#We're just missing that ONE side!

[my-miraculous-love]

There has been quite a few actually romantic episodes that involve Adrien giving Marinette a rose & cheek kiss(es) are given in the same episode.

The Ladybug/Chat Noir dynamic did it...

The Ladybug/Adrien did it a whole season later...

Now the Marinette/Chat Noir does it as the current season.

When will Adrien give Marinette a rose as JUST Adrien?

[s-wordsmith]

Something I really need Stranger Things fic writers to know is that no one in rural America was locking any doors in the eighties apart from the government and businesses. I remember when there was a big stink about "we gotta start locking our doors now how am I supposed to remember that every time I leave the house." People didn't lock the doors when they were home until at LEAST the mid-aughts, a lot of people STILL don't. "Oh we can't get into so-and-so's house/car because we don't have the keys!" You do not need the keys, just open the door. "I'm alarmed because I went over to so-and-so's house and their front door was unlocked so I instantly knew something was wrong." It would be much weirder if it was locked. If I showed up at my friend's house and the door was locked I would immediately assume something was wrong. If I lived in a town regularly invaded by monsters and patrolled by mobs of government agents/Russian spies/jocks with guns, I would assume my friend was currently being hunted.

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!

[shojoboy]

Being Bisexual is sooo cool we can be any gender and be attracted to any gender any amount, we lovvvvve women and nonbinary people and men and even if we only ever date or fuck one of those we are still Bisexual. We aren't "half straight, half gay", because that's not how sexuality works. Sometimes it feels like we don't have our own community but tbh that's because, the Gay community? We in there. The Lesbian community? We in there. Trans community??? We in there!!!!!!!!!!!! Yippee!!!!!

[mantisgodsdomain]

3,4,15 for any member of team snakemouth!

...how about all three?

(for this ask game)

3. Obscure headcanon

For Kabbu, though we may have noted this before, we think that the North is quite firmly considered a patch of Deadland - and its inhabitants, as a result, tend to be very, very strange from the perspective of the rest of the world. For Kabbu, specifically, this means a variety of things, both biologically and culturally - though Northern beetles are a lot more common in Bugaria, deadlands in general come with a very high rate of mutation and a very high rate of death, and that means a high rate of superstition both in things that actively impact survival and in things that do not - as well as the simple fact that a constantly-changing set of genetics means that what a northern beetle is like is often very, very open to change.

Kabbu is an example of a burrower - a subspecies of sorts primarily identified by claws designed, very specifically, for digging. His claws grow into a sort of broad shovel shape and tend to be much sturdier than an equivalent beetle's - getting underground in moments in soft ground isn't really an exaggeration! Though he can dig through harder ground, it takes time and effort, and he can't go at it with the sheer speed of softer soil - technically, he could burrow through solid rock given enough time, but it would be both hard and extremely painful. It's a trait that's heavily prized in the North for its ability to create shelter and safety - beetles dominate the North's underground, and there's nothing that can really pose a threat to them. Tunnels are safety, and it really surprises and disorients him when things underground attack him, because back home that just kind of doesn't happen unless it's Another Beetle specifically targeting you.

In terms of more social things, he has a lot of trouble getting used to the concept of mimics. This is mostly due to the fact that mimics as a whole don't really... exist in the north, at least not in the means of gaining benefit from mimicking anything else. If you can talk to them as any other awakened bug, they're usually exactly what they say they are, and species mimicking normal geological features and plants haven't found any success, unless you're willing to get extremely generous with describing the snow-bank camouflage of a Northern Silk Moth's topcoat.

Though sand wasps or "white bees" still exist, the thing they're mimicking no longer exists in the same area. Any Hive that once was in the North is long dead, overly-large groups of bugs tend to die out quickly thanks to the handful of large predators that may decide the benefits outweigh the consequences when enough tasty beetles gather in the same place, and when the enemy you're dealing with is both too heavily armoured to be really deterred by most weaponry and capable and intelligent enough to stalk your group through the snow until the cost outweighs the benefit of eating you... well, the sort of small groups generally sent to start a new colony of social bugs really don't stand a chance.

It is, occasionally, very hard to get used to the fact that southern silk moths only grow a few heads taller than him. He's used to them presenting a lot more of a threat.

For Leif... we think he's completely, 100% blind. His eyes are frozen over due to quirk of his biology - the thing about his integration that makes him a failure, specifically. With any of the Snakemouth cordyceps, they do not naturally transfer the immunity to their own magic that any other variety of mage would have, and so need to alter their hosts in order to get the appropriate biology across. With Leif, that protection is not sufficient to protect the host, much less to preserve valuable organs - eyes, especially, are fragile, after all. The cold he naturally generates exceeds the host adaptations he provides, resulting in, even beyond the blindness, unusually brittle chitin, extremely stiff and easy-to-damage tissue, organic food processing efficiency appropriate for a bug currently freezing to death...

