#Wendy I'm home
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poor-ciceros-voring-again · 2 months ago
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Yeah alright I'm sketching out designs for my au 🫡 I've never drawn Fiddleford before so here goes I guess
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naomiknight-17 · 2 months ago
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Can I just say I went out TWICE today and I can't remember the last time I did that
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kiquidd · 1 year ago
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Hello Tumblr !!! I have decided that I will use this platform more often, since Twitter (unfortunately) is going down the drain !
(Hopefully) I'll be able to navigate and learn Tumblr after not using it for... years ? Haha ! Have a silly Wendy !
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wizardnuke · 5 months ago
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the lord is testing me so hard rn. holy fuck. give me a break
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mariocki · 3 months ago
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All Passion Spent: Episode 1 (1.1, BBC, 1986)
"She's not one of those clever women, thank God. Mother has always allowed others to make decisions for her. And now that Father has gone..."
"I suppose, since I have always lived at home, that I should really bear the brunt."
"Brunt, Edith? I'm sure we shall all regard it as a privilege to look after Mother. Brunt is an entirely unsuitable expression."
"Oh dear, when you say it like that, Carrie, I'm not even sure what it means."
#all passion spent#vita sackville west#classic tv#martyn friend#peter buckman#period drama#wendy hiller#harry andrews#maurice denham#phyllis calvert#graham crowden#john franklyn robbins#hilary mason#faith brook#geoffrey bayldon#antonia pemberton#eileen way#jane snowden#john saunders#1986#visiting parents and i must have recorded this off bbc4 a few months ago (tho i don't remember doing and I'm finally watching it so they#can delete it from the recordings. a three part adaptation of one of Vita's best remembered novels; i feel like her literary work hasn't#remained in the public eye like that of her lover‚ Virginia Woolf‚ and it's her biographical details that are best known today. Passion is#a slightly waspish but still quite gentle narrative about an elderly widow (Hiller) who‚ upon the death of her politician husband‚ begins#to finally experience some sense of freedom and self expression at an advanced age and despite the interference of her adult (and indeed#fairly aged) children. there's an unmistakable feminist thread running through this piece‚ altho the lead disavows the label (as indeed#the author did); Hiller has spent some 60 years or more acting the dutiful wife and mother‚ and her final attempt to grasp some sense of#freedom and self expression is largely met with bemused distaste and suspicion. ideas too of class (Hiller's only real support comes from#the middle or working class contacts she makes in securing a new home) and of generational divide (her great granddaughter is the only#family member who appears to truly understand her desires and needs). beautifully cast but a little slow in this first episode
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pierswife · 1 year ago
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Woooooo time to do therapy in a Wendy's parking looot /lh
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bluetimeombre · 2 months ago
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˚ · . Nothing fucks with my baby, ˚ · .
You are Hugh's young controversial girlfriend
[FINALLY! it's here, I have kept you all waiting, I hope I haven't disappointed! I said in the other posts that I wasn't gonna do much smut but I think I went more than even I thought. Got me blushing and kicking my feet. I hope you enjoy, I'm still riding this Hugh train (want to be riding him) who said that?]
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warnings: older man! younger reader! fem!reader. Not proof read. Smut! Penetration, riding, oral (both receiving) praise kink,
Only a bed separated you and Hugh.
"Ok, so we're gonna pick it up from where we left it last time," said the director. "Get ready."
Hugh was in black clad trousers, shirtless, 'sweat' that was really water sprayed. His hair was already messy, perfectly so as if you'd been running your hands through it.
You still had a robe on, your makeup artist touching the highlight to be 'sweat' while Hugh watches every sway of the brush on your cheeks.
The scene was this: Hugh's character seduces yours. Well, there was seduction on both ends, characters or not. It was the first kiss, the first sex scene, the first true intimacy between your two characters. It was hot, heavy, sensual and loving. It was supposed to be all gripping hands and racing pulses, moving bodes and fumbling lips.
But it was the first kiss scene you'd share with Hugh. There'd be plenty more to come, but the director thought it would capture the true emotions of your characters to get it first try.
"Yummy," whispered your makeup artist in your ear as she leant over, slowly un-doing the ties of your robe.
"Play nice," you mutter to her.
"You don't," she winked before parting with your robe, leaving you in your silk nightgown that fell mid-thigh.
Hugh gulped, his eyes raking over you as you smiled. Your nerves were sky high, but Hugh seemed already in character.
He played the groundskeeper in 1930's Britain, best friend of your 'father', playing blackmail and seducing his daughter. You. And boy was it easy for Hugh Jackman to seduce you.
The cast and crew had been great at making the both of you comfortable and you'd all been for dinners, lunch's, cast parties, yoga sessions. They'd done everything to make it comfortable. And it had worked. You and Hugh got on like a house on fire, always around, always laughing. But there were the lingering looks once the laughter died, or the 'goodnights' that lasted longer than appropriate, and the touches, the constant excuse for it.
Maybe it was because you were young, alluring to a man not long divorced from an almost thirty year marriage. Maybe it was because he was everything you ever wanted, but you had a feeling lines were going to be crossed. The pit in your stomach was either dread... or desire.
"Right, all set?" the director asked.
Hugh smiled, patted his thighs and nodded.
You flashed a smile too but wiped your palms down your dress, un-knowingly shuffling it on your chest.
Hugh caught the movement and gulped. He was screwed.
"Action!"
You watched as Hugh, in character, stalked toward you. As scripted, you took a step back, hitting the bedpost but kept his gaze. You were a headstrong character, and you could do that, even if your knees felt weak.
"You er, get dressed for me, pretty girl?" he asked. He slipped his fingers through the strap, fingers caressing your skin.
Your shiver wasn't scripted and as Hugh's eyes flickered to your own, you wondered if he knew that. "You should go."
"Your pa's not home."
"My mother is," you whispered, standing taller on the bed post as if you weren't afraid.
He smirked and dragged the strap down until he could see your bare shoulder. His eyes flickered back up to yours. "Wendy's a nice woman. She doesn't expect much."
A furrow in your brows, as planned. "How dare you-"
Hugh kissed you with such force your head came back to hit the bedpost but his hand was already cupping the back of your head, easing the thump as he pressed you against it.
It wasn't scripted.
His lips were as soft as they looked, mixed with the gruffness of his stubbly beard that dragged over your chin as he dived into you like a man starved of breath. You obeyed his every move, every tilt of his head you followed.
His teeth sunk into your lip and your gasped. His tongue dipped in, meeting yours gently asking for permission.
You grabbed his cheeks, drawing back enough to get a look at him. There was a wild frenzy in his eyes causing them to go darker, but beneath that you saw his concern, his worry that he'd gone to far.
Whether this was acting or not, you didn't care.
You drew him back in, lips smacking as passion pulled both your strings. He groaned as you obeyed him, body flattening against yours.
His hands raked down your shoulders, taking the straps with you as you gasp and shiver. The gown wasn't supposed to come off but at that rate, you didn't care if it slipped a little. Hugh's hands moved down your sides, to your hips, gripping the material and bunching it.
"You," he gasped against your lips.
He met your gaze and you smirked, challenging him. Luckily, it could all work in character.
You had no knickers or anything on. It was all to easy to see the line in the dress if you did.
Hugh groaned and brought your head back to his, tongue wasting no time in sweeping into your mouth, tasting every corner and marking it as your own.
He spun you around until he was against the bed, his knees buckling and falling, you in his lap.
He groaned into your mouth, loud enough for the microphone above you to hear. Your lips paused on his, hands crawling into his hair as you felt it.
He was hard, so incredibly hard.
Hugh's eyes were scrunched shut as you backed away a fraction, his tongue licking at his lips for a taste of you. Your hair was starting to stick to your head from real sweat.
His trousers were pulled over his crotch, highlighting the size of him as your mouth watered and your thighs tightened on him. His gaze was hooded as he watched you in silent awe.
You bit down on your bottom lip as you pressed yourself against him, feeling every ridge through the tiny fabric of your nightgown. God, he couple feel every warmth of you. How much you wanted him.
He pecked your lips and brought your bottom lip out with his teeth. From the cameras and the lights and the amount of people in the room, the sweat on the two of you started to be real, mixed with your pants and soft moans that weren't necessary for the scene but needed to pass between the two of you.
Your fingers dug into the back of his shoulders as your rocked yourself onto him, grinding onto his clothed crotch to feel something.
Hugh kept one hand on the back of your neck, occasionally drifting into your hair and tugging with every rock of your hips.
You wondered if the director would ever call cut and you hoped he never would. If it all ended here. Your only consoling thought was the amount of intimacy scene's you and Hugh would have to share together.
He grabbed you and rolled you over as planned until you were flat, chest heaving with breaths and he was kneeling over you. His hands went to his belt, twiddling to undo it.
In a frenzy of passion, your hands reached out to help, grazing his bulge. He watched you as he finally un did the belt and your nails scraped down his thighs.
Hugh loomed over you, grinding down into your cunt until he could feel how wet you were, his lips coming to your shoulder. He didn't have to bite, but he seemed satisfied with it.
"Cut!" called the director.
Your hands halted where they were in his hair and Hugh fell against you, caging you to the bed as you both panted.
"Well done, guys, that was great, you got it over and done with. Now for the rest of them, but that'll come gradual," said the director as both Hugh's and your team came to the bed.
Still, neither of you moved.
"Gradual, yeah," you panted, your hands still stroking back Hugh's hair until you realised what you were doing.
Hugh kissed your shoulder once before rolling from you and taking the robe offered to him. You took things slower, knees weak at just the memory of him.
You took the robe and wrapped yourself up.
