#Top South Actress
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newshansindia · 9 months ago
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incredible11 · 1 year ago
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#hot #hot girls #hot actress 
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lifefactsstuff-blog · 1 year ago
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Top 10 Beautiful South Indian Actresses of 2023
Title: Top 10 Beautiful South Indian Actresses of 2023 Introduction South India, known for its diverse and rich film industries, has been home to some of the most talented and beautiful actresses in the Indian film fraternity. As we step into 2023, a new generation of stunning South Indian actresses has captivated audiences with their beauty, charm, and remarkable acting skills. In this…
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filmyfact · 1 year ago
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Park Bo Young: Actress Who Charmed Hearts Across Generations
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In the ever-evolving world of South Korean entertainment, there are stars who shine brighter than others, captivating audiences with their talent, charisma, and versatility. One such luminary is Park Bo Young, an actress whose name has become synonymous with excellence in acting. With her remarkable career spanning over a decade, she has not only left an indelible mark on the Korean entertainment industry but has also garnered a dedicated global fanbase. In this article, we will delve into her life and career, exploring the factors that have made her a beloved figure in the world of entertainment.
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shrimpybbq · 12 days ago
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drew starkey and obx actress!reader
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drew and obx actress!reader who have the most legendary season 4 bts photos ever, plus the pics that fans manage to take of them wandering around morocco and south carolina when they’re filming.
they’re seen at the markets together after shooting and fans think they see them holding hands, but maybe obx actress!reader was just reaching for her purse… they’ve been awfully close all night though, and fans fail to capture the moment when drew places a quick kiss against her temple. it’s something rafe as a character does a lot and drew has started to grow fond of it.
obx actress!reader being drew’s passenger princess in morocco, his open top rental car allowing fans to snap pics of the pair ready to explore the desert.
the pair taking a cheeky pic in bed in between takes, their smiles hinting at the steamy scene they were filming, with obx actress!reader only clad in ‘rafe’s’ oversized shirt. her bare legs had been out the whole scene and drew was loosing his cool, especially when the director called cut (he wants to keep going).
at the season 4 premiere, everyone is excited to see the cast again. drew arriving before obx actress!reader, only to quickly run to her car to help her out and walk her to the red carpet. he lets her have her solo photo moment before joining her side. his arms instinctively wrap around her waist as he draws her closer to his side, the pair posing like usual. the cameras catch the flirty, cheeky gazes shared between the two actors, though later in the evening, the pair are seen a little tipsy and clinging to each other, hands intertwined as they celebrate their hard work.
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ciyapaofficial · 2 years ago
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Top 10 South Actresses In India Who Hit The List In 2023
India's film industry is one of the largest in the world, with many talented actors and actresses making their mark on the big screen. In 2023, several beauties made it to the list of best South Indian actresses in the industry. From Tamil Nadu to Telangana, these actresses have wowed audiences with their acting skills, beauty, and charm. 
In this blog, we will take a closer look at India's top 10 South actresses who have gained immense popularity throughout. From newcomers to established stars, these actresses are truly worth watching out for.
List Of 10 Best South Indian Actresses
1. Kajal Aggarwal
Kajal Aggarwal is one of the top south actresses in the Bollywood film business. She has performed in Tamil, Telugu, Hindi, and other film industries. She had a penchant for acting and was a scholar in her early years. She changed her attention to acting as a result. 
She had to work hard to master acting because she was raised in a middle-class household, but she eventually co-starred in her first South Indian film with Baba Patekar. Her big break came when she starred alongside Ram Charan in Magadheera. Among her favorite movies are Magadheera, Yevadu, Singham, etc
2. Anushka Shetty
Anushka Shetty is one of the top south actresses in Tamil and Telugu film history. And it would be accurate to claim that most of her films are the main reasons the South Asian film industry is so well-known. But, during a picture session, she was encouraged to try a film; she struck it rich with the first movie she tried, Super. 
She received a nomination for the Telugu Filmfare Awards' best actress category because of the movie. She also won three Filmfare Awards for the films Arundhati, Vedam, and Rudramadevi.  And these are only three of the many honors she has received. Rudramadevi, Vedam, Singam I, II, Si3, Vettaikaran, and the well-known Bahubali Trilogy are some of her most well-known films.
3. Samantha Ruth Prabhu
It wouldn't be inaccurate to say that Samantha's deadly moves in Oo Antava vava, Oo Antava vava, helped make her a household name nationwide. This top-south actress has long been a well-known figure in the Tamil and Telugu film industries, but her role in the movie Pushpa catapulted her to near-universal fame. 
This girl is here to rule the hearts of many for decades to come, thanks to her amazing talent and stunning appearance! Currently popular due to her amicable divorce from Naga Chaitanya, this fierce woman is certain to ignite the market.
4. Rakul Preet Singh
An emerging raw talent in the Indian film industry is Rakul Preet Singh. She primarily worked in the Telugu and Tamil film industries. Her acting career began in 2009 when she accepted an offer for the Kannada film Gilli. She garnered a lot of public applause for her Bollywood debut performance in the box office hit Yaarian.
She has also received numerous honors throughout her modeling career, including Femina Miss Take, Femina Miss Gorgeous Smile, and a fifth-place finish in the Femina Miss India competition. Yaarian, De De Pyaar De, Kick 2, Sarrainodu, Dhruva, Spyder, Shoorveer, and many more are some of her well-known movies.
5. Rashmika Mandanna
Down south, Rashmika has had success as an actress. She is among the best south Indian actresses with the most Instagram followers. Rashmika primarily contributes to the Telugu and Kannada film industries. She received numerous honors, including the SIIMA and Filmfare Award South. 
Following her performance as Srivalli in the blockbuster Pushpa, Rashmika amassed a sizable fan base worldwide. Rashmika's acting prowess has propelled her to great heights; beauty is merely one aspect that keeps her in the spotlight.
6. Raashi Khanna 
She aspired to become an IAS officer, but fate had other plans for her, ending up listing in the top south actress category. She is among the highest-paid South Indian actresses, along with Samantha and Rashmika. 
She most recently appeared in "Rudra," a Disney + Hotstar series starring Ajay Devgn. As we can all see, in addition to her acting, her alluring appearance keeps the audience interested.
7. Pooja Hegde
Pooja Hegde is another well-liked top south actress due to her status as the leading star heroine in South Indian cinema. In addition to playing Ram Charan's female lead in Acharya, she has Kollywood star Vijay's Beast ready for release in the upcoming two months. 
Later on, the lead actress will appear in a Mahesh-Trivikram film. Pooja Hegde has 17.3 million followers on her Instagram page.
8. Kriti Kharbanda
Kriti Kharbanda is one of the most known actresses in Indian cinema, primarily in Telugu and Hindi. In addition to acting in many short plays as a child, she enjoyed modeling. After catching people's notice on the Spar Billboard, she made her acting debut in the Telugu film Boni.
Bruce Lee, Teen Maar, Guest in London, Shaadi Mein Zaroor Aana, Karwaan, Raaz: Reboot, and the most recent blockbuster Housefull 4, are among the popular films.
9. Nayanthara
One of the most accomplished and well-liked top south actresses in Indian cinema, Nayanthara is renowned for producing top-notch movies when she is in the spotlight. Despite not wanting to be a movie star, she started performing after the box-office success of her first picture. 
She was given a chance to star in the Kannada film Manassinakkare at this time, which became a great commercial success and landed her a number of subsequent roles. Ayya, Lakshmi, Chandramukhi, Billa, Raja Rani, etc., are a few of her well-known movies.
10. Trisha Krishnan
One of the most well-known actresses in the South Indian film industry is Trisha Krishnan, also known as Trisha. Despite not currently being in the spotlight, she is regarded as one of the top south actresses in the business all-time. She had a strong interest in modeling since she was young, and up until she started college, she had won numerous awards, like Miss Madras. 
The movie Saamy, starring Vikram, was her first significant commercial hit. She has starred in several high-grossing movies like Saamy, Ghilli, Varsham, Abhiyum Naanum, and the Bollywood film Khatta Meetha opposite the legendary Akshay Kumar. She has won a total of three South Filmfare Awards.
Final Words 
In conclusion, the South Indian film industry is home to some of India's most talented and versatile actresses. The year 2023 until now has witnessed and will continue to witness the rise of some exceptional women who have taken the industry by storm with their exceptional performances and magnetic screen presence. 
These top South Indian actresses have managed to captivate audiences with their incredible acting skills and have proven that talent knows no boundaries. Each actress on this list has earned their spot through their hard work, dedication, and undeniable talent. 
Their achievements inspire many aspiring actors who dream of making it big in the entertainment industry. Evidently, these actresses are here to stay and will continue to dominate the industry with their extraordinary performances for years to come.
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hotvintagepoll · 9 months ago
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Propaganda
Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]
Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Dorothy Lamour propaganda:
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She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!
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Ginger Rogers propaganda:
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She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.
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"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.
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we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number
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Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!
Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!
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One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.
ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!
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Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)
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(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)
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(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)
Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)
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Shall We Dance, 1937 (duet begins at 2:34)
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Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)
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The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.
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Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.
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She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.
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knownoshamc · 2 days ago
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sorry not sorry to bring this up again, but
Netflix removed Palestinian movies. They (movie/tv industry) fired Melissa Barr.era, a latina actress that spoke against the genocide. They kept actors from St.ranger Thin.gs even though they openly support the genocide. They cut the scenes of May Cala/mawy, a Palestinian/Egyptian actress from a major movie. Those are the examples of the top of my head. Keeping Assad Zaman's name (a non christian name) out of the press/promotion and now out of the nomination, despite the fact that he had much more screen time than Sam, who will also be the lead the next season (so plenty time for him to shine), is just... not a coincidence.
And I don't think anyone in the US, or the world for that matter, doesn't know about these things happening, if not in the movie/tv industry, but in the world (US support of I.srael for example). So I can't accept that people that don't get (to put it mildly) why people find problematic that Assad is not nominated... don't fully know what's up. Just because some people want to pretend Assad is not a South Asian/Bengali Muslim, but a white Christian American/Brit, it doesn't make it so.
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rubycruzin4abruzin · 4 months ago
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Forbidden Crown - VI
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Summary: You and Kit have begun planning your escape, but each predicted outcome seems to be more torturous than the last…
Pairing: kit tanthalos x princess!reader
Contains: kissing, implied public sex, angst, panic attacks, hints at character death
Word Count: 2.2k
A/N: I have been so insanely busy (I’m an actress and I have been booked and blessed) so I wanted to get out a short chapter for you guys. There should be two more after this, enjoy! :)
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“Look at this,” Kit thrust a book under your nose, pointing at the open page.
You leaned back, blinking as your eyes focused on the scripture. “What, pray tell, am I beholding?”
The two of you were sprawled out on the stone floor of the castle’s library, surrounded by open books, maps, and weathered scrolls. No one used the library much these days—the twins had long since finished their schooling, and the rest of the palace was far too busy with wedding preparations to concern themselves with reading—so it was the perfect place for you and Kit to hide away and plan your escape. Even so, you kept to the back corners to evade any prying eyes.
”Information on the Lovedu People of South Africa,” Kit explained. “They’re a tribe that permits the matrimony between two women. Offspring of such unions are even deemed the heirs of the ‘female husband.’”
“Kit,” you had to laugh. “We are not fleeing to Africa.”
“Why not?” Kit pouted.
You reached for a crumpled T-O map, pulling it towards you and smoothing its worn surface. “Because we…” you pointed to Europe “…are here, and Africa…” you traced southward to the African quarter, “…is over there. There’s an entire Mediterranean Sea between them, and we have no means to cross it.”
Kit grumbled something indistinct as she pulled the book back. She knew you were right, but that didn’t mean she liked it. You giggled at her petulance, kissing her cheek in an attempt to brighten her spirits. “Let’s agree: if by chance you find a ‘sapphic tribe’ within Europe, count me in. Until then, let’s continue seeking a more feasible escape route.”
She seemed content with your reply, turning your jaw towards her and returning your innocent peck with something deeper. You sighed into her mouth, drawing closer to her. Any and all books and research were quickly abandoned as you lost yourselves in each other. Your hands were all over her, traversing her body with the same fervent determination as she had that night in the garden. Subdued sounds spilled from her throat as your lips trailed from hers, strewing kisses down her jaw and neck before dipping below her belt.
This time, it was her turn.
