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rcmclachlan · 3 months ago

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On this week's episode of Things I Think About While Driving, I was having myself a grand ol' time thinking about all the different times and ways Buck could've met Tommy earlier, and the one I kept coming back to was S4xE5.

Like, right after Buck walks out of Maddie's apartment having learned about Daniel...

He drives.

He drives and drives and drives with no actual destination in mind, operating completely on autopilot, for hours. No music, no podcasts, just the rush of wind through all the open windows of the Jeep and the echoing refrain in his head of so they made one.

It would've been an allogeneic transplant. He'd looked it up once when he was watching a 60 Minutes special on Myelodysplastic Syndrome. They would've taken the stem cells from his umbilical cord if the timing was right. Unless they tried it a little bit later, maybe waited a few months before they scraped Daniel's homegrown defense system right out of Buck's bones. He would've been too young to remember the pain and discomfort that came after. He wonders if he cried as a baby more than he would've if he'd been wanted for anything other than the hellfire missiles in his marrow.

And then it didn't work. Defective, right out of the gate. No wonder they've always treated him like a massive disappointment—he is one. He had one job and he couldn't even manage to do that much.

So he drives. He drives and he's furious. He drives and he's inconsolable. He drives and he's sorry. With every street he turns down at random, he moves onto another emotion, and by the time the gas gauge is nudging close to empty and the evening is giving way to night, the only thing he's capable of feeling is tired.

And hunger. He'd only had an apple before he went over to Maddie's.

So he circles back to Glendale Boulevard and decides on the place with a red lion on their sign solely because it doesn't look busy for 8:30pm on a Tuesday. There's even a free space in the little lot next to the building. Thanks, COVID.

It's pretty quiet inside, with a substantial bar set against old wood paneling on the walls, making it feel like an old tavern. He takes a seat at the far end of the bar where the lighting's kind of dim.

Turns out it's a German bar, so he orders a glass of Warsteiner, which he's never had before, and it's got a strong, malty backbone for a lager. The bartender tells him there's a Biergarten in the back if he wants to take his drink outside.

Buck doesn't want to move from his little corner. It feels safe here, even with his mask off. At least two of the one hundred thousand knots in his back muscles have relaxed since he sat down. He quietly declines the offer, but he does order himself the sausage plate and a glass of Augustiner Maximator once he's done with the Warsteiner, which goes down so good he can't believe it's got an ABV of 7.5%. He orders a second.

He's in the middle of robotically eating a smoked bockwurst he can't taste, thinking so they made one, when the door to the biergarten opens up. A guy walks over to the bar and Buck throws him a cursory glance. Then he looks again.

The guy is exactly who you'd find on the cover of the LAFD charity calendar: big and beefy, with the kind of high cheekbones that belong on a runway in Milan. Effortlessly handsome. Buck wants to tip his beer toward him, because, respect. He also wants to poke his biceps and ask what his regiment is, if he P90X's or something. Buck isn't a small man by any stretch of the imagination, but this guy looks like he could throw Buck around like a grizzly bear.

Buck lets himself be distracted by watching the guy lightly tap his fingers against the bar to the beat of whatever 80s song is playing softly over the speakers. He's always loved people watching; it's a great way to get out of his head after tough calls. This guy is a particularly fascinating specimen. There's just something magnetic about him. Buck's known people like that: they draw the eye even if they're not doing anything to warrant attention. Without even being called, the bartender wanders over to the guy, no doubt drawn to whatever invisible light is coming off him. Buck can't hear what they're saying, but then the bartender turns and points right at Buck, who freezes, caught.

The guy flashes Buck a thumbs up and asks just loud enough to be heard through his face mask, "How was the Warsteiner?"

Swallowing, Buck lifts the empty glass and says, "Uh, g-good. Full-bodied."

With a thoughtful nod, the guy turns back to the bartender and says something too quiet for Buck to hear, but he figures it out when the bartender goes and comes back with a glass of what is clearly Warsteiner. The guy takes a sip, pauses, and then moves toward Buck, stopping before he gets too close. "Thanks for the recommendation. Hey, Jay, put his next one on my tab."

