#Under a cut just because this got long

[castlebyersafterdark]

There's a lot in fic as well that I think only works in fic. Certain phrases are fine on paper and get a pass but if I ever heard in real life I'd bust out laughing or cringe really hard.

now THIS interests me. cos i definitely read all written fiction as if it's happening in real life or visually happening in my brain including sound, setting, etc. unless its a book that feels very theatrical, then i'll imagine it all on a stage and sort of design the set and lighting etc too.

its why i started writing fic, cos lots of what i read didnt feel like the show and i wanted something that tricked me into thinking i was watching stranger things in my mind's eye lol. when i started writing i wasnt really inventing what they were saying, but just listening to the characters going about being people in my head and transcribing what they said and did. the characters feel real to me so picturing what they do in between seasons and episodes is so fun to imagine.

but yeah... with smutfic, i dont know, i think praise could be realistically written for me. i like what you said about combining physicala and emotional feelings. depends on the compliment maybe. sometimes you can tell someone is just praising you in bed so they can get the pleasure they want from the situation. so i'm always a bit distrustful of whether its honest praise or manipulative praise i guess. but one of the best compliments ever is "youve got the nicest touch i've ever felt" - how sexy is that????

(and maybe because we've heard so few direct compliments from mike to will in the show, i think im waiting to hear him compliment will in s5 and see how he frames it! i think he might just go all out, having realised what will means to him, and start being more accepting and overt, wanting to finally get things going with will because theyve waited long enough and now the world is literally ending lol)

Gathering this theme together! Now, in reverse order. To non-plussed: I think the thing with it being a praise kink specifically, instead of just reacting to praise and compliments and feedback in general - it's all about the context, the person delivering it, the situation. Personal and slightly graphic, but where are we: if I did a really good job at work on my assignments and my boss called me in to praise me and let me know I did a good job, I'm probably not gonna blush and get turned on (I mean, unless you're attracted and into your boss - but my boss is a 50 something year old woman sooo not my type haha). But If I'm in bed with my man and I'm doing something he likes and he starts giving me really detailed, complimentary feedback, talking sweet in particular reference to myself and/or what I'm doing to him - yeah, that'll do it for me. That's kind of what I want, what I'm into. Sure, there's an element of give and take, action and reaction, it's definitely in a sexual context - but that doesn't also mean it's insincere.

Continued:

Not all conversation exchanged during sexual/aroused situations is manipulative, even if the goal is to to elicit a reaction or get something. Can it be disingenuous or manipulative - sure, anything can be!! But, not in the instances I'm describing.

But to that point - I think the best demonstration of praise kink that I want to read/write/engage with, switching here specifically to fic writing rather than real life (which is even more nuanced and complicated, so I will more focus on fiction), is when it is more sincere. Certain tropes are typical to classic erotica and smut writing technique. I recognize the style but I personally avoid it and don't write that way. A lot of praise and feedback based dialog in fic sounds out of character because it's very stock phrase for generic sex cliche situations, watered down sometimes. Like the master, servant dynamic. Where one party is giving and serving and obeying commands, a goal might be receiving praise and compliments over how good a job they are doing, what a good boy, look how well you suck cock, look how well you take it, etc. - and this dialog doesn't always match the character. Takes me out of it dependingon situation. It's less praise kink and more dom/sub and I've made it known time and time again (not an invitation to reignite this in my inbox ssshhh sorry) that it's not my jam. So, that's where the insincere angle might come in? Tropes rather than molded to specific character?Often times it's just a line or a phrase that does it, not the entire dynamic, so the entire fic is fine, but I might be scrunching my face at a line of dialog that I think was going for really sexy and to me - not so much.

"You've got the nicest touch I've ever felt" - ooooh that's a good one! See, these are the types I think work really well. Specific rather than generic. Good boy/girl is the most generic. I also don't think it sounds like something a teenage boy would say, you're right. I write all ages Byler and I probably wouldn't write the good boy dynamic for any age, but that's also a taste thing. Not my writing dynamic. There's nothing wrong if someone writes it or likes it - as I've said, what's hot for me might not be for you, vice versa. I'm just giving the background to my mindset. Never want to alienate anyone!!

I think one of my recent drabbles could be traced back all the way to a praise kink kinda thing, or at least what spawned Will to react the way he did, where thinking about Mike admitting he "could kiss him forever" was the thing he fixated on and what ultimately took him over the edge. That's physically reacting to a compliment. I explore a decent amount of what could qualify as praise kink in my early relationship exploration "staying at the Wheeler's" fic (always comes back to this one, doesn't it? But so much that I'm interested in can fall under a new relationship and also it's a long chaptered fic so it's gonna cover a lot) because that deals a lot with body image and self esteem and that early on stage where you and your reciprocated crush are shy and bold and fluctuating between both, learning how sex works (in general and with each other) - so the praise and feedback is actually really important.

Imagine two insecure boys who are wrapped up in their own personal issues, getting together, so into each other, how sexual situations would go with them. The shy compliments and guiding instruction as they try stuff, learn how different activities go, what they each learn they like. I'll be sure to include a lot of sincere dirty talk and more sweet talk, through that one. Demonstrating how a natural dialogue might go in the bedroom and not sound like it's cliche erotica or a prno. Also - very true, re: hopeful thinking in the show. Compliments between the two! Will gave Mike so many veiled ones in the van speech, and Mike is capable of giving Will so much in return. They always have these dreamy heart to hearts with sweet words - take it to the next step. It would make so much sense. Also, want to see either of them flustered around the other. Please.

