#Usha Mangeshkar
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Happy Birthday, Asha Bhosle (08/09). Mangeshkar Family: Shevanti Mangeshkar (Mother), Lata Mangeshkar, Asha Bhosle, Usha Mangeshkar, Meena Khadikar, Hridaynath Mangeshkar.
#bollywoodirect#bollywood#asha bhsole#shevanti mangeshkar#lata mangeshkar#usha mangeshkar#meena khadikar#hridyanath mangeshkar
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Kavi Pradeep contributed more than Ae Mere Watan Ke Logon to cinema and poetry - Times of India
Kavi Pradeep is synonymous with the best-known patriotic song in the country Ae Mere Watan Ke Logon. It’s so easy today for cynics to pass snide comments on the massive sacrifices that soldiers make on the battle front.All the detractors of the world need to do is, listen very carefully to Kavi Pradeep’s words. They are a timeless tribute to those who protect our country while we sit at home…
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#i used to tease my childhood friend named “Preeti” with this song but as an adult it has a whole another meaning 😭#spotify
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Directed By ramesh sippy
Written by Javad Akhtar, Salim Khan
Cast Sunil Dutt, Amitabh Bachachan, Parveen Babi, shashi kapoor, Shatrughan Sinha, rakhee gulzar, Bindiya Goswami, helen, bindu, johnny walker, mac mohan,
Sudhir Pandey, Kulbhushan Kharbanda,
Sharat Saxena,
Produced by G.P Sippy, Suresh Sippy
Music By Rahul Dev Burman
(as R.D. Burman)
Cinematography by
S.M anwer
EDITING BY
M.S Shinde
Second Unit Director or Assistant
D.R. Thakkar
Stunts
Mohammed Ali
stunt arranger (as Mohd. Ali)
Gerry Crampton
stunt arranger
Music Department
Anand Bakshi, Asha Bhonsle, RD Burman, Kishore Kumar, usha Mangeshkar, mohammed rafi, usha uthup
P.L. Raj
choreographer
12 December 1980
Production
company
Sippy Films
Distributed by
Eros International
Rajshri Productions
Did you know
Yamma Yamma..R.D. Burman was not satisfied with Mohammed Rafi's singing in this song and was planning to re-record it. However, that never happened because Rafi passed away soon after the original recording. It was the only song which R.D. Burman and Rafi sang together.
The January 1980 edition of Stardust magazine stated that when Parveen Babi went to Europe with Kabir Bedi, there was no hope of her returning back to India. The only other actress who had a westernized image who could replace Parveen Babi was Simi Garewal. Ramesh Sippy verbally spoke to Simi Garewal and told her the role was hers. But Parveen Babi returned back to work and Simi was bumped out of the film.
Parveen Babi suffered her first nervous breakdown on the sets of Shaan. When she completed to shoot of the song Pyar Karnewale she got the attack. After this song there is a scene Parveen Babi is in the car, she stops the car, then Amitabh Bachchan sits in the car, this scene was shot when Parveen Babi came back from U.S.and she resumed work by shooting this scene.
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The Evolution of Marathi Music and Its Cultural Impact
Music has always played a significant role in shaping cultural identities, and Marathi music is no exception. Over the years, it has evolved from its classical and folk roots to embrace modern genres, yet it continues to reflect the essence of Maharashtra’s vibrant heritage. From devotional bhajans to high-energy film songs, Marathi music resonates with listeners across generations. The industry has produced countless legendary artists and timeless compositions that hold emotional and cultural significance. The charm of famous Marathi songs lies in their ability to evoke deep emotions while maintaining a unique musical identity.
The journey of Marathi music can be traced back to the early days of theatrical performances, where natya sangeet (theater music) played a crucial role in enhancing storytelling. These performances were filled with rich lyrical compositions that captivated audiences. As cinema became a dominant form of entertainment, Marathi music expanded its horizons, incorporating new styles and instruments while preserving its classical influences. Today, it continues to evolve, embracing contemporary trends and attracting a global audience.