The bartender—Jay—gives him a thumbs up and goes to the register. Buck, mortified at the thought of being a charity case, of this guy pitying him enough to buy him a beer, opens his mouth to tell Jay he can pay for his own beers, thanks, when the guy holds up a hand to forestall the protest.

"German beer's not usually my thing. I'm more of a craft beer kind of guy, so really, I appreciate the assist. If it makes you feel better, pay it forward." His cheeks curve up, and in the bar lighting Buck can see there are long legs attached to the guy's crow's feet. He clearly has spent his life smiling. Buck would bet this man has never once curled up in the dark on his birthday knowing for a fact his parents weren't going to even text him and was still disappointed when the clock ticked past midnight and he had nothing to show for it. This guy's parents probably had a golden statue of him erected in their front yard.

Buck musters up a smile that feels like one of the little, weak waves that just sort of roll over the shoreline without any fanfare before dissolving back into the sea, and the guy tilts his head.

"Rough day?"

"Rough life," Buck says, utterly pathetic, and feels like he's betrayed all his friends for even saying it. "No, that's—that was incredibly ungrateful. My life isn't—I-I have a good life. I just learned something today about my parents that, uh, clarified a few things for me about our relationship. It... wasn't great."

The guy taps his finger against the bottle of Warsteiner in his hand, staring at Buck with deep consideration, flaying Buck from head to toe without a word. Then he gives a nod that smacks of commiseration and walks around the bar until he's only two chairs away. When the guy opens his mouth and inhales, Buck can already hear what's coming: surely it's not that bad. You should talk it out with them. You're being too hard on them. C'mon, they're your parents, they love you.

"That sucks," the guy says, simple as anything.

Out of nowhere, heat starts prickling in Buck's nose and the corners of his eyes, and he looks at this guy and the calm, earnest expression on his face, and... yeah. Yeah. It does suck. It sucks so hard and it has for so long, and all his life he's wanted someone to tell him that, to hear him list every injustice and offer a crumb of support without any pretense or judgment. Buck gasps a laugh that sounds more like he's been stabbed, and he opens his mouth to thank the guy for telling him exactly what he needed to hear, but instead what comes out is... everything. The whole story comes out of him like an unraveling firehose, pulling longer and longer the more he talks, stretching from the day he crashed his bike—"But it wasn't my bike, it was his."—to sitting in Maddie's living room and finally learning the truth: that he hadn't been crazy, that something had been wrong his entire life and the something was him.

"They'd made a box for her—full of all these memories and little trinkets and pictures—and I bet you he had one with baseball cards and his first, like, pacifier, and Skittles, and whatever, but when I asked them where mine was, they looked at me like I had three heads, because human junkyards full of scrap metal and defective blood cells don't get baby boxes," he finishes on a shout. Panting like he just sprinted to Santa Monica and back, he finds himself deflating into his folded arms on top of the bar now that he isn't filled to the brim with 29 years worth of bottled-up grievances. This must be what bulldozed graveyards feel like: scraped clean and ready to be filled up again. Buck is surrounded by five empty glasses, a little mountain of twisted-up napkins, and a complete stranger who hasn't said a word since Buck began, and it's as a good place to start again as any.

Buck closes his eyes and stews in embarrassment for about thirty seconds, then turns his head to look at his audience of one. At some point, the guy had gravitated into the chair right next to him and took his mask off, revealing a stupidly handsome face, and his wide-eyed, slack-jawed stare makes Buck want to throw up a little. It may have been the cleansing Buck'd needed, but the poor guy didn't ask to be part of any of it. Buck doesn't know why he told him in the first place. This is the kind of thing he'd hesitate to blurt out to Eddie, never mind a complete stranger, but there had been something so oddly steady and compassionate in the guy's gaze that Buck had felt like he could trust him with anything. It had been so easy to just... talk. And to his credit, the guy had listened to Buck's entire rant—stopping Buck only twice to ask a quiet, clarifying question—without making a face, snorting, rolling his eyes, or getting up and just leaving.

