#Vilenica

[cerentari]

Condizione per essere ricordati di Luljeta Lleshanaku

Luljeta Lleshanaku (1968) è una poetessa albanese che ha ricevuto il premio Crystal Vilenica 2009 per i poeti europei. Ha studiato lettere all’Università di Tirana ed è stata caporedattrice del settimanale Zëri i rinisë. Ha poi lavorato per il quotidiano letterario Drita.  Questa è la tomba di una donna romananell’anno 135 A.C.:“I genitori l’hanno chiamata Claudia.Amava suo marito con tutto il…

[invisible-show]

Invisible°Show presenta Radio Hito

Canti per lingue sconfinate

- Signore, deve tornare a valle. Lei cerca davanti a sé  ciò che ha lasciato alle spalle.

(Giorgio Caproni, Conclusione quasi al limite della salita)

domenica 8 ottobre 2023

ore 17:30

Invisible°Show presenta:

Radio Hito (Bruxelles)

+

Antonella Bukovaz (Topolò)

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RADIO HITO

Radio Hito è la voce musicale dell'artista e scrittrice Y-My Zen Nguyen, nata nel 1985 a Les Ulis, in Francia, da famiglia italo-vietnamita. È docente di educazione artistica alla Haute école des Arts du Rhin di Strasburgo e co-curatrice della rivista di poesia La tête et les cornes insieme a Benoît Berthelier, Maël Guesdon e Marie de Quatrebarbes. Ha studiato incisione, tipografia e pianoforte classico in Francia, Svizzera, Inghilterra e Paesi Bassi. La sua musica, nata “dall'intuizione e dalla necessità di fare di tutto un ritornello”, coglie testi e ispirazioni da versi di poeti nelle loro traduzioni italiane – in particolare, del messicano Octavio Paz e dell'argentina Alejandra Pizarnik. Ha inciso le sue canzoni perlopiù su audiocassetta, in tiratura limitata: Ascoltami (2019), Non Solo Sole (Midi Fish, 2020) e Voce Lillà (Kraak, 2021). Vive e canta tra Bruxelles, Parigi e Strasburgo.

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ANTONELLA BUKOVAZ

Originaria di Topolò-Topolove, borgo sul confine italo- sloveno, Antonella Bukovaz è poetessa, autrice teatrale e performer. Dal 1995 ha partecipato a diverse rassegne di arte contemporanea in Italia e in Slovenia, e dal 2005 si dedica alle interazioni tra parola, suono e immagine. Presente nell'antologia Einaudi Nuovi poeti italiani, 6 (con Storia di una donna che guarda al dissolversi di un paesaggio, premio Antonio Delfini 2009), le sue poesie – apparse su riviste web e cartacee (il Verri, Alfabeta, In pensiero…) - sono state tradotte in sloveno, tedesco, inglese, francese e arabo. Ha pubblicato Tatuaggi (Lietocolle, 2006); al Limite (Le Lettere, 2011; con dvd), in collaborazione con il video maker Paolo Comuzzi e con il musicista Antonio Della Marina; i librini koordinate (pulcinoelefante, 2015) e Guarda (pulcinoelefante, 2015);  3X3 parole per il teatro_3X3 besede za teater (ZTT-EST, 2016), raccolta dei testi scritti per il teatro sonoro di Hanna Preuss (per la quale è stata autrice e attrice nelle opere S.E.N.C.E, Sonokalipsa e Pavana za Antigono, con rappresentazioni a Lubiana, Trieste, Kyoto e Cagliari); casadolcecasa_domljubidom (Miraggi, 2021; menzione speciale al premio Rilke), e Compagnevole animale (B#S edizioni, 2022). È inoltre autrice di Tra_in between_Mèd, premio Kristal 2017 al Festival di Letteratura di Vilenica. Collabora con l'elettrorumorista Eva Sassi Croce, con cui ha realizzato le performance casadolcecasa, Lessico elettronico,Utopia del rumore (tributo all'Arte dei rumori di Luigi Russolo),e Femminilizzazione del mondo. Sempre con E.S.Croce ha realizzato una video-lettura da Osip Mandel'stam (Viaggio in Armenia) e con il musicista e artista sonoro Claudio P. Parrino un'audio installazione da un poema di Evgenij A. Evtušenko (La stazione di Zima). Tra i molti altri musicisti e artisti del suonocon cui ha lavorato – tra i quali Marco Mossutto, Teho Teardo, Antonella Macchion - collabora stabilmente con il trombettista Sandro Carta, insieme a cui trova continue dimensioni sonore a testi propri e di altri autori. Ha contribuito alla realizzazione di Stazione di Topolò-Postaja Topolove, per la quale ha curato soprattutto la sezione letteraria Voci dalla sala d’aspetto, ed è stata presidente dell’associazione che ha organizzato tutte le 29 edizioni del festival.  Da sempre, insegna in lingua slovena nella scuola bilingue di San Pietro al Natisone-Špeter.