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As time went on, your search for a relocation proved to be increasingly futile. Each kingdom researched was either too far away or too risky. You had exhausted all options and were growing increasingly desperate, and the weddings were but a fortnight away.
During a particularly sleepless night, you settled into the Great Hall with a map of Andowyne stretched across the long table, lit by candlelight. Your brow furrowed in frustration; each habitable area of the landscape had been dismissed for one reason or another. At this point, you and Kit were beginning to embrace the possibility of crafting a hovel to live in the Wildwoods.
You pinched the sides of the map between your fingers, holding it up in front of you when the flickering candlelight pierced through the paper, revealing something secret. At some point, someone had taken this map from the library and folded down the top right corner, concealing its contents from the rest of the surface. With curious fingers, you unfolded the corner, smoothing out its crease to reveal drawings of mountains, springs, and even a castle, all labeled with only one word:
Nockmaar.
Before you could even begin to wrap your head around this unveiled secret, you heard footsteps echo from outside the room. You froze, breath stilling as you waited for the footsteps to reveal their source. Could it be Kit, searching for a midnight tryst? Or perhaps Airk, coming back from a dalliance of his own?
Instead, Sorsha’s face appeared in the doorway, illuminated by her own candlestick. She donned a silk nightrobe over her chemise, with a slightly startled expression upon seeing you.
“Oh, it’s you,” she said, eyeing you curiously. “What are you doing awake?”
“I couldn’t sleep,” you answered truthfully.
“Neither could I,” she replied. “I suppose wedding planning has us all a bit perturbed.”
You sucked in your cheeks and nodded, accepting the half-truth.
“Perhaps one of the kitchen maids could bring you some warm milk? I was about to request some myself…”
“What is this place called Nockmaar?” The question slipped out before you could stop it.
Sorsha was taken aback, almost dropping her candlestick. “Pardon?”
“Nockmaar,” you repeated, smoothing out the map’s creases. Sorsha moved closer, examining the worn paper, and you saw no path of retreat remaining. “I came upon this map of Andowyne, and this corner had been folded away. Was it deliberate?”
It was difficult to tell in the dim candlelight, but Sorsha’s face seemed to pale. Her eyes glassed over as she brushed a fingertip over the creased corner, almost as if it would burn her. “Nobody visits Nockmaar anymore.”
“Nobody?” You asked, your interest piqued.
She shook her head. “Not anymore.”
“Has it become inhabitable?” You knew you were pushing, you knew you would get the scolding of a lifetime if your mother caught you questioning your host, the queen, this way. But you couldn’t help it; if there was a chance at a livable location for you and Kit, you had to know.
“Not necessarily,” Sorsha gazed upon the illustrations with a sadness behind her eyes. “Many moons ago, my mother, an evil sorceress, cursed Tir Asleen and used Nockmaar as her new site of power. She enslaved the locals, the nomads, and forced them to build the castle.”
“Do the nomads still reside?”
“It’s a desolate land. My mother was defeated long ago, and with her went the enslaved locals. Terrible, really.” She seemed to get lost within the cartography before snapping back to reality. “It wasn’t her fault. Not completely. She was abducted by order of the Wyrm. They radicalized her, gave her unnatural powers, they…” tears brimmed her eyes. She took a step back, wrapping her nightrobe tighter around herself with a trembling hand.
You immediately stood up, pulling out a chair for Sorsha to rest in. “Your highness, my apologies, I…”
“Have nothing to apologize for,” she finished for you. “It’s quite alright. You didn’t know.”
“Still,” you insisted, placing a comforting hand on her shoulder. Although you technically hadn’t done anything wrong, guilt still gnawed at your stomach like a wererat on the innards of a well. You had distressed the Queen of Tir Asleen, your future mother-in-law. If your mother had been awake…
“The castle is believed to be cursed,” Sorsha stated, almost out of nowhere. “Impenetrable walls oozing with bad magic. No one’s been there in years.”
You had to know. “Is the castle truly cursed, or is that simply a belief?”
She turned to you, fear striking her umber-brown eyes. “I wouldn’t want to be the one to find out.”
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“You have an entire castle you’re not using,” you confronted Kit the next morning after finding her reading under the big tree in the Tir Asleen garden. The lush hedges and blooming hellebores had sort of become a sacred oasis for the two of you—where you made your first friend, had your first kiss, shared your first… everything.
She looked up from her book—a new treatise on European tribes—and cocked her head. “How do you mean?”
You moved to sit next to her, reaching over and closing the book in her lap. “I know where we’ll be going.”
Kit’s eyebrows arched in intrigue. A fervent smile spread across your face. “Nockmaar.”
Her face immediately fell, eyes widening in dismay. “Nockmaar?”
“Your grandmother once had a castle up there, now long abandoned. It would serve as the perfect refuge. Of course, we may have to travel a bit for trips to the market…”
You continued explaining details of the plan you deemed to be brilliant, but Kit’s attention waned. Your words sounded distant—muffled, as if you were holding her head underwater. She stared into nothingness, eyes shrouded in a veil of fog.
“It’s uninhabitable,” she said finally.
You frowned. “It’s desolate. There’s a difference.”
“It’s cursed,” she finally looked at you, her face a ghostly pallor of fear.
“That’s but a legend; we cannot know for certain.”
“My grandmother had that castle built once she was indoctrinated by the Order of the Wyrm. I lost my father to the Wyrm. I cannot…” She trailed off, her breath quickening as the weight of your request settled upon her. “My grandmother… the demon queen… I bear her blood… it lies within me, waiting to be unleashed…”
“Kit…” your voice cracked as tears traced her cheeks. You had never seen her like this—terrified, her vulnerability exposed without her usual armor of anger—and your heart ached with guilt at having been the cause of such distress.
“What if the Wyrm awaits the return of the demon blood? I would become the new harbinger. I would be enslaved. I could destroy Tir Asleen, endanger my family, and…” Her eyes locked with yours again.“…you. I don’t want to hurt you. If I were to ever lose you…”
“You wouldn’t lose me,” you interrupted, gently squeezing her upper arms and pressing your forehead to hers. “And you wouldn’t hurt me, I know you better than that.”
“I wouldn’t be myself…”
“I would love you however you are.”
Despite your attempt at sweetness, her shoulders still deflated. “You’re not understanding…”
“Here’s what I do understand,” you leaned back, cupping her face in your hands. “Even if there is a chance that Nockmaar is cursed, and the Wyrm resides there, and it awaits a new harbinger… it’s still the safest option we have.”
Your words sank into Kit’s mind like a ship with a cracked hull. As much as she hated to admit it, you were right. Again. There was a possibility of Nockmaar being cursed, but remaining here was even more perilous. If the two of you were ever… discovered, you could be forced into pilgrimage, imprisoned, or even executed. Wyrm aside, Nockmaar was a vast, empty land; you could wander for miles without running into a single person, making the prospect of getting caught almost negligible.
As she gazed into your pleading eyes—her own filled with resignation—she realized how much this meant to you. In the fifteen years you’d known each other, Kit had always been the one to wield the scepter. You were younger, and even if not by much, Kit felt as though it was her duty to impart wisdom upon you. She had been your first kiss, introduced you to the forbidden texts, taken your innocence, always the one leading you into mischief under the precedence of ‘excitement’. But now, you were making a decision for the both of you, and you showed no signs of retreat. The sweet little girl Kit fell in love with had vanished, and been replaced with that of a woman—still sweet, but opinionated, clever, with the impenetrable strength of the Nockmaar castle walls. And in that moment of realization, Kit fell in love with you all over again.
“And if I awaken one morning,” she said slowly. “My eyes cold, and my face a cracked and stony gray?”
“Then I’ll love you all the same.”
“No,” she whispered, taking your hands in hers. As much as she could admire your newfound resolve, Kit was still Kit—willful, defiant, and famously unyielding. “I need you to promise me something.”
You surveyed her expression with unblinking eyes, waiting for her to continue.
“If that were to happen, if you roll over in our bed to find I’m no longer myself…” she swallowed. “I would need you to end my life.”
“What?!” You gasped, perhaps louder than intended.
“We’ll swipe a sword from the armory and take it with us. I’m sure you’ll be able to carry a sword now,” Kit said with a lopsided smile, recalling how the heavy metal fell from your grasp the first time you held a sword.
Of course, you weren’t one to find that amusing. “Kit, I cannot… I mean… to end you… Kit, I…”
“Princess,” she whispered, wiping away the single tear that had fallen from your cheek. “I would rather die by your hands than by those of an executioner in the Tir Asleen dungeon.”
And suddenly, it was Kit’s turn to be right. In either case, you risked witnessing Kit take her final breath, but the slim chance of it happening at Nockmaar was far more appealing than the strong certainty of it happening if you stayed. Perhaps you two hadn’t quite thought through the ramifications of fleeing, but then again, time was of the essence.
“Very well,” you agreed with a sniff. “I promise.”
Your voice cracked on your last word before beginning what was possibly the ugliest cry of your life. Kit held you in her arms, rocking you back and forth beneath the protective shade of your favorite tree. Neither of you spoke, only the sound of your uncontrollable sobs echoed through the garden as the weight of your life-altering decisions settled upon you.
One fortnight.
Two weeks.
Fourteen days until the weddings, and one less until your escape. All you could do was savor the time you had left as you prepared for what was bound to be a torturous existence.
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chaos-and-sparkles · 1 year ago
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In Which I Ramble About Pavitr's Character Design and the Indian Cultural Stuff Related to It
DISCLAIMER: I'm an Indian, and these are all my thoughts and analyses, but I'm also just one person and by no means am I speaking for everyone. I am not all knowing, and I am not immune to being wrong sometimes. These points are all my own thoughts and stuff that I know through my lived cultural experiences and some history and book knowledge, but I've not particularly researched any of these. I'm just out here giving my take from what I know. This is mostly just going to be me rambling, okay? Okay. Let's go!
Anyway okay so I just wanna go from the top down:
No. 1:
First of all his hair
His fucking hair
This is one aspect that i k n o w I'm overthinking and probably wasn't as significantly thought out in the design but it just Spoke to me and by all accounts I'm not the only one
But I'm so glad we have him with his thick gorgeous fricking hair, especially them being like curly/wavy and slightly long instead of straight and cropped or whatever
Like. Indians usually have very thick and luscious hair, not everyone ofc but generally it's a thing, and it's considered a point of pride to have long dark thick hair.
And the thing is for the longest time the beauty standard in India was to have very straight and shiny hair, all the actresses and heroes were doing it, even though that's literally not the realistic case for a lot lot LOT of Indians. There's a pretty big variety of hair texture in India; some of it is regionally concentrated too, eg. in South India you get a lot of frizzy, tightly coiled hair that's rough textured, whereas curly hair is usually silkier and looser curled as you go Northwards,, Bengalis tend to have very wavy thick hair,, etc. By no means a rule or anything, it's just a thing that there's a lot of curl variety and a lot of it was for the longest time considered ugly and unkempt (there are some classist/regionalist elements to this stereotype also unsurprisingly) still is by some people,,, bc the standard was Shiny Straight Hair. It's a standard that's slowly shifting. It's currently leaning more on the wavy and voluminous side. But it's def a thing still.
All that to say, it makes me so so happy to see Pav with his curly-ish lush hair that he wears with such pride and style,, that are a symbol of his own pride and self care too!!!
Also the line about "coconut oil, prayers and good genetics" - I LOVE THAT REFERENCE AHAHABSSK, using coconut oil for the hair is a very common thing here, it's so so good for the hair and the scalp alike and it's relaxing to massage it in too.
I've seen people try to write Pavitr in fics as "quickly brushing some coconut oil through his hair" as part of his morning routine and. Um. That's not how it's done askaskjas, I don't mean to be rude to the writers at all, everyone does the best with what they know and no one knows everything, but also practically speaking that would be greasy and awful.
There are multiple ways to apply coconut oil, ofc. Coconut oil is often massaged into the scalp and rubbed into the hair like an hour before washing, sometimes with lemon juice mixed in, and then washed off when bathing. Some people, especially those with drier and finer hair, apply it as a regular after-hair-wash thing, too, but even so it needs to be rubbed in.