Face warm, Buck shifts in his seat to try and get feeling back into his left ass cheek, then he opens his mouth to apologize for dumping all that on the him instead of at his next session with his fucking therapist.

But the guy just blinks out of his stupor and flags down Jay, who wanders over sedately. He taps the bar counter twice and says, "Yeah, can you just put the rest of his bill on my tab?"

When Buck sits up with an outraged squawk, the world spins a little, and the guy places a gentle but firm hand on his shoulder to steady him. He doesn't take it back right away and Buck doesn't shrug it off. The weight feels good.

"N-No, that wasn't—you can't do that, man," Buck mumbles, face hot. His mouth feels a bit gummy.

"I can and I did," the guy says. "Someone should treat you to dinner for putting up with all that shit for all this time. I don't know your parents from a hole in the ground, but I would happily drop 3,000 pounds of water on their house. Jesus Christ, and I thought my issues with my parents were bad."

"I never should've—"

But the guy shakes his head and tightens his hand on Buck's shoulder. "You absolutely should've, actually. If that had built up any longer, I probably would've seen you literally explode on the 6 o'clock news."

Buck snorts a laugh, rubbing his disbelieving smile against his sleeve. "Believe me, it wouldn't be the first time you saw me on the 6 o'clock news."

The guy gives Buck a curious tilt of his head, so Buck clarifies, "Do you remember a few years back when that kid was mailing bombs to people and he rigged that fire engine to explode? And it fell on that firefighter?" At the guy's slow, wary nod, he continues, "I was the, uh, firefighter."

At that, the guy sits up and his gaze goes so sharp that Buck wants to call Jay over and have him slice up some bratwurst on it. "You're with the 118."

Buck blinks, and then the guy introduces himself... as LAFD firefighter pilot Tommy Kinard, who'd gotten his start at Buck's own damn station. Who knew both Chimney and Hen when they were probies, and who watched Bobby walk in and turn the place into a house Tommy could be proud to be part of. Who had been their air support during the Doheny Park gas leak incident.

"That was you?" Buck glances down at the bar counter to make sure it hadn't cracked when his jaw hit it. "Chimney told us afterwards he'd called in a favor from an old friend."

Tommy grins and jauntily points to himself with his glass. "Except Howie was cashing in on a favor I owed him, which means I only owe him like 973 more now."

Over a round of drinks—another Maximator for Buck and a seltzer with lime for Tommy—Buck tells Tommy about who's at the 118 now and confirms which of "the most batshit insane stories I've heard about you guys" are true. He tells Tommy about the rollercoaster ride that was his recovery from the explosion, and then follows that up with being caught in the tsunami and being struck by lightning. In return, Tommy regales him with army stories, including the time he landed a burning helicopter under enemy fire, and his favorite calls from his time with the 118—the fucking rooster has Buck practically crying laughing into his arms. He also tells Buck about Hen's fearlessness in standing up to their asshole captain who was voted the LAFD's Most Likely To Have Been At The White House On January 6th, and how Chimney saved Tommy's literal life. He tells Buck that without Bobby showing up and making them into a family of sorts, without him being in their corner even when they didn't trust him not to abandon them like all their other captains, Tommy never would've found his way back to the sky.

Then Tommy gleefully drops a pipe bomb into the scant space between them with, "And you never would've joined the 118."

Buck squeezes his eyes shut to try and make his brain stop feeling so swimmy. "W-What? What does that mean?" His tongue is too big for his mouth. His words taste a bit funny, like they're mushy. He hopes Tommy hasn't noticed.

"You said you joined in 2017. That's when I left," Tommy says, the corners of his eyes crinkling. "I'm pretty sure you were the one who took my spot."