Hugh glanced back at you, not once, twice.
‿︵‿︵୨˚̣̣̣͙୧ - - ୨˚̣̣̣͙୧‿︵‿︵
You’d thought about it all day. Even as you half-heartedly did the rest of the scenes for the day. Your head was only half on set, the other half focused on the feel of Hugh under you.
In your trailer that night you played your music, gripping your hair in one hand and riding your hand with the other, trying to re-make the magic of feeling him under you.
God, how wrong it was. He was your costar. Old enough to be your father and your celebrity crush for god knows how long. You couldn’t be with him even if you wanted to, he’d probably leave the project if he knew how you’d watched every semi pornographic scene with him in it just to get yourself off.
The knock on your trailer altered you.
Quickly you pushed yourself from bed and wiped your fingers on your shorts, rushing to answer the door.
Hugh’s hands were braced on either side of your trailer door, panting as if he’d ran a matharon before turning up at your step.
“Hugh,” you smiled, desperate to act casual. “What’s up?”
He sighed, staring at you dreamily. He didn’t wait for an invite in. “I thought we could practice, some more.”
You looked up at him. You must have looked a mess, flushed cheeks and devilish hair, but he didn’t look much better. He was in a casual top, black sweatpants low on his v-line.
Daring to peak, you could see the indent. He was still hard.
Your thighs clenched in together from the overwhelming heat. “Yeah, of course.”
You sat next to Hugh on the sofa where you’d left your last script. Your thigh against his, his finger grazing your knee.
You cleared your throat, trying to read when all you could do was bask in every little touch from him.
“I can’t stop thinking about you,” said Hugh. His eyes were on you, script forgotten.
Glancing from him to the script, you flicked a page. “I don’t- where does it say-”
With a rough hand, he tilted your jaw to him until your lips were a hairs breath away. His tongue flicked out, darting over your lips, begging. “Honey, I can’t stop thinking about you.”
You gulped, mouth opening for breath or for him, you couldn’t tell which was more important. A hand crept up to cradle the back of his head. “I can’t tell if we’re practicing or not, Hugh.”
His head rested against yours as he moved it side to side. “Whatever gets you to fall in love with me.”
His eyes met yours.
“As if you even have to try.”
Your lips were soft and mouth wide as you received him, tongue gracing his mouth as he grabbed your hips to pull you on top of him, the script crinkling between the two of you. Your hands were in his hair, grown longer for the part, then raking down his neck then over his shirt until you were gripping it in your hands, pulling him closer to you while you lost air.
Hugh pulled back enough to kiss your jaw, biting at the skin.
“Is this-“ you gasped, holding onto his shoulders. Your thoughts weren’t working, nothing was. All you could think was him, his hands on your hips.
Hugh's lips reluctantly dragged away from your skin, as if he'd die to be parted. "Is it what baby?" when he saw your concern, his desire dimmed. All he wanted was for you to be alright. "Tell me," he brushed back your hair, thumb pulling down your bottom lip, after all, he still needed you like you might die tomorrow.
You sat back on his lap, trying to distract yourself from the dampness in your pants. "Is this real?"
"Doesn't it feel real to you?" he laughed, rocking himself into you.
"Is this Hugh?" you whispered, "or just your character."
His eyes softened. Hugh cradled your cheeks, holding you to look at him. "This is me and you, honey. I-I know this all seems sudden, and we can stop if you want-"
"I'm not saying that," you quickly cut him off as he chuckles, pressing a kiss to your neck. You wanted him, even if it meant heartbreak for you later.
He pulled back and looked up at you. "This is me wanting you. As y/n. As whatever you will give me. As my love, as my baby. As- as everything i've been thinking about for months. As everything I've been waiting for, baby," his thumb smoothed over your cheekbones as you nuzzled into his palms. "If i've made you feel like i'm using you i'm sorry, i'm so sorry, but this is real to me."
You glance up at him. Your lips press a kiss into his palm as you hold his hand to you. "Good," you mutter. You adjust yourself, settling down on his lap again until his clothed erection is begging for your wetness. "Because this is real to me too."
Hugh growled and kissed you, all tongue and teeth as he sort to get every piece of you in one. His arms, strong and large, wrapped around your back and held you into him until even when you pulled away to breathe, your breath was full of him.
With his strength, he pushed you down on your sofa, throwing the script behind him and pulling your legs until they were thrown on either side of his hips. He was lucky you were still in costume, your dress riding up to reveal your white panties, with a damp spot.
Hugh lied down, looking at your pussy as his one hand held down your hips, the other crawling up your chest to squeeze your breasts. "This real? This all for me, honey?"
"Yes," you gasp, running your hands through his hair as his salt and pepper beard scraped your thighs.
"You want me?"
"Yes, Hugh."
"How badly?"
"So, so badly," you whisper, eyes shut as his breath fans where you need him most. "Please baby, please."
He kissed over your panties. "So polite, honey. So good for me." He licked a stripe up, letting his tongue swirl over your clit.
Your back arches. As he repeated the motion before hooking his fingers through the band and slowly- agonisingly slowly- pulling down your panties and the scrunching them up in his hand.
He moaned at the sight of you dripping before him. How he had you panting by the smallest touches. You were his to touch. To ruin. To taint with him and only him. "Thought about this cunt of yours more than should be allowed."
You chuckle, propping yourself up to indulge in the sinful image of him between your thighs. "Yeah? Thought about it too."
"Tell me," he said. His eyes were on yours as he peppered kisses on the inside of your thighs, fingers indented into your flesh.
You moan, eyes fluttering shut. You think of every crude images you'd conjured in your mind. Him suffocating between your thighs, you sitting on his face, riding that perfect arched nose. Your mouth stuffed with his cock as he eats you out. Riding him. Up against a wall. Every filthy thing, you wanted to do with him. "Thought about your tongue, your cock, fingers, nose."
He laughed, glancing up at you. "My nose, huh?"
You chuckle with him, falling back and throwing your arms over your face. The laughter catches in your throat when you feel his tongue dive into your folds, the warmth spreading. You moan, legs going to close if it weren't for Hugh tapping them.
"Keep them open baby," his voice was rough in demand as he focused on you. On tasting you, on spreading your folds with his fingers- sliding them in and out to get a feel, as he shoved his tongue in depths you didn't know he could.
You bite down on the back of your hand, but your cry is barley muffled. "Fuck, baby."
Hugh eats you like he's starved man. He moans into your cunt, sending vibrations through your body that he receive gladly. It goes through him like you're one person. He finds himself grinding down on the sofa like a teenage boy. That's what you're doing to him, making him focus on you and not cumming before stuffing you with him.
"Hugh, I'm-" you mutter all too quickly.
"God, can't wait to taste you cum on my tongue, honey," he said. "You want my nose huh?" He stuffs his face into your pussy, tongue flicking up and down your folds as he nudges his nose on your clit repeatedly until he has your thighs shaking.
"Hugh!" you moan, holding onto his shoulder to stabilise yourself.
Hugh slides his fingers into you, using your wetness to his advantage as he continues to work you with his tongue. He slobbers, spitting down your folds and fingers as he works it into you, groaning at the sight. "Can't wait to feel this around me. God, I wanted you on my cock so bad, with the camera's watching, with the crew. Want them all to know an old man like me can have you falling in love."
"Always," you gasp, focusing on the warmth in your stomach and Hugh's fingers curling inside of you. "Want you to take me. Use me. Have me."
Hugh flattens himself against your sofa, groaning, eyes rolling in the back of his head like it's your mouth warm against is cock. He grips your hand that was on his shoulder and holds it until his fingers bleach white from the grip. He rests it on your sternum, looking up at you.
Wisps of your hair stick to your forehead, your chest spilling out the dress and rising and falling as your body trembles. You hold his hand just as tight, if not, tighter.
"Cum on my lips baby, please," he begged. "Want to taste you. Want to make you cum."
It took little more encouragement from you before you came on his tongue, gasping and grasping as you did. Hugh ate it up, licking the mess from your pussy and your lips. It has him quivering and knowing he'll need this taste every day just to keep him sane.
"Hugh?"
He glances back up at you. Your pink cheeks and wide eyes. He grins, licking his lips and wiping your juice from the corner of his lips and licking it from his fingers as he crawls back over you. He nudges his nose against yours and grins at your smile. "That was amazing."
"You're saying it like you just had the best orgasm of your life," you laugh.
His brows rose. "Best orgasm of your life, huh? I can give you plenty more where that came from?"
You smirk, running your hand from his chest to between his legs, rubbing your hand over his dick that trembles at your touch. Satisfaction gnaws at you as you watch his eyes shut and jaw clench.
"Baby, almost had me cumming in my pants like a teenager," he chuckled, shakily.
You tut, sitting up to have better access to his lap. "Can't be having that."
‿︵‿︵୨˚̣̣̣͙୧ - - ୨˚̣̣̣͙୧‿︵‿︵
That's how the rest of the months of filming were spent.
At first, the two of you agreed to take it slow. Little dinner dates, grabbing coffee together and walks in the local parks. Luckily it was known you were filming together and the paps weren't too fussed.
You tried to take it slow, but the sex was anything but.
In the mornings when you were inevitably in the make up chair first thing- as the star of the movie- Hugh would join you, passing you your coffee order and breakfast before taking a seat next to you and chatting away with you and the make-up artists. Even if he wasn't shooting that day, he was there. On the dot. Every day.
Your team of people smirked knowingly even if neither of you confirmed it. But the stolen stares and kind offerings were enough. Surprisingly, nobody warned him about being with one so young and neither you him much older as he was.
