#Tony Elman

[musicwithoutborders]

Tony Elman, Nonesuch I A Winter Collection, 1984

[ulkaralakbarova]

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak. Credits: TheMovieDb. Film Cast: Alice: Milla Jovovich Rain Ocampo: Michelle Rodriguez Matt Addison: Eric Mabius Spence Parks: James Purefoy Chad Kaplan: Martin Crewes James “One” Shade: Colin Salmon J.D. Salinas: Pasquale Aleardi Dr. Lisa Addison: Heike Makatsch Mr. Grey: Ryan McCluskey Ms. Black: Indra Ové Mr. Red: Oscar Pearce Dr. Green: Anna Bolt Dr. Blue: Joseph May Dr. Brown: Robert Tannion Clarence: Jaymes Butler Mr. White: Stephen Billington Ms. Gold: Fiona Glascott Medic: Liz May Brice Commando 1: Torsten Jerabek Commando 2: Marc Logan-Black Red Queen: Michaela Dicker Dr. William Birkin (uncredited): Jason Isaacs Film Crew: Writer: Paul W. S. Anderson Producer: Jeremy Bolt Producer: Bernd Eichinger Producer: Samuel Hadida Camera Operator: David Johnson ADR Editor: Matt Grimes Casting: Robyn Ray Production Design: Richard Bridgland Casting: Suzanne Smith Editor: Alexander Berner Line Producer: Albert Botha Associate Producer: Mike Gabrawy Executive Producer: Victor Hadida Executive Producer: Daniel S. Kletzky Executive Producer: Robert Kulzer Executive Producer: Yoshiki Okamoto Co-Producer: Chris Symes Original Music Composer: Marco Beltrami Original Music Composer: Marilyn Manson Art Direction: Jörg Baumgarten Set Decoration: Penny Crawford Hairstylist: Björn Rehbein Hairstylist: Friderike Roessler Hairstylist: Valeska Schitthelm Makeup Artist: Christina Smith Art Department Coordinator: Ingeborg Heinemann Assistant Art Director: Anete Conrad Animatronic and Prosthetic Effects: Pauline Fowler Animatronic and Prosthetic Effects: Martin Gaskell Supervising Art Director: Tony Reading Construction Coordinator: Ulf Sturhann Carpenter: Philipp Hübner Location Scout: Marion Gerhardt Production Illustrator: Ravi Bansal Sculptor: Colin Jackman First Assistant Camera: Adam Quinn Steadicam Operator: Jörg Widmer Still Photographer: Rolf Konow Prosthetic Supervisor: Barrie Gower Additional Music: Tom Holkenborg Choreographer: Warnar Van Eeden Driver: Susen Jarmuske Makeup Effects: Andy Garner Post Production Supervisor: Christine Jahn Production Office Assistant: Mirjam Weber Property Master: Danny Hunter Set Medic: Frank Guhn Special Effects Supervisor: Gerd Nefzer Stunt Coordinator: Volkhart Buff Stunts: René Bellmann Technical Supervisor: John Kurlander Unit Production Manager: Silvia Tollmann Unit Publicist: Francois Frey Visual Effects Editor: Paul Elman Script Supervisor: Caroline Sax Color Timer: Andreas Lautil First Assistant Editor: Franziska Schmidt-Kärner Best Boy Electric: Udo Kowalczyk Electrician: David Reppen Gaffer: Edgar Auell Production Accountant: Helga Ploiner Production Coordinator: Sammi Davis Visual Effects Coordinator: Muriel Gérard Researcher: Ian Frost Boom Operator: Alois Unger Music Supervisor: Liz Gallacher Sound Designer: Marco Raab Sound Editor: Frank Casaretto Sound Mixer: Roland Winke Sound Re-Recording Mixer: Michael Kranz Supervising Sound Editor: Stefan Busch 3D Supervisor: Phil Bignell Visual Effects Producer: Richard Yuricich Art Department Manager: Astrid Kühberger Software Engineer: John Charles Dolby Consultant: Norbert Zich Unit Manager: Esther Fischer Key Grip: Dieter Bähr Key Makeup Artist: Hasso von Hugo First Assistant Director: Jan Sebastian Ballhaus ADR Supervisor: Bjørn Ole Schroeder Draughtsman: Philip Elton Grip: Glenn König Animatronics Designer: Chris Coxon Second Assistant Director: Simon Emanuel Negative Cutter: Patricia Ferbeck ADR Voice Casting: Louis Elman Assistant Production Coordinator: Kerstin Biermann Casting Assistant: Natasha Ockrent Foley Editor: Noemi Hampel Costume Assistant: Claudia Maria Braun Costume Assistant: Elke Freitag Costume Assistant: Sparka Lee Hall Costume Assistant: Astrid Lafos Costume Assistant: Anette Tirler Negative Cutter: Renate Siegl Negative Cutter: Sandra Stier Animation: James Furlon...

[princesadivana]

Ты мне даришь тот корабль

Я тебе дарю восходы

[avhodeevdanil]

Andro, ELMAN, TONI, MONA - Зари | COVER PIANO | КАВЕР НА ПИАНИНО

[eddis-not-eeddis]

IT'S MY DAY OFF AND ASIDE FROM A FEW LIGHT HICCOUGHS* I HAVE THE ENTIRE DAY PRACTICALLY TO MYSELF TO LISTEN TO MUSIC AND PLOT STORIES AND READ BOOKS!