Buck untucks one of his arms so he can reach up to touch the hills and valleys running down Tommy's cheeks, then realizes that probably would be rude and tries to play it off like he was going to scratch the back of his own head. All he does is knock over one of his empty glasses. It takes a few clumsy tries before he successfully stands it back up.

"We missed each other," Buck mumbles. He thinks of what it might have been like walking into the station that day, seeing Tommy sitting between Hen and Chimney, smiling wide as he dished up more spaghetti. Maybe he would've turned that warm light on Buck as he passed him the tongs. Maybe Tommy would've shown him the ropes, got him through his first shifts, and even stopped him from stealing the engine for a booty call. Maybe they'd have met up for drinks just like this after their shifts were over, or as a way to distract themselves from bad calls the way Tommy's distracted Buck all night. Maybe they'd have been a two-man unit, and then when Eddie showed up they'd be a tri...something. Buck can't remember what it's called, but it means 'three'. Maybe Tommy would've been every bit as important to Buck as Eddie, Hen, and Chim.

He's hit with the realization that if he doesn't tell Tommy this, he might die, so he garbles out, "You're important. W-Wait, no. I mean, you could've... you were important... I—y'get the gist."

And Tommy must, because Tommy's smart and quick witted and a good listener, and he's looking at Buck fondly, like he might've done if he'd stayed at the 118 and they'd come through fire together, but he's also rolling his lips inward and his cheeks are trembling.

Buck whines, aggravated, because, "Y-You're laughing at me."

Tommy ducks his head and does, in fact, start laughing.

"'s so rude. Don't laugh at me, 's not my fault I'm defective." Buck buries his face in his arms in embarrassment. The cradle of it is so warm and comfortable he just stays there.

"You're not defective, Evan." Even though it sounds like Tommy's suddenly on the other side of the room, Buck can hear the matter-of-factness in the words. He says it like he'd said that sucks. "But you are drunk."

He's not. He's just really tired and his arms make for a great pillow. He also feels heavy and tight, which isn't good for a firefighter. What if he's called onto a massive scene? What if City Hall's on fire and he can't pull the mayor out because he's slow and weirdly full? What if his career as a firefighter is over?

"That's just bloat from all the beer and sausage," Tommy says from even farther away than he'd been a second ago. "Jay, can I settle up? I'm so sorry we kept you this late. You're getting a helluva tip, I promise."

His name's not Jay. It's Buck. But he'd introduced himself as Evan and... forgot to tell Tommy he goes by something else. But he likes that Tommy doesn't know that, because when Tommy says 'Evan' it sounds like how 'Buck' feels. He wants Tommy to keep 'Evan' in the warmth of his mouth, like how some alligators carry their young. For them, it's the safest place to be.

Buck wants to tell Tommy about the alligators, because they are super cool and only exist in two places in the whole world. He blinks his eyes open and finds his face pressed to something hard and cool. The bar stool feels a lot softer than it did a second ago. And it's vibrating.

There's a weight on his knee, shaking it gently.

He must've fallen asleep while watching Celebrity Death Match in the TV room again. Mom's going to kill him when she finds out. "Mads, five m're min's."

"Evan, you need to give me a building number."

"Hmmm...?"

"Your apartment building. I've been driving up and down South Spring for ten minutes. You gotta help me out here. What's your building number?"

"Mmm..." Buck rolls his forehead to chase the coolness. It feels so nice against his skin. He could just sink right into it.

"Evan, c'mon. You can do it. Tell me where you live."

"27 P'plar Road," he mumbles. He blinks his eyes open and catches sight of the rush of lights and road ahead, which blend together like they're about to jump into hyperspace. He's not in Hershey. He knows this road. Sighing, he closes his eyes again. "Oh. 's rowing. 409 at th' rowing."

He blinks awake when he suddenly trips over nothing, and he tries to stop himself from falling but there's nothing except the gaping maw of open space. But he doesn't actually go anywhere. Someone's got an arm around his waist. There's a name for that kind of rude awakening. He can't remember it.

"Two more stairs," the person with him mutters in his ear. "I'm begging you, lift up your feet before we both end up in the ER."