Well, you get the idea. Functionally, if alive, a host body would be in a state of perpetual hypothermia, prone to breaking down over time and needing persistent repair that his strain of cordyceps cannot provide, as any repair he could offer that's not within his host's natural healing capabilities requires manually breaking down and reconstructing any parts, which... is inconvenient at best. As he is, he gets around most of these issues by simply replacing his host body's soft tissue with cordyceps, but that has its own issues, mainly in making him look and move incredibly uncanny. Injuries take a very long time to repair, relatively, though the less tissue damage is done the easier it is to fix - being cleanly sliced in two, for example, might be easier to handle than any sort of crushing damage. As far as his eyes go... eyes of any sort are delicate, and the slightest damage can permanently blind someone. Any of Snakemouth Den's cordyceps tend to go blind anyways as the fungus burrows into ocular nerves - if anything, this is better for hiding, since the frost over his eyeballs conceals any mycelium in the eyes themselves. In theory, it can be repaired... in practice, it would be far too much of a pain for work that will be undone the moment he overtaxes his ice magic again.

...also, he doesn't really care. Sight is not the most important sense a moth has and his scent and ability to sense pheromones is fine, along with a general sensitivity to things like vibrations in the air. More than fine, even, since he's now kind of hybridized with both Ant and Bee and the number of pheromones he's sensitive enough to sense has shot through the roof. This on top of the "magic sense" he has means he has absolutely no trouble getting around, though reading books requires more or less sticking an antenna or fungal tendril over them and parsing out where the ink is by scent and texture. He full-on didn't notice he was blind until after the cordyceps reveal.

For Vi, while this might be one we've mentioned before, we headcanon that she's got a bit of minor mutation throwing her antenna... maybe 2% more towards a non-social relative, which gears her just slightly more towards being able to detect "foreign" scents - predators, prey, and any pollen or nectar in the area. Unfortunately, this slight shift in what scents she's made to pick up comes with a reduced sensitivity to pheromones and pheromone communication within the hive, along with loss of the general innate understanding that an average bee would have of how she's meant to "fit in" to a structure that utterly cripples her communication and social life in the hive.

It's minor enough of a mutation that she's never been flagged - she's a mutation of a social bee, not a normal variant of a solitary - but she smells weird, and she doesn't pick up on pheromones quite enough, and the variation in signals she puts off means that she both fails the communication to get across what she might need and fumbles the communication conveyed back to her about what she should do. Subtle things build up over time, and within the Hive, the negatives far outweigh the benefits - the Hive is only built with bees that fit to a standard in mind, and even minor deviations can get you dragged far, far behind.

This is getting very long so, uhh. Here's a cut. Everything else is below it. We enjoy getting very long-winded. There's a lot in here.

15. Worst thing they’ve ever done

Well, this one will depend on if it's "in general" or "by their standards". Putting any sort of objective moral judgement on just about anything is ridiculously difficult, especially with how values vary by culture or individual.

There is no such thing as objective worst, and we absolutely don't guarantee these would line up with your idea of worse, and so we'll offer two options here - what we believe they would think of first if posed with the question, and an alternative answer that would likely crop up.

For Kabbu, his own response would be easy - abandoning his teammates to The Beast. It haunts him to this day - really, what sort of beetle abandons their swarm to a fate like that? If he was a little faster, a little braver, a little less of a coward - but no. He abandoned those he was meant to care most for, and they died because of it.

For the other...

There are some things that are necessary, to survive somewhere as harsh as the Deadlands. Not everyone can be saved. Not everything can be helped. Not everyone can be taken in. Tradition and law is the heart and soul of the North - rules that everyone must comply to, if not for the sake of themselves, than for the sake of those they may interact with. To break a law, for any reason, is to be shunned by the community, most likely to your eventual death.

She broke a law. It could have been for understandable reasons, or not - it doesn't matter. She put the community at risk, and for that, she couldn't stay. She was put out in the cold, despite her pleading to the contrary. She was allowed to beg and plead and bang on the door, and yet, it meant nothing. The beast she would have lead to them caught up, eventually. He would still believe it was justified.

For Leif, his first response would be... exactly what you expect of him, really. The body he took without a care. The life he stole. He might vary on whether it's the action of stealing it or the lies he's told with that body, but the answer would be the same.

For the one he wouldn't think of... He could have spoken up. He didn't. He met their eye, slated for execution on crimes that he could parlay them on if he implicated himself, and he said nothing.

