#Umberto Ceriani
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Fango bollente (Savage Three, 1975)
"Look, it's a question of how we stubbornly believe that a crime must always have a motive: jealousy, money, specific interests... These were all people who, only a moment before, had no intention or interest in killing. We've reached a point where just one wrong word, a bump, a stare, an impoliteness is enough, and we all can become murderers."
#Fango bollente#Savage three#italian cinema#poliziotteschi#Vittorio Salerno#Ernesto Gastaldi#Giancarlo Balestrini#Lucile Laks#joe dallesandro#Martine Brochard#enrico maria salerno#Gianfranco De Grassi#Guido De Carli#Carmen Scarpitta#Sal Borgese#Umberto Ceriani#Luigi Casellato#Ada Pometti#Gualtiero Rispoli#Franco Campanino#A particularly bleak and downbeat poliziotteschi with pretty much zero likeable characters. What it does have going for it is more brain#Than many of its contemporaries; there are intriguing satirical elements at play here‚ as well as a damning indictment of the escalation in#Mechanisation and automation in the workplace happening in the 70s. There's a halfway clever treatment of disenfranchised workers going on#In the first half‚ but it all sort of gets lost in a general misanthropic nihilistic second half‚ as our three disgruntled workers engage#In more and more depraved horrors. Leading them is Warhol muse Dallesandro (who also has a lengthy interview on Arrows blu; he's an#Interesting man to say the least) whilst heading up the forces of 'good' (because the police are clearly shown to be nearly as amoral and#Disinterested as the villains) is genuine Italian acting legend Salerno; both are brilliant‚ in very different‚ very clever performances.#Mostly this is very fun in a dark sort of way‚ but I have to raise issue with a repeated mantra of the film: what if a normal person one#Day snapped and started to commit crimes. The idea of 'normal person' is disturbing and anyone is capable of committing a crime as long as#The definition of crime is something malleable and out of most people's control. Idk it's just a worrying facet of these films‚ ig
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Corde Oblique – I Maestri Del Colore
Label: Infinite Fog Productions – IF-64 Format: CD Country: Italy Released: 02 May 2016 Style: Neo-Classical, Folk, Contemporary
The sixth album by Corde Oblique was conceived as a wooden palette used for mixing colors with sounds, the sounds of the colors are evoked by using lot of different musical instruments and musical styles. Almost all existing music tonalities have been used for the songs; moreover, every title refers to a different color and the graphic design is inspired to one of the most famous italian art history encyclopedias printed in the '60s.
The cover Picture is a photo from one of the main italian photographers: Franco Fontana.
The album includes 13 unreleased songs written and produced by the mastermind Riccardo Prencipe. Over 50 minutes of refined Progressive-Ethereal-Folk music. The album features various musicians and guests:
Riccardo Prencipe(electric, classical and acoustic guitar, ebow, medieval lute)
Edo Notarloberti (violin) (Ashram, Argine)
Umberto Lepore (bass, double bass)
Alessio Sica (drums) (Argine)
Annalisa Madonna (voice o tracks 6, 8, 9)
Caterina Pontrandolfo (voice on track 4)
Luigi Rubino (piano, synth)
Davide Afzal (bass on tracks 3, 12)
Alssandro D'Alessandro (diatonic accordeon)
Michele Maione (percussions)
Manuela Albano (cello)
Peppe Frana - MICROLOGUS ENSEMBLE - (oud)
Denitza Seraphimova - IRFAN - (voice on track 2)
Walter Maioli - SYNAULIA / AKTUALA - (Ney, flauto doppio tibetano, plagiaulos, flauto di pan, campanelli on track 5)
Charles Ferris - SINETERRA - (Tromba)
Lorenzo Ceriani, Alberto Maria Ruta, Rossella Bertucci, Francesco Solombrino -QUARTETTO SAVINIO - (violoncello, primo violino, secondo violino, viola) on track 10.
Buy: 14 € http://gh-records.com/1406-corde-oblique-i-maestri-del-colore.html
Payment methods: PayPal Pay by bankwire Pay whith cash on delivery (COD)
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Bad movie I have. The Beast in Space 1980
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