#Unsigned Music Awards

[tumbloggingattheendofitall]

Hi I might be a lil crazy but I think that #JoshRamsay #MattWebb #IanCasselman and #MikeAyley of @mtrench deserve a fckn Grammy for Haven. Like, the song, the album, the amalgamation the tour has become. Something.

I don't like to prop shit up but listen, #Haven is 13-track Journey - which btw most of the MTrench albums have been similarly concept albums. Anyways. This album is a journey to unravel the concept of the Hero's Journey through the lens of a book that Josh read, paired with the experiences of marital and domestic bliss, potential tension and upheaval in that process, and the added tension and fulfillment of parenthood - gaining that experience and simultaneously dealing with the loss of your own parents. It's an album steeped, deeply, in the 20-odd years of songwriting and composing and producing that Josh Ramsay has done in his career -sweeping riffs and strategic synths - mixed together with harmonies that shake the bones and soul of anyone that's listening. If you listen to only the singles, I can understand missing the awards-slash-Grammy potential here but I've listened to the album like a hundred times now and there cannot be a single way that I've somehow spent 52-odd minutes each time in it. And yet, I have. I have spent really, I'd guess, 24 36 hours at least listening to just the album in its entirety in the last 6 weeks. That excludes the singles which are similarly revelatory thus far - and as if their Nights Like These wasn't already anthemic, I anticipate a single/music video release the likes of which is rare in it's ability to unify disparate groups.

This group deserves a Grammy. This songwriter/composer/producer deserves a Grammy. Maybe I'm wrong that this album deserves it, but it's their 6th consecutive album and they've been doing this nearly as long as some of the younger entries to the RNR Hall of Fame and I suspect that the reason they've never received a Grammy has so much more to do with their being a Canadian band that has spent most of their career unsigned in the US, instead of having any reflection on the merit or integrity of their work. The only Signed album they ever delivered was incidentally their highest selling - it had crossover success in American Charts and market that catapulted their international success and has led to the continued ability for global tours by the band, but I do fully believe, having followed them for easily half my life at this point, that even if they'd never signed with a US label, they'd have reached the creative output and zenith that Haven represents. This album is, I would argue, the easiest listening experience I've ever had by this band. I would never categorize it as easy-listening, of course, because it is fundamentally Rock, with a generous dose of Pop, I think (genres are difficult to diagnose) But while they aren't easy-listening by any stretch (the harmonies alone can be soul shattering ok) this album was not Challenging the same way that, for example, Astoria or Fix Me or Phantoms may have been. Each of those has similar concept elements that they played with (Fix Me was possibly the least Concept of the albums available but the overarching narrative can still be felt and is still often inaccessible) which challenge a listener to earnestly interrogate and question the central narrative and even go so far as to consider the narrator. Masterpiece Theatre and Ever After pretty much directly challenge the listener to engage with the entire narrative the album presents and to question the narrator the whole way, to Really sit with that perspective. And even with those wider analyses available, you still wind up with the occasional Nice Single like Fallout or All To Myself which personify specific aspects of the story and/or narrator's perspective in a way that is insanely accessible to any individual who's had the Why Me moment, in the personal, romantic, or sexual sphere.

Not that it's Grammy worthy, but why you should listen to Marianas Trench is because they are also a band that has continuously and unapologetically uplifted their fans and the central people they want to reach, and that have uplifted the value of the diverse people that connect with their music - lots of people from a wide variety of backgrounds can connect with the individual story of a single, and there are lots of those to choose from (may I suggest One Love, Don't Miss Me?, Shake Tramp, or Celebrity Status for your perusal) but they are also always encouraging of the different access points of those narratives. For every person that connects with Fallout or All To Myself or Wildfire, for the yearning or whatever else, there's the people that find them over Sing Sing or Burning Up or Say Anything. And all of these songs have an individual chord within the wider narrative grasp of the story that the album is trying to tell. You spend the album seeing the narrative you're going through played out (in an often cinematic way) - love and loss, joy and ache, all materially spliced into an incredibly uplifting native that tells you as an individual listener that you are seen, heard, understood - no wonder, then, that their audience is so diverse except for the singular commonality of this one band from I think Vancouver?