[front-facing-pokemon]

[tapestryundone]

constantly thinking abt the long quiet and the shifting mound and their relationship w humanity. because the two are very much not mortal and even in the what happens next ending its very ambiguous if they ever WILL be or Can be. but even still they have both felt what its like to be mortal

i feel like its vague if the entity the two used to be even percieved its own existence. the way the narrator talks about it makes it seem like the two only existed conceptually and as a result lacked a complete sense of identity, and didnt need to, and wouldnt want to. but in the same way a thought cannot be unthought, the narrator gave them a glimpse into what it felt like to be mortal and the two can never un-know it, even if it wasnt exactly the same

the long quiet in particular seems especially tied to humanity and in some aspects seems to want to BE human (which feels so potent given how decidedly Not human he is). the game tends to imply that every option you get is a thought he DOES have, and in the spaces between, the choices dont seem as influenced by a given voice, which highlights even more how much he feels conflicted on his own nature that he gets Multiple options to express discomfort with himself being a god

it just gets to me how one of the options during the fight is literally "appeal to your shared humanity". because even if the two are gods, their separation and reshaping has given them humanity that they can never un-feel. for how much the shifting mound grieves what she once was, she cannot will her humanity away. shes mourning what the two of them once was and is desperate to have it back at any cost, even though they can never be together how they once were.

even if the long quiet goes with her, theyre still apart and lack balance, because the two once just Were and werent two parts. they werent both halves, they werent two concepts, they were just one concept that happened to, by human eyes, consist of two halves. and the narrators insertion of humanity into the mix in order to separate them, separating them into concepts that humans understood, manually put into existence a struggle for equilibrium where that balance had simply Existed

but theyve already perceived what felt like reality and can never un-see it. they were separated and Need the other to feel whole and for reality to BE whole but the moment that either of them realized their own free will, the moment the two fully came to feel like people, they could never be together the same way once again

im struggling to come up with a metaphor that isnt silly but its like if you took a piece of fabric and cut it in two and made them both into shirts. youve added a piece of humanity into them and doing so cost its original form. to take them apart and try to put them back together would never get you the original, whole piece of fabric back, because theyve been completely changed by their own unique destruction and reconstruction

they were separated in a way that gave them humanity that they have such conflicting feelings on. both seem to have a deep love of humanity but vastly different ideas on what humanity needs to thrive, because its in their natures

in order to get one to kill the other the narrator let the long quiet interpret the both of them as mortal. and for a being of perception and an god thats being lied to, this became part of their limited view of the world, on top of all the other reasons that the two gained humanity. the long quiet couldnt be told what to do if he didnt have the ability to potentially act on the narrators desires, and the shifting mound could never die if the long quiet didnt believe her to be capable of death

the narrator gave the two humanity and the shifting mound is very reasonably distressed by this. because the two of them never asked for this but they cant undo it. it is her OWN subtle desire for things to be the same as they used to be, her own piece of that stagnation that also led to her experiencing humanity, that makes her so adamant during the fight. she misses the long quiet and wants to undo a change that cannot be undone in search of a constant state of being that was taken from her

and the long quiet felt so closely tied to mortality, both its existence and absence, that no matter what, he wants to aid humanity. but hes been lied to and denied autonomy to the point where he doesnt know what that entails. but he wants to be a part of it. he was given fake mortality and cant seem to figure out how he feels

the shifting mound is set in how she feels it best to aid in the existence of life. she is stagnant in her feelings because its all that feels right to her. the long quiet is ever-shifting in how he feels it best to aid in the existence of life. he is changing in his feelings because its all that feels right to him

getting to the heart of the shifting mound allows them a moment to discuss it as the closest they can get to mortals. the two care about their impact on life and what it means to be alive and what better way for the two of them to truly decide what they want to do about it, outside of the conflict thats been forced between them, than as the mortals they never were?

[sunnydayaoe]

hi i'm the anon that asked about npd mind and i am So Excited for the comic :D just wanted to say that

Sorry I lost motivation pretty intensely halfway though... I hope you still like this haha

Erm put a lot in tags if you want more... actual thoughts on mind instead of tiny bite sized 1-2 panels

[serpentface]

Cold sores are thought to be best addressed by lancing the sore to remove polluted blood, washing with vinegar, applying a paste of honey + tansy + horsefat. In frequently recurring cases, it's considered best practice to also shave the face to eliminate any lingering traces of infection. This is the most psychologically devastating thing that Brakul has ever experienced in his life.

[cait-sith]

Day 19: Glass

Background details hidden by the bottle under the cut.

[katyspersonal]

Fears that I've been repressing and not addressing, telling myself to stand tall and "not show weakness", started to slip into my nightmares.

I just want to crawl under my blanket and cry, cry, cry until I've cried myself to sleep... and wake up in a better parallel world, where my paranoia is not eating me alive, where I can feel trust and comfort.

[dravidious]

After beating Trauma Team I was kinda disappointed with Twisted Rosalia because like that's it? That's the final boss? I beat it first try, no problem! Come on, give me a final boss like savato!

I just got to Aletheia in Under the Knife 2 and uh. Wish granted. This thing kicked my ass

[bravevolunteer]

VERSE — MOVIE ( CONTAINS SPOILERS & CANON DIVERGENT, tw for canon-typical themes & suicide mention )

just to get straight to the point : it's mainly canon divergent in the sense that i will be altering details in order to make mike an afton. do i think this is going to happen in the movie timeline? no. do i think it's more likely that they're going to explain the oddly personal kidnapping through mirroring the emilys? probably. but it's MY michael afton blog and i can put on my tinfoil hat as much as i want about it. of course i am willing to adapt based on other's info / preferences but given that this isn't my main canon anyway it is meant for those that are interested.