Because everyone knew it was true, real love. Because first, it came from friendship.
He helped you with scenes when you asked, helping the emotions play out. Even you gave him new perspectives of looking and taking om scenes. It was refreshing. Life with you was refreshing.
The more intimate scene's became harder, oddly enough. Because you'd get to into it, the director yelling cut several times to tear your bodies from each other. Then, when you were alone at night, you jumped on Hugh, climbing him like a tree.
Sometimes you couldn't wait till night and dragged him into your dressing room, sliding down to your knees and un-doing his belt.
"Eager?" he'd tease.
You wouldn't justify him with an answer. Your hands messaging his balls and tongue licking up his cock until you had him down your throat or stuffed in your cheeks was enough for him.
At the end, you had to stop reading scripts with Hugh as his glasses perched on his nose was too much for you.
Enough times he knew that and would eat you out wearing them. And only them. You'd watch the lenses steam up as he licked and moaned in you until you were cumming over his chin, sometimes landing on his glasses.
"Honey, you're too much," he grinned and kissed you, letting you taste yourself on his tongue.
Dinner nights after long days always ended up with your foot gently trailing up his leg in his dress pants, his hand gripping your ankle as it inched closer to his cock, finger running circles.
Hugh would have to park in the dark and pull you onto his cock, ruining your dazzling dress and tearing the seams of his trousers to have his cock free and nuzzled into you.
One of your breasts was in his mouth as you rode him, his arm wrapped around your waist and helping you move. His cock warm and throbbing inside of you.
"Oh baby," he moaned around your breast, teeth pinching at your nipple. "Grip me like a dream."
His hand gripped your ass, pushing you and pushing you, throwing his head back and groaning out as the car rocked form your hard movements. It didn't matter how many times either of you had each other, it was a constant need never satisfied. You breathed new life into him and he wanted to use it all on you.
"Hugh, I need you!" you whined out even as his cock was deep in you.
But he got it. Because it wasn't enough for him. "I know, baby, I know!" he lurched forward and kissed you as you grabbed his cheek, keeping him there. Your tongues fought as you tried to catch your breath, bouncing on his cock. He growled. You whimpered.
"Fuck me, Hugh," you told him, biting down on his earlobe as you cuddled into him, bouncing on his dick as fast as you could to reach your third high that night.
"Shit, just there- right there!" he held your hips down as his cum spluttered into you, him growling and moaning out your name like prayer. Nobody in the world had been so devoted to something like Hugh was to you.
And the balance was perfect. The next night Hugh would join you in your trailer- where most your times were spent. You were curled into his side as he was shirtless, reading. Those annoyingly attractive glasses still there as he laughed at some parts of the book and you'd ask what it had said and he'd explain it to you while his fingers twirled strands of your hair.
The next day you'd be attached to him all day, lips forming as one as the camera rolled and the director gave you pointers. It was a scene of the two of you in the garden. Both indecent (although of course following Hollywood guidelines) Hugh didn't even let you up from his lap, instead holding you there as you both acted professional and took the director's words. You could fuck him, love him and work with him all you needed.
That night, Hugh would have you on the floor of his trailer, the two of you hardly making it through the door before he had his cock in your mouth, stirring you with his hands in your hair.
"Did so good today, my good girl, working so hard for everyone," he groaned as you chocked around his cock.
You took him deep and took him out, spitting over his cock and working him with your hand. "So big," you mumbled, drunk on having him. You sucked one of his balls into your mouth, devoting attention to both of them.
"Oh, fuck, y/n, you're gonna be the death of me. God, I just know you wanted to ride me with everyone watching, could feel how wet you were."
You take his cum down your throat, licking every last drop before you both fall asleep in his bed to film together the next day.
You both walk on set, laughing, smiling, with coffee in hands and every on set watches and smirks cause they know. Maybe they don't know all the filthy things you get up to, but they can see it's more than just another hollywood controversial talk.
But Hugh is in love with you.
taglist (thank you!): @oatmilkriver, @angstdaddy, @chronicallybubbly, @white-wolf-buckaroo, @th3mrskory, @wolfyychan, @chaimshelii, @wolviesgirl, @haytchee, @aoi-targaryen, @apizzacalledmel, @corvusmorte, @slut4you, @ellak69, (how you're only just on the taglist no idea babe), @wolverigrl
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dragons-and-yellow-roses · 2 years ago
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I went to a bar tonight, ordered a drink, and when I handed my ID to the bartender he looked at it, looked at me, back down at my ID, back up at me, said, "Is this really you?" And when I said yes he gave me a look that clearly said he didn't believe me, but still gave me a drink.
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sage-nebula · 2 months ago
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Thinking about how important it is that Wendy is a part of the Pines family. (Because she is, as much as Soos is. It's why she's in the family photos, such as the one representing Ford's happiness at the end of The Book of Bill.)
We don't know too much about Wendy's home / family life. Unfortunately, we don't a single Wendy-focused episode, and we don't get to learn too much about her outside of how she interacts with the main characters. But here is what we do know:
Wendy is the oldest of four siblings, with three little brothers. Wendy herself is 15. We are never given ages for her brothers, but given the photo that she shows Dipper of her younger self in "Double Dipper", I'm guesstimating that the youngest Corduroy brother (Gus) is about 6 in the present day. This is because young!Wendy was wearing braces and also noted to be "freakishly tall" for her age, and Gus was wearing a diaper in the photo (but standing on his own). Braces can take two to three years to be removed, and Wendy doesn't have them in the present day, meaning she was probably around 11 or 12 in the photo. Meanwhile, Gus was in a diaper but able to stand, meaning he was probably a toddler, likely around 2. So in the present day, Wendy is 15, Gus is around 6 (depending on if Wendy was 11 or 12 in the photo), and Marcus and Kevin (the middle brothers) are between 14 and 7.
Wendy's mother died when she was young. Given the age of Gus in the photo, we can estimate that Wendy's mother died when Wendy was, at youngest, 11 or 12 -- so, three or four years pre-canon. (Because any earlier than that and Gus couldn't have been born.)
Wendy's father is Manly Dan, who shouts just about every line of dialogue he has and routinely breaks things, including in his own house, albeit sometimes by accident. He also spends most of his time in a biker bar, though we do know that he does love his children. (e.g. is seen with the boys on both family fishing day and Summerween, is seen taking Wendy out for breakfast in "Dipper vs. Manliness").
Dan is the reason why Wendy has a summer job. As she says in "Gideon Rises", "If I can't work at the Shack, my dad's gonna force me to work at my cousin's logging camp up north." This implies that Wendy has to work somewhere, per a rule of Dan's.
In "Into the Bunker", Wendy has this to say when she comments on how she's excited to be going on an adventure with Dipper and Mabel: "It beats cleaning up after my dad at home." She says this with a frown, in a grousing tone. We're then treated to a clip of Dan breaking apart the cabin as mentioned above.
In "Society of the Blind Eye", before she's about to have her memories erased, Wendy confesses thus: "I'm stressed like 24/7. Have you MET my family?"
Wendy dreams about her mother every night. The glimpse of her dream that we're shown depicts her receiving a comforting hug from her mother.
The conclusions that I draw from the above are thus: prior to her mother's death, Wendy had what amounts to a normal family life in Gravity Falls. The Corduroys were a two parent household, her mother was there to help balance Dan out and raise the kids (Wendy included), and Wendy could, well . . . be a kid. It's possible, even, that some of Dan's more worrying traits (such as spending the majority of his time at a bar) didn't exist when Wendy's mom is alive. It's pure speculation on my part, but it's possible that Dan feels compelled to go to a bar to be aggressive (and drink, even if we don't see it because it's a kid's show) because that's how he processes his grief over his wife's death, away from his children's eyes and ears. He's trying to be a responsible father and not hurt his kids, while at the same time still not handling things in the most healthy way.
But back to Wendy. Once Wendy's mother died, the dynamic in the Corduroy household shifted. Dan was hit by the tidal wave of grief that comes with losing a spouse, as well as the sudden onslaught of being a single father to four children, one of whom was very possibly still in diapers. And if my speculation is correct and that he took to going to the bar to deal with his grief, then who is left to change Gus' diapers and get him potty trained? To operate the stove or oven or microwave to make sure that the boys (who would all be under age 10 at this point) got fed, and to make sure she got fed herself? To, in her own words, "clean up [her] dad's messes" when he was at home to make them by breaking apart the house with his own head?
Wendy.
Wendy was a child herself when her mother died, but she was the oldest child, potentially freshly into middle school while the boys were still in elementary, and the oldest daughter to boot. The girl, expected to know how to do "girl things" like cook and clean. I'm not saying that Dan told her to do these things, but we know from Wendy's personality that she is protective of those who need it (e.g. Dipper and Mabel) and, more importantly, that's her home and her family, and she does love them (she makes this clear in the Weirdmageddon episodes numerous times). She wouldn't let her little brothers starve, wouldn't let her youngest sit in a filthy diaper, would try to pick up the house if her dad and brothers wouldn't. Wendy would step up to do it out of necessity, even if she hated it and felt stressed out about it, especially while also feeling the crushing grief that comes with having lost her mother.
So Wendy, having lost her mother at a young age, probably had to step up into a pseudo-parental role in her own house, trying her best to fill the void that was left by her mother's passing even though she was only a child herself. And this is why she's "stressed, like, 24/7." Because not only are her father and brothers loud and chaotic (especially with Dan raising the boys into miniature versions of him), but because it's her responsibility (spoken or no) to keep the house in as much order as she can. It's little wonder that, outside of the movie that she and Dipper are watching in the beginning of "Into the Bunker", Wendy seems to spend as little time as possible in her own home.