http://www.ozkyesound.altervista.org/UTOPIADELRUMORECDR.html

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[dare-g]

Accidental Luxuriance of the Translucent Watery Rebus (2020)

[forbidden-sorcery]

The Vila (southern Slavic spirit) is usually perceived as female, dressed in white with long flowing fair hair, they are believed to dwell in meadows, streams, woods, hollow mountains and clouds. Known for their beautiful singing and music any who hears them can lose awareness of the passage of time and be gone for days. They lure young men away to dance with them and after their dances leave downtrodden fairy rings in the grass and are known to braid horse's manes into plaits. The Vila can shape-shift into forms including falcons, swans and snakes.        One may only gain control of them by stealing feathers from their wings. One story tells that every Friday a Vila came from the heavens in order to teach women how to heal. These women had to go with unbraided hair to a grove, and there two of them would climb a tree and while they were listening to the faerie they had to eat yarn in order to better remember what the faerie was teaching them; when they had learned, they became Vilenicas. The two women in the tree and everyone else who was listening beneath were connected by a thread that they held in their hands, and as long as the fairy was speaking, they would have to spin together.        Vila ride on horses or deer and fire “elf darts” from their bows. They are appeased by people with offerings left at the roots of trees. The Vila's power resides in her hair so if she loses some she will die, or if you succeed in plucking some out you will have power to make her reveal her true form. There are also said to be “cloud vile,” “water vile”(swans) and “forest vile”(wolves and deer). Mentions of Jesus and Mary send them fleeing. The word “vile” is associated with beauty and used to describe both beautiful young women and beautiful young men. They are able to imbue a hero with strength by allowing him to suckle from their breast. Although most of their actions are benevolent they are capable of desiring bloody sacrifices in return for access to their sacred springs and lakes.

Lee Morgan - Sounds of Infinity

[lyndakeefe814-blog]

Customer’s Guides & Reviews On Athletics & Exercise Sites & Retailers.

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The research mentioned that helping with self-employment, carrying pushed away and marginalized youth back in to the main economic stream, assisting in abilities as well as experience development as well as advertising technologies are some of the feasible solutions to the youth lack of employment problem in the nation.

[elegantshapeshifter]

Hi! How would one go about unlearning new age style witchcraft in favor of traditional? Id like to be a trad craft witch but every now and again i find myself slipping into new age style thinking. Thank you!

Hi! First of all, there is nothing bad in being a new age witch. Trad Craft is a different kind of Witchcraft, but there isn’t a ranking: no Witchcraft is better than the other. Everybody has their own path, their isn’t one better than the other. Simply each path is different from the other, but no path is the best for everybody. Every person has different needs, so each path is the best for that specific person.If you find that this is the path that you want to walk, you can find:

- this introduction that I made with all the main articles about Recon TradCraft;

- this post about the Pantheon of Major Spirits within Recon Tradcraft.