A really beloved thing we have is coconut oil champis, too! This is basically when you sit down cross legged in front of youe mother/grandmother, and she massages the coconut oil into your scalp and hair in a way that literally cures all tension and headaches and leaves your head reeling and is so so good for hair and stress and everything. It's a family bonding thing more than just a hair routine. It's not always done by the mom/grandmother ofc, it's just how most of us first experience it, and they have a technique that none of us can ever quite replicate to the same effect later. As we grow up, we often do it for ourselves and for others. It's a weekly or monthly or even just occasional thing depending on who you ask. But yeah that reference was great I love it dearly!
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Also about the hair length
So in the current modern "civilized" standard (Indian schools and society in general tend to do a lot of shit trying to assimilate us into western culture and stamp out our own,, for example all my life I've been in schools where speaking Hindi and Telugu and stuff in class or in the hallways was Wrong and Forbidden and We Must Speak Only In English Bc We Are Educated And Cultured. This is so fucking hypocritical bc they would also have Hindi and Telugu classes and then criticize us for not getting it right or whatever), boys are meant to have short hair. Teachers literally single boys out in class for leaving their hair longer, not the exact length they set as the limit. This was my entire school experience; thankfully it doesn't seem to be the case in college, but that may just be bc I'm in an artsy college. In the workplace it's less stringent but it's still a thing.
HOWEVER, historically and culturally, long hair was considered good and even Important for both men and women. There's huge regional variations in this ofc; Maratha peshwas and higher classes and stuff for example wore a "pilaka" (idk what else it's called), which is the head shaven clean except a tuft in the middle that's sometimes braided. Brahmins still do it too.
But my point being, long hair was considered good for the most part, at most it would be worn in a bun for fighting and working,,, braids are a pretty big deal too. Having to cut your hair short=a symbol of dishonour and/or exile, or reserved for menial workers and so called "low classes".
(This is not stuff you even get explicitly told btw. This is stuff I've mostly inferred and studied from history and mythology and stuff , so there's no guarantee I'm 100% right)
Also, in Sikkhism (I'm not Sikh myself so correct me if I'm wrong, this is just what I know) having long hair is super fucking important for men. The hair is wrapped up in the turban, and the turban is a symbol of honour and pride and literally considered life. The long hair is considered sacred.
Removing the turban is basically a symbol of literally losing your honour pride and sense of self,, not just in Sikkhism, just generally at this point. Cutting your hair? Insult on injury.
Pavitr doesn't have particularly long hair ofc
But having grown up with such rigidly enforced things abt boys having very short cropped hair, it makes me so happy to see an Indian character who defies that.
Also!! Quick tangent about braids and their significance,, they're considered very beautiful and another symbol of pride, intricate buns and what not too! Just wanna drop this to give you an idea of what i mean:
In the Hindu myth of the Mahabharata, Draupadi, the wife of the Pandavas (she's a very interesting and important and beloved character, regionally also considered a goddess, she was a princess born of fire married to five princes and the vengeance for her honour literally fuelled the war for righteousness etc etc) vows never to braid her hair again until she has washed it in the blood of Dushasana, a man who forcefully tried to disrobe her in court (it's a whole myth of its own). At the apex of the war, Bheem, her husband, brings her his blood. She washes her hair in it and then for the first time in thirteen years, she braids it.
Braids are not as significant now but it was basically a Pretty Big Deal and I just wanted to talk abt it.
In Hinduism too the gods are portrayed with long hair, it's a Thing.
No. 2:
Okay so moving more downwards,, I have a bunch of Thoughts abt Pavs mask design!
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Okay so obv we have the spiderweb-pattern that's a given.
But. The interesting parts are these:
The bindi-like design on his forehead.
Bc my point is
Sure that looks like a bindi. And that's beautiful in itself but I HAVE ANOTHER TAKE
Bindis are traditionally worn by women as a symbol of beauty, prosperity, and again, pride. But while nice, that's not quite a symbolism that fits imo
You know what else is ver similar where my mind immediately goes? A tilak.
The shape is kind of off for a tilak actually, a tilak is more of a U or a V with a dot or a flame-like stroke in the middle. So in that case it looks more like a bindi
But i really like thinking that it's inspired by a tilak too, bc
While a bindi is a decorative mark stuck or painted on a woman's forehead as a symbol of beauty and prosperity
A tilak is basically a mark that's finger-painted on the forehead of , usually a man but there's a softer smaller version for women too and ofc there are women warriors who got tilaks, for auspicious and blessing reasons. So in a Puja or ceremony, a tilak is put as a blessing and an auspicious thing, also meant to impart strength. The head of the household usually gets the most striking or biggest one.
Pandits usually wear tilaks for blessing purposes too, although their design is different and more elaborate than the ones given to others
Gods and goddesses had their own tilaks, some of them very distinctive like Shiva's
The part that applies to Pav is the warrior tilak
Basically before a king or warrior went to battle, it was customary to do a small sending off ritual and for the wife or mother to put the tilak for them and say "Vijay bhava" (may you be victorious)
It's still done for big undertakings and challenges like exams and new jobs and stuff.
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It's basically for strength, bravery and victory
The main difference in a bindi and tilak is the intent:
Bindi is for beauty
Tilak is for valour
Which. For a HERO. Just. Chef's kiss.
2. the markings around his eyes!!
I'm sure this has been said before, but it's very very reminiscent of kathakali makeup.
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Regionally there's a lot of eye makeup stuff also btw. There are some absolutely beautiful tribal designs and regional designs with a lot of colours but I cant remember specifics rn
Also!! The very distinctive black lines around Pav's eyes?? I love them sm bc they feel so so based in kohl and kajal. Another huge beauty and often pride related thing.
There's even a whole thing where a mother or older sister will often rub a bit of her kohl off on her fingertip and press it behind their loved one's ear so that "buri nazar na lage" (no one's bad gaze catches you). It's called a kaala teeka
The idea being that you're so beautiful and/or cute and bright and lovable and nothing should jinx that and nothing bad should happen to you. It's very rare now and I've never experienced it myself but it's so so precious <33
3. the white markings on his cheeks!
I've seen that explanation of how it's reminiscent of Ganesha, the elephant headed god who is kind of a symbol of new beginnings, intelligence, prosperity, and a ton of stuff I don't even know how to explain honestly, but he's very cool and beloved and has a lot of Good Vibes™ and i love him basically.
I personally am reminded more of kathakali makeup again!! But that explanation is very cool too and i like it!! I don't know if I agree bc i think it m i g h t be a blasphemy to have that imagery on your face, afaik no one here does it for any reasons and we have literal festivals and pujas dedicated to Ganesha
But then again I am a human with limited knowledge and i don't know everything
I personally think the tusk like designs are very cool. However, I also think it would be a bit of a No No for religious reasons. I also think it reminds me more of classical dance face makeup and stuff.
I also think if they meant to make it a Ganesha reference, then he should only have a tusk on one side, bc there's a huge deal about Ganesha being "ekdanta" (transl: one toothed) bc he has a well known myth of breaking off one of his tusks to write a mythologically and culturally significant epic.
There are also a lot of actual cultural face painting things in India that are way cooler than the Ganesha thing in my opinion. So while that theory is cool, I don't personally agree with it. I could be wrong, again, idk what the design intent was exactly.
No. 3:
Next thing: this is a very very small thing and i only have a sentence on it, but i really appreciate Pav's neckline in his suit.
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The neckline here? That's the kind of cut that's most typical of kurtas. Especially more ceremonial, kingly, wedding sherwani, or generally festive attire; a regular kurti might have a v-neck or something, but this curved collar? Very Indian and classy in a way I can't fully explain.
No. 4:
This next thing I'm going to go completely ballistic about, everyone hold on to your seats!!!
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THE FUCKING MOTIF ON HIS UPPER ARMS. IT'S EVEN ON THE MEHENDI-ISH PATTERN ON HIS WRISTS AND HANDS. THE SPIDER SHAPE TOO. I AM NOT NORMAL OKAY
LISTEN.
LISTEN TO ME
TBIS IS CONFIRMATION THAT KRISHNA PAVITR IS CANON
HE IS SO SO KRISHNA CODED
Idc if I'm delusional, i DARE you to look at that blue design and tell me it doesn't look like a peacock feather
THE SHAPE OF HIS FUCKING SPIDER IS OH SO SUBTLY CURVED TO BE PEACOCK FEATHER SHAPED TOO
There is no human way for me to be normal about this i need a minute
Okay for context:
Krishna is a very important and beloved god in Hinduism. I cannot overstate the love I have for him, even being mostly non religious myself.
There is SO MUCH about him he is such a big deal and thanks to him being made a character in popular Indian cartoons and so many animated and live action movies being made about him, he is literally woven in the fabric of our collective consciousness and love for our culture
He's a mischevious and fun and chaotic and lowkey antiestablishment kid deity. He contains the literal universe. He has a deep abiding love for his people and his family and loved ones and the world he serves. He is a dancer, flute player, sweetheart, lover of life. He has a thousand wives, yet one Radha who he never married but is his literal immortalized soulmate. He guides heroes to duty. He is full of wisdom but also silly hijinks. He is so so beloved.
The peacock feather is his symbol! You could see the peacock feather anywhere and it's immediately OH KRISHNA! He wears a peacock feather, famously. In all his iterations, from childhood to adulthood. Peacock feather is his emblem.
Krishna is depicted through the peacock feather. It's become a very common motif in arts like mehendi and various textile arts to have peacock feather and peacock patterns; I'm sure that existed before Krishna too in several cultural circles but he is definitely a huge part of it since. There is a chikankari motif that is very recognisable that's reminiscent of peacock feather but I'm mostly unsourced on that, going off my own interpretation
But there's a definite link between peacock feather=Krishna=inextricable part of culture and art.
At least in North India. He's less of a big deal the further south you go. Still very widespread and overall loved tho.
So anyway seeing that peacock feather type motif on Pav?? Mixed with his Spiderman identity??? Is so amazing to me.
Krishna coded Pavitr real ✨
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(Also yeah people have already pointed out that Pav's hand designs are based on mehendi so I don't need to go into that askjasjkas)
No. 5:
Also. Huge fan of his arm cuffs. It's just another Indian warrior thing; often in ye olde times and in mythology, the cuff would be a lot simpler, often just a thread with an amulet to grant you protection. But it steadily became fancier, and now it can be decorative or a valour thing or both
Very often just decorative now actually. Often seen in weddings and ceremonies too
No. 6:
Okay about his bangles now:
I absolutely LOVE THEM I love them so much I am so obsessed with them actually!!
So. First of all
I remember there being a confusion in like earlier fics especially on whether they were bracelets or damrus or bangles or what
And i have Thoughts
So first of all
They are not damrus/damarus.
Damarus are a musical instrument made of wood and with two beaded ropes to beat on the small drum-like ends. They're also symbols of lord Shiva who uses a damaru.
They are very different from what Pav wears and i remember my fucking whiplash when earlier fics called his bangles damarus. I think i choked on my maggi.
I don't mean to be rude to the writers ofc, they were doing the best with what they knew. But it's just very jarring to me to hear that
I think an explanation I heard was that Pav's web shooter design was inspired by damarus? Which yeah I get that and I actually wanna talk about it bc I very much see it. But they are very much NOT damarus themselves
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So
First of all i personally have never seen nor heard of the kind of bangles Pav wears which appear to have a strip of cloth in the middle? While being gold cuffs on both ends? Which is new and interesting actually and opens up aspects abt his character that i find really interesting
Bc first of all: that implies he made them himself from stuff he already had inspired by things he saw. It seems, at least to me, like he used bangles/kadas he had to make the shooters he uses, which are designed the way they are for easier slinging and his cool tricks with them which would be harder if they were solid gold, and also the shape when he does the cool yoyo-y trick and hits The Spot with it and everything is very damaru shape. Which is also pretty cool if it's meant as a reference to Shiva and his damaru (he's a very fierce god with the damaru) or a reference to the street performers who use it nowadays.
Either way - and also additionally the fact that PAV LITERALLY DOUBLED HIS BANGLES AS WEB SHOOTERS WHICH IS SO CREATIVE AND SMART - and developed his own whole signature skillset with it?? And made his own bangle/shooters as I said before????
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My boy is PEAK jugaadu
He is the embodiment of jugaad
Never has anything been so true to the Indian spirit than jugaad
Okay so for context, the jugaad that I keep talking about:
It basically means makeshifting and/or inventing stuff you need from the limited stuff you have. That's a very simple way of explaining it. Just imagine that, but up the silliness level x100.
For example, a guy jugaaded a showerhead by poking holes in a sprite bottle and putting a hose in it and routing it to the tap.
