#Vic+Flo ont vu un ours
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VIC + FLO ONT VU UN OURS (2013) dir. Denis Côté Two lesbian ex-cons, Victoria and Florence, are trying to make a new life in the backwoods of Quebec. Seeking peace and quiet, the couple slowly begin to feel under siege as Vic's probation office keeps unexpectedly popping up and a strange woman in the neighborhood soon turns out to be an increasingly menacing shadow from Flo's past. (link in title)
#lgbt cinema#lesbian cinema#vic + flo ont vu un ours#vic + flo saw a bear#canadian cinema#lgbt#lesbian#canada#lgbt movie#lesbian movies#canadian movies#lgbt film#lesbian film#canadian film#lgbt media#lesbian media#queer cinema#pierrette robitaille#romane bohringer#denis côté#2010s#2013#2010s movies#2010s films#2010s cinema
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Vic + Flo ont vu un ours (2013), dir. Denis Côté
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#vic + flo saw a bear#vic + flo ont vu un ours#Denis Côté#Pierrette Robitaille#Romane Bohringer#lgbt film#lgbtcinema#lgbt cinema#lgbt movie#wlw film#wlw cinema#lesbian film#lesbian movie#lesbian cinema#lesbiancinema#wlw movie#wlwcinema#queer cinema#queer film#queer movie#queercinema#wlwfilmreviews
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Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013)
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Pierrette Robitaille & Romane Bohringer in “Vic and Flo Saw a Bear”
#pierette robitaille#roman bohringer#denis côté#lgbt cinema#vic + flo ont vu un ours#vic and flo saw a bear#canadian cinema#quebec#lgbt characters#lgbt+ representation#lgbt#lqbtq
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Estreias no Brasil - Junho 19, 2014
#cinema#movie#film#the love punch#Vic+Flo ont vu un ours#9 mois ferme#Corazón de León#tarja branca#L’amour est un crime parfait#Brasserie Romantiek#Casse-tête chinois
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Pier-Luc Funk
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Less than a month before the movie is finally shown in theaters !
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Vic+Flo ont vu un ours (Denis Côté), presentada en la Berlinale 2013
http://los35milimetros.com/2013/02/11/como-va-la-berlinale-ii/
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Some filmmakers I really got into in 2020
I’m famous amongst my friends for hating “all” of the famous film directors but there are, in truth, even more directors whose work I really love. I had so much time to myself in 2020 that I was able to really get into the work of filmmakers I already love, and also to discover new favourites.
Denis Côté
I discovered this director from Québec this year as Ghost Town Anthology appeared one day on Mubi. It looked interesting so I decided to watch it, not knowing anything about it. I’ve now seen three of Côté’s feature films but I think Ghost Town Anthology remains a favourite. I could try and explain what his films are about but I don’t think it would convey quite accurately what it is that I love about his films. It’s in the atmosphere, the dialogues -- the magical realism -- the quiet (and sometimes not so quiet) tragedy.
Seen this year: Curling (2010) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, 2013) Ghost Town Anthology (Répertoire des villes disparues, 2019)
Agnès Varda
Before the year started I had only seen two of Agnès Varda’s films, Cléo from 5 to 7 an Vagabond. I thought the former was overrated but fell in love with the latter. But these were made more than twenty years apart, an Varda is a legend, so when a lot of her films became available on Mubi I dove in (I even decided to watch all of them, but I’m not there yet). Varda made a lot of shorts and I generally like those, especially Black Panthers and Uncle Yanco, both documentaries, but the two films that really punched me in the gut this year were Le Bonheur, a drama from 1965, and The Gleaners and I, a documentary from 2000. It’s hard to believe those were all made by the same person and yet there are in Varda’s films a commitment, an honesty, a quirkiness sometimes, that make them completely unique.