And so Haven is indeed uniquely deserving because it is not only the Synthesis of these different methods of storytelling and struggle as music, it's also unique in that accessibility - it is arguably their most global narrative ever. I genuinely believe that anybody, anywhere, can relate deeply to at least one song from the album, but by far, for me, there is something that strikes a deep chord in the unity of the central phrase that the Song Haven employs - If We Fall, We All Fall Together. The entire album culminates in another call to action, arguably because there is recognition that once one Hero's Journey ends, another begins. As the narrative of the album falls away, there's a central call to action in the form of CONNECT, STAY, BE PRESENT, BE HERE. It feels incredibly powerful as a bookend to the album itself, and even more powerful when informed by the history of their back catalog.

So said, I suspect that Haven't Had Enough or Stutter or Desperate Measures are much more likely to receive accolades before Haven as an album does, but if I can ever compel anything, I would compel the public who can influence these things, and honestly just anyone who wants a new band to listen to that's maybe just a little different than your usual, to give Haven an honest try as an album and discover which phase of the Hero's Journey in it that appeals deeply to you in this moment. (I'm on Nights Like These and A Normal Life, depending on the context, personally)

It's simultaneously an album Of The Moment, and a timeless tale of cycles and the breaking of them, for better or worse. It's deeply heartfelt, and easily classed as the best album this band has ever released - a hard sell to fellow fans, but I've still received mostly positive counts on this opinion - because Haven culminates over two decades of work and life and experience, both personal and professional, into an artistic endeavor that was ambitious to create but feels only as ambitious as 52-odd minutes of music can be to engage with. And I do genuinely encourage everybody and anybody to just throw it on and let it play. Maybe it's the lyrics that get you, maybe it's the harmonies, maybe it's just the sound or the melodies or the overall vibe. But I can't find a better way to suggest that More People Need To Hear this silly, ambitious installment in the MTrench canon because it is genuinely a portrait of a moment in time and that portrait will look intensely personal to each person that listens.

For example I'm often dumb, very queer, mentally unwell, and etc ad nauseum. I simply think that maybe possibly, this album gets at something closer to Universal than many albums at the time. Also how cool would it be for a Whole Album to be up for various awards in this time frame that's been so dominated by the TikTok and Instagram Short version of musical virality

I don't think anyone I've talked to about it agreed on the best song, but they've all agreed with me that it's something really powerful that's masquerading as an innocuous pop/rock anthem

The accessibility is in the generality, but there are very real and felt inspirations that are expertly threaded here in a way that makes me genuinely lost at how best to explain or offer it to others

In that vein, I will help by posting a song that feels like ripping my heart out and seeing it here in full view even though all I've ever done, at most, was listen to it live and cry a little (a lot.) This is honestly one of the most generic singles they've ever released, but it touched something very deep and central for me in a way that I find impossible to describe without also just spilling my whole life story as fodder for anyone that sees this.

[uglypastels]

Corroded Coffin, Cryptic (1991)

After the release of their record-breaking debut album, Corrosion, expectations of Corroded Coffin's next record were high, to say the least. It is, after all, not often that we get to see a new artist climb its way up the ladder of success as smoothly as we saw it happen in '88. The band's debut dominated not just the Rock charts, positioning the rookies comfortably among the greats of Guns 'n Roses, former Beatles and even Michael Jackson. All this accumulated into one of the best-selling albums of the year and ended award season with three Grammy nominations the next year. On top of that, their Corrosive Damage Tour grossed over 20 million dollars, nearly selling out every date on the roster.

Thus, when the band released their single "Unnamed," immediately hitting the top 10 on nearly every chart, everything seemed to be heading in the same direction for the band's sophomore project Cryptic.

Unfortunately, that does not seem to be the case.

It is natural for artists to want to out-do themselves, fearing to be seen as a one-trick pony, but in the case of Corroded Coffin, that came to be a self-fulfilling prophecy. The musicians' need to proof their skills and range, resulted in a incoherent collection of songs that veer too far off from what their fans had grown to love in the first place.