Mike thought he knew everything there was to know about what happened to his family: what he was never told is who his real father was. He was too young to remember anything about William Afton before his mom separated herself from him entirely ( one night stand, breakup, what have you, i'm not picky- ), so he always thought of the father he grew up with as his dad, the reality never changed anything about that.

Until he was twelve years old and Garrett went missing, and everything fell apart. William followed the Schmidts there, taking Garrett in a targeted attack ( whether or not he was trying to grab Mike, took him out of spite, anything else is also flexible ). Everything grew solemn and tense, each of the Schmidts lost in their own individual grief. Slowly, they stopped having dinners together, stopped going out as a family, stopped being able to feel like things were normal. The grief and guilt only added to Mike's developing anger issues and depression. Although it wasn't on purpose nor with any malicious intent, his dad was the more distant of his parents at the time, serving as the first hint towards his biological parentage and simply because as much as he cared for mike, he was grappling with losing his biological kid ( think tse henry- well meaning but drowning in grief enough for the child to pick up on it ).

This is where Abby comes in, where the Schmidts have another kid in an attempt to feel like a normal family again. It almost seems to work, although there is still that underlying sense of collective grief. Mike was older by then, too ( while he graduates high school, he either doesn't go to college at all or doesn't finish it ).

Their mom dies and the brief sense of possible stability disappears again. It's when Mike is staying at home again for the funeral/to help with Abby that their father commits suicide, unable to take the grief. Mike has had custody of Abby since then.

The events proceed as they did in the movie, William's recognition of Mike in the office not only stemming from the kidnapping but the fact that it's his kid, although Mike doesn't find anything out beyond the fact that it's the man who took Garrett. There is potential for more hints towards this in past interactions with his aunt or birth records or even his dynamic with Vanessa, but for the most part this specific realization is left open.

Following the movie's events, he... does come home to his aunt in the living room. After reporting her death, Mike actually goes back to Freddy's one more time to get security footage in order to prove his innocence. Afterwards, he does his best to hold down another job to keep taking care of Abby in peace, but something about Freddy's gives him the sense that he'll come back to make sure nothing like this happens again.

[aubins]

she is rasping and literally crawling toward yuri with big wet eyes because the week has been very unkind to her and she's a little scraped up from getting caught in a wilderness trap but don't even worry about it. however! she reaches them and her fluffy head perks up.

"yuri! yuri, we weren't on the same island last week, and bernie didn't want to miss you just in case—" rustle, rustle. from her belongings, she fishes out a lilac-ribboned box. inside there is makeup, carefully curated and dorothea-certified of course, along with a flower accessory she'd made herself. its blossom is the color of their eyes, which she is doing her very best to meet now, thank you very much.

(in fact, she's trying so hard that it pinches her brow just slightly. eye contact will always be her worst enemy but god if she isn't pulling out all the stops to show her earnestness. they deserve that much and plenty more.)

"happy, uh, early birthday...!" the gift is ushered into their possession. then her arms flap at her sides, and she blurts: "please don't get eaten by alligators, okay?! wait, are there alligators on this island? w-well, don't get eaten by anything! please. um, yes." nod, nod. "i don't get this whole competition thing, but you're still bernie's dear friend. and bernie really, really wants to keep being friends by the time your next birthday comes, too."

a pause. then, lips curl into a silly, fond smile that bernadetta can't help but make. "a-and it doesn't have anything to do with this weird island, but, um... you make me happy. so i hope this makes you happy, too."

Yuri Leclerc does not celebrate their birthday.

Sometimes, there are exceptions. Like the treats and surprises of a certain red-haired girl or the odd greeting here and there from Abyssians who have known them for long enough to learn it. Yet no matter how routine these exceptions start to become, they will always be just that: exceptions. Because, for so long, the day they'd said was theirs never really was their birthday anyway. Because, a long time ago, the boy who was born on their actual birthday died on the streets of Adrestia.

“Bernadetta,” is their hummed greeting as their gaze flicks over her, pleased— well, always pleased, really, to see her, and even more so when she appears to be in relatively one piece— their usual smile curling at the corner of their lips. “That for me?” they ask, tone teasing as she fishes the box from her belongings. It's not even my birthday yet, is the follow up, already upon the tip of their tongue when—

“Happy, uh, early birthday...!”

And Yuri blinks, stunned for a moment, because no, they think, they will never quite get used to these exceptions. Even as Bernadetta shuffles the gift into their hands, babbling that they shouldn't get eaten by alligators, if there even are any— “No,” they think they hear themself say automatically, first instinct always to reassure, “I haven't seen any alligators. And I won't get eaten, so don't even worry about it.”— and that they're her dear friend— “...ah?” is the only sound they make in response to that one, a little quiet and a little confused, because there's no automatic answer to it, not one that they want to give to such a genuine effort anyway.

They glance at the box now in their hands for a beat, then pull it open gently, as if afraid it might break. “You didn't have to,” Yuri says, gaze immediately attracted to the collection of makeup within. They know, of course, what it costs, and suddenly mean it doubly so. “Must've cost you a pretty penny. You should've spent it on yourself.” And even if some people would say it just to be humble, humility has never been one of their features. They know what they do and do not deserve.

After all, Yuri is no stranger to gifts like these. Makeup and jewelry offered to them because only the finest of accessories should decorate the most beautiful dolls— and never for free, of course, because nothing in this world is ever for free, and they are quite used to trading both face and body.

They kept them all, no matter how they loathe them sometimes. They may be prideful, but they are not foolish. There is a trunk under the floorboards beneath their bed in Abyss filled with their hoard, bountiful enough to convince someone they are a magpie and not a mockingbird. Bountiful enough to remind them that, now, the Savage Mockingbird can take a noble's expensive gift and slit his throat while wearing it if they wanted, then toss it without a second thought to disappear within their collection.

