plain plates, decorative plates, plates for every possible occasion in your life—and everyone with a steak for dinner is pleased as punch. You though? You’ve got soup. You need a bowl. Your entire life you’ve been struggling to eat your soup off a plate (it doesn’t work) and listening to friends and family claim that the plate with a slightly raised edge could be a bowl if you squint (it’s not). To say it’s frustrating is an understatement.
But then, one day, the factory starts producing bowls too. Hurray! Except as soon as you get your hands on one, you’re told you really shouldn’t be using it, let alone praising it. Look at the state of that bowl! It’s cracked right down the middle, ugly as hell, shoddily made all around… you’re not really going to settle for that, are you? And no, you obviously still want the factory to produce better bowls, but at the same time, this is a bowl. You’ve never gotten one before and you can finally enjoy your meal, even if the soup leaks at times. Sometimes a lot. But you’re still feeling better about your meal than you ever have before. And what you then begin to realize is that lots of the plates are a mess too. They also have cracks, they’re also ugly, many are also shoddily made. The difference is that the factory is producing so many plates at such a rapid pace that every steak eater is able to get by. One plate breaks completely? You’ve got a thousand fallbacks. Don’t like the look of this one? A thousand other options. You disagree about what “shoddily made” means? Luckily there are enough plates that everyone can find what they prefer! But the bowls… there’s only a few. Some are really expensive. Others are only available for a limited time before they suddenly disappear. Your bowl breaks and you have to wait months, years sometimes, to get another one. You’re constantly told to go buy this one obscure bowl no one else has heard about and yeah, you like it... but you’d also like to buy one of the bowls everyone is already enjoying. You find yourself looking at the plates and thinking, “I’d like that. I’d like to have so many options that the flaws, while still a problem, are much more bearable.” You’re still going to demand that the factory get its shit together, you’re still going to (rightly) complain about the awful quality of your bowl… but it’s still nice to have a bowl, period. There are still things you like about it, even if it’s a mess: the color, the size, the beauty of the shape of it. Its potential. You’re still pleased you have something to enjoy and that helps serve the need you’re looking to fill, even if that something is imperfect.
That’s “bad rep is better than no rep.” To bring this very long response back to Blake/Yang, I don’t think their problems negate their benefits. Is their relationship currently non-canonical and filled with a number of writing issues everyone has a right to be angry about? Yup. I express that anger a great deal. Are they still half of a team on a very popular show that is (presumably) set to be canonized as queer? Yup. I’d much rather live in a world where big shows like RWBY try to include queer rep and fail in a multitude of ways—with the expectation and hope that they’ll continue to improve—rather than in a world where authors a) don’t care or b) are too scared to try. Because that’s where a “good rep or no rep” stance leads. The danger isn’t homophobes because they’re, well, homophobes. It doesn’t matter if the rep is good or not, they hate it on principle. But if queer authors writing for other queer identities, or allies writing queer identities, or even queer authors writing their own experiences (like in Sense8) continually come under non-stop fire for their attempts… there’s a good chance that many people won’t ever try. We’re already seeing that here on tumblr with young authors admitting that they wouldn’t touch [insert topic here] with a ten-foot pole because just look at what happens when you get it wrong. And authors will get things wrong because authors are fallible people forever unlearning their own ignorance. So though it might sound strange coming from a blog that has turned into such a RWBY critical space, I am glad that RWBY’s queer rep exists, despite all the frustrations that I share about it. I think a RWBY with various types of “bad” queer rep is better than a RWBY with no queer rep at all, particularly when “bad” or “good” is so intensely subjective. There’s a middle ground between passively accepting whatever we’re given, and tearing into rep with such ferocity that we end up rejecting it all. There’s a space where we can be critical of rep and embrace the parts that work for us, simultaneously.
I hope and expect the het rep will get better too, but… that’s never going to happen instantly. To quote RWBY, there’s no magic wand we can wave to fix all our problems. Rather, it will take slow, plodding, meandering, lifetimes’ worth of work to see that change occur and I personally don’t want to spend the one life I have waiting for that perfect rep to show up. Because it’s unlikely that it will. While we work, I’d rather find the good in what rep we’ve already got.  
43 notes · View notes
sugarcarnation · 3 years ago
Note
May I ask your opinion on Brittany S Pierce?
yes you may
the short answer is it’s complicated
but i’m gonna give you the long answer because i like to hear myself talk
fair warning most of this is kinda negative even if its mostly just me being mad at the writing of her character
there are a lot of things i enjoy about brittany as a character. i think she’s hilarious in the first two seasons (and occasionally she’s pretty funny in the later ones as well), she is an amazing dancer and i love her performances and even if brittana isn’t my favorite ship i still enjoy her relationship with santana a lot. it also doesn’t hurt that she’s incredibly good looking. and have you seen her clothes? she’s a fashion icon
but yeah i do have a lot of problems with her which ultimately all boil down to bad writing lmao
i think my biggest issue is that her character is all over the place. we barely have any backstory on her, she doesn’t seem to have any actual aspirations in life and she never really developed in any way. she barely got to be her own character while she continually got more and more screentime.
and i think thats what i most dislike about the writing of her. i think she either needed to be a background character like she was in season 1 or she needed some actual character development
because if we look at brittany in the beginning of the show and compare her to the version of herself in the finale what actually changed about her? sure she’s married to santana now but it’s not like we really saw that relationship develop from brittanys point of view. we also don’t know how brittany realized that she’s bisexual. and sure maybe she’s known this entire time but seriously having brittany talk about her sexuality would have been really nice
but yeah other than that nothing really changed. she’s basically still the embodiment of the lovable idiot trope and she dances. and i guess she’s also a math genius now but it’s not like the show ever explored that
but still somehow even though she didn’t get any character development her personality changed a lot between season 2 and 3 and not especially in a way i enjoy
i thought that brittanys humor in the later seasons was mostly just mean and not funny. it felt like she oftentimes went out of her way to make her friends feel bad and insecure (like kurt in i am unicorn and blaine in prom-o-saurus) and even if that wasn’t actually her intention it still leaves a bad taste in my mouth
and a lot of her jokes were just blatantly racist and transphobic. and i know that every glee character has said something incredible offensive at one point but with brittany it happened at a frequency that made it pretty impossible for me to look past it
i also didn’t like how brittany was never called out on anything bad she did. she did some truly horrible things like leaking a sex tape without permission and it’s fine? because she taught santana a lesson like that? yeah sorry i don’t think so lmao
and i don’t mind blaming this specific event on the writers but it isn’t even the only time she got away with stuff like this. like she pressured santana into coming out and even outed her multiple times and it’s never addressed in any way
and remember when she was cheating on artie for half a season but it’s fine because he called her stupid and that erases every bad thing she did?
and again every glee character did something bad at some point. but at least other characters at least occasionally got called out for the things they did
but brittany apparently can do no wrong. and i believe is the case because of the weird way the writing infantilized her. which is already weird and honestly kinda gross enough but it gets even worse because at the same time she’s also overly sexualized? i need the writers to stop
i think if the writing of her character was better i would enjoy brittany a lot more. but i am also petty and have decided to not let bad writing ruin female characters for me
so fanon brittany is where it’s at. because here people genuinely appreciate her and don’t just reduce her character to hot dumb cheerleader
23 notes · View notes
fanfictionaries · 4 years ago
Text
The Seduction of Sirius Black - Part 1
Pairing: Hermione Granger x Sirius Black
Summary:
Hermione loves her boyfriend, but there’s just one little problem -- she’s hopelessly attracted to Sirius Black. 
Warnings: Swearing, Smut/18+ NSFW, Angst, Ron bashing (sorry) 
Author’s Note: Posting some old stuff! Honestly, editing it has been a nice lead back into really writing. Very cathartic! 
Also, apologies for the Ron bashing in this story. I know it’s a stupid trope and to a certain extent I really enjoy Ron as a character, buuuuut I’m using it as a cheap way to move plot. 
ALSO, this is obviously a AU where Sirius didn’t die in the Department of Mysteries. 
ALSO (and this is the last one I swear), I AM a big fan of Wolfstar but I also have daddy issues and find Sirius Black extremely attractive and this is my tumblr so I can write the stories I want I guess. Haha Not to mention, Sirius Black gives BIG bisexual energy.  
MASTERLIST
Tumblr media
*** 
Hermione didn’t really know when it had happened – this attraction to Sirius Black. It wasn’t as if she had woken up one day with the sudden urge to jump across the table and shag the older wizard into the next life. The whole thing had occurred much more gradually than that, she supposed. However, despite all of the trivial aspects of her…situation, Hermione chose instead to focus purely on the fact that he was entirely off limits. For many reasons. There was no way anyone in her close-knit circle of friends would be okay with her becoming entangled with a man more than twice her age and who also happened to be her best friend’s god father. It would be unacceptable. It would be impractical. Most of all it would be highly inappropriate as she was currently dating her other best friend, Ronald Weasley.
She supposed the attraction was inevitable to a certain degree. At the beginning, nearly a year and half ago, things like physical attraction were far from her mind. She’d just started her new position at the Ministry, Harry and Ron were training to be Aurors, the war had just come to an end and thus her life was a whirlwind of people and places. But over time things slowed down. Ronald was stationed away on official Auror business more and more often, leaving very little time for him to visit her and when he did come back, he had to split his time between her and his large family. Harry, having waited for Ginny to finish her final year at Hogwarts, had gone and married her the summer after and for all intents and purposes abandoned her. Harry…
It was really all Harry’s fault. Or at least that’s what Hermione liked to think whenever she felt her heart skip and her pulse slip between her thighs in Sirius Black’s presence. It had been Harry’s idea for Hermione to move into Grimmauld Place with him and Sirius after the war. Family, it seemed, had taken an important role in everyone’s lives when Lord Voldemort fell for the final time. All of the Weasley children had moved back to their childhood home of the Burrow – even Charlie much to everyone’s great surprise and delight. Tonks and Remus moved in with her mother and father, Andromeda and Theodore, to bask in the cheer of their newborn baby Teddy. And Harry had moved in with Sirius. Everyone had felt the need to be closer than ever to the ones that they loved, and Hermione completely understood that need. In fact, if she had had a family to go to, she would have moved in with them as well. But her parents were still in Australia somewhere, the location even unknown to herself as she’d designed it that way. Harry, being fully aware of this fact, insisted that she move in with him and Sirius. Hermione had been fully prepared to get her own flat in London. But after a bit of prodding she’d accepted Harry’s offer, secretly grateful that her best friend was so kind and thoughtful. Now, she probably cursed him name at least five times a day.