*sheep related

[bofursunboundbraids]

Hammered dulcimer is my JAM!!!

[onwardintolight]

30 years of songs - age 6

Naya’s Song - Joemy Wilson

As I’ve already said, we listened to a lot of folk/traditional music growing up. When I was little my parents started taking my sister and me to the local traditional music club. I have the best memories of sitting on the floor coloring while listening to the most marvelous music, from Celtic trad to mountain music all the way to Woody Guthrie and Oklahoma folk. There were workshops for a myriad of folk instruments, the “playaround” where people could sign up to share a piece of music with everyone and practice their performing skills, and jam sessions that went late into the night. We went there for years and some of my most cherished memories are there.

I particularly remember one beautiful spring day when the redbuds were all blooming. The local band Nonesuch was having a concert outside, and I remember staring up in awe at the hammered dulcimer player, Jacque, as she wove the most beautiful tapestry of joyful music with her little hammers, as beautiful as birdsong and the wind dancing in the blooming trees. 

Eventually Jacque taught my mom, and later me, how to play the hammered dulcimer too.

I’d heard the sweet sounds of the dulcimer for years; Joemy Wilson’s Dulcimer Lullabies album, along with other wonderful hammered dulcimer players such as John McCutcheon and Tony Elman, were constants in our house. This was my favorite tune by Joemy Wilson; it used to make me cry because it was so beautiful. Later I learned to play it too.

Honorable mention: Si Bheag Si Mhor, played by Tony Elman. This Turlough O’Carolan tune is one of my favorites. It (albeit played by a different artist) featured in the movie version of The Ugly Duckling I grew up with, the one narrated by Cher (the best version!). We also had a gorgeous picture book of The Ugly Duckling, and that story captured my heart like no other when I was little. It was yet another thing that would always make me cry because it was so heart-achingly beautiful.

age 0 | age 1 | age 2 | age 3 | age 4 | age 5

[cultfaction]

IFC Midnight acquires Hunter Hunter IFC Midnight announced today that it is acquiring North American rights to killer-thriller HUNTER HUNTER, starring nineties teen icons Devon Sawa (FINAL DESTINATION, IDLE HANDS) and Nick Stahl (BULLY, DISTURBING BEHAVIOR) with Camille Sullivan (THE MAN IN THE HIGH CASTLE), and Summer Howell (CURSE OF CHUCKY).

[mischa-auer]

Modern Screen, February 1940: Woeful and Wacky by John Franchey

Transcript of article:

Sad-eyed but full of tricks- that’s Mayor Mischa Auer

Those doleful eyes of Mischa Auer, so conspicuous by their contrast to the hilarious shenanigans he’s always pulling off, are no actor’s triumph. He deserves no credit. Life gave them to him. They mirror his personal history. They reflect war, work and woe.

    In his last picture, “Destry Rides Again”, he set even the hard-bitten critics in the aisles with his buffooneries as a transplanted Cossack who had migrated without rhyme or reason to a western town where he undertook a spot of hoss-wrangling. A Russian cowboy he was, as fantastic as a séance of rug-cutting in a cathedral or Tony Galento in the role of a ballerina.

    Funny? Of course. But ironic, too.

    It so happens that Mischa Auer is a Russian expatriate, a scion of what he likes to call, with typical modesty, “the petty nobility.” And his real name is Mischa Simonowich Ounskowski. His father, a commander of a destroyer in the Imperial Russian fleet, went down with his ship in a skirmish with one of the Mikado’s men-of-war during the Russo-Japanese campaign.

    He was four when his renowned grandfather, Leopold Auer, the outstanding violin virtuoso of this century and the teacher of Zimbalist, Elman and Heifetz, to name a few, took him under his wing. When a fiddle was thrust in his hands, he stared at it ruefully. He made a clean break of it. There just wasn’t the immortal urge within him, he told his great kinsman. Grandpa Auer took it very hard.

    What he did have was a passion for the theatre. As a little shaver he used to haunt the back stages of the theatres at St. Petersburg, entranced with it all.

    The Revolution broke with all its sudden fury and it became high time to think of self-preservation. Caught in the maelstrom, he was shipped with several hundred other boys of his age and social status to a forlorn town in Siberia, presumably to learn how to become a true Communist.

    It was a miserable journey, four thousand miles across the steppes in coaches that offered only wooden benches on which to sleep. Once arrived at land’s end, they were dumped out and forgotten.

    Here he discovered how relentless life can really be. Faced with starvation, he learned to ignore the proprieties. Together with his friends he formed a roving band equipped with knapsacks. They trudged from farmhouse to farmhouse begging, in the name of God’s mercy even a hard crust. It wasn’t easy. Poverty reigned over the whole countryside. When they couldn’t beg food, they stole it- just enough to keep themselves alive.

    After two years, they were shuttled back to St. Petersburg. Some had perished. Mischa Auer had become a starveling gnome, and the mournful look had made its first appearance.

    Worse misfortune was yet to dog him. Now the dread OGPU, the political secret service arm, outlawed all those suspected of having sympathetic leanings toward the old regime. The Auers were on the list scheduled for immediate liquidation. One jump ahead of arrest and oblivion, Auer and his mother fled. It was a heart-rending trek they made, mother and son, forging their way South to the Black Sea, fighting plague and hunger, and eventually reaching Constantinople then under the protection of the Union Jack.

