#Warners animation

[julianlytle]

"In a year of reinvigorated superhero animated series, Batman: Caped Crusader might be the brightest spot in all of them in a very competitive scene from sister series like My Adventures with Superman to even the competition across the street with X-Men ’97. Much like Batman himself, it worries about none of that, continues tunnel vision on its own mission, and succeeds stellarly." Read more of my review in the link

[konakoro]

The world was so ungrateful to you...

[iamblue15]

The 90's had the Iron Giant

The 2000's had WALL.E

The 2010's had Baymax

The 2020's will have...

[hedgypipes]

I HATE HATE HATE DAVID ZASLAV!!!

I HATE BOTH WB AND DAVID!!!

[one-time-i-dreamt]

Warner Bros. announced they were making a new animated Grinch movie.

They also announced it would be R-rated.

[atomic-chronoscaph]

Witch Hazel - Broom-Stick Bunny (1956)

[theconfusingfrog]

GUYS WE GOTTA GET THIS MORE LIKES THAN THE OFFICIAL TRAILER GOGOGO

[taffywabbit]

so like. at what point are we going to stop listening to game companies saying "the game was poorly received and didn't meet our sales targets, and that's why we're removing it from storefronts and taking down all the servers mere months or even weeks after release" for titles that had a long expensive development, were barely marketed, and nobody knew they'd even released until after they heard they were getting shut down and couldn't be played/purchased anymore?

I feel like the prevailing takeaway for anyone who doesn't just conclude "yeah, game was pretty mid, makes sense to me" has usually been "this company just has unreasonably impossible sales expectations and treats every project like a failure if it doesn't print a trillion dollars". but these ARE allegedly experienced business execs who aren't complete idiots, and after this most recent debacle with Concord I'm starting to wonder if a bunch of these "games getting wiped out of existence when they underperform instead of just being allowed to persist as they are and maybe improve with time" cases in recent years might be more of a Warner-Discovery type situation, like nuking an entire animated series or film that was worked on for years and preventing it from being sold because it has to be officially unprofitable for the company to use it as a tax write-off. I look at a game that was worked on for 8 years and only made available for 2 weeks, and it's hard not to see the parallels.

great work, AAA games industry, really normal and sustainable stuff you're doing over there as usual

[ranminfan]

Indeed I have been infected

🥵🤒

[malu897]

OH MY GOD PEOPLE Please please PLEASE

WATCH SCAVENGERS REIGN

This show is EVERYTHING people beg mainstream adult animation to be, is deep, emotional, inteligent and FUCKING BEAUTIFUL

I Will forever curse WBDiscovery and HBOMax for not promoting this

[prokopetz]

You mentioned the baby Huey show when talking about the inexplicable "what was the audience for this?" cartoons of the 90's and why I don't disagree with that notion I do think there was some of that same energy in the 2000s as well, Baby Looney tunes and Loonatics unleashed anyone?

(With reference to this post here.)

I'm not sure I'd concur. Loonatics Unleashed was clearly a delayed reaction to the late 1990s fad for edgy reimaginings of classic media properties, and while the idea of doing that to the fucking Looney Tunes is misguided, there's no mystery about what target audience they were aiming for. As for Baby Looney Tunes, that's even more obvious – it was Warner Bros. trying to cash in on the then-lucrative cartoons-for-preschoolers market. It's hard to picture preschool entertainment being a big cash cow in 2024, but remember this was way back in 2002, before YouTube existed.

I need you to understand that you're DMing me out of the blue about a post from 2015 with – at the time of this posting – a whole 75 notes, and if I wasn't the sort of genetic freak who can remember off the top of his head every social media post he's ever made, this would be an utterly incomprehensible thing to say.

[probablyasocialecologist]

Sixty-six staffers at Warner Bros. Animation and 22 at Cartoon Network filed a petition for a union election with the National Labor Relations Board on Wednesday and simultaneously requested voluntary recognition from management at the Warner Bros. Discovery subsidiaries. Collectively, the group includes workers in roles like production manager, digital production assistant, IT technician, production coordinator, production assistant, design production coordinator, assistant production manager and senior assistant production manager. The effort was announced on a joint Zoom call around noon on Wednesday with production workers at the Warner Bros. Discovery brands and TAG members. The staffers involved work on an array of shows, including Warner Bros. Animation’s Batman: The Caped Crusader, Harley Quinn and Teen Titans Go! and Cartoon Network’s Adventure Time: Fionna and Cake, We Baby Bears and Craig of the Creek. “Although many might not think it, production is a specialized skill; we might not be artists or writers, but what we bring to the table goes beyond traditional creativity and gets content on the air,” Warner Bros. Animation production manager Hannah Ferenc said in a statement about the organization effort. “Having lived through the existing state of the animation industry for the past seven years, I want to make sure that not only our current workers, but all those who choose to join us in the future, can feel secure in following their passion by earning livable wages and being treated with the dignity and respect they deserve.”

[turtletrashfire]

Yakko 💫

[calam1typann3]

the art direction for the powerpuff girls movie goes so crazy, genuinely one of the best looking animated movies i’ve ever seen

[superectojazzmage]

My Adventures With Superman is honestly a really impressively good example of how you can make an adaptation radically different and new while still doing justice to the source material by just approaching said source from a place of love and respect. The show is unabashedly and upfrontly meant to be a very explorative and experimental take on Superman that does the classic premise in new ways, revamped for another time and medium.

