#Voyle Gilmore

[odk-2]

Frank Sinatra - One for My Baby (1958)

Frank Sinatra - One for My Baby (and One More for the Road) (1958) Johnny Mercer (Lyrics) | Harold Arlen (Music) from: "Frank Sinatra Sings for Only the Lonely" (LP) (2018 Deluxe Edition)

Traditional Pop

JukeHostUK (left click = "play") (320kbps)

Personnel: Frank Sinatra: Vocals

Orchestra: The Nelson Riddle Orchestra

Piano: Bill Miller

Guitar: Al Hendrickson Al Viola

Harp: Kathryn Julye

Double Bass: Joe Comfort Eddie Gilbert

Drums / Percussion: Frank Flynn Bill Richmond

Horns: Trumpet: Cappy Lewis

Trombone: Milt Bernhart   Russell Brown Ray Sims Tommy Pederson

French Horn: James Decker James McGee George Price

Reeds/Woodwinds: Clarinet: Gus Bivona   Sal Franzella   Chuck Gentry Morris Bercov

Oboe: Arnold Koblentz Champ Webb

Flute: Arthur Gleghorn Harry Klee

Bassoon: Don Christlieb Norman Herzberg

Strings: Violin: Israel Baker Victor Bay   Alex Beller   Arnold Belnick   Daniel Karpilowsky   Emo Neufeld   Ben Gill   Paul Shure   Felix Slatkin   Marshall Sosson   Victor Amo Gerald Vinci

Viola: Alvin Dinkin   Stanley Harris Paul Robyn Dave Sterkin

Cello: James Arkatov   Armand Kaproff Joseph Saxon and Eleanor Slatkin

Conductor: Nelson Riddle Arranger: Nelson Riddle Producer: Voyle Gilmore

Recorded: @ The Capitol Tower Studios in Hollywood, Los Angeles, California USA on June 25, 1958

Album Released: on September 8, 1958

Capitol Records

[thepsynok]

✨1001 Albums You Must Hear Before You Die Series ✨ Album: In the Wee Small Hours Artist: Frank Sinatra Genre: #VocalJazz #TraditionalPop #Jazz ℹ️About The Album : n the Wee Small Hours is the ninth studio album by American vocalist Frank Sinatra. It was released in April 1955 by Capitol and produced by Voyle Gilmore with arrangements by Nelson Riddle. All the songs on the album deal with themes such as loneliness, introspection, melancholy, desolation, lost love, failed relationships, depression, and night life. (Wikipedia) 💭Thoughts : Ever since I first heard this album, almost a decade ago, I’ve come back to it seeking solace, rather to find the words to the silence that ensues on those nights that seem to go on forever. Every track is special, every track makes you smile even after 63 years of them being recorded; but that’s exactly what they say about great art ie it is timeless. (Breathing Out) You know when you’re crushing over someone and you’re not sure where it’s going to go, you run all these scenarios in your mind, maybe to condition ourselves but it feels pretty dopey more often than not. So, here’s to your post Valentine feels. (And in case you’re happy, go fuck yourself) 🍸Goes Best With : Jack Daniel’s Black Label, that’s the one. It was love at first sip for Sinatra and legend has it, he was even buried with one. So, pour selves a large and crack open that box of cigars (cigarettes, in case you’re like me and haven’t acquired the taste for it), Yes, the one you’ve been hiding in your toolbox in the garage. Favourite Tracks: 🔥In the Wee Small Hours of the Morning, 🔥Mood Indigo, 🔥Glad To Be Unhappy, 🔥Can’t We Be Friends, 🔥I’ll Be Around. Featured Tracks: ✨In the Wee Small Hours of the Morning, ✨Glad To Be Unhappy. #FrankSinatra #InTheWeeSmallHours #NelsonRiddle #Capitol #VoyleGilmore #Music #MusicReview #KANSASreviews #Musik_Co_ #TasteYourMusic #PsyNok #Psyn0k #FavouriteTracks https://www.instagram.com/p/Coz56UEvBP4/?igshid=NGJjMDIxMWI=

[adsmusiconstellations]

Frank Sinatra – In The Wee Small Hours (1955)

http://www.sinatra.com / https://www.capitolrecords.com

[fatehbaz]

do you have favorite sources for the short form works you read? journals/blogs/podcasts/etc you subscribe to?