Hermione had been happy for him and Ginny when they announced their engagement. She’d cried not only when Ginny asked her to be her maid of honor, but also when the two had said their ‘I do’s. However, Harry moved out of Grimmauld Place following their marriage and subsequently left her to live with Sirius Black all by herself. So now she sat in the quaint little kitchen of the Black home, sipping her morning tea, and trying incredibly hard to keep her attention on her book rather than glance up at the rugged wizard sitting across from her.
“Hmpf” Sirius let out the little sound of surprise before continuing, “Would you look at that. Sources say that while Minister of Magic, Kingsley Shacklebolt, announces no final decisions have been made in regard to the recent Magical Creature Equality Act proposed last month, there are certain voices in the Ministry that are persuading not only the members of the Wizengamot, but the Minister himself to vote yes for magical creature equality.” He read the words aloud, peaking over his paper at her and raising his eyebrows. “I wonder who those certain voices or voice is…” he mused humorously.
It was no secret that shortly after being appointed a position in the Ministry department of Magical Creatures, Hermione had gone about being a personal activist for Magical Creature rights. Merlin, she had written almost the entire Act herself. Her hand still cramped at the thought of the hours she spent in her office and the library at Grimmauld Place scribbling away with her quill.
“No idea,” Hermione responded, feigning ignorance but blushing all the same in embarrassment. She kept her eyes on the pages of her book but found no matter how many times she read and reread the same paragraph she couldn’t retain it. Slowly her eyes shifted to the man in front of her. His gaze was fixed on the paper and so she was free to take him in. He had just showered, his wavy brown hair hanging damp to his shoulders. It made him look, in her opinion, especially delectable that morning. Hermione felt herself blush even deeper at the lewd thoughts threatening to enter her mind before looking back down at her book and scolding herself.
“So, when is Ronald coming for a visit again? Need me to clear off any time soon?” Sirius asked, sparking up conversation after the long bout of silence.
“Unfortunately, he won’t be back till next month,” she sighed, ignoring the second half of Sirius’s question.
“Well that’s not too bad I suppose—” Sirius smiled warmly and set down his paper as he stood up “—It gives you plenty of time to focus on getting the Ministry on board with your Act before you’re…distracted.” Sirius added the last part with a teasing implication not lost on Hermione.
“My Act?” Hermione asked, raising an eyebrow jokingly as she stood up as well and took her teacup to the sink. She grabbed the sponge to begin washing up when Sirius took it from her hand.
“I can do the washing up. You’re going to be late for work. Besides, it’s not like I work or anything. Might as well do something productive today,” he stated dryly, turning on the tap.
“Hmm, yes. I’ve been meaning to talk to you about that. You’ve become quite the lay-about. When are you going to get a job and start contributing to the household?” Hermione asked cheekily.
“Lay-about? Need I remind you that this is my house that you live in, rent free. You’re lucky a kind old man like me has taken a liking to you, or you’d be on the streets, kitten,” Sirius said, flicking some water off his fingertips in her direction.
“More like taken pity on me—” Hermione shook her head “—and you’re far from an old man, Sirius. I swear, you’d like people to think you’re closer to eighty than twenty!” She exited the kitchen and slipped into her heels next to the front door.
“Mind picking up some milk on your way home, kitten? We’re almost out!” Sirius called out to her, ignoring her statement on his age. Hermione tried not to focus on the way her stomach flipped in response to Sirius using his nickname for her for a second time that morning.
“Sure thing!” she called back before exiting the front door and apparating the moment she hit the sidewalk.
Hermione found it very difficult to work that day. The summer heat had become abysmal, proving to be quite the sticky, humid season, and of course that meant the Ministry’s cooling charms were on the fritz. By the time the day was over, Hermione’s hair had grown three times its size. Catching her reflection in a Ministry window, Hermione had gasped at its state. Even she hadn’t known it could get that big. In addition, her silk blouse that she had tucked into a polyester pencil skirt had become damp and uncomfortable from the sweat that accumulated on her body throughout the day.  And even after casting multiple drying spells to herself and her clothes, there was still nothing she could do about her hair. To add to her physical discomfort, she also struggled with a mental discomfort as well. Ron had been plaguing her mind all day long.
Ronald Weasley. Her oldest friend, now boyfriend. It hadn’t been a shock to anyone when they had gotten together after the war had ended. It had almost been expected in fact. She’d liked him since third year and aside from his short tryst with Lavender Brown, it had been obvious they would be together. Hermione loved Ron, she really did, but he was gone so often. Gone often and when he was home things felt…off. His affection seemed to have waned and Hermione was left thinking that perhaps it had something to do with her. Every time he chose to kiss her cheek as opposed to her lips or pat her leg friendly instead of holding her hand Hermione felt a little blow to her confidence. Bitterly she thought of how he and Lavender had been all over each other sixth year. She certainly wouldn’t enjoy having Ron’s tongue shoved down her throat in broad daylight, but surely, it’d be nice to have him show a bit of affection. In the beginning he’d been much more enthusiastic. They would often sneak off for a cheeky snog and hands often lingered under tables. They’d even gone all the way. It had been romantic and sweet, and Ron had certainly enjoyed himself. Or at least she thought he had. But now she wasn’t so sure. Maybe she’d been rubbish at it and he didn’t know how to tell her. Maybe he just didn’t find her attractive anymore. She had put on a bit of weight in the past year and a half. Hermione figured it was for the best as she was no longer starving to death on the run from Voldemort and his Death Eaters. But now when she looked in the mirror her eyes focused for too long on the swell of her breasts, the curve of her hips, the thickness of her thighs, and the softness of her stomach.
Despite this possibility, Hermione couldn’t help but feel guilty about her lustful thoughts involving Sirius. She often tried to reason with herself that it was perfectly normal to feel such base emotions. Everyone had them and as long as she didn’t act on them, she was fine. She was just lonely, and Sirius was there.
Resolving to speak with Ron about her concerns when he returned in a week, Hermione shook the troubling thoughts from her head and continued down Diagon Alley, intending to just pop by the small corner store at the end for some milk and maybe some ice-cream for later. She needed a small pick-me-up after the day she’d had. Jogging the last few steps to the corner store, Hermione pulled open the heavy door and sighed happily as the cooling charms inside enveloped her. She wiped her forehead with her arm and headed to the back of the store where the freezer section was. The store was practically deserted aside from a single witch staring at the ice pops with a heavy look of concentration. Hermione walked up next to her to stare at the ice-cream choices and smiled when she spotted the Rocky Road. It was Ron’s favorite.
“It’s a scorcher out there, innit?” commented the witch, her thick London accent coming through endearingly sweet. Hermione looked to her left and took in the girl. She was thin and tan with beautiful golden hair tied up into a long ponytail. She had a friendly, heart-shaped face and sparkly green eyes. Something about her seemed familiar – Hermione must have seen her somewhere before.
“I’m practically melting,” agreed Hermione, shaking her head, and grabbing the Rocky Road, thinking she would have that tonight rather than her usual Mint Chocolate-Chip.
“Any fun plans for the heat?” the pretty blonde asked casually, grabbing a box of grape ice pops and a carton of Rocky Road ice-cream as well.
“Not really. Probably just go home and cast as many cooling charms as possible—” Hermione crinkled her nose and quirked the corner of her mouth in a wry grin “—Yourself?”
“Me and my boyfriend are planning a nice night in. He’s just got back from assignment with the Ministry. He’s an Auror, so we’re doing a bit of celebrating before he has to go back.” The girl smiled, her voice heavy with adoration.
“How nice! My boyfriend’s an Auror as well.”
“Really?” the girl asked, eyes lighting up.
“Yes, he’s actually away on assignment right now. I wonder if they know—” Hermione had been about to ask if perhaps their respective partners were familiar with each other when a voice called out from the end of the aisle.
“Babe, they didn’t have the crisps you like, but—” Basket hanging from one hand and a bag of Salt and Vinegar crisps in the other, Ron stopped dead in his tracts at the sight of Hermione. His eyes grew wide, mouth opening and closing like a fish out of water. “’Mione?”
Hermione stared back too, but unlike Ron she was unable to find her voice. Instead she just stared. Ron was back from assignment? Why hadn’t he told her? What was he doing there? Why was he calling this girl babe when—
“Wait—‘Mione? As in Hermione Granger?” the witch asked, taking a step back from Hermione and towards Ron. She looked at Hermione with wide, incredulous eyes. “Oh my gosh, I feel so foolish. I can’t believe I didn’t recognize you.”
Hermione looked on in confusion as she watched the witch hook her arm in Ron’s and smile politely back at her.
“Hermione,” Ron said her name again, but Hermione was too busy taking the two of them in. She felt like an absolute fool. The carton of Rocky Road slipped from her fingers and landed on the linoleum floor of the shop with a dull thud. Then, in a panic, Hermione turned on the spot and fled, hearing Ron’s call after her mix with a small ‘Oh my’ from the pretty blonde witch.
There were a million places Hermione could have gone. There were a million places Hermione should have gone. All of them much better choices than the seedy little muggle bar she found just outside of Diagon Alley. She should have gone home. Or to Harry. Or to Ginny. The smart choice was to tell someone what had happened and to talk it out. But instead, she spent the next four hours doing her best to get well and truly pissed. Drinking wasn’t like Hermione and certainly the first glass of whiskey had been hard to get down. But she found after the first two, she hardly tasted the biting liquid anymore and the dulling effect of the alcohol was just so nice.