That's fine. He has his own bed there.

"Yeah, let's try to get you into the bed you have here first."

Strong hands lower him onto something soft, and he buries his face in sheets that are cool and smell familiar, his entire body smoothing out like the surface of a lake. Something tugs at his foot, and he rolls onto his back and tries to lift his leg to help, but he's comfy and cocooned in the dark. His sneakers get taken off anyway.

"Evan." Tommy's voice hangs in the air, soft and warm and invisible, and his name sounds like it's precious where it sits in Tommy's mouth. He read somewhere that alligators do that. "I'm going to get you some water and then head out. Do you need anything else?"

In the dark, he somehow lost his body, and he can barely see the outline of Tommy, but he can hear him step closer when Buck reaches out for him. When Buck's hand is caught, he's suddenly so aware of himself, of his blood and bones and every nerve trapped under his skin, and arches a little into the feeling with a quiet moan of relief.

Tommy knows about him. He knows Buck's cells are defective and he still bought Buck dinner and spent the night making him feel like he was made correctly from the start.

"D'nt go," he whispers. He's starting to float away, and he tugs on the hand holding his, trying to bring that steadfast presence on top of him, use it to keep him here. "Stay."

"I absolutely can't do that," Tommy murmurs. His thumb strokes over Buck's palm and it feels like he's dragging his tongue along the length of a nerve. Buck gasps. Something pulls tight and sweet between his legs, and he tilts his head back on the pillow, lips parting so he can suck in air desperately. So he's ready.

"Kiss me," he breathes.

He wants it so bad he almost gags. He wants all that weight and strength to hang over him like a bough, keeping him together, feeding his body what it's screaming for. He inhales deeply and the smell of indelible man fills his nose and the back of his throat, along with the faint hint of smoke and something sharp like snow. He wants a mouth on his. He wants strong, sure hands to run over his ribs. He wants to say I'm full of broken cells and I need you to fill me up with something better, but he's breathing too hard and the words keep blowing out of order. His legs slide open and the sound of them moving on the sheets is deafening. He's so hot, and so hungry. He thinks he's hard. He thinks he's dying.

The hand in his squeezes gently, but then it lets go.

Without it, Buck's going to dissolve. He's going to disappear. He squeezes his burning, wet eyes shut and pulls in a breath that is all wheeze, every part of him a live wire, unsteady and shivering and thwarted. So they made one.

"No. No," Buck sobs. "Y're just like them. You don't want me—no one... why. 's not fair."

The bed suddenly dips right next to Buck's thigh, right on the edge, and the hot press of a thumb against his chin stops him from howling his sorrow and disappointment. When it slides up and just barely brushes against his bottom lip, his mouth falls open. Yes. Yes.

"I'll tell you what." It's whispered so closely that Buck thinks he can feel the wash of breath over his tongue. "You remember any of this tomorrow? Call me, and I'll kiss you as much as you want. I'll kiss the idea you're unwanted right out of you."

Buck exhales in utter relief and sinks into the comfort of the bed as the weight next to him lifts away. He's going to do that. He's going to call and then let Tommy kiss him until he forgets he was ever unloved. But persistence pays off, so he tries one more time, even though he's suddenly so tired he can barely get the word out. "Stay."

"Sleep well, Evan."

When Buck wakes up, he immediately wants to crawl into a hole and die. His mouth tastes like there's roadkill in it and there's an egg beater trying to escape his skull by way of his left eye. Whimpering, he tries to bury his face into the pillow but half of it is wet with drool, so he reaches up and throws the stupid thing on the floor. His mattress is comfy. He can just plant his face there and suffocate, no problem.

He has no idea how he got home last night, which is terrifying. Everything after the third Augustiner is a bit hazy. He was talking to some guy who made him laugh, he knows that much. His mind conjures bits and pieces of his mysterious drinking companion: a wide, white grin; large hands; a voice he can hear the cadence and depth of but can't remember a single word it said. After that, he's got nothing.

