#Valeria González
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Parte 3 💌
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In The Name of Love | Chapter 1
Summary: The plan that night was just to have fun and try to forget. And Valeria (or Val as everyone calls her) did forget. But what she didn't expect, was to do it with someone younger than her. Someone who also happened to be a football player, and from her team's sworn enemy: Pedri González.
Little warning: there is an age gap in this story. Throughout it I don't mention any exact number, but in my head she was like 28/29.
Author’s note: Me, a Real Madrid supporter, writing for a Barça player? Yep, it's happening 😅 It all started as a joke with a friend who is currenlty obsessed with him and other Barça players, then I got carried away... and here we are. Hope you like it, and thank you for reading! 💜
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"Stop checking that photo, Val."
"I wasn't checking it" I say, quickly putting my phone down.
"Of course you weren't" Silvia says, rolling her eyes. "We are here to forget about all that, remember? Let's focus on it."
"Ok..." I sigh, taking a sip of my beer.
"Great. What do you think about them?" Silvia says, nodding towards the group of men to my left.
"Eww, no."
"And what about… them? The ones ordering a drink. They look quite decent."
"And posh."
"They do, don't they? And we are trying to forget about a posh guy, so they aren't an option. What about… Oh! Them!" she says, nodding towards someone to my right. "I thought the cute one had left, but looks like he only went to the bathroom or something."
"Who?"
"That guy over there, the one with the Adidas t-shirt. He hasn't been able to keep his eyes from you since we arrived."
"Yeah, sure" I snort.
"He is looking at you again."
"Silvia!"
"What?"
"Why did you wave at him?"
"Why not? He is really cute. His friend too."
"I don't trust you and what you find… fuck" I say as I turn around.
"He's a hottie, uh?" she smirks.
"I know who that is."
"You do? Is that why he has been looking at you?"
"I don't know him in person, but I know who he is."
"What?" Silvia asks with a confused look.
"That's…"
"Hello" a male voice says next to us.
"Hi" she replies with a big smile.
"I hope we aren't bothering you. I saw you waving and I just…"
"No, it's fine. It's fine. My friend here was actually telling me that she knows you!"
"Silvia!" I hiss.
"What? You do know him, don't you? Though she said something weird about not doing it in person. Do you follow each other on Instagram or something?"
"I wish" he chuckles.
"Ok, now I am completely lost."
"Silvia, you are talking to Pedri."
"Who?"
"The Barça player" I sigh.
"Pedri? I don't remember hearing you talk about a Pedri."
"Because when I've done it, I haven't said nice things about him."
"Ouch!" he laughs, reminding us that he is standing next to us.
"I'm a Real Madrid supporter. Sorry" I shrug, finally daring to look at him. But he doesn't look like the Pedri I remembered from our last game against Barça. He seems to have gotten rid of the stupid haircut, and looks like he is trying to grow a beard. He looks less like the kid he actually is, and more like a man, kind of… attractive? And the way he is looking at me, the smirk on his face… Fuck. He is attractive.
"Bro, she is gonna be a tough one" his friend laughs.
"You are gonna have to let me buy you a drink. I won't see the end of it if you say no" Pedri says, trying to give me puppy eyes.
"Are you allowed to buy alcohol?" I ask.
"Why wouldn't he? I see football players getting drunk all the time" Silvia says.
"It's not because of his job. It's because of his age."
"What?" she laughs.
"How old do you think he is?"
"I don't know… Twenty something?"
"Without the something" I say, crossing my arms over my chest. "He is a kid."
"Really?"
"I am not a kid" he replies, also crossing his arms and trying to look offended.
"Yes, you are. And I don't accept alcohol from kids."
"Oh, c'mon. As if you were an old lady or something" he laughs. "You can't be older than 25."
"Oh my God" I laugh, Silvia joining me.
"What? What is so funny?" he asks.
"You" I say, trying to contain my giggles. "You are so innocent."
"Now that is something funny" his friend chuckles.
"Ok, fine. You aren't 25" Pedri says. "26 then?"
"I'm too old for you. Let's just leave it there."
"Well, I don't care about how old you are" he shrugs.
"But I do."
"Oh, c'mon, it's just a drink and a chat. There is nothing illegal about that."
"But I support Real Madrid and you play for Barça. I'm pretty sure that is illegal."
"Another excuse" he says, rolling his eyes.
"It isn't an excuse, it's a fact."
"It is an excuse" he repeats, moving closer. "You are just afraid you may end up fancying someone younger and from the enemy."
"Afraid? Please" I snort.
"Then let me buy you that drink."
"If I say yes, will you leave me alone once I've finished it?"
"If that's what you want… But you'll probably want more" he smirks.
"Yeah, sure" I reply, trying to ignore the way my stomach has reacted to that smile. Again. "Silvia, do you… Wait, where is she? And your friend?"
"Looks like they left us alone."
"I'm killing her the moment I find her."
"Or thanking her."
"Why do you keep insisting? Why are you flirting with me instead of those teenagers over there?"
"Because they don't interest me. You do."
"Me? Why?"
"I don't know" Pedri shrugs. "But the moment you walked in, I couldn't keep my eyes from you. You are different from the others."
"Has that pickup line ever worked before?" I chuckle.
"I'm telling you the truth."
"And I'm 25" I laugh.
"You do look 25. And they look so good" he says, looking at me from head to toe, making my cheeks get warm.
"Are you buying me that drink or not?" I say, trying to stop whatever he is doing to me.
"Yes, sure" he smirks. "Another beer?"
"Please" I reply, taking a big breath when he turns his back to me to go order, trying to compose myself. Why is a kid making me feel… things?
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"So, how did you end up here tonight?" Pedri asks me once he is back with our drinks.
"Silvia wanted to go out to help me forget about something."
"Have you?"
"Have I what?"
"Forgotten about that something."
"I… I actually have, yes. Having a kid trying to flirt with me has helped. Cheers to that" I say before drinking.
"Cheers" he chuckles. "But I am not a kid."
"That's what you keep saying, but I don't believe you."
"I'm drinking alcohol and have a driving license."
"Not enough."
"Do you want me to show you that I'm not a kid, then?" he asks, arching a perfect eyebrow.
"Yeah, why not" I shrug.
"You asked for it" he says, quickly moving around the small table where we were standing and showing up by my side, his hands cupping my face before kissing me.
He is kissing me. Fucking Pedri González is kissing me. And for some reason, I am not slapping his face. For some really odd reason, I am kissing him back, getting completely lost on what is happening.
"Is this enough to prove to you that I am not a kid or do I have to keep going?" he asks, resting his forehead on mine and trying really hard not to smile.
"Not enough" I hear myself saying.
"Ok" he replies, this time fully smiling before kissing me. And, again, I feel myself getting lost on the way his lips and his tongue feel on mine, on his hands on my face, mine resting on his chest. It feels like something completely new and exciting, but also familiar and somehow peaceful. As if we had known each other our whole lives and hadn't met just a minute ago.
"And now?" Pedri whispers against my lips when we finally manage to stop.
"Now what?"
"Do you still think I am a kid?"
"A teenager."
"What?" he laughs.