It was just past ten in the evening when Hermione left the bar, tipping this way and that way in her heels and feeling exceptionally light-headed. The night had cooled down and the sun had just set, allowing Hermione to feel some semblance of relief as she walked down the street to a nearby alleyway. It probably wasn’t the best idea to apparate when she was so inebriated, but Hermione wasn’t really thinking in that moment. She just knew she didn’t want to walk. Thankfully, she managed to land, although very ungracefully, in front of Grimmauld Place without splinching herself.
“Shit,” Hermione whispered followed by a snort of laughter when she tripped over the threshold after finally getting her key in the keyhole. The world had gone all wobbly it had taken her ages to find the right key and get it in the lock. Closing the front door as quietly behind her as possible Hermione found herself overtaken by the strong urge to laugh again. Hermione Granger was well and truly sloshed and for some reason she found that to be very funny.
“Hermione?”
Hermione jumped at her name, letting out a little shriek as she turned around and found Sirius standing in the hall. The hall was dark, but light streamed out through the doorway to the kitchen illuminating him in long shadows where he stood, arms crossed.
“Sirius—” Hermione held a hand to her heart, feeling it beat wildly in her chest. “I didn’t think you’d still be up.”
“It’s past eleven, where have you been?” There was a strange tone to his voice, like he was angry with her but also like he was speaking to a small, frightened animal.
Past eleven? How long had it taken her to unlock the front door?
“I was—” Hermione tripped on the rug, catching herself on the wall and letting out another little laugh “—I stopped and had a little post-work drink.” Her words were slurred, even to her own ears and she laughed again, holding a hand over mouth in embarrassment. “Well, maybe one or two post-work drinks.”
“Are you drunk, kitten?” Sirius asked, sounding amused now.
Hermione continued down the hall, getting closer and closer to Sirius. Each step was a new struggle. A trip here, a wobble there. But Hermione didn’t care. In fact, she felt…good. Free almost. “Maaaaybe,” she drawled, giggling like a small child as she closed the last bit of distance and swayed before Sirius.
He stared down at her, arms now uncrossed as he seemed to be trying to figure out whether he should be amused or concerned. Hermione’s mouth went dry. Now that she was closer, she could see him more clearly and Merlin did she see him. There was a shadow of facial hair across his square jaw, and down his neck. Hermione found herself wondering what it felt like – whether it was soft or rough. Gaze traveling down the thickness of his neck she found his upperhalf bare, the only thing covering his torso, an open robe revealing the inky black of his tattoos. She loved his tattoos. They made him look dangerous. Mysterious. Hot. His chest was free of hair, the lean muscles dipping low and high like delicious hills and valleys she’d so like to explore. In fact…she reached out a hand, her body working opposite of a clear head as her fingertips tentatively touched the smooth planes of Sirius’ chest. He was warm.
He went sort of rigid under her touch, but Hermione barely noticed. Instead she was too entranced by the feel of him. Had she ever touched him before? She didn’t think she had. Her gazed traveled further south and with it, so did her fingertips. Ghosting down the center of his chest from sternum to bellybutton, she blushed furiously at the sight of thick dark hair starting at his navel and disappearing below a pair of pajama pants that sat dangerously low on his hips. She swallowed thickly, her breath coming in thick hot puffs as her hand traveled further, barely brushing the thick hair before a hand shot out and grasped her wrist.
Hermione gasped, looking up suddenly into the stormy eyes of Sirius Black before her. He lifted her wrist to shoulder height, pulling her forward slightly as he did it. The distance between them closed even more.
“Kitten.” It was a warning. Hermione knew it. But for some reason her whiskey-idled brain didn’t care. She liked the risk behind his tone. Her body practically purred at the sound of his special nickname just for her – the irony of that sentiment lost on her in the moment.
“Yes, Sirius?” she responded, her voice coming out deep and breathy and dare she say seductive? Hermione had never sounded like that before. She kind of liked it. Looking up at him with her best attempt at innocent eyes, she waited for him to say something.
Sirius stared down at her, his face a stony mask, but a war was raging behind his eyes. Hermione’s gaze flickered from the stormy grey of his eyes to the fullness of his lips and back up. With a deep breath and a long swallow that made his Adam’s apple bob in a mouth-watering way, Sirius finally spoke.
“You should go to bed.”
Hermione huffed, a bit like a petulant child but not quite as bratty. “What if I don’t want to?”
“It wasn’t really a suggestion.” His tone was dark, and it sent a surprising thrill through Hermione’s body. Her center throbbed. Her breath hitched. Maybe it was all in her head – this thick tension between them. Or maybe it wasn’t. It was certainly taboo, this…energy radiating between them. But Hermione didn’t really care because in that moment she made the sudden realization that she could have this. She could have this and not be the bad guy. Ron was the bad guy. All those months of guilt for feeling basic human attraction and he was off shagging some beautiful, leggy blonde. But now…she didn’t have to feel guilty anymore.
Before she could stop herself, Hermione lifted up onto her toes and closed the distance between them. Their lips pressed together for a moment, firm and warm. When Sirius failed to respond, Hermione’s stomach dropped, and she made the mortifying realization that he didn’t want to kiss her. She was just beginning to pull away, an apology poised on her lips when the grip on her wrist vanished and reappeared around her waist, pulling her in tightly as Sirius’s lips claimed her own.
It all happened very quickly. A meshing of lips and teeth and tongue that left her hot, sticky, and out of breath. Before she knew it, she was being pushed up against the wall of the hallway, her back and head hitting the plaster hard, but she did not care. The only thing she could focus on was the feeling of Sirius’s lips on her own and the hot cloud of their shared breath.
His hands remained wrapped tightly around her torso, gripping the material of her blouse in his fists, but Hermione’s hands were everywhere. She wanted to touch all of him, and she was determined to do so. It wasn’t until her hands wound themselves around his neck and threaded up into his hair, gripping the strands vice-like, that Sirius broke. He let out a ragged groan before moving his hands from around her waist to her front. Grabbing the material of her blouse in each hand, he gave a great tug, not even bothering to try and unbutton it. Hermione gasped at the sound of ripping fabric and the pop of her blouse buttons. Cool air brushing her sensitive skin and the hitch in his breath made Hermione acutely aware that she was now bare to him from the waist up. She remembered the bra she’d chosen to wear that day – a thin and see-through number that cupped her breasts perfectly but left little to the imagination. He was kissing her neck then, sucking and biting in ways that left her breathless and needy. His hands covered her breasts, kneading and stroking in a gentle way that contrasted so strikingly with how he was attacking her neck.
The only thing Hermione could do in that moment was hold on for dear life. Her heart felt like it was going to beat out of her chest and when Sirius’s mouth traveled south to envelope of her nipples, she thought that actually had. She let out a low, needy moan and arched into him. Feeling bold, she slid a hand from his hair, down the firm planes of his chest and to the front of his pajama bottoms. At the feel of his hard length she whined, high and breathy. Her hand had been there for barely a moment before Sirius tore away from her, distancing himself the width of the hallway. Hermione leaned against the wall behind her, needing the stability of it to stay upright due to her still drunk nature and the shaky state of her legs.
“What?” she asked, looking at the panting man across from her with confusion.
Sirius stared at her for a moment, chest falling up and down as pieces of his thick dark hair hung in his face. Hermione tried to focus but the only thing she could think of was how much she wanted to brush that hair from his gorgeous features so she could see him more clearly.
“You’re drunk. You should go to bed,” said Sirius, his voice low and gravely and filled with an edge of regret.
“But—” Hermione hesitated, confused at his response “—I don’t understand.” She crossed the distance between them, kissing up the older wizard’s neck. Did he think she didn’t want this?
“Kitten.” Sirius’s voice was strained, but he still managed to grab Hermione’s wandering hands and push her away again. Hermione gasped at his rough touch as he pulled her off of him. “I said you should go to bed.”
Hermione stared up at him in shock for a moment before a surprising rage filled her. Was she not good enough for him? Was she not pretty enough? Did he not enjoy what they’d been doing? The hot sting of angry tears reached the inner corners of her eyes and she tore out of Sirius’s grip before stomping up the stairs towards her room with a huff.
Part 2
53 notes · View notes
miggydiaz · 4 years ago
Note
For the salty ask 1, 4, 5, 6, 9, 10, 14, 16, 20, 22, 23 and 26 for cobra kai pretty please
My answers are so long, so I am putting this under the cut @wonderwolfballoon! Also I just noticed your Daniel icon I SWEAR I’M NOT DRAGGING HIM TO BE MEAN!!!
1. What OTPs in your fandom(s) do you just not get?* My biggest IDGI ships for CK are probably Elimetri or Kiaz. I’m not here to yuck other people’s yums or anything, but I do think there is something to the idea that Migueli isn’t popular because it’s a ship predicated on mutual respect for one another. Kiaz has the obvious enemies to lovers vibe and I just generally don’t sail those ships. Elimetri has... its problems, IMO, most especially around the idea that Demetri has to like... save Hawk from himself? Idk. I just like romances that I feel are based on love and mutual respect and not ...tropes.

 I am also not a Lawrusso shipper although I have a lot of those on my dash and you all are great! Again, not yucking yums! Daniel just makes me want to head butt him too much to pair him romantically with anyone 😂 I don’t even want his wife with him. He needs to self reflect~ 

4. Do you have a NoTP in your fandom? Are they a popular OTP?* 

I once saw someone ship Amanda and Anoush and I noped out of that so fucking fast I almost tripped over myself. I’m not sure if they’re popular. I just think some people feel the need to get Amanda out of the way to sail their ship and stuck her with Anoush which... no. Just no. Let Amanda be a messy single queen with a martini hobby, thanks! 