Jugaad can be both very smart, and very funny and silly
And it usually involves combining useless stuff/trash/just stuff you had lying around to make smth that you didn't wanna waste money buying, and often ends up having more functions than the stuff it was meant to replace. This but it's also very crackheaded. Like idk how to explain. It's basically makeshifting, but it's just developed into such an Indian Spirit Thing™ that we have a word for it
So i love that Pavitr's bangles do all of that. He is a true Indian boy to his core!
No. 7:
Okay I have thoughts on his dhoti too!
So.
Blue.
I know why they used blue for his dhoti, what with the spiderman colours, the need to complement his bright red with smth softer, and everything. I get it and i love it so so much. What I'm about to say next is not a complaint against this at all, it's very good design imo
But.
Everytime I look at him in his fucking blue dhoti
I just remember all the times my grandmother has apprehended me and made me go and change for trying to wear blue or black at a Puja
Bc they're apparently unholy colours ;_;
Basically yellow, saffron, red are the appropriate holy colours. Now that i think about it, I've never seen a god or mythological king depicted in a blue dhoti or generally blue clothing either - farthest they go from the three i described is pink or green
I never really thought about it until my Nani pointed it out. I'm still not sure if anyone except her even knew or cared about it.
But that is the memory that bonks me on the head every time i Perceive the blue dhoti
Bro upgraded from funeral colour (white, which is his dhoti in the comics and absolutely infuriates me on a visceral level) to unholy colour askaskjjska it's so funny to me
Purple was still a luxurious colour, but generally warmer and/or lighter colours are The Done Thing. It's an old notion and the cultural connotations are now very diluted by Western influence and also none of us Caring about a lot of it anymore (not necessarily a good or bad thing particularly)
Indigo also has. Loaded connotations.
Because Britain did a Colonialism and a lot of Indians suffered for it. It's a whole history lesson.
I would rather not get into the whole details but basically Indigo (the plant from which the dye was made) was a valuable commodity and Britishers essentially forced farmers to grow only that, ignoring their need to grow food or sustenance or care for the land in general, especially in the Bihar-UP regions. There were eventually a lot of revolts where many people, esp farmers, died.
Basically a double whammy of starvation and death as a direct result of colonialism. It was a major part, historically, that sparked rage for the freedom movement
If you wanna learn more abt it you can search up Champaran farmer revolts!
Also about the drape of Pav's dhoti:
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I've seen a couple of memes and reels abt how Pav, in an emergency, suiting up for Spiderman duty, would be taking an hour to drape the dhoti and stuff
And those are hilarious and i love them
But also
That's literally not even a proper dhoti -
So the thing pav wears is basically more of dhoti-pants with a cummerbund.
So okay I need to explain this better hold on
A dhoti is basically a sheet of fabric that is draped around the waist and down. The elaborateness of the cloth can vary vastly from intricately patterned silk and brocade, to plain white cotton with a thin gold border optional
The drape of the dhoti varies even more depending on region, occasion, occupation, and status. You can have everything from the casual simple towel like drape and tuck that some men wear to relax on a daily basis, to an intricate thing with many folds and pleats and tucks and the middle part that hangs (I forget the name for that) that would actually legitimately take hours and is often adorned with jewellery . To a thing that's flexible to move in and also looks very pretty and is genderneutral some dance forms call for.
Basically. The drape varies vastly. And it's all one cloth, maybe a second one for a separate cummerbund sometimes, I'm not that well versed abt dhotis tbh.
But the thing Pav wears?? It doesn't seem to me to be folded the way I've ever seen any dhoti
The way it's folded and shaped is not how those style of dhotis work. There would be a lot more pleats and folds, for one. But it's not shaped the way to match the less-folded dhotis either.
Now, I'm no dhoti expert, but that leads me to believe that's not a full on dhoti. What it's more likely to be is dhoti-pants
Dhoti pants are this fusion thing. It's in the name. I haven't seen it much but I know/think/am pretty sure its a thing, bc most Indian guys now don't know how to drape a dhoti either and it's a good solution. Worn like a pant, looks like a dhoti. Simple. A cummerbund for the middle drape, and you're set!
Also side note: the fold with the distinct two legs and the middle drape that Pav has? Is the most commonly depicted warrior and king drape,, at least in North and Middle India, I'm not as well versed about the South but I think it's the case there too. The gods are depicted in that drape too
I have fewer comments on his leg design, I like that it's reminiscent of mehendi even on his feet bc yeah that's also done on the feet, although rarer now and also a bridal thing
No. 7:
He has gold cuffs on his ankles that I really like!
Okay so here's the interesting thing:
I could be wrong, but
But that kind of thick ankle cuff is not actually an Indian thing?? At least not in the warrior hero context that a lot of his design seems based on. At least not of that shape and width.
What we do have though are very simple metal ankle cuffs put on (I think) one ankle of young kids for protection,, again a tradition I'm not very familiar with, it's more localised
The other thing we have that's more interesting tho:
We have payals and ghungroos!!! Which opens up so many exciting prospects to me because those are both dancer things
Like. The payals are ornamental. They are beauty things as well. All women would wear them, their elaborateness and style depending on status, money, and region ofc
They double as dance and performance things too ofc
But ghungroos are specifically dance things
Very very sacred and honoured to the dancers, too. Quite personal
(These are all little bells on the ghungroos btw!! Hundreds of them. They ring out when the dancers dance)
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This is what Pav's ankle cuffs most remind me of. It's not the same thing ofc, and idk if the designers were even thinking of this.
But it would be really cool if he was inspired by ghungroos to have cuffs of similar thickness and placement on his legs. Perhaps even familiar to him hmmm?
This is me theorizing HARD to support my headcanon, but combined with Pav's classical dance-n-martial-arts-y moves, i present to you: Pav learning classical dance when he was younger (a thing that a lot of Indian kids do and only a few seriously continue for their lives) is real.
I rest my case
Like yeah it's known at this point that Pav's moves are based a lot off the martial art of kalaripayattu. Which is SO AMAZING AND I LOVE IT SO MUCH!!! But I also think this would be a cool influence alongside that, bc it really feels visible too.
No. 8:
The fact that Pavitr is barefoot is so so important and dear to me!!!
In Indian culture, you're supposed to take your shoes off as a mark of respect, before entering the ranabhoomi (literal transl: battleground, but not in an actual war with swords and shit ofc)
Being barefoot for pujas and in temples and on sacred ground in general is very important
As is being barefoot when you're walking onto a kabaddi or wrestling ground,, basically any fight that's supposed to be important and/or with honour. It's a respect thing for the opponent and for the earth you fight on.
There are a lot of contexts where being barefoot is important or a given
There's the prayer ground bc it's sacred and holy and you can't be dragging your dirty ass shoes there it's super disrespectful. You gotta enter with clean feet specifically, dirty feet are considered disrespectful too. that's also why there wil often be feet washing areas outside of temples here
Then there's the ranabhoomi that I just said, which is more of respect for your opponent and the earth. Respect to the earth especially is very important in the combat forms and sports I know of at least
Then there's the basic respect and tbh the hygiene thing too, of always taking off your footwear before entering another persons house. That one is more flexible, sometimes you can take it off inside, but the done thing is to take them off outside generally. Especially if you're a guest who's not particularly close. You'd be considered really rude if you didn't take them off at all. But again that still varies by person,, the older generations are way stricter abt it
Then the bride thing,,, it's actually a whole small ritual. The bride and groom will enter the groom's house for the first time,, which is considered the bride's new home bc misogynistic tradition so yeah. But basically it's supposed to be an auspicious beginning to a new home and life. (Btw being barefoot during the wedding ceremony is also generally required)
Usually, at least in North Indian tradition, a small vessel of rice is kept at the threshold that the bride must tip over with her foot when entering. It's for prosperity. Then she steps directly into a plate of a red liquid I forget the word for, but it's basically a sindoor paste type of thing. Her first steps into the house must be taken leaving those red footprints behind. That's for auspicious beginning
So Pavitr being barefoot is so so cool from a cultural and a character building standpoint
He takes his job seriously, he does it with respect and honour!!! He seems so chill and happy go lucky, but he's deliberate and respectful abt it!! And he's super connected to his culture too, bc you could just Not and no one would care, but it's so important that he does!!
So yeah!
That has been my full ramble askjasjkas. If you made it this far, have a cookie! Thank you and I hope this was interesting <33
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venussaidso · 9 months ago
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Why is it that Jupiter women, mostly the first two nakshatras (Punarvasu, Vishakha), often have very husky/deep or even smoky voices? It's interesting that the number of female celebrities I can think of with deeper voices have a Jupiter nakshatra on one of their top 3 placements.
Sophia Bush & Natasha Lyonne
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Scarlett Johansson & Priyanka Chopra
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Miley Cyrus & Emma Stone
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Laura Prepon & Whoopi Goldberg
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Demi Moore & Misha Barton
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Not saying all Jupiterian women will have husky/raspy voices, but it makes sense that I'd expect some of them to as Jupiter is a masculine planet and these women usually carry a lot of inner abundance that they tend to break gender boundaries whether consciously or unconsciously -- their voice simply being a connected manifestation of this. Another planetary addition is Mercury nakshatra and Mars nakshatra women. Mercury women can have very unique voices too, pretty obvious with their planetary rulership. And Mars women aren't really surprising as they tend to be the ones to shift conventional beauty standards.
I can quickly think of Jennifer Lawrence who is Mrigashira Moon with Ashlesha Sun and a Jyestha Ascendant. Or Naomi Campbell who is a Jyestha Moon. Also South Korean actress Go Young-Jung who is a possible Mrigashira Moon.
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rainbowsky · 6 months ago
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Has the competition for ranking in the domestic entertainment industry reached the Magnolia Awards?
Original Entertainment Management Studio 2024-06-01 06: 30 Beijing
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On May 30, after the shortlist of the Magnolia Awards for the 29th Shanghai TV Festival was announced, not only "xx was nominated" but also "xxx was not nominated" caused heated discussion.
The controversy centered on the two awards of "TV King" and "TV Queen". Among them, among the nominations for best actor, there are Ding Yongdai of "South and North" and Wang Yang of "War of Faith". However, some netizens discovered that when the official lineup of "War of Faith" was announced, Wang Yang was ranked third as the leading star, while Wang Yibo, who was ranked first as the leading star, was not nominated. The topic #白Magnolia was nominated without Wang Yibo# became a hot search on Weibo.
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The same situation happened in "South to North". When the official Weibo announced the cast, the first leading actor was Bai Jingting, and the second was Ding Yongdai. #Bai Jingting is not nominated for Magnolia Awards# also became a hot search.
In the eyes of some netizens, "No. 1" is equivalent to "protagonist", and "No. 2" and "No. 3" are supporting roles. So, is this "ranking" trend in the domestic entertainment industry really equivalent to the judging logic of Magnolia Awards?
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How to apply for a Magnolia?
As one of the three major awards for Chinese TV dramas, the Magnolia Award has always been regarded as an "industry award" and represents the vane of the domestic TV industry. The annual Best Actor and Best Actress awards are the highest recognition of actors in the field of TV dramas, and have become the focus of attention of various actors and fans.
Under the official Weibo of the Shanghai TV Festival's announcement of the shortlist, you can see countless fans' Amway* copywriting. In addition to actors such as Hu Ge, Yang Zi, and Tang Yan who have been nominated, fans of artists whose related works have been nominated also want to "get involved" in this joyous occasion. For example, the variety show "The Heart-Stirring Offer 5" was nominated, and fans of He Junlin, one of the guests, also congratulated He Junlin in the comment section.
*RBS note - 'Amway' essentially means 'intense and over-the-top, cult-like'.
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On the other hand, although "War of Faith" was nominated for multiple Magnolia Awards, fans of the lead actor Wang Yibo were not happy. In their view, when "War of Faith" was officially announced, Wang Yang was the "third" male supporting role, and Wang Yibo was the first male lead, but Wang Yang was submitted for "Best Actor" and was nominated. As a result, fans began to protest on a large scale under the relevant Weibo of Magnolia, the film company, and the producer.
The Yuli Studio read the "2024 29th Shanghai TV Festival Magnolia Award TV Series Category Regulations" and found that in principle, the male and female lead awards are filled in with 1 person each, that is, the first male and female lead. The first male and female lead must play a pivotal role in promoting the plot and have an indispensable and important role. If there are indeed multiple male or female leads, the maximum number of people to be filled in is 2, and both must occupy a relatively large part in the play.