So, how does this fit into it being important for Wendy to be part of the Pines family? Or, worded in a better way, why it's so important that she has the Pines as a second family, and the Mystery Shack as a second home?
As I said above, once Wendy's mother died, her ability to be a child in her own home effectively ended. Again, to make it clear, Wendy doesn't hate her family. In fact, it's the opposite; the Weirdmageddon episodes make it clear that she still loves her father and her brothers very much. But "Society of the Blind Eye" also makes it clear that they stress her out. She has a lot of complicated feelings, something that's understandable given her complicated situation.
But because she has to help keep the house together when she's at home, that means she can only really be a kid (or teenager, as the case may be) when she's outside of it. She has a lot of fun doing this with her friends, but sometimes a teen does need a home to relax in. And for Wendy, that home is the Mystery Shack -- and yes, that includes when she's on the clock.
Now, I know what you may be thinking: it's stated that Stan is a terrible boss, that he barks orders, that he yells -- how is that any different from her father? Well, I'll tell you how: the only time we actually see this is in "Boss Mabel", in which Stan being a boss who yells and barks orders at his employees is a plot point meant to create the conflict for the episode. Otherwise, we never really see Stan being an awful boss, and in particular we never see him being hard on Wendy. In fact, I would argue we see the opposite.
Here are things we know about Wendy's behavior at work, and Stan's response to her behavior at work:
Wendy constantly reads magazines while working the cash register, often right in front of Stan. Stan never tells her to put the magazine away.
Wendy often puts her feet up on the counter. Stan never tells her to take her feet off the counter.
Wendy goes up to the roof "all the time, every day" to the point where she has a chair and cooler up there. ("The Inconveniencing"). We don't know if Stan knows about this or not, but it's hard to believe he wouldn't if Wendy goes up there as much as she says she does.
When Stan told her to hang signs up out in the woods, she said, "I would, but I can't . . . reach . . ." while making no effort to get up to get the sign, and not removing her eyes from the magazine or her feet from the counter. Stan simply said, "I'd fire [. . .] you if I could." i.e. she got away with it 100%. ("Tourist Trapped")
When Stan double checks with Wendy and Soos that they'll wash the bathrooms while he's gone, Wendy says, "absolutely not" with a salute. Stan laughs and then says to stay out of trouble, not caring at all. ("The Inconveniencing")
Wendy was supposed to work the ticket stand all night at the party. She quit about ten minutes in and blatantly joined the party. Stan had to have seen her. He did nothing. ("Double Dipper")
Wendy claims in "Boss Mabel" that Stan doesn't let her have friends at work. In contrast, we see Robbie visit her at work all the time throughout their relationship (e.g. "Fight Fighters", "Boyz Crazy"), and Stan even comments on "is that the guy that's always making googly eyes at Wendy?" but otherwise has no problem with it. So again, it was a conflict invented for "Boss Mabel" that otherwise doesn't exist.
And that is just off the top of my head. The point is, Wendy is perhaps treated the easiest of the staff at the Mystery Shack. She's blatantly lazy and snarky and the most Stan ever does is grouse that he would "fire [her] if he could."
And this is a good thing.
The Mystery Shack, even if when she's on the clock, is clearly a place where Wendy can relax. It's somewhere she feels comfortable, rather than stressed. Yes, she's working -- but she's putting in the barest minimum effort because the stakes are the lowest they could possibly be. Because even though Stan grouses and complains about how little she cares, he won't fire her. He says he can't, but let's be honest, he could. One could argue that he'd be out a cashier, but he already is when the school year starts and Wendy has to go back to school. The Shack doesn't close down then, so it wouldn't close now if he fired Wendy.
But he won't fire her, because he knows that if he did, she'd be sent up north to her cousin's logging camp, a job she would hate and that would add on to the stress she already has from her home life. Stan has been in Gravity Falls for 30 years; he's been there since before Wendy was born. He knew her mother. He remembers when her mother died a few years ago. He probably saw how Dan's personality changed, how Wendy's personality changed from a more carefree little girl to a little girl who had to act more carefree than she actually was because she won't ever dare let anyone know she's anything but tough as nails, kinda like the guy he sees when he looks in the mirror. So he'll grouse at her about her laziness, and she'll complain about how much she hates having to work, but he'll also never hire another cashier even during the school year when the Shack maybe could use the extra help, and she knows that he both has an orthopedic back pillow and where it's kept, and that's as much as either of them will say about it. (Source for the orthopedic back pillow: "Soos and the Real Girl").
Wendy spends time at the Shack that would otherwise be spent at her home. When she decides to leave Tambry's party early, she goes to hang out at the Shack and watch movies with Stan, before the twins or Soos arrive ("Summerween"). She's likewise hanging out with the Pines and Soos watching television despite work clearly being over in the beginning of "Dreamscaperers". Wendy can relax at the Shack, can be in a home environment where she has no responsibilities, where she can simply be a teenager without also having to be a pseudo-parent. She can be a big sister figure to Dipper and Mabel without the added responsibilities of having to make sure they're fed and brought up right. She can be snarky with Stan, and he'll be snarky back, and there are no risks or consequences at all.
It's important that Wendy is a member of the Pines family, because here there are no complications for her. She loves her original family, but things got difficult when her mother died, and they won't ever stop being difficult. But things aren't difficult with the Pines. In a way, being with the Pines is as comfortable as the hugs she gets from her mother in her dreams every night. Being with the Pines feels right. It feels safe.
It's good that Wendy has them. It's important that Wendy has them. And fortunately, she always will.
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mochinomnoms · 10 months ago
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Thinking about how scary people find the "non-traditional" looking merfolk like the tweels and Azul only to remember the mermaids in Peter Pan were straight up trying to kill Wendy and now I'm chewing on the walls thinking about Azul or the Tweels saving Yuu from some mermaids who "were only trying to drown her <3". Just the idea of the "traditionally beautiful" mermaids actually being a lot more fucked up, despite the reputation they got from The Little Mermaid/Mermaid Princess. Or something, I'm rambling.
Imagine going to the beach with the octotrio, the twins specifically wanting to swim with you in the water. But they get distracted trying to drag a still human Azul into the water, pleading for him to turn into his merform too!
Eventually, they manage to drag a screaming Azul into the water, bubbles slowly dissipating as they take him further in. Imagine your surprise when a lovely, blonde mermaid and purple haired merman pop out almost immediately after.
They look harmless, especially compared to the twins and Azul. They look like an average reef merperson, like the Mermaid Princess. Their tails match their eyes, pink and violet, as they playfully splash you. It seems pretty harmless at first, they look pretty young after all, but then the merman starts pulling at your leg, asking you to join him in the water with a smile and lead-eye stare.
The mermaid swiped your sandals, swimming further into the water where you can't reach as she beckons you to come after her. Don't you want your shoes back? They get visibly annoyed when you don't follow into their whims, trying to hop away from the stone you're at and back to shore. That's when the mermaid starts to tug you by your bottoms, asking why you won't play with her. The merman starts to do the same, giggling at your panic-stricken face.
They're tearing the hem of your bottom as you struggle to get out of their grasp. Up until you slip on the slick rock and fall into the water. The two start to swim circles around you, now full on laughing, as they drag you further into the water by your feet.
“Relax, I just wanna see if humans really do get red when they drown, huh?”
The merman giggled as he replied to his companion, “Yeah! We only want to drown you a little bit, why so scared? Is it cause you might die? How funny!”
“Ha!” The mermaid cackled as she swam up to curl her tail around you, grabbing your face to stare you in the eyes as you started to lose consciousness.
“Yeah! Don't worry, I hear that dead humans float back up, so you'll get to go back home…soon…”
Horror fell over her pretty face as she looked behind your drowning form. The surrounding turned darker, colder, as a large black and purple tentacle slowly reached from behind you to pull you from her grasp. She and her friend both shrieked at the sight of a giant octomer curling his arms around you protectively, an inhuman hiss, followed by a growl, reverberating through Azul's chest. From behind him, two glowing teal morays giggled as Jade and Floyd both chased after the two merfolk who were now begging for mercy. After all, the twins were a good 3 feet larger than them.
Azul is cooing at you as he brings you back up to the surface, though you can hear the crunch of what sounds like ribs breaking, a shriek, and Floyd's unique cackle. You leave that knowledge behind you as you gasp for air upon breaching the surface. You're clutching at Azul like he's your lifeline, murmuring for him to not leave you. Which Azul agrees to.
The twins come back up a few minutes later, Jade digging something fleshy from his teeth while Floyd offers you a lock of purple hair, which still had a bit of scalp on it. You thanked him, but refused the hair, to which Floyd shrugged and tossed it behind him. The three of you spent the rest of your time in the shallow end of the water, three mermen curled protectively over you.
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darkficsyouneveraskedfor · 3 months ago
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Wicked Games 1
No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
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Warnings: non/dubcon, cheating, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: Steve Rogers
Summary: you had a one night stand. Or did you?
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
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Your phone wakes you. The room tilts as you open your eyes. A dull hammering thrums in your temples. The morning light makes your brain rough as sand paper. 
Dregs of vodka stick to your dry tongue. The hangover weighs you down like an anchor. Just the thought of moving hurts. 
You reach blindly for your jittering phone. Bubbly music tinkles from the speaker. Shit. It's Barrett. What did he forget this time? 
You answer and put your clammy palm to your forehead. You squint at the ceiling then your eyes slowly round. Where the fuck are you?  
"Hey, babe. You at Wendy's?" Your husband asks. 
You gulp and peel your tongue off the roof of your mouth. This isn't Wendy's house. 