5. Has fandom ever ruined a pairing for you?* 

Not in CK. I’m lucky because I pretty much stick to my little Migueli bubble and I’m okay with that? Lmao lord knows the Squad on my dash is all about the DISCOURSE™️ so idk if I just don’t feel the need to get sucked into the wider ship wars because we have good healthy debates, but so far, so good. 

6. Has fandom ever made you enjoy a pairing you previously hated?* 

I never hated it... I just didn’t have many feelings on shipping with this show in general at first. Then I was in the CK tag one day and I saw Migueli fan art. Then I discovered @afurioushawk‘s falconry series and it was all over for me after that! So fandom DID make me love a ship, just not one I hated.
9. Most disliked character(s)? Why? Oh boy. How much time do you have? In some instances, it’s a good thing season 3 happened because otherwise, this would be a multi-page essay on the problems with race and class privilege as it pertains to Sam LaRusso and just some... generally not nice comments about Demetri that I’m conflicted about because I’m not sure if the writers are intentionally trying to write him a specific way and it’s just not translating to me or what. But season 3 revamped both of their images with me a lot. I’m way more flexible in terms of Demetri, but lmao I was the number one Sam LaRusso hater for a minute there (or maybe number 2, I can think of at least 1 other person who was in that boat with me back in like... August/September, but I won’t call them out because I don’t want them to get hate...) However, I have grown a bit in my opinions of Sam, and even though I still think she’s responsible  for a lot of shit she NEVER gets held accountable for, I also think that’s a reflection of the adults around her too, and this includes my otherwise unproblematic queen, Amanda.
But honestly, my most hated character (other than the obvious villain that is Kreese) is Daniel. No matter how handsome Ralph Macchio looks in cable-knits, because Daniel has always been a sanctimonious, shit starting drama king and I say that about KK Daniel too. I’m not saying Daniel was the ~true villain~ or anything, or that Johnny was innocent -- I can only drink so much Red and Yellow Kool-Aid -- but Daniel’s always been annoying to me as a protagonist, and turning him into a smarmy wealthy car salesman who is also a class traitor did not do him any favors in my book. I will say, I also like Daniel more in season 3 than I have in previous season, but since he is the adult, I will be mad at him longer than I will be at the kids, ya feel?
10. Most disliked arc? Why?

 Johnny’s entire season 3 storyline. The sheer level of REGRESSION at every turn drives me bonkers. It’s like watching him go through all of the stumbling blocks of season 1 all over again, but without the “he’s learning! He’s going to make mistakes!” free pass that I was willing to give him the first time around. He regularly jeopardizes Miguel’s recovery and it’s played for laughs. He fucks up on every level with Robby. He spends most of his time running away when things get hard or too real. He drops the ball completely with Hawk, and like, not to put too fine a point on it, but a lot of Hawk’s issues are because Johnny put Hawk on this ‘flip the script and be a badass’ path and then offered him no guidance for how to walk that path and instead left him in the hands of Kreese. And then he has the nerve to go to Hawk and basically be like “I made you what you are!” lmao yeah Johnny, you sure did, that’s why he’s breaking peoples arms, hoss. And then all of the nonsense with Ali and Carmen, like... if you were planning on teasing KK fans with Ali and him getting back together, why write her as married in the first place? Why even tease the idea of Carmen and Johnny until after you were sure what you were going to do with Ali as a character? Instead, they do what they did in season 3 and it makes him look like a colossal jerk. So yeah. Literally every choice they made with Johnny this season, I hated.
14. Unpopular opinion about your fandom? People who hate Tory are not valid, sorry not sorry.
16. If you could change anything in the show, what would you change? I would have kept Miguel entirely out of Tory and Sam’s beef. Or at least not directly inserted him into it like he was with the kiss. I know the writers thought it was necessary to push Tory to the point of inciting a fight at school, but I am just so exhausted over girls being unable to fight about anything but boys. Also I would bring Aisha back.
20. What is the purest ship in the fandom? 

I am probably biased, but I still maintain it’s Migueli. Look, Miguel stood up to Kyler for Eli and Demetri both. Hawk joined CK because he saw what it could do for some skinny nerd who was getting his ass kicked. And he took to CK, really took to it! Even flourished before he started getting mixed messages. And he and Miguel were pretty much inseparable after that. They coordinated their wardrobes ffs. Hawk dubbed him El Serpiente and no one else calls him that — it’s Hawk’s nickname for him. Miguel confides in Hawk only secondary to Johnny, who is like a father to him. The entire Coyote Creek exchange shows they can fight and disagree but... well, to use the cliche, they don’t go to bed angry, you know? They’re square the very next day. Hawk is the first person at Miguel’s side when he gets kicked over the balcony and the LOOK he gives the second floor where Robby is? That boy is out for blood immediately to avenge Miguel. So much of his s3 behavior is fueled by that need for vengeance because MD is wholly responsible for what happened to Miguel. And Miguel is so confused and betrayed by Hawk’s shift in behavior, and yet still holds out hope that Hawk will see through Kreese’s BS and come with him to The Dojo I Refuse to Name. And when Hawk does make that deflection finally, he shows up at MD with Miguel. There’s so much more that I know I’m missing but whether someone ships them or not, that is a tried and true love and respect for one another, a willingness to fight for and defend one another that you don’t often see in TV friendships... or even in most tv relationships. And I just think that’s the best ❤️
22. Popular character you hate?

 Daniel, hands down. I mean... I don’t even necessarily hate Daniel, you know? I just think it’s really, pardon the pun, rich that a guy of immense wealth and privilege can’t get a therapist or turn to his far too patient wife for help with his existential crisis over his high school bully opening up a karate dojo to make some money and help a kid who is getting the crap kicked out of him. I get that Daniel’s narrative is necessary for the rivalry, but it does nothing to make him sympathetic as a character.
23. Unpopular character you love?

 Tory, definitely! Everyone hates her and then there’s me and the Squad over here banging away on our Coors Banquet cans yelling TORY RIGHTS! Seriously she catches so much flack for a teenage girl who is... the sole income provider for her family? At 17? While caring for a sick mom and a little brother? And fending off a creepy landlord? Tory has it so rough and then she meets a cool girl at her dojo who asks her to hang out at some fancy ass country club which is probably the nicest place Tory has ever been in, and then she gets talked down to and accused of being a thief and has another girl lay hands on her, only to find out that same girl is her new boyfriend’s ex and... ugh. I HATE that Tory gets shit all over when Tory and Sam wouldn’t even have beef if Sam had apologized to Tory as she SHOULD have. Tory isn’t innocent, but damn, I’d be pressed too.

 My other unpopular character I love? Nathaniel. Seriously that kid is THE best. He’s a literal child but is out there like I WILL FUCK YOU UP, even though he’s MD. Honestly, his Cobra Kai energy is so ferocious I won’t be surprised if he moves back to CK eventually. Anyway, I love him.

26. Most shippable character?

 Miguel, hands down. It’s because he’s so affable and sweet overall. And because his hair is so fluffy and pettable that no one can resist touching it. I like to imagine that one day he and Hawk are talking about their hair and Hawk makes a joke about how Miguel’s mane is getting so long that it’s going to be bigger than his own, and then he reaches out to ruffle it and internally has a bisexual meltdown because oh no IT’S SO SOFT AND NICE. But uh... anyway, yes. Definitely Miguel.
30 notes · View notes
girorodesu · 4 years ago
Note
Please do a Wedge/Hotshot headcannon or something
Ooo an ask! I love getting these!
So i know you never asked but I'm gonna start with why Wedgeshot is succh a fucking good ship. Because it is, it's so implied and shipped by the actual show staff (for good reason too!) Plus Hotshot and Wedge are easily the most well developed character in RBA. (Id argue Wedge has the most depth in character development and story)
Okay, so Hotshot and Wedge complete each other in so many ways. Wedge's biggest character flaw is his lack of self confidence and inferiority complex that is 100% due to him being created a decepticon (his main goal of wanting to have his own heroes of cybertron card is proof of this). Anyway this flaw is something that Hotshot has been helping him overcome for a long time (see battle of the bots). Hotshot has self confidence in spades, He never shys away from anything and is very prideful of himself and his accomplishments, and this is something that he has been teaching Wedge for the past two seasons. Hotshot is there to encourage Wedge, he challenges him and encourages him. He also knows when Wedge needs a helping hand to face a fear. (Wedge's fear of heights/ when hotshot held his hand as they jumped into the underwater ravine.)
But on the flipside Wedge is also what Hotshot needs to grow as a bot, What wedge lacks in self confidence he makes up for in maturity and humility. These are traits that Hotshot lacks, but he has been learning them. Off the top of my head I want to reference 'more than meets the eye' where Hotshot spends the whole episode being the oppressing voice of calling down decepticons and saying 'racist' things about them. But when Wedge confronts him and the team about the truth of him being a deception, Hotshot immediately changes his opinion. It's strange that one bot being a decepticon can change Hotshot's opinion on an entire race so quickly, and an opinion that he was constantly adamant on sticking to when challenged vaguely by Wedge before his confession. It's so interesting to think about how Hotshot trusts Wedge so much he'd immediately change his mind on something he was so sure of because of him.
And don't even get me started on how Wedge knew what would make Hotshot second guess leaving the academy. He knew that Hotshot didn't feel part of the team so he gently reminded him that he was.
God I love Wedgeshot so much. I could go on forever on the little things in the show that make me think they're literally soul mates but I won't waste your time.
Onto headcanons!! As asked!
I am only gonna put adult!wedgeshot headcanons in this because I don't like to romantically ship them as children. Soooo I like to think they get together as adults uwu.
- Hotshot amd Wedge had mutual feelings for eachother for A LONG time before confessing. I think that one of them would end up confessing during an extremely dangerous mission. Where it's like a 'now or never' kind of thing. I want to say Wedge would confess first because he's the kind of bot who would worry about something bad happening.