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2024 29th Shanghai TV Festival Magnolia Award TV Series Category Rules
A film producer told Yuli Studio that because the Magnolia Award has requirements for the role, the film producer will definitely nominate the two leading actors with the most roles, and will not select them according to the ranking, nor will there be a situation where the "second male lead" is not reported but the "first male lead". If there are really not enough places, supporting roles will be reported.
The case of "Flowers" can also prove this application logic. When the official Weibo of "Flowers" announced the lineup, the ranking of the three actresses was Ma Yili, Tang Yan and Xin Zhilei. But according to The Paper, when the "Flowers" film producer applied, he believed that the three actresses in the play were all heroines, and each of them was very outstanding, so he communicated with the organizing committee and registered all three. In the end, only Tang Yan was shortlisted for the best actress.
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It can be inferred from this that Wang Yibo and Wang Yang are both the leading actors in "War of Faith" and are also the top two male actors with the most roles, so the film crew will also report these two actors when submitting. Similarly, the crew of "South to North" should also report the top two male actors with the most roles, Bai Jingting and Ding Yongdai.
On May 31, Nandu Entertainment reported that an insider said that the "War of Faith" crew did report Wang Yibo and Wang Yang for the best actor. Both Bai Jingting and Wang Yibo appeared in the second round of voting for the best actor of this year's Magnolia Award, but after the review vote, they did not enter the final shortlist.
At the same time, in terms of the submitter, the "2024 29th Shanghai TV Festival Magnolia Award TV Series Category Regulations" stipulate that the registration is by individuals or institutions that own the copyright of the program, and one party must be determined as the applicant. Generally speaking, the submitter is the first producer, that is, the video platform. So the submitter of "War of Faith" should be iQiyi.
However, even with the written rules and industry reports, fans don't seem to buy it.
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Where did the controversy come from?
Judging from the protests of Wang Yibo's fans, the biggest controversy is that fans believe that Wei Ruolai, played by Wang Yibo in "War of Faith", is the absolute and only male lead. Whether it is investment promotion or popularity, it is all carried by Wang Yibo. Therefore, the film company should not submit the best actor for Wang Yang, who is the "third lead", and compete with the "first lead" Wang Yibo in the same award.
So, are the rankings recognized by fans consistent with the "leading role" recognized by the industry? In addition to the first leading actor on the official list, the "first lead" recognized by fans also includes whether the script content revolves around the only protagonist, whether the protagonist has the most scenes, whether the various trailers released spend the most time on the first lead, and whether the above recognition has been mentioned in the interview with the main creators, etc.
However, in the selection rules of the Magnolia Awards, it is mentioned that if there are indeed multiple male protagonists or multiple female protagonists, the maximum number of people to be reported is 2, and all must occupy a relatively large part in the play. It can be found that when the official Weibo of "War of Faith" announced the lineup, Wang Yang was one of the leading actors. Secondly, the plot synopsis of "War of Faith" also mentioned that Wei Ruolai's plot mainly unfolds after he meets Shen Tunan, and forms a control group with Shen Tunan. Therefore, whether it is the title or the plot, there is no problem for the film company to apply for the Magnolia Award for Wang Yang as the "leading actor". And since the Magnolia Awards officially announced the shortlist, it also means that Shen Tunan, played by Wang Yang, meets the Magnolia Award's "leading actor" standard.
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War of Faith original casting announcement from 2023: Starring in the leading role: Wang Yibo, Starring in the leading role: Li Qin, Starring in the leading role: Wang Yang.
Judging from the list of winners of the Magnolia Award for Best Actor in previous years, Lei Jiayin, who won the 28th Shanghai TV Festival Magnolia Award for Best Actor for "The World", is not the only leading actor. Yu Hewei, who won the 27th Shanghai TV Festival Magnolia Award for Best Actor for "Awakening Age", is one of the protagonists, and was even ranked after Zhang Tong, who played Li Dazhao, when the official announcement was made.
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The application of "Fang Hua" also proves that a drama can have multiple "protagonists". It can be seen that the "protagonist" standard recognized by the Magnolia Awards is not the same as the "ranking" standard in the minds of fans.
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How do "the male protagonist" and "the female protagonist" influence creation ?
Therefore, the so-called "number one", absolute male protagonist and female protagonist are more of a self-entertainment statement of the fan circle, which is unprofessional and does not respect the rules of creation.
When the main creator is creating, if they are disturbed by the "male protagonist" and "female protagonist", the role will become to serve the actors rather than the plot and the characters. Under normal circumstances, the male and female protagonists and even the main supporting roles should have a complete growth line to show how their personalities are developed? What are the relationships between the characters around them? But if you blindly give way to the "male protagonist" and "female protagonist", other characters will lose their normal behavioral logic and become tools of "what the other party needs me to do, I will do", and the logic of the whole drama will collapse.
For example, "Changyue Jinming" was questioned by netizens that in order to set off the male protagonist, the female protagonist was arranged to fall in love with the male protagonist who had a "grudge against the extermination of the family", and the tragic female supporting role was also reduced to the "background board" of the love between the male and female protagonists, and was devalued by the protagonist as worthless; in order to make the male protagonist have a righteous aura, he, who was originally a villain and wanted to kill everyone, suddenly became a benevolent king in the middle of the series, and was criticized by the audience for his illogicality.
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Secondly, the trend of "fighting for ranking" also forces the film producers to "perform" all kinds of fancy words when making official announcements in order not to offend artists and fans. For example, when Yu Zheng officially announced "Five Fortunes", in order to prevent all parties from tearing up the rankings, he designed a "Ferris wheel rotating ranking". This kind of effort that is not beneficial to creation is a practice of chasing "face" without looking at "inside" under helplessness.
It can be found that whether it is the past "Awakening Age", "The World", "Kuangbi", or 2024's "Flower" and "Celebrating Yu Nian 2", these hit dramas that have been authenticated by multiple data are not "big male lead" or "big female lead" dramas centered on one person, but "all members are on the table", triggering group portrait dramas that break the circle of discussion. At the New Wave Forum on "How to make a hit drama and a hit person", Sun Hongzhi, director of TV drama operations at Tencent Video, also mentioned that the industry's effective broadcast standards are user value, economic value and industry value. And these three types of value cannot be brought by "big male lead" or "big female lead" alone.
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Essentially, the controversy is still the "disease" of the "rank cancer" in the domestic entertainment industry. People who are keen on "ranking" mistakenly equate the rank with the value of the actors, and regard the ranking as an important capital for business negotiations and rights protection. However, the rank is only the "face", and what is truly recognized by the industry or even passers-by is the "inside". The so-called "number one" and "only male and female protagonists" do not equal achievements, nor can they directly bring exposure, growth opportunities and business resources.
In this year's Magnolia Awards, Liu Lin, who was not nominated but was on the hot search, also "running with" for ten years. Under the entry #Liu Lin has been running with Baiyulan for ten years#, many netizens expressed their regret for her and mentioned her countless classic roles.
It can be found that although excellent actors have not been nominated, they have long been uncrowned kings in the hearts of the audience. As Liu Lin once said, "I am not in a hurry to be famous or popular, but I can still work diligently in the acting industry."
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factorygirlsstuff · 10 months ago
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Currently watching: Brewing Love, The Judge From Hell, Family By Choice & Love Game in Eastern Fantasy.
I started watching kdramas in May 2023 (updated 4/17/24)
My personal top 10:
It’s Okay to not be Okay (top fav) ★ ★ ★ ★ ★
A road to emotional healing opens up for an antisocial children's book author and an employee in a psychiatric hospital. (amazing chemistry & found family)
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Crash Landing on You ★ ★ ★ ★ ★
A paragliding mishap drops a South Korean heiress in North Korea - and into the life of an army officer, who decides he will help her hide. (lots of crying but worth it)
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Hometown Cha Cha Cha ★ ★ ★ ★ ★
At a crossroads, a dentist moves to a seaside village where she meets a handyman intent on helping his neighbours. (my most rewatched)
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Her Private Life ★ ★ ★ ★ ★
Dedicated art gallery curator Sung Deok Mi is a fanatic fan girl of White Ocean's Cha Shi-an, a dark secret she hides from everyone. (really supportive relationship, weird last couple of eps)
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Business Proposal ★ ★ ★ ★ ★
In disguise as her friend, Ha-ri shows up on a blind date to scare away her friend's prospective suitor. However, plans go awry when he turns out to be Ha-ri's CEO and he makes a proposal. (my first kdrama! Super cute & funny)
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Touch Your Heart ★ ★ ★ ★ ★
A famous actress, gets caught in a scandal with a son of a rich family; with her career declining quickly, she looks for one last hope to get back on the screen. She lands a role playing a secretary in a drama & then becomes a real secretary in order to play the part. (Healthy relationship, office romance)
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Welcome to Samdalri ★ ★ ★ ★ ★
After suffering a fall from grace, a photographer returns to her hometown and bumps into her childhood friend, rekindling an unfinished romance. (childhood friends to lovers & slice of life/healing)
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Happiness ★ ★ ★ ★ ★
The residents of a high-rise apartment fight for their lives against a deadly infectious disease while Sae-bom and Yi-hyun try to find the person because of whom the virus spread. (I think I really love friends to lovers)
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Something in the Rain ★ ★ ★ ★ ★
When a single career woman reunites with her best friend's younger brother after he returns from three years of working abroad, their efforts to reconnect grow into romance. (they just felt so real to me, the romance was 🤌🏼, worst mom)
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Cheer Up ★ ★ ★ ★ ★
A working-class girl joins her college's down-and-out cheerleading team, where she finds friendship, love, and an old-school campus mystery. (idk they felt real too, worst SML though)
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Other kdramas I finished:
Healer ★ ★ ★ ★ ★ (binged in 2 days)
What’s Wrong With Secretary Kim ★ ★ ★ ★ ☆ (love PMY)
Love to Hate You ★ ★ ★ ★ ☆ (Maybe I binged it too fast, but I don’t remember it lol)
Our Beloved Summer ★ ★ ★ ☆ ☆ (too slow for me & I usually don’t mind slow)
True To Love ★ ★ ★ ★ ☆ (main leads romance was everything)
Forecasting Love & Weather ★ ★ ★ ★ ☆ (something was off/missing)
Vincenzo ★ ★ ★ ★ ★ (🫰🏼)
When the Weather is Fine ★ ★ ★ ★ ★ (kinda slow but I binged it fast lol)
Squid Game ★ ★ ★ ★ ★
All of Us are Dead ★ ★ ★ ★ ★ (I like zombie shows)
Alchemy of Souls ★ ★ ★ ★ ☆
Alchemy of Souls: Light & Shadow ★ ★ ★ ★ ★ (the romance 🫰🏼)
Suspicious Partner ★ ★ ★ ★ ☆ (dragged in the middle but loved this couple)
Save Me ★ ★ ★ ★ ☆ (so good, just hard subject matter)
Shooting Stars ★ ★ ★ ★ ★ (loved the main couple so much & so many other cute couples!)
Doona! ★ ★ ★ ★ ☆ (omg her visual, binged so fast)
Itaewon Class ★ ★ ★ ★ ★ (binged so fast)
Descendants of the Sun ★ ★ ★ ★ ★ (binged in 2 days)
Castaway Diva ★ ★ ★ ★ ☆ (first kdrama to watch while airing)
The Matchmakers ★ ★ ★ ★ ★ (first sageuk, thought they were adorable)
Crazy Love ★ ★ ★ ★ ☆ (it was good, but didn’t do it for me 🤷🏻‍♀️)
Moving ★ ★ ★ ★ ☆ (I didn’t like all the flashbacks, but it was good overall)
Backstreet Rookie ★ ★ ★ ★ ☆ (for some reason I loved this couple so much, problematic SML & annoying SFL)
School 2017 ★ ★ ★ ★ ★ (just perfect)
Dalie and the Cocky Prince ★ ★ ★ ★ ★ (the pet names 🥰)
Soundtrack #1 ★ ★ ★ ★ ★ (another friends to lovers)
Behind Your Touch ★ ★ ★ ★ ★ (idk why but I loved it, it was so funny to me lol)
Thirty But Seventeen ★ ★ ★ ★ ★ (great romance & cutest found family)
Kiss Sixth Sense ★ ★ ★ ★ ☆ (really liked it, last 20 minutes idk 🤷🏻‍♀️)
I Am Not A Robot ★ ★ ★ ★ ☆ (loved this, dragged a little in the middle)
My Man is Cupid ★ ★ ★ ★ ☆ (SML annoyed me, the cutest ending 🥰)
Gyensong Creature ★ ★ ★ ★ ☆ (I liked it, but it didn’t end I guess. So I’m waiting for season 2)
Cafe Minamdang ★ ★ ★ ★ ★ (loved it so much! It made me laugh & loved the FL!)