    Here his mother was attacked by typhus and died. And here she was buried in a Greek Orthodox cemetery overlooking the harbor. A boy of fifteen, he was now left to shift for himself. In time he beat his way into Italy where he hunted out a family friend who provided him with the address of grandfather Leopold, now in the United States. Soon help was on its way. The wanderer set sail for America, a wistful shadow of a boy who had compressed an eternity into his fifteen years.

    Under his grandfather’s protection, he picked up the life thread. He was sent to the famous Ethical Culture School. His record here is less than average. He had no inclination for studies. His mind was alive only with dying. He could not escape the recollections of things he had seen and heard.

    All concerned worked feverishly to salvage the shattered soul in the under-nourished body. It was slow work. But by the time he was seventeen, noticeable progress was apparent. Came the day when he remembered his former passion for the theatre. He decided to see what it had to offer him here in America

    Not much, at first. But he persisted. Mere disinterest and rebuffs were nothing to him. He wouldn’t be downed. Finally Dudley Digges, just for his own amusement, presented him with a small role, that of an old man, in a mob scene.

    This slight encouragement was enough to show him he was headed right. He worked up to stage manager, also under Digges. Then he landed the juvenile lead in Sudermann’s “Magda.” In due time the company landed in Hollywood. Here the movie bug bit him. He chucked overboard the legitimate stage.

    If the stage was tough to crack, the movies were doubly tough. The studios wouldn’t even let him play an extra. Once, he will tell you, a director tossed him out of a Russian sequence because he didn’t look like a real Russian.

    He did everything while waiting for the magnificoes to see the light. He even rounded up a bunch of musicians and leaded a jazz band, available for a modest fee for dances.

It was Director Frank Tuttle who discovered him. He thought the sad-eyed Russian was wonderful. In fact, he managed to find a spot for him  in every one of his productions. Before long the melancholy one became a figure in the film colony. He got bids right and left but only when they needed despicable-looking villains who’d blackjack one-armed widows and swipe their pitiful savings.

    In vain did he protest that his dish was comedy. No one seemed to care. Not until Gregory La Cava, assigned to direct “My Man Godfrey,” happened to recall some of Mischa’s high jinks at a party years before, in which he had hung from the chandeliers in the character of a gorilla. La Cava felt that maybe this identical insanity would bolster the Godfrey saga. He took a chance, gave Auer a try. The waif pulled out all the stops. The fans howled, and at long last he who got slapped was definitely in.

    At thirty-four, wacky and woeful, Mischa Auer sits atop his own peculiar Olympus contemplating the world beneath. An inimitable harlequin, nevertheless he has a curiously humble philosophy about success. He simply figures he was lucky.

    Regarding his acting talent, a gift which some critic has been bold enough to hail in print as “an incomparable genius for mirth and merriment in a minor key” he is more curious still. He regards Mischa Auer as a “ham.” His explanation is child-like, very brief and simple.

    “I got some parts in shows and finally came to be a pretty good ham. There was nothing to it. In time I got out to Hollywood and eventually they went for my stuff. What I can do is just damned foolishness, but I’m crazy about pictures.”

    Outside of adding a few pounds to his frame and shooting some over fourteen inches skyward (he is now six feet two) the years have brought little noticeable change to the boy who fled from Russia. Today he’s as mournful-looking as ever, a streamlined, rapid-talking, mad Hamlet who hides his thoughts deep inside of him.

    For all this inferior gloom, the Auer is a geyser of gags, antics and mummery. On the set he’s a volcano whose humor literally stops the show. Cameramen, directors, script girls- one touch of Auer’s laughter makes the whole set kin. When he played with Baby Sandy in “Unexpected Father,” he had the little shaver gurgling all day, so much so that at night there was a strange wailing in B.S.’s nursery. She missed this wonderful buffoon.

    No single individual is more liked in Hollywood than Auer. He’s the life of every gathering he attends, his baleful eyes providing such amazing counterpoint to the high jinks he’s always perpetrating. Photographers covering the swanky premieres at Grauman’s Chinese Theatre in Hollywood never tire of exploding their flash bulbs at him. Just to be a pal he’ll push a peanut down the block with his nose, or walk a tight rope dressed in a hooped skirt.

    “All you have to do is ask the guy,” a picture-taking admirer of Mischa’s explains.

    Hostesses implore him to come to their parties and fall on his neck out of gratitude when he departs. He never makes an entrance. Actually, it’s an invasion.

    This general popularity is attested to by his political triumph of summer last. All of a sudden he up and ran for mayor of Universal City against Hugh Herbert and Joy Hodges. He pranced home the winner. Out of sportsmanship he made la Hodges the Chief of Police and then began worrying about funds to build a jail large enough to house the crime wave that was sure to result from this selection.

Being Alcalde of Universal City is his pride and joy. He loves talk of the Utopia he’s “going to make” of the little community. He bustles around sporting the most outlandish badge of office you ever saw. He’ll unbutton his coat at the drop of a hint so as to show it to people.

    He’s the interviewers’ delight. He makes it his business to astonish them by hook or crook. He’ll put on a show, if he has to.

    “Auer may never inspire the press, but he’ll never bore them,” he told a paragrapher.