Sure you know, since I've said this many times before, but I prefer short-form articles, essays, etc. to full-length books. More condensed information, often without superfluous "setting the stage" and introductory/re-hashed material, without the incentive to appease publishers or popular expectations. Easier to access, quicker to read and discuss with others. I'd prefer to read from activists and scholars outside of or ostracized from traditional academia, including outside of the US/Europe. (I don’t revere academia and the best “ontologies” or most “cutting-edge” theories in geography/space/place have already been considered and articulated by Indigenous thinkers and the Black diaspora for generations.) I look to so-called "critical geography" or "radical geography" journals, and the personal sites/blogs of activists and abolitionist groups.

Subjects I focus on: environmental history of empires and colonization; traditional ecological knowledge and Indigenous geography and ways of knowing; Anthropocene, Capitalocene, legacy of plantation systems; extinction and introduced species; resistance, fugitivity, and carceral geography; refugees; the making and enforcement of borders, boundaries, frontiers, hinterlands; ruins, ruination, haunting, trauma, social death; Pleistocene fauna and Paleolithic/ancient anthropogenic environmental change; islands, tidalectics, archipelagic thinking; wastelanding and sacrifice zones; region-specific geography, especially the sea, Oceania, the Pacific, Caribbean, Latin America, and Turtle Island; human relationships with other-than-human creatures, multispecies world-building. (Long-form or full-length books I've previously recommended about these subjects.)

Journals:

My favorites:

Antipode: A Radical Journal of Geography /// Geoforum /// AlterNative: An International Journal of Indigenous Peoples /// ACME: An International Journal for Critical Geographies /// The Global South

Human Geography: A New Journal of Radical Geography /// Gender, Place & Culture: A Journal of Feminist Geography /// Small Axe: A Caribbean Platform for Criticism /// Island Studies Journal /// Environment and Planning D: Society and Space /// International Journal of Critical Indigenous Studies

And also:

Journal of the Native American and Indigenous Studies Association /// borderlands /// Capitalism, Nature, Socialism /// Gastronomica: The Journal of Critical Food Studies /// Settler Colonial Studies /// Interventions: International Journal of Postcolonial Studies

Journal of Immigrant and Refugee Studies /// Landscape History: Journal of the Society for Landscape Studies /// Journal of Colonialism and Colonial History /// Callaloo: A Journal of African Diaspora Arts and Letters

Children’s Geography /// Environmental Humanities /// Anthurium: A Caribbean Studies Journal /// Mobilities /// African and Black Diaspora: An International Journal /// Sargasso: A Journal of Caribbean Literature, Language and Culture /// Emotion, Space and Society

-------

Some favorite scholars:

Postcolonial Caribbean environments: Lizabeth Paravisini-Gebert; Eduoard Glissant; Aime Cesaire

Tidalectics, archipelagic thinking, the Pacific; international solidarity: Elizabeth DeLoughrey; Epeli Hau’ofa

Environmental debris left behind by imperialism; haunting; “social death”: Avery Gordon; Tim Edensor; Hugo Reinert; Ann Laura Stoler

Necropolitics/biopolitics: Arundhati Roy; Frantz Fanon; Neel Ahuja; Achille Mbembe

Carceral thinking; abolition; fugitivity: Harney and Moten; Ruth Wilson Gilmore; Alison Mountz

Wastelanding, hinterlands, at0mic waste: Traci Brynne Voyles; Phil Neel

Postcolobnial landscapes: Kathryn Yusoff; Iyko Day; Anna Boswell; Anna Tsing

Indigenous futurisms and ways of knowing; Turtle Island: Audra Simpson; Leanne Betasamosake Simpson; Robin Wall Kimmerer; Kyle Whyte

Anti-colonial Latin America: Macarena Gomez-Barris; Paulo Tavares; Pedro Neves Marques

-------

General sources:

-- Interdisciplinary “radical/critical geography” sources, which might include informal blogs, personal sites of individual activists/scholars, and actual formal academic journals

-- Several smaller interdisciplinary region-specific academic journals (like, focused specifically on Latin America, the Caribbean, Indigenous issues, etc.);

-- The blogs of a couple of university presses/publishers, which include interviews with scholars and short summaries of new research (for example, the University of Arizona Press blog)

-- And, once I’ve discovered authors/scholars into the same interests, their personal sites, which is especially good for avoiding the privileged veneer of academia and instead reading the work of activists, refugees, Indigenous thinkers, agitators, prisoners, theorists, scholars from outside of academia.