Moreover, you can read:- A Deed Without a Name - by Lee Morgan- Witchcraft and the Shamanic Journey: Pagan Folkways from the Burning Times - by Kenneth Johnson- “Ecstasies” and “Night Battles” - by Carlo Ginzburg;- “Cunning Folk and Familiar Spirits” and “The Visions of Isobel Gowdie” - by Emma Wilby- “Between the Living and the Dead” and “Fairies and Witches at the Boundary of South-Eastern and Central Europe“ - by Eva Pocs- Shaman of Oberstdorf: Chonrad Stoeckhlin and the Phantoms of the Night - by Wolfgang Behringer- “Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead” and “Witches, Werewolves, and Fairies: Shapeshifters and Astral Doubles in the Middle Ages“ - by Claude Lecouteux- “Aradia in Sardinia” - by Sabina Magliocco- "Early Modern European Witchcraft: Centres and Peripheries" - by Bengt Ankarloo & Gustav Henningsen- Dreamtime: Concerning the Boundary between Wilderness and Civilization - by Hans-Peter Duerr- The Cult of the Seely Wights in Scotland - by Julian Goodare- A Dictionary of Fairies - by Katharine Briggs- Vilenica and Vilenjak: Bearers of an Extinct Fairy Cult - by Zoran Čiča.

Many of these books are really academic. However, it’s exactly the academic books that give you the knowledge useful for searching inside folklore and trials and discover, in this way, the names and the offerings of traditional spirits worshiped by the witches of the past.

These are two articles that explain how to use the information from these books and use it for reconstructing the regional variation/tradition that you’re interested into:

https://elegantshapeshifter.tumblr.com/post/172115412286/so-ive-recently-been-really-interested-in

https://elegantshapeshifter.tumblr.com/post/170787751466/thanks-for-running-this-blog-it-seems-really

I hope to having been helpful :)

[maddalenafragnito]

Learning From Disobedience

In the framework of Dopolavoro flagship of the Rijeka 2020 – European Capital of Culture project, the exhibition Pirate Care: Learning From Disobedience will open on Thursday, October 8 at 8 p.m. at Exportdrvo (Grobnička riva bb, Rijeka), presenting the international network of activists and researchers who oppose the criminalisation of solidarity and work to build common systems of care for people.

The authors of the project are researchers Valeria Graziano, Marcell Mars and Tomislav Medak, with the contribution of Laura Benítez Valero, Emina Bužinkić, Rasmus Fleischer, Maddalena Fragnito, Mary Maggic, Iva Marčetić, Paula Pin (Biotranslab/ Pechblenda), Power Makes Us Sick (PMS), Zoe Romano, Chris Gorodtzki & Morana Miljanović (Sea-Watch), Cassie Thornton, Ivory Tuesday, Ana Vilenica and Women on Waves.

We live in a world where captains get arrested for saving people’s lives on the sea; where a person downloading scientific articles faces 35 years in jail; where people risk charges for bringing contraceptives to those who otherwise couldn’t get them. Folks are getting in trouble for giving food to the poor, medicine to the sick, water to the thirsty, shelter to the homeless. And yet our heroines care and disobey. They are pirates.

An example of pirate care: German NGO Sea-Watch, which conducts “illegal” rescue operations in the Mediterranean (photo Chris Grodotzki / Sea-Watch)

The exhibition Pirate Care is an introduction to the increasingly present forms of activism at the intersection of “care” and “piracy”, which in new and interesting ways are trying to intervene in one of the most important challenges of our time, that is, the “crisis of care”. The exhibition primarily considers the assumption that we live in a time in which care, as a political and collective capacity of societies to attend to the most fundamental needs of humans and their environment, is becoming more difficult or criminalised. Crucially, the practices of pirate care share a willingness to openly disobey laws and legal regimes, whenever these stand in the way of solidarity, and politicise that disobedience to contest the status quo. That disobedience and that politicisation are what defines these practices as pirate care.

An example of pirate care: Swedish network of organizations Planka.nu, which promotes free public transport, whose members pay into a monthly fund from which fines are paid for those caught without a ticket (screenshot from the film Hackitat)

The exhibition builds on the Pirate Care Syllabus. The Syllabus is an expanding work-in-progress created with activists and artists engaged in pirate care with the aim of activating collective learning from their practices. The syllabus lives on an online publishing platform developed in house by Marcell Mars, Sandpoints, allowing collaborative writing, remixing and maintaining of a catalogue of learning resources. The first version of the Syllabus was created in November 2019 during a writing retreat organised by Drugo More (HR) within Rijeka 2020 and launched on March 8th for the opening of the exhibition “…of bread, wine, cars, security and peace” at Kunsthalle Wien (AT).