    Once when he was being interviewed he decided on the spur of the moment to ring up his grandmother, Mrs. Leopold Auer. She kept him on the phone for almost an hour, while he groaned in his helplessness. When another writer, a lady this time, burst in she almost jumped out of her girdle. There was Mischa lying under the desk, tie akimbo and feet sprawled over the radiator, and spouting Russian at his relative lickety-split. The reporters looked at each other in amazement and wondered when the man with the straight jacket was coming for his charge.

    These same journalists get little information out of Mayor Auer. He’s too busy entertaining them. If he does do any serious talking, he steers the conversation into the channel of the camera art, his favorite hobby. Then, what has started out as an inspection of the Auer life and personality degenerates into a volcanic monologue on the respective merits of the different kinds of film, a new filter that’s just hit the market or, maybe, a nifty developing solution dreamed up by one of his cronies who has the same hobby.

    The thought of an elf as a husband is inclined to take your breath away, but married he is. To a lovely non-actress, nee Norma Tillman. He has a son and heir named Anthony, of whom he never tires of talking. They’re pals, father and son. Every now and then he and Anthony take a long walk, climb atop a little green hill and there Auer pere chants wild Slavic songs to the accompaniment of a Russian balalaika.

At home he’s a housewife’s delight- ready to tackle anything from dish-washing to beating the rug, if need be. He’s designed the wall-paper for his present home and equipped it with knick-knacks of his own creation.

    In matters of dress he’s as careful as a debutante dreaming of her coming-out party. Which is why he’s one of the slickest figures in any formal gathering. He loves evening dress. No one in Hollywood looks jauntier in a white tie.

    His hobby may be cameras and picture-taking but his passion is restrained roistering with fellow members of the old regime- and Hollywood has many of them. He and his playmates assemble at regular intervals dressed to the hilt. They dine sumptuously and then begin to tell sad stories of the deaths of kings and princes. They toast the glory that was old Ray-shya far into the night. Tears flow like rain upon the town when these sentimentalists start to relive the olden days.

    When it gets threeish, the man with the baleful eyes straightens himself to his stiffest, clicks his heels, and salutes and departs. Tomorrow is another day and somewhere on Universal lot Baby Sandy may be waiting for a camera rendezvous with her goofy parent.

[nizynskis]

i was tagged by @cranberryicecream to put my music on shuffle 10 times and list the songs :) thank you effie so very much your music taste is fascinating

1. Egotistic by Mamamoo

2. Crossing the Stream by Tony Elman

3. Lonely World by Moses Sumney

4. Basic (Regurgitated) by Declan McKenna

5. Carry Me Out by Mitski

6. Mamma Voglio Anch’io La Fidanzata by Natalino Otto

7. Aspiring Fires by Mother Mother

8. Che Fantastica Storia È La Vita by Antonello Venditti

9. Caring Is Creepy by The Shins

10. Shiny Happy People by R.E.M.

this was so funny and a little strange because I haven’t listened to mamamoo or mother mother since I was in middle school..my past coming back to me mayhaps

tagging @vainkaz @girlwerewolf @calderalake @ascendandt Hehe

[musicwithoutborders]

Tony Elman, St. Basil's Hymn I Swinging on a Gate, 1986

[cultofbeatles]

Hi! Were any string musicians every credited on the Beatles tracks that featured string/orchestral backings (Eleanor Rigby, Yesterday, I Am the Walrus, A Day in The Life, etc.)?

yes! i'm basing my info off of the book “all the songs: the story behind every beatles release” by margotin and guesdon. an incredibly informative book and worth the read. i recommend! 

anyways, for yesterday you have tony gilbert on first violin, sidney sax on second violin, kenneth essex on viola, and francisco gabarro on cello. 

eleanor rigby: tony gilbert on first violin. sidney sax, john sharpe, jurgen hess on second violins. stephen shingles and john underwood on violas. derek simpson and norman jones on cellos. 

i am the walrus has quite a few people: sidney sax, jack rothstein, ralph elman, andrew mcgee, jack greene, louis stevens, john jezzard, and jack richards all played violin. lionel ross, eldon fox, bram martin, terry weil all did cello. gordon lewin played clarinet. neil sanders, tony tunstall, and morris miller were on horns. 

all you need is love: mike vickers as conductor. sidney sax, patrick haling, eric bowie, and john ronayne were on violins. lionel ross and jack holmes were on cellos. rex morris, don honeywill were on tenor saxophones. evan watkins and harry spain were on trombones. jack emboli was on accordion. stanley wood was on trumpet and bugle. and david mason was on piccolo trumpet. 

 a day in the life has so many people credited so help me universe in naming all of them. here we go: rrich gruenberg, granville jones, bill monro, jurgen hess, hans geiger, d bradley, lionel bentley, david mccallum, donald weeks, henry datyner, sidney sax, and ernest scotts were all violins. john underwood, gwynne edwards, bernard davis, and john meek were all violas. cyril macarthur and gordon pearce were all double bass. francisco gabarro, dennis vigay, alan dalziel, and alex nifosi were all cellos. john marson was harp. roger lord was oboe. clifford seville, cavid sandman were flutes. david mason, monty montgomery, and harold jackson were on trumpets. raymond brown, raymond premru, and t. moore were on trombones. michael barnes was on tuba. basil tschaikov, and jack brymer were on clarinets. n. fawcett and alfred waters were on bassoons. alan civil and neil sanders were on french horns. tristan fry was on percussions. 

golden slumbers, carry that weight, and the end have a big orchestra for it but none of them are credited i don't think? all we know is there were 12 violins, 4 violas, 4 cellos, 1 double bass, 4 french horns, 3 trumpets, 1 trombone, and 1 bass trombone. 

something had an orchestra consisting of 12 violins, 4 violas, 4 cellos, and 1 double bass. 

a few of the beatles late songs with orchestra are like that. were it states how many instruments there were, but not who were playing it. i hope this answered your question? if not i wrote all those names for nothing lol. 