Also, since so-called “critical geography” and “postcolonial / anti-colonial studies” have both exploded in attention in recent years, there are many anthology books published which collect short-form articles/essays from multiple different scholars. Specifically, some of the Routledge anthologies (Environmental Humanities, Environment and World Literature, etc.) routinely publish good collections of many different scholars. Same with some of the Palgrave handbook series. Search “Routledge” or “Palgrave handbook” alongside terms like: postcolonial, environmental, etc.

Geography stuff, because contemporary academic critical geography sees itself as so interdisciplinary that it won’t make distinctions between history, human ecology, political ecology, landscapes, “natural” ecology, etc. Everything situated in a wider context. So you get a fuller or more complete picture of “the issue” because they’re not hyper-focused only on, say, environmental science without considering local political history or whatever. All of it is mingled. Can discuss Indigenous ecological knowledge, histories of colonization/dispossession, ongoing neoliberal dispossession, and environmental science all in the same article. And then generally look for anything described as “critical geography,” basically considered its own field.

-------

Websites:

Arcadia (Environment and Society Portal); Edge Effects. Also, e-flux. Hard to describe e-flux, but they do a monthly journal on “architecture” broadly but radicalism (especially Black radicalism), postcolonialism, borders/immigration, and Anthropocene stuff more specifically, as well as hosting art shows and multimedia projects; high-quality writing but avoids the gatekeeping of academia, hosts writing of abolitionists/activists, etc. I check their website every day.

-------

Universities which host pretty good critical/radical geography communities/departments often have a blog (run by faculty or school press or whatever) where they promote new articles, new books, interviews with scholars, and accessible summaries of new research/publications. Specifically, some of my favorite publishing/features/stories come from the university presses of University of Washington (which focuses on PNW history) and University of Arizona (which focuses on borders/boundaries, frontiers, wastelands/deserts, and Latin America). Some of the better critical/radical geography and/or environmental humanities universities:

University of Victoria (BC) /// UW Madison /// UC Santa Cruz /// University of Washington /// University of Chicago /// University of Arizona (Tucson)

-------

Some of the better journals, with descriptions quoted from their online editorial board descriptions:

-- Antipode: A Radical Journal of Geography: “Authors are encouraged to critique and  challenge settled orthodoxies [...]. Papers should put new research or  critical  analyses to work to contribute to strengthening a Left politics broadly  defined. This includes, but is not limited to, attention to how politics  of class, gender, race, colonialism, sexuality, ability are a core part  of radical theory and politics. Antipode’s Editorial  Collective welcomes submissions from all places, including the global  South and/or from those traditionally marginalised in the academy  (historically under-represented groups, regions, countries and  institutions).”

-- AlterNative: An International Journal of Indigenous Peoples: “... is an internationally peer-reviewed interdisciplinary journal. We aim to present scholarly research on Indigenous worldviews and experiences of decolonization from Indigenous perspectives from around the world. [...] AlterNative was launched by Nga Pae o te Maramatanga, New Zealand’s Maori Centre of Research Excellence, to provide an innovative new forum for Indigenous scholars to set their own agendas, content and arguments and establish a unique new standard of excellence in Indigenous scholarship.”

-- Geoforum: “Geoforum is a leading international, inter-disciplinary journal publishing innovative research and commentary in human geography and related fields. It is global in outlook and integrative in approach. The broad focus of Geoforum is the organisation of economic, political, social and environmental systems through space and over time. Areas of study range from the analysis of the global political economy, through political ecology, national systems of regulation and governance, to urban and regional development, feminist, economic and urban geographies and environmental justice and resources management.”

-- The Global South: “The Global South is an interdisciplinary journal that focuses on how world literatures and cultures respond to globalization. Particularly of interest is how authors, writers, and critics respond to issues of the environment, poverty, immigration, gender, race, hybridity, cultural formation and transformation, colonialism and postcolonialism, transatlantic encounters, homes, diasporas, and resistance and counter discourse.”