The Golden Era of Marathi Music
The mid-20th century is often regarded as the golden era of Marathi music. This was a time when legendary singers like Lata Mangeshkar, Sudhir Phadke, Asha Bhosale, and Hridaynath Mangeshkar contributed immensely to the industry. Their music was heavily influenced by classical ragas, lending their songs a timeless quality that still captivates listeners today.
During this period, Marathi cinema produced films that not only had compelling storylines but also featured soul-stirring music. Movies like Pinjara (1972) and Jait Re Jait (1977) delivered unforgettable melodies that remain popular even after decades. The powerful combination of poetic lyrics, mesmerizing compositions, and expressive singing made these songs deeply impactful.
Folk music also played a significant role in shaping Marathi music. Traditional forms like powada, which narrated tales of historical warriors, and bhavageet, which focused on emotional expressions, were widely embraced by audiences. The influence of these styles can still be seen in contemporary Marathi songs, proving that the music of Maharashtra has always been deeply rooted in storytelling.
Marathi Music in the 80s and 90s
As the industry entered the 1980s and 1990s, it saw an interesting transition. While the classical and folk-inspired music of the past continued to hold its ground, a new wave of romantic and upbeat songs emerged. Composers began experimenting with Western influences, blending Marathi music with pop and rock elements. This period gave rise to some iconic songs that defined an entire generation.
The growing popularity of television further contributed to the rise of Marathi music. Shows and reality programs began featuring Marathi artists, giving them wider recognition. Singers like Suresh Wadkar and Usha Mangeshkar gained immense popularity, and their voices became synonymous with the golden days of the industry. The concept of remixes and revamped old classics also started to emerge during this period, allowing newer generations to connect with older melodies in a modern way.
The Rise of Modern Marathi Music
The 2000s saw a revolutionary change in Marathi music, with artists embracing a more diverse range of styles. This era witnessed the rise of dynamic composers like Ajay-Atul, who brought cinematic grandeur to Marathi songs. Their powerful orchestration and fusion of classical with contemporary beats made their compositions widely popular beyond regional boundaries. Songs from films like Sairat (2016) became nationwide hits, proving that Marathi music could resonate with audiences across India.
Independent artists also began making their mark, releasing non-film albums that garnered a loyal following. Genres like Marathi rap, electronic fusion, and indie pop started gaining popularity, attracting younger audiences. The introduction of digital platforms like YouTube and Spotify played a crucial role in providing a global stage for Marathi music. Listeners could now access songs from various decades with just a click, leading to a renewed interest in both classic and modern compositions.
Cultural Significance of Marathi Music
One of the most remarkable aspects of Marathi music is its deep cultural significance. It plays a vital role in various festivals, traditions, and social gatherings. Songs dedicated to Ganesh Chaturthi, like "Ganaraya," create a celebratory atmosphere, while devotional compositions in praise of saints like Sant Tukaram and Sant Dnyaneshwar continue to be widely sung across Maharashtra.
Folk traditions such as lavani—a high-energy dance and musical performance—remain an essential part of the state's cultural identity. With its rhythmic beats and expressive lyrics, lavani songs have been a favorite among audiences for centuries. Even today, filmmakers incorporate lavani into modern Marathi movies, keeping the tradition alive while giving it a contemporary appeal.
Similarly, bhakti geet (devotional music) remains an integral part of spiritual life in Maharashtra. Many temples and religious gatherings feature live performances of these sacred songs, preserving the connection between music and faith. Whether it’s abhangas (devotional poems) or kirtans (musical storytelling sessions), Marathi music continues to be a means of spiritual expression.
The impact of Marathi music extends beyond entertainment; it has also played a role in social movements and cultural identity. Many songs focus on themes of patriotism, social reform, and empowerment, inspiring listeners to embrace change. Tracks like "Jai Jai Maharashtra Maza" evoke a sense of pride among Maharashtrians, reinforcing their strong cultural ties.
