#WHERE THE WHITE WOMEN AT !!!

[m-jay-gee]

cant believe pinocchio found where the white women are at!!! so proud of him!!

[housesunstone]

Lou's entire vibe in the Orange Fairy in the Top Hap adventuring party is perfection

[ninewheels]

Maybe this is just because of my watch history, but I desperately want to believe the YT algorithm has that listed first for everyone.

[polarsirens]

lou wilson my beloved

[pbnmj]

[deepseasecret]

Got into Street Fighter in the last few months (and old woman yuri)

[taibhsearachd]

Boy I can't wait for another four years of being blamed for white women voting for Trump when like. It's cishet white Christian women. It is a specific demographic. We know this.

But yeah, let's shame your local white lesbians for not... somehow converting their homophobic transphobic moms. This will save democracy. I'm already exhausted.

[crimeronan]

there's something well-meaning but also kind of insidious about the idea that you have to be Careful and Gentle with how you hurt female characters, lest you accidentally recreate misogynist violence in your work. particularly when this gets paired with "female characters shouldn't cry or break down too often because that's stereotypical feminine weakness" (this particular advice DOES seem to be going out of fashion these days, though. Thank God).

i'm thinking about how people have pointed out that women in popular fiction & fanwork are often comforting their tortured boyfriends about their sad abusive pasts, without receiving any of that same emotional support in turn -- effectively just becoming tools for said sad boyfriend's character growth. and how much rarer it is for that gender dynamic to be flipped, with the boy comforting the girl. and also how this trope is even More prevalent when it's a woman of color + her white boyfriend.

some of it is Men Ignoring Writing Women nonsense, some of it is fanwork of media that's built on Men Ignoring Writing Women nonsense, some of it is an unconscious recreation of a gender dynamic that often exists in real life relationships, etc.

but i Also think there's something to the fandom side with, like. people having hesitations around fictional women that they don't around men. like i HAVE to take some of these things in good faith, and the good faith reading is: writing about men recovering from abuse is a safe, easy exploration of hard topics. meanwhile writing about women the same way feels Strange and Wrong and Uncomfortable because of the Femaleness of it all.

i truly don't know what can be done to combat this beyond writing more suffering women myself.... because it's not all that helpful to yell "EVERYONE IS A MISOGYNIST" (especially because tbh more often i find it's, like. woman writers who just. Don't Want To Think About That Shit) & i also can't Force people to want to write about women suffering horribly.

so i suppose i will end this on a joke instead:

Pleaseeeee Start Beating The Everloving Shit Out Of Female Characters. For Meeee.... 🥺🤲👉👈🙏🙏🙏

[lagosbratzdoll]

Ryan did a bunch of interviews recently that I've been reading and I have some thoughts. You can find the interviews here and here.

There's a lot of terrible stuff in it but I don't have the time or inclination to bother with all that. I'm going to be focusing on two things he said in the interviews.

Starting with this from the House of the Dragon podcast which I've linked above.

In it, Ryan talks about why he decided to contrast the lives of Hugh Hammer and Ulf the White with the lives of the privileged Targaryens. It was fascinating to get a peek into his head.

Ryan reads a rapist and thinks "this is a person worth deepening. We need an in-depth exploration of what goes on in this rapists head. We need the audience to sympathise with them."

Which wouldn't be so bad on its face, there's always room to analyse a fictional rapist. The problem is that he then reads about a little Black girl who raised herself on a tiny island rising up to become a dragon rider on her own merit. A little girl whose Valyrian heritage is constantly debated and discounted. He reads that and decides that there's nothing worth exploring there. Her story isn't unique. She isn't unique. In fact, she's so common that while we adapt and humanise not one but two rapists, we're going to erase one Black girl and turn the other into everyone's punching bag.

Then I read his puff piece from Big Think.

This is a fascinating glimpse into his thought process. I read this and Ryan Condal's baffling decisions began to make a little more sense.

By his own admission, Ryan's ideal show is one where Black women are erased, flattened and ignored. He claims to write powerful women but we've not seen hide or hair of these women. In Ryan's show, nothing is ever deliberate and the women are largely passive participants in their own lives.

In Ryan's ideal show there's no room for a little black girl to claim a dragon with nothing but faith and her wits. In Ryan's ideal show we need all of the rapist men but the Black women are interchangeable AND replaceable.

In Ryan's ideal world, it is too much to ask that a Black girl be adored, have songs written about her and knights joust for her favour. In Ryan's ideal show, Black people aren't fully developed characters, they're props that he forgets about for episodes on end.

And that is why the show will continue to drop in ratings. When I saw the Nielsen numbers for the premiere, I laughed until I cried. The biggest streaming day ever for Max and they couldn't beat The Boys or Your Honour. The most recent numbers are even funnier.

But don't worry gang, House of the Dragon is doing great. It's now number three. It finally beat a four year old show! Everything is fine.

[cockworkangels]

sometimes supernatural homophobia is so absurd it becomes funny like they literally called dean gay for basically having a wife and a kid???? like is it gay to live in the suburbs with your girlfriend and her son????

[thelilylav]

GOD sorry thinking about applebeauty again and just... they never get a happy ending. Like I love them so much but for them to work they can end up happy, sure, but never together. And it's all I think about because I would be FUMING if I was Briar. Apple will never put her first, because by necessity Briar can never be the most important person in her story. That position has always belonged to Raven, and that's where all of Apple's attention must go. But that's okay because boys are for the future and for now Briar gets to fill the role that one will take up one day except NO, Apple gets woken up. But not by a prince, no, by a princess. By someone who shouldn't have been able to wake her up at all. And Briar gets to watch her change her mind about destiny again and again for Raven, gets to watch her fate change again and again for Darling, and know that would never happen for her.

[iwriteloveletters]

every time i see someone say that (anime character) would only like white women an angel loses its wings why are we limiting drawings to eurocentric beauty standards let the drawing like latinas yall 💔 and poc in general lmfao stop limiting them !!! ur fucking weird !!!

[sinematically]

made this post for sapphic reasons

Edit: assume this post says “working class/woman who destroys the rich”, and not WOC ‘cause I got it wrong. Ana de Armas is not a WOC — she’s Caucasian and of Spanish/Cuban descent which is her ethnicity.

[ganonfan1995]

Nothing annoys me more than the gender essentialist rhetoric that women are “biologically” weaker than men.

[monsoon-of-art]

guess what I watched recently

[averlym]

fairest of the fair