So many of the characters, designs, aesthetics, and world feel so extremely unfamiliar and unlike “traditional” Superman. But it still FEELS like Superman. The core, the spirit, the SOUL is absolutely and unmistakably there. The characters are all incredibly in-character and instantly recognizable. The plotting and writing feels straight off the page of the comic.

Even with major reinventions, this is so obviously and clearly Superman. Not some hoary “deconstruction” or obnoxiously self-aware “parody”, it’s just unabashedly honest-to-God played absolutely straight Superman. Even through all the changes, it’s that same classic, undistilled, nostalgic vibe of a Superman comic with Clark as a lovable, goofy guy with powers trying to be an example to the world, fighting crazy bad guys, helping old ladies across the street, and winking to the reader after Lois and Jimmy fail to see through his disguise yet again before cringing because Perry yelled at him for calling Perry “chief” again.

Hot, overeager tomboy Lois Lane is a bit different from usual but she’s so clearly still that same gorgeous would-be star reporter that every Superman falls in love with. Jimmy has been reimagines as kooky conspiracy buff, but he’s still ultimately Superman’s Pal who gets into wacky situations by virtue of being Superman’s Pal. Perry, Lombard, Ronnie, and Cat are all very different from the comics superficially — hell, Ronnie has had his gender flipped — but they are all still instantly recognizable as the same eccentric bunch of newsfolk they were there. Livewire and the Intergang members are all totally changed but at their center, they’re the same; same powers and gimmicks, etc.. Dr. Ivo is now a douchey techbro and yet he’s still fulfilling the very same role he does in the comics as a self-centered mad scientist who creates things that spiral beyond his control. Even Parasite, the most radically altered of all to the point of no longer being sentient, is still identifiable as his core concept of a monster that feeds on the lifeforce of others and becomes more powerful as he does, while also weakening when he can’t do so.

I really, really like it. It’s a wonderfully imaginative and well-put-together take on a very old series that really brings the concept into the modern age in a way that hasn’t really been done successfully outside the comics since the DCAU back in the 90s and early 2000s. People writing Superman or just superhero fiction in general should absolutely take notes from this show.

[emeraldcity1900]

the history of animation in a nutshell

Early 1900s: hey what if comic strips could like move?

Late 1910s early 1920s hey what if we mashed this up with live action people?

late 1920s: hey what if this thing had sound?

Early to mid 1930s: hey what if this had people actually talking and also color?

late 1930s: hey you know that super cool movie that one lady animated with paper cut out silhouettes? What if we did that with painted cells? Would people even pay to see that? Never mind it turns out the answer is yes.

1940s: ah shit most of our animators got drafted and/or hate us now cause we weren’t paying them. IT’S PROPAGANDA TIME BABY. Also haha hitler got hit with a mallet and also the most racist depictions of Japanese people ever.

1950s to 1960s : oh what’s this newfangled thing? Television? What if you could air cartoons on it? Oh fuck no I ain’t paying that much to get the charecters to have different backgrounds and for the charecters to like, move fluidly. Also manga and anime are steadily growing more popular.

1970s: (Ralph Bakshi walks into a comics store and finds a furry comic) X rated animated movie? *cue the screams of mothers and their unsuspecting children now being introduced to the revolutionary idea that cartoons don’t equal kids stuff? WHAT IS THE WORLD COMING TO?

1980s to 1990s: we can have full on animated Broadway musicals? Wait, what do you mean animated movies can count for the Oscar’s? What do you mean now they get their own catagory because the academy still thinks their for babies? Anime and manga are taking off in the west. SWEET JESUS WHAT DRUGS ARE THE JAPANESE ON SHOWING THIS SHIT TO KIDS. But also why is it so fucking good. Maybe some of these aren’t even meant for kids? Wait We can sell toys to kids with cartoons? Wait we can actually put effort into these cartoons on television? The fuck to you mean we can animate in 3D now? What do you mean we can have well animated, well written sitcom shows like the simpsons? What do you mean you can make cartoon charecters say fuck? What drugs are creators at Nickelodeon on? Do I even want to know?

2000s: oh my god, there is this one show that I really like cause it’s really well written and genuinely funny but I can’t talk about it because it’s animated and we all know cartoons are for babies right? Oh look it’s the transformers movie, look how far CGI has evolved so we can make the transformers in a movie.

2010s: holy shit I know these shows are for kids but they’re just well written and have so much meaningful things to say about the world. Wait, it’s cool to like cartoons now? They they have fandoms for this? Fuck yeah I’m in. (Enters one of the most notoriously toxic fandoms of all time) THEY HAVE GAY PEOPLE IN THESE SHOWS NOW? AND COMPLEX EMOTIONAL STORYTELLING? AND ADULT ANIMATED SHOWS CAN BE MORE THAN JUST SITCOMS WITH THE SAME JOKES AND STYLE? WHY IS IT THAT EVERY DISNEY CARTOON SINCE GRAVITY FALLS INCLUDE THINGS THAT GET MORE AND MORE FUCKED UP? WHY DO I FUCKING LOVE IT? WHY THE FUCK DID DISNEY DO THE OWL HOUSE DIRTY LIKE THAT?

2020s: I got this show I wanna pitch but it dosen’t fit into any box that the networks want and also I’m afraid that they’ll just randomly cancel it before I can finish the story I want to tell. Wait, I can just post the pilot on my YouTube channel, see if anybody actually likes this thing I made and just make the show independently? FUCK THE NETWORK! I AM THE NETWORK