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F-8J-150323-VF124-1969 by Michel Klaveren

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Todays doodles are Myras personal Horse Acting Guide! 🐴

DISCLAIMER: im not a horse expert, but i’ve been hobby riding for 13 years and read some books through the years, so it’s just my personal experience. I dont know everything and people have different ways!

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Vague Terrain #19

Vague Terrain was originally an online journal edited by Greg J. Smith, Corina McDonald, and Neil Wiernik.

In 2011 Derek Holzer guest curated their 19th issue, titled Schematic as Scores: Uses and Abuses of the (In)Deterministic Possibilities of Sound Technology.

It featured text, images, audio and video from Jessica Rylan, Jason R. Butcher, Lesley Flanigan, Martin Howse, Moritz Ellerich, Loud Objects (Tristan Perich, Katie Shima, Kunal Gupta), Synchronator (Bas van Koolwijk and Gert-Jan Prins), and Peter Blasser, in addition to Holzer’s intro.

In the mid 2010′s Vague Terrain’s website was taken offline, and although part of the materials are on the wayback machine, it’s only a partial copy.

The collection is meaningful because it’s the first to explicitly investigate the potential of technical documentation as a musical medium. Of course, this idea has roots in previous artistic work and ensembles (e.g. David Tudor’s Composers Inside Electronics and all the subsequent / related artists like Gordon Mumma, Alvin Lucier, Paul De Marinis or Nic Collins), being grounded both in documentation of these practices (such as Nic and Alvins articles and books) and in various related discussions of music technology widely construed. Nevertheless, VT19 was the first collection to put together artists from different countries, artistic lineages, and scenes, under the banner of organized components rather than or in addition to organized sound. Nic Collins calls this “handmade electronic music,” an exploration of the “music implicit in technology” (2007), but it’s gone under various hacking / maker / diy monikers depending on context, which has made its reach / history a bit of a mess.

In a wider context, VT19 is significant because it displays people around the world using sound and music to make sense of commodity electronics, the underlying standards, global manufacturing / consumption chains, and their local context. To echo Alvin’s criticism of “circuit music,” (see his 1996 Leonardo article) there is something deeply flattening about every piece of electronic gadgetry being made using exactly the same (admittedly large) set of components, but there is nothing flat about the way that each of these artists present varied and personal takes on how assemblages of these components might serve as locations or catalysts for poetic expression.

VT19, in offering a sample of relevant practitioners leading up to 2011, also serves as a snapshot of Euro/American practices (reflecting the languages and locals of its originators). It displays both the correspondingly personal connections made to discuss the art and points to future areas of investigation so as to display the diversity of work and participants, before and after its publication. It hints at questions still only beginning to be answered in “academic scholarship” of the frictions and privileges inherent in being able to recycle electronics for art rather than for practical everyday tasks (see Lauren Flood’s chapter in Audible Infrastructure, itself reflecting a longer-standing critique of “DIY” as uncritical of its classist potential).

Anyways, I’ve recently had some luck trying to get the original materials back online and I’m excited to share more once this gets moving. I’ll update this post in the next few months when there’s something public to share.

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F-8E-150891-VF211 by Michel Klaveren

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Im back in school for two weeks and you can tell because its doodle time!!

[kafemyran]

Fikamästerskapet VT19 den 10 maj!

Inget att göra fredagen den 10:e maj? Kom förbi Kafé Myran och var med en stund på en tävling av sällan skådat slag!  Eller vill du rent av testa dina gränser gällandes inmundigande av fika och socialiserande med andra människor? Vill du bli FIKAMÄSTAREN? Oavsett intensioner och mål är du varmt välkommen att delta i Fikamästerskapet VT19!

Fikamästerskapets regler: §1. FikaMästerskapet är en tävling i längdfika som äger rum på Kafé Myran i Ryd från 19.00 den 10:e maj till dess att endast en deltagare återstår. Tävlingen är öppen för alla. §2. För att delta måste man vara med från start. En lista kommer att föras över deltagarna. Antal uppfikade kronor, toalettbesök och utomhusvistelse kommer att antecknas. §3. Vinnaren är den som fikar längst. Denna person kommer att föräras ett diplom inom en (geologisk) snar framtid. §4. Med att ”fika” menas att vara vaken och social samt att förtära någonting ur Myrans sortiment för minst 5 SEK varje timme. Givetvis får man förtära för mer än 5 SEK i timmen. §5. Med att ”vara social” menas just att vara social. Kortspel och samtal är exempel på sociala aktiviteter. §6. Medhavd mat får ej förtäras annat än i undantagsfall, såsom vid allergier eller liknande fysiska besvär. Hunger är ej ett fysiskt besvär. §7. Varje timme får deltagarna fem minuter (under tidtagning) att antingen gå ut precis utanför Myran och ”hämta luft” (även genom ett filter som tillför nikotin) eller gå på toaletten. Dessa fem minuter kan ej sparas så att man får tio minuter nästa timma. §8. Vakthavande Myra är den som tolkar reglerna. Om tolkningsproblem kvarstår kan Drottningmyran, som är översta regeltolkaren, kontaktas. Tänk på att tävlingen börjar kl 19, så innan dess måste du ha anmält dig för att få delta. Kom i tid och glöm inte att tömma sparbössan på mynt. Hör av dig om du har några frågor.

Vi ses i kaffedimman!