- Wedge leads their rescue team and Hotshot is his right hand bot. They keep eachother in line and argue a lot. But the other three notice that sometimes Wedge and Hotshot sound like either an old married couple or little kids. They can't decide which is more accurate.
- being created a Decepticon is self depricating guilt that Wedge carried into his adulthood. He looks like a decepticon so he carries around the stigma that comes with it. Despite being a reputable rescue bot there are still some 'purist' bots who make snide remarks at him or say passive aggressive things about Wedge's original faction. Wedge is the type of guy to not defend himself and it opens old wounds in his self esteem issues when brought up. But Hotshot? Oh boy, Hotshot WILL defend Wedge against any and all comments about his past. Wether Wedge was present to hear them or not. Hotshot knows first hand how much Wedge struggled and grew to get where he is now as leader of a reacue team and how much being a deception haunts him. Hotshot spent many nights up reassuing an upset Wedge who would question if he deserved his position as someone created to do such bad things. So yeah. Protective boyfriend Hotshot.
- Hotshot coaches a sparkling cube team and Wedge is the assistant coach. It's a fun change in dynamics from Wedge being the leader. (Maybe it's their sparkling's team oooo 👀👀👀👀 Hotshot lives vicariously through his own kid 🤣🤣🤣)
- although they both get a "heroes of cybertron" card eventually Hotshot gets his first for doing something brave that was actually reckless that Wedge scolded him for. At first Hotshot felt guilty for gettung it but once Wedge got his own it became something fun to tease him about. They have the first print of eachother's cards which they got the other to sign. Wedge keeps his Hotshot card framed with his collection while Hotshot keeps his Wedge card on him for good luck.
- at every possible opportunity Hotshot teases Wedge for his crazy big crush on Bumblebee as a kid. Luckily Wedge get to come back with the time Hotshot dated the bisexual disaster that is Scorch.
Its 2am and thats all i can think of. I have more detailed headcanons, and headcanons for them as parents but i decided to keep it more general for now. Feel free to send more asks if you want. I love to get them 🥺🥺🥺 
I might write a wedgeshot fanfic in the future uwu i love these nerds.
77 notes · View notes
traincat · 4 years ago
Note
Hey so, why is it that so many,when talking about johnnys sexuality, keep using the word gay? Idk maybe im just damaged from all the bi erasure in other fandoms and in canonically queer characters but while there's a lot that implies johnnys attraction to men, that doesnt exactly negate his - albeit limited- attraction to women. Like i ofc want us to get an out and happy johnny but as a multisexual guy, I would hate to see them do what they did with iceman and just go for the Gay label, y'know?
Same anon as bi erasure one. I want to add that obviously i have nothing against gay people or gay rep, im just tired of how queer ppl (men in particular) get treated like we're all gay when theres such a wide spectrum and fluidity to sexuality, you know? Usually in comics we get shoved to the back with crap like "morally inverted tony stark fucks women AND men" or morally gray/evil characters as being promiscuous enough to sleep with all genders which... obviously sends a rather nasty message
I think I have to start this one off by saying the very obvious, which is that I am not in charge of any Marvel property in any way, shape, or form, and I really have no control over their decisions in the slightest. We’d be reading very different Spider-Man comics right now if I did. I also have no control over how other fans choose to think of Johnny Storm. In short:
Tumblr media
I know that, personally, I have gone back in forth in how I think of Johnny’s sexuality, but that recently, while doing Fantastic Four readthroughs specifically focused on Johnny, I’ve said I think he’s gay and not bisexual because I think I’ve made a pretty good case that his attraction to women has by in large been written, whether intentionally or not, as performative, uncomfortable, or, at its mildest, just really awkward, ie not sincere in its presentation. I’ve talked about the myth of playboy Johnny before and how the point where it starts in canon is important. I also have a really long post about my personal thoughts on the decades and decades of queercoding where Johnny is concerned and how I came to my own personal conclusions on what I think about his sexuality and the writing trends that led me to this specific conclusion.  
I’m not erasing Johnny’s bisexuality because as far as Marvel has stated on the matter so far, at the time this post was written, Johnny is heterosexual. Even his brief sexual affair with Daken is subtextual, not hard canon -- Marjorie Liu has commented that it was written with that intention in mind, but it’s certainly possible to read the Dark Wolverine storylines Johnny appears in without a personal belief that they were fucking, because it’s not hard canon. (And if we want to talk about Marvel’s messy history of problematic bisexual representation, I personally think Daken “early appearances erotically asphyxiating a hookup to death” Akihiro is a pretty prime example, especially compared to the evil Iron Man orgy.) I think it’s interesting compare Johnny to Bobby -- something I do in the latter post linked above myself -- because, like Bobby, I think there’s a lot to dig into in Johnny’s canonical relationships with women that lend themselves well to this subtext, something I think it’s significantly harder to do with characters like, say, Spider-Man, specifically because of how those relationships were written. Which isn’t, in my opinion and from my standpoint, discounting those relationships entirely, but rather viewing in them in an alternative light. What I’m saying with Johnny specifically is that I think it would be harder to cast doubts about his genuine romantic or sexual attraction to women if there were fewer panels of him cringing away from being kissed by them. (They’re in the Johnny relationship history post. There’s a lot of them.) I also think it’s interesting that there are several out of main continuity universes that feature deeper dives into Johnny’s sexuality -- my go-to is always the incredible Startling Stories: Fantastic Four: Unstable Molecules, a mini-series dedicated to the lives of a fictional “real” group of people who inspired the Fantastic Four, where the Real Johnny is a teenager dealing with his sexuality in stifling ‘50s small town America. But I’m also not objecting to anyone’s personal read on Johnny as bisexual instead of gay, because, again, neither of these reads are canon at the moment, and also I really don’t want to get into the deep waters of fictional character sexuality discourse. It’s just my personal read on the character and I think I’ve previously made my case on why pretty well.
46 notes · View notes
cassahina · 3 years ago
Note
Hi!! Could i get a romantic match-up for danganronpa please? i rlly love ur blog 💓💓 I’m a bisexual cis girl. I am very optimistic, caring and sweet, and i love to nurture and take care of my s/o (im affectionate). I’m also a writer! though i specialise in novels lol, and i also LOVE music. Taylor Swift is my entire life, but I also like Lana del Rey, halsey, olivia rodrigo, mcr, and anything alt or pop. I really love to write, whether its a novel or poetry, and I like to read too! I also journal a lot. I’m 4’11 and have blonde hair, and i ALWAYS wear pink. I’m very hyper-feminine and i love girly things, like painting my nails, doing makeup and dancing around my room! I love making friends, and while im more of an introvert, I still enjoy social gatherings. I like it when someone is sweet and shy, yet still very dorky and affectionate, and someone who will eat what i bake for them (i love to bake!) I hate people who put others down! I also kin Kaede Akamatsu and Sonia Nevermind from Danganronpa! Thank you so much and have a wonderful day! 💓💗💗💘💝💞💕
Of course Anon! Always happy to do these! I hope you enjoy it :)
I match you with….
.
.
.
.
.
.
.
.
Chihiro Fujisaki and Komaru Naegi!
I chose Chihiro because they fit the sweet and sensitive nature that you seem to like in partners. While Chihiro is a bit more soft spoken and insecure compared to other Danganronpa characters, they also have a big heart that allows them to stand up and grow when they need to. You mentioned how you liked to care for your partner, and I could see Chihiro being the type to welcome others to support them and would definitely appreciate your help and optimism. Not only that, but they are also a bit of a dork, seeing as they love to code and gadgets. I could see you both helping out others and going to social gatherings together (as Chihiro wouldn’t mind as long as they had someone to go with them). It would just be a very wholesome and supportive relationship.
I chose Komaru because I think your vibes would match up well. You mentioned how you are a writer and love to write and read, so you and Komaru would have plenty of stuff to discuss (seeing as she loves manga and wants to make her own.) I could see her totally checking out and supporting whatever you create. Komaru is also decently optimistic, hating when others bring things down like how you do, so you both would be hyping each other up a lot. She is also very dorky and would be down to show affection, go out to social events, and to eat whatever you bake gratefully. She is just genuinely a sweet and happy dork who would just fit well with you in my opinion. :)
5 notes · View notes
filmmakerdreamst · 5 years ago
Text
‘Boy Meets World’ Re-watch (as an Adult)
‘Girl Meets World’ doesn’t count as a sequel. Not because of the writing/tonal choices but because in the original show - despite continuity issues - the characters felt like real people e.g. the way they spoke/acted/dressed was the way people behaved in the 90s where as in the spin off, they were Disney characters e.g. hyper versions of themselves especially Cory and Eric. And the transition between both shows didn’t come naturally. It’s not an objectivity badly written show but it was pretty much a re-do of the old show with the same storylines/tropes without continuing the story. (I say the same thing about ‘The Incredibles’. vs ‘Incredibles 2’.) Also there were too many cooks in the kitchen pushing one way or another. You could see Micheal Jacobs style, all the aspects were there, but he was also creating a ‘DISNEY’ show at the same time. I don’t know about you but the one message I took from the original show was ‘finding out that life cannot be packenged into a lovely little present ’ which kind of contradicts everything that the new show is. If anything GMW is an AU universe (and it really felt like that, rewatching it right after BMW e.g. it felt flipped) almost like Disney’s version of ‘what happened next?’ The primal difference between both shows is BMW is portraying what is real and GMW is based on what is real.
Going off my point, I will however be always thankful that it exists because I probably wouldn’t of found out about ‘Boy Meets World’ otherwise. Although saying that, I never thought that the original show needed a continuation of any kind (a lot of things make sense about the spin off if you acknowledge that Disney requested it - I think it would of been much better off on its original platform) ‘Boy Meets World’ was very much a product of its time i.e. when tv shows were still relevetivley new and had no rules - like there is stuff in there that not even adult shows today have. Plus there was something about it that felt very personal (such as the characters and setting) as if the creator based it on his own childhood growing up and I think that was part of its charm and why it had such a big effect on pop culture - I’m not so sure you can repeat that.