"You've gone from kid to teenager, congratulations."
"I am not a teenager either."
"You actually are. Scientists say that the teenage years end in your twenties, so" I shrug.
"Ok, fine" he laughs again, moving one of his thumbs over my cheek. "You are hot."
"Thank you?"
"I didn't mean it like that" he chuckles. "You are hot, but you also feel hot."
"Oh. I… I actually do feel a bit hot, yes."
"Do you want to go outside and have some fresh air? I know a place where no one will bother us."
"Ok" I say, letting him take my hand and guide me outside.
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"I had never seen the city like this. It's beautiful" I say as I look at Barcelona's skyline. "How did you find this place?"
"A security guy from the club brought me here after someone recognized me and things got a bit crazy."
"He brought you to the rooftop?"
"Yep" Pedri says. "Weird, but it was exactly what I needed to calm down."
"Was it too bad? What happened that day, I mean."
"I'm pretty sure I had a panic attack. I suddenly found myself surrounded by too many people with phones flashing everywhere, arms and hands all over me. It was too much."
"I'm sorry" I say, giving his hand a little squeeze. We hadn't let go yet. I hadn't.
"Thank you… Wait, I don't know your name."
"What?"
"I just realized I haven't asked you your name."
"I guess you were so busy putting your tongue down my throat that you forgot to ask."
"I didn't hear you complaining" he smiles.
"Yeah, whatever."
"And?"
"And what?" I ask.
"Your name. Are you going to tell me or not?"
"You'll have to earn it."
"Earn it? How?"
"I don't know" I shrug. "But I'm sure you can think of something."
"I… I actually can, yes. And it is something that will also show you that I am not a teenager even if scientists say so."
"Enlighten me" I say, my words turning into a whisper when I notice the way he is looking at me.
"My pleasure" he replies, guiding me towards a picnic table. Why is there a picnic table on the rooftop of a club? I don't know.
"What… what are you doing?" I ask when he lifts me up and sits me on the table.
"What do you think?" he smirks, sitting between my legs and caressing the inside of my knee, the feeling making me shudder.
"We are on a rooftop."
"And?"
"What if someone comes in? Or sees us? Or… fuck" I gasp when he kisses my inner thigh.
"No one will bother us."
"How do you know? Have you done this before? Is this where you take all the girls you pick up downstairs?"
"You are the first person I've brought here" he says, meeting my eyes before kissing my thigh again.
"Am I?"
"You are" he says, slowly lifting my dress.
"Should I feel flattered?"
"Definitely. I told you you aren't like the others."
"Yeah, because I'm way older" I chuckle.
"Tonight you are 25. And when I'm done with this, so will I."
"Yeah, well. We'll see" I say, biting my lower lip and trying to stay calm despite the way my skin is burning under his touch or what I am feeling… there.
"May I, then?" Pedri asks, his fingers playing with the hem of my underwear.
"Yes" I nod, my eyes focused on his as he pulls it down.
"Try not to forget about your name" he smirks.
"Why would I… Fuck" I gasp when I feel his tongue, everything that he does after making me forget about my name, but not his.
━━━━━━❃━━━━━━
"Morning."
"Good morning" Silvia yawns. "What is all this?"
"Breakfast" I smile.
"You made breakfast?"
"Yep."
"Why?"
"I don't know. I was in the mood for it" I shrug.
"You were in the mood for it, uh?" she chuckles. "You should fuck a teenager more often if this is what I get in return. It looks amazing."
"I didn't fuck a teenager" I say, rolling my eyes.
"Ok, fine. He did it all while you just had the best orgasm of your life."
"It wasn't the best."
"Top 3?" Silvia smirks.
"Whatever" I say, pouring myself some coffee.
"Are you seeing him again?"
"No way. One mistake is enough."
"Mistake?" she laughs. "Girl, look at you. You are glowing and haven't been able to stop smiling since you said goodbye to him. That doesn't look like a mistake to me."
"He is a kid, Silvia. And a football player. He is like a walking red flag."
"But I'm not asking you to marry him or anything. I'm just telling you to have fun for once in your life."
"Are you calling me boring?"
"When it comes to your relationships, yes, you are boring. This is the most interesting thing you've done since you became single, and he managed to make you forget about you know what, didn't he?"
"He did, yes" I sigh. "But it probably is because I was too busy freaking out about the fact that I had made out with a teen who happens to be a football star and I didn't have time to think about anything else."
"You were too busy thinking about the way he was making you feel, not his age or his job. That's good, you know?"
"That's crazy, Silvia. And dangerous."
"That's good. If he has managed to make you feel like this just with what he did last night, imagine what he can do when he actually fucks you."
"That isn't going to happen, tho."
"Why not?"
"Because he is Pedri! The Pedri! And he plays for Barça!"
"And?" she shrugs.
"Urgh."
"I think you should meet again. He definitely fancies you."
"He doesn't. He just sees me as a challenge because I'm older and support Real Madrid, and if he gets to fuck me he'll be able to brag about it with his friends."
"Did he tell you that?"
"No."
"Then you don't know if that's what he feels" Silvia shrugs again. "And what if that's the case, uh? I'm sure it'll be worth it."
"Oh, yes. Being treated like I'm just a piece of meat by a bunch of teenagers is so worth it" I reply, rolling my eyes.
"But you will also be using him, Val. He gets to brag, you get to be railed. I think it is worth it."
"It is madness, that's what it is. Now can we please eat our breakfast and change the topic of conversation?"
"Yeah, sure" Silvia says when my phone starts ringing. "Oh my God, is that him? Did we manifest it?"
"It's my mum. He probably is still sleeping like the baby he is. Hello, mum" I say, picking up.
"Valeria! Why hadn't you told me that Marc got engaged!"
"I forgot" I shrug.
"You forgot? He is your ex boyfriend!"
"Maybe that's why I forgot?"
"I thought you had remained as friends."
"And we have."
"Then?"
"Then what, mum?"
"Then why didn't you tell me!"
"Because I forgot, I already told you!"
"There is no need to yell, Valeria."
"I'm sorry, mum. I'm not in the best mood right now" I sigh.
"Oh, my poor thing. Knowing that you are the only one in your group of friends who isn't married or in a serious relationship can't be easy."
"I don't care about that, mum" I say.
"Well, you should! I want grandchildren, Valeria!"
"I have to go, mum."
"Where?"
"Silvia is calling me, she needs my help with something. Bye."
"But…"
"Bye" I say before hanging up.
"That was rude, Val."
"I'm sorry, ok? But she can be so annoying. Who cares if… Fuck."
"Uh?"
"He just texted me" I say, my eyes fixed on the notification on my phone, my heart suddenly beating way too fast.
"Who did?"
"Pedri just texted me."
"No way!" Silvia says, quickly moving to stand next to me. "What does he say?"
"If I'm free later today."
"Well, you are."
"Weren't we going to…"
"No, that's been canceled. You are going out with him and hopefully get railed so you can forget about your mum and everything she just said."
"Silvia..."
"You are going, Val. End of the story."
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"I thought you wouldn't come."
"Why not?"
"Because I am a teenager who plays for Barça and that's illegal?" Pedri laughs.