With the Covid-19 outbreak in Europe in March, Pirate Care was one of the few activities supported by Rijeka 2020 that didn’t come to a halt. The work on the Syllabus transformed into a collective note-taking effort to document a wave of organising of mutual aid, solidarity and care in response to the pandemic, titled “Flatten the Curve, Grow the Care”. An expanded Pirate Care network of contributors collected and created notes, instructions and how-tos coming from grassroots initiatives in Croatia, Italy, the UK and beyond. That timely work has found resonance in scholarly and public media, with interviews, references and features in venues such as Artforum, Wired, Art Monthly, The Care Manifesto, MoneyLab #8, Venice Climate Camp, Institute of Networks Cultures and many others.

Presenting a selection of topics and examples from the Pirate Care Syllabus, the exhibition is an invitation to learn from the disobedient practices: resisting criminalisation of migration and solidarity, helping women where abortion is not available, commoning care-work where childcare is scarce, countering housing and debt crisis, supporting psycho-social health in vulnerable communities, politicising feminist health through bio and technical hacking and politicising digital piracy.

Book scanners built by Memory of the World project, “a network of interconnected shadow libraries” which stands for the free access to books for every member of society (photo Ivan Kuharić)

The Pirate Care project was initiated at Coventry University’s Centre for Postdigital Cultures and developed with the support of Rijeka 2020 – European Capital of Culture and Kunsthalle Wien. Produced by Drugo More.

Project Website: https://pirate.care/ Pirate Care Syllabus: https://syllabus.pirate.care/

[suetravelblog]

Jajce Pliva Waterfall Bosnia-Herzegovina

Wednesday was another warm, beautiful day in Sarajevo. We’re experiencing a run of “false spring” weather – perfect for a tour of Travnik and Jajce in Central Bosnia. These towns have significant history and monuments.

Vlasic Mountain – AhlanBosna

Again, the group was small – me, Kathryn from Frankfurt, and Samir our Meet Bosnia. guide. The tour lasted from 8 am to 5 pm. As a native Bosnian and former history professor, Samir was a phenomenal guide!

Travnik from Medieval Fortress

Kathryn was traveling with the German team for Sarajevo’s 2019 European Youth Olympics Festival (EYOF) held February 9 – 16. The EYOF is the largest sport festival for young athletes between 14 and 18. It’s organized by the European Olympic Committee and occurs every two years in Sarajevo. She stayed on after the competition to explore Sarajevo and the surrounding areas.

Fortress Stari Grad Travnik – visitmycountry.net

Lašva River Valley, Travnik, Ethnic Cleansing

Travnik is part of the Lašva River Valley surrounded by Vlasic Mountain to the north and Vilenica Mountain in the south. These mountains have great hiking trails. As we headed west through a valley shrouded in fog, Samir adjusted the route improving visibility.

Travnik Tree

For years Travnik was known as Vizier City and the “capital of Bosnian eyalet”. In the Ottoman Empire the Grand Vizier was the Sultan’s prime minister.

Vilenica Mountain – SummitPost

Ethnic Cleansing

Lašva Valley is the area where horrible ethnic cleansing crimes occurred during the Bosnian War. Although Samir was a child then, he told us about the torture and imprisonment of his father and grandfather who witnessed the horrific murder of most people in their village. They both survived.

Samir and Kathryn Travnik Medieval Fortress

On a lighter note, Travnik is one of the best preserved cities from Ottoman times. It has protected cultural and historical buildings and is the birth place of Yugoslav novelist, poet, and short story writer Ivo Andrić. Andrić won the Nobel Prize for Literature in 1961.

Travnik Sulejmanija Mosque

Along the way we passed mountains, valleys, farms, and traditional Bosnian houses. Many of them were damaged or abandoned.

Travnik from Medieval Fortress

Plava Voda River

Travnik is known for its small river Plava Voda (blue water). The source runs right through the center of town. We sampled famous Travnik cheese made in the nearby mountains, and on the way back to Sarajevo enjoyed a leisurely lunch at Konoba Plava Voda a cozy riverside restaurant.

View from Konoba Plava Voda Restaurant Travnik

Travnik Cheese – Turisttotal

Stari Grad Medieval Fortress

Stari Grad Fortress is Travnik’s most significant historical landmark. We climbed to the top of the fortress marveling at views of the valley and villages from the 15th century Ottoman period. Some old historic buildings in the fortress include Sulejmanija Mosque, Our Lady Vrilo, a Jesuit grammar school, and Elči Ibrahim-Pasha Madrassa which is still used today. There are two 18th century clock towers and a sundial.