-- ACME - An International Journal for Critical Geographies: “Our  underlying purpose is to make radical work accessible for free.  We set no subscription fee, we do not publish for profit, and no ACME   Editors receive any compensation for their labour. We note this not in   self-righteousness, but as a way to foreground the practice of   collective work and mutual aid. The journal's purpose is to provide a   forum for the publication of  critical work about space and place in the social sciences — including  anarchist, anti-racist, autonomist, decolonial, environmentalist,  feminist, Marxist, non-representational, postcolonial,  poststructuralist, queer, situationist, and socialist perspectives.  Analyses that are critical are understood to be part of the praxis of  social and political change aimed at challenging, dismantling, and  transforming prevalent relations, systems, and structures of  colonialism, exploitation, oppression, imperialism, national aggression,  environmental destruction, and neoliberalism.”

If I were to recommend just a few journals: Antipode; ACME; Geoforum; e-flux

[mrepstein]

Brian Epstein’s Address & Telephone Book

A small leather bound pocket address and telephone book that was owned and used by Brian Epstein. The book dates to 1967 and it consists of pages of addresses and telephone numbers some of which are typed, some of which are in Epstein’s hand and some which have been added by hand on his behalf. // (click HERE to view more pages from the book)

The book contains a total of 404 entries - a selection of them are listed below:

A

ATV Ltd 

ABC Television Ltd 

AIR London Ltd. 

Tom Arnold Ltd 

Neil Aspinall 

Artistes Car Hire 

Annabels [nightclub] 

Alexander’s Restaurant 

Ashley Steiner Famous [talent agency] 

Al Aronowitz 

Atlantic Records 

Eric Andersen 

Bob Anthony 

B

Bryce Hanmer & Co [accounting firm] 

Bedford, Okrent & Co 

BBC Television Centre 

BBC Broadcasting House 

Al Brodax 

Cilla Black 

Mr. & Mrs. Tony Barrow 

Mr. & Mrs Don Black 

Bryan Barrett 

Jack Barclay Ltd  [Bentley dealership] 

Peter Brown 

Mr. & Mrs. B. Bullough 

Mr. & Mrs J. Bullough 

Miss J. Balmer 

Mr. &. Mrs. Ivan Bennett 

Eric Burdon 

Francisco Bermudez 

Lionel Bart 

David Bailey 

Bag O’Nails 

Tony Barlow 

Ray Bartell 

Rodney Barnes 

Bruno One Restaurant 

Sid Bernstein 

Kenn Brodziak 

Leonard Bernstein 

Al Bennett 

Beverly Hills Hotel 

Brian Bedford 

Scotty Bower 

David Ballman 

Bob Bonis 

Bill Buist 

Arthur Buist 

C

Dr. Norman Cowan 

Curzon House Club 

Crockfords Club 

Clermont Club 

Cromwellian Club 

Paddy Chambers 

Radio Caroline 

Michael Codron 

Cap-Estel Le 

Mr. & Mrs. J. Cassen 

Columbia Pictures Ltd 

Eric Clapton 

Capitol Records Mexico 

Michael Cooper 

Roger Curtis 

Neil Christian 

Maureen Cleave 

Thomas Clyde 

Cash Box 

CBS Records Ltd 

Denny Cordell 

William Cavendish 

Caprice Restuarant 

David Charkham 

Capitol Records 

Columbia Broadcasting System 

Bob Crewe 

May Cunnell 

Car Hire Co. for Lincoln 

Dr. Kenneth Chesky 

Capitol Records (Voyle Gilmore) 

Irving E. Chezar 

Danny Cleary 

Bobby Colomby 

Bob Casper 

Andre Cadet 

D

Daily Express 

Disc & Music Echo 

Decca Records 

Bernard Delfont Ltd 

Bernard Delfont 

Noel Dixon 

Jimmy Douglas 

Chris Denning 

Simon Dee 

Rik Dane 

Dolly’s [nightclub] 