"Yeah, well. I needed to get out of the house and stop thinking, and you somehow manage to help me with that."
"And is that something good or bad?"
"Silvia says it's good. I don't know yet."
"Then I'll guess we'll have to keep hanging out until you make up your mind" he smiles.
"Maybe... We'll see. I had never been here before."
"That's because this is my secret place."
"Another one?" I chuckle.
"Another one. When you become so famous you can't step outside without being recognized, you somehow manage to find spots where no one can find you, places that are just for yourself."
"It must suck. Not being able to do normal things anymore, I mean. I don't know if I could be able to handle it."
"It sucks, yeah" he sighs. "But then I come here and I forget about everything. It's just me and the sea."
"Look at us, both looking for something that helps us forget" I laugh. "We are so sad."
"But now we have something in common" Pedri winks.
"I guess" I giggle. I giggled? Why did I giggle? "Anyway" I say, clearing my throat. "Can we go down to the beach?"
"Of course. There is a path over there."
"Then let's go" I say, taking his hand on mine and starting to walk.
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"You are going to end up falling into the water if you keep playing like that" Pedri says with a cheeky smile.
"Lucky me, there is a young man next to me that will come to my rescue" I smirk, jumping when another wave threatens to touch me.
"Oh, now I am a young man?"
"You've earned it for bringing me here. This beach is perfect."
"I still feel like a kid when you talk about all these rewards, tho."
"That's my inner teacher speaking" I shrug.
"Is that what you do for a living?"
"Yep. This year I will be teaching 6-years-old."
"And I can tell you love it."
"Uh?"
"Your smile. It says it all" he says, looking at me in a way that makes me feel all fuzzy inside.
"Yeah, umm… Should we go for a swim?" I blurt out.
"Now?" Pedri chuckles.
"Yes, now."
"But we don't have swimsuits."
"But we do have underwear, don't we?" I say, taking off my t-shirt. "We do, right?"
"Yes, we do" he laughs.
"Then c'mon" I smile. "You are an island boy, you must be aching to go into the sea and just swim."
"You know what… you are right" he says, taking off his t-shirt too and making me stare at him. I just can't help it. Because a kid should not have those arms and that torso and those things on his hips that go all the way down to…
"Liking what you see?"
"What?"
"You are staring" he says with a teasing smile.
"I was just thinking and not looking anywhere in particular."
"Yeah, sure."
"I was" I insist, getting rid of my skirt. "And now you are the one staring" I say when I look up at him again.
"Yes, I am. I really like what I'm seeing."
"Great, cool. Shall we?"
"After you" Pedri smiles, making me feel his eyes on me as I turn around. He is checking me out. He definitely is. Why did I think this was a good idea? Swimming in the sea in my underwear. What the hell?
"Oh, shit" I hiss, the water feeling colder than I expected.
"You are going too slow!"
"What?"
"Too slow!" he says behind me, lifting me in the air and throwing me over his shoulder.
"Pedri!"
"This is how you do it!" he laughs before jumping with me into the water.
"It is so fucking cold" I laugh when I make it back to the surface, his head popping next to me.
"It isn't that cold, stop complaining" he says while splashing me.
"It is" I reply, splashing him back.
"Maybe this will help" he smirks, grabbing me by the waist and pulling me closer to him.
"Still cold" I reply, putting my arms around his neck.
"What about this" he says before kissing me. It is a short kiss, but it is enough to make me feel my cheeks getting warm.
"That is definitely working" I giggle. Again. Why am I behaving like the teenager here?
"Should I keep going, then?" he asks, trying to hide a smile.
"You should. You definitely should" I say before his lips are on mine once again.
#pedri#pedri gonzalez#pedri fanfic#pedri gonzalez fanfic#pedri imagine#pedri gonzalez imagine#football fanfic#football imagine
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Walking through the picturesque streets of Cardinal Hill, you find Julian De Los Santos, the 46 year old criminal defense attorney originally from Chicago, Illinois. Living alongside them in such a small town, you know that they're tenacious and dogmatic, but what you might not know is that they are a witch, and that they’re hiding something… ― Raúl Esparza, bisexual, male, and he/they.
previous threads - visage - musings - wanted connections
current threads - mood board
Name: Julian De Los Santos
Alias: Juli, Jules, Jay
Gender/Pronouns: Male, He/They
Age: 46
Birthdate: 03/10/1944
Big Three: Pisces, Virgo, Taurus
Occupation: Criminal Defense Attorney
Height: 5’9”
Hometown: Havana, Cuba → Chicago, IL, USA
Family: mother (Rosa De Los Santos), father (Markos De Los Santos), eldest brother (Markos De Los Santos Acosta), older brother (Sergio De Los Santos), older brother (Basilio De Los Santos), younger sister (Valeria González), younger sister (Yara De Los Santos),
Friends: N/A
Relationship Status: single
Sexuality: pansexual icon
Other Relationships: N/A
At 46 years old, this criminal defense attorney navigates the legal system of Cardinal Hill, where he has sought solace ever since one fateful night that forced him to leave his city of Chicago behind.
Born in Havana, Cuba -- his early days saw too much turmoil. At the age of five, his family was forced to seek refuge from the conflicts of their native country. Business in Chicago was booming so this is where they settled. This journey -- the journey to Chicago meant they had to briefly say goodbye to their loved ones. Especially Julian. Two weeks before they migrated Sergio, Julian's older brother had become incarcerated as a result of a political demonstration gone awry. He was forced to stay in Cuba until his sentence was completed. This had such a lasting and powerful impact on his childhood that feelings of pain and misfortune remained with him and continue to do so far beyond his tender years.
Julian's parents, Rosa and Markos De Los Santos -- were a dedicated nurse and a powerful patent attorney. These hard workers instilled in him the values of perseverance and responsibilities. He excelled in academia and was driven to pursue law just like his father. But he didn't want to work tirelessly for companies or The Man, so he decided early in his academic career that he wanted to specialize in criminal law. He hoped to make a difference in the lives of those who, like his brother, found themselves ensnared in the gaping maw of the justice system.
Despite being quite successful, the echoes of his life in Chicago haunt his daily life. When he was just 31, nearly ten years into his practice, a tragic misstep would leave him reeling for decades. He made the difficult decision to relocate to Cardinal Hill. Julian hoped to escape the memories that haunted him and start fresh. The ghosts of his pasts are really never far behind and they influence his work as a criminal defense attorney -- shaping his understanding of true justice and redemption.
In the idyllic town of Cardinal Hill, Julian is known not only for his excellent legal expertise but also his compassionate approach with every client. He never shames, he only seeks to provide the solace to Cardinal Hill that it has given him. He fights passionately and tirelessly for the underrepresented. Driven by a deep-rooted belief in second chances - for others and for himself.
Julian De Los Santos continues to wade the challenges of his profession while he grapples with his family legacy, his identity and his own conscience. He stands at the crossroads of his present and his past, seeking to meet the man he was and the man he continually strives to be.
Headcannons
In Cardinal Hill, Julian becomes unlikely friends with an older library employee who was once a lawyer herself. Sharing her experience with Julian, who at some point started hating the law and called it lifeless. The old library provides another place of worship for him.