Jajce

After Travnik we continued to Jajce, the capital of the Kingdom of Bosnia – a medieval “city of stone, light, and water”. The old city is a UNESCO World Heritage site candidate. The fortress, royal castle, and open air museum are on the banks of the Pliva and Vrbas Rivers, a significant hydropower resource.

Jajce Fortress – elenarts.ch

Waterfall, Fortress, Catacombs

Jajce Waterfall appears at the point where the “Pliva River tumbles abruptly into the Vrbas”. The mesmerizing waterfall is spectacular and dominates Old Town.

Jajce Pliva Waterfall

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In one glance, Jajce Fortress “captures the architectural of four empires – Roman, Byzantine, Ottoman, and Austro-Hungarian – three kingdoms – Bosnian, Hungarian, and Yugoslav – and three world monotheistic religions – Christianity (Orthodoxy and Catholicism), Islam, and Judaism”.

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Pliva Lakes – Come Enjoy Bosnia

During the 14th century, a Bosnian duke built catacombs in the fortress as a “last residence” for his family. Josip Broz Tito stayed there during 1943. In 1945, a conference establishing the Socialist Federal Republic of Yugoslavia was held in the catacombs. The Commission for the Protection of National Monuments of Bosnia-Herzegovina registered the catacombs as a national monument in 2003.

Traditional Bosnian Architecture – Alterural

Pliva Watermills

Pliva Lakes and Watermills are near Jajce waterfall. The lakes are popular for picnicking, fishing, kayaking, canoeing, swimming, volleyball, biking, and hiking. During the Middle Ages the watermills created power to produce seeds and flower for bread. In 2009 they were declared National Monuments of Bosnia and Herzegovina.

Church of St. Mary or the Sultan Suleyman II Mosque

Another important monument in Jajce is the Church of St. Mary or the Sultan Suleyman II Mosque. It’s considered Jajce’s “symbol of coexistence”. It burned in the mid-19th century, and today only the walls remain.

Symbol Jajce Coexistence Church of St. Mary or the Sultan Suleyman II Mosque – Sarajevo Times

Throughout history, it was used as both a church and mosque. There are still “visible reminders of different religions within the church”. The Bell Tower of St. Luke is on the northeast side of the church’s remains. It represents the “only surviving medieval tower in the continental Balkans”. In 1892, the church and bell tower were declared cultural heritage icons by the Austro-Hungarian government.

Jajce Historical St. Mary Church and St. Luke Bell Tower

At the end of the day we drove back to Sarajevo reflecting on fulfilling history and nature from Travnik and Jajce. I’m still processing the outing. Of course the longer you stay in a country the more you understand and appreciate its culture. I plan to stay in Sarajevo until early March and still have much to explore.

Bridge on the Drina Ivo Andric

The Bridge on the Drina Ivo Andrić – Book Depository

Bosnian Chronicle – Ivo Andric

The Woman from Sarajevo Ivo Andric

Last night I attended a Sarajevo Philharmonic concert at the National Theater. It was a fantastic experience!

Plava Voda Travnik – ahlanbosna

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“Underneath us in the purple dusk we are sinking more and more old Sarajevo, with its buildings of all time and styles, its churches, old and new, synagogues and numerous mosques along which the apple trees grow, lean and tall as a minaret… But the veil of dusk, who lives all the most dense, all the more equals them and merges into the unreading story of a common night, which now covers the history and legends, the accomplishments of foreign invaders and domestic small and great tyrants and oligarchies, the movements of the masses, long and complicated accounts and accounts between those who have and not are given by those who have nothing to their needs. ” Ivo Andric

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Jajce Pliva Waterfalls – Tvrtko Zrile

[contact-form] [contact-form] Travnik and Jajce Central Bosnia-Herzegovina Wednesday was another warm, beautiful day in Sarajevo. We're experiencing a run of “false spring” weather - perfect for a tour of…

[juliusgallagher-blog]