BMW is big on meta I’ll tell you that. I love how it’s so aware of itself. The amount of depth that it has never ceases to amaze me. It’s whole universe is so dense and huge. Every quote/storyline is so unique it sticks in your brain forever. (I swear the humour got more and more deranged every season). The show was also incredibly queer and progressive.  It didn’t give a crap about sexuality. Much more than I remember. Proof to never use ‘but it was made in the 90s’ excuse.        
I loved how the show kept reinventing itself every season as Cory grew up so you really felt you were growing up with him and all the characters. The Character Development on this show was so natural/authentic. Every single character got a chance to shine. No one changed their look in one episode and no one had an intervention every time someone had an identity crisis (GMW) My favourite development was Shawn Hunter. He went from a cool kid to a ladies man to a poetic soul. It was so satisfying to watch.
I realised that Cory Matthews is actually my favourite character (before it was Eric or Shawn) I already have a special soft spot for ‘annoying’ characters because they tend to be the most memorable/real. For example, Karma Ashcroft from ‘Faking it’ was my babe while everyone was hating on her. I really related to his anxiety/self hatred about being average and I loved that he constantly made mistakes. It was very refreshing. He’s also incredibly queer-coded. I found that alot of his mannerisms make sense if you see him with extreme compulsory heterosexuality (because identity’s such as bisexual or gay couldn’t exist normally in the 90s) There are moments in the show where he literally mimics his best friend’s behaviour around girls e.g. when the class pretty much gets brainwashed by the sex ed video in ‘Boy Meets Girl’ Shawn gets asked out by a girl, making Cory jealous - which pushes him to ask out Topanga.
It’s funny how a few years of life experience can change perspectives completely because when I was sixteen (aka the same age as Cory and Topanga) watching BMW for the first time, I was mad at Amy for ‘not understanding that they were in love’ (in ‘A Walk to Pittsburg’) but now that I’m older I’m actually agreeing with her. Yeah, what do they know about love? Because all season long they were acting quite superficially.
Cory and Topanga became somewhat of a toxic couple in seasons 5 -7. Reminded me of my parents relationship because my mum gave up her chosen university to be closer to my dad and they aren’t together any more. Topanga’s love for Cory was very conditional and Cory cheated on her multiple times/openly begged for sex  (Again like my parents) And you should never be in a relationship with someone who makes you say “You make me think not so very much of myself” There are arguably much more signs of emotional abuse than love in their relationship especially from Topanga’s side. Plus their story was altered so many times to give it more basis (they retconned Shawn and Cory’s friendship to do this) I could write an essay on how Kevin and Winnie’s love story on ‘The Wonder Years’ is much more believable because it actually addresses how toxic it was and they grow apart in the end. If GMW was a realistic continuation, they would be divorced with a little girl - leave them in the 90s where they belong.
Alan and Amy were couple goals! Cory and Topanga wish that they could have what they have. Literally the definition of ‘a healthy relationship on tv that keeps thriving and over coming obstacles without big drama’. Best TV parents ever.
I loved the Matthews family; how they all had individual arcs and developments of their own. One of my favourite arcs was in season 5, when Eric and Cory were both jealous of what they ‘didn’t have’ with their dad, so Alan made an effort to give them both that they needed. Honestly, I had never seen so much healthy communication on TV before. Alan is the best father around. His whole personal arc of giving up managing a supermarket because he wasn’t passsionate about it anymore and buying a mountain store was so inspired. I found it funny that the family had more of a relationship with Shawn than Topanga.
Shawn Hunter never caught a break. It got a bit tiring. He was never allowed to be happy for five minutes. Every time he laughed or smiled, 5 years were added onto my lifespan. Why didn’t Johnathan Turner adopt him? I loved their dynamic. Why did he let him go back to his abusive father who just dumped him anyway?
Jack and Shawn’s complicated dynamic was possibly the most unique/interesting arc of the entire show and no one talks about it. I don’t care what y’all say - despite them being very different, Jack was the only one who fully took care of Shawn without second thoughts (Turner and the Matthews family had doubts)
I liked Shawn and Angela. I thought they were much better suited than Cory and Topanga. I honestly wouldn’t of minded if they ended up together even though I always had a feeling they wouldn’t. (Like I’m glad she went with her dad in the end) And considering how important they were as a interracial couple in the 90s, GMW handled that very poorly.
Shawn and Cory should of ended up together. And before you come at me with ‘it’s important to have m/m friendships without toxic masculinity’ (which is an important arguement to have) - yeah no shit there’s an entire Industry based around that/pitting women against each other. While it is important to have those friendships between men that are close and even intimate (take Chandler and Joey, Schmidt and Nick, Isak and Jonas and Jake and Charles for example) there was also another layer to their relationship which the narrative played off sometimes as them “going out” or “in love”.  I actually recently found out that a writer - who came into the show in season 3 - confirmed that she wrote gay undertones into their relationship on purpose ‘In my opinion as a writer, they thought they were “straight”, they both didn’t realise or understand their feelings for eachother’ but couldn’t deliever because the producers wanted to keep the show “kid friendly”. Kind of like Xena and Gabby. I know people prefer Jack & Eric (I love them as well) but everything got ruined for me as soon as they introduced the ‘love triangle’ and I always tend to prefer emotional tension over sexual. They were just so unconditional with each other/ their friendship was so good and healthy and now I’m so bitter that it never happened.
I never understood why Shawn and Cory had to stop being best friends after he got married. He’s not Topanga’s property. I always hated how Topanga tried to interrupt/interfere with their dynamic — although now I realise it was because the two of them purposely left her out. Looking back at it, If it really was just a intimate friendship then why would she get so easily jealous if she didn’t sense there was something else deeper going on? You should never marry someone who puts you second.
I didn’t like Topanga when she was with Cory (or vice versa) Especially after they got married. She was a great character on her own. Feminist before her time. Hermione Granger before her time. I always felt she deserved a lot better than him in a way e.g. if someone I considered a friend speard a rumour around high school that we slept together - I would never speak to that person again. SHE SHOULD OF GONE TO YALE GOD DAMN IT. And as someone pointed out the other day, if the roles were reversed some of the stuff she does or says to Cory would be considered domestic violence. ‘She’s always blaming Cory on shit that isn't even his fault or makes him feel bad or shuts down his emotions and turns it around so he's comforting her instead.’ There was even a moment in GMW (not that I consider that show a continuation) where she locks him out the house for a few days after he insulted her chicken, and his son Auggie had to bring him spaghetti. If Cory was a woman, that would not be played off as a joke - that would be considered abuse. They were however a better couple in GMW ironically.
Angela Moore is now one of my favourite characters on BMW. She was beautiful. Her friendship with Rachel (and Topanga) was the best. And I frickin’ loved her and Cory’s friendship development - when they could of easily not played into that. I hate that she got villiaized in GMW.
My favourite seasons are 4, 5 & 1. My least favourites are 3 & 2 & 7. And even then the show was still pretty darn good.
The back and fourth clash between Turner and Mr Feeny in season 2 was very entertaining.
Mr Feeny and Eric are my favourite relationship on ‘Boy Meets World’. I love how Eric was the only person that Feeny directly told that he loved him. Also, why didn’t Eric become the new Mr Feeny? He showed more traits of becoming a teacher in the show than Cory did.
Eric and Tommy was probably the most heartbreaking plot line in season 6. (That season was an emotional train wreck) I cried for a fourth time. The world doesn’t deserve him.
I loved the development of Shawn and Topanga’s friendship. Even though there was a silent competition over Cory, they eventually became good friends. I found out that the song ‘She will be loved’ was inspired by them which is awesome but it’s also proof that people ship for less if it’s an m/f dynamic - just sayin’. I however see a more convincing potiental romance with the two of them than Cory and Topanga sometimes.
On Cory and Topanga again - they weren’t a bad couple overall. I liked them in s1 - 3. They had some great moments. But upon my rewatch (getting out of that 90s idealised headspace) I found them to be too similar at times - chafing as another person put it - to the point where they cancel each other out. A lot of people pointed out that Riley and Maya paralleled them and I was thinking “That’s not nesserily a good thing.”
‘Dream. Try. Do good.’ is on my mantelpiece.