Julian struggles in his romantic life. He often pushes people away because he believes that anyone who gets too close will either suffer because of him or they will eventually leave. He's usually drawn to people who have their own past troubles and forms bonds over shared experiences.
When the pressure becomes too much or the guilt is too loud sometimes Julian will wander the streets of Cardinal Hill at night to clear his head.
Julian is Catholic and often struggles with his faith since the incident and he attends Mass regularly because of this. He struggles with feelings of unworthiness and he often confesses to a sympathetic priest.
Despite the slight turmoil it causes, Julian kept all of his late father's law books. He often revisits them and the footnotes in the margins to remind him of the man he wants to be.
Julian still writes letters to his older brother in hopes that one day he'll be able to read them -- wherever he is.
He carries around a rosary in his pocket as a comfort whenever he feels overwhelmed. He finds solace in counting the beads, allowing it to ground him in moments of guilt or anxious thoughts. It's a small act that helps him seek clarity.
One of his clients in Chicago taught him what Zine's are and he was inspired to make one and to his surprise it went really well. To this day he still makes them when he has free time -- divulging his thoughts on the law, redemption and morality. His Zine's resonate well with most people and it gives him a great sense of community.
He is the youngest of his brothers and sometimes that makes him feel inadequate or like the runt of the boys.
However, he is the only witch out of the brothers and that fills him with a sense of pride. His mother is a witch too and taught him everything he knows, which he happily passes down to his two younger sisters who he loves more than anything.
To find comfort and connection to his Cuban roots he takes a few cooking class and gets really into it, actually! He often cooks traditional meals and invites neighbors over for dinner parties.
#cardinalintro#I can’t think of a face tag right now I just want to post this#juez jurado verdugo ⋆⁺‧₊☽◯☾₊‧⁺⋆
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instagram
Illustration by moly_ilustra on IG
The Olympics are over, but I needed to give a shout-out to our delegation. We are not many, we didn't win much, but each single one of them gave it all and from here we fiercely supported and followed every single one until the end.
Thank you to all of our 91 participants, 4 medalists, and 14 diplomas. We're proud of all of you with our entire hearts.
Alejandro Solarte, Alexis Cuero, Alisson Cardozo, Ana María Rendón, Andrés Hernández, Ángel Barajas, Ángel Hernández, Ángela Daniela Barón, Angie Orjuela, Angie Valdés, Anthony Rincón, Anthony Zambrano, Arnovis Dalmero, Camilo Villegas, Carlos Alberto Ramírez, Carlos Muñoz, Carolina Arias Vidal, Catalina Pérez Jaramillo, César Herrera, Cristian Ortega, Daniel Martínez, Daniel Restrepo, Daniela Alexandra Arias Rojas, Daniela Caracas González, Daniela Montoya Quiroz, Diego Arboleda, Diego Arias, Erika Lasso, Evelis Aguilar, Fernando Gaviria, Flor Denis Ruiz, Gabriela Bolle, Geiner Moreno, Ilana Izquierdo Zanger, Ingrit Valencia, Jazmín Álvarez, Jenny Arias, Jhancarlos González, Jhon Edison Rodríguez, Jhonny Rentería, Jorelyn Daniela Carabalí Martinez, Jorge Enríquez, Kevin Quintero, Lady Patricia Andrade Rodriguez, Laura Chalarca, Leicy Maria Santos Herrera, Liana Milena Salazar Vergara, Lina Licona, Linda Lizeth Caicedo Alegria, Lorena Arenas, Luis Felipe Uribe, Luis Javier Mosquera, Luisa Blanco, Luz Katherine Tapia Ramirez, Manuela Gómez, Manuela Pavi Sepulveda, Manuela Vanegas Cataño, Marcela Restrepo Valencia, Mari Leivis Sánchez, María Camila Osorio, Maria Camila Reyes Calderón, María Carolina Velásquez, Maria Catalina Usme Pineda, María José Uribe, María Lucelly Murillo, Mariana Pajón, Martha Bayona, Mateo Carmona, Mateo Romero, Mauricio Ortega, Mayra Gaviria, Mayra Tatiana Ramirez Ramírez, Natalia Linares, Nicolás Echavarría, Paula Patiño, Queen Saray Villegas, René López, Ronal Longa, Sandra Milena Sepulveda Lopera, Santiago Arcila, Santiago Buitrago, Stefania Gómez, Stefany Cuadrado, Valeria Araújo, Valeria Arboleda, Víctor Bolaños, Wendy Katerine Bonilla Candelo, Yeison López, Yenny Álvarez, Yílmar González, Yirleidis Quejada Minota
#olympics 2024#colombia#comité olímpico colombiano#colombian olympic committee#(nightmade)#it's funny if you know that 22 of those 91 is just the fútbol team#Instagram
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2017
OLA SOLIDARIA/ Más de 30 lazos de amor
Más de 30 lazos de amor, es un proyecto que toma a la figura del amor como basamento catártico, formulado a partir de procedimientos de trabajo colectivo donde me propongo mirar y pensar la forma de vincularnos, utilizando y sugiriendo que la técnica que acompañe la propuesta sea el bordado.
El suceso que originó este proyecto data de 2015, cuando motivada por una profunda y dolorosa ruptura amorosa, di comienzo a la reconstrucción metafórica de mi propio desamor, encontrando en el bordado la herramienta que “arreglaba” eso que sentía destrozado. Esta búsqueda dio lugar a otras: los vínculos amorosos con el resto de las personas de mi vida y la forma que tenemos de demostrarlo, hicieron de mi corazón un gran tejido. Así es que se expandió y me animé a invitar a otros a trabajar. La propuesta fue sencilla: elegir una tela estampada, por gusto, por su textura, por su cuerpo, por lo que quisieran y comenzar a pensar el vínculo que cada uno tiene con el amor; el propio, el ajeno. El amor en todos sus sentidos, sin límites. La idea fue bordar, cortar, romper, descoser, agujerear, hacer lo que cada uno sintiera.
La propuesta es un ritual donde finalmente me reconstruyo en los trabajos de los demás salvándome, por ahora.
¿Dónde van los fondos recaudados?
Hace unos años conocí a Caro Soriano, mujer, fotógrafa, mamá, luchadora; la conocí haciendo fotos en el taller de Gabi Muzzio. Caro a parte de tantas cosas lindas y de que se le hacen agujeritos en los cachetes cuando se ríe, es la Presidenta de la *Fundación FAME Argentina (Familias con Atrofia Muscular Espinal). La misma se encarga de agrupar familias y pacientes afectados con Atrofia Muscular Espinal, que es una enfermedad genética neuronal, caracterizada por la pérdida de músculo esquelético causada por la progresiva degeneración de las células del asta anterior de la médula espinal.
Ella me mostró lo que significa lidiar con una discapacidad desde lo corporal así como también desde lo social. Me mostró la cantidad de cuerpo que hay que poner en una lucha pero sobe todas las cosas me enseñó que sin el amor, que es lo que la sostiene, no podría continuar. Caro es mi más enorme lazo de amor.