Hunter Davies 

Terry Doran 

Pat Doncaster 

Norrie Drummond 

Alan David 

John Dunbar 

Peter Dalton 

Kappy Ditson 

Robert Dunlap 

Robert L. David 

Diana Dors 

Ivor Davis 

Tom Dawes 

Brandon de Wilde 

Don Danneman 

E

Malcolm Evans 

Clive J. Epstein 

Mr. & Mrs. H. Epstein 

EMI Records Ltd 

EMI Studios 

Geoffrey Ellis 

Etoile Restaurant 

Tim Ellis 

Terry Eaton 

Kenny Everett 

John East 

Bob Eubanks 

Esther Edwards 

Ahmet Ertegun 

F

Alan Freeman 

David Frost 

Georgie Fame 

Robert Fraser 

Andre Fattacini 

Dan Farson 

Billy Fury 

Barry Finch 

Marianne Faithfull 

Robert Fitzpatrick 

Warren Frederikson 

John Fisher 

Danny Fields 

Francis Fiorino 

G

Dr. Geoffrey Gray 

Hamish Grimes 

Derek Grainger 

Rik Gunnell 

Rik Gunnell Agency Ltd 

Derrick Goodman & Co. 

Peter Goldman 

Christopher Gibbs 

David Garrick 

Geoffrey Grant 

Mick Green 

John P. Greenside 

Michael Gillet 

General Artists Corp. 

John Gillespie 

Voyle Gilmore 

George Greif 

Ren Grevatt 

Milton Goldman 

M. Goldstein 

Gary Grove 

Henry Grossman 

H

Mr. & Mrs. Berrell Hyman 

Doreen Hyman 

Mr. & Mrs. Basil J. Hyman 

Mrs. A. Hyman 

Steve Hardy 

H. Huntsman & Son Ltd 

Simon Hayes 

Frankie Howerd 

Henry Higgins 

Chris Hutchins 

Tony Howard 

Wendy Hanson 

Marty Himmel 

Casper Halpern

John Heska

Ricky Heiman

Joe Hunter

Ty Hargrove

Hullabaloo.

Walter Hofer

J

M.A. Jacobs & Son 

David Jacobs [lawyer] 

Dick James Music Ltd 

Mr. & Mrs. D. James 

Mick Jagger 

Brian Jones 

Michael Jeffries 

Drummond Jackson 

David Jacobs [d.j.] 

Brian Joyce 

Gerry Justice 

K

Gibson Kemp 

Johnathan King 

Mr. & Mrs Maurice Kinn 

Kingsway Recording Studios 

Ashley Kozac 

Kafetz Camera Ltd. 

Reg King 

Andrew Koritsas 

Ed Kenmore 

Walker Kundzicz 

John Kurland 

Murray Kauffman

L

Larry Lamb 

Martin Landau 

Kit Lambert 

Dick Lester 

Mr. & Mrs. Vic Lewis 

Tony Lynch 

Radio London 

Mike Leander 

John Lyndon 

Bernard Lee 

Kenny Lynch 

Denny Laine 

Lomax Alliance 

Ed Leffler 

David G. Lowe 

Richard W. Lean 

Goddard Lieberson 

Laurie Records 

Liberty Records 

London Records 

Alan Livingston

M

Melody Maker 

Peter Murray 

Keith Moon 

Mr. & Mrs. G. Martin 

Mr. & Mrs. Brian Matthew 

Midland Bank Limited 

Vyvienne Moynihan 

Gerry Marsden 

Ian Moody 

Michael McGrath 

Cathy McGowan 

Mr. & Mrs. J. McCartney 

Albert Marrion 

Robin Maughan 

Peter Maddok 

Gordon Mills 

Brian McEwan 

John Mendell Jnr. 

Marshall Migatz 

Fred Morrow 

Chruch McLaine 

Vincent Morrone 

Jeffrey Martin Co. 

Gavin Murrell 

Dean Martin 

Gordon B. McLendon 

Sal Mineo 

Scott Manley 

Bernard Mavnitte 

Verne Miller 

N

John Neville 

Joanne Newfield 

Tommy Nutter 

Francisco Neuner 

Tatsuji Nagasima 

New Musical Express 

NEMS Enterprises Ltd 

Graham Nash 

Nemperor Artists Ltd 

Louis Nizer 

Bob Nauss 

Gene Narmore 

O

George H. Ornstein 

Olympic Sound Studios 

A. L. Oldham 

Myles Osternak 

Roy Onsborg 

P

Col. Tom Parker 

Jerry Pam 

Plaza Hotel 

PAN AM. rep 

Bob Perlman 

Allen Pohju 

Robert H. Prech 

John Pritchard 

Prince Of Wales Theatre 

Don Paul 

Sean Phillips 

Jon Pertwee 

Ricki Pipe 

Dr. D. A. Pond 

David Puttnam 

David Puttnam Associates 

Tom Parr 

Harry Pinsker 

Kenneth Partridge 

Larry Parnes 

Priory Nursing Home 

Viv Prince 

Steve Paul 

R

Radnor Arms [pub] 