The look on their face still haunts him sometimes. It hurts more now that he's two, rather than one. It's what was needed to protect his family.

For Vi... a fault in a machine. The instructions were boring, and confusing, and hard to read. She tried to do whatever she thought might work, instead of following the manual. There was an injury. Then another one. It was her fault, really, for rigging it wrong, but she was tired and angry and she argued instead of just sucking it up and fixing it when confronted on it, and it went unfixed for days more. A minor fault can very well lead to deaths, and though this one didn't, it came close - one more inch, a slightly looser bolt, and it would have cracked a bug's shell clean open. It's a miracle it turned out as well as it did. It's a miracle that no one connected it to her enough, even when it was fixed. Someone else was punished, and she was old enough to know not to step forward - she's not stupid, after all.

The guilt still haunts her. The "what-if". The possibility of it. If someone died of her own stupid negligence, if she made someone else take the fall - she would let them, really, her sense of self-preservation isn't that bad, but she's not sure she could live with it after.

With the one she wouldn't think of personally... considering the background she's got, the journey to the Ant Kingdom, and the fact that it's already stated she took jobs before canon? We think there's a fairly good chance that Vi's off jobs got... shady. It's not like she has much in the way of morals when it comes to money, and "will do just about anything for enough cash" is a decent market. If you're willing to forsake your morals, you can get more money than your heart desires - at the cost of just a bit of risk, at that!

She doesn't think about it, really. It wasn't something she needed to think about. They were threatening her, they were a risk to her team, they were the price she had to pay to eat, the specifics of what happened don't matter much at this point. Put in the position again, would she choose their life, or hers? It doesn't matter. They're dead, anyways. She should know. She was the one to take the payment for it.

4. Favorite line?

We're copy-pasting these straight from the game! These Direct Quotes are all sourced from @aquilamage's Bug Fables Transcript project, which we highly recommend checking out! It's an excellent resource for double-checking dialogue without having to replay the game first, and a repository for just about all the dialogue in the game (provided it wasn't taken out by previous patches, of course).

We will be honest: there's a lot of dialogue in this game. This might not be our absolute favorites, as a result of a general poor memory as well as Too Much Game. Also, we have blatant favoritism towards Vi in all ways. Most of these are favorite interactions, rather than anything else, so...

For Leif:

Kabbu: Leif. If you need to take a break, let us know. Vi will carry you. Vi: That is not happening. Leif: Oh, the fatigue, it kicks in... Vi: I said it's not happening!

...and for Vi, we're fond of this dialogue, specifically because the first time we encountered it we misread "exploring" as "exploding".

Leif: Science looks like a lot of hard work. Vi: It's like uh...the thinking version of exploring!

But of course, our favorite Vi Dialogue as well as our personal favorite dialogue in the game in general would be the Bee Guard overworld spy.

Leif: Vi, you're the only Bee explorer, right? Vi: Huh? Uh, yeah! That I know of... Leif: We've been thinking it's a bit weird, to see so many Bee guards, but only one explorer... Vi: Look, they're not guards because they want to or anything, okay? Vi: They were born to be guards, so they guard. That's it. Kabbu: That's a bit somber... Vi: ...That's just how the Hive is sometimes.

"I'm allergic to bouncers" is a close second, of course. In terms of story implications, we pull on her Jaune interactions and especially the point just after getting kicked out of the studio for the first time during Jaune's request, but that's... it's less we "like" it, per se, and more that the implications are fun to toy with. In terms of the actual dialogue, it just... makes us feel sad. Sad, [], and maybe a bit angry on her behalf. We've been there more than we care to admit, after all.

We... wouldn't wish something similar on anyone. And no matter how good the good gets with Jaune, it still can't really outweigh the fact that the bad starts ticking boxes about emotional abuse in a way that makes relationships like Mothiva & Zasp that more people are willing to try and call out pale in comparison. We probably need to finish that essay some time...

Anyways, we like it when Kabbu gets mad enough to yell at people.

Kabbu: This is ridiculous! You realize you could be dooming us all!? Kabbu: What if the Termite King loses trust in the Queen!? Kabbu: What if you lose to the Wasp King without our help!? Kabbu: Have you gone completely, utterly insane!? Have you lost all intelligence! Mothiva: Yikes. You're overthinking this WAY too much. Mothiva: The Ant Kingdom's way better in our hands than with you LOSERS. Kabbu: We have SAVED YOUR LIFE BEFORE, you WITCH!