Por eso el fin de este proceso de producción, amorosa y catártica es recaudar fondos para que FAME siga luchando y todas estas personas consigan pronto la aplicación de la Spinraza que es la droga que cambiará sus vidas!
Sigamos construyendo lazos de amor, gracias por colaborar!
Agradecimiento especial a todos los bordadores que participaron:
Alicia Salvañá/Angie Strappa/Arturo Geminell/Belén Rimini/Betina Barandalla/Bruno Gloriani/Camila Gómez/Camila Sauan/Carolina Soriano/Cecilia Ann/Cristina Rosenberg/Delfina Forno/Florencia Giacobe/Florencia Llarrull/Florencia Luciani/Forencia Toba/Gabriel González Suárez/Gabriela Muzzio/Guadalupe Rúas/Inés Beninca/Joaquín Gómez Hernandez/Josefina Estevez/Josué Gómez/Julia Trecu/Larisa Luciani/Laura Pizzorno/Lucía Anghilante/Luciano Rondano/Magalí Drivet/Mailin Weiss/María Belén Gómez/María Cristina Pérez/María Gracia Paoletti/María Laura Carrascal/Mariana Pissano/Marina Ciuffoli/Marisa Betucci/Mariu Fondato/Martín Leonard/Martín Moreno/Natalia Trejo/Norma Rojas/Pamela Bavutti/Romina De Luca/Rosario Telleria/Silvana Scuisatto/Sofía Estevez/Sofía Meier/Valeria Bezos/Victoria Cenóz/Victoria Estevez/Victoria Gomez Hernandez/Violeta Martin/Susana Marcozzi/Adolescentes participantes del taller: “Maquinando Relatos” Centro de Convivencia Barrial Barrio Santa Lucía. Coordinado por Sofía Meier y Natalia Trejo/Alumnos del taller: Pintura 2, año 2016. Escuela de Bellas Artes (UNR). Docente Titular: María Cristina Pérez – Norma Rojas.
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Name: Valeria Mendoza Species: Balam Occupation: Freelance Writer Age: 34 Years Old Played By: Dylan Face Claim: Eiza González
"I don’t enjoy being a buzzkill, but if it keeps us safe, I’ll be the bad guy."
TW: Drug use
Valeria had no desire to cause harm. Her earliest memories were etched with celestial bodies painted into dark skies, nurturing her profound connection to the unknown. As a child, her curiosity about the intricacies of systems, both in their maintenance and destruction, cast her in the familial role of Internet router extraordinaire. School posed a challenge, as anything beyond her specific interests eluded her grasp. The first time she skipped class to accompany her older peers as they smoked pot in the school parking lot, she felt a sense of belonging that had eluded her within the confines of the school walls.
Despite her disdain for the public education system, Valeria secured a scholarship to a competitive university at the age of 18. However, the joy of acceptance was marred by an attack on her family that resulted in the death of her mother. The shock triggered a near-complete emotional shutdown, leaving Valeria with a limited capacity for depth and nuance. Mirroring her father, she assumed a protective stance over her family, taking on a parental role despite being the second oldest sibling. Her interactions with siblings became marked by snaps and snarls at any perceived misstep.
In the wake of her father's decree to eliminate any outsider found in their woods, Valeria pledged compliance. Though not eager to charge without cause, she understood the necessity and executed it swiftly. Her defensive attacks often unfolded before she could formulate a coherent thought. In the aftermath, she would simply count Mendoza heads before retreating into their makeshift home.
At 34 years old, Valeria finds herself only beginning to explore life beyond survival mode. Night terrors persist, but she won't talk about it. She has seen the devastation feeling can bring. Witnessing her father's emotional collapse added a layer of resentment for being forced into a caretaker role, yet guilt accompanies the realization that she, at least, is alive. The fate of her younger sibling, Felix, remains uncertain to her.
One autumn morning, Valeria packed her backpack with essentials and headed to Wicked's Rest, following a rumor on an online forum that those responsible for the attack on her family had resurfaced. Armed with a flip phone, an old computer tablet, and retractable claws, Valeria seeks answers, driven by a burning desire to uncover the truth.
Character Facts:
Personality: Tenacious, inquisitive, innovative, reliable, territorial, impatient, pedantic
Valeria adores her family, her friends, and her books.
Although she cares deeply for loved ones, she has difficulty showing affection. She typically resorts to acts of service. If a friend lets her know they aren’t feeling well, she’ll show up with medicine, food, and self-care essentials tailored to the needs & likes of the particular friend.
She almost always thinks she knows best, but it’s hard to argue with her when she’s the one helping drag your car out of a lake at 2 am.
Valeria is extremely protective of her younger sibling, Felix. She feels an unshakeable responsibility to look out for them, and as a result, she can be overbearing at times.
When she has her guard down, she is known to be funny. When she has a drink or two in her, she is known to ramble about her research and various other topics.
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Epiestía
Espacio Cabeza, Guadalajara MX
14.11.20 - 12.12.20
Artistas: Karian Amaya, Renée Abaroa, Ariana Díaz, Carlos .E, Marco Esparza, Sidharta Figueroa, Diego González, Eduardo Gómez, Kiyo Gutiérrez, Bruno Gruppalli, Colectiva Hilos, Ignacio Islas, Alberto López Corcuera, Milo Medina, Xel-Ha López, Carlos A. Mora, Fernanda Moyano, Vania Negrete, Misael Naranjo, Natalia Ramos, Humberto Ramírez, Alejandra Ruiz, Raúl Rebolledo, Gabriel Sánchez-Mejorada, Sayuri Sánchez, Valeria Villegas.
En una entrevista Anne Carson dijo que si la prosa es una casa la poesía es un hombre en llamas corriendo velozmente a través de ella en una entrevista, cuando le preguntaron lo que salvaría si su casa se incendiase Jean Cocteau respondió que salvaría el fuego en el protocolo de incendio del consorcio del edificio JK está escrito no se quede parado en la ventana sin ninguna defensa el fuego procura espacio para quemar e irá a buscarlo si usted no está protegido y también: manténgase vestido y moje sus ropas y también: cierre todas las puertas detrás de usted y aun: arrástrese hacia la salida, pues el aire es más puro junto al suelo y aun: una vez que haya conseguido escapar no retorne.
—Texto por Ana Martins Marques. Traducción de Agustina Roc
Desde la llegada de la pandemia derivada por la COVID-19, nociones fundamentales de todos los ámbitos se han visto trastocados de manera profunda y significativa; entre ellos la del hogar. Desde la consigna «quédate en casa», hasta las adecuaciones de los espacios domésticos para las labores del trabajo y las medidas de sanidad implementadas, el hogar se volvió de pronto en un espacio de permanencia obligada.
Desde este contexto, como antesala, se invitó a veinticinco artistas y a un colectivo a desarrollar obras de sitio específico en el espacio de exhibición —una casa habitación— a partir de la premisa de subvertir, complejizar y/o abordar las relaciones posibles entre el fuego, el hogar y lo doméstico. Desde esta enunciación, lxs artistas tuvieron la libertad de construir un campo de acción muy amplio en virtud de sus intereses, procesos y prácticas, posibilitando la exploración de las propias características arquitectónicas, decorativas y simbólicas del espacio.
