#TrelsiScenesAreLife

[deborahdeshoftim5779]

The Marvel of Trelsi (Part IV)

Welcome back, people. I need a Restraining Order against Real Life, which has taken up so much of my time. But let’s get back to Trelsi, because Trelsi is just life. 

Just a recap of this series: I’m getting to the bottom of Trelsi (Troy Bolton and Kelsi Nielsen) throughout the movie canon, as well as adding my own headcanon musings and commentary. I want to explore what makes them so compulsively rewatchable as a duo, and the potential of their relationship. So far, I’ve:

1- Introduced the duo

2- Answered my first question, “Who IS Troy Bolton?”

3- Answered my second question, “Who IS Kelsi Nielsen?”

4- Examined the opening scene between Troy and Kelsi during HSM I. 

For the last couple of days, I’ve been torn on what post to do next, as several of the next scenes between Troy and Kelsi reiterate much of what I said in Part III. Since the first scene between them is so emblematic of who they are and what they will become, we need to understand why their friendship from this point onwards, just WORKS. During this time, I can incorporate some of the scene analysis from HSM I and II for examples. So this will answer my question from the introduction:

Question: What makes the Trelsi friendship and dynamic so friggin’ special? Why does it make me want to weep and write poetry?

There are two major ironies in the HSM franchise. The first, as I will discuss in later instalments, is that the main couple are supposed to represent an ideal romance (there is no such thing), and instead represent a shipwreck. The second irony, relevant here, is that unbreakable bonds of friendship are ostensibly said to hold the cast of characters together. In Troy’s graduation speech, he says, “East High is making friends that we’ll keep for the rest of our lives.” If one watches the movies uncritically, this may appear to be the case: Sharpay repents at the end of each movie, warming up to Gabriella, Gabriella makes friends with Ryan, Chad and the Wildcats stop deriding Ryan as “Sharpay’s poodle” and make friends with him, Troy and Chad have been friends since play-school and so on. This is what the movies want us to believe.

The reality is that none of the above cited examples come even close to the quality of friendship that Troy and Kelsi share. Not even close*. There are of course exceptions. Taylor is a very good friend to Gabriella, and the only person to whom Gabriella actually shows some genuine affection and loyalty. Troy and Ryan have a strong friendship: Troy didn’t need Ryan to undergo some silly contest to become his friend.** Kelsi is eventually willing, by the beginning of HSM II, to push aside her grudge against Sharpay and become friends with Ryan (”Kelsi’s got some great new ideas to spice up the Talent Show!”): if not for the Royal Sham conjured in HSM III, things would have gone well for these two. However, the vast majority of friendships in the canonical franchise only represent a hollow echo of the word. Yet it is precisely these relationships that receive more airtime and are aggressively touted as commendable, whilst the genuine and wonderful friendship between Troy*** and Kelsi is lucky to even get four scenes out of movies that span almost two hours each. It’s unjust. It’s inexplicable. 

In order to DEFEND Troy and Kelsi’s friendship, I need to deal with my main contention: how Troy is treated throughout the series. Kelsi is, for the most part, fortunately spared of dealing with absurd levels of pressure, both professional and social, harsh criticism, staggering levels of hypocrisy, betrayals of trust, mockery and downright cruelty that Troy faces throughout from people alleged to be his friends. It is honestly depressing to see how little Troy gets in return for his own decent and kind acts towards other people, and how the script expects the viewer to ignore or worse, celebrate, this. I’ve done some reading on the Internet to find a comprehensive article explaining what makes a good friend-- in particular, a good friend to Troy, since he suffers more. Using this, I will demonstrate how Trelsi wins and many of Troy’s other friends fall far short of the mark. I will try and keep references to Gabriella’s behaviour to a minimum here, as she will be discussed when I examine the potential of Trelsi romance. 

You can find the link source I’m using here: 11 Signs of A True Friendship

1- “They accept everything about you, including your flaws.”