Leo Rost 

Keith Richard 

Record Mirror 

Dolly Robertson-Ward 

Charles Ross 

Rules Restuarant 

Marian Rainford 

Bobby Roberts 

Bill Rosado 

S

Vic Singh 

Speakeasy [club] 

Simon and Marijke 

Simon Shops 

Judith Symons 

Keith Skeel 

Tony Sharman 

Simon Scott 

Barrie Summers 

John Singleton 

Squarciafichi 

Don Short 

Dr. Walter Strach 

Walter Shenson 

John Sandoe Ltd 

Bobby Shafto 

Harry South 

Brian Sommerville 

Robert Stigwood

David Shaw 

Chris Stamp 

Aaron Schroeder 

Stephen, Jacques & Stephen [law firm] 

Leo Sullivan 

Gene Schwann 

Herb Schlosser 

Gary Smith 

Jim Stewart [co-founder, Stax Records] 

John Simon 

Jerry N. Schatzberg 

Lex Taylor 

Robert Shoot 

Lauren Stanton 

St. Regis Hotel 

Eric Spiros 

Howard Soloman 

T

Taft Limousine Corp 

[Sidney] Traxler (lawyer) 

T.W.A. Ken S. Fletcher [director, public relations, TWA] 

Derek & Joan Taylor 

T.W.A. (Victor Page) 

Martin Tempest 

Evelyn Taylor 

Twickenham Studios 

Kenneth Tynan 

Alistair Taylor 

F. T. Turner & Son Ltd. 

R. S. Taylor 

Michael Taylor 

George Tempest 

Norm Talbott 

U

United Artists Corp Ltd 

U.P.I. 

V

Klaus & Christine Voormann 

V.I.P. Travel Ltd 

W

Mark Warman 

Gary Walker 

Robert Whitaker 

Peter Watkins 

Peter Weldon 

Mrs. Freda Weldon 

Alan Warren 

Orson Welles 

Sir David Webster 

Alan Williams 

Dennis Wiley 

Terry Wilson 

Nathan Weiss 

Norman Weiss 

Gerry Wexler 

Y

Murial Young 

Bernice Young 

Z

Peter Zorcon 

[ch-dld-bft-brit-omm]

Dancing On The Ceiling (Remastered) · Frank Sinatra

from In The Wee Small Hours

Associated  Performer, Vocals: Frank Sinatra Conductor: Nelson Riddle Producer: Voyle Gilmore Studio  Personnel, Mastering  Engineer: Sweet Composer: Richard Rodgers Composer: Lorenz Hart

[365albums]

#16

artist: Frank Sinatra

album: In the Wee Small Hours

year: Released and recorded 1955

personnel:

Frank Sinatra - vocals

Nelson Riddle - arranger, conductor

Voyle Gilmore - producer

Label: Capitol

thoughts:

didn’t know the history behind this album until I was almost through it, but it’s really interesting! basically one of the first real Albums rather than a collection of singles, with a cohesive theme (sadness, loneliness, loss of love, etc), and apparently this album really helped boost the popularity of the 12 inch! very very cool. We Love You Frank Sinatra

I’m on my second listen now and there aren’t specific songs that stand up as much as certain moments in songs-  usually sinatra’s singing, but there are some really nice moments with the band

One song that does actually stand out to me is Ill Wind (contradicting the previous point but maybe I just need a few more listens)

Sinatra does a really consistently good job throughout the album- he and the band really do clearly establish a mood that continues throughout the whole album without making the songs sound too similar or boring. really reflects well on his artistry here!