"Yep," you croak. Your eyes ping side to side. 
"Look, I'm sorry about last night. Things got heated and I know I was an ass--" 
You cough as you sit up in the strange bed. "Yeah, you were." 
"So why don't you come home and we can talk it out." 
You peer around the room and your lips curve in a frown. Where the hell would you go besides home your loyal best friend's? You scratch you scalp and turn your legs over the edge of the bed, "let me get myself together." 
"Babe. Please. I'm sorry." 
"When I get home." You hang up.  
It was a hell of fight. The minute he started yelling, you bailed. He knows better. You're not doing a ten hour day and coming home his nagging. So you left out your coffee mug. Big deal. You didn't say anything about the garbage bag he left out to be torn apart by raccoons. 
Whatever. Fighting over dishes. Not of it matters right now. 
Your clothes are on the floor. Someone's floor. Who it is is far from the point. You stand and stagger. You catch yourself on the nightstand. Your hand moves instinctively between your legs. 
You're naked and tender. Did you have sex? 
Think! You ran out with your purse. You went to Wendy's. She was up for a night out. A night to forget and body did you. First drink, second, third, then it gets blurry.  
Fuck! You didn't. You wouldn't. You're pissed at your husband but you wouldn't cheat on him. You're not that type of person. Right? 
You don't have time for that. You have to get out of here.  
You dress as you search the room. It's tidy. Half the bed is mad and the other half messed from your drunken slumber. 
You shake out your hands trying to shoo away the flurry of guilt and denial. Just get out. You'll think better with some coffee in your system.  
You push down the door handle slowly. You listen to the silence of the hall. You tiptoe out warily, checking left and right as you advance. It's a nice place. A condo. Much nicer than your cramped one bedroom. 
Not important! 
You come out into the spacious front room. It's as empry as the rest of the place. The kitchen too. The bathroom. No one. 
Your purse is by the door. Your shoes too. You grab both and let yourself out. You'd rather not face your mistake. 
No, you didn't do anything. You wouldn't. 
You hurry down the hallway to the elevators. You don't look back, just keep going. You don't think, just go. 
It isn't until you're outside the familiar cafe marquee that your let your mind settle. You enter and join the queue. Your order a black coffee and drink it at a stool by the window.  
You lean your elbows on the high table that stands inside the pane. You take a slow, savouring swig of coffee and let it trickle down your throat. You shield your face from the New York morning and put your hands over your ears. 
You can't remember anything but Wendy. Your anger had you ordering round after round, trying to drown out the bile. The thought makes your stomach lurch and you gulp thickly. 
You shake your head and groan. Your phone chirps. It's probably Barrett. Several messages from him and missed calls. All through the night. It's bad enough you betrayed him, you had him up worrying. 
No, you didn't! 
It can't have happened if you don't remember it. A generous stranger took you home so you didn't wake up on the curb. That's it. 
That's the story. Nothing happened. And you'll let Barret believe you were with Wendy. It won't make a difference. 
Your mind is set. Nothing happened. 
Nothing. Happened. 
Because you don't remember. Because you were too drunk to do that. Because you're married and it can't happen. 
You're going to finish your coffee and go home. Everything will be just like it was before... after you tell Barrett where to put that coffee mug if it's such a big deal. 
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yandere--stuck · 3 months ago
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Bad Idea, Right? (Yandere!Stanley Pines x Reader)
Stan was stupid. Stupid, irrational, impulsive, selfish, arrogant, aggressive. A liar, a traitor, a cheat, a thief. Everything everyone has ever said about him was true, and he had the gall to try to convince anyone otherwise. The town, his family, you, even himself. 
But this, this right here, had cemented the facts. Stanley Pines was a monster who didn't care about anyone but himself. Not really. He'd finally fucked up bad enough. Dug a hole so deep that even he couldn't crawl out of it.
God. He had his face in his hands, rubbing the skin in frustration. How would he get out of this? Could he? Was it really too late?
With a sigh, Stan looked up. He sat in Ford's underground laboratory, having taken a seat in front of the desk overlooking the portal. He turned to look at you - still asleep in the bed Stan had dragged down here long before he'd enacted his plan.
The guilt made his stomach turn. The guilt in knowing that, really, this wasn't impulsive. This was planned.
He couldn't help it. Or maybe that's what he told himself so he could go through with it. He should've kept his boundaries up. He should've chased you off. He should have never hired you in the first place! 
Ugh, but it wasn't like Stan wanted this to happen! How was he supposed to know he'd end up falling for you? Look, maybe if you hadn't been so chummy and sweet to him, trying to make him come out of his shell and lower his guard, acting all cute and like you knew you had him wrapped around your little finger and… No, no, this was all wrong. This wasn't your fault. This was all on him.
You were just a nice person. You had been a good and helpful employee, and then, as you grew to know each other more, a good friend. He just found himself magnetized to you. He loved cracking jokes and just talking with you, drinking in your affection and attention like a man dying of dehydration. And not to mention how good you were with the kids! The fact that they liked and looked up to you only further instilled his fondness for you.
It was almost embarrassing how smitten he was with you. God, it made him feel like a young man again, even long after he should've called off love for good, considering all his failed marriages. He could only hope it wasn't obvious, especially considering what he'd done now. He at least couldn't recall a time when he'd referred to you as a honey-wasp-kitten-baby.
Stan found himself wanting you to depend on him. To be your hero. To take care of you. And now look at what he'd done. You were an innocent victim of an obsessive freak. You had opened your heart to him and found it in you to care about this old scumbag, and this was how he repaid you.
Dipper and Mabel had gone off doing something with Wendy and her friends in the evening. He'd been able to push Soos out of the shack early enough after closing. No witnesses. Anything could have happened on your walk home, after all.
It had been easy to insist you stay for dinner. And it'd been even easier to mix all sorts of shit into your drink with you none the wiser. There was a reason he didn't bring up his past around you.
A sudden whimper startled him from his thoughts, the man’s posture going ramrod straight for a moment before scrambling to your side. Concern was etched into his features as he watched your face scrunch up as you came to.
Your vision swam, the room above you was spinning as you awoke. You could swear at least four Stans circled above you, just as unfocused as everything else - so much so that it hurt just to keep your eyes open.
Your eyes fell shut as you let out a groan. “...Stan?”
You wouldn't know how Stan's heart nearly leapt from his chest, hearing you say his name like that.
His hands immediately closed around yours, giving them a squeeze. “Yeah, yeah, it's me. I'm right here. I'm right here, sweetheart.”
The pet name tasted like bile in his mouth. As if he deserved to call you that. 
“Wha’ happened,” You slurred. “I feel sick…”
A hand clamped over his mouth. His stomach did a flip. God, he was gonna be sick himself. First, he ruined his brother's life, then his own, and now he was ruining yours. That's so like him. This was so like him.
“Yeah,” Stan started, almost breathless. “You're sick, honey. But, I'm gonna take care of you, okay? Everything’s gonna be alright.”
His heart skipped a beat when you didn't reply. Pressing a finger to the pulse point on your throat, he held his breath and listened to the frantic beating of his own heart. Then, he exhaled in relief. Just sleeping. Of course.
Stan stood above you for a moment, looking over you. He could turn back now. He could bring you back upstairs and let you sleep on the couch. In the morning, he could fake being ill and blame it on his cooking. You could go home, he’d give you time to sleep it off and everything would go back to normal and you'd have no idea!
Then, Stan sighed. He could do all that. He could do it right now. But, he wouldn't. Because he didn't want to. He had wanted you right here, and he had you. No amount of guilt would ever make him give you up.
Stan leaned forward and pressed a kiss to your forehead. 
This was just who he was. And it may be his fault, but you needed him now. He needed to be responsible for you. He needed to take care of you. He needed to be your hero. He needed to be needed by you.
And that's just what he'd do.
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mysecretlittlelibrary · 1 year ago
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NFWMB (Nothing Fucks With My Baby)
Pairing: Reader x Venom
Word Count: 2.4k
Warnings: you get kidnapped, there's some cannon level violence, nothing to write home about &lt;3
Genre: idk if I should really classify this as angst fr but the ending is fluffy!
Summary: Carnage returns, his mission remains the same; kill Venom. And he plans to use you to do it.
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Based on this ask by @weebnotheree (thank you so much for the request, I know it took a while so I appreciate your patience, I hope you like it <3)
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***
"Hey y/n!" Your coworker skirts over to your desk with curious excitement.
"Yes?" You glance up from your computer at her.
"Your boyfriend is a reporter isn't he?"
"Correct. Where is this going exactly?"
"Well do you think he'd be able to come cover the charity gala this weekend?" She asks.
"He doesn't really- cover this sort of thing? He'd need to get assigned to it. But I can check with him, he can ask his boss and maybe they'll send someone else down." You concede. It can't hurt, after all, you do need the exposure for the event anyway.
Hours later, after you've both gotten home from work and eaten dinner. You're winding down for the day with Eddie by watching a show together when you propose the question from your coworker.
"Eddie quick question." You say, not lifting your head from his shoulder.
"Yeah?" He's been tracing patterns against your leg for the past ten minutes.
"Do you think you could come cover the charity gala this weekend? My coworker Dani thought it'd be a good idea." You tell him.
"I don't usually write those sorts of pieces." He hums.
"I know I told her, but I also told her I'd ask anyway. It doesn't have to be you, if your boss sends someone else that's fine. We're just aiming to get more eyes on the event." You shrug.
"I'll talk to my boss. He'll probably send someone. Not me though."
"Yeah that's fine, I know these aren't your thing, you don't have to come." You say.
"Say what?" You feel him shift to look at you.
