#TonyAwards

[nubianamy]

I’m watching this year’s Tonys without my fellow theater nerds, please somebody tell me you are also so excited about Brandon Uranowitz winning best supporting actor

[steelcityreviews]

REVIEW: HTI's Fun Home - An Ambitious and Heartfelt Premier for Hamilton's Theatre Community

Adapted from Alison Bechdel’s groundbreaking graphic novel, Fun Home is a refreshing original musical about the power of memory and how it helps us shape, reexamine or even destroy our identity. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the unanswerable questions about her father’s hidden desires. It was the unexpected winner of Best Musical at the 2015 Tony Awards, championed the underrepresented (specifically women writers and directors) and has become a sorely needed addition to the musical theatre zeitgeist.

Hamilton Theatre Inc. has taken an ambitious risk with producing Fun Home as part of their 65th season. It is Hamilton Ontario's premier of the show and there has been a great deal of anticipation regarding its opening. After several health based challenges leading up to opening night, the show finally opened its doors to Maple Avenue and the Bechdel "fun home." While the production has its flaws, it ultimately grants audiences a brave, humourous and heart-felt look at the lives of the Bechdel family and how tragedy can lead to healing and hope.

Director Tyler Collins has staged Fun Home to incorporate all the memories present-day Alison recalls. The main set is the house, which begins as a dusty relic and is unveiled as Alison's father's passion project and, as we discover, a way to express his closeted queerness. The set design has some effective reveal elements to it which I won't spoil here but shows the ingenuity in how to make larger scenes work on a small stage.

HTI often faces the challenges of spacing and this time, the orchestra is affected. Some members were in the loft and some were on the ground floor which often made the sound levels uneven and several songs were very difficult to hear over the instruments. Lesson 101 at HTI is always the power of projection as the cast is not mic'd and the hanging mics only provide so much assistance. Due to many cast members recovering from illness, this may have affected their ability to project so bravo to those who pushed through. That being said, audience members who are not familiar with the songs and story may find difficulty in hearing several cast members throughout. The production features some moody lighting that adds to the overall atmosphere of the show but is also underlit for several scenes. The actors faces were often so dark that the emotional impact was frequently lost. Perhaps, for the remaining shows, some extra spotlight usage or warm washes would help resolve this.

Where this show shines is in its casting. It is no easy feat to cast three individuals to play the same character at various points in their life. Collins and the creative team made brilliant choices in casting Kristi Boulton (Present-day Alison), Sabrina Gabrielle (Medium Alison) and Ariana Abudaqa (Small Alison). Each of these actors bring charm, humour and nuance to their performances and they even match one another in stature and vocal prowess.

Boulton interacts with the other versions of Alison in an endearing way while making hilarious quips about situations as she tries to make sense of her past. Boulton impresses with her deep understanding of the source material and channels the emotional impact of the story with deep respect and soaring vocals, particularly in Maps and the gut-wrenching Telephone Wire. Gabrielle embodies the nervous energy of Medium Alison perfectly while they accept their sexuality and their awkwardly joyful Changing My Major is equal parts funny and relatable. I hope to see more of Gabrielle on stage in the future. Small Alison is energetic and sassy, almost to a fault. There is undeniably a great deal of talent in Abudaqa but her performance of Ring of Keys comes off a bit too manic and less reflective in the realization of Alison's sexuality. It is a pivotal moment in the show and it doesn't have the impact it should. All this to say that at the finale, these three will have you tearing up with their powerful performance and gorgeous harmonization. Bravo.

While Alison is our protagonist, the show ultimately focuses on the strained relationship with her father Bruce, his closeted sexuality and the deeply concerning (and ultimately tragic) decisions he makes. Ian McKechnie is another strong casting choice in this role. He understands the levels needed to make this role work so that the audience never hates him but like, Alison, never truly understands him. The moments of rage and intensity delivered by McKechnie shows off his skilled acting ability and the tension and despair never feels phoned in. Very impressive work.

There is a great deal more to praise about HTI's Fun Home. Amber Mill's breaks our hearts with her tragically resentful Days and Days. This song is a key example of why musical theatre exists: to show emotion and reveal one's self when words simply aren't enough. Mills demonstrates the heartbreak in this song and it is delivered beautifully. The Bechdel brothers (Gretchen Tellez and Olive Millie) deliver some refreshing moments of levity in Come to the Fun Home and Raincoat of Love and Jackie Mahoney and newcomer to the stage, Ivan Bond provide balanced support as Joan (Alison's girlfriend) and various characters throughout. The costumes are period accurate for the 1970's and the colour matching for the characters, particularly the Alison trio, is creative and clever.