[percepcaolivros]

In the wee Small Hours - 1955 Uns dos melhores discos de Sinatra que gira em torno do tema da separação, talvez pelo seu rompimento com Ava Gardner Aqui temos um Sinatra sem toda aquela imagen popular de um Sinatra malandro e galanteador aqui ele e apenas um homem. Selo capitol Produção Voyle Gilmore Projeto grafico Tommy Steele EUA Duração 50:25 #sinatra#vinil#jazz#percepcao.livros (em Comary Shopping Center) https://www.instagram.com/p/CObkbphMsxD/?igshid=tca35tke5sx9

[maximumbob-universe]

In the history of popular music, few performers can lay claim to completely changing the musical landscape. Although they were unlikely heroes, The Kingston Trio started a demand for folk music that hadn't existed before, opening up a world of songs and styles that had never had a place in pop music. Certainly The Weavers laid the cornerstones for the folk era, but it was the Trio's tremendous popularity that made the folk boom possible. On the surface, there wasn't much to the group. They weren't gifted as singers or musicians, the songs they sang were often watered down interpretations from the rich tradition of folk song. One shining example was their hit "A Worried Man", which took the old Carter Family  classic about a prisoner and turned it into a comedic song about a women making time with three suitors at the same time. In many ways, that was a key element in their success. They didn't take themselves or the music they played that seriously, seeing themselves primarily as entertainers. The Weavers had put forth the initial notion of folk songs in a popular music context, but their early records were highly ornate and orchestrated. It was their Carnegie Hall concert album from 1957 that sparked a more rootsy approach that featured banjo and guitar. As small folk groups began popping up around the country, The Kingston Trio honed their skills on the west coast.

Dave Guard and Bob Shane had met while still in school in Hawaii, later teaming with Nick Reynolds from Coronado California. Their first impact came during an engagement at The Purple Onion in San Francisco. Voyle Gilmore of Capitol Records caught their act at the nightclub and offered them a recording contract. Their self titled first album came out in 1958, but no one expected an old murder ballad to break out the way it did. "Tom Dooley" became a huge hit in 1958, propelling the three young men into instant stardom. Even today, their popularity in the late fifties and early sixties staggers the imagination. During their career, they would score 14 top ten albums, including five number ones. In 1959, they had four albums in the top ten at once. For all their success, they were never embraced by the folk community, or even credited for the boom they started. They were never part of the east coast movement emanating from Greenwich Village, never played in Washington Park. They were the product of night clubs in big cities from the get go. Their popular song "Scotch and Soda" being a prime example of their lack of concern about what constituted folk songs.

Their clean cut image was in marked contrast to some other folkies, who thought their matching outfits was too show biz. Guard left the group in 1960, replaced by John Stewart. The change didn't hurt their popularity, although their sound became a bit more ornate as time passed by. The British Invasion and the electric sound of Bob Dylan dated them quickly.....the original Trio disbanded in 1967. Their would be reunions, Shane would carry on with his own Kingston Trio into the new century. There is still an active group, although Shane, Reynolds, Guard and Stewart have all passed on. Considering that the music they played was outside the popular mainstream, and that they didn't spring from the burgeoning folk world around New York City, their breakthrough and long term popularity is still impressive. They may have never gained the respect they deserved, but to them it didn't really matter, because it was their music that caused a seismic shift in the music world. Their audience loved them dearly and supported them enthusiastically for years. Their arrival on the scene changed everything, and as I said at the outset, few performers have ever been able to pull that off. That's why The Kingston Trio remain one of the most important groups that ever existed.

[odk-2]

Louis Prima with Sam Butera and The Witnesses - Jump, Jive an' Wail (1956) Louis Prima from: "The Wildest!" (LP)

Jump Blues

JukehostUK (left click = play) (320kbps)

Personnel: Louis Prima: Lead Vocals / Trumpet Sam Butera: Tenor Saxophone Willie McCumber: Piano Jack Marshall: Guitar James Blount, Jr.: Trombone Amato Rodrigues: Bass Bobby Morris: Drums

Keely Smith: Backing Vocals

Produced by Voyle Gilmore

Recorded: @ The Capitol Studios on April 19 and April 20, 1956 in Los Angeles, California USA

Released: on October 1, 1956

[francisalbertsinatra]

As a singer, there's no one like him. As a guy, there was no one more difficult to handle. Each time you saw Frank, it was like meeting a different guy. How he treated you depended solely on how he felt at that moment and what was bugging him. And, believe me, he has a lot to bug him. Because he's gotta be on the move all the time, he keeps getting involved in more than any human being can handle.