But while Bernadetta is a noble, she is not like them. (But how do you know? asks a voice. Yuri silences it. They just do— they must believe that.) Not because of this island, she says next, and as much as Yuri can guess where her mind tends to spiral to, they wonder if she can do the same. Because they would have thought it next, yes, wondered about an objective handed to her in the interim that perhaps needed completing or some other game their hosts wanted to play. Even with the reassurance, they might have still wondered.

But maybe it is because it is Bernadetta, because she had known them before they were Yuri, and know all the secrets and vulnerabilities that come with that, because no matter how many times she says she has forgiven them, Yuri is used to bracing for betrayal, that the mockingbird pauses. Briefly, yet completely and utterly struck still mid-flight.

And then they believe her, even when the first instinct ingrained in them is not to.

“It...” they start, then pause. Correct themself. “You make me happy, Bernadetta. With or without the gift. But thanks for thinking about my birthday.” Because it's nice to be thought about, in the end. If it needs to be put simply for her, without the mess of their past, then it— and she— makes them happy. Bernadetta doesn't need to know the rest. Yuri grins, then plucks the flower accessory from the box to hold out to her. This one, they can think about without straining their smile. No shadow haunts it; this one is just Bernadetta. “Help me put it in my hair?”

Next birthday, we'll still be friends. But they do not say it aloud. This one is a promise all for themself. Yuri resolves not to break it.

[nexus-nebulae]

found my ancient mp3 player recently. finally found a charger for it and plugged it in. and remembered i found a yt playlist of the whole httyd movie chopped up into like 20 videos and i downloaded the mp3s of all of them to listen to on the school bus. which is why i can effortlessly quote the whole first movie now

[sluttyten]

After I eventually finish this Haechan fic (s2g I don’t know why it’s getting so long 😂) and after I finish the rest of unholy, I’m gonna force myself to keep to a word minimum and just write something short because I can’t keep doing these long fics 😭

[schoolhater]

answering a couple questions i got on this post since i realized ppl genuinely wanna know:

tl;dr:

israel lets very, very little aid get into gaza. even the UN can't get in as much as they want to. funding individual families, gazan led initiatives, and mutual aid collectives operating out of gaza ensures gazans can provide for themselves and pay for the extremely expensive aid that is available.

with all the civil infrastructure destroyed by israel, the situation on the ground has devolved into unrestricted capitalism, driving up the price of aid (that should be free!). this makes it more urgent for people to have funding for daily survival.

the post linked above has examples of how donating to individual families can help a lot. if you want to help more than one family at a time, there are many gazan-led initiatives focusing on rebuilding their infrastructure and distributing aid fairly that are worth donating to instead of large charities that already get the majority of donations.

as i mentioned in the last post: @/careforgaza on twitter is a nonprofit started by gazans, it's been endorsed by multiple palestinian journalists.

the sameer project is a collective organized by diaspora palestinians offering emergency shelter to gazans.

ele elna elak is a project aiming to bring water, food, shelter, etc. to gazans and has been promoted by bisan owda.

and the municipality of gaza itself is fundraising to rebuild water infrastructure.

all of these organizations are active inside gaza right now and are being run by gazans. if anyone knows of other gazan-led mutual aid projects, nonprofits or charities feel free to link them in the notes! hope this helped!

long answers under the cut!

if you wanna donate to a charity that's absolutely fine, but the thing is most charities (and even the UN!) are unable to make it into gaza in the first place, leaving aid rotting at the egyptian side of the border or subject to israeli settler attacks

not to mention, charities and nonprofits also maintain a paternalistic colonial relationship with the indigenous people they are trying to help, determining what aid they need for them instead of returning power to them and letting them make their own choices

i'm not here to say that one option is better than the other, just that they achieve different things and are equally legitimate. there's an attitude among people who question the legitimacy of these gofundme campaigns that somehow the people promoting them are telling them not to donate to charities. nobody is stopping you from donating to charities. we are just asking that you do not dehumanize the very real gazans in your inbox just because their method of asking for aid is more direct and risky.

unfortunately that's exactly what has happened. because israel destroyed all of gaza's more formalized infrastructure, it seems that organized crime and rampant inflation has taken its place. aid is supposed to be free, but in order to save for evacuation or the cost of living, people have started selling them at an inflated price. and aid that is truly free attracts intense, large crowds that are dangerous to navigate.

this was posted on abc a few days ago

it's pure, unrestrained capitalism. i've had multiple palestinians describe this situation to me confidence. that's why everything's so expensive now. why people have to rent out tiny plots of land for their tents to sit on, why my friend @siraj2024 still has to buy tarps to cover the broken windows of the overpriced bombed out apartment he rented, and why a bag of flour can cost a thousand bucks in the north.

even before israel closed and then bombed the rafah crossing, the egyptian hala travel agency was only allowing people to cross the border if they paid a hefty $5000 USD per adult / $2500 USD per child bribe. it denies doing this, but the hundreds of stories from palestinians say otherwise.

with regard to the economy, here in america we saw something similar happen in the wake of hurricane helene and milton. the podcaster margaret killjoy describes how she saw dual economies rise after asheville was fully cut off from the rest of the country - some people offered each other supplies for free in a sort of mutual aid honor system, and some people required payment when they lent supplies because they themselves needed to buy stuff for their families. these dual economies exist in gaza too. and this means they all still need money to survive.

[qverdia]

@sarcaasmic sent "🎁" for a shuffled song starter .