My Man is Cupid ★ ★ ★ ★ ☆ (it was cute)
Marry My Husband ★ ★ ★ ★ ★ (it was a lot of fun & loved watching it weekly with everyone)
My Holo Love ★ ★ ★ ☆ ☆ (it was fine, only 12 eps so it was quick & slow burn romance.)
Queen of Divorce ★ ★ ★ ☆ ☆ (it started off really interesting, but some things were never explained & I wanted more romance between the leads)
Doom at Your Service ★ ★ ★ ★ ☆ (I really liked it, the romance was SO good, but I was a little confused about how the contract worked.)
Doctor Slump ★ ★ ★ ★ ★ (loved it SO much! Everything was so cute & loved the romance)
Flex x Cop ★ ★ ★ ★ ★ (really loved it, gave me Castle vibes. #1 drama I was looking forward to every week. No romance, although we are getting a 2nd season so fingers crossed.)
Chicken Nugget ★ ★ ★ ☆ ☆ (it was definitely weird, but I laughed a lot)
Wedding Impossible ★ ★ ★ ★ ☆ (really liked it, cute romcom)
Fight For My Way ★ ★ ★ ★ ★ (loved it so much, binged it in a day! I could not stop watching, friends to lovers really is the best.)
Rookie Cops ★ ★ ★ ☆ ☆ (really liked it at first, put on hold for a month, then the last few episodes were good again.)
Parasyte: The Grey ★ ★ ★ ★ ☆ (it was really good)
Mad for Each Other ★ ★ ★ ★ ★ (so good! Loved everything about it, especially the couple)
Dropped: (I might try again 🤷🏻‍♀️)
Run On
Goblin
Hotel De Luna
Weight Lifting Fairy, Kim Bok-joo
King the Land
My Demon
True Beauty
The K2
Destined With You
The Story of Park’s Marriage Contract
Perfect Marriage Revenge
Moon in the Day
A Good Day to be a Dog
Open to recommendations!
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wreckedandpolemic · 6 months ago
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renting out a cute beachside cottage with matty and having ur own little steamy getaway farrrr away from paps and social media <3 so so perfect
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does anyone remember actress!au i think this would be a good little moment for her. anyways, this would be soo lovely like imagine you’ve just come off a press tour and you need to decompress so you don’t obsessively stalk your indirects and matty has to gently prise your phone from your grip. not that that’s happened four times in as many hours, or anything. “right,” he declares after the fifth time twitter almost brings you to tears. “you need a break, darling.”
he won’t tell you where you’re going beyond that it’ll be warm, secluded and you should bring a swimsuit. so, naturally, you take that to mean you should bring as little fabric as possible. the pretty little stone cottage sits on the south coast of france, a private beach tucked up against the back garden, and you melt into matty’s arms as he brings you to the door. “it’s perfect,” you grin, letting him palm your ass through your little white sundress. both of you agree to unplug for a week, and you only mourn your drafts a little when he makes you uninstall twitter completely.
matty ogles you shamelessly as you change into a white bikini that’s more string than anything else, dragging him by the arm to the beach. you don’t even bring a book, content to just lay in the sun and gaze into his pretty, honey-brown eyes while you talk about nothing. the sun warms your skin, the cocktail in your hand cool as you sip slowly at it, and you roll onto your front with a soft smile. “can you help me? i can’t reach my back,” you say, teasing and innocent, moaning gratuitously as matty works the suncream into your skin.
“gotta stop making those noises, darling. making it so hard for me to control myself.” his fingers trace gently over your cunt through your bikini, and you squirm.
“maybe i don’t want you to.” you roll back over, supine, and pull your top off, kneading at your bare tits under the guise of applying suncream.
matty growls, pulling you on top of him and licking hungrily into your mouth. “needy little girl, yeah? want me to fuck you out here where anyone could see?” you nod helplessly, moaning as he slides his thick, rough fingers into you and sets a brutal pace. “gotta open you up, get you all fucking wet and messy for me before you take my cock, okay? just relax, i’ll take care of you.”
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sbrown82 · 2 years ago
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THE FULL HISTORY OF THE MICK JAGGER & MARSHA HUNT (A.K.A. “BROWN SUGAR”) RELATIONSHIP!!! (PART 1)
First, some background on the model, singer, actress, novelist, playwright, activist, icon, 60s goddess, and the woman who inspired one of The Rolling Stones’ greatest hits, “Brown Sugar”, Marsha Hunt. She is often described as London’s own Josephine Baker and is celebrating her 77th birthday today!:
Marsha A. Hunt was born on April 15, 1946 in Philadelphia, Pennsylvania and is the youngest of 3 children. Her mother, Inez “Ikey” Hunt, worked in an airplane factory during World War II, and her father, Blair Hunt Jr. graduated from Harvard and became one of America's first Black psychiatrists.
Marsha was raised in a middle-class neighborhood mostly by her mother, aunt, and grandmother who had roots in the deep south (Mississippi delta) and who she’s described as an “extremely aggressive and ass-kicking independent woman.” Her father committed suicide when Marsha was 9 years old (but she never found out how or why).
After moving out west to California with her family, she graduated high school at the top of her class and later attended UC, Berkeley in the mid-’60s where she wanted to study psychological anthropology.
While at Berkeley, she became friends with a slew of interesting people like activist Mario Savio and Huey P. Newton, who later became one of the founders of the Black Panther Party.
[TOP LEFT: Marsha’s mother Inez Hunt; TOP RIGHT: Marsha’s father, Blair Hunt Jr.; BOTTOM LEFT: Marsha at her home in Philly with her father & siblings, Pamala & Dennis; BOTTOM RIGHT: Marsha’s high school graduation photo in 1964.]
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Even though she thrived academically and was very involved in student activities, she became bored with college life and wanted to experience life outside of the country and pursue her real passion – music. In early 1966, she sold her car and some books, and trailed off to London with only $1.83 in her pocket.
Around that time, London was THE city to be in, and was even dubbed “Swinging London” for being the epicenter of art, culture, fashion and of course music, especially due to the popularity of famous acts like The Beatles and The Rolling Stones.
When Marsha first arrived, she slept on the floors of mutual friends, took odd jobs (including one as an au pair), and even appeared as an extra in Michelangelo Antonioni's box office hit film, “Blow-Up,” which also featured the British rock band, The Yardbirds.
SHOCKINGLY, in that same year she actually saw The Rolling Stones in concert for the first time during their UK tour at the Royal Albert Hall in London because she wanted to see Ike & Tina who were the supporting act on the bill. Girls were going crazy over the Stones, but of course, she was more impressed by Tina’s show-stopping performance! (Purrrrr 💅🏿)
[LEFT: Marsha in 1966; RIGHT: The Rolling Stones performing at the Royal Albert Hall in London with Marsha in attendance.]
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After roaming the city, making new friends, and trying to find steady work, Marsha ended up auditioning for a blues band fronted by British blues musician, Alexis Korner, who was looking for backup singers. Coincidentally, he was the exact same guy who gave The Rolling Stones their start back in 1962. Later on, she was offered another backing gig for Long John Baldry’s band, Bluesology. John is also a longtime friend of The Beatles and The Rolling Stones.
Though she loved music and worked really hard at it, Marsha always claimed that she was never a good singer. People in England just assumed she was because they thought all Black Americans had talent.
She then lived with English blues singer, John Mayall, who actually wrote a few songs about her including, “Marsha’s Mood” and another song coincidentally called “Brown Sugar”. Around this time, she became good friends with the founding members of Fleetwood Mac, famed British artist Kaffe Fassett, and keyboard player for Bluesology, Reg Dwight (a.k.a Elton John).
[LEFT: 19 year old Marsha sporting a wig in London; RIGHT: Marsha with a young Elton John].
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Around the time Marsha broke things off with John, he was also putting a new band together, which included a young guitarist named Mick Taylor, who showed up at the audition without a guitar. He later became another good friend of Marsha’s.
In late 1966, Marsha met musician Mike Ratledge from the British rock band, Soft Machine. At the time, she was having trouble getting a visa extension to stay in England, so the two got married on her 21st birthday. She later claimed it was a marriage in name only as they were not romantically involved and “never held hands and never kissed".
[LEFT: Guitarist Mick Taylor & John Mayall in the mid-60s; RIGHT: Marsha’s “husband” Mike Ratledge of Soft Machine.]
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That same year, Marsha’s hair started to fall out from using chemical relaxers, and after wearing wigs for a while, she finally cut it all off and vowed to never straighten it again. Hence, why she started sporting her iconic afro hairstyle which made her quite a showstopper in London.
In 1968, she found luck when she was cast in a buzzy new rock musical with an ensemble cast called “Hair.” The musical became an instant hit in London’s famed West End. And even though her character “Dionne” only had two lines, she suddenly became the face (or the hair) of “Hair”. The show was a huge success, and also became quite a sensation and a social landmark because it highlighted controversial subjects like drugs, casual sex, profanity, nudity, and anti-war rhetoric. While there, she met another close friend, actor Tim Curry.
[BOTTOM: A poster of the hit musical “Hair” that debuted in the Shaftesbury Theatre in the West End, 1968.]
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Her life completely changed overnight and she instantly became a PHENOMENON, attracting wide media attention. In fact, after the musical’s opening night, the editor of British Vogue sent her a huge bouquet of flowers and wanted her to pose for a photo session, which ended up being a 4-page spread with a written profile. Marsha was also the first Black woman to appear on the cover of Queen magazine as well.
[LEFT: Marsha pictured as the first Black woman on the cover of Queen magazine; RIGHT: Marsha photographed for British Vogue in 1969.]
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She immediately became a sex symbol, celebrity, and the face of the “Black is Beautiful” movement, which was already taking over America in the mid-60s. This helped her snag lots of modeling gigs and everyone wanted to photograph her. (I mean, sis was booked & busy!!!)
[BOTTOM: More of Marsha’s most iconic shots. *The melanin was melanating, 4C afro was on deck, eyelashes poppin’, lips bussin’...she was a *bad bitch*!!!]
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In March 1969, she signed a contract with Track Records, the same independent label that also repped the British rock band, The Who and Jimi Hendrix, as she later said, “There was one luxury that London celebrity afforded me: the freedom to be myself without a single apology for my gap, my freaked-out hair, my brown skin, my slave-class ancestors or my radical views.” 
Around this time, she also had a short-lived love affair with Marc Bolan, the singer and founder of the English rock band, T-Rex (even though he was much shorter than her 😂.)
She scored a few minor hits during her underrated music career with singles like a cover of T-Rex’s “Desdemona” and her debut single, a cover of “Walk on Gilded Splinters”. 
[BOTTOM: Marsha performing the T-Rex cover “Desdemona” live.]
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The record soon went to the charts, and that spring, she was asked to perform on various shows, including a popular British TV program called, “Top of the Pops”. During her live performance on the show, the tight bolero suede top she wore nearly came undone and partially exposed her breasts, a wardrobe malfunction that gave her the reputation of a “bad girl.”
NOW…Here’s the part y’all have been waiting for. Get your popcorn. Y’all got it? Ready? Good!!! 🍿
After her performance aired, Marsha soon received a phone call out of the blue from Jo Bergman, the then secretary for The Rolling Stones on behalf of the band’s frontman Mick Jagger who was actually watching the show live, asking her to pose semi–nude for a publicity photoshoot to promote the band’s new single, “Honky Tonk Women”. She said, “The picture was going to be of a girl dressed like a sleaze bag standing in a bar with the Stones and they wanted me to be the girl.”
[BOTTOM: Marsha performing "Walk on Gilded Splinters” on ‘Top of the Pops’ in May 1969. This was also the exact moment Mick Jagger first laid eyes on her!]