HTI's Fun Home is a welcomed piece of musical theatre in our community and almost a decade since its original debut, still has a story that needs to be told. Audiences will come to understand more about the rollercoaster of emotions while discovering one's sexuality, the hardships associated with it and how the past can be our greatest resource to accepting ourselves and those who impact our lives. Tickets are selling quickly for this Hamilton premier. Go to the Fun Home.

For tickets and more information, please visit: https://hamiltontheatre.com/tickets/

Photos by: Kreations Photography

[mondomoda]

Tony Awards 2023 faz história: premia dois artistas Não Binários

Revelado na terceira temporada da série musical “Glee”, Alex Newell e J. Harrison Ghee se tornaram os primeiros artistas não binários a ganhar o Tony Awards 2023, o principal prêmio da Broadway, no domingo, 11 de junho. Alex venceu como Ator Coadjuvante em Musical por ‘Shucked” e J. Harrison como Ator em Musical por “Some Like It Hot”. Alex Newell ganha o Tony Awards 2023 @ Sarah Krulwich – The…

[weirdokidontheblock]

TONY WINNER michael arden and his husband andy mientus at the tony awards 2023:)

[anthonyvcrivello]

[matt-at-pencils]

James Earl Jones

[tvrundownusa]

tvrundown USA 2024.06.16

Sunday, June 16th:

(streaming weekly): Mayor of Kingstown (Para+), "GO! GO! Loser Ranger!" (hulu), Mission: Yozakura Family (hulu)

(specials): "The Tony Awards: Act One" (PlutoTV, pre-show, 90mins), 2024 Tony Awards (CBS|Para+, 77th annual, 3hrs), TMZ Investigates: "JLo & Ben: Missed Warning Signs" (FOX)

(original made-for-TV movies): "A Match for the Prince" (UPtv, earlier, 2hrs), "Danger in the Dorm" (LIFE, 2hrs+)

(hour 1): "Professor T" (PBS, season 3 opener), Ciao House (FOOD, 2hrs), Biography: WWE Legends (A&E)

(hour 2): Grantchester (PBS, season 9 opener), The Chosen (BYUtv, 2hrs), Billy the Kid (MGM+, penultimate), The Lazarus Project (TNT, 66mins), When Calls the Heart (HALL), Interview With The Vampire (AMC|AMC+, ~70mins), The Chi (SHO), House of the Dragon (HBO, season 2 opener), Gordon Ramsay Uncharted (NatGeo), Ciao House (FOOD, contd), "Violent Earth" (CNN, part 3 of 5)

(hour 3): D.I. Ray (PBS, season 2 opener), The Chosen (BYUtv, contd), Hotel Cocaine (MGM+, crime thriller series premiere), Couples Therapy (SHO, 60mins), "Secrets & Spies: A Nuclear Game" (CNN, part 3 of 4)

(hour 4 - latenight): Last Week Tonight with John Oliver (HBO), Smiling Friends ([adultswim])

[mywingman]

   I told my bodega guy I was lactose intolerant, and he nodded and said, “love is love, papi”.  #papi #fuego #drip #bodega #NYC #deli #CheesePlease #pride #pridemonth #SelfPreservation #LactoseIntolerant #shoplifting #sadthoughts #heartbroke #crying #relationshipquotes #explore #loveislove #choppedcheese #PuertoRicanDayParade #PuertoRico #PuertoRican #Boricua #Borinquen #tonyawards #theidol #couplegoals #heartbroken #undergroundcomix #art #mywingman 6/12/23

[chiemtaixiaomi]

May loc khong khi khu duoc nhung mui nao

Khói thuốc lá rất nguy hiểm đối với mọi người, đặc biệt là đối với mẹ bầu và trẻ em. Mùi thuốc lá và khói thuốc lá khiến trẻ em có nguy cơ cao bị viêm phổi, ung thư, hen suyễn,... chúng cũng gây khó chịu cho những người xung quanh. Vì vậy, khi sử dụng máy lọc không khí, khói thuốc lá sẽ được khử bằng bộ lọc than hoạt tính kết hợp với bộ lọc HEPA.