✅ Delicious chocolate & Food & Consume Alcohol Short Article Group

International Residing, an expatriate lifestyle publication, positioned countries around the world in regards to casing, expense of lifestyle, lifestyle, security, environment, and also health and wellness. This festival is actually kept over a duration of three days and functions all assortments of songs like nation, Western, classics, blue-grass as well as also the present day versions each one of which offer excellent and complete family members enjoyment. Agiorgitiko - A black-cherry flavoured grape making creamy as well as lush red wines. Google.com Art Job has chronicled the White Home's public places with a 360-degree Road View-like excursion of the presidential residence. California is an attractive spot where individuals from all profession involved reside their desires. White Property banners came back to total personnel on Monday after a quick memorial to Sen. In this particular and various other techniques, Fit-Sporty-20.Info the incoming head of state represents a brand-new creation in the White Residence. Make first class material that receive Featured: Only short articles that are actually Featured after undergoing the Top quality Assessment Process are actually entitled to show up on Relevant short articles. Your short article will certainly be actually secured while it is proactively being actually focused on through a publisher to prevent pair of people coming from modifying together. , however nothing at all will help you give your nation sink the streamlined as well as present day mood that you will certainly acquire when you choose to repaint your cooking area sinks dark. In a quote to keep its own prominence being one of East Africa's greatest and very most enthusiastic economic climates, Kenya is actually betting big on unclean electricity by developing a debatable Chinese-funded charcoal vegetation at a Planet Culture site. Black sinks, nevertheless uncommon they may be, can easily add a nice touch of class and also style to the space that many individuals carry out not place a lot thought into. If they carried out, they 'd be actually being getting additional years of healthy and balanced lifestyle every buck than practically any other way they could utilize their loan.

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[amazoila221719-blog]

2000.

Locate help on picking the ideal college for you along with Vivid Hub's assortment of university resources, evaluations and evaluations. The records is available in the document which holds an evaluation of 2016-2021 Mandarin and international Cross Nation Ski Poles market. Today, it positions third as the much-loved education place for worldwide trainees after UK and U.S.A.. HubPro General write-ups are going to commonly be latched for 1-2 days. Nonetheless, this is actually an exciting subject worth noting, and if absolutely nothing else, this gives you men a tip of the form of beliefs people of various other countries possess against not only various nationalities, but sexual orientations as well as theological viewpoints (which has ended up being a pseudo-racism by itself) at the same time. Here is actually a listing of several of the Lone Celebrity Condition's best love tracks along with a nation spin. Podcasts or songs that does not feature famous bass, the sound speaker shouldn't bother you considerably if you devote many of your time paying attention to audiobooks.

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Domanda di Miljana Cunta

Domanda di Miljana Cunta

Miljana Cunta, poetessa slovena è nata nel 1976, dopo la laurea in Letteratura Comparata e Inglese ha conseguito un Master sulla Poesia inglese nel periodo vittoriano presso l’Università di Lubiana. Dal 2006 al 2009 ha diretto il programma del Festival Internazionale di Letteratura di Vilenica. Ha tradotto poesie di Christina Rossetti e Gerard Manley Hopkins. Ha riscosso un notevole successo, di…

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Accidental Luxuriance of the Translucent Watery Rebus (2020)

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So proud to be a producer on a beautiful theatre production of Duet for one by genius Tom Kempinski directed by my friend Iva Srnec. Ana Vilenica as Stephanie Abrahams rocks!

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PUBLIC ONLINE CONVERSATION: COLLECTIVITY BEYOND ART COLLECTIVES

PUBLIC ONLINE CONVERSATION: COLLECTIVITY BEYOND ART COLLECTIVES

WEDNESDAY 08.07.2020. at 7PM CET

Collectivity beyond Art Collectives

Cassie Thornton (USA/CA) and *Tomislav Medak (HR/UK)

Moderator: Ana Vilenica

The conversation series /Vectors of Collective Imagination in Arts/will be conducted through the /Zoom platform/, within which the audience will have the opportunity to actively participate through a chat discussion.

Join Zoom Webinar:

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Behind the Mask online workshop: Pirate Care: Politicising Care, Piracy and Biopolitics

Part of the conference BEHIND THE MASK: Whistleblowing During the Pandemic (18-20 March 2021)

With: Valeria Graziano, Maddalena Fragnito, Ana Vilenica

In this workshop we are starting from the collective work on the Pirate Care Syllabus to present and delve deeper with participants into a variety of disobedient practices of care in light of their political and technological character. We will, specificially, focus on piracy, division of care labour, and civil biodisobedience.