203 notes · View notes
matoitech · 3 years ago
Note
I rlly like your prmare takes and i think that if u wanna talk more abt galo and autism that'd be great! (take this ask as your chance to do so)
THANK YOU ANON AND GODD I COULD WRITE ONE MILLION ESSAYS ABT IT ALL I STILL WANT TO MAKE MY LIKE LONG YOUTUBE VIDEO ESSAY ABT IT ALL BUTITS SO MUCH its so much stuff to find and put together into a coherent thing that makes sense bcuz to fully explain id have to go over autistic characters and disability in media in general, gets down deep in2 ableism and violence against autistic ppl... its a lot! and its rough so.. not smth i will talk abt rn <3 i have enough
anyway i dont even know where to begin ive talked so much abt it and im trying to figure out what to talk abt that isnt me like getting in2 the not fun part of a huge part of Knowing galo autism bcuz of allistic fan response + how trigger wrote him but yeah i think sooo much abt galo bcuz fave character but also galo autism SO REAL and genuinely a huge part of why i love him like galo would NOT be galo without being autistic which is why so many fics n shit ive seen just dont rly feel like him lol, ppl either go like insultingly ableist portrayel or they scrub his personality away to be nothing but existing as sexy eye candy for lio. there is SUCH an interesting character here that ppl want to flatten and i do not get it!!! in canon his character and relationships ESPECIALLY with lio are all written around him being autistic its a major part of his character n understanding his relationships w other characters and even the narrative, i would say 'even if it wasnt intentional' but u do not say what they did to him in the ova and have that not be intentional like there is some level of intention here even if thats not smth theyd ever talk abt. sometimes ppl talk abt like subtle homophobia within the narrative and promare universe that obviously leads to galo and lio connecting and vibing and how important their relationship is to both of them which is true! but i think too reading them both as autistic (galo Is and lio bcuz It Makes Sense and makes their relationship even more interesting) and understanding how tha autism has everything to do with galos relationships and feelings abt his place in the world especially is also rly important to understanding them! like whenever ppl act like galo has no understanding at all of anything similar to what lios been through and he has no understanding of oppression or discrimination like hes not aware to SOME extent of the world hes living in and situation hes in (INSERT TANGENT ABT THE LAKE SCENE PROVING GALO AND AINA FEEL SUFFOCATED W THE EXPECTATIONS THEYRE CARRYING) i just feel completely blown away bcuz not only is he gay but hes also autistic so like how does one walk away from promare thinking galo doesnt understand lio at all on that level even if the discrimination they face manifests differently w the burnish as like their worlds scapegoat, and working together and respecting and loving ppl even if u dont fully understand their situation n struggles. galo being autistic is JUST as important as galo being mlm in my bisexual man opinion and it bugs me that ppl act like galo being autistic is smth they can extract out of galo and out of the narrative and have it still b the same story and same character and same relationship w lio cuz no it obviously isnt! but fandoms have a hard time w that one
even tho trigger treats him like. well its Odd to say the least. he still ended up being like a rly good autistic character to me, i avoid saying stuff like Good Rep bcuz that is entirely based on ur own opinion and i liked him and i know autistic ppl see galo and r like You but saying 'good rep' implies like, trigger treated him great too and. i dont feel like getting in2 it ive talked abt it b4 but they treat him weirdly. anyway im constantly surprised when ppl treat galo autism like a headcanon or something too ITS KIND OF A PET PEEVE OF MINE RLY when i see ppl say galo autism 'headcanon' i feel like saying dont tiptoe around allistics comfort they dont even know anything abt autism why do they get to decide if a characters autistic lol! anyway yeah i dont even know what to say i just get rly excited abt galo and abt this bcuz like, huge part of my understanding of promare and the characters to me! maybe someday i rly WILL make that epic youtube essay
i did NOT proof read this i slapped it all down and am throwing it out in2 the world but i lovoelove talking abt it bahaha thank u anon if u want smth more specific or for me to elaborate on anything feel free 2 ask cuz i just rambled
6 notes · View notes
ardenttheories · 4 years ago
Note
Homestuck's always been antagonistic and insensitive, but I don't recall seeing any of you try to dox Hussie? But please, continue to rationalise how cyberbullying lgbt people for not being nice enough and having opinions about a fictional character you disagree with puts you in the right. A story doesn't go the way you'd like and this is how you respond? You COULD have just not bothered reading it instead of CHOOSING to make your online life about something you hate like a toxic weirdo.
Hi, Kate. I’m so glad you could find my blog. (Edit: that was a joke. Apparently, some anons find it impossible to tell that I don’t actually think you’re Kate). It’s clear to me that you didn’t take the time to read through any of the content that’s actually on here, since you’re throwing around rather wild accusations, so let me take this down step by step.
Homestuck has only rarely been antagonistic and insensitive. Things like the Alpha Trolls - which were clear criticisms of fandom culture - were relatively few and far between, and when we complained about them, they actually stopped. Remind me, for instance, how relevant the Alpha Trolls were to the plot? How long they stayed as mockeries towards the fandom? Yeah, not long. I actually have talked about this before on the blog - alongside other things I thought were negative towards the fandom from the original comic - but the difference here is that... in the entirety of Homestuck, these things were outliers and inconsistencies. They stuck out because they were in stark contrast to the otherwise wonderfully handled content Homestuck went over.
For instance, Homesuck is critical of abuse - especially in terms of relationships. We see through a critical lense the shit normalisation of parental abuse can do to a child - with actual talk of triggers and of the mental and emotional scarring left behind, and the complexities of the child’s feelings towards the parent’s death through Dave - and we see how self destructive relationships can be, how harmful they are, and how hard it can be to leave them - such as Terezi’s very toxic blackrom with Gamzee, which was always portrayed as something negative and harmful especially with how worried Karkat was for her and how withdrawn she became during its run, and Dirk’s relationship with Jake, which goes very much over how communication can cause a deterioration in romantic relationships especially when the two participants have conflicting mental illnesses. 
It also goes over how men, though they can be mired in toxic masculinity, can choose to be good. How sometimes we’re not born as good people, but we can become good people through the love we have for the people around us, through frequent attempts to check what we’re doing, through the sheer willpower to be good. Dirk’s entire arc, knowing that he could very easily become Bro but deciding he doesn’t want to be, that it’s something he wants to work on, is so important and incredibly powerful. Mental illness in men is often just given as an excuse to make them violent with no attempts at betterment - so Dirk actually existed as proof that you don’t have to be that stereotype. 
In contrast, Homestuck^2 completely uncritically gave Jade, who was cis, a dog dick, made her, a bisexual woman, a sex maniac and the yaoi “woman who gets in the way of the gays” trope, made her a cheater and someone who forced her partner into the relationship to begin with, and made her a neglectful mother after having cheated with her best lesbian friend in something that has incredible recall to just about every futanari video ever - and they tried to claim that this was good representation of trans women, actually, and that the only reason we didn’t like it is that Jade is “a woman” who “has sex”.
Likewise completely uncritically, they made Gamzee, an anti-black stereotype, enter a relationship with Jane, a fascist, and then made the entire thing into a cuck joke wherein Jake being frequently drunk and sexually assaulted was funny because he wasn’t “man enough”. They then forced him to go back to his abuser after he left her in a scene that read very much like, “ridiculous man thinks woman is abusing him, go back and do your manly job”. 
This, of course, doesn’t even go into the travesty that is any form of trans representation in the comic. Roxy, a trans man, is barely even focused on as trans; they make no attempt to enforce in the fandom that he’s a trans man the way they do that June is a trans woman, and even then, they seem to think that just saying someone is a trans woman is actually good representation. Not, like, bringing it into the comic - just saying that it’s a thing. And of course, that’s not even going into the completely uncritical lense they have of Vriska, wherein her being a trans woman completely frees her of any and all blame for the past abuses she has comitted, and once again she becomes an amazing character to save the day without a single flaw - which in turn inherently associates trans women with abuse apologism, abusers, and the ideology that just because we’re trans we can get away with anything scott free. 
I honestly cannot think of one instance of good and genuine representation in Homesuck^2, nor can I think of any scene where negative content was actually treated as the negative thing it actually is. There’s no critical lense at all, not like we have in Homestuck; there’s just no fucking comparison. And this isn’t a one-off situation, either. Whereas Homestuck does do fuck ups - isn’t perfect - in between the otherwise brilliant content, Homestuck^2 is just founded upon these horrific takes. There’s almost no good content in between, and what is left is a slog to get through when surrounded by the thick slurry of shit that compromises futa Jade, abuse apologism Vriska, and victim blaming Jake. 
Of course, we didn’t “doxx” Hussie. Hussie actually listened to our complaints, for the most part, and worked with us to create something that worked well. The way Homestuck^2 was touted to work. You know, since it was meant to be written with the fandom in mind, influenced by the things we suggest and react to. We went into Homestuck^2 with the explicit idea that we were going to be listened to and taken into consideration when it was being written - the way we were with old Homestuck. I’m very sorry to say that, when you make these expectations, people are going to be a titchy bit upset when you then commandeer the entire thing and exclude the fandom from any of the process that you said they were going to be part of.
Additionally, it’s rather funny, isn’t it, that what you call doxxing is actually just people upset with how triggering content is being handled, and going to the people who actually wrote the content in order to voice their complaints? It’s almost as if social media exists to allow this communication between reader and author, which is a fundamental thing you’ll learn in any creative writing course, such as the one I’m on currently, wherein you’re actually taught how to respond to social media and to build up your image with your fans. 
Homestuck^2 is an ongoing piece of media. We’re well aware that we have a potential to change these uncritical takes and the horrific way they’re being handled if the writers will just listen to genuine criticism. This is, frankly, no different to the people who go to J. K. Rowling’s Twitter to tell her how harmful her transphobic comments are; because if she believes these things, they will work their way into her texts and will perpetuate harmful ideologies. 
The literal same thing is happening in Homestuck^2 - again, such as futa Jade, which normalises the point of view that bisexuals are cheaters and completely trivialises what it means to be trans, or Gamzee, which perpetuates just about every anti-black stereotype possible. Media does have a very powerful impact on what people see in the real world. This is why, for instance, positive black characters are so important in media; if they’re always portrayed as villains, then people will see real world black people as villains as the ideology is perpetuated to the point of fact. This is especially true if the people already believe in the ideology.
Fiction is one of the best ways that we can counteract this cycle. If you make a character that they like, and they happen to be positive representation, and then they watch more media that is likewise positive representation, it’s more likely to stick that these positive representations are the actual experiences of minority groups. Also? It’s important TO those minority groups. A black person, especially right now, doesn’t want to see an anti-black stereotype fuck a fascist, engage in sexual assult, and then enact pedophilia - only to die at the hands of a hero and be laughed at for the death. Surprisingly, shit like this is why we need to tell the writers that what they’re doing is harmful, that they’re perpetuating phobic ideologies, and that we need better representation - especially in a comic that is this widely read, and also has a very large minor fanbase. 
I shouldn’t need to explain why exposing minors to anti-black stereotypes, transphobic, homophobic, biphobic, abuse apologism, victim blaming, and the trivialisation of rape and sexual assault (especially towards men), might be a federal fucking issue. 
So, no, we’re not actually cyberbullying LGBT+ people. We’re trying to hold shitty writers accountable for the incredibly toxic and harmful ideologies they’re forcing into a text that has always been written with critical thought in mind. 