[avhodeevdanil]

У ТЕБЯ БУДУТ СЛЕЗЫ ОТ ЭТОГО КАВЕРА! Andro, Elman, Mona, TONI - Зари (cov...

[magzoso-tech]

Startups Weekly: Where social startups will get funding in the future

New Post has been published on https://magzoso.com/tech/startups-weekly-where-social-startups-will-get-funding-in-the-future/

Startups Weekly: Where social startups will get funding in the future

[Editor’s note: Want to get this free weekly recap of TechCrunch news that startups can use by email? Subscribe here.] 

While consumer tech has matured as a startup category in recent years, many investors continue to be bullish on specific trends like online gaming, voice, and the unbundling of platforms in favor of focused social networks. That’s the key takeaway from a survey that Josh Constine and Arman Tabatabai did this week with 16 of the most active investors in key social product categories over on Extra Crunch. Here’s an excerpt of the responses, from Olivia Moore and Justine Moore of CRV:

“Unbundling of YouTube.” You can build a big company by targeting a vertical within YouTube with a product that has better features and more opportunities for creator monetization. Twitch is a great example of this! We’re also watching early-stage companies like Supergreat (in beauty) and Tingles (ASMR).

Voice as a social medium. Voice continues to pick up steam as a broadcast medium via podcasting, but we haven’t seen a lot in social or P2P voice yet. We think a successful platform will leverage the fact that voice content can be created and consumed while doing other things. We’re big fans of companies like TTYL and Drivetime that are making strides here!

Flexible digital identities. Gen Zers are online constantly but have different preferences across platforms/friend groups about how they want to “show up” digitally. The rise of “Finsta” accounts is one good example of this. Companies like Facemoji already help users create social content using a curated digital avatar — we’re excited to see what else founders build here!

Synchronous, shared mobile experiences. We’re bullish on apps that connect users in real time to have a shared social experience. Most apps now are “single-player,” which creates scroll fatigue. HQ Trivia was an early example more on the entertainment side, while companies like Squad help users browse the internet and watch TikTok together.

Other respondees include: Connie Chan (Andreessen Horowitz). Alexis Ohanian (Initialized Capital), Niko Bonatsos (General Catalyst), Josh Coyne (Kleiner Perkins), Wayne Hu (Signal Fire), Alexia Bonatsos (Dream Machine), Josh Elman (angel investor), Aydin Senkut (Felicis Ventures), James Currier (NFX), Pippa Lamb (Sweet Capital), Christian Dorffer (Sweet Capital), Jim Scheinman (Maven Ventures), Eva Casanova (Day One Ventures) and Dan Ciporin (Canaan).

EC subscribers please note: a second part of this survey will be running this coming week, focused specifically on social investing in the COVID-19 era.

Are VCs investing — or maintaining?

Speaking of financing, who is actually writing checks right at this moment in time?

“I’ve seen a lot of VCs talking about being open for business,” Eniac Ventures founding partner Hadley Harris proclaimed on a fundraising-trend panel this week, “and I’ve been pretty outspoken on Twitter that I think that’s largely bullshit and sends the wrong message to entrepreneurs.” Instead, as Connie Loizos covered for us on TechCrunch, he said he didn’t have time to talk to more founders because he was so busy helping existing portfolio companies.

Not every investor agrees with that viewpoint —  VC Twitter features many an anecdote about fresh companies getting funding. 

Let’s just hope that both things are true, because it is already rough out there. 

Does your startup qualify for a PPP loan? (And should you apply?)

Two debates have been raging around government support for startups. First, the big, messy new Paycheck Protection Program — designed to cover expenses for small businesses — does seem to be somewhat available to startups, based on revisions published by the Small Business Administration late last week. But things get complicated quick depending on your fundraising and cap table, as Jon Shieber covered last weekend for TechCrunch. Venture firms typically have controlling interests in a portfolio of companies that total more than 500 people, so if such a firm also has a controlling interest in your startup, you may not be eligible. Even if the VC stake is under 50%, preferred terms that came with the fundraising may your application afoul of the rules.

To help founders work through their own situations faster, startup lawyer William Carleton wrote a quick guide for Extra Crunch. Here’s where he says you need to start:

Do you have a minority investor which controls protective covenants in your charter, or which controls a board seat afforded certain veto rights on board decisions? If the answer to either fork of that question is “yes,” you almost certainly have confirmed that you will need to amend your charter and/or other governing documents before proceeding with a PPP application.

The other aspect, of course, is whether startups should be applying for this in the first place. Congress broadly intended the money to go towards small to medium sized businesses, most of whom would never be considered for venture. Shieber’s article is full of comments on that topic, if you feel like weighing in….