ㅤㅤ❛ oh lord , let me die first . ㅤㅤi can't be without her . ㅤㅤi hope i never live to see ㅤㅤher casket lined with lace . ㅤㅤshe deserves to thrive on this earth a little longer . ㅤㅤif you need another worker , ㅤㅤyou can take me in her place . ❜

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ❛ oh lord , let me die first . ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ oh lord , let me die first ! ❜

ㅤㅤㅤㅤ��ㅤㅤㅤㅤㅤ the horse accident ( in which a girl is all but killed ) , ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤgoodnight , texas

abilene hugged her aunt tightly , inés' thin arms wrapped so tightly around her body that it nearly hurt . she squeezed abilene until there was no air left in her lungs and then a bit tighter , but the younger woman didn't care . it wasn't like she could breathe anyway , not after the quarter quell announcement nearly four months ago . ever since that moment abilene had been drowning , coming up for air once or twice before some phantom hand wrapped around her ankle and dragged her back to the depths below .

❛ lo siento , lo siento . ❜ inés whispered into abilene's hair , squeezing and shushing and it was only then that abilene realized that she was shaking . her breath shook and a damp spot grew on her aunt's shirt where her tears had rolled from abilene's chin to the fabric . her uncle rested a large and calloused hand on abilene's shoulder , squeezing just enough to catch her attention . ❛ it will be okay . ❜

abilene wiped her eyes , the skin beneath them red , and nodded . she didn't believe it . it wouldn't be okay , there were only two of them . two female victors from ten . it was either abilene , or her ellie . how could she move on if it was ellie ? if she had to watch ellie get torn apart on screen by people who were friends to them ? she wouldn't . there would be no recovery for abilene , and even if she was to mentor . . . what could she sell herself for that would stop a knife from district one ?

they weren't little kids anymore . none of them were .

abilene squeezed her aunt's and uncle's hands , and they swore to take care of the animals during the games . . . or after . the silence that followed as they stared at one another carried that unspoken promise when one of the girl's did not return home , they would care for those animals too . thank you , she wanted to say , but when she opened her mouth no words came out and the tears threatened to start anew .

abilene's lower lip quivered before peacekeepers pushed them away . after the stunts pulled by twelve security was heightened all over all of the districts . it was probably smart , abilene thought , on snow's part . . . at least on the surface level . the people of ten were tired , anger had been simmering for generations , and arresting them or beating them seemed like a good idea she was sure . . . but hope had a strange way of fighting through the wounds , of clawing its way back from death with dirt under its nails . it only made ten angrier , but why would wolves concern themselves with sheep when it looked like they were all contained ?

she stepped onto the stage erected in the center of town and was pushed towards the sectioned off area to the right of the microphone . the one for the girls where two chairs sat . abilene flattened her skirts and draped them over her legs as she sat on the chair , small flowers embroidered along the bottom hem by her mother years ago . the minute they got to the capitol the styling team would rip it off of her , claiming it was far too plain for the songbird . . . but it brought her comfort to wear it . to have her mother with her .

when ellie got to the stage they didn't speak at first . abilene patted the chair next to her with a far off look in her eyes and when ellie sat she reached for the other girl's hand . abilene squeezed her hand a few times as though reminding both of them that it would be okay , that she would protect ellie . ellie , who had a home to return to .

everything else seemed to happen in a blur . abilene forced herself to focus on ellie's hand to keep the panic at bay for just another moment . she could break down on the train , but not here . not in front of ten and not in front of the capitol . cyrus whimsiwick was their district escort before the dark days the whimsiwick family had their thumb on district ten , and not it seemed in some sort of awful , perverted way they still did .

cyrus made his speech about the dark days and the quell , and then shot abilene and ellie a look as he approached the bowl containing two slips of paper . cryus never liked abilene , but then again she had killed his uncle . she didn't blame him for his hatred as he plucked a name from the bowl and approached the microphone again . abilene squeezed ellie's hand tightly , and that moment she had made her choice .

❛ and the district ten female tribute for the quarter quell is . . . ❜ cyrus trailed off and pushed some of his blue hair from his eyes . ❛ eleanor owens ❜ abilene released ellie's hand and stepped forward .

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ❛ i volunteer as tribute ! ❜

[kamitv]

Your best friend Sukuna is a complete slut.

Though you’d never say that aloud—albeit more than true. That's the only way to describe him because why else would he be in your bedroom, sitting on the edge of your bed, with his legs spread wide open, fingers wrapped around his thick cock, and groans of your name leaving his lips?

Because he’s a goddamn slut, that’s why. And normally when you interrupt his… sexual acts, you quietly apologize and rush off as quickly as possible.

Yet, here you were, being ordered by your best friend not to run away this time.

“I’m not gonna repeat myself,” Sukuna’s raspy and slightly husked voice drawls out to you, eyes boring into yours from across the room, “Bring your ass over here.”

Funny how he said he wasn’t going to repeat himself only to follow up with a literal repeat of his initial order-

“Now,” He hums, his voice sending a chill down your spine.

You stiffen up where you stand, trying your absolute best to keep your eyes anywhere and everywhere else except for the hand he had stroking his cock.

Gulping, “Sukuna-,” He shoots you a pointed glare and you start getting nervous. “You can’t just… j-jerk off in my room and expect me to… to help you.”

“Fuck,” He hisses, your eyes nearly falling on him again as the low noise makes you fidget, “Fine, then get out,” Sukuna tells you.

Your brows push together at the audacity of him, not that it really surprises you anymore, “But-“

“Out. I’ll be done soon,” He cuts off, sitting back and fisting his cock at a quicker pace, eyes drinking in every inch of your still figure.

You didn’t want to look at him. Nor did you want him jerking off in your bedroom. But, you also didn’t want to leave for some strange reason.