In my post about Troy, I discussed his dorky personality. Prior to Troy’s significant overcoming of social hierarchies and stereotypes in HSM I, it appears certain that dorks and nerds were viewed with disdain by the jocks. So the fact that East High’s Primo Boy and Playmaker is also a King of Dorks is social heresy. This is why Troy was at pains to hide his rooftop hideout from his friends: “Thanks to the Science Club, which means my buddies don’t even know it exists!” In other words, Troy was essentially telling Gabriella that his buddies don’t accept the real him. They’re in love with the image. Playmaker, Hoops, The Basketball Guy. This is what guides and motivates them. It’s only much later in HSM III that Troy tells Chad, “The Gardening Club is ready for you,” but even that is punctuated by 1)- Chad laughing at Troy for potentially getting into Juilliard, 2)- Chad barely attempting to understand any of Troy’s chronic indecision until the very end, 3)- Chad imposing his own view of who Troy should be upon Troy all the time. 

Furthermore, the Wildcats have no patience for Troy’s flaws. In HSM II, his weakness for trying to please all the people all the time is treated as a sign of arrogance and selfishness, rather than partially motivated by the insane pressure that THEY (as well as others) place upon his shoulders.**** In HSM III, Troy’s significant flaws for taking his relationship with Gabriella too seriously, of over-investing in it and not expecting anything in return, of taking each setback personally to the point of being unable to function properly, of refusing to see reason or be objective in said relationship or his friendships, are virtually ignored by the Wildcats. In fact, it appears they are irritated by his upset. I base this on Chad’s irritation with Troy for messing up the dance moves and songs in rehearsal. 

On the other hand, Kelsi completely accepts Troy as he is. No questions, no judgements, no mockery. As I stated in my analysis of Kelsi Nielsen, the crux of her innate understanding of Troy as a person is communicated in song. BoltonEvans has helpfully pointed to lyrics from “You Are The Music In Me” that demonstrate this, which I will reproduce here: “As I am/And you understand/And that’s more than I’ve ever known”. My personal favourite is from “I Just Wanna Be With You”, which really demonstrates Kelsi’s philosophy on friendship and what it SHOULD be: “A friend like you/Always makes it easy/I KNOW THAT YOU GET ME EVERYTIME” (Capital emphasis my own). Kelsi never requires Troy to change who he is, or to fit some model trope. A significant reason is based upon Kelsi’s personal experience; given that she has been treated as not socially acceptable enough to be considered cool, and knows how this feels, this has given her more incentive to be empathetic and non-judgemental towards others. Furthermore, Troy treated her as a human being and an equal, and thus Kelsi returns the favour, also seeing him in the same way.

As is always the case with Trelsi, this works in the reverse, too. Although many movies that use the Cool Guy and Nerdy Girl pairing often make the Nerdy Girl become “cool” before she can be with the Cool Guy, this trope does not exist when it comes to Troy and Kelsi. She’s still wearing her funky clothes, bandana’s (that bandanna in HSM III is so Jimi Hendrix), cut-offs and converses. She’s still got that sarcastic humour, likes to poke fun of things. She leaves a half-eaten apple on the piano. (This is sacrilegious. My mum always told me, don’t bring food to the piano. And tea! Honestly!) She whistles and sticks her hands in her pockets, and rolls her eyes at Sharpay. She still wanders around with wads of manuscript paper in her bag, and tunes out of her friend’s conversation at lunchtime to finish her songs. She’s between 16-18 and writes songs like an adult. And Troy totally accepts that. He does not change a single thing about who she is to make her socially acceptable for him. After all, he is Jock Supreme. Playmaker. Hoops Man. And he hangs out with a girl who knows NOTHING about sports (”basketball class”-- seriously still not over that one), probably doesn’t talk about “cool things” (I have learned that cool things include who slept with who and who tried E last Friday night) and has zero sense of fashion! :D Okay, that was my own insert. But you get the picture. East High is HIGHLY HIERARCHISED. The significance here is enormous, which begs the question of why we didn’t see MORE of this. 

