#Ulrike Lienbacher

[hollowmaison]

ulrike lienbacher

[bernardperroudart]

Ulrike Lienbacher. o.T. 2011. Ink on paper. 140 x 128 cm.

[vorvoros]

Ulrike Lienbacher

Will (II), 2006

In her videos and photography, Lienbacher also injects an additional aspect into her examination with the body-theme: the concepts of self-discipline and of both the requirement and the will to perform, as typically presupposed in sports and games.The title "Will I + II" refers to the actual given name of the featured hula dancer, as well as to the concepts of will and of wanting. "Will I" shows the entire figure and "Will II" shows a portrait view of the protagonist, who demonstrates his proficiency in hula dancing. Each work contains three sequences that are mounted to form a loop. In this, it is important to Lienbacher that such a game convey lightness but at the same time show the considerable effort and practice required. During his hoop performance, Will oscillates between skillful routine and great effort while also allowing the compulsive nature of his playfully athletic performance to become visible. His expressions differ between the full-body and the portrait shots, in which his face—directly focused on by the camera—seems even more concentrated. And Lienbacher is also interested in a further aspect, here: the fact that, though hula dancing is typically viewed more as a girls’ pastime, the individual shown dancing is a man. S.E.

[koerperlich]

Ulrike Lienbacher Untitled, 2016

[federer7]

Ohne Titel, 2001 ( From: Pin-Up-Übungen)

© Ulrike Lienbacher

[distinktionsfetzen]

Check out Ulrike Lienbacher, Untitled (2016), From Galerie Krinzinger

[schmiede]

Smiths FÜNFZIGZWANZIG

Beate und Christian eröffnet heute in der FÜNFZIGZWANZIG. 

Durch das Raue zu den Sternen

14. 02. - 11. 04. 2020,  FÜNFZIGZWANZIG

Gruppenausstellung mit Peter Fritzenwallner, Diana Barbosa Gil, Gruppe 19, Ulrike Lienbacher, Anna-Sofie Lugmeier, David Moises, Wolfgang Obermair, Beate Ronacher, Christian Schwarzwald, Christian Zwerschina.

Bild 1: Christian auf der Werkschau der Schmiede18

Bild 2: Beate auf der Werkschau ORTung 2020 in Hintersee

[artdiscover]

Ulrike Lienbacher, Austria

The bodies of these women, some of whom are naked and girlish, are often fragmented; All eye-contact is avoided; even when the figures are portrayed with their heads, they are looking away from our gaze, consistently creating the effect of a subtle, erotic interplay of absence and presence. 

ArtDiscover