"I drag you to enough work functions. I'll let you skip out on this one." You pat his chest lightly.
"Don't have to tell me twice." Eddie snorts turning back to the TV.
"Technically I already did tell you twice." You chuckle.
"Smartass." He pinches your thigh.
"Always." You sit up just to wink at him.
The following day, you are accosted by Dani pretty much as soon as she walks into the office.
"Did you ask him?"
"Ask who, what Dani?" You ask though you know exactly what she's talking about. "Also have you forgotten that the proper way to start a conversation is with a greeting? What happened to hi? What happened to how are you?"
"Hi, how are you? Did you ask your boyfriend about covering the gala?" She says.
"Hi Dani, I'm doin' alright. How are you?" You ask her.
"Y/n!" She huffs.
"Yes Dani I asked. He said he'd talk to his boss. Knowing Eddie, someone will probably be at the gala. It's handled." You finally cave and give her the answers she came for.
"You're the best!" She tells you.
"I know, thanks." You chuckle. You shrug.
The day of the gala is chaos from the minute preparations start. It's not really anything that surprises you and you've been handling everything that comes your way with ease.
"Y/n!" Your coworker Wendy grabs your attention when you're sorting out something with one of the photographers.
"Yes Wendy?" You aks.
"The uh catering staff is here do you know where they're supposed to-"
"They just got here?! They were supposed to be here an hour ago! Who was on that? They should've been checking for- oh never mind! Their tables are over there on that wall and tell them to hurry Wen the event is literally starting." You sigh pointing her in the right direction. The event is just gaining momentum, doors opened about twenty minutes ago and aside from the catering situation that has just been taken care of, as far as you know, everything is precisely as it should be. At least you hope so since you did come here a couple of hours in advance to make sure things were ready. You aren't technically in charge of this event but you are naturally better at organizing chaos and these events tend to be a bit of a frenzy on the day no matter how prepared you are in advance.
Tonight is your company's annual charity gala. Every year the board votes on a cause to raise money for by hosting a huge party. This year's cause is a charity that supports kids getting involved in the arts. There are a bunch of art projects on display, some of which will be up for auction at the end of the evening, but the goal is to shmooze with the community members effectively enough that they want to support the charity. You spend most of these galas working optics; talking to reporters, setting up pictures, and just generally organizing things throughout the night. As part of the company's public relations department events like these are your specialty. Carefully curating the perception of everything that goes on here tonight with the help of the other members of the department here tonight.
You're pleased to say that a couple of hours in, the event is going off without a hitch. Once it's in full swing, you have your hands full giving statements to different press outlets and sending photographers to snap the board of directors with guests of the event. Just as you're preparing the host for his introductory speech, you notice a small crowd gathering by one of the large glass windows overlooking the city.
"What's going on over there?" The host frowns at you.
"I'm- not sure. Probably just some nightlife chaos got people's attention." You shrug but before you can walk up the stage there's a shout from a few of the guests followed by the sound of shattered glass as something crashes through that large window. The room erupts into chaos as red goop shoots out at people. It only takes you a couple of moments to realize the thing currently ruining your gala is Carnage. You didn't meet him or anything last time they faced off, but Eddie gave you enough of a description to come to that conclusion when you spot the bright red tentacles and eyes so like Venom's but different at the same time.
"You have got to be fucking kidding me." You huff quietly from where you're crouched behind a curtain with the gala host.
"What is that thing?!" He hisses.
"Doesn't matter. Find the nearest exit and run like hell." You tell him.
"What?! You want me to go out there?! What if it sees me?" He shakes his head. You poke your head out just enough to see Carnage. Weirdly enough he just seems to be picking up people and dropping them on the ground again.
"You ever seen that thing before?" You ask.
"God no!"
"He's looking for something. Unless you think it's you, I'd suggest taking the risk before he starts getting snackish!"
"W-what?!"
"We know you're here! We did our RESEARCH!" The man beside you is practically shaking as Carnage's deep voice rings through the room.
"He's coming this way, you have to move now." You say.
"What about you?"
"He's more likely to notice two of us. I'll be out after you." You're so busy directing the guy you don't realize how close Carnage is to you all until the curtain you're behind is ripped off its bar.
"AHA! THERE YOU ARE!"
"GO! GET OUT OF HERE NOW!" You shout to the guy as Carnage reaches for- you. He's reaching for you, you realize only when one spindly spider-like appendage wraps around your waist.
"How noble of you. We weren't after him- but if you must be the hero-" Carnage easily reaches the scrambling host before he can get to the door and all you can do is shut your eyes tight when Carnage lifts him up. It's only when his screams stop suddenly and something warm drips onto your arm that you're sure is blood. You don't dare to check what Carnage has done, but if you had to guess, he bit his head off; much like Venom does when you or Eddie allows him to. Your eyes only shoot open when Carnage starts to move again, swinging back out the hole he came in through and taking you through the city. You're in the air for quite some time before eventually, Carnage drops you, rather gently for a kidnapper, on the ground inside a dusty building.
"Hello, little thing." Carnage says to you.
"I could have sworn Venom dealt with you already." You cross your arms.
"Almost. I was lucky to escape."
"Unfortunate for the rest of us." You muse.
"Rude!"
"Let me remind you that you did kidnap me so excuse me if I'm not kind." You roll your eyes. "I take it my role is to lure Venom to you? Right?"
"Correct. He cares for you. So he will come."
"Of course, he will. Though, disrupting my work event was an unnecessary scene just to lure him out to- where are we?"
"An old firehouse!"
"Wow you really are a baby." You scoff realizing he's chosen another location where loud noise is common.
"Excuse me?"
"Nothing nothing. I presume you have a different host now right? That other guy, the serial killer, died the last time, didn't he?"
"I am bonded to his blood! I can regenerate!"
"I'm sorry- so you regenerated… an entire head for your last host?"
"Yes!"
"That is- very strange." You frown. "Still, this place doesn't hold sentimental value to Cletus so- how will they find you?"
"Oh just call them." Cletus makes an appearance, finally, and rolls his eyes as he makes his request.
"Call them? You want me to call them and lead them to where you plan to kill them?"
"Yes. Or I'll kill you."
"That would be stupid. Killing me won't get you what you want." You scoff.
"CARNAGE! YOU TOOK MY CHOCOLATE DROP! I'M GOING TO RIP YOU TO SHREDS!!"
"Guess we don't need to call him." Carnage says pushing you into the fire engine that's collecting dust in the unused building.
"WAS DYING ONCE NOT ENOUGH FOR YOU?!" Venom stomps towards Carnage.
"Father. I'm not that easy to get rid of!"
"EVIDENTLY!" Venom charges at Carnage and the two of them are quickly destroying the old brick firehouse you're occupying. From inside the fire truck you're in, it's hard to tell who's winning for most of the fight. It's all too quick and too fluid the way they're throwing each other around. By the time you've gotten a handle on what's going on between the duo, Carnage has Venom pinned to one of the walls that they haven't totally ruined already. Frantically you turn towards the control panel of the fire engine, you can't imagine it's still fully operational but there's a chance you can find some way to make noise with this thing. You need to give Venom the upper hand somehow.
"V!" You shout and cover your ears for only a moment before pressing as much of your weight as you can into the horn of the truck and hoping for the best. You can't explain the relief that you feel when that horrid loud noise fills the small space and Carnage screeches. You let up on the horn once he stumbles away from Venom, his attention on you now that you've gotten involved.
"You!" Carnage snarls. You lay into the horn again before he can get to you and the sound seems to disrupt him enough to almost completely separate him from Cletus. You let up when Eddie has crept up behind them and Venom takes over to fully rip Carnage from Cletus by force. You didn't think that was possible and it is extremely strange to watch. Venom grabs Cletus with an extra appendage and holds him far in the air as he eats the angry red goop that is Carnage.
"EVEN WORSE THE SECOND TIME." Venom grumbles and you can't help but giggle a little. The noise makes Venom wink at you before turning his attention to Cletus. "THIS TIME STAY DEAD!" Venom says before biting his head off, out of your line of sight. You come out of the fire truck just in time to catch him dropping the body.
"ARE YOU ALRIGHT?!" Venom runs over to you and lifts you into his arms so you're eye level with him as he looks over you for injuries.
"I'm fine V. He didn't actually hurt me. You got here so quickly." You muse.
"EDDIE WAS WATCHING COVERAGE OF YOUR GALA." Venom explains.
"It was going so well until he crashed it." You pout. "You don't have any other errant children we should know about right Venom?"
"NO. NOT THAT I KNOW OF." Venom shrugs lowering you back to the ground.
"Good because this kidnapping thing is very inconvenient." You say. Eddie chooses that moment to reappear and he quickly wraps his arms around you.
"Y/n, baby, thank fuck you're okay. I am so sorry." He breathes out.
"You're sorry? What for?" You frown as you hug him back.
"If I had just come to the damn gala in the first place-" You pull back and hold Eddie's face in your hands to make sure he hears what you say next.
"No. It wouldn't have changed anything. In fact, it would actually have been worse I think. There were hundreds of people in that building and we were on one of the higher floors. The casualties if you had fought him there would have been so not worth it. This was the best outcome. I'm sure there were several injuries but I think there was only one death besides him so- don't apologize. Especially because there was no way you could've predicted him crashing my event. Don't blame yourself because other than a ruined charity gala and the inconveniences that come with a kidnapping, I've barely got some scrapes. You two did well." You tell him.
"We couldn't have done it without you. The fire horn was a great idea."
"Yeah well, you were going to die. And I didn't have any fire." You shrug. "We should get out of here though, I can't imagine it'll take much longer for authorities to get here in search of the red monster that crashed a charity event." You add.