It takes a few tries to unstick his tongue from the roof of his mouth and he rolls onto his side to put his back to where the sun is starting to filter through the curtains. The move puts the nightstand right in his line of sight, and when his vision focuses, he pauses.

There's a glass with water on top of it, but it's not the cup he usually chooses. It's one of the textured acrylic ones he picked out when he moved in that he absolutely hates using. Even though they're impossible to break, he feels like he's ten years old when he's forced to drink out of one. All that's missing is a sippy-cup lid.

Although he has to hand it to himself: the acrylic cup was a pretty solid idea, considering he might've knocked a real glass onto the floor sometime in the night and then cut himself when it shattered. Chimney forced Buck to watch Die Hard last year and it was a fun movie, but Buck has no desire to recreate the "shoot the glass" scene.

He slides his face a little closer to the edge of the bed so he can find his phone. It's sitting on the top of the nightstand, plugged in, which is almost as surprising as the acrylic cup. He never remembers to plug his phone in when he's sober, but there it is, charging away. His wallet and keys are also laying next to it. It's such a neat and tidy tableau that, for a second, he thinks he's still asleep and this is one of those dreams where only one or two things is out of place and he spends the entire dream wondering if he's dreaming.

If he were dreaming, though, he wouldn't feel like hard-boiled ass, so someone else had been here and got him squared away. Maybe he called Eddie for a ride home? Buck reaches for his phone and his fingers brush up against the edge of a piece of paper. A receipt? Maybe he took a taxi instead.

Buck squints at it, and he has every intention of grabbing it to look for clues, but he ends up dozing for almost two hours. By the time he wakes up, the sun has invaded every part of the loft, but he doesn't feel so much like he's about to slip this mortal coil. He'll take the wins where he can.

It only takes a minute or two of psyching himself up before he's able to roll into something resembling sitting, and after that he gives himself five minutes to drop his head into his hands and regret his life choices. Once he promises God, the Devil, Zeus, and the purple laser ghost of Prince that he will never drink to such excess again as long as he lives, he finally looks over at the nightstand where his phone is.

It's been set to Do Not Disturb, which is nice. It's not something he ever does, because he's afraid he'll miss something important, and when he turns it off the screen fills with dozens of missed calls and texts from Maddie and Chimney. He takes great pleasure in dismissing all of them. Nothing from his parents, of course. There's also one from Eddie asking if everything's okay because "Chim called me asking if I'd heard from you and he sounds like he's about to start climbing the walls using only his teeth."

It's followed by a text that reads "Bobby says to take your time coming in. What happened?"

He taps open the message to reply when he glances up and sees the receipt on the nightstand. Abandoning his phone in favor of learning just how much he spent on a DD, he learns it wasn't a taxi at all. It's a note written in an unfamiliar hand on a small piece of drafting paper.

Your car is parked at the Red Lion. Jay said it was OK to leave it there because you weren't in any shape to drive.

Underneath that is a phone number, and underneath that is a single line: Remember—as much as you want. But only if you want.

It's signed "TK".

Baffled, Buck brings a fist to his mouth, because he's not sure what else to do, and when his thumbnail presses against his bottom lip, something hot and shivery pops low in his belly. It's how he realizes he's got to pee so bad he's going to wet the bed if he waits any longer.

After he pisses for what feels like an eternity, downs four Advil, showers the sweat and shame off, he stumbles back up the stairs feeling wrung out but definitely more human. Once he's in a pair of clean boxers, he surveys the room.

There was a stranger here last night, but it doesn't look like anything's missing. He checks his wallet, but all his cards and cash are still there. His sneakers were neatly placed against the wall, out of the way where he wouldn't trip on them if he got up during the night. And there's of course his phone, fully charged for once, and the note.

He sits on the edge of his bed and reads the note four more times. Then he looks up the Red Lion's operating hours, but it doesn't open for two more hours.

Which leaves him with the number and As much as you want. But only if you want.