Oh-- also, Kelsi is a girl. Troy’s buddies up til now are all boys and all part of a brotherhood in basketball. (”Buddies” always has the connotation of male friends). And he breaks away from them to make friends with a socially inept girl miles away from him on the social spectrum with NO EXPECTATION of sexual/romantic consequences. Given the tough-guy attitude of the Wildcats players, they seem to see girls as being there to be conquered. Chad in particular does not have a girl who is just his friend until the end of HSM I onwards. Yes, he likes Gabriella, but previously, he had called her a “temptress” because she was interfering with Troy’s “true” calling. (Damn the “female mind”! :D) He likes Gabriella because he approves of Troy’s relationship. And before Chad got on with Kelsi, he made a comment about her looks: “Do you know something about this? Small person?”, not even taking into consideration the fact that Kelsi was upset about the callbacks being re-arranged, too. But Troy just likes Kelsi because he likes Kelsi. He’s not interested in her looks, her relationships, her social status. He just likes her. What she DOES (i.e her mind/her skills) is “really cool”. He takes an interest in her life with NO STRINGS ATTACHED. That’s just SO awesome to me. 

2- “They stick with you through both the good and bad times.”

Oh, this one will be a BIGGIE when considering a certain lady, won’t it? :D 

During HSM I, Troy gives a completely contrived speech (these seem to be a speciality of his) during which he says, “I thought that you’re my friends! Win together, lose together. Team-mates.” There is a laughable irony in these lines, given that the Wildcats rarely display ANY of these basic requirements for friendship. Yes, they repent after seeing Troy downcast and hurt by Gabriella refusing to speak to him. But during HSM II, they quickly abandon him as a lost cause when the pressures of his job mean less time spent with them. Instead of reaching out, Chad yells at Troy then stops speaking to him. Only through Kelsi’s intervention does he decide to bury the hatchet-- and even then, not before Troy is forced to admit to being a jerk, whilst Chad makes no apology on his part. So no matter how frustrated and isolated Troy feels, he gets no sympathy from The Wildcats. No, he is the problem. He is arrogant and selfish by not devoting 110% of his time to them. (By the way, another website says (point #1) that real friends don’t make you feel like crap for missing social times to attend to work/career concerns. Take note, Wildcats. And a certain lady). During HSM III, they are rarely on hand with positive encouragement when he is 1)- struggling to make career decisions, 2)- struggling with Gabriella’s absence, 3)- struggling to stay motivated in rehearsal. Remember Troy sitting ALONE in the auditorium, staring into the nothingness? All the chairs next to him are empty, because the Wildcats are too engrossed in their own conversations to check on him. 

Kelsi is one of the few characters who truly exemplifies the loyal friend. Once she has become friends with Troy, the deal is sealed. Her loyalty is one of her best assets. In HSM II and HSM III, the key moments of encouragement for Troy come when Kelsi either stands by his side, or when she tries to cheer him up. 