Resultado de esto, Epiestía articula una serie de temáticas que reflexionan sobre los fenómenos y objetos cotidianos, la violencia, la intimidad, las ausencias, el confinamiento y el privilegio.
El lugar de trascendencia de una estirpe, lugar donde un individuo o grupo habita, ahí donde se construye una vida, donde se enciende el fuego para calentarse y refugiarse, se designa con la palabra epiestía, cuyo significado tiene que ver con el fuego, la hoguera o fogón, en torno al hogar, la morada ardiente. Entre los griegos, se encontraba la diosa Estía —Vesta en la mitología romana— en relación con el calor del hogar y la familia.
Epiestía busca ser una exhibición para reinventar el espacio de lo doméstico, para encender otros fuegos o en su caso, soplar sobre las cenizas.
—Texto y curaduría por Marco Valtierra
vimeo
Este proyecto se realizó con recursos del Apoyo a Instituciones Estatales de Cultura AIEC 2020, a través de la convocatoria Replicantes, Espacios Culturales en Red de la Secretaría de Cultura de Jalisco.
Press:
Epiestía en el blog de la revista Terremoto
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#FeriasyFestivales #Poesia
📣 “XII FESTIVAL LA HUACA ES POESÍA”📜✒
🗣 Poetas e investigadores internacionales dan el grito más intenso de una estrella para rendir tributo a José Antonio Mazzotti [(Lima, 22 de marzo de 1961 - Boston, 5 de septiembre de 2024), honrando su memoria y su legado a través de recitales, presentación de video y música. 🙏📚🥳
📝 Programa:
📽 Proyección Audiovisual: “Pirámide A” 🎬😎🍿
👥 Poetas: Giancarla Di Laura, Barbara Corbett vda. de Mazzotti (Estados Unidos), Jorge Fornet (Casa de las Américas), Susana Haug, Soleida Ríos, José Kozer (Cuba), León Félix Batista (República Dominicana), Raúl Zurita (Chile), Pedro Palou (México) y Raúl Bueno (Perú)
📖 Presentación de la Revista: “Némesis” a cargo de Manuel Kentore y Dalgys Bautista.
🎤 “Mesa de Lectura” a cargo de José Aguirre, Sonia Luz Carrillo, Lesley Costello, Valeria Chauvel, Domingo de Ramos, Eduardo González Viaña, Sandra Luna, Manuel Liendo, Alonso Llerena,Bethoven Medina, Santiago Morales, Alejandra Monterroso, Edián Novoa, Segundo Ramírez Cueva, Mary Soto, Juan José Soto, Rodolfo Ybarra, Brenda Vallejo
🎙️ Moderador: Rafael Hidalgo.
🎤 “Mesa de Investigación” a cargo de Lydia Fossa, Luis Millones y Rubén Quiroz.
🎙️ Moderadora: Alejandra Monterroso.
🤗 Ofrenda: “Pago a la Tierra” 🌎🌱
🎶 Música: Pacha Inti / Roxxtein Goth (vitral- coldware electrónic) / Walter Arellano (Zurdex) / Rafael Mejía / Rudy Rivera / LSM (rock).
© Producción: La Huaca es Poesía.
📌 JORNADA:
📆 Sábado 02 de Noviembre
🕔 5:00pm.
🏛Complejo Arqueológico Mateo Salado (frente a la Plaza de la Bandera – Pueblo Libre)
🚶♀️🚶♂️ Ingreso libre.
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raymund ortega - tag drop & info
CHARACTER BASICS
Full Name: raymund alexander ortega iii
Nickname: ray, junior
Age: 31
Date of birth: april 21
Gender: male
Pronouns: he & him
Ethnicity: colombian & cuban
Nationality: canadian
Occupation: politician, founder of a kid's charity
Hometown: toronto, ontario
Current location: lucca, italy
Written Aesthetics: skating on freshly frozen lakes; never shying away from his emotions; always the friend, never the boyfriend
Character inspiration: n/a
CHARACTER APPEARANCE
Face Claim: alberto rosende
Height: 178cm
Hair Colour: brown
Eye Colour: hazel
Dominant Hand: right
Distinguishing Features: several tattoos - an outline of a ghost on his right forearm, a giraffe on his left ribcage, a wolf on his left hand, inside of his right forearm is a treeline reflecting onto the lake
PERSONALITY
Positive Traits: reliable & compassionate
Negative Traits: vague & gullible
Neutral Traits: casual & reserved
Goals/desires: doing the family name proud
Fears: letting the people he loves down
Hobbies: ice hockey, hiking, spending time with family
Habits: baking
VERSES
slice of life
royals
RELATIONSHIPS
raymund ii & alison ortega - parents
richard ortega (♱)- brother
raymund (♱) & sofia ortega, guilleromo & ivellin gonzáles (♱) - paternal and maternal grandparents
fernando & valeria ortega, cesar & isabella gonzáles - uncles and aunts
teresa ortega & alberto gonzález - cousins
luciana bella di savoia - love of his life strangers to friends to lovers
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The great Chilean curator Andrea Pacheco González put together this amazing exhibit about the artist Valeria Montti Colque at the Venice Biennale 2024. Below is the text that accompanies this show, which I had the luck to see in late July 2024. It provides its own explanation and commentary. It is titled COSMONACIÓN.
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One of the greatest challenges of the coming decades will be to adapt the archaic construct of the nation to the diversity and mobility of the identities that inhabit our contemporary societies. We borrow the term cosmonation from anthropologist Michel S. Laguerre to acknowledge that diasporic communities do not break off relations with their places of origin but remain transgenerationally connected to them. Thus, diasporic people inhabit a multisite nation, a cosmonation, in which geographically distant territories are connected through their life stories.
Valeria Montti Colque was born in Stockholm in 1978, two years after her parents fled the Chilean military dictatorship and settled there in the context of Sweden's institutional commitment to the overthrown government of Salvador Allende. She grew up on the outskirts of the city, in a suburb that was home to groups of exiles and displaced people from different continents. The particular social coexistence that sheltered the artist in her early childhood, full of cultural richness, solidarity, love and nostalgia for the original land, is the source that has constantly nourished her artistic practice.
This exhibition results from the hard work and the sisterhood of a group of people around Valeria's work; a practice that links worlds, channeling everything that we need to recover as humanity. Many hands and hearts have come together to create Mamita Montaña (Mother Mountain), a piece that arises from nostalgia and the artist's desire to experience her Andean horizon in Nordic lands. The artist and knitter Elvira Espejo Ayca uses the Aymara expression yanak uywaña to refer to "the mutual nurturing of the arts." An ancestral idea that allows us to understand what this monumental textile sculpture represents: a symbolic refuge to all bodies and identities of that imagined nation that exists outside the nation. Around this mountain, we find a procession of ceramic figures, deities, or mythological beings in transit –they dialogue with the characters of this extravagant set of buildings. The woman in the video, strange in her own setting, makes the tiring ascent to the summit; her body is a territory populated by dreams and memories. In the Cosmonación that we present here, the natural landscape merges with the urban one; bodies-collages, existences-mosaics are inhabitants of an intimate geography in which, nevertheless, we are all invited to enter.