His mind immediately takes a swan dive into the gutter. It's probably not meant to be as sexual as it reads, but... he's not sure how else he's supposed to take it. TK's blocky penmanship reveals nothing.

Maybe after he was done talking to the guy at the bar he met some woman? Maybe she was the one to take him home, although considering how drunk he must've been, it couldn't have been an easy feat. That she didn't help herself to his money and was thoughtful enough to plug his phone in and get him a glass of water really warrants a thank you.

He looks down at the phone number.

He grabs his phone—100%, what an absolutely wild concept—and taps in the number, double checking it like four times while his finger hovers over the CALL button like an anvil.

What the hell. He's got nothing left to lose.

He taps CALL and brings the phone to his ear. It takes two rings before someone picks up.

"Hello?"

Not a woman. Buck sits up so straight they could use his spine as an I-beam level.

"Uh, h-hey," he stutters, looking around his room, trying to divine any lingering atoms this person might've left behind. "Um, I think you—I have a note with this number on it and—"

Thankfully, the mysterious "TK" stops Buck before he gets a good ramble going, his voice friendly as he breaks in with, "Evan! Hey. Glad to hear the Maximator couldn't keep you down for long. How're you feeling this morning?"

Buck's entire body goes warm as it relaxes from its ramrod-straight pose. "I, uh, a little confused. I don't remember getting home, but I guess I have you to thank for that." Buck pauses. "So, thank you."

"Well, you didn't make it easy." TK laughs, and it shivers down the line right into Buck's ear canal. "It took me a lot longer to figure out you were saying 'Rowan' and not 'rowing' than I care to admit, but we got there in the end. Your place is insane. Did you get a signing bonus when you joined the 118 or something?"

Buck blinks. An image of Bobby winning a fight against a rooster comes winging out of the back of his mind. "That—that's right. You're a firefighter. Uh, do you really fly with Harbor One or am I making that up?"

"You made me promise four times to give you lessons," TK says warmly. "I had to stop you from slicing your palm open so we could shake on it."

Ducking his head with a helpless chuckle, Buck nods, even though TK can't see him. "Yeah, that, uh, sounds like something I'd do. Sorry."

"Don't be sorry. I'd love to take you up."

He doesn't know how he got lucky enough that the person he made a fool out of himself in front of was one of the chosen few who are able to handle The Full Buck without too much of a fuss, but he's so grateful for it. They're a rare breed.

"Anytime you want, just tell me when."

Buck's gaze immediately shoots to the piece of paper he's still clutching in his other hand, and for no reason he can think of his heart rate picks up. His cheeks start tingling with blossoming warmth.

He curls a little into himself, cupping the phone closer to his mouth. "I-Is that what you meant in your note?"

There's a little pause on the line, and then when TK's voice comes back, it's softer. "No. That's not what I meant."

Buck swallows a mouthful of saliva and asks, just as softly, "What does 'TK' stand for?"

"Tommy Kinard."

Exhaling a shaky breath, Buck's eyes fall closed. He thinks of cool sheets under him, and feeling heavy and safe in the dark. His belly clenches with something like hunger. He bites his bottom lip and then licks it.

"... Evan? You still there?"

He doesn't know why his body feels like it's being pulled in a million different directions, or why the first thing he thought of when Tommy said "Evan" was baby alligators, but he does know this: on the worst day of Buck's life, Tommy Kinard made it easier to bear. He kept Buck company, kept him distracted, and then kept him safe.

I told you not to go, he thinks out of nowhere.

"Look, Evan, it's completely fine, and I promise I won't be offended if you don't want—"

Evan Buckley was born to fix someone else. He has defective cells and has never once been enough for anyone, and that sucks. But he's still here and this life is his whether it was meant to be or not, and he does want.

Buck opens his eyes.

"Hey, so, what are you doing Saturday?"

#bucktommy #this started out as a bulleted list in the tumblr text editor i have no idea wtf happened but now i'm gonna be LATE for a lunner meetup #bucktommy fic #tevan fic #911 #rc's 911 fics

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