Xem thêm:

[curiousmasterminds]

77th Tony Award Nominations 2024

[vickiabelson]

Today Live, Hal Linden! I’m literally pinching myself. Thank you Max Gail for enabling this to happen. I loved Barney Miller, and everyone in it, especially Hal and Max. Topping even that, on break from the hit show, my father, Larry Katz, a borscht belt Master of Ceremonies, shared a bill with Hal at the Yiddish Theatre in New York. My father not only introduced him but sang to open for him, as well. Hal was one of his heroes. To say my father was over the moon is a gross understatement. He was euphoric. 

Hal’s career has spanned more than 65 years on stage, television, and in film. Best known for his portrayal of police precinct captain Barney Miller in the hit television series that aired from 1975-1982, which earned Hal Emmy nominations every year it was on as well as multiple Golden Globe nominations. Hal won two Daytime Emmys for Outstanding Individual Achievement for his host work on the children’s show, Animals, Animals, Animals. 

Hal made his Broadway debut in 1957 in the musical Bells Are Ringing opposite Judy Holliday and subsequently toured with the national company.  He later starred in the 1962 Off-Broadway revival of Cole Porter’s 1930s hit Anything Goes. To date, he’s performed in more than 20 Broadway and Off-Broadway productions. His numerous stage credits include On a Clear Day You Can See Forever, Subways Are for Sleeping, The Apple Tree, The Pajama Game, The Sisters Rosenzweig, A Christmas Carol, Tuesdays With Morrie, I’m Not Rappaport, Something More, The Education of Hyman Kaplan, Three Men on a Horse, Chicago, Cabaret, The Gathering and The Rothschilds, for which he won the 1971 Tony Award for Best Actor In A Musical.

Hal’s TV appearances have included The Golden Girls, The Nanny, Touched by an Angel, Law & Order, Will & Grace, The King of Queens, Hot in Cleveland, 2 Broke Girls and  Grey's Anatomy, and a recurring role on The Bold and The Beautiful, to name but a few. 

Currently, Hal’s readying to co-star with Marilu Henner in Ed Weinberger’s, The Journals of Adam and Eve. 

We’ve spoken on the phone. Twice. I’m giddy with excitement. This one’s for you, Larry Katz! 

Hal Linden Live on Game Changers with Vicki Abelson

Wednesday, April 3, 5 PM PT, 8 PM ET 

Streaming Live on my Facebook

Daily by Toni Vincent & @peter_and_paul_ Cartoons

[amcsociety]

Toni Rembe Theatre’s OZ

Experience the enchantment and wonder of "The Wizard of Oz" brought to life in a dazzling musical production at Toni Rembe Theatre. This beloved classic, based on the timeless book by L. Frank Baum, is a feast for the senses with music and lyrics by Harold Arlen and E. Y. Harburg, accompanied by background music composed by Herbert Stothart.

Under the masterful direction and choreography of Sam Pinkleton, the talented cast takes center stage, delivering sensational performances that will leave you spellbound. Chanel Tilghman shines as Dorothy Gale, capturing the essence of this iconic character with grace and charm. Alongside her are the incredibly talented El Beh as Uncle Henry, Oz Guard, and Coroner, showcasing their versatility by also playing the cello, and Darryl V. Jones as the endearing Tin Man and Hickory.

On some days, Katrina Lauren McGraw mesmerizes as Glinda and Aunt 'Em, while Danny Scheie brings the Scarecrow and Hunk to life with his impeccable comedic timing. Cathleen Ridley roars onto the stage as the Lion and Zeke, captivating the audience with their powerful presence. The wickedness of the Wicked Witch of the West and Miss Gulch is expertly portrayed by Courtney Walsh, leaving a chilling impression.

The supporting cast, including Ezra Reeves, Travis Santell Rowland, Ada Westfall, and Beth Wilmurth, add depth and vibrancy to the production, each displaying their immense talent and contributing to the seamless storytelling. The ensemble, led by Rowland as the dance captain, showcases their remarkable skills, creating visually stunning dance numbers that will leave you breathless.

The creative team behind this extraordinary production has left no detail untouched. The scenic and costume designs by David Zinn transport the audience into the magical land of Oz, while Stacey DeRosier's lighting design adds depth and nuance to each scene. Ursula Kwong-Brown and Danny Erdberg masterfully create a captivating soundscape that immerses the audience in the world of Oz. Swings also include Angel Adedokun, Keiko Shimosato Carreiro, Kunal Prasad, and Ryan Patrick (RP) Welsh.