The Future of Marathi Music
As the industry continues to evolve, Marathi music is expected to reach even greater heights. The rise of streaming platforms, independent artists, and cross-cultural collaborations is allowing Marathi music to break regional barriers. More artists are experimenting with different sounds, blending Marathi lyrics with international beats, and reaching global audiences.
Additionally, the increasing recognition of Marathi films on national and international platforms is providing a bigger stage for Marathi music. The success of films like Sairat and Natsamrat has proven that regional music can have a universal appeal. The trend of remixing old classics with modern production techniques is also likely to continue, keeping traditional Marathi music relevant for younger generations.
While new trends emerge, the soul of Marathi music remains intact. It continues to be a reflection of emotions, traditions, and stories that connect people across generations. The essence of famous Marathi songs lies in their ability to stir nostalgia, invoke joy, and create a deep bond with the listener.
Conclusion
Marathi music has undergone an incredible transformation, from its roots in folk and classical traditions to the energetic and experimental compositions of today. Each era has contributed something unique, ensuring that Marathi music remains as diverse and vibrant as the culture it represents. Whether through devotional hymns, soul-stirring film songs, or contemporary indie tracks, Marathi music continues to be a powerful force in the world of Indian music.
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For additional resources on music marketing and distribution, visit DMT Records Private Limited.
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[ad_1] MMTC-PAMP, India’s only London Bullion Market Association (LBMA) Good Delivery gold and silver refiner, is proud to commemorate the first anniversary of Ram Lalla Pran Pratishtha in Ayodhya with its exclusive Ram Lalla Gold and Silver Bars. This celebration pays homage to the divine spirit of Lord Ram and affirms the enduring legacy of faith, devotion, and righteousness. MMTC-PAMP's Ram Lalla Silver Bar (50g) and Ram Lalla Gold Bar (10g, 24K, 99.99%+ purity, featuring an embossed image of Ram Lalla) The specially crafted Ram Lalla Bars, made from the purest 24K gold (99.99%+ purity) and 99.99% silver, have been cherished symbols of devotion since their launch. The 10-gram gold bar and 50-gram silver bar both feature 3D embossed of the Ram Lalla idol, inspired by the divine sculpture installed at Shri Ram Janmabhoomi Mandir in Ayodhya, alongside a detailed depiction of the iconic Ram Mandir on the reverse. As part of the three-day grand celebrations in Ayodhya, MMTC-PAMP joins devotees in the spiritual and cultural activities that resonate with the essence of Lord Ram's teachings. The celebrations commenced on January 11, 2025, with the Abhishek of Ram Lalla by Uttar Pradesh Chief Minister Shri Yogi Adityanath, followed by a cultural program featuring Usha Mangeshkar and Mayuresh Pai. On January 12, 2025, Raga Seva included performances by Sonu Nigam, Shankar Mahadevan, and Malini Awasthi. The event concluded on January 13, 2025, with spiritual rituals and devotional activities. Speaking on the occasion, Mr Vikas Singh, Managing Director & CEO of MMTC-PAMP remarked, “As we celebrate the first anniversary of Ram Lalla Pran Pratishtha, we are honoured to offer devotees the Ram Lalla Gold and Silver Bars. Crafted with 99.99%+ purity, these bars are a testament to our commitment to excellence and our deep respect for Indian culture and traditions. They symbolize faith and devotion, serving as cherished keepsakes of this historic moment. Since the launch of our Ram Lalla collection, these bars have been a cherished treasure amongst our customers.” The Ram Lalla Gold Bar, a 10-gram 24K masterpiece with 99.99%+ purity, and the Ram Lalla Silver Bar, a 50-gram bar featuring a full-colour embossed image of Ram Lalla and an engraving of the Ram Mandir, exemplify MMTC-PAMP's Swiss craftsmanship and purity. Packaged with Assayer