Seen this year: La Pointe-Courte (1955) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Diary of a Pregnant Woman (L'Opéra-Mouffe, 1958) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald (ou Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Salut les Cubains (1964) Le Bonheur (1965) Elsa la rose (1966) Uncle Yanco (Oncle Yanco, 1967) Lions Love (Lions Love... And Lies, 1969) Black Panthers (1970) The So-Called Caryatids (Les Dites Cariatides, 1984) Jane B. par Agnès V. (1988) The Gleaners and I (Les Glaneurs et la glaneuse, 2000) Les 3 Boutons (2015)
Peter Strickland
Before 2020 I’d seen Berberian Sound Studio, which I loved, and The Duke of Burgundy, which is one of my favourite films ever. I went into The Duke of Burgundy knowing nothing about it except that the band Cat’s Eyes had made the soundtrack, which was what made me decide to see it. Today I’m not sure whether or not I like Katalin Varga even more -- let’s say I like them both equally. Katalin Varga is Strickland’s first feature film an, how can I describe it? I could say it’s a rape-revenge drama focused on female anger but it’s a lot more than that.
Seen this year: Katalin Varga (2009) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) In Fabric (2018) GUO4 (2019) Cold Meridian (2020)
Céline Sciamma
I watched all four of Céline Sciamma’s films, in order of release, this year. I’d been feeling as if I was missing out on something for quite a while and finally decided to dive in this year. I really liked all of them, even though I’ll admit it, I thought Portrait of a Lady on Fire was overrated -- but I’m so glad this film exists, all the same. In fact, I don’t think Sciamma will ever be a favourite of mine but I am very glad she’s out there, making the films that she’s making, and I do think the world needs more people like her.
Seen this year: Water Lilies (Naissance des pieuvres, 2007) Tomboy (2011) Girlhood (Bande de filles, 2014) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, 2019)
Andrey Zvyagintsev
I first heard about Zvyagintsev when his film Loveless (which I still have not seen) was nominated for an Oscar. Then I started learning Russian and I thought, I need to watch more Russian cinema, and that’s how it started. I didn’t like The Banishment, I thought it was just one big unnecessary display of violence against women. I didn’t like Leviathan much, for the same reason. But Elena was very good, and The Return, in my opinion, is a true masterpiece.
Seen this year: The Return (Возвращение, 2003) The Banishment (Изгнание, 2007) Elena (Елена, 2011) Leviathan (Левиафан, 2014)
#agnes varda#andrey zvyagintsev#peter strickland#celine sciamma#céline sciamma#denis cote#denis côté#films#2020 in review#watched in 2020
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Watched in December 2020
Nimic Elsa la rose Le Bonheur Little Girl (Petite Fille) Cold Meridian The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald (ou Méfiez-vous des Lunettes Noires)) Along the Coast (Du côté de la côte) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours) Zootopia It's a Wonderful Life Paddington Miracle on 34th Street High Life Paddington 2
In December I read six books and consciously put film-watching on the back burner. As it turned out, most of the films I did watch ended up being disappointing. Here we go anyway.
Did not like
Zootopia (Byron Howard, Rich Moore, 2016)
I could take them or leave them
Nimic (Yorgos Lanthimos, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald (ou Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) It's a Wonderful Life (Frank Capra, 1946) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018)
Loved them
Along the Coast (Du côté de la côte) and Elsa la rose (Agnès Varda, 1958 and 1966): I’m keeping on watching every Agnès Varda film I can lay my hands on! These two were both charming and it was especially illuminating watching Elsa la rose together with Le Bonheur. I like and share Varda's enthusiasm for quiet, abiding loves
Little Girl (Petite Fille, Sébastien Lifshitz, 2020): This French documentary about an eight-year-old trans girl and her family deserves to be widely distributed, and seen
Favourites of the month
Le Bonheur (Agnès Varda, 1965): This would probably be my third favourite Varda, after Vagabond and The Gleaners and I. It is deceptively simple and the end just punches you right in the gut
Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013): My third and finaly Denis Côté film of 2020! The atmosphere is a little different from both Ghost Town Anthology and Curling, maybe because this film is not snow-bound, maybe because it deals more explicitly in crime and violence and does not make use of magical realism. Anyway, this one is great too, I loved it
Paddington and Paddington 2 (Paul King, 2014 and 2017): Yes! The only film that made me cry in 2020 was Paddington. Both films are excellent but Paddington 2 is even better.
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I watched 323 films in 2020! Perhaps strangely, I think I’ll be trying to watch fewer in 2021... I want to focus more on reading, I want to rewatch more old favourites, and also just generally I want to spend more time chilling.
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Be my friend on Letterboxd!
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Vic+Flo ont vu un ours (Denis Côté, 2013)
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