When asked about what they thought of the album, one fan said: "I don't know what I just listened to, but [Corroded] Coffin it ain't."

"They better get their shit together, because I'm not paying money to see this crap live," another listener exclaimed.

Experimentation is always encouraged in the music industry, as is re-invention, but there is a time and place for it, and for a band that has only released one prior record, that time was not now. All choices made in the production, from the voice filters to a new peculiar guitar style, seem to have come from a clear place of insecurity, in particular in the band's frontman, Eddie Munson.

That is now surprise however, as prior to the release of Cryptic, Munson had already been quoted to voice his concerns on several occasions. When on air with Jackie deLange from HRM.FM last December, the singer/guitarist talked of the fears that come with a hit release such as Corrosion:

"The second Corrosion started rising the charts, the only question on everyone's mind was What's next? And shit if I know. We never expected to get where we are now with this record. It was made in a toilet of a studio on a barely existent budget, if you can call it that. The odds were certainly not in our favour and I still don't know how we managed to pull this off. [...] It's deffinitely an immense amount of pressure for someone that barely graduated high school. I don't know if I can do anything as well as that, but I can for sure try."

The quote also begs to question, is the real problem behind the lack of further success the amount of recources available to them under the new label? Having signed on to Black Widow Records mid-tour, the band gained access to equiptment and people unimaginable to unsigned nobodies as they were while creating their breakout hits. Such a change must have been overwhelming, and while it can bring a new form of freedom to the process, it also clearly creates a much larger area for mistakes.

Either way, I hold out hope that it was nothing but a hiccup in the discography, and that the band will come to realise what makes their style theirs and grow with it, but for now the album will remain a reminder for us all that you must learn to walk before you can run.

- The Corroded Coffin Archive (Source: Metal Edge)

[digihindnews]

Biggie Small Net Worth 2023: How Much Money Did The Notorious B.I.G. Have?

Born in the heart of Brooklyn, Christopher Wallace, better known as Biggie Smalls, rose to fame as one of the most iconic rappers of the 90s. With a voice that commanded attention and lyrics that told tales of the struggles and triumphs of life, Biggie's impact on the music industry was undeniable. Even after his untimely death, his legacy lives on, and his music continues to inspire a new generation of fans.

How Much Money Did The Notorious B.I.G. Have?

At the time of his death, the Notorious B.I.G., an iconic American rapper, was worth $10 million. As of this writing, the circumstances surrounding his death from a drive-by shooting on March 9, 1997, at the age of 24 remain unknown.

Early Life Of Biggie Small

He was born Christopher George Latore Wallace on May 21, 1972, in Brooklyn, New York, and became known as The Notorious B.I.G. He was born to Voletta Wallace and Selwyn George Latore, two Jamaicans, and he was their only child. When he was just two years old, his father abandoned his family. As a child, Wallace lived in Clinton Hill, a neighborhood of Brooklyn not far from Bedford-Stuyvesant. In middle school, he excelled academically, earning a number of English-related awards.

Rap Career Biggie Small

After his release from prison, "Biggie Smalls" released "Microphone Murderer," a demo. The Source's Unsigned Hype editor featured Biggie after hearing the recording. The demo tape was also given to Uptown Records A&R and producer Sean "Puffy" Combs. After Combs signed Biggie, Heavy D & the Boyz featured him. Uptown fired Combs in 1993. He started Bad Boy Records soon. Wallace joined Combs' record label on launch day. Biggie's big break was appearing on Mary J. Blige's "Real Love" (remix). He garnered music industry notice as a guest performer. He remixed Craig Mack's "Flava in Ya Ear" with LL Cool J and Busta Rhymes in July 1994.