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Marsha, who was not a Stones fan, was already established and didn’t really need the extra exposure. She later declined because she had her reputation to think about and said she “didn't want to look like [she'd] just been had by all The Rolling Stones.” She also claimed, “The last thing [Black women] needed was for me to denigrate us by dressing up like a whore” among a band of white men.
ENTER MICK JAGGER:
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When she tried to get in touch with Mick to say, “thank you, but no thank you”, he later returned her call in an attempt to change her mind and even suggested he come over as he was very intrigued that a girl would turn him down.
Mick then showed up at her apartment around midnight as she claims, “He was framed by the doorway as he stood grinning with a dark coat ... He drew one hand out of his pocket and pointed it at me like a pistol. His silly 'Bang' was precisely the icebreaker we needed to get over my ungracious hesitation before I invited him in, not sure how to salute a notorious rogue who rings me just before midnight and suggests he pop round on a pretext of loneliness.”
They talked for HOURS, well until the sun came up about any and everything from music to social issues and politics, and according to her, Mick “made me squeal whenever he used Melanigian slang (aka Black vernacular/AAVE).” 🙄🤦🏾‍♀️
Marsha didn’t really find Mick physically attractive at first, stating, “He wasn't beautiful or even striking” however, he was boyish, open, direct, yet seemed quite awkward and shy. She found it a relief that he was nothing like other musicians she’d known or the image the media had portrayed him. He was incredibly charming, intelligent, funny, radical, and straddled the racial line, much like she did. She also quickly noticed that he had a penchant for Black women, as he claimed “They [Black women] just do something to me”.
The two of them had a lot in common and just clicked right off the bat. And things eventually turned hot as they ended up having sex. From there, they embarked on a passionate, but very private, deep romance and year-long affair, at a time when interracial relationships weren’t widely accepted yet.
Marsha didn’t expect to hear from him again, as he had a wide selection of women to choose from, but surprisingly, Mick wanted to see her and talk all the time, mostly because she was great to look at and he could count on her. Marsha said, “He knew that I adored him and that he could depend on me…he realized I respected him as I respected myself.”
Mick’s friend and interior designer Christopher Gibbs once said often when he dined with Mick, women who had slept with him would come up to the table and “he’d have absolutely no idea who they were.”
[LEFT: Mick photographed at the ​​Shaftesbury Theatre in London to see the new musical “Hair” for the first time; RIGHT: Marsha performing in the show.]
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1969 was a very rough year for Mick. He was having trouble with his band The Rolling Stones (which he was practically running by himself) because the founder and guitarist, Brian Jones, was becoming increasingly unreliable and spiraling out of control due to his deep drug addiction and legal troubles that led to him having difficulty getting a US work visa to go on an upcoming tour. Mick’s personal life was also a mess because his long-term girlfriend at the time, pop singer Marianne Faithfull, was also a very serious (and sloppy) drug addict, who often embarrassed him and became more dependent and difficult to be around. Things had gotten so bad between them, their relationship grew to be strictly platonic by this time.
Mick and Marianne were quite destructive together and often found themselves in legal troubles due to drugs. Marianne was also quite messy as she previously slept with Mick’s bandmates Brian Jones, Keith Richards, and even left her husband, John Dunbar, for Mick who was dating Black soul singer and former Ikette, Pat “P.P.” Arnold, when they first met.
P.P. also later claimed in her autobiography “Soul Survivor” that the three of them would often engage in drug-fueled threesomes much to Mick’s delight. 
[BELOW: Soul singer & former Ikette, P.P. Arnold, who dated Mick from 1966-1967.]
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While in London, Mick was still messing with P.P. who later became pregnant with his baby in 1967, but they both agreed to have an abortion, partly due to his growing relationship with Marianne.
[BELOW: Mick arriving at a courthouse with his then girlfriend, singer Marianne Faithfull in 1969.]
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Marsha on the other hand, was stone-cold sober and didn’t do any drugs (NOT ONE), which was like a breath of fresh air for Mick, though he dabbled with hashish, LSD, and marijuana among other drugs himself. But unlike those around him, he was able to control his habit.
Even though their relationship quickly turned sexual, they were really, really close friends. Mick often retreated to her home to relax, he told her all his secrets, his troubles – he just trusted her. He was completely enamored of Marsha, who many describe as warm, intelligent, sensitive, funny, and very easy to talk to. He liked that she didn’t go gooey-eyed and weak-kneed in his presence like most (white) women/female fans did. Instead she had a crisply forthright manner and was almost quite “butch”. The Rolling Stones then manager was even quoted as saying that Mick was “obsessed” with Marsha as she was very exotic, and he even gave her the nickname “Miss Fuzzy” due to her afro hairstyle.
Ironically, Marsha enjoyed their well-kept relationship and is one of the only people who often calls him Michael instead of Mick, to distinguish him from his Rolling Stones rockstar persona.
Since Marsha was a fellow recording artist, they were able to be seen together in public without any arousing suspicion—in any case, London still had almost no paparazzi. They would often go to the same parties or events, even with Mick’s girlfriend there, and no one questioned it.
Mick would often pop into some of Marsha’s studio sessions with her band White Trash, and everyone around would be in awe of him.
Later, after officially firing Brian Jones from the band, Mick and the rest of the Stones were in desperate need of a new guitarist. Marsha promptly suggested her good friend, Mick Taylor (Yes, Stones fans – thank Marsha Hunt for that one!), as a replacement for Brian just days before he was mysteriously found dead (he sadly drowned in a swimming pool at his home) on July 3, 1969.
Additionally, when Mick sought a replacement for Jo Bergman, the secretary who handled all The Rolling Stones affairs, Marsha also suggested her friend and tour manager, Peter Rudge - (The same guy responsible for getting the Stones all those huge tours in massive stadiums. Again, thank Marsha!)
Two days after Brian’s death, the Stones played a free concert before a crowd of over 250,000 people in Hyde Park, London, which was previously planned to debut their new guitarist, but turned into a memorial/funeral for Brian. Mick invited both Marianne (who looked a hot ass mess and was in withdrawal from heroin at the time), and Marsha (who showed up looking sexy af with her titties bustin’ out of her buckskin suit) to the concert, and rudely and distastefully opened the show with a song called, “I’m Yours and I’m Hers.”
[BELOW: Mick & Marsha at The Rolling Stones tribute concert to Brian Jones in Hyde Park, London on July 5, 1969.]
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Marianne who sat on the other end of the stage with her 4-year old son Nicholas and the other Stones wives/girlfriends, actually saw Marsha that day as she was placed right above the stage in the scaffold VIP section at the request of Mick so that he could look at her while he performed. She later said, “I saw her [Marsha] you know. And she was stunning…If I’d been Mick in that situation, I might have done exactly the same thing.”
Mick arrived at the concert with Marianne that afternoon, but left with Marsha and spent the night at her place where they made love.
A day after the concert, Mick kissed Marsha goodbye, and flew with Marianne to Australia to shoot a biographical film they were both cast in called “Ned Kelly,” based on the infamous bushranger. However, Marianne who was reeling from the recent death of Brian Jones and a horrible miscarriage just a few months earlier, overdosed on 150 Tuinal barbiturates while traveling with Mick, and fell into a coma in their hotel room.
[LEFT & RIGHT: Mick & Marianne arriving in Australia to film “Ned Kelly.” Marianne slipped into a coma just hours later from an attempted suicide.]
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At the last minute, Mick was forced to film the movie without her, but phoned and wrote to Marsha, who was extremely frantic and worried about his mental health and emotional well-being, almost everyday. She was scared that he didn’t have the stamina to deal with yet another crisis. He sent Marsha over 10 handwritten letters (some even written on the same headed stationery paper of Chevron Hotel where his girlfriend just tried to kill herself) about his deep feelings for her, his experience filming on set, being in the Australian outback, his new interests, the historic day of the moon landing of 1969, future career plans, his regret at missing her performance at the famous Isle of Wight Festival, and other aspects of pop culture (including “John & Yoko boring everybody…”). The letters also reference the recent death of his former bandmate Brian Jones, Mick’s increasingly difficult relationship with Marianne, and another letter even had the full original lyrics for The Rolling Stones song “Monkey Man”, which was later rewritten.
Mick’s letters also went on to mention the foul Australian winter weather and an unpleasant virus that swept through the film unit, a fire that destroyed most of the film’s costumes, along with various other accidents – including a prop gun that backfired in his right hand. He was just having a real shitty time. So, he found solace writing to Marsha.
His letters to Marsha showed how pensive and romantic he was. He said things like,“I feel with you something so unsung there is no need to sing it...” and “If I sailed with you around the world, all my sails would be unfurled.” He also thanked her for being “so nice to an evil old man like me”. And in another steamy note, Mick promises Marsha: "I will kiss you softly. And bite your mouth too."
[RIGHT & LEFT: Mick’s private letters sent to Marsha while filming “Ned Kelly” in Australia during the late summer of 1969.]
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Mick also celebrated his 26th birthday while filming in Australia and Marsha sent him a huge package of books (which he loves) and albums, including her friend John Mayall’s record “Brown Sugar.” Along with his gifts was a note stating how she missed him desperately.
While still trying to rehabilitate his hand from the prop accident, Mick toyed with a new guitar he had and started work on a song he had in his head, which was partly inspired by Marsha and that he initially titled “Black Pussy.” He decided that name was a little too direct and changed it instead to “Brown Sugar” with the lyrics:
[Verse 1]
Gold coast slave ship bound for cotton fields  Sold in the market down in New Orleans  Scarred old slaver knows he's doing alright  Hear him whip the women just around midnight 
[Chorus] 
Brown sugar, how come you taste so good?  Uh huh Brown sugar, just like a young girl should
[BOTTOM: Recording of “Brown Sugar” by The Rolling Stones later released on their Sticky Fingers album in 1971.]
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Mick later confirmed in a 1995 Rolling Stone magazine interview that the song is a double-entendre: “brown sugar” being the street name for unrefined heroin and of course also meaning his seemingly equal addiction to having sex with Black women. The song was a huge commercial success and ended up becoming a huge #1 hit around the world, making it one of the Rolling Stones’ best-selling records to date.
[TOP: A movie poster of “Ned Kelly” which was released in June 1970; BOTTOM: Mick with his guitar composing “Brown Sugar” during filming.]
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While Mick was still filming overseas, Marsha was booked to perform at the iconic 3-day outdoor concert, the Isle of Wight Festival on August 30th, 1969. At the time, it was the biggest open-air concert in music history and she was the only woman billed to perform. She was there alongside acts like The Who, Joe Cocker, and even Bob Dylan who hadn’t been onstage in three years.
Mick told her in a letter that he was so proud of her and promised her that he was “there in my head and in my heart.” Keith Richards, Charlie Watts and his wife Shirley, and Jo Bergman were also in the audience watching Marsha perform.
Marsha also made headline news as she wore custom-made leather shorts to which the press ran with and by the next fashion season, short shorts were featured in every fashion magazine. She was the first person to popularize “hot pants”.
[BELOW: Marsha performing with her band White Trash at the Isle of Wight Festival in 1969 with members of The Rolling Stones looking on in the audience.]
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After Mick came back from Australia, Marsha was offered a part in a film called “Welcome to the Club” which is a comedy about three Black USO performers sent to Hiroshima in the 1940s to entertain the troops on an all-white base. The film was being directed by Walter Shenson, who had produced The Beatles' films “A Hard Day's Night” and “Help” and shot it entirely in Copenhagen, Denmark.
She was also asked to fly back to London to shoot another cover for American Vogue which was shot by photographer Patrick Litchfield. (They‘d never had a Black woman on the cover before.)
Mick began touring in America again, his first since 1966, and with the number of girls he had access to, she knew he was keeping himself busy on and off stage.
[LEFT: Mick on stage at Madison Square Garden during the Stones’ 1969 tour; RIGHT: Marsha filming “Welcome to the Club”.]
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He even started a short-lived relationship with yet another Black singer and Ikette Claudia Lennear, as well sparking up a fling with Devon Wilson, a notorious rock & roll groupie and the girlfriend of Jimi Hendrix who famously wrote the song “Dolly Dagger” about their affair.
[LEFT: Mick arriving at Madison Square Garden in November 1969 with Devon Wilson; RIGHT: Mick backstage at the same event with singer Claudia Lennear.]