By far my favourite scene in HSM II comes when Kelsi is the only one not to turn her back on Troy or freeze him out. Think about the significance of this. The Wildcats, upon hearing that Sharpay had banned employee participation, had most likely planned not to speak to Troy. What were their objectives? I think it was either to punish him. If they wanted him to change, they would and should have communicated their displeasure to him. The fact that they didn’t even have the decency to explain their anger shows that their motivations were vindictive. Given that Kelsi was, by this point, considered one of the Wildcats, she would have been expected to follow suit. After all, Troy was betraying the team. He was getting privileges whilst they were washing plates. (Obviously their interpretation, not mine). Can you see why Kelsi’s actions here are not only important, but downright HEROIC? Firstly, Chad glares at Troy and then leaves when Troy comes to sit down, which is insufferably rude. Then Jason makes eye contact with Troy, glares and turns his back on him. The hurt on Troy’s face makes it difficult for me to watch this scene. But look at Kelsi’s reaction: she is shocked and embarrassed by Chad and Jason’s behaviour and doesn’t know how to react. This may make it seem like Kelsi perhaps didn’t know about the Silent Treatment plan, but she was DEFINITELY there when Chad yelled at Troy (I rewinded to make sure), so perhaps she might have expected this. Then we see Troy turn to Kelsi, as though expecting her to just up and leave as well. He is confused. There is a cold silence in the room. What has he done wrong (this time)? Instead of leaving, Kelsi passes him the announcement and watches his reaction. Troy is stunned and shocked by this (because he had NOTHING to do with this!!!) and looks at Kelsi, presumably for an explanation, as he begins to realize why everyone is silent. And it’s the look that Kelsi gives him which clinches this scene as a classic Trelsi moment: it’s a silent “It’s not your fault”, and then that shrug, which seems to imply that she knows why everyone else is angry and doesn’t agree with their actions AND that he shouldn’t worry (perhaps not very helpful) AND that she is trying to downplay her own disappointment at Sharpay’s behaviour. (Although not successfully). But the main point here is that she does not blame Troy. She’s silently demonstrating loyalty to him, not freezing him out, not blaming him, whilst everyone else literally turns their back. It’s a silent act of rebellion that could have cost Kelsi herself, given that she was disobeying the Wildcats unilateral decision to punish Troy. But she still does it, once again demonstrating that she is no wallflower. She can resist. If that’s not true friendship, then I don’t know what is. 

I have already discussed the BEAUTIFUL, SQUEE-WORTHY Trelsi hug in HSM III at length here, but I will add that even though Sharpay commands Kelsi to get to the piano, she rebels, and instead goes straight to Troy. He is her first concern. She holds his hand, helps him to stand and then gives him a hug. He smiles back at her, and she smiles too. Once she knows she has lifted his spirits, she makes her way to the piano. Think about this. Kelsi has poured her heart and soul into the musical; the last thing she needs is a miserable and lifeless lead actor pining over his girlfriend. But the fact of her checking on him first sends a powerful message; that friends come first. Songs can wait. That even when Troy is at his lowest, she is RIGHT THERE BESIDES HIM. (”It’s hard to believe that I couldn’t see that you were always right beside me”/ “Through every up, through every DOWN, you know I’ll always be around”). Those lyrics are Troy and Kelsi in a nutshell. And again, there’s no need for dialogue here. There is a great reversal in roles between Troy and Kelsi in this scene, demonstrating that they are equals: in the first movie, Kelsi was down (both literally and emotionally), and Troy picked her up. In the third movie, Troy is down (literally and emotionally), and Kelsi picks him up. It’s “I’ve got your back, you’ve got mine.” 50-50. Partners. Equals. 

*squees and weeps* :D

Now if the movies had been more interested in Kelsi’s life outside of music, then I’m sure we would have had some scenes where Troy did the same for her when she was down. For example, a possible scenario could have been when Jason broke up with Kelsi (if that’s what happened) for Martha. (A possible theory proposed by BoltonEvans). I 110% believe that Troy would be there for Kelsi first, and NOT his basketball buddy for all the reasons I have illustrated. That would have been a GREAT scene. You see the enormous disadvantages in limiting Trelsi scenes, but inflicting us with the Bubonic Plague of Wildcat hypocrisy and calling it friendship. 

Okay, I have written enough today, but I will be back soon with more! 

(*FOOTNOTE-- On Gabriella believing Troy’s performance on the videotape. As a scientist, shouldn’t she have a bit more of an enquiring mind? :D If the direct WiFi streaming wasn’t suspicious enough, she could at least have sought Troy’s side of the story. To be fair, I have less of an issue with Gabriella’s behaviour in this movie as compared to the next two. Although, as I have stated before, if Gabriella could be so swift as to quit the musical in front of Troy, I very much doubt she bothered to tell Kelsi. Why? Because in HSM III, she quits the musical, and we have no choice but to assume that Kelsi was not in the know. These things may not be significant, but they do show how little respect Gabriella actually has for Kelsi’s time and effort. Look at her face in HSM III (top picture), when Troy reminds her that they’re doing a musical together. Like I said in the last instalment, it wasn’t as though she was eager to help Kelsi after her fall in the first place, was it? It’s insane and quite sad, given how much Kelsi (unfortunately) respects Gabriella).