Biggie Small Net Worth 2023 Biggie released Ready to Die, his first solo album, on September 13, 1994. The Billboard Hot 100 ranked the song thirteenth. "Big Poppa" and "One More Chance" from the album reached #1. Over 1.1 million units were sold in 1995. It went six times platinum. Busta Rhymes said Wallace gave away free copies of Ready to Die from his residence for self-promotion and grassroots marketing. You may also like: - Actress Annie Wersching Cause Of Death: Annie Wersching Played a Variety of Characters in Movies And Television Shows - Is Mayim Bialik Married? Height, Age, Net Worth And More Information About Mayin Bialik Biggie became pals with Tupac Shakur and Shaquille O'Neal on his debut album. Biggie and O'Neal created "You Can't Stop the Reign." A second album from Notorious B.I.G., recorded over 18 months starting in September 1995. He visited New York, Trinidad, and Los Angeles. He also worked on Michael Jackson's ninth album, HIStory. Biggie was jailed in March 1996 for chasing and threatening to murder two autograph seekers in a Manhattan nightclub. Community service was 100 hours. Biggie was arrested for drug and firearm possession later that year. Biggie's meteoric rise elevated East Coast rap despite West Coast rap's peak popularity. As expected, coasts clashed. After a falling out and diss recordings, Tupac and the Notorious B.I.G. sparked the East Coast vs. West Coast hip-hop battle. On September 7, 1996, six bullets killed Tupac in a drive-by shooting. He died six days later. Biggie's family dismissed the murder rumors. Death To promote his second studio album and film the music video for its lead single Hypnotize, Death Wallace jetted off to the Golden State in February 1997. Since he was concerned for his safety, he hired security guards. Biggie was shot and killed in a drive-by outside a Los Angeles museum on March 9, 1997, six months after Tupac had been killed in the same way. Earlier in the night, he had presented Toni Braxton with an award at the Soul Train Music Awards. At 12:45 a.m., as Biggie was leaving an afterparty, a black Chevy Impala pulled up next to his truck. When an unknown assailant opened fire on Wallace's vehicle, four bullets struck his vehicle. Biggie was rushed to Cedars-Sinai by his crew, but he was pronounced dead at 1:15 a.m., at the age of 24. The funeral was held on March 18 in Manhattan, and 350 people attended to pay their respects, including Queen Latifah, Busta Rhymes, Salt-N-Pepa, and many more. Both rappers were brutally murdered, and no one has ever been brought to justice. There are many differing theories and perspectives on what really happened to the two men. On March 25, 1997, just 16 days after Wallace's death, his second solo studio album was released. It was certified Diamond in 2000, making it one of the rare hip-hop albums to reach the top spot on the Billboard album charts. In the end, this album would earn 11 platinum certifications. The Notorious B.I.G.'s rapping style was known for its relaxed flow, the apparent autobiographical nature of its dark lyrics, and its ability to tell stories. Several albums and compilations have been released in his honor since his passing. Biggie's estate would make tens of millions of dollars in the decades after his death. Posthumous album releases, re-releases, licensing deals, and other factors have helped increase Biggie's estate to an estimated $160 million today. His mom, Voletta Wallace, is in charge of the estate. Along with Biggie's former manager Wayne Barrow, a merchandising manager, and several lawyers, Biggie's widow Faith Evans helps manage the estate. Read Next:> Raquel Leviss Net Worth: When Did Raquel Leviss Join ‘Vanderpump Rules’?

Personal Life Of Biggie Small

The couple had broken up by the time Wallace and his high school sweetheart Jan had their first child, T'yanna, on August 8, 1993. On August 4, 1994, Biggie married R&B singer Faith Evans. Reports say the couple got married just days after meeting at a Bad Boy photo shoot. On October 29, 1996, Evans gave birth to Biggie's son, Christopher C.J. Wallace Jr.  After rumors spread that Evans had an affair with Tupac Shakur, she became embroiled in the East Coast vs. West Coast rivalry. As of Wallace's passing, he and Evans had been living apart but were not divorced.