Hence why you just stand there and look around your room as if you don’t know the interior already. Sukuna can’t help but crack a smirk as you stand there, his breath growing heavy before he calls your name— watching the way you flinch at the sound.

“Kinda’ awkward if you just stand there, y’know,” He chuckles out to you, finding you oh so amusing.

You frown, “Kinda’ awkward if you just jerk off in my bedroom.”

“It wouldn’t be if you came over here,” He snaps back.

You hate how quick he always is with his responses, something you still haven’t gotten used to throughout all your years of friendship. Swallowing, you just barely glance at the man, “What?” You huff out.

Your eyes were on his and his were on yours. Tension was vexed into his gaze, desire pouring out of his maroon shaded eyes and making you so utterly nervous as you stood across the room from him.

All as he just sat there, shirtless, tattooed and chiseled chest very difficult not to gaze at, large thighs spread lewdly, and hard curved cock twitching within his grasp as precum oozed out his tip.

You couldn’t help the way your gaze dropped for a moment, catching sight of his cock and the way his plump tip glistened under your dim bedroom lighting. His hand movements got noticeable faster as you watched and you drew your thighs closer together.

Sukuna lets out a deep sigh, “Y’know,” The sound of his voice makes you flinch yet again and you lift your gaze as though you’d been caught doing something wrong, seeing the smirk on his face, “You can come get a closer look.”

You bat your lashes at him, “W-What?”

“Is that all you know how to say?” He chuckles, “Hah, just c’mere already,” He suddenly requests, voice softening ever so slightly. “I won’t bite.”

And that’s… roughly how you ended up on your knees in between his legs. With a mouthful of his cock, you don’t even remember what’d come over you after you listened to his request and came close to him.

One moment you started shyly teasing him about being a pervert who jerks off in your bedroom and the next you were curling your fingers around his shaft and making your way down to your knees. Sukuna had let out a long shaky sigh as he watched you settle in between his spread legs, his urge to tease you dying off as some other emotion swelled within his chest.

He’ll never admit it to you but, he was shy. How could he not be when your soft hand begins stroking his cock like he’s just some kinda toy for you to play with—what’d you expect him to do when you look up at him and lean forward to wrap your lips around his drooling cockhead? 

Unfortunately for him, his expression gave away everything and as soon as his dick began disappearing into the warm caverns of your mouth, he was a goner. A hand was now tightly gripped onto your scalp, his breathing unsteady as he watched you suck him off with that pretty ass mouth of yours.

He’ll never be able to forget the sight of drool spilling out from the corners of your mouth while you tried your best to take him all the way into your throat. And his mind just about blanks when you move your hands to his thighs, push them further apart, and then sink down completely—your lips meeting his base.

Now that was a sight to see. 

“F-Fuck,” Sukuna stammered, the sound alone leading you to choke a bit as a moan attempted to leave your throat. His darkened eyes were seconds away from rolling to the back of his skull with how sexy he found the sight of your lips bulging around his thick cock.

When you finally do pull your mouth off of him, he doesn’t even get a moment to breathe before your hands are wrapping around him. He goes from leaning back slightly to sitting up a bit straighter and moving his hands down to one of your wrists, his lips unknowingly quivering.

Then a pant escapes him and you’re bringing your eyes back up to look at him. “Slow, woman—fuck, go… hah, slow.” He says hoarsely.

Oh the desperation on his face was priceless. Why ever would you listen to him when using two hands to jerk him off is all it takes to receive a slightly pouted lip and furrowed brows from him. He probably doesn’t even realize the face he’s making at the moment, too grumpy trying to take control of the situation to feel his features faltering. 

You coo, “Aw, go slow? But, ‘Kuna, I thought this was what you wanted?” 

The nickname you just threw at him has to be evil in some way, shape, or form because the wild twitch it invokes is enough to have your hands tightening their grip around his thick cock. 

Sukuna grits his teeth and you can see a vein popping out in his forehead—he’s so annoyed with you now that the roles have reversed, it’s cute. “Fuck you,” He curses, as if that’ll help him avoid the embarrassment bubbling up within him right now.

“Oh, there he is,” You purr, removing one of your hands just to angle his cock back toward your lips and then tapping it against your skin gently. “S’kinda hard to be mean to me when I’m makin’ you feel so good, isn’t it?”

He swears you’ll be the death of him. He’s never experienced this side of you, nor was he aware it even existed. All he’s ever known you as was his shy roommate who’s so unintentionally attractive that it pains him to be around. Is this really the same woman who was stuttering moments ago when she walked in the room and caught him jerking off??

Sukuna huffs out an almost bratty breath of air, “Stop… talking.” Just as he’s never seen this side of you, you’ve never seen this side of him and fuck is it hot. He’s usually such a big intimidating man and yet here he is literally folding and gasping to your touch.

You completely strip your hands away from his cock and then open your mouth, staring right up into his eyes as you whisper, “Make me.”

All that embarrassment and temporary shyness is gone within the blink of an eye. Sukuna’s stumbling up slightly to his feet and grabbing a firm hold of the top of your head, letting out a gruff sigh while taking his dick into his hands and properly aligning himself with your mouth.

His chest is glistening in sweat and his head is pounding, he was all nervous seconds ago for what? Because of you? Oh please.

It only took those two words of yours for him to remember who the hell he is as he then thrusts his hips forward and quickly fucks himself into your mouth. “That’s more like it,” Sukuna grunts, giving your mouth some mean thrusts as he forces your head to move and meet each one of his motions. “Fuckin’ slut, m-makin me nervous,” He admits hoarsely, his tone aggravated with you. “Who do you think you are, huh?”