(**FOOTNOTE-- Another reason why Chyan is a nonsensical ship and another example of Wildcat insincerity. Though Chad does genuinely like Ryan by the end of HSM II and HSM III, it’s clear that Chad had to check if Ryan was good enough to be his friend. Once he “approved” Ryan (almost entirely based on sporting ability and not character), then the Wildcats presumably stopped deriding him as “Sharpay’s poodle” behind his back. Eventually, in the third movie, Chad admires Ryan’s choreography. But when Chad laughs at Troy’s potential chance at attending Juilliard, he is demonstrating a lack of respect for Ryan’s passion (the Performing Arts), which makes it implausible that these two would ever work as a pairing).

(***FOOTNOTE-- It’s worth noting that every friendship with Troy in is either 1)- exemplary, or 2)- completely one-sided because the other person doesn’t put in half as much effort as Troy does. This underlines the innate value of Troy as a hero, and demonstrates how seriously he takes the matter of friendships and relationships. There’s no half-stepping with Troy, as I will discuss when examining the potential for Trelsi romance. He’s in 110% or he’s out. The only person with whom he wavers is with Sharpay, but that’s only because Sharpay pursues him to the point of active inconvenience/discomfort/annoyance. Even then, he was willing to put aside his annoyance with her in HSM II out of compassion and a sense of duty. Hence why, in a rare moment of likeability and humanity, Sharpay said, “You’re a good guy, Troy.” )

(****FOOTNOTE-- I have to seriously question how good the East High Wildcats are as a basketball team. Forget the catchy slogan. I’m a sports fan, and like Troy said, it’s a TEAM effort. (Clue is in the name). If they could, according to the ever-helpful Chad, fall apart just by the idea of Troy auditioning for a musical, then what does that say about their game plan? To be quite frank with you, I’m surprised they hadn’t lost more games given the pressure they put JUST on Troy to deliver. Chad’s claim that the Wildcats would “get their sorry butts kicked” if Troy was auditioning seems a declaration of general incompetency. What did they do if Troy is ill or injured, as I’m SURE he must have been in the past? They might as well not show up! There are perfectly brilliant players who perform poorly in a particular team because their team-mates don’t put in as much effort, or aren’t co-ordinated together. I think Mr. Bolton is a capable coach, but even he admits that he puts too much pressure on Troy! “And without you, COMPLETELY focused, we’re not going to win next week.” Why only Troy? From what we can see, Chad is integral to the team as well; Troy relies upon his assists to score. Isn’t this what Troy said in HSM II to Mr. Evans? Jason has the same value. “There’s twelve people on this team, not just me,” said Mr. Perfectly Reasonable. Alas, no one ever listens to him). 

[deborahdeshoftim5779]

Questions for HSM III (Part VI)

Incidentally, the above picture reflects my feelings whilst watching HSM III for the first time.

Shall we continue?

On the topic of night-time picnics, quite how Troy thought he would disguise his appearance at Mrs. Montez’s house when his truck was parked right outside is beyond me. I’ll cut the poor lad some slack: he’s in love. Foolishly, destructively in love. 

On Gabriella’s Continued Arrogance- Stanford Honors Program Part III

1- As I said yesterday, the arrogance and bold-faced rudeness that Gabriella shows towards Troy not just here, but on a regular basis, should be enough to question Troyella as a viable couple. Clearly, Troy wasted a trip. Had he spent the evening working on his truck, instead of feeding pizza into his ungrateful girlfriend’s mouth whilst she cut him down for information that SHE refused to share, then he would not have broken down outside her house. Or perhaps if Troy had spent less time pole-vaulting himself around the Junkyard with Chad, and more time looking for spare parts, he might have avoided this situation. 