Quick Facts

Net Worth in 2023 $160 million Full Name Christopher George Latore Wallace Nick Name Biggie Smalls, The Notorious B.I.G Birth Place  Brooklyn, New York, United States Birthday 21 May 1972 Death Date 9 March 1997 Age 24 years old ( 21 May 1972 – 9 March 1997) Occupation Rapper, Songwriter Sun Sign Gemini Spouse Faith Evans (m. 1994–1997) Height 6 feet 2 inches

Biggie Smalls’ Youtube Channel

https://www.youtube.com/watch?v=_JZom_gVfuw&t=12s He created his channel on YouTube on March 12, 2006, and as of February 1, 2023, it had over 1,876,433,514 views and 3.3 million subscribers. Follow us on Twitter to check out our latest updates on our social media pages. Read the full article

[tamerajedwards]

Just finished my continuing education class and as part of the assignment we were asked to write about people who have believed in us throughout our lifetime. I chose my dear friend Brian Whitney. I believe next to my parents he has been my biggest fan in my life. Brian is super talented musically and is the founder of the Just Plain Folks music organization that is known world wide. He has held music awards in Los Angeles and Nashville to recognize unsigned singers and musicians from around the world. He is one of the most supportive people I know! I have always felt supported and encouraged by him. He encourages me to continue to write and sing and put myself out there. Thank you Brian for being that person that has lifted me up and supported my music dreams!!

[passportapproved]

MASI MASI

MASI MASI, the British alternative indie-pop project led by Joe McGrath, returns with their new single “Lesser Men.” Known for previous hits like “Favourite Gold” and “We Don’t Care,” the band’s latest release dives into the frustrations of young adulthood, capturing the monotony of life in a northern English town. Recorded in Los Angeles but rooted in the raw, melancholic reality of Bradford, England, the song reflects the feeling of being stuck in a repetitive cycle. MASI MASI has enjoyed global radio airplay and secured placements on prominent Spotify and Apple Music playlists, while McGrath, the band’s versatile frontman, assumes multiple roles as the lead singer, songwriter, and producer. MASI MASI was also the first ever unsigned artist to perform at the annual Seymour Stein – Global A&R Award event this year, where he received a standing ovation with no other than Grammy award-winning artist John Legend. In addition to his authentic and impactful musical talents, McGrath is involved in modeling and has collaborated with renowned brands, establishing a strong presence across diverse creative domains.

LINK: www.instagram.com/masimasimusic LISTEN: "Lesser Men"

[newmusicweekly]

Luke James Shaffer Takes first Place with song “Lisbon” in the IAMA

London based singer-songwriter Luke James Shaffer’s sound spans indie and folk-pop with a touch of soul. His music has garnered him comparisons to The Lumineers, Gregory Alan Isakov and Mumford & Sons. Luke picked up the guitar in his late teens and started writing songs within a few months. Drawn to the story and the sound. Never putting it back down and never stopping putting pen to paper. Luke has shared the stage with some notable artists including Danity Kane, Maroon 5, Ryan Montbleau, Christian Lopez, Beta Radio and Scott Helman to name a few. “Luke James Shaffer, Vol. 1″reached number 7 on the iTunes Singer/Songwriter charts. Luke has received numerous accolades for his songs in the International Songwriting Competition, Unsigned Only, The Wammies, The International Acoustic Music Awards, The International Songwriting Awards and recently The UK Songwriting Contest. Luke was able to team up with the Global Mental Health Movement on his song, “We’re All A Little Crazy” and participate in a university tour sharing the #SameHere movement. “Luke James Shaffer, Vol. 2” included the song “Moses”, written with Daniel Strauch, a song which is featured in the award winning documentary “Bastards’ Road”. Shaffer released “Luke James Shaffer, Vol. 3” in 2023, a 7 song ode to cities that have impacted him and his life in some way. Currently, Shaffer is working on a singles project to be released through out 2024. Starting with “Before You Came Along”. Read the full article

[spinstrackingsystem]

Luke James Shaffer Takes first Place with song “Lisbon” in the IAMA

London based singer-songwriter Luke James Shaffer’s sound spans indie and folk-pop with a touch of soul. His music has garnered him comparisons to The Lumineers, Gregory Alan Isakov and Mumford & Sons. Luke picked up the guitar in his late teens and started writing songs within a few months. Drawn to the story and the sound. Never putting it back down and never stopping putting pen to paper. Luke has shared the stage with some notable artists including Danity Kane, Maroon 5, Ryan Montbleau, Christian Lopez, Beta Radio and Scott Helman to name a few. “Luke James Shaffer, Vol. 1″reached number 7 on the iTunes Singer/Songwriter charts. Luke has received numerous accolades for his songs in the International Songwriting Competition, Unsigned Only, The Wammies, The International Acoustic Music Awards, The International Songwriting Awards and recently The UK Songwriting Contest. Luke was able to team up with the Global Mental Health Movement on his song, “We’re All A Little Crazy” and participate in a university tour sharing the #SameHere movement. “Luke James Shaffer, Vol. 2” included the song “Moses”, written with Daniel Strauch, a song which is featured in the award winning documentary “Bastards’ Road”. Shaffer released “Luke James Shaffer, Vol. 3” in 2023, a 7 song ode to cities that have impacted him and his life in some way. Currently, Shaffer is working on a singles project to be released through out 2024. Starting with “Before You Came Along”. Read the full article