Certified Minted Cards for authenticity, these bars are available at MMTC-PAMP Purity Verification Centers, leading jeweller partners, and online at shop.mmtcpamp.com. MMTC-PAMP invites devotees and investors to join in the celebration and acquire these timeless symbols of faith, which honour the sanctity of the Ram Mandir and the spirit of Lord Ram. About MMTC-PAMP A joint venture between Switzerland-based bullion refinery, PAMP SA, and MMTC Ltd., a Miniratna and Government of India Undertaking. MMTC-PAMP is the only LBMA-accredited gold & silver good delivery refiner in India and is accepted across global commodity exchanges and central banks. The company seamlessly marries Swiss excellence with Indian insights. MMTC-PAMP India Pvt. Ltd. is internationally recognized as an industry leader in bringing global standards of excellence to the Indian precious metals industry. MMTC-PAMP has received several awards since its inception from local and global industry bodies for Refining, Brand and Sustainability. Notably, MMTC-PAMP is India's First Precious Metals Company to have Science-based Emissions Reduction Targets Approved by SBTI. Recognized by the Asia and India Book of Records, MMTC-PAMP is acclaimed as the country’s only brand providing the purest gold and silver coins and bars with 999.9+ purity levels and positive weight tolerance to consumers. Adding to its laurels, MMTC-PAMP was honoured as India’s Most Trusted Brand of the Nation at The Brand Story- Indian Brand and Leadership Conclave & Awards, 2024. !function(f,b,e,v,n,t,s)
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[ad_1] MMTC-PAMP, India’s only London Bullion Market Association (LBMA) Good Delivery gold and silver refiner, is proud to commemorate the first anniversary of Ram Lalla Pran Pratishtha in Ayodhya with its exclusive Ram Lalla Gold and Silver Bars. This celebration pays homage to the divine spirit of Lord Ram and affirms the enduring legacy of faith, devotion, and righteousness. MMTC-PAMP's Ram Lalla Silver Bar (50g) and Ram Lalla Gold Bar (10g, 24K, 99.99%+ purity, featuring an embossed image of Ram Lalla) The specially crafted Ram Lalla Bars, made from the purest 24K gold (99.99%+ purity) and 99.99% silver, have been cherished symbols of devotion since their launch. The 10-gram gold bar and 50-gram silver bar both feature 3D embossed of the Ram Lalla idol, inspired by the divine sculpture installed at Shri Ram Janmabhoomi Mandir in Ayodhya, alongside a detailed depiction of the iconic Ram Mandir on the reverse. As part of the three-day grand celebrations in Ayodhya, MMTC-PAMP joins devotees in the spiritual and cultural activities that resonate with the essence of Lord Ram's teachings. The celebrations commenced on January 11, 2025, with the Abhishek of Ram Lalla by Uttar Pradesh Chief Minister Shri Yogi Adityanath, followed by a cultural program featuring Usha Mangeshkar and Mayuresh Pai. On January 12, 2025, Raga Seva included performances by Sonu Nigam, Shankar Mahadevan, and Malini Awasthi. The event concluded on January 13, 2025, with spiritual rituals and devotional activities. Speaking on the occasion, Mr Vikas Singh, Managing Director & CEO of MMTC-PAMP remarked, “As we celebrate the first anniversary of Ram Lalla Pran Pratishtha, we are honoured to offer devotees the Ram Lalla Gold and Silver Bars. Crafted with 99.99%+ purity, these bars are a testament to our commitment to excellence and our deep respect for Indian culture and traditions. They symbolize faith and devotion, serving as cherished keepsakes of this historic moment. Since the launch of our Ram Lalla collection, these bars have been a cherished treasure amongst our customers.” The Ram Lalla Gold Bar, a 10-gram 24K masterpiece with 99.99%+ purity, and the Ram Lalla Silver Bar, a 50-gram bar featuring a full-colour embossed image of Ram Lalla and an engraving of the Ram Mandir, exemplify MMTC-PAMP's Swiss craftsmanship and purity. Packaged with Assayer Certified Minted Cards for authenticity, these bars are available at MMTC-PAMP Purity Verification Centers, leading jeweller partners, and online at shop.mmtcpamp.com. MMTC-PAMP invites devotees