"True. The party looked beautiful by the way. You know, before Carnage trashed it." Eddie says scooping you into his arms.
"Thank you baby." You kiss his cheek just before Venom appears again to take you all home.
"I WANT A KISS TOO! I DID ALL THE WORK."
"You can have as many kisses as you want V." You say kissing his cheek too as he walks out of the trashed fire station with you in his hold.
"I WANT ALL THE KISSES THEN!" He declares as he swings you both up into the air.
"Once we get home I'll kiss you til my lips fall off if you so wish my love." You giggle.
"NOT THAT MANY! IF THEY FALL OFF I WON'T GET ANY MORE IN THE FUTURE!"
"Okay okay. Reasonable amount of kisses, once we get home. Deal?"
"DEAL!" Venom says before taking off from building to building to get you home. There's no such thing as normal when your boyfriend is sharing his body with an alien you suppose, but you wouldn't have it any other way.
***
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queenie-the-court-jester · 8 months ago
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hi I'm queenie! TEMPORARY HIATUS!!
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★once I've got my stories going, don't be afraid to ask about them!
★but please be respectful! This is what I won't write for:
★ •trans or male reader! I don't mind doing them, it's just I don't know how to write for them and since I'm not either, I don't want to accidentally miswrite them and upset somebody. But you can still ask, I'll probably take a good long while though 💧
★ • classic Wattpad y/n. I like to keep my darlings as relatable as possible. I'm tired of seeing submissive bland (names). Time for 'go fuck yourself' y/n
★scat. Pedophilia. Minor x adult. WATERWORKS ❌. Incest. Stepcest. Age regression. Furries. Oc x oc unless I really really like it.
★minors please do not interact
★what I will write for: pretty much everything, I'm not picky! Pitch in your own ideas, I'd love to hear them! {Warning this'll include yanderes: I don't condone them but they do have Me a little interested}
★I'm mainly a fem! reader writer so, my male readers, I am so sorry 🥲 I'll try and make some gn fics just for you
★that's it really, I don't mind. Just be respectful to me and the other people who would like to enjoy my nonsense!
I'M A TRADITIONAL BEGGINER ARTIST SO PLEASE BARE WITH ME!
•°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆
Current works:
Riley Sanderson x reader 🖤, doing his makeup
Yandere farm x farmhand reader 🌾, returning their feelings (cow couple, quintuplets)
It's raining cats and dogs 🐱🐶🌾
Country roads take me home 🐮🐴🌾, big daddy smut , taking a nap
Where the birds and fish gather 🦚🐟
Pure as a lamb 🐏🐐, Kim the goat
Yandere popular girl x reader x emo boy, sick darling, date at the mall!, crack imagine
oc kink list: part 1, part 2
Mild yandere circus x reader: part 1 Wendy!
Yandere bunny hybrid x reader, extra details + doodle, cotton x meat eater!darling
Yandere playboy x reader, reader escapes
Yandere florist x reader
yandere cupid x reader, househusband!
Yandere online boyfriend x afab!reader, sadistic reader
Yandere church boy x reader
yandere rockstar x FEM!reader
Oc's ethnicities
Yandere cheerleader x fem!reader, random headcanons
Yandere friend group x FEM!reader, reader dates kiross, what do they want?
Yandere fantasy party x gn reader
Blackwood academy masterlist
•°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆
Headers by: @pixiesite @cafekitsune
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The anons: 💕 - 👍 - 🍧 - 🐁 - 🍄 - 👾 - <3 - 🎀 - 😶‍🌫️ - 🦖 - 🇦🇶 - ☔ - blorbo - 🐢 - 🦌 - 🐮 - silver anon - 🎸- 🎶 - 🏮- ✂️ - 🩰 - 🥭🧚🏿‍♀️ - ❓- 🌹- 🐼 anon <-evil (jk)
Note to self:
@a-goblin-named-cherry wishes to be tagged on all farmhand reader content
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steddiealltheway · 1 year ago
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(happy happy happy happy happy birth-dae to @strawberryspence ilysm my Wendy’s frosty and chicken tenders friend. I hope you enjoy 💛🍓)
Steve was having one of those days. Then again, he seemed to have a lot of those after two run-ins with an evil alternate dimension combined with the aftermath of his "bullshit" relationship with Nancy. Luckily his parents weren't home to add to the general mood of things, but that just left him with a too big, empty house.
As soon as he got inside, he turned around and went back to his car. He knew where to go.
The drive was on the longer side, but Steve didn't mind. He felt like he could finally breathe when he saw the Leaving Hawkins sign. A few miles later, he pulled into one of the spaces beside a small diner.
He walked in and waved to Linda who smiled sweetly at him. He remembered a few years ago when he had first met her after taking his dad's keys and driving far away from his parents. Linda had given him a free meal and lingered around, letting him rant and not judging him for the things he said about his asshole parents and friends. She had simply listened and told him that he reminded her of her son when he was younger.
When Steve eventually left, Linda had told him that he could stop by anytime, and she would likely be there. She also hinted that maybe he should take a bus next time because he looked a little too young to drive. Steve had blushed and ducked his head at the comment, but Linda had just laughed and told him things would get better.
And it seemed like every time Steve came back, things would eventually get better.
But he can't help but feel a little jilted when he notices that his corner booth which is always available is suddenly not. He can't see whoever is sitting there as they face away from the door. Their shoulder-length curly hair sticks out to him, but he wonders if that has to do with Nancy.
He knows he should just find another booth or table or even sit at the bar, but Steve can't help but wonder who is sitting at his table. So, he approaches them slowly, noticing how they're bent over some book or something scribbling away only with a pink-tinted milkshake on the table.
He clears his throat when he gets closer, and the person looks up with big, brown eyes curious at first before becoming closed off.
"Munson," Steve says, not sure what emotion he's feeling because he was the last person he imagined to be here.
"Harrington," Eddie replies, sounding a bit irritated.
Steve frowns. "Why are you sitting at my table?"
Eddie looks around before saying, "Funny, I didn't see a sign."
"You know what I mean."
Eddie closes the notebook in front of him before he leans back and crosses his arms. "Do I?"
Steve runs a hand through his hair and rests his hands on his hips. "I sit here every time I come here."
The corner of Eddie's mouth quirks up into a small smirk. "Thanks for explaining, but I'm not moving for you, Your Highness." He tilts his head down in a mock bow that irks Steve.
"Thankfully, you’re not sitting in my side of the booth," Steve says as he slides into the bench on the opposite side of Eddie.
Eddie looks at him blankly for a few seconds and takes a sip of his milkshake. He swallows and says, "Just don't dump this on me, okay?"
"Why would I do that?"
Eddie rolls his eyes. "Why would King Steve humiliate The Freak? What a great question."
Steve frowns. "I haven't done anything to you before."
"And nothing is stopping you now."
Steve snorts. "It sounds like you almost want me to. Which I won't by the way. If that was seriously something you were worried about."
Eddie narrows his eyes at him as if expecting something as he clutches his notebook a little tighter.
Steve gestures toward it. "What that?"
Eddie frowns and looks down at the book. "You wouldn't care."
"Try me."
Once again, Eddie stares at him. This time Linda interrupts as she slides a burger with fries in front of Steve. "Everything okay here?"
Eddie and Steve both nod, but Linda raises her eyebrows at Steve as if saying behave.
Steve takes the message and kindly pushes the plate a little toward Eddie saying, "You can take a fry if you want."
Eddie stares at the plate and considers it.
"I promise in the time Linda brought it to me and I pushed it to you, I didn't poison it." Eddie still doesn't take a fry, so Steve reaches over, grabs one, and takes a bite. "See?"
Eddie looks at him and says, "Can never be too sure." But he takes a fry and dips it in his milkshake before taking a bite.
Steve's eyebrows furrow.
Eddie does the same thing with the other half of his fry and asks, "What?"
Steve grabs another fry. "What flavor milkshake is that?"
"Strawberry."
Steve frowns again as Eddie sighs. "I get a fry in a vanilla milkshake maybe, but strawberry?"
"Don't knock it before you try it," Eddie says pushing the glass toward him.
Steve stares at it tentatively.
"Unless you're afraid of double dipping after a freak."
With that comment, Steve looks Eddie in the eye, dips a fry into the shake, and bites into it. And it's not... unpleasant. He even takes the other half and tries more. "It's not bad. But I'm still confused about the choice of a strawberry milkshake."
It seems to be the wrong thing to say as Eddie retreats back into his shell a bit.
"I'm just more of a vanilla or chocolate guy," Steve tries to clear the air.
Eddie glances up and shrugs. "I used to get one here with my mom."
"Not anymore?" Steve can't help but ask.
"Considering that she's six feet under, no"
Steve's heart jumps at the response. He doesn't really know what to do other than reach over and rest a hand over where Eddie's rests. "I'm sorry."
Eddie glances down at their hands and shrugs. "Happened a long time ago. There's no need for all that."
Steve squeezes his hand one more time before pulling back. "Still sucks," he comments before biting into his burger.
"It is what it is." Eddie looks away and shakes his head before stating, "So, you've obviously been here often. When did that start?"
Steve finishes his bite and shrugs. "A few years ago. I tried to run - or rather drive - away from home. But I ended up here. I've been back whenever I need a break and to know that things will get better."
"How are things looking right now?"
"Better," Steve says with a small smile. He pushes his plate toward Eddie again. He takes the hint and grabs another fry.
"You know, chicken tenders taste pretty good with the milkshake too."
Steve laughs. "I'll have to take your word for it."