[newmusicradionetwork]

Luke James Shaffer “Lisbon”

London based singer-songwriter Luke James Shaffer’s sound spans indie and folk-pop with a touch of soul. His music has garnered him comparisons to The Lumineers, Gregory Alan Isakov and Mumford & Sons. Luke picked up the guitar in his late teens and started writing songs within a few months. Drawn to the story and the sound. Never putting it back down and never stopping putting pen to paper. Luke has shared the stage with some notable artists including Danity Kane, Maroon 5, Ryan Montbleau, Christian Lopez, Beta Radio and Scott Helman to name a few. “Luke James Shaffer, Vol. 1″reached number 7 on the iTunes Singer/Songwriter charts. Luke has received numerous accolades for his songs in the International Songwriting Competition, Unsigned Only, The Wammies, The International Acoustic Music Awards, The International Songwriting Awards and recently The UK Songwriting Contest. Luke was able to team up with the Global Mental Health Movement on his song, “We’re All A Little Crazy” and participate in a university tour sharing the #SameHere movement. “Luke James Shaffer, Vol. 2” included the song “Moses”, written with Daniel Strauch, a song which is featured in the award winning documentary “Bastards’ Road”. Shaffer released “Luke James Shaffer, Vol. 3” in 2023, a 7 song ode to cities that have impacted him and his life in some way. Currently, Shaffer is working on a singles project to be released through out 2024. Starting with “Before You Came Along”. Additional Artist/Song Information: Artist Name: Luke James Shaffer Song Title: Lisbon Publishing: Luke James Shaffer Publishing Affiliation: BMI Album Title: Luke James Shaffer, Volume 3 Record Label: Lamplighter Studios Read the full article

[airplayaccess]

Luke James Shaffer Takes first Place with song "Lisbon" in the IAMA

London based singer-songwriter Luke James Shaffer's sound spans indie and folk-pop with a touch of soul. His music has garnered him comparisons to The Lumineers, Gregory Alan Isakov and Mumford & Sons. Luke picked up the guitar in his late teens and started writing songs within a few months. Drawn to the story and the sound. Never putting it back down and never stopping putting pen to paper. Luke has shared the stage with some notable artists including Danity Kane, Maroon 5, Ryan Montbleau, Christian Lopez, Beta Radio and Scott Helman to name a few. "Luke James Shaffer, Vol. 1"reached number 7 on the iTunes Singer/Songwriter charts. Luke has received numerous accolades for his songs in the International Songwriting Competition, Unsigned Only, The Wammies, The International Acoustic Music Awards, The International Songwriting Awards and recently The UK Songwriting Contest. Luke was able to team up with the Global Mental Health Movement on his song, "We're All A Little Crazy" and participate in a university tour sharing the #SameHere movement. "Luke James Shaffer, Vol. 2" included the song "Moses", written with Daniel Strauch, a song which is featured in the award winning documentary "Bastards' Road". Shaffer released "Luke James Shaffer, Vol. 3" in 2023, a 7 song ode to cities that have impacted him and his life in some way. Currently, Shaffer is working on a singles project to be released through out 2024. Starting with "Before You Came Along". Read the full article

[elizaneals]

Music Connection Magazine – modern blues Eliza Neals in August 2023

Thanks to MUSIC CONNECTION Magazine for mentioning modern blues artist ELIZA NEALS is month in the August 2023 issue with real ink. I appear on page 63 or so if the actual print magazine. Previously I have appeared as a featured LIVE REVIEW , a TESTIMONIAL for them and HOT 100 Unsigned Acts.