and investors to join in the celebration and acquire these timeless symbols of faith, which honour the sanctity of the Ram Mandir and the spirit of Lord Ram. About MMTC-PAMP A joint venture between Switzerland-based bullion refinery, PAMP SA, and MMTC Ltd., a Miniratna and Government of India Undertaking. MMTC-PAMP is the only LBMA-accredited gold & silver good delivery refiner in India and is accepted across global commodity exchanges and central banks. The company seamlessly marries Swiss excellence with Indian insights. MMTC-PAMP India Pvt. Ltd. is internationally recognized as an industry leader in bringing global standards of excellence to the Indian precious metals industry. MMTC-PAMP has received several awards since its inception from local and global industry bodies for Refining, Brand and Sustainability. Notably, MMTC-PAMP is India's First Precious Metals Company to have Science-based Emissions Reduction Targets Approved by SBTI. Recognized by the Asia and India Book of Records, MMTC-PAMP is acclaimed as the country’s only brand providing the purest gold and silver coins and bars with 999.9+ purity levels and positive weight tolerance to consumers. Adding to its laurels, MMTC-PAMP was honoured as India’s Most Trusted Brand of the Nation at The Brand Story- Indian Brand and Leadership Conclave & Awards, 2024. !function(f,b,e,v,n,t,s)
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Asha Bhosle Unveils 'VOICE OF THE NATION,' a Book About Lata Mangeshkar's Life
In a grand event at her Mumbai residence, the renowned singer Asha Bhosle launched the book "Voice of the Nation," which narrates the life of Lata Mangeshkar. The book is an English translation of the Assamese book "Asomi Ailoi Pranam," authored by Devajit Bhuyan. Having been an instant hit with several editions, senior journalist Achyut Kumar Patowary translated the book into English, and its publication was made possible with the assistance of Dhiraj Goswami from Assam Book Hive, a leading publishing house in Guwahati. Assam Book Hive had also published the original Assamese version.
Asha Bhosle, accompanied by Lata Mangeshkar's sister Usha Mangeshkar, spoke highly of the book, commending its special effort in portraying the story of the "tune empress." Asha Bhosle fondly recalled the strong connection between Dr. Bhupen Hazarika and Lata Mangeshkar, expressing her desire to visit Assam and applauding the book for maintaining the connection between Mangeshkar's family and Assam.
Discussing Lata Mangeshkar's impact on Indian music, Asha Bhosle called her "incomparable." She expressed concern about current music trends and appreciated the book for preserving Lata Didi's timeless songs.
Despite being 90 years old, Asha Bhosle remains active in her work, crediting the lessons she learned from Lata Didi. She aims to stay relevant and move with the times, valuing the wisdom from her older sister. Usha Mangeshkar, present at Lata Mangeshkar's home in Prabhukunj, described the book as a witness to history, filled with many untold stories and pictures from Lata Didi's life. She found it fascinating and wished her sister could see the book. Usha Mangeshkar recognized Lata Mangeshkar's unique contribution to the Indian music industry, highlighting the lasting impact her sister has had.
Bollywood celebrities Suresh Wadekar and Rupkumar Rathore also praised "VOICE OF THE NATION," emphasizing the importance of such books in introducing Lata Mangeshkar's life and talents to younger generations. They expressed gratitude to the author, Devajit Bhuyan, for his exceptional work.
The English version of "VOICE OF THE NATION" is published by Assam Book Hive and will be available at the upcoming Guwahati Book Fair. This marks a significant moment in sharing Lata Mangeshkar's legacy with a wider audience.
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Usha Mangeshkar is Celebrating Her 88th Birthday Today: Wishes From Bandya Mama
Take a sneak peek into her career.
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Usha Mangeshkar is Celebrating Her 88th Birthday Today: Wishes From Pradip Madgaonkar
Take a sneak peek into her career.