You’re obviously too busy getting your face fucked to answer that properly but the moan you let out that leads to drool filthily dribbling out your mouth is enough of a reply for him. Especially when he catches how it drips down onto your thighs. 

Sukuna releases a pretty groan out into the air at the mere sight of you. He thought he was losing his mind before but now it’s even worse. You don’t even have your hands on his thighs to try and brace yourself or control what’s happening—you just let him have his way with your throat, taking things a step further and moving your hands behind your slightly arched back.

Fuck, he needs a picture of this. He desperately needs this display of you burned into the forefront of his mind for the rest of his life. Especially as he starts hitting the back of your throat and you purposefully choke against him. Sukuna’s other hand lifts to cover his mouth because he swears he almost whined.

Your throats too fuckin’ tight, you’re holding eye contact with him for too damn long, and if he feels your tongue flick against that specific vein of his one more time—

“Hnngh—” Sukuna moans, his grip almost bruising as his head flies back and his cock presses right against the very depths of your mouth, hips stalling with the way his orgasm comes rudely rushing out of him. 

Then he feels you swallowing and even though he was trying to keep you head still, you begin to bob yourself back and forth on his cock while he’s cumming and that’s when a whimper is choked out from his lips. Sukuna’s whole body just clenches and he’s letting out all kinds of sounds as his hand, now shaky, holds onto your head for dear life.

Even when he stops cumming, you’re still sucking and his eyes roll back, voice coming out strained. “S-Shit, fuck—stop,” Sukuna moans again, “Please?” Never in all your years of living did you ever think you’d hear Sukuna Ryomen begging you for something and yet here you are.

You steadily pull your mouth off of him with a slick pop, sting after string of saliva hanging in between his tip and your glossy lips. He’s above you panting for a moment before stumbling back to sit down on the edge of your bed again.

A hand of yours moves to causally wipe your mouth off and you don’t even know if you wanna tease him now or later about what just happened. “So, that was—”

“Don’t speak,” He cuts off immediately, his voice surprisingly airy. “Ever. Never bring this up again.”

You snort, “Promise me you won’t jerk off in my room again, first.”

Sukuna scoffs. “Tch. Whatever.”

Like the vixen you are, you begin to lean toward him again and you don’t know if you image it but he flinches ever so slightly. “Promise me,” You say as your hands meet his knees and you begin to lift yourself up.

His eyes go wide and he internally panics at the sight of you moving. “Fucking fine. I promise.”

Smiling, you move to lean over his tensed body and plant a kiss on his cheek, “Good boy.”

…

Yeahhh, his brain just powered off.

[nezuscribe]

there’s been a couple nights where you and arranged!gojo have had to host little dinners at the estate to show face and let people know you two are still alive.

it’s before the big confession, when the two of you were becoming closer, so it was just pretend niceness hiding the tension for a couple hours.

you tried to talk to the people around the large dining room table, sitting near gojo as you listened in on the conversation, but it was better to just be a part of it rather than the center of the spotlight. gojo had become increasingly aware of the long looks people gave your way, the hushed talks behind the women’s hands. you didn’t notice, maybe you’d been jaded to it, but he did, and he was becoming more tense under their stares.

he noticed how you’d try to jump in and say something, but was instantly cut off by somebody else. gojo had told you before the dinner started that the two of you should hold hands, but you hadn’t let go of his, and he wasn’t sure he wanted to let go of you either. he’d give you an encouraging squeeze, one which you gave him a little smile to, but still clammed up, sitting back in your seat.

"want me to tell them to shut up?" he whispered to you, dropping his head near your ear so that nobody else could hear.

"no it's okay," you say with a laugh, waving it off, "i was just going to ask what cashmere is," you say, in relation to a previous story one of the girls was telling about cashmere moth, and how her entire closet was chewed to bits because of the creatures.

"it's a type of fabric," he explains gently, his eyes searching yours, "very soft," he adds with a little smile and yours grows wider.

"i'd like to see it," you comment, leaning a little bit closer to him.

"i'll have your closets full of cashemere by the morning if you'd like," he says, but you know deep down it could be a promise if you simply said yes.

but you giggle, shaking your head.

"no," you're looking up at him in that way that makes his tongue feel heavy, "the moths, they must be huge," you murmur and he snorts, squeezing your hand a little bit tighter in retaliation.

to be honest, gojo hated these dinners. these people he grew up with were dull and annoying, their conversations full of lame gossip and cheap jokes, and he’d much prefer your lively stories with just you, but they were a necessary evil.

when the servants had cleared the meal away and had begun setting up for dessert, he could feel the stare of one of the girls, anya, and the way her eyes squinted when he caught her looking. he saw the way she sneakily tipped her head back, chin pointing to the opening near some of the stone columns, and excused herself a couple seconds later, looking over her shoulder at him before she disappeared.

gojo knew anya. he’d fooled around with her a couple of times long before the two of you got married, but he found her a bit shallow and dim, nothing he found interesting. he looked over at you to see if you had seen her, but you were looking at your plate, moving some grains of uneaten rice around with your fork.

curiosity got the better of him, wondering what it was she wanted, and so he stood up, his chair scraping behind him as you let go of his hand, you, along with everybody else, looking at him as he excused himself to the washroom.

he walked briskly past the table, leaving through one of the openings of the stone columns, looking around until he say anya at the end of the hall, waiting for him.

“what?” he bit out, hushed, looking behind him to make sure that nobody had followed him out.

anya smiled, her teeth glimmering as he neared her, standing a safe distance away as she pouted slightly.

gojo winced. he forgot how her smile up close was unnerving, the way it wasn’t as soft or full of emotion like yours. her eyes, a deep hazel, glimmered as she took a step closer, her fingers reaching for his collar.