Thank you Doug my PR guy for landing Eliza in Music Connection!

INDEPENDENT BLUES AWARDS

Nominated in 3 Categories!

[coremagazines]

Core Magazines Sponsors Music Awards

Core Magazines supports Music in Motion Canada in their efforts to help aspiring musicians/singer-songwriters, composers and independent, unsigned artists who are looking to take the next step in their careers, make connections, showcase their talent directly to award-winning music industry professionals and get valuable feedback. Core Magazines is media sponsor of MiMc Awards 2023. MiMc is giving musicians swag bags for signing up, plus a chance at $25,000 worth of prizes, including branding, marketing, and mentorship from award-winning music pros with decades of experience in the music industry in areas such as production, and promotion.

MiMc founder Barb Keck says that participants get a chance to win prizes that are designed to support and uplift indie musicians on their personal music journey. 

These are practical prizes that will help musicians in areas that could give them the boost they need to get ahead in a very competitive industry.

-- Cherryl, editor, Core Magazines

[dvlgator]

VENETOROCK FESTIVAL 2023

VENETOROCK FESTIVAL Edizione 2023 Venerdì 22 - Sabato 23 e Domenica 24 Settembre presso Radio City Music Hall (Padova)

VENETOROCK FESTIVAL

Il VenetoRock Festival giunge così alla terza edizione, è un evento che ha riscosso un notevole consenso ed è tra i più apprezzati nella regione. A causa della emergenza pandemica le edizioni 2020-2021 non sono state realizzate.

I gruppi e le band prevalentemente provenienti dal Veneto suonano musica originale di estrazione Hard and Heavy Rock, Alternative, Progressive, Elettronica, Beat e Blues.

LE ASSOCIAZIONI

"Promuovere le forme innovative di espressione artistica, valorizzando la creatività"

Bacchiglione Beat e Artisti No Limits sono Associazioni costituite legalmente senza fini di lucro, si prodigano con agilità e diffusione, dinamismo e competenza per lo sviluppo di progetti atti alla valorizzazione delle arti, dello sport e della comunicazione. Una rete di soggetti attivi, ognuno impegnato a garanzia del raggiungimento degli scopi comuni. Un punto di riferimento, una sinergia con una forte vocazione allo scambio e incontro, per sviluppare strumenti che diano visibilità e occasione di crescita.

PARTECIPANO: Altre realtà legate all'intrattenimento e alle forme artistiche che sono coinvolte in questa manifestazione, sono: l'etichetta discografica DeFox Records e tutte le sub-labels, Heart Of steel Records - Invincible Records - Eur Records - Bubble Blood Records - Brit Beat Records - Queen Records - Altar of The King.

i portali RockItaly.com - Strillostrano.eu - il canale video Mytuberock.

Le webzines musicali: Musica Follia.com - Virgin Musica.eu - Euro Musica.nlz.it - Veneto Rock.nlz.it - Andromeda Relix - Aua Records

IN COLLABORAZIONE con: Italy Eventi - Euromusica Tv - Best Musica Magazine - Playlistradio Network - Best Music Contest - Best Magazine - Best Star Magazine.

EVENTI CONNESSI: Durante il Festival si svolgerà la presentazione di alcune release discografiche e letterarie con la presenza degli autori ed artisti.

Su Youtube e Facebook previste le DIRETTE VIDEO con "Playlist Radio Network" e Rock Italy.

ROCKITALY AWARD: E’ un attestato di stima indetto ed assegnato dalla associazione ROCKITALY.COM e ARTISTI NO LIMITS e i suoi partners per valorizzare la musica Rock italiana da sviluppare e promuovere anche nel Web.

FAI CONOSCERE LA TUA BAND (Per le band emergenti e unsigned) Presso lo stand della DeFox Records, sarà possible prendere contatti, consegnare direttamente alle etichette discografiche un CD demo oppure una chiavetta, con l'opportunità di far ascoltare la propria musica ai talent scout e ottenere un deal.