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"The Unfillable Void Left by Lata Didi's Demise: Hear Usha Mangeshkar's Heart-Wrenching Testimony"
Renowned singer Usha Mangeshkar, sister to the legendary Lata Mangeshkar, recently made an appearance on the popular television show, Sa Re Ga Ma Pa Li’l Champs. During her appearance, she spoke about the profound impact that her sister’s legacy has had on their lives and the music industry as a whole. Usha Mangeshkar acknowledged the immense influence of both her father and sister, Lata…
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Breaking the glass ceiling: Female music directors have had a tough journey in a male dominated industry - #BigStory - Times of India
In the domain of Indian film music, the biggest names are often men. There’s a big caveat in that argument because Lata Mangeshkar stands head and shoulders above the rest, but the debate holds true when one focuses on the music directors of the film industry. When you recall the most popular or most celebrated composers we tend to instantly quote names like RB Burman, Shankar Jaikishen, SD…
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"The Unfillable Void Left by Lata Didi's Demise: Hear Usha Mangeshkar's Heart-Wrenching Testimony"
Renowned singer Usha Mangeshkar, sister to the legendary Lata Mangeshkar, recently made an appearance on the popular television show, Sa Re Ga Ma Pa Li’l Champs. During her appearance, she spoke about the profound impact that her sister’s legacy has had on their lives and the music industry as a whole. Usha Mangeshkar acknowledged the immense influence of both her father and sister, Lata…
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"Unforgettable Melodies Unleashed: Sudesh Bhosle and Usha Mangeshkar Join Forces for a Mesmerizing Rendition of 'Malyachya Malyamandi Kon Ga Ubhi' - See the Breathtaking Performance Here!"
Renowned playback singers Sudesh Bhosle and Usha Mangeshkar delivered a mesmerizing duet performance of the Marathi classic “Malyachya Malyamadhye Kon G Ubhi” on the stage of Sa Re Ga Ma Pa Li’l Champs. The performance was a musical extravaganza that left the audience spellbound, evoking nostalgic memories and showcasing the deep-rooted connection to Indian music. Sudesh Bhosle, known for his…
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Goro Ki Na Kalon Ki Cover Version | Shayree Sarkar Song | Disco Dancer Song Full Song Link: https://www.youtube.com/watch?v=Nysz6PjKBbY
🎶 Presenting Shayree Sarkar's mesmerizing cover of the classic Bollywood song "Goron Ki Na Kalon Ki" (गोरो की न कालो की) from the iconic movie "Disco Dancer." Shayree Sarkar lends her soulful voice to this timeless track, taking us on a nostalgic journey back to the disco era.
��� Singer & Featured Artist: Shayree Sarkar 🎵 Re-arrangement and Programming: Sagar Dasgupta 🎧 Sound Engineer: Tarun Das 🎚️ Recorded, Mixed & Mastered at Studio Violina 📽️ Camera & Edit: Mrinmoy Chowdhury (Fashion Photography) 👨👩👧👦 Best Acknowledgments: Father: Dipayan Sarkar Partha Mother: Sarmistha Sarkar 💼 Digital Advisor: Sanjay Sen 🎶 Label: Shayree Sarkar Official
🌟 Original Credits: 🎵 Song Name: Goron Ki Na Kalon Ki 🎤 Singer: Usha Mangeshkar, Suresh Wadkar 📝 Lyrics: Anjaan 🎶 Composer: Bappi Lahiri 🎬 Movie Name: Disco Dancer 📀 Label: Saregama India Ltd.
️⃣ Hashtag:
shayreesarkarsongs #bollywoodcover #goronkinakalonkisong #shayreesarkar #discodancersong #bollywoodmusic #singershayreesarkar #coversong #hindisong #bollywoodsong
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Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.
Shankar Jaikishan and Vrajendra Gaur, a Very Good Association
The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.
Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.
Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.
Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.
Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.
Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.
Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.
Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.
Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.
Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.
Photo courtesy: Suneel Gaur
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