[sparrownnax]

anyways sometimes i wonder if i'm meant to be connected with people. don't get me wrong i appreciate my friends, but like my quality of life wouldn't go down too much if i hadn't met them. i like digging information out of people. they lose a lot of appeal once i know too much about them. i don't really have any kind of interest in pursuing any kind of relationship with people, romantic or platonic. i could take people or leave them. dunno

[theygender]

The management at my old apartment stole my fucking bike

[seiwas]

the new troye sivan album is so good for situationship iwa tho 😭

[mirmidones]

3.40 i woke up bc i was cold and needed to pee and now i can't fall back asleep i keep thinking of the people i accidentally ghosted. is it ghosted if there was no intent to ghost? i feel so bad and it's not even like i don't think about them i often do think "i should really reply to them... once this is over ill properly sit down and write them... " and then i don't bc something else happens and im dealing with that and the longer i leave it unanswered the more difficult it becomes because i feel so guilty and therefore want to do things properly not half assed but bc i feel so guilty a part of me also tends to avoid it even more. if i do this to you just know i'm really sorry and ill get back to you i swear

[thethingything]

"I've barely done anything other than working on art for the last few days and I'm very behind on almost every other task I need to do so I should go do those" <- these are the words of a man who was about to realise not having any energy drinks for 4 days has had a devastating effect on his ADHD symptoms and the constant background stress of everything makes him start shaking from anxiety the minute he's not distracted by the one activity he's been hyperfocusing on

[chiistarri]

actually you should always go for it because even if it doesnt turn out the way you wanted at least you tried and now know instead of living your life with what-ifs!!!!!!

[united-under-skyfall]

.

[girls-and-honey]

Hiya honey girl!

How are you doing? ♥️

I feel gay today, and I don’t have anyone to vent to, so it’s gonna be you I’m afraid

I feel so gay, I spent half the day looking longingly in the distance, and *sighing* wishfully

Do you ever feel like that?

Last week I bought a red rose from a dude in the street and offered it to a beautiful lady singer in a bar, and even if I don’t particularly want to see her again, it still felt good to do something chivalrous and lesbiany you know?

I like living my life on my own, but some days I wish I could do those romantic things with somebody, like holding hands and cuddling, and walking along the river, and maybe kissing a little.

Even if I’m happy by myself, sometimes I still yearn for the day I’ll have my own lady to offer my roses to 🥺

inkaaaa hi hi <3

I'm doing pretty good, in drastic need of a weekend. almost there!

!!! gay vents are always welcome here! oh to look longingly into the distance whilst sighing wishfully...

do I ever feel like that YES absolutely in fact while pondering my response I did just that asjdfkl okay I might ramble in the tags but yeah completely relate to be happy with life on my own but sometimes wishing it wasn't just me yeah I'm definitely going to ramble in the tags

offering a beautiful lady a rose I'm 🥺🥺 sometimes you just have to indulge in chivalrous lesbiany actions this is unavoidable. manifesting this for you, I hope all your rose offering yearnings come true!

[autisticcassandracain]

Reading Blue Beetle: Graduation Day and I have to ask. Since when does Jaime listen to the Justice League.

[lostandbackagain]

I'm so invested in the folcharts as a couple when resa's talking then mo immediately lies to and excludes her for no reason. she's the only reason your dumb ass is even alive and you haven't treated her like an adult and your partner in months fuck is wrong with you

and then he tells her he doesn't care if she goes back home without him lmfao men ain't shit

[freepassbound]

Actually, no, I'm not done with that.

Look, I grew up on the '80s/'90s Trek - the seven seasons, 200+ episodes - and so sometimes I think that nostalgia is clouding my thinking, and that maybe I'm just the crotchety old man yelling at the clouds for moving.

But I don't think so this time.

When I was teaching at my old school, the kids were watching "The Office" and "Friends"; now, kids here (by which I mean anyone under 28 😂) are watching "Columbo"!

Long-running shows with lots of episodes - in the network style - give the viewer a chance to really get comfortable with the characters, and it gives all the characters a chance to shine! Over the course of that many episodes, eventually everyone gets some A-plots, and a decent number of B-plots. Streaming just doesn't offer that.

Take Discovery as an example - in four seasons, how many times have Detmer or Owosekun had an A-plot? Has there been even one? How many times have Rhys or Bryce had any at all? These are the helm, ops, tactical, and communications officers - primary characters on every Star Trek show ever! It would be unthinkable for them not to have featured in the old style of show - each would have certainly gotten at least one A-plot, and several B- or C-plots to feature in every season. But there they're barely elevated above background.

I know it's possible to make memorable and/or high-quality shows under the kind of constraints streaming imposes - hell, the British have been doing it for decades. But it feels like that's a different kind of memorableness/greatness than a 200+ episode show. And, like any ecosystem, it's weaker when there's less diversity.