The commercial real estate comeuppance

If you’re like me, and you’ve started companies in the Bay Area and struggled to find office space you could afford, enjoy this bit of schadenfraude as you plot your remote-first future. Because the commercial real estate industry is facing an existential crisis after many, many years of rent-seeking upon the Silicon Valley tech economy (and everyone else).

Connie explored this exploding topic with a range of startups, investors and CRE agents in a big feature for TechCrunch this week. One analyst “expects the market to come down by ‘at least 10% and probably 20% to 30%’ from where commercial space in San Francisco has priced in several years, which is $88 per square foot, according to CBRE. Driving the expected drop is the 2 million square feet that will come onto the market in the city as soon as it’s possible — space that companies want to get off their books.”

It’s quite possible to imagine even bigger declines, given the broader hits that most any possible tenant is also taking to their budgets. Who knows, maybe this whole process will even help make the Bay Area and other wealthy metros a little more affordable again.

Edtech gets hot again, according to investors

After lots of money and lots of struggle over the past decade, edtech is suddenly hot again thanks to the pandemic. Natasha Mascaranhas has been covering the trend recently, and dug in this week with a big investor survey on the category for Extra Crunch.

“One investor pivoted from spending a third of their time looking at edtech companies to devoting almost all their time to the sector,” she tells me. “Another, who has been bullish for years on edtech, says its business as usual for them, but that competition may arise. An ed-tech focused fund thinks the sector has been underfunded for a while, so the moment of reckoning has begun.”

Respondents include:

Jenny Lee, GGV

Tetyana Astashkina, LearnLaunch

Jean Hammond, LearnLaunch

Marlon Nichols, MaC Venture Capital

Mercedes Bent, Lightspeed Venture Partners

Jennifer Carolan, Reach Capital

Shauntel Garvey, Reach Capital

Jan Lynn-Matern, Emerge Education

Lesa Mitchell, Techstars

Tory Patterson, Owl Ventures

Ian Chiu, Owl Ventures 

Tony Wang, 500 Startups

Across the week:

TechCrunch

Economists haven’t thrown out the models yet (but they will)

Five CEOs on their evolution in the femtech space

Equity Monday: Hunting for green shoots amid the startup data

Extra Crunch

How SaaS startups should plan for a turbulent Q2

Fintech’s uneven new reality has helped some startups, harmed others

Fast-changing regulations give virtual care startups a chance to seize the moment

Twilio CEO Jeff Lawson on shifting a 3,000-person company to fully remote

Amid unicorn layoffs, Boston startups reflect on the future

#EquityPod

From Alex:

We started with a look at Clearbanc  and its runway extension not-a-loan program, which may help startups survive that are running low on cash. Natasha covered it for TechCrunch. Most of us know about Clearbanc’s revenue-based financing model; this is a twist. But it’s good to see companies work to adapt their products to help other startups survive.

Next we chatted about a few rounds that Danny covered, namely Sila’s $7.7 million investment to help build technology that could take on the venerable and vulnerable ACH, and Cadence’s $4 million raise to help with securitization. Even better, per Danny, they are both blockchain-using companies. And they are useful! Blockchain, while you were looking elsewhere, has done some cool stuff at last.

Sticking to our fintech theme — the show wound up being super fintech-heavy, which was an accident — we turned to SoFi’s huge $1.2 billion deal to buy Galileo, a Utah-based payments company that helps power a big piece of UK-based fintech. SoFi is going into the B2B fintech world after first attacking the B2C realm; we reckon that if it can pull the move off, other financial technology companies might follow suit.

Tidying up all the fintech stories is this round up from Natasha and Alex, working to figure out who in fintech is doing poorly, who’s hiding for now, and who is crushing it in the new economic reality.

Next we touched on layoffs generally, layoffs at Toast, AngelList, and not LinkedIn — for now. Per their plans to not have plans to have layoffs. You figure that out.

And then at the end, we capped with good news from Thrive and Index. We didn’t get to Shippo, sadly. Next time!

Listen to the full thing here!

[endorsereviews]

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package

*Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package Full Conference Audio Recordings plus all available presenter handouts Available on CD-ROM or USB Flash Drive

This package features audio recordings of all sessions recorded exactly as is happened at the Conference.

Includes MP3 files of every session. Listen on your computer or fill your iPod or favorite MP3 player with all the live audio from every session. This package allows you to review presentations and is a lasting valuable resource.

INCLUDES ALL OF THE PRESENTATIONS FROM THE CONFERENCE:

Friday, August 26, 2016 Build Your Practice Through Referrals William Arendell Mesmerizing Mind & Body Mona Abdulrahim-Santl Spiritual Journeys Howard Batie Non Verbal Matters Teresa Perciful Help Your Mary Kay Lady Jo Moon Stage Hypnosis Safety Susan Rosen From Stressed to Best Ruth Scheider Progressions for Success Bob Burns Sensational Solutions for Hot Women Louise Baker Hypnosis in Medical, Surgical and Clinical Settings Kate Beaven Marks Closing the Deal getting the Client to Say Yes Selena Valentine Fascination with Fractionization Cheryl Ellman The Essential 4 Randi Light Mindfulness in the Treatment of Pain Birgit Zottmann Hypnotic Headlines Jason Linett Stage Hypnosis vs Comedy Hypnosis Alan Sands Want Business Success? Joan Courtney Walking in the Hypnosis Arena Jodi Hert Why Dr. Flowers Jo-Anne Eadie Stories as a Tool for Creative Conflict Resolution Mark Andreas What’s Emotional Intelligence Beryl Comar How to Make Stage Fright Your Friend Nicholas Pallesen Working with Military and Emergency Services Karl Smith Motivation Workshop Michael Watson Speed Attraction Dave Snyder Golfnosis Doug Juola Utilizing Cellular Plasticity in Your Hypnosis Practice Michael Ellner How to Run Ongoing Meet Up Groups Nancy Mac The Art of Successful Change Mercedes Herman Energy Work for Hypnotists Nicole Weber Overcome Allergies in Just One Session Kevin Cole Post Traumatic Growth Peter Bedard Group Trance for Hypno Junkies Sara Pugh I’m a Hypnotist. Now What? Carm Blacconiere Trance with NO Induction Kweethai Neil The CIA Dream Team Pattern Sara Carson Optimize Your Weight Loss Fern Tasig From Zero to Hero Keith Barker Instant & Rapid Hypnosis Sean Michael Andrews The Mind of an Alchemist Carl Pruitt Stuttering, Obesity, Fears, Allergies and more H. Larry Elman Everything You Wanted to Know About Hypnosis Shelley Stockwell Allergies, Sensitivities, Pain and Cravings William Wood Addiction Treatment in the 21st Century William Horton The Secret Way to Market Your Products Richard Barker Autoimmune Disorders Melissa Roth Conversational Regressions Jess Marion The Contender Pattern Toni Bryant Weight Loss: Deep Psychology Johnn Farley The Care and Feeing of Entertainment Agents Bernie Stevens 3 Must Have Sessions John Cerbone The Hypnotic Bridge Martin Peterson Creating Expectations for Your Client Michael DeSchalit Habits of Success Zoilita Grant The Shamanic Journey Tess Meissner Spoon bending 1.0 James Dayley Introduction to Ericksonian Hypnosis Mike Mandel Love, Care for and Train Your Man Sandi Graves Time Distortion in Hypnosis Richard Nongard Information Retrieval Regression Tech Marx Howell Supercharged Hypnotic Phenomena Jason Linett Say What? Kathy Gruver The Mutual Motivation Model James Hazlerig Insights into Relationships Hena Husain Body Language Secrets David Snyder Effective Presentations / Fast Phobia Release Joanna Cameron Stage Hypnosis for the 21st Century Daniel Jamison-Goyette Saturday, August 27, 2016 Hypnotic Public Speaking Derrick Watkins Breathe! Kimberly St. Laurent “ASMR” Phenomenon and Your Hypnosis Practice Jen Wilding Unlocking the Power of the Mind For Ultimate Weight Loss Didi Vergados Intro to Handwriting Analysis Linda Martinez Goodnetter How to Start Stage Hypnosis? Gyula Kovacs Locking in the Desired Change for Good! Ken Guzzo Changing Self-Concept and Self-Esteem Donald Pelles Trance Through Time Shawn & Sarah Carson, Jess Marion Introduction to the Simpson Protocol Ines Simpson Power Networking Hena Husain Internet Marketing for Hypnosis Part 2 Steve G. Jones Conflict Deescalation & Resolution Mike Wilson The Vertigo Induction Robert Otto Getting the Read on Your Client Robbie Spier Miller Rapid Release Regression Techniquies A.L. Ward Mentalism as a Hypnotic Show Warm-up Devin Knight Hypnosis and the Law Gary Urso 3 Principles and the Outside Outcome Michael Watson Kinesiology and Muscle Testing Dottie Ward Six Criteria for Creating Lasting Change Patrick Singleton Hypnosex Stin-Neils Musche Improv – You Can Do It! Cindy Levy Quickly Boost Results in Your Sales, and Sessions! Andria Michele Practical Applications of Laughter Therapy Kelley Woods Past Life Regression Therapy Debbie Papadakis How to be a Fearless Agent of Change Luke Howard Integrative Hypnosis for Sleep Melissa Tiers Pick Up the Phone to Book Gigs Rich Alexander Publishing Your Very Own Hypnosis Book for Fun and Profit Michael DeShalit Show Your Clients How the Mind Works Carm Blacconiere Creating the Vision of Your Success and making it Reality Scott Schmaren Inside Marketing: Techniquies to Propel Your Business Forward & Get More Clients Kathy Gruver Trauma Collapse Technique – The Castor Protocol Martin Castor A Pretty Website Should Also be Convincing Steve Stork Mental Training for Athletes and Performers Randi Light Five Keys to Power Anchoring William Wood What is the “IT” in Spriritual Hypnosis Keith Dykes Are You Effective? Kate Beaven Marks introduction to Crafting Metaphors Mike Mandel Become a Hypnosis Recording Artist James Dayley Perception, Curiosity & Creativity Elizabeth Carnwith The Reality Distortion Field Shawn Carson 2 Rapid Inductin Tricks Sandi Graves Heroic Hypnosis Bob Offer The Clubnosis Experience – A Mind/Music Mashup Matt Hale Autism and Aspergers Kevin Cole & Kelley Woods Troubleshooting the Dave Elman Induction Workshop Sheryl Elman Mediation Padman Pillai Neurology 101 – Left and Right Brain Sara Pugh Why You Should Become a Practitioner of the Virtual Gastric Band Joanne Eadie How to Write Your book Using CreateSpace.com Kathy Linkdert IBS and Hypnotherapy Melissa Roth Energetic Healing with Opening the Heart Transmissions Paul Wong Inductions That Convince Your Client Scott McFall Dealing with Distractions During Self Hypnosis Nancy Hunter Hypno Spa for Practitioners and Performers Patricia Eslava Vessey Sunday, August 28, 2016 Your Six-Figure Hypnosis Business Suzie Bowers Groups & Spiritual Hypnosis Cheri Baumann Hypnosis & NLP for MMA and Combat Athletes Joshua Manuel Day Traders Can Make You Money Jeffrey Richrds A Mind is an Awful Thing to Waste Marx Howell OTHER Inductions H. Larry Elman Lie to Me… If You Dare – How to Catch a Liar David Snyder Hypnosis for Heroes Steve Roehm Group Sessions Made Easy Robert Otto Transpersonal and Suprapersonal Hypnotherapy Timothy Trujillo Coaching the Unconcious Mind Melissa Tiers Moving Through Struggles to Grow Your Practice Greg Beckett Working with Military and Emergency Services Karl Smith Musical Inductions James Hazlerig & Rachel Raucher Scripted (Don’t Sell the Sizzle!) Bob Burns Let’s Talk Sex Will Horton Corporate Clinical Hypnosis Programs John Cerbone Q & A on the Business of Smoking Cessation Ken Guzzo Interactive Erotic Hypnosis Ethics Discussion Linda Nelson Refining Your Access to Past Life Regression Albert Marotto The Perfect Presentation to Medical People Seth-Deborah Roth Spoken Word a Tool for Change Mercedes Herman & Toni Bryant Designing Your Own Self-Hypnosis Regimen Adam Kilgore Easiest Way to Book High Paying Corporate Speaking Robert Harrison Hypnosis for Heroes Rick Green Demonstrational Hypnosis Mariana Mathews & Sean Michael Andrews Stepping Into Your Power Scott Schmaren Come Get Hypnotized! Rory Fulcher Overcoming Fear of Public Speaking Roy Hunter Waltzing with Wolverines: Working with Troubled Teens Mark Andreas How to Kill Cravings William Arandell Crush Facebook Marketing Richard Barker The Magic of Erickson: Moving Beyond Language Patterns Jess Marion Enneagram & Hypnosis Nancy Hunter The Free Speaking Secret Heather McFall The Magic Mirror: Hypnosis & The Differently Able Robert Schlesinger Helping Injured Athletes Heal Jo Moon Secretes of a Successful Hypnosis Session Stin-Neils Musche Spriritual Regression and Progression David Newman How to Heal a Broken Heart Beryl Comar Use Meetup to Grow Your Practice Robert Riddlemoser The Key Belief That Prevents Change Duff McDuffee Inductions , Inductions, Inductuions! Timothy Trujillo Rapid Non-Contextual Trauma Resolution Michele Braun Conversational Hypnosis in Client Settings Michael Ellner Hypno-Scan – Using the Super-Conscious Mind to Heal Ted Robinson Hypnotic Webinars for Explosive Profits Jason Linett Acupressure Facelift Dottie Ward Twice the Money… Twice the Fun Zolita Grant Why I Did it & What I’d do in a Different Venue Kevin Lepine The Rapid Inductions Workshop Rory Fulcher You Can Make Your Own (Template) Website Tina Pineiro Evidence Based Miracles Kevin Laye 26 Direct Suggestions Richard Nongard Subliminal Therapy Eugene Popa Connecting to Your Source Agnie Hernandez Stern-Sentencing: The Techniquie You Need to Know About Phylicia Mason