Special mention must be made of Ada Westfall, who not only provides additional orchestrations but also serves as the music supervisor and assistant music director. Their expertise ensures that the music and melodies resonate beautifully throughout the performance. The dedication and talent of David Moschler as the music director and Leigh Robson-Davis as the associate director further elevate the production to new heights.

Furthermore, the inclusivity and diversity of this production deserve praise. The decision to include LGBTQI actors and actresses in key roles, such as the Wicked Witch, Lion, Tin Man, and Scarecrow, demonstrates a commitment to embracing and celebrating all identities. By making traditionally binary roles gender-fluid, the production opens its arms to the queer, trans, and non-binary community, fostering a more accepting and inclusive theatrical experience.

“The Wizard of Oz" at Toni Rembe Theatre is a triumphant musical spectacle that will captivate audiences of all ages. With its exceptional cast, imaginative staging, and breathtaking performances, this production is a testament to the enduring magic of one of the world's most beloved stories. Don't miss your chance to journey down the Yellow Brick Road and rediscover the power of friendship, courage, and the pursuit of one's dreams.

This recent incarnation of “The Wizard of Oz” will have you transported into a truly enchanting experience with the mesmerizing production of "Wizard of Oz" at the American Conservatory Theatre's Toni Rembe Theatre in San Francisco. This adaptation offers a fresh twist on the beloved classic, captivating audiences of all ages with its unique approach and inclusive casting.

One of the standout features of this production is its scaled-down cast, which creates an intimate atmosphere and allows for a more immersive experience. What sets this rendition apart is the innovative use of common children's toys and party props, transforming the stage into a familiar and magical world that resonates with everyone. From the twister mat to pompoms, an inflatable dinosaur, functional children toy cars and oversized toy houses and even a typewriter. The contemporary adaptation was also improv’d and developed with children in mind. Not naughty but there are some jokes for the older crowds but as the younger peeps say these days… iykyk!

"The Wizard of Oz" tells the captivating story of Dorothy Gale, a young girl from Kansas, who is swept away by a tornado to the enchanting land of Oz. In her quest to return home, she embarks on a remarkable journey accompanied by her loyal dog, Toto, and meets extraordinary characters along the way.

Dorothy befriends the Scarecrow, who desires a brain, the Tin Man, who longs for a heart, and the Cowardly Lion, who seeks courage. Together, they navigate the treacherous Yellow Brick Road in search of the mysterious Wizard of Oz, hoping he will grant their wishes. Along their path, they encounter challenges and confront the Wicked Witch of the West, who relentlessly pursues Dorothy and her companions.

Throughout the adventure, Dorothy learns the importance of friendship, self-belief, and the true meaning of home. With the help of Glinda, the Good Witch of the North, Dorothy discovers that the power to return home lies within herself all along.

"The Wizard of Oz" is a timeless tale that reminds us of the power of dreams, the strength of human connections, and the boundless possibilities that await us when we embark on an extraordinary journey of self-discovery and courage.

The stage management team consists of Chris Waters, Megan McClintock, Penny Pendleton, and Dick Daley. The creative team includes David Zinn as the scenic and costume designer, Stacey DeRosier as the lighting designer, Ursula Kwong-Brown as the sound designer and music consultant, Danny Erdberg as the sound designer, Amanda Villalobos as the Toto puppet designer, Ada Westfall as the music supervisor and assistant music director, David Moschler as the music director, and Leigh Robson-Davis as the associate director. The casting was done by Katie Craddock and the Casting Collective (Laura Espino and Keith Carames). The A.C.T. producing team comprises Andy Chan Donald as the associate artistic director, Louisa Liska as the director of general management and operations, Amy Dalba as the general manager, and Martin Barron as the director of production. The production is directed and choreographed by Sam Pinkleton. The American Conservatory Theatre San Francisco's Toni Rembe Theatre is led by Pam McKinnon as the artistic director and Jennifer Bielstein as the executive director.

“The Wizard of Oz” must close June 25, 2023 and you can buy tickets at act-sf.org.

[anthonyvcrivello]

What a joy #kissofthespiderwoman was. Special time, special talent with #FredEbb #JohnKander #TerrenceMcNally #halprince #JeromeSirlin #HowellBinkley #FlorenceKlotz ... and now about to become a Feature Film. Wonderful news. https://en.wikipedia.org/wiki/Kiss_of_the_Spider_Woman_(musical)

[jgroffdaily]

@thetonyawards pov: you’re backstage at the #TonyAwards 👀

📸: Jenny Anderson/Getty Images for the 77th Annual Tony Awards