Andrea Pacheco González
Madrid, Marzo 2024
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Multimuse blog for @cyberplex. Penned by Anna.
Akira 'Kyra' Kitagawa | 27 | FC: Shioli Kutsuna - [ BIO ]
Amirah 'Ames' Shehadi | 25 | FC: Jihane Almira - [ BIO ]
Beatrix 'Trixie' Vos | 28 | FC: Lili Reinhart - [ BIO ]
Carrie Bachman | 22 | FC: Alisha Newton - [ BIO ]
Cinder Glass | 28 | FC: Imogen Poots - [ BIO ]
Constance 'Connie' Bishop | 42 | FC: Gemma Chan - [ BIO ]
Cornelia Belmont | 32 | FC: Sasha Luss - [ BIO ]
Danica 'Danny' Rossi | 29 | FC: Sarah Grey - [ BIO ]
Emmeline 'Mel' Devereux | 21 | FC: Minnie Mills - [ BIO ]
Evangeline 'Eva' Cruz | 27 | FC: Liza Soberano - [ BIO ]
Freja Bjurström | 30 | FC: Frida Gustavsson - [ BIO ]
Gabriela Dantes | 25 | FC: Becky G - [ BIO ]
Helena Montgomery | 21 | FC: Ciara Bravo - [ BIO ]
Irena Harker | 54 | FC: Rachel Weisz - [ BIO ]
Jacqueline 'Jackie' Porter | 26 | FC: Lana Condor - [ BIO ]
Jessica 'Jess' West | 29 | FC: Katherine McNamara - [ BIO ]
Julie Dantes | 23 | FC: Natalie Alyn Lind - [ BIO ]
Karma Jones | 26 | FC: Phoebe Dynevor - [ BIO ]
Keaton Ryan | 26 | FC: Carlson Young - [ BIO ]
Kerime Sakarya | 26 | FC: Hande Erçel - [ BIO ]
Lenore 'Nora' Chase | 39 | FC: Anna Kendrick - [ BIO ]
Lucia 'Luz' Martinez | 27 | FC: Daniela Nieves - [ BIO ]
Marisol de la Luna | 20 | FC: Isabela Merced - [ BIO ]
Minnie Dantes | 28 | FC: Dove Cameron - [ BIO ]
Nadia Calhoun | 30 | FC: Pinar Deniz - [ BIO ]
Pandora Chernykh | 30 | FC: Summer Bishil - [ BIO ]
Phoebe Lupin | 36 | FC: Amanda Seyfried - [ BIO ]
Quinta 'Quinn' Brody | 36 | FC: Jacqueline Sato - [ BIO ]
Rhiannon Bowen | 29 | FC: Suki Waterhouse - [ BIO ]
Roxanne 'Roxy' Flockton | 25 | FC: Kaylee Kaneshiro - [ BIO ]
Ruby Villanueva | 27 | FC: Maris Racal - [ BIO ]
Safiya Godwin | 33 | FC: Greta Onieogou - [ BIO ]
Samantha 'Sam' Bennett | 36 | FC: Candice Patton - [ BIO ]
Scarlette Leong | 31 | FC: Chloe Bennet - [ BIO ]
Stephanie 'Stevie' Sinclair | 32 | FC: Taylor Swift - [ BIO ]
Thalia Belmont | 24 | FC: Sarah Michelle Gellar - [ BIO ]
Umbra | 34 | FC: Eiza González - [ BIO ]
Valeria 'Val' Dutton | 24 | FC: Maia Reficco - [ BIO ]
Virginia 'Ginny' Bennett | 20 | FC: Mia Isaac - [ BIO ]
Whitney Wainwright | 35 | FC: Lily James - [ BIO ]
Xenon Luxe | 27 | FC: Janella Salvador - [ BIO ]
Zarina West | 29 | FC: Katherine McNamara - [ BIO ]
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Comienza la instalación de las viviendas de emergencia en Quilpué.
Nueva publicación en https://ct2.cl/eF
Comienza la instalación de las viviendas de emergencia en Quilpué.
Tres familias del sector Pompeya Sur recibieron los primeros ejemplares.
Ya inició el proceso de instalación de las primeras viviendas de emergencia solicitadas por el municipio para personas damnificadas en Quilpué, debido al megaincendio del 02 de febrero. En esta instancia, la alcaldesa de Quilpué, Valeria Melipillán, junto a la Ministra de Interior, Carolina Tohá, visitaron a tres familias de Pompeya Sur que fueron las primeras en recibirlas.
Al respecto la edil quilpueína, aplaudió que esta gestión tan esperada haya empezado a concretarse en la comuna, dando paso a la instalación y priorizando a personas en albergues.
“El día de hoy damos inicio al proceso de viviendas transitorias para personas albergadas en nuestra comuna, en específico en calle Iquique en el sector de Pompeya. Es un proceso paulatino y que tiene ciertas fechas y procesos, ciertos trámites. Hoy se prioriza a los albergados porque necesitamos que salgan con una solución habitacional a su problema, y de forma paralela estamos tramitando las casas de emergencia para todas las personas que cumplen con las condiciones definidas: ser propietario, allegado o estar en el campamento del catastro Minvu, por tanto esperamos que Senapred pueda tomar la mayor celeridad en la instalación de estas casas, ya que el Municipio ha generado todas las coordinaciones necesarias para que suceda lo más rápido posible y que los vecinos y vecinas tengan la certeza de tener un techo para pasar el otoño”, aseguró.
Así también lo agradeció el Delegado Presidencial Provincial, Fidel Cueto, destacando las características de su infraestructura. “Esta tarde pudimos ver en terreno las primeras casas de emergencia que se entregarán a damnificados de Pompeya sur, las cuales vienen con todo lo necesario, con baño habilitado para ser habitadas de inmediato. Esto marca un hito importante para esta etapa de la emergencia, donde todos nuestros esfuerzos como gobierno son responder a las necesidades de las vecinas y vecinos que están sufriendo por esta catástrofe”.
La jefa de Sostenibilidad de la Fundación Vivienda, Susana González, entidad contratada para llevar a cabo este proceso, contó que la experiencia de la organización prioriza el trabajo permanente una vez comenzada la instalación de las viviendas, de manera que las familias puedan ocuparlas lo más pronto posible. “Lo importante en este trabajo que hacemos cuando atendemos emergencia, es que somos un equipo multidisciplinario que trabaja 24/7, siempre en pro de poder habilitar y darle confort y dignidad a las familias para que puedan nuevamente partir en esta nueva etapa. Lo más importante es el trabajo 24/7”, sostuvo.