ABBATTIAMO LE BARRIERE La prima fila sottopalco sarà accessibile alle persone diversamente abili in carrozzina che potranno avere al loro fianco un amico o un famigliare. Nelle vicinanze le uscite con il personale di sicurezza.

LOCATION: Radio City Music Hall via Palestro 62 - PADOVA https://goo.gl/maps/WjT9GYfYbQrkgVvU6

INGRESSO: Con consumazione telefonare 049-5221232

Roberto: 345-3498089

BAND che esibiranno a partire dall ore 21:00:

Venerdì 22 Settembre

AXE HERO - VI

SPITFIRE - VR

SERENA ROCK BAND - PD

Sabato 23 Settembre

CARILLON - VR

BLACK REFLEX - VI

500 HORSE POWER - VI

Domenica 24 Settembre

NFF - PD

O.N.O.B. - VR

METALMEISTER - PD/VI

Il Blog-Site: https://venetorockfestival.blogspot.com/

La pagina Facebook: https://www.facebook.com/venetorockfestival

La Pagina Instagram: https://www.instagram.com/venetorockfestival

Il canale Youtube: https://www.youtube.com/channel/UCXJN3jGGwetqE0_Y1_VmlTQ

[newleasemusic]

London Producer JUST RYDER Unveils Debut Single ‘Go’

London Producer @JustRyder_ Unveils Debut Single ‘Go’

With production credits for UK rap legend Lowkey, Tournier, rising UK R&B songstress BINA (The Fader, The Pit LDN), Awate (Noisey, BBC 1Xtra, The Line Of Best Fit) and Unsigned Music Award nominated songstress Davina Oriakhi, as well as previous support from the likes of Earmilk, GRM Daily, The Pit LDN, and SoulBounce, for his production work, London producer and musician JUST RYDER slips through…

[rawrampmag]

KATY HURT @KT_Hurt13 — to support Brooklyn Banjo Rappers #Gangstagrass @gangstagrass on UK tour #ukcountrymusic #ukamericanato support Brooklyn Banjo Rappers #Gangstagrass @gangstagrass on UK tour #ukcountrymusic #ukamericana

KATY HURT @KT_Hurt13 — to support Brooklyn Banjo Rappers #Gangstagrass @gangstagrass on UK tour #ukcountrymusic #ukamericanato support Brooklyn Banjo Rappers #Gangstagrass @gangstagrass on UK tour #ukcountrymusic #ukamericana

The esteemed and thoroughly “Revved Up” Long Island born country singer & songwriter KATY HURT has announced that she’ll be joining GANGSTAGRASS on their early 2019 UK tour [dates below]

KATY HURT has announced that she’ll be joining GANGSTAGRASS on their early 2019 UK tour…

The Emmy Award nominated GANGSTAGRASS combine Hip-Hop and Bluegrass [read more here] to create something that’s undeniably…

[fymonsta-x]

unsigned hype ϟ do not edit or crop logo. 

[passportapproved]

SAHARA BECK

Australian singer-songwriter Sahara Beck offers fans a glimpse of her highly-anticipated sophomore album, All Attention On Your Emotions, with the release of her single “Thinking Twice.” The soulful track provides insight into her personal journey, recorded in Brisbane with ARIA Award-winning producer Kon Kersting (Tones And I, Milky Chance, Spacey Jane). The song’s lyrics reveal Sahara’s vulnerability and introspection, showcasing her talent as a songwriter. Sahara’s achievements include being a finalist in the 2022 International Songwriting Competition and Nashville’s Unsigned Find Camp, as well as securing the third spot in the Vanda & Young Songwriting Competition in 2019. Furthermore, Sahara boasts multiple QLD Music Awards, along with the 2020 Carol Lloyd Award and the esteemed Grant McLennan Fellowship earlier this year. Her music has been featured in a number of placements, including a Haagen-Dazs commercial with Bradley Cooper, and the NBC series Girlfriends Guide To Divorce. With airplay on global stations, including BBC Radio Scotland, 2XM RTE Ireland, and triple J in her native Australia, as well as Passport Approved worldwide, Sahara’s music continues to resonate.

LINK: www.saharabeck.com.au LISTEN: "Thinking Twice"