“i missed you,” she whispered, lips glossy as she peered up at him, her lashes batting against her cheeks as he felt his mother dry up, feeling a sudden air of nausea overtake him as he swatted her hand away.

he pinched the bridge of his nose.

“is that all you wanted to tell me?” he hissed out, knowing how stupid he sounded seeing how he had followed her out, surely expecting this.

“what?” anya tilts her head, “thought you’d like to hear it.”

gojo rolls his eyes, crossing his arms across his chest.

“i thought you had something important to say,” he shrugs, looking away, focusing on a crack, getting ready to leave until she laughs, shaking her head.

nobody said he was the brightest soldier in all the land. he’s not above some actually good gossip, but he had a feeling this ain’t about to be that.

“you’ve always loved gossip,” her eyes glimmer as she takes another tentative step closer, “is that why you married the center of it?”

his eyes narrow slightly, but she just sees him listening to her.

“come on,” anya snorts, her hand coming up to his face until she stops at his cold gaze, pulling her hand away, “we all know it’s not rank or looks that made you marry her.”

gojo feels his arms tighten, a vein bulging in his neck as he swallows thickly. he doesn’t say anything, wants to see how she continues, wants to see what everybody else thinks without saying it.

"i mean, your mother keeps saying it was reciprocal," she rolls her eyes, laughing mirthlessly, "but i know that's a lie. you look miserable whenever you're around her."

gojo feels his eyes twitch, his ring shining in the slivers of moonlight through the large, overarching windows.

"did you call me here to talk ill of my wife?" gojo bites out, but she can't sense his tone, giggling as she shoves him, his body not moving.

"drop the theatrics 'toru," he feels bile in his mouth at her sweetened words, "it's just me," she says, biting her lips as indiscreetly as she can, eyes raking over his toned body as she looks back up to his face, "but regardless, no, i had something else i wanted to tell you."

she sighs, her voice a little higher as if he wouldn't notice.

"i'm staying at the hostelry in the town near here for a couple of nights," she bats her eyes again, and suddenly gojo wonders if he had been insanely ill when he had slept with her those months ago because now he feels sick just looking at her, "if you wanted...i'm there for you."

he raises his white brow slightly.

"gods anya," he breaths deeply through his nose, his eyes darkened, "you have audacity if nothing else."

she smiles brightly, taking it as a compliment.

"i know," she winks, "i looked around the area, and nobody of import comes near there. i know you need it as bad as i do," her voice drops a little, eyes falling slightly to the ground, "people are talking. i know how lonely you must feel."

his nose wrinkles slightly in confusion.

"what are you talking about?"

anya looks at him briefly before looking away, shrugging.

"everybody knows you two don't share a room," she explains, "and how she's not even showing signs of pregnancy. is she frigid in bed? you know, some people are saying she's infertile."

gojo straightens up, a new look taking over his face that makes her voice die down.

"what? who's saying that? who's talking?" he presses, and she feels her mouth dry up, suddenly picking up on the fact that he doesn't seem to be at all interested in the deal she's trying to make.

he feels a sudden wave of mixed emotions washing over him.

are the maids taking? gods, that makes him feel even worse. it surely couldn't be yours, they care for you too much. but it must've been somebody who knows your situation, somebody who sees the way you live on different sides of the estate. gojo feels a sinking pit in his stomach. these rumors that are growing because of his own selfish actions, rumors at your own expense, ones you have no control over, by people you've been trying to befriend for ages.

he knows people look at you whenever you enter a room, hears their awfully concealed whispers. and despite the fact that you try to hide the hurt on your face, he sees the way you avade their glances, hide into yourself to act like it doesn't bother you.

are these whispers now because of him?

"i don't know," she mutters, annoyed, "everyone. you barely look at her. did your parents pay you to marry her? she must've been-"

"stop it." gojo warns, and she shuts her mouth, eyes shimmering with shock.

she looks like she's about to say something but stops, looking over his looming body at something.

"gojo? is that you?" another voice calls out, and he turns around, all the anger melting off of his face when he sees it's you, standing near the pillars as you try to find him.

you smile when you see him, still not seeing anya who's hidden behind him, and wave for him to come back.

"they're about to serve dessert," you say, trying to be as quiet as you can, "oh, are you with someone? sorry, i didn't mean to interrupt..." you trail off, your smile falling when anya shuffles around, making sure you see her behind him, your eyes widening.

gojo feels his world slipping beneath him as your shoulder drops, looking at him and then at anya, a somber look taking over your features. you look for another second, not knowing what to do. gojo feels like a fish, gaping silently at you, never looking back at anya, but you excuse yourself, going back to the dining hall without saying another word.

gojo stares aimlessly at the wall in front of him, not sparing his energy to look at the girl peering up at his face.

"get out," he murmurs, his voice low with timber.

"w-what?" she stammers, brows furrowing in confusion.

"get out before i call the guards," he snaps, looking at her from the side of his eyes, "fucking now anya, leave."

she looks up at him, swallowing thickly, but gets the memo that he's being serious. she scammers away, sniffling dramatically as she disappears through another hallway.

he drops his head into his hands, massaging his temples.

his eyes fall to his ring, the one that seems to be growing cold on his finger.

he feels his heart burn in his chest, every step feeling like he had stones tied to his feet as he makes his way back to the hall, hearing the edited clammer of the people welcoming him back, but there was only one person he cared about.

and you weren't looking at him.

in fact, you didn't speak to him that entire night. nor that following week.

gojo has almost bled to death before and has had arrows pierce his back and exit through his chest, but he'd rather experience that ten times again than feel the agonizing silence of the woman he's starting to love.

(second part)