Eddie smiles, revealing his dimples, and Steve can't drag his eyes away.
Steve finishes his burger as Eddie makes a dent in his fries - not that he minds. The silence between them is nice, comfortable even. Steve's not sure the last time he's had a moment like this with someone.
Eddie glances up at him and hesitantly asks, "Did you really want to know what the notebook's for?"
Steve nods and leans across the table to get a better look as Eddie opens it up, explaining his D&D plans and showing off his drawings. As he flips the page and reveals a drawing of the Demogorgan, Steve slips out of the booth and sits next to Eddie, getting a closer look. "That's not what I expected it to look like."
Eddie looks at him. "You know what the Demogorgan is?"
"I kind of babysit these kids who play Dungeons and Dragons, so yeah. I know of it," Steve somewhat lies.
Eddie continues to stare at him in disbelief, and Steve finally realizes how close they are. He finds that he doesn't mind the small distance between them, and he especially doesn't mind the way Eddie's cheeks get a little pink before he turns away to flip through more pages.
And as much as Steve is impressed by all the effort and obvious talent that went into his notebook, he can't help but get a little distracted by Eddie himself.
He doesn't leave his side of the booth, opting to keep the close proximity, knees knocking into each other and fingers brushing as they reach for the plate of fries.
Steve doesn't want to leave his little booth, and he doesn't think he wants to come back later if Eddie won't be there.
But as it starts to get darker outside, Eddie glances at his watch and curses, "Shit, I need to get home before my uncle leaves for work."
"You can leave now, I'll pay for your shake."
Eddie looks at him, and sighs, "Thank you." He squeezes Steve's hand before they both scoot out of the booth.
They both have a moment where they linger and stare at each other, unsure of what happens next. They both know the dumb social hierarchy at their school and even with Steve's fallen status, Eddie's friends would never accept him. So maybe this is it.
"I'll see you around," Steve says, laying a hand on Eddie's arm and squeezing, lingering a little longer than he should.
"I'll see you around," Eddie echoes, hesitating for a moment before leaving.
Steve lets out a deep breath as he sees him walk out the door. Things will be better. They have to be.
-:-:-:-:-:-
This is definitely not the way Steve thought Eddie would be reintroduced into his life, and more than anything, he wishes Eddie wasn't involved in this. He just wants to go back to the sanctuary that is Linda's Diner. And he wants her to tell him that everything will be better.
Instead, he instructs Dustin to grab Eddie a strawberry milk from the store, and later grumbles without being able to explain why when Dustin comes back with a Yoohoo.
"Who the hell drinks strawberry milk? Chocolate milk is the obvious choice," Dustin defends.
Steve's heart tugs a little when he remembers having nearly an identical conversation.
-:-:-:-:-:-
(Ending 1)
Steve wipes at his tears as he drives away from Hawkins, getting stuck in the traffic almost immediately as everyone tries to get away from the cursed town.
He can’t do this right now. He doesn’t want to be given time to think about Eddie.
He pulls over to the shoulder and speeds along, ignoring all the car horns going off as he passes. He just needs to get to the diner.
A few miles later, he quickly turns into a space next to the small building and gets out quickly, rushing inside to his little sanctuary.
But as he stares at his table, he only gets memories of Eddie sitting across from him and next to him. And he feels like he can’t breathe here anymore.
But he still sits down in the booth, taking Eddie’s side instead, facing away from anyone who might enter.
He can’t be gone.
He sits in silence, staring at the place where Eddie’s notebook used to lay, where they shared a plate of fries, where Eddie’s strawberry milkshake used to sit.
A plate is slid in front of him, and Linda appears quietly at his side, knowing that he doesn’t want to talk about it. But when she slides a singular strawberry milkshake in front of him, he finally breaks down.
Maybe the town of Hawkins wasn’t just cursed. Maybe strawberry milkshakes were too.
-:-:-:-:-:-
(Ending 2. Aka an apology for ending 1)
Steve can’t sit still in the waiting room of the hospital. He has too much that was left unsaid. Too much at stake. But the doctors say it’s touch and go. And he has to wait.
Steve finally sees Eddie’s uncle, someone who was mentioned to him forever ago but has appeared sporadically in Steve’s thoughts. He wondered where Eddie’s dad was. Why he lived with his uncle. If his uncle was kind to him. If his uncle was on his dad’s or mom’s side. How he took the news when Eddie’s mom died. When he took Eddie in.
There were so many questions that were left unanswered because Steve was a coward. God, he wishes he would’ve seen that there were bigger, more important things than the school hierarchy. But even when he was fallen, there was a reputation he needed to somewhat uphold.
Steve doesn’t know how much longer he can take the waiting and thinking. He just needs a break from it all. He needs… Linda’s Diner.
He jostles Dustin awake and lets him know that he’ll be back in a while. Dustin just kind of gives him a look before shrugging and mumbling, “Okay.”
Robin grabs his hand, asking if he needs her to go with him. But he shakes his head and lets her know he’d rather her stay here and update him when he comes back.
He leaves the hospital quickly, racing to his car and speeding down the roads to the small dinner. He can’t help it. He needs to know that everything with get better as soon as he can.
When he gets there he takes a moment before going inside, looking away from his booth when all he can recall are the memories of Eddie. Instead, he heads to the bar and asks Linda for a strawberry milkshake to go.
After she puts in the order, she walks up to Steve and lays a hand over his. “Is he okay?” She asks gently.
Steve should’ve known that she’s seen the news, but he’s relieved to find that she knows Eddie isn’t guilty. That he would never be capable of the horrible things he’s been accused of.
“He’s touch and go right now,” Steve admits, trying not to let his bottom lip quiver too much.
Linda squeezes his hand and says, “It’ll all be better soon. I just know it.”
Steve smiles at her and whispers, “Thank you.”
Moments later, she hands him the milkshake, and Steve leaves soon after. He needs to get back as quickly as he can.
He drives faster than when he left, almost regretting his little pit stop when he feels like he needs to be there. He races up to the waiting room and finds that Dustin and Eddie’s uncle are gone. Steve’s stomach drops as he looks at Robin. “Is he?”
Robin hugs him with tears in her eyes and whispers, “He’s awake. And he’s okay. He’s going to be okay.”
Steve sighs in relief and feels a few tears spill out of his eyes. He ducks his head into Robin’s neck and tries to hide his reaction from anyone else.
“Steve.”
Steve takes a deep breath and looks toward the doorway where Dustin is standing. “He wants to see you.”
Steve smiles and squeezes Robin’s arm before practically dragging a confused Dustin down the hall while asking where his room is.
Dustin leads him to it and says, “I don’t understand why-”
“Later, okay?” Steve asks, cutting him off. “I promise. I’ll tell you later.”
Dustin nods and for once he lets Steve go easily. “Okay.”
Steve jostles his hair around before slowly going into the room. He nearly gasps at the sight of Eddie so pale and almost lifeless, but when he sees his chest move slowly up and down, he’s flooded with relief.
“Eddie…” Steve says, practically running up to the bed and placing a gentle hand over his.
Eddie weakly smiles at him before glancing down at his hand. “What’s that?” He asks quietly.
“A strawberry milkshake from Linda.”
Eddie smiles a little wider. “You remembered.”
“Of course I did. How could I forget?” Steve sets it down on a little table next to his bed and finally confesses, “Eddie, I wish things would’ve been different between us because out of all the things I got from Linda’s diner, you were the best. And I’m so glad you stole my booth because I needed you that day. And I need you now and-”
“Steve?” Eddie says softly.
“Yeah?”
Eddie’s eyes move toward the foot of his bed.
Steve glances over and jumps when he sees Eddie’s uncle watching him with a small smile. “Go ahead, I’m enjoying this.”
“Wayne,” Eddie tries to groan but it ends up coming out way too soft.
Steve just laughs and grabs Eddie’s hand. “What I’m trying to say is that after your name is cleared and you’ve healed and they determine that neither of us have demobat rabies, would you want to go on a date with me at Linda’s diner?”
Eddie smiles and squeezes his hand. “Absolutely.”
“Thank god,” Wayne mutters from his seat.
As Steve laughs and Eddie tries to glare at his uncle, he can’t help but believe that everything will truly get better.
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childofsardior · 2 months ago
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🌅 End of Vacantion...🍹
Everything ends eventually... especially holydays! The Royal Koopa Family comes back home after their staying at Isle Delfino, and my Summertime Series meets its end...
↓↓↓ See below for detailed shots!! ↓↓↓
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Clean Version, no speech bubbles
NOTE: All characters' designs for my AU are currently WIP!
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Kamek Great Mage's outfit with the tiny details. Kamek is probably thinkin about his SPA day...
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Roy is thinking about seeing his little gang of punk friends back home. Morton is trying to distract Junior from his end-of-summertime sadness, showing him all the cool rocks and seashell he found.
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Wendy is talking with some friends, probably updating them about her staying at Isle Delfino's best resort. Iggy is noting on his notebook all the new species he discovered on the Island.
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Larry is not very happy the Summertime is over. Ludwig is sending his last photo of the vacantion to his GF.
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Lemmy is probably pretending to be a sky pirate. Lord Bowser is clearly already thinking about the next invasion of the Mushroom Kingdom... or about a new and eccentric way to propose to the Princess.
*** - ***
That's it! That's the end of my first, small Series from my personal SMB HC/AU!
I'm very proud of how this drawing turned out and it was probably the hardest, most complex thing I've ever draw in YEARS (maybe EVER). It took me 4 full days to finish and it's the very first time I play with perspective. Two friends of mine helped me A LOT with the perspective study, so a very big thank you to you!
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