Producer Voyle Gilmore on Frank Sinatra

[pablotribas]

In the wee small hours

In the wee small hours

In The Wee Small Hours. Capitol Records

Producción: Tommy Steele. Arreglos: Nelson Riddle.

El mejor disco sobre el desamor de todos los tiempos. Podría decirse que 1955 fue el año de Frank Sinatra. No estaba en su mejor momento profesional, ni en su mejor momento personal después de romper su relación con Ava Gadner. Sin embargo, Capitol…

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Frank Sinatra - I've Got You Under My Skin (1956) Frank Sinatra with Nelson Riddle and Orchestra Cole Porter from: "Songs for Swingin' Lovers!" (LP)           "Songs for Swingin' Lovers!" (CD)            (2014 MFSL Hybrid SACD Remaster)

Traditional Pop

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Personnel: Frank Sinatra: Vocals

Bill Miller: Piano George Van Eps: Guitar Joe Comfort: Bass Irv Cottler: Drums

Horns: Trumpets: Harry "Sweets" Edison Conrad Gozzo Mannie Klein Mickey Mangano

Trombones: Milt Bernhart (Solo) Jimmy Priddy

Bass Trombone: George Roberts

Valve Trombone: Juan Tizol

Woodwinds/Reeds: Alto Saxophones: Harry Klee Wilbur Schwartz

Tenor Saxophones: Justin Gordon James Williamson

Baritone Saxophones: Mort Friedman

Clarinets: Harry Klee Wilbur Schwartz

Strings: Violins: Victor Bay Alex Beller Walter Edelstein Henry Hill Alex Murray Paul Nero Nathan Ross Mischa Russell Paul Shure Felix Slatkin

Violas: Alvin Dinkin David Sterkin Milton Thomas

Cellos: Ennio Bolognini Edgar Lustgarten Eleanor Slatkin

Harp: Kathryn Julye

Conducted by Nelson Riddle Arranged by Nelson Riddle

Produced by Voyle Gilmore

Recorded: @ The KHJ Studios in Hollywood, California USA on January 12, 1956

Album Released: on March 5, 1956

Capitol Records

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Louis Prima w/ Sam Butera and The Witnesses - Beep! Beep! (1957) Jerry Joyce / Jerry Winn / Louis Prima from: "Buona Sera" / "Beep! Beep!" (Single) "Louis Prima: Capitol Collectors Series" (1991 Compilation)

Jump Blues | Space Age | R&B

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Personnel: Louis Prima: Vocals / Trumpet Sam Butera: Tenor Saxophone

Orchestra: The Witnesses

Produced by Voyle Gilmore

Recorded: @ The Capitol Studios in Hollywood, Los Angeles, California USA on November 21, 1957

US Single Released: December, 1957 November, 1957 (Promo)

UK Single Released: January, 1958

Capitol Records

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Dick Dale and The Del-Tones - Hava Nagila (1963) Traditional / Arrangement: Dick Dale (Richard Anthony Monsour) from: "King of the Surf Guitar" / "Hava Nagila" (single) "King of the Surf Guitar" (LP|CD)

Instrumental | Surf

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Personnel: Dick Dale: Lead Guitar Studio/Session Musicians: The Wrecking Crew Wrecking Crew Members for the Album for Included: Glen Campbell: Guitar Rene Hall: Guitar Barney Kessel: Guitar Leon Russell: Piano Hal Blaine: Drums

Produced by Voyle Gilmore / Jim Monsour

Recorded: @ The Gold Star Studios in Hollywood, California USA on March 24, 1963

Released: on June 3, 1963

Capitol Records Sundazed Records (2007 CD Reissue)

Happy Hanukkah 2021

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Dick Dale and The Del-Tones - Hava Nagila (1963) Traditional / Arrangement: Dick Dale (Richard Anthony Monsour) from: "King of the Surf Guitar" / "Hava Nagila"          "King of the Surf Guitar" LP

Instrumental | Surf

JukehostUK (left click = play) (320kbps)

Personnel: Dick Dale: Lead Guitar Studio/Session Musicians: The Wrecking Crew

Produced by Voyle Gilmore

Recorded: in Hollywood, California USA during January of 1963

Released: June 1963

18th Century Woodcut Depicting a Hanukkah Ceremony

Hanukkah 2020: December 10 - December 18