Las viviendas de emergencias se construye con paneles zip, utilizando 30 de ellos en una unidad, que cuentan con aislación y con todos los requerimientos exigidos por Senapred. Incluye baño, cama, loza, un kit eléctrico y dos puntos de luz, y todos los elementos básicos necesarios para comenzar a habitarlas lo más pronto posible. Su instalación demora aproximadamente un día, pudiendo levantarse dos por cuadrilla
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En Bellas Artes, en marzo próximo, Barikai estrenará su versión de la legendaria obra cumbre del teatro musical, Jesucristo Superstar, compuesta por Andrew Lloyd Weber desde las letras de su insigne colaborador, Tim Rice. Serán tres funciones, viernes 15, sábado 16 y domingo 17, a las 7:30 de la noche, a beneficio del Teatro Bellas Artes [caption id="attachment_104116" align="aligncenter" width="1024"] Foto Cortesía[/caption] Alexis Blanco Barikai es una palabra originaria de los Barí que significa “Caminantes del Sol”. El maestro Carlos de Oliveira la transformó, en 2009, en el nombre para su proyecto pedagógico artístico, sustentado en una floreciente fusión de todas las disciplinas estéticas, enfocada hacia el desarrollo de la personalidad creadora en niños, jóvenes y adultos. Son 15 años fértiles. El pasado jueves 22, sobre el escenario del lar donde reside, el Teatro de Bellas Artes, Oliveira anunció que, como corolario de la celebración de esos tres lustros de acción escénica y pedagógica, Barikai estrenará su versión de la legendaria obra cumbre del teatro musical, Jesucristo Superstar, compuesta por Andrew Lloyd Weber desde las letras de su insigne colaborador, Tim Rice. El anuncio sobre estas tres funciones, viernes 15, sábado 16 y domingo 17, a las 7:30 de la noche, a beneficio del Teatro Bellas Artes, quedó oficializado de una manera muy especial y acorde con su dimensión: todo el elenco bailó y cantó algunos pasajes de la pieza y, les juro, una energía cósmica vibró sobre la escena. “Más que una academia de artes escénicas, somos una familia que comparte un gusto enorme por el teatro”. Así definía Oliveira a su equipo, acompañado por Liliana Blanco de Montero, CEO del Teatro Bellas Artes, así como del talentoso joven maestro, Enzo Pradelli, quien encabeza el elenco y dirige la parte musical. Junto con ellos, otro maestro, de la danza, José Luis Núñez, encargado de preparar a los intérpretes para esta consumada proeza escénica, inédita en Maracaibo. El elenco de la obra: Jesús: Enzo Pradelli; Judas: Rafmar Rangel; María Magdalena: María Albornoz; Pedro: Ronny Ramones; Sacerdote Caifás: Anderson Jiménez; Sacerdote Anas: Hengels Arangibel; Sacerdotisa Zerah: Soraya Guerra; Poncio Pilatos: Salvador Nahim; Herodes Antiphas: Homero; Simón Zelote: Oneiver Arandia y Claudia: Anycar Sánchez. Como Pueblo, cantan, bailan y actúan: SANTIAGO: Paolo Chávez; MATEO: Leonel Araujo; JUAN: Mario Bravo; TOMÁS: Augusto García; ANDREINA: Camila Ramírez; FILIPPA: María Prieto; BARTINA: Keren Ferrebús; ALFI: Isabella Vicuña; TANDI: Joenny Pírela; MARTHA: Sherlyn Fuenmayor; SIBILIA: Cynthia Rojas; SEPHORA: Victoria Laprea; SALOMÉ: Amanda Muñoz; JUNIA: Manuela Monsalve; BETANIA: Ivanna Fuenmayor; PRISCILA: Valeria Socorro y SUSANA: Sasha Soto. Un esfuerzo artístico y técnico de indudable rigor y nivel profesional que deviene en una compleja inversión, tanto económica como institucional y artística, según exponían: Coreografía: José Luis Núñez Vocal Coaching: Enzo Pradelli Asistencia de producción: Delia Torres Asistencia de Dirección: Patricia Rodríguez Material audiovisual: Andry Jons Visuales: Venus Creativos Video Mapping: Marlon Medina Logotipo: Daniel Briceño Equipo de Promoción: Joenny Pírela, Valeria Socorro, Leonel Araujo, Salvador Nahim, Ronny Ramones, Enzo Pradelli Diseño de vestuarios y maquillaje: Kerem Ferrebus Coordinación General: Soraya Guerra Coordinación Musical: Jesús González – Black, Humbert Urdaneta Dirección Musical: Enzo Pradelli Producción General: @academiasbarikai @idevozvzla @cbaateneo Dirección General: Carlos De Oliveira Un esfuerzo artístico y técnico de indudable rigor y nivel profesional que deviene en una compleja inversión, tanto económica como institucional y artística, según exponían. El Barón Lloyd-Webber, coleccionista de arte y considerado el músico más acaudalado por sus obras después de su paisano británico, Paul McCartney, estrenó su obra en Broadway, tras haber lanzado un álbum de estudio, en 1970.
Junto con Tim Rice concibió una lectura adaptada en formato libre de los Evangelios y donde el argumento se centra en los últimos siete días de la vida de Jesús de Nazaret, comenzando con los preparativos de su llegada a Jerusalén y finalizando con la crucifixión. En medio de todo, un personaje tranza la estructura de la trama: Judas Iscariote, visto como una figura trágica, descontenta con la dirección que ha tomado la doctrina de su maestro, y plantea un enfrentamiento político y personal entre los dos que no está reflejado en La Biblia. La historia habla: tanto sectores católicos protestaron fuertemente contra la obra, tildándola de blasfema, mientras que sectores judíos también denostaban de lo que consideraban una abierta ofensa ante la sugerencia de que el pueblo hebreo generó las instancias de Jesús. (Alexis Blanco Texto e imágenes, especial para El Pepazo) Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo
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Novedades en Revista Almiar (N.º 131)
Autores publicados (por orden de fecha de publicación):
Ham Bashur · Aniceto Valverde Conesa · Estel Julià · Héctor M. Magaña · Guillermo Martínez Collado · Guti Díez · Juan Carlos Vásquez · Rolando Revagliatti · Pamplinus Vagabunderberg (seudónimo) · Jesús Greus · Javier Úbeda Ibáñez · Jorge Cervera Rebullida · Sergio Borao Llop · Beatriz Celina Gutiérrez Gómez · Mariano Ruiz Montani · Arlette Valeria Reynoso del Rayo · Larissa Calderón · Pedro Javier Martínez Aguilera · Manuel Moreno Bellosillo · Kim Bertran Canut · Francisco Juliá Moreno · Milton Ordóñez · Juan Carlos Vásquez · Emilio Sierra García · Gustavo Catalán Fernández · Adán Echeverría García · Luis Amézaga · Javier Claure Covarrubias · José Pastor González · 📻 Isabel García Díaz (hiperbreves en Radio Ariete) · 📻 Aniceto Valverde Conesa (relato breve en Radio Ariete)
👉 Más información en: https://margencero.es/novedades-margencero.htm
#margencero#revistaalmiar#almiar#literatura#revistasliterarias#relatos#literatura en español#narraciones#poesia#poemas#Revista Almiar#Revista Margen Cero#radio ariete#radioonline#internet radio#cuentos#musica
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New Application:
Valeria Mendoza - Apex (Balam; Eiza González)
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Etimologías
Glosario
Fátima Denis González Hernández Valeria Martínez González
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