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But on December 6, 1969 - everything changed dramatically when an 18-year old concertgoer was stabbed and killed during the Stones’ free concert at the Altamont Speedway in California by the Hell’s Angels Motorcycle Club, who was the band’s security. Members of the Hell’s Angels blamed Mick for the incident and subsequent to the concert, put a hit out on him and threatened to murder him. This marked the third major tragedy to happen since Mick and Marsha met each other.
[BELOW: A scared Mick looks on as 18-year old Meredith Hunter is stabbed to death by the Hell’s Angels in front of the stage while the Stones performed at Altamont Speedway.]
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Marsha stayed with Mick after the chaos at Altamont, which the media dubbed “The Death of the ‘60s”. By this time, he had officially split up with Marianne and moved Marsha into his house on Cheyne Walk where she helped him to transition and readjust his life. It was then their relationship intensified!
This is around the time she got a chance to know some of Mick’s friends who lived on the same road, including Keith Richards and his girlfriend, actress Anita Pallenberg, who just had a son, but was hooked on heroin. She thought they were both nice, but they’d visit or show up unannounced to their home all the time. Their hard drug-taking also scared Marsha, so she kept her distance and didn’t voice her opinion. 
She also met Mick’s parents, Eva and Joe Jagger, along with his little brother Chris who was a bit of a hippie and had just returned from India with his American girlfriend. They both had no work, no money, and nowhere to stay, so Marsha kindly gave them a job, one included painting her new apartment.
That Christmas, Marsha got Mick a puppy and Mick, for the first time, told her that he loved her.
Marsha was in a good place. Opportunities were coming to her fast, she had a new apartment, and she was in love with Mick. She had newfound stability and independence. 
In January 1970, they were having dinner at the celebrity hotspot restaurant Mr. Chow’s when Mick said that she’d be a good mother and that they should have a baby together. Prior to this Marsha thought she was just another girl he fancied, as he was a notorious womanizer. But the talk of having a baby made her feel special to him. Her feelings for him were so deep that she also claimed, “I would have died for him.”
She knew Marianne miscarried around the same time Keith Richards’ son Marlon was born. Mick also missed family life with Marianne’s son Nicholas, so wanted to give having a baby a second try.
This fool literally made Marsha take out her birth control and IUD coil, they proceeded to have sex like rabbits, and when she found out she was 3 weeks pregnant, she told Mick who was ecstatic.
Marsha literally said to him, “Listen, if you’re not ready and you changed your mind about this, it’s okay.” She was totally ready to get an abortion. But he assured her that it was what he wanted and he was happy.
They had their first argument when it came time to naming their baby. Mick wanted a boy who he could send to the prestigious Eton School (the all-boys school where Prince William & Prince Harry attended), and he proposed that they call the baby ‘Midnight Dream’. Marsha wasn’t having it and even said, “Imagine sticking your head out of a window to call your child home and yelling, 'Midnight. Midnight! Time for tea.’”
She'd known that he and the band were leaving England for tax reasons and moving to France in the coming year. The Stones were also gearing up for their upcoming European tour.
Even though she loved Mick, he was young and she claimed she was “all for Mick doing his own thing”. They were supposed to be the sophisticated embodiment of an alternative social ideal — parent-hood shared between loving friends living separate lives.
This was around the time of the sexual revolution and people were exploring different types of relationships. Marsha didn’t find gratification in being “Mr. So and So’s” wife, plus Mick wasn’t the marriage type either. He was the type of guy to get up at 2pm to start his day - so marriage was sort of off the table. Though, unbeknownst to Marsha, Mick has thought of proposing, she claimed their relationship “thrived off her being supportive” and she loved to see him “run free”. And since she grew up in a matriarchy, the ideal of a man and woman living together seemed nice but unnecessary. They agreed that Mick would be a good absent father while he made his music and toured with The Rolling Stones, and Marsha could still have her own life and career. It was all very modern!
Marsha also feared that her association with Mick would crowd out her own identity. She didn’t like the limelight because it was a discomfort. She also never wanted to be known as Mick Jagger's girlfriend (can you blame her? So many of his girlfriends tried to commit suicide). Like him, she wanted her own independence.
By June 1969, Marsha told her band and the press that she was pregnant, but did not give up the name of her baby’s father. However, one little clever ass reporter actually found out it was Mick Jagger and threatened to print it. She thought of suing but asked the Stones PR team to link him to another girl. She managed to get through her pregnancy without a media frenzy or being linked to Mick even though they had stepped out together many times, and he was ready to have it reported. 
While Mick was away touring in Europe, his phone calls got less frequent. The tour was a bit crazy, and although Mick invited her to go to Paris, he knew she'd refuse – she didn’t want to get caught up. But he told her he was lonely and had met someone in Paris that he was taking to Italy. Her name was Bianca. She was Nicaraguan and spoke little English. Mick didn't mention her again, but after the tour, Marsha knew that she had moved to his house in England. 
His publicist sent her an invite to the premiere of his corny movie, “Ned Kelly,” but he didn’t show up. He also invited his parents to the event and it was there she realized that the bastard didn’t tell them that he had a baby on the way. Mick hardly lavished praise on his parents and even once told the press, “I owe them nothing. They are my parents, that is that…but there are no dues to be made by me to them!”
By her third trimester, having a baby became her whole reality and his passing fancy. He started to forget that the baby was HIS idea. 
Despite Marsha carrying his child, practically all references to her and the baby were quickly airbrushed out of his life. Chris O'Dell, Mick’s PA in the early ‘70s was even quoted as saying, “I never remember him talking about their child. In fact, I wasn’t aware of a baby being around at all. It was almost like [his first child] didn’t exist.”
Marsha was put in a difficult position because it was too late to go back and sometimes he’d phone her like nothing ever happened. She claimed his mood would change so quickly, he was like Dr. Jekyll and Mr. Hyde. She also said, “I've discovered that he can burn hot and suddenly cool to below zero.”
She started to worry that he didn’t care anymore, so, she tried to squeeze in any and every piece of work she possibly could to hold her up during and after her pregnancy (tv shows, photoshoots, etc.). She also volunteered at a local mental-care center in the autistic unit caring for a 12 year old boy to keep from feeling useless.
[BELOW: A heavily pregnant Marsha performing in late 1970.]
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At the same time, Mick also did a lot of peculiar interviews, either stating he wasn’t interested in having children or flat out dissing Marsha. During a 1970 interview with London’s Daily Mail newspaper he even said, “For me, life has always got to be on the move and exciting. I love kids, I really do…but it’s not something I’m thinking about.” He of course failed to mention that Marsha was expecting their first child.
[BELOW: Mick during an interview referencing Marsha & his unborn child in 1970.]
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Once it was time for her to give birth, a hard-up Marsha was ashamed and reluctant to ask him for any contribution because he never once offered. Mick ultimately gave her a measly £200 to get by, which came with a note saying “I know I haven’t done right by you” and he also “loaned” her a ring he always wore.
She had initially planned a natural home delivery to keep the press at bay and because it was the “it” thing to do at the time, but was told by her OB-GYN that her baby was in danger and that she had to go to the hospital the next day. 
On November 3rd, she dragged her own luggage and hailed a taxi to the hospital only to be told there weren’t enough beds. Panicked and scared, she went back home quite sure she was going to die from an unassisted childbirth.
When she went back to the hospital the next day for an induced labor, she checked in with her married name “Ratledge” to protect herself (and Mick). On November 4, 1970 after hours of labor, she gave birth to a girl she named Karis and phoned Mick first and then her mother. That day was the first time Mick actually told his now girlfriend, Bianca, that Marsha and his baby existed.
While waiting in the maternity ward, the nurses also forgot to feed Marsha who was so hungry. But being on The National Health, she didn’t complain.  
When she checked out of the hospital, Mick sent a bouquet of red roses,  a miniature muse figurine for the baby, a silver spoon, and some cheap Indian earrings for Marsha. He “dropped by” two days later to see his baby but was in a hurry to be somewhere else.
10 days later, he paid another rushed visit, but she eventually took him to the side because she wasn’t in the mood to entertain his detachment.  And she was kinda like, “Hey! What’s up with you? Why don’t you call or come around more often for the baby” trying to get some genuine reaction out of him instead of keeping her at bay with the polite chitchat bullshit, in which he snapped and yelled at her, “I never loved you” and told her that she was “mad to think that he had”. Of course Marsha, hormonal, stitches still in, burning and all, did not expect for him to stab back and immediately started to cry, which only made him more angry. The piece of shit even had the audacity to threaten to take her newborn baby away from her if he chose. She stopped and in a stern voice said, “Try it! I’d blow your brains out!!”
In that moment, the loyalty she had for him was gone. She had no choice but to push forward and tried to find as much work as she could to support herself and her baby.
[BELOW: Marsha & Mick after the birth of their first child Karis Hunt in late 1970.]
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READ ‘PART 2’ HERE!!! ☕️☕️☕️
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awardseason · 2 years ago
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Golden Globes 2023 — Film WINNERS
Best Motion Picture – Drama Avatar: The Way of Water Elvis The Fabelmans — WINNER Tár Top Gun: Maverick
Best Performance by an Actress in a Motion Picture – Drama Cate Blanchett, Tár — WINNER Olivia Colman, Empire of Light Viola Davis, The Woman King Ana de Armas, Blonde Michelle Williams, The Fabelmans
Best Performance by an Actor in a Motion Picture – Drama Austin Butler, Elvis — WINNER Brendan Fraser, The Whale Hugh Jackman, The Son Bill Nighy, Living Jeremy Pope, The Inspection
Best Motion Picture – Musical or Comedy Babylon The Banshees of Inisherin — WINNER Everything Everywhere All at Once Glass Onion: A Knives Out Mystery Triangle of Sadness
Best Performance by an Actress in a Motion Picture – Musical or Comedy Lesley Manville, Mrs. Harris Goes to Paris Margot Robbie, Babylon Anya Taylor-Joy, The Menu Emma Thompson, Good Luck to You, Leo Grande Michelle Yeoh, Everything Everywhere All at Once — WINNER
Best Performance by an Actor in a Motion Picture – Musical or Comedy Diego Calva, Babylon Daniel Craig, Glass Onion: A Knives Out Mystery Adam Driver, White Noise Colin Farrell, The Banshees of Inisherin — WINNER Ralph Fiennes, The Menu
Best Motion Picture – Animated   Guillermo del Toro’s Pinocchio — WINNER Inu-Oh Marcel the Shell With Shoes On Puss in Boots: The Last Wish Turning Red
Best Motion Picture – Non-English Language All Quiet on the Western Front (Germany) Argentina, 1985 (Argentina) — WINNER Close (Belgium) Decision to Leave (South Korea) RRR (India)
Best Performance by an Actress in a Supporting Role in Any Motion Picture Angela Bassett, Black Panther: Wakanda Forever — WINNER Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All at Once Dolly De Leon, Triangle of Sadness Carey Mulligan, She Said
Best Performance by an Actor in a Supporting Role in Any Motion Picture Brendan Gleeson, The Banshees of Inisherin Barry Keoghan, The Banshees of Inisherin Brad Pitt, Babylon Ke Huy Quan, Everything Everywhere All at Once — WINNER Eddie Redmayne, The Good Nurse
Best Director — Motion Picture James Cameron, Avatar: The Way of Water Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once Baz Luhrmann, Elvis Martin McDonagh, The Banshees of Inisherin Steven Spielberg, The Fabelmans — WINNER
Best Screenplay – Motion Picture Todd Field, Tár Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once Martin McDonagh, The Banshees of Inisherin — WINNER Sarah Polley, Women Talking Steven Spielberg, Tony Kushner, The Fabelmans
Best Original Score – Motion Picture Carter Burwell, The Banshees of Inisherin Alexandre Desplat, Guillermo del Toro’s Pinocchio Hildur Gudnadóttir, Women Talking Justin Hurwitz, Babylon — WINNER John Williams, The Fabelmans
Best Original Song – Motion Picture “Carolina,” Taylor Swift (Where the Crawdads Sing) “Ciao Papa,” Alexandre Desplat, Guillermo del Toro, Roeban Katz (Guillermo del Toro’s Pinocchio) “Hold My Hand,” Lady Gaga, BloodPop, Benjamin Rice (Top Gun: Maverick) “Lift Me Up,” Tems, Rihanna, Ryan Coogler, Ludwig Göransson (Black Panther: Wakanda Forever) “Naatu Naatu,” Kala Bhairava, M.M. Keeravani, Kala Bhairava, Rahul Sipligunj (RRR) — WINNER
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