I should also point out how funny it is that you’re focusing on how some of the writers are LGBT+ - as if we’re not? I’m trans, I’m gay, and I’m ace. Yes, I can actually be these things and absolutely furious that a trans women is writing some of the most transphobic shit I’ve seen in a while into characters she then claims to be completely free of blame. We can be furious that people within our own community are enforcing negative stereotypes.
Being LGBT+ does not make them free from blame. We cannot give them a free pass to be racist, to be transphobic, to be homophobic, biphobic, to be abuse apologists, just because they’re LGBT+. Not only because that’s just a terrible fucking idea to begin with, but because it also reflects so, so badly on the community as a whole. As if being part of the community instantly means that you can do no wrong? As if there can be no toxicity within our own community, despite the fact that there very much is and it is still an issue to this day?
That is such an issue, one of the biggest issues even shown just in Vriska and the way Kate handles her as a whole - and, once again, is WHY we need to get them looking at this shit more critically. This view that LGBT+ people can do no wrong and cannot be criticised is shoved into Homestuck^2 and, once again, perpetuates the ideology. This isn’t something to be proud of. This isn’t something that’s actually okay.
Also, your point that the writers aren’t nice enough and that we disagree on fictional characters - well, I’ve already been over the second part. But for the first part, I would like to remind you that they aren’t just random LGBT+ people on the internet that we’re going to because we think their takes are a little shitty. They’re actual writers working on a piece of media. They are official content creators. 
Again, one of the first things you learn on any creative writing course is that when you become a writer, you gain a significant amount of responsibility for your interactions with the fandom. This is something that you genuinely have to expect, and if you don’t, then, unfortunately you just don’t know what it means to write something that thousands of people have a potential to read. As a writer, it is your responsibility to portray your image online; it is your responsibility to engage with the fans in a meaningful way; it is your responsibility to not cause drama and to listen when criticism is brought up, to have genuine discussion and not to perpetuate hatred - especially towards your own fanbase.
Consider, for instance, the way I’m talking to you right now. This is the sort of tone that someone should take when talking to a fan about genuine criticism. When things are brought up, you go over them step by step, you listen, you write back - you don’t go on a flurry of “fuck yous” to a minor who asked you why your team didn’t post anything about the BLM movement on the official Twitter, and you definitely don’t respond to every comment with genuine criticism with the word “pigshit”. You almost definitely don’t tell your trans masculine and masculine-aligned nonbinary fans that their opinions don’t matter.
As a writer, Kate and the rest of the team have a responsibility with their interactions with their fans. They aren’t just normal fandom voices anymore; they’re official fandom voices, voices that have more weight behind them than anyone else. They’re who people are going to turn to when it comes to anything regarding Homestuck^2. Their words now reflect literally everything about Homestuck^2, the future of Homestuck as an expanded universe, and the opinions of the group as a whole. They have to be careful with what they say. They have to be held to the same standards as industry voices because that’s essentially what they are - especially now that Homestuck is something you pay for. 
Also, this isn’t a point of the story not going the way I want. This is a point of many of people in the fandom being upset with how content is being handled, upset that their voices are being shut down, upset that triggering content is being laughed at or used flippantly and without care or respect. This is people being upset that trigger warnings were removed specifically to make the comic unsafe for them as a punishment for daring to say that something was wrong. This is people being upset that a piece of media that used to be so fucking good at portraying sensitive content in a critical light, that used to be so good at normalising LGBT+ identities and healthy representations of those identities, has suddenly turned to this. 
The story can go whatever way it wants - and frankly, that’s fine be my. What isn’t fine is that content is being used specifically to hurt and to incite.
And, of course, that final piece; nothing will improve if we don’t say that it’s wrong to begin with. Someone needs to voice the complaints of the fanbase, othrewise these toxic ideologies are going to go unchecked. One of the biggest things I’ve come to understand while making these posts is that a significant portion of the fandom feels isolated in their hurt; they don’t think other people feel the same way they do, and several people have mentioned feeling like they were going crazy because they were upset with things that the text and writers are normalising. It’s so important to make sure that these people know they’re not alone. It’s so important to make sure that our voices are heard. It’s so important to try and create critical discussion and debate over something that so many people still fucking love. 
The thing is, I don’t hate Homestuck^2. I actually really, desperately wish I could enjoy it. I wish I could read through it and theorise, could go in depth about how amazing the characters are, could write long and extensive posts on how creative and engaging it is - could even just go on about how interesting the Meat-Candy divide is, and all the points they’re trying to make about canonicity. But I genuinely fucking can’t. There is just so, so much wrong in the text that is completely unrelated to plot and to the overarching Point that makes it impossible for me to read, to want to read, to try to encourage other people to read. They’re things that literally don’t need to be in there, either; stereotypes and toxic ideologies and uncritical or badly handled sensitive topics that could be rectified so, so easily. 
Homestuck^2 could be amazing for a lot of the fandom. It could be something that we all rally around the same way we did for the original comic. For for a lot of people, it has ruined their fandom experience, has ruined their desire to want to read anything more to do with Homestuck, and has caused a significant portion of the fandom to just drop out entirely. That in and of itself should be a sign that this isn’t just a little fandom drama. That this is something much bigger and much more serious that, just maybe, needs to be looked into, talked about, understood - and, potentially, changed. 
66 notes · View notes
Text
Catch Up Tag
Last Song // Tool - Pushit or Opeth - Karma, I’m not entirely sure...
Last Movie // The Celluloid Closet (1995) - it's a documentary about the historical representation of LGBT people on film, focusing on the L and especially focusing on the G. If you want a more trans-centered counterpart, I’d recommend Disclosure: Trans Lives on Screen (2020).
Currently Reading // Lives of the Caesars by Suetonius - it's basically ancient Roman gossip and intrigue. Suetonius writes short biographies of twelve Roman emperors starting with Julius Caesar and ending with Domitian. The biographies significantly vary in length, the one of Augustus being the longest by far (Suetonius was a bit of a fanboy). Suetonius discusses their families, relationships, personalities and mostly mentions or glosses over their military success etc. Suetonius sometimes also inserts his opinions and he can be quite funny. He's most entertaining either when he loves an emperor or when he loathes an emperor. The biographies of emperors he feels lukewarm about can become a bit boring. There are mentions of rape, incest, murder, paedophilia (an exceptionally nasty part is in Tiberius 44) so if you're particularly sensitive about these topics, maybe skip this one. My edition is translated by Catharine Edwards in Oxford World's Classics, it contains notes, a glossary, a general index you can use to search certain themes (for example adultery, religion), I'd recommend it. Another one I'm currently reading is Notes of a Native Son by James Baldwin but haven't read more than 20 pages. Two other books on my immediate TBR are - A Room of One’s Own by Virginia Woolf and A Raisin in the Sun by Lorraine Hansberry.
Currently Watching // The closest I've come to "currently watching" after watching Black Sails is finishing It's A Sin a few days ago. It was horrible, honestly. Because of the show's runtime (5 episodes, each around 46 minutes) there really was no time to actually get attached to any of the characters. Even though most of the promotion shows a few characters, all of them are cast aside most of the time so Ritchie (the least interesting prick) gets more screen time. And he's not even that developed! As a main character, he's one of the most obnoxious people in the show and I know he's supposed to represent the self hatred, shame and guilt a lot of queer men felt in the 80s but he's just... not believable or sympathetic. His characterization is incredibly weak. The show also leaves no room for subtlety at all. For example, Ritchie has grown up in a very shielded majority white place, with his parents (both of whom are racist to a degree) and sister. He moves for school and takes an interest in another gay man, Ash, who's a POC. Now, obviously, having grown up the way he did, Ritchie is a bit uncomfortable to be around when he mentions race, but the scene just goes on too long. It could've been an interesting scene that organically shows us a bit of Ritchie's character and how his childhood impacted his actions but it goes on for way too long to the point I felt I was being beaten with it over the head - like, I get it, Ritchie is uneducated, ignorant on the topics of race and different cultures. And then, the show just drops that and it doesn’t really get mentioned again. Also, maybe a pet peeve, but because I'm bi myself I really would've liked if there were any actual bi characters - instead we get Ritchie telling people he's bi because he's ashamed of being gay and is overcompensating for it. That isn't in itself biphobic and I do believe a lot of gay men went through that in their lives, but that being the only mention of "bisexual" in the show leaves a bitter taste in my mouth. They could've easily removed it too, so it sticks out even more. I personally would've liked seeing Roscoe's story developed more, he was miles more interesting than Ritchie. While we're at it, Ash was more interesting, Gloria was more interesting and Colin was more interesting. Instead, I'm subjected to a petulant, insufferable Tory and his guilt. Another problem I have with It's a Sin is the relationships in general, especially between the main five (Ritchie, Ash, Jill, Colin and Roscoe) - I'm to believe they've lived together for years and have become really good friends. I didn't believe that for one second. One of the reasons is the terrible fucking pacing of the show. It spends way too much time on unimportant details while skipping years and years of relationship development. And I usually don't mind friendships that get established at the beginning of the show, but the relationships here just don't feel genuine, they feel forced for plot convenience. I was thoroughly disappointed with It's a Sin. Then I found out that the show was initially supposed to last for 8 episodes and it genuinely made me sad because expanding the show by almost doubling its runtime would've absolutely fixed most of the gripes I had with it. phew, sorry for the mini rant
Currently Craving // Motivation to study Anatomy. Jesus, my textbooks are so incredibly boring and outdated it's actually excruciating to read them.
Tagging // I basically don't know anybody here, but I'm tagging a few people whose blogs I find interesting and would like to know more about. DON'T FEEL OBLIGATED THOUGH! This is all in good fun.
@neurofancier, @culverton, @antigorite and thanks for tagging me @vice-versa-vane!
 Also, I have no idea how tags work ¯\_(ツ)_/¯
5 notes · View notes