However, this breakdown scene comes right after Gabriella has finally decided to go to California. So actually, is this scene a metaphorical way of demonstrating 1)- a setback in Troy’s life and 2)- more importantly, the breakdown of his relationship? Just as Troy’s truck refuses to co-operate, so does Gabriella refuse to communicate. Just as Troy chucks his keys and walks away, so should he have done after the rude treatment he just received. Is there a comparison here? Lessons to be learned? 

Or perhaps we should look at it this way: the truck is unreliable and keeps breaking down, but Troy sticks with it out of a nostalgic love. He does everything he can to fix it, and it still gives up on him. Is this not a perfect metaphor for his relationship with Gabriella? Is that what we should infer from this scene?

(By the way, a truck that could barely make it from school to Gabriella’s house without almost throwing both passengers through the windshield will later become fit for purpose when Troy makes his mad dash for California, 1053 miles away. Because plot. We will discuss this later). 

2- “Why are you saying goodbye? We still have prom. We still have to graduate.” The poor kid. When will he learn? 

3- “I meant goodnight.” Gabriella tells another bold-faced lie, planning to abscond to California whilst he’s in school so she doesn’t have to face him. Afterwards, she doesn’t get back in contact with him until much later; we know this because Mr. Bolton brings up the issue a couple of days later. Now, let me be fair: if Gabriella had a consistent record of contributing to her relationship, if she treated Troy like a man and not a boy, if she discussed her own personal struggles with stability in a meaningful way, one might understand her upcoming Wail-Fest (”Walk Away”). Instead, during this dreary ballad, she makes no mention of Troy’s feelings (as per usual), the pain he must feel at being left behind. It’s all about me, myself and I. It’s truly painful watching Troy walking home alone, sitting up at night contemplating his loss, wandering around the school rooftops aimlessly, staring at Gabriella’s empty locker, presumably coming to pick up his truck and finding a “For Sale” sign outside. He doesn’t deserve this. All Gabriella had to do was just TALK TO HIM. You can’t accuse Troy of being unapproachable: he’s one of the most encouraging, open and understanding characters in the series! 

Again, DID Troy at least FEEL that Gabriella should have said goodbye/not lied to him/not run off without telling him? Surely, he must have felt almost betrayed, even? *sigh*

By the way, another one of Troyella’s awkward kisses before the Wail-Fest. I think my eyes might roll out of my head. Nice to see some affectionate behaviour from Gabriella before Troy leaves, though. I don’t think she took some perverse pleasure in what she was about to do. She has some feelings. But at the end of the day, when it comes to her relationship or herself, she chooses the latter without remorse. (In HSM II, during the last Wail-Fest (”Go My Own Way”), she says “I gotta do what’s best for me.” And what was best for her was dumping Troy, ditching the necklace he gave her, and making him feel like shit). Why did no other character at least point out how unfair it was for Gabriella to leave just like that? 

Again, let me be clear: I fully support all of Gabriella’s academic ambitions. These are the least offensive things about her. If she wanted to attend this program, more power to her. What I object to is the portrayal of her pursuing those ambitions as being forward-thinking and totally right, when the same treatment was denied Troy last time. If anyone had laughed Gabriella out of court for wanting to attend a top university, I can guarantee that viewers would have been outraged. 

Long story short, this scene was an utter disgrace. 

On Troy and Kelsi

Sanity! Sweet sanity!

1- First of all, I just want to discuss Sharpay in this scene. Like I said in the last instalment, I think it is was fortuitous that she schemed her way into the lead role with Troy. Not because Troy would benefit from it-- his reaction says it all-- but because Gabriella would eventually show a complete lack of respect for the musical, her friends and her boyfriend by quitting later on. But what she says is actually quite good advice: “Come on, people! We’re all pro’s here!” The Queen Bitch storyline wants you to believe that Sharpay is saying this for selfish reasons, but I think she’s actually appealing to sanity. Why do the other miserable Wildcats (Deadcats, by the looks of things) think that they can’t perform a musical without Gabriella? Are they the first people to do a musical? Whilst Gabriella is a somewhat decent singer (too overwrought for my tastes), she doesn’t have the star quality of Troy, nor the professional instincts of Sharpay, nor the creative genius of Ryan. She’s certainly not the best singer. She’s not a composer like Kelsi. Upon what basis are we supposed to accept that the show is doomed to failure? 