Valeria Graziano - When care needs piracy In this short presentation and collective discussion that will follow, Valeria will focus on the case for disobedience in struggles against imperial property regimes. Reclaiming the idea of piracy when thinking of care foregrounds the need for radical collective action to challenge contemporary global systems of property and power.

Maddalena Fragnito - Care is a battleground Talk of care is currently everywhere. However, carelessness continues to reign. The paradoxes, ambiguities and hierarchies of care, as well as historical conflict between different care models, have become more explicit during the pandemic. On the one hand, capitalist care for profits of financial capital; on the other hand, necessary forms of refusal growing through the redistribution of care provisions and the commoning of care tasks among people. Can a conflictual collective care practice redesign democratic processes and public institutions?

Ana Vilenica will go into the care crises in housing and how the pandemic augmented issues we have been struggling with for decades. Her main focus will be on the politicisation of care in housing and tenants' struggles and the use of illegal/pirate gestures such as anti-eviction direct action, rent strike and militant aid. In connection to this, she will tackle the criminalisation of solidarity on a systemic level that has nested in legislation and getting tougher as an answer to growing housing and tenants movements.

Pirate Care network

Pirate Care is a transnational research project and a network of activists, practitioners and scholars who stand against the criminalization of solidarity & for a common care infrastructure. Convened in 2018 by Valeria Graziano, Marcell Mars and Tomislav Medak, the project wishes to map and connect collective practices that are emerging in response to the neoliberal "crisis of care" — a convergence of processes that include austerity, welfare cuts, rollback of reproductive rights and criminalisation of migration. In response to that denial of care, imposed by the states and the markets, practices we have called pirate care are organising to help migrants survive at sea and on land, provide pregnancy terminations where those are illegal, offer health support where institutions fail, self-organise childcare where public provision does not extend to everyone, liberate knowledge where access is denied. Crucially, they share a willingness to openly disobey laws and executive orders, and politicise that disobedience to contest the institutional status quo.

Our aim is to foster collective learning processes from the situated knowledges of these practices and together with the practitioners of pirate care we have been working on a collaboratively-written Pirate Care Syllabus and in the early period of the pandemic on a set of notes documenting organising of care titled "Flatten the Curve, Grow the Care".

Workshop leaders

Valeria Graziano is a critical theorist and educator, currently based at the Centre for Postdigital Cultures, Coventry University. Her research focuses on cultural practices that foster the refusal of work, the creative redistribution of social reproduction and the politicization of pleasure. Over the years, she has been involved in several initiatives of militant research across the cultural sector and social movements. She is one of the convenors of Pirate Care. Her latest publication is 'Rivoluzioni domestiche contro domesticazioni tecnologiche' (*La natura dell'economia*, Rome: DeriveApprodi, 2020).

Maddalena Fragnito (https://www.maddalenafragnito.com) is a cultural activist exploring the intersections between art, transfeminisms and technologies by focusing on practices of commoning care. At present she is a doctoral candidate at the Centre for Postdigital Cultures, Coventry University. She cofounded  MACAO (2012), an autonomous cultural centre in Milan and SopraSotto (2013), a kindergarten self-managed by parents. She is part of research group/projects Rebelling with Care (2019), Pirate Care (2019) and Biofriction (2020).

Ana Vilenica is an urban and cultural researcher and housing activist with research interest in cultural and political action against dominant housing regimes and other urban regeneration schemes, housing of the migrants, issues related to social reproduction, care and housing, culture-led urban regeneration, developer-led art and radical housing art. Her recent work focuses on housing struggles in the UK and in the post-Yugoslav space. She is the Editor of the Radical Housing Journal and the Editor for Central and East Europe at Interface-journal for and about social movements. She (co)edited books: On the ruins of the creative city (kuda.org, 2012), Becoming a mother in neoliberal capitalism (2013, uz)bu))na)))), Fragments for the study of art organisation in Yugoslavia (kuda.org, 2020) and The art of housing struggles (forthcoming).