Honestly, kudos to Sharpay for maintaining professional decorum. She said “we’re all pro’s here,” but it seems like only she is. I can even forgive her for claiming they should “do it for Gabriella!”. Dedicate hours of hard work to someone jumps ship without prior notice, and who won’t even show up without persuasion? Clearly, Sharpay was joking, right? 

2- So, Kelsi continues in her righteous annoyance with all things Sharpay, but it is nice to see her and Ryan getting along. Of course, given the Royal Sham that occurred earlier between them, of whose name we shall not mention, this leaves the viewer in some confusion. Is Kelsi ever aware of Ryan’s true motivations for asking her to prom? Or, since Sharpay has finally gotten her way, is that shunted aside by the script, as Kelsi will have to give Sharpay the duet anyway? In which case, what was the reason for manipulating Ryan and Kelsi into the Royal Sham, since Sharpay used the exact same technique to nudge Gabriella aside as she did in HSM I? Seriously, what was the point?

3- Kelsi comforting Troy. It’s TOO good, people. I rewatch this like a madman. This is what you call a healthy friendship/relationship. She quite literally has the power to pick him up and by doing so, lift his spirits, and that is what makes Kelsi a great character overall. And it makes their interactions onscreen (cruelly limited as they are) compulsively rewatchable. They are blissfully and effortlessly comfortable with each other; asides from Gabriella, the only other person with whom Troy has held hands is with Kelsi. And it’s totally spontaneous; there’s no need for discussion, no awkwardness, because they don’t need to speak to communicate. Troy and Gabriella speak a lot-- but they can’t communicate. Kelsi can say everything with just one gesture. Troy understands this, appreciates this, values this. I’ve already discussed HSM II, where she makes that sympathetic gesture towards him whilst his other “friends” freeze him out for no good reason. Here, it’s the same. Notice that although some of the students already know that Gabriella has left, NO ONE has come to sit next to Troy in the front seat. Chad, who likes Gabriella and thus must be sympathetic to Troy, doesn’t come to check on his buddy. Taylor doesn’t come. Everyone else is just having their own quiet discussions, not even paying the slightest bit of attention to their FRIEND who is lonely, lost and withdrawn. Kelsi is the only one who goes out of her way to comfort him, and let him know that she’s concerned for him. What more need I say? I LOVE THE HUG!! Seriously, did you know I love the hug? :D Evidently Troy does, because you can see him smiling all the way to the piano. 

Why no more screentime for Trelsi? We would have learned so much about them both as individuals, and they could have helped propel the plot by bonding over Gabriella’s absence. They are invaluable to the plot and, story problems and character arcs. It pains me that Kelsi is considered “minor”, when her music brings the whole gang together, and makes Troy into a star. Why couldn’t we have seen them rehearsing “Just Wanna Be With You”, or just hanging out? Why couldn’t it have been Troy who watched Kelsi composing that song, instead of Ryan coming in to fulfil the Royal Sham? Or Kelsi watching him play basketball, even though she knows nothing about it? (Alright, that’s my headcanon speaking). There’s SO much MORE to be seen and learned when it comes to Troy and Kelsi, and the fact that they got so little screentime is painful and infuriating. Why, script, WHY?

I have said before that HSM III brought me to Trelsi, because in my headcanon, they become closer during the latter half of this movie. This scene is EVERYTHING. Instead, Kelsi gets shunted off into a sham romance with Ryan, of whose name we shall not mention. To what aim? 

Also, I like how Ryan waits till Troy is standing up (he makes a tiny gesture, encouraging him to stand), before walking to the piano with everyone else. He doesn’t just walk past. Just a little considerate gesture that makes Ryan a great character and a great friend. More screentime for these two, please.

More analysis upcoming.