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Lousã: Festival Literário do Interior leva escritores a concelhos atingidos pelos fogos

FOTO DR

Perto de três dezenas de escritores nacionais e estrangeiros participam na terceira edição do Festival Literário Internacional do Interior (FLII), revelou hoje a Arte-Via Cooperativa, promotora da iniciativa que presta homenagem às vítimas dos incêndios florestais.

Sob o lema “A arte e a cultura como reanimadores de uma região e de um povo”, e com o patrocínio do Presidente da República, o FLII decorrerá, de 13 a 17 de junho, em 11 concelhos de Coimbra e Leiria afetados pelos fogos de 2017.

“Trata-se de um evento intermunicipal, daí o seu caráter inovador, que decorrerá em 11 concelhos da região afetados pelos fogos, com o objetivo de levar os livros e os escritores aos sítios mais inusitados e imprevisíveis, como fábricas, campos, praias, igrejas, mercados, romarias, locais onde as pessoas trabalham e convivem”, adianta a Arte-Via.

Esta terceira edição é dedicada a Maria de Lourdes Pintasilgo, única mulher que desempenhou o cargo de primeiro-ministro em Portugal, e ao nonagésimo aniversário do seu nascimento, bem como a Fernando Namora e ao centenário do seu nascimento.

“Com o tema transversal “Cuidar o Futuro”, e porque este é um festival de causas, pretendemos abordar questões candentes para o devir do mundo, desde logo a emergência ambiental”, refere a Cooperativa, em nota divulgada hoje.

O festival congrega as autarquias de Castanheira de Pera, Figueiró dos Vinhos, Penela, Arganil, Pedrógão Grande, Tábua, Ansião, Alvaiázere, de Miranda do Corvo, a Fundação ADFP, da Lousã, a Cooperativa Arte-Via, e da Pampilhosa da Serra a Associação Cultural e Recreativa de Pescanseco.

Para a edição deste este ano, o festival conta já com a parceria de vários congéneres internacionais: Fraktura (Croácia), FLIPoços (Brasil), Galway Literary Festival (Irlanda), Vilenica International Literary Festival (Eslovénia), Book Worm (China) Festival de Poesia de Chepén Chepén (Peru), Ake Festival (Nigeria), Flip (Brasil), Literature Festival (Jaipur), Literary Festival (Dubai), entre outros.

“Contamos com a presença dos escritores portugueses Luís Osório, António Cortez, Gisela Casimiro, Filipa Martins, Rita Martins, Ricardo Fonseca Mota, Maria Inês Almeida, Vasco Martins, vencedor do prémio FLII – Palavras de Fogo, Sara Rodi, Filipe Pinto, Silvério Manata e Tiago Cerveira, autor do filme ‘Pagar a promessa’”, enumera a Arte-Via.

Do estrangeiro, chegam os escritores Evgenia Emets (Rússia), Norma Dunning (Inuíte – Canadá), Susan Bulawa (palestino-americana), Maurício Vieira (Brasil), Nazli karabıyıkoğlu (Turquia), Marina Kazakova (Rússia), Wagner Merije (Brasil), Martina Videnovà (República Checa, autora do Requiem às Florestas Portuguesas), Rosa Montero (Espanha), Kiran Bhat (EUA), Sue Cosgrave e Mary Reynolds (Irlanda), Afra Atiq (Emirados Árabes).

José Santos e Selma Maria, brasileiros, serão os escritores residentes no mês de junho que percorrerão todos os concelhos abrangidos pelo festival.

Durante o Festival será ainda lançado o livro vencedor da 1.ª edição do Prémio Literário FLII – Palavras de Fogo, patrocinado pela Direção Regional de Cultura do Centro, e durante o mês de junho haverá novamente uma residência literária, cujos convidados percorrerão os concelhos do consórcio.

A Comissão de Coordenação e Desenvolvimento Regional do Centro (CCDRC), a Delegação Regional da Cultura do Centro, a Universidade de Coimbra, a Direção-Geral do Livro, dos Arquivos e das Bibliotecas (DGLAB), a Rede de Bibliotecas Escolares (RBE), a Fundação Cuidar O Futuro e a Casa-Museu Fernando Namora são parceiros da iniciativa.

Lousã: Festival Literário do Interior leva escritores a concelhos atingidos pelos fogos