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package posted first on premiumwarezstore.blogspot.com

[sublimedeal]

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package

*Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package Full Conference Audio Recordings plus all available presenter handouts Available on CD-ROM or USB Flash Drive

This package features audio recordings of all sessions recorded exactly as is happened at the Conference.

Includes MP3 files of every session. Listen on your computer or fill your iPod or favorite MP3 player with all the live audio from every session. This package allows you to review presentations and is a lasting valuable resource.

INCLUDES ALL OF THE PRESENTATIONS FROM THE CONFERENCE:

Friday, August 26, 2016 Build Your Practice Through Referrals William Arendell Mesmerizing Mind & Body Mona Abdulrahim-Santl Spiritual Journeys Howard Batie Non Verbal Matters Teresa Perciful Help Your Mary Kay Lady Jo Moon Stage Hypnosis Safety Susan Rosen From Stressed to Best Ruth Scheider Progressions for Success Bob Burns Sensational Solutions for Hot Women Louise Baker Hypnosis in Medical, Surgical and Clinical Settings Kate Beaven Marks Closing the Deal getting the Client to Say Yes Selena Valentine Fascination with Fractionization Cheryl Ellman The Essential 4 Randi Light Mindfulness in the Treatment of Pain Birgit Zottmann Hypnotic Headlines Jason Linett Stage Hypnosis vs Comedy Hypnosis Alan Sands Want Business Success? Joan Courtney Walking in the Hypnosis Arena Jodi Hert Why Dr. Flowers Jo-Anne Eadie Stories as a Tool for Creative Conflict Resolution Mark Andreas What’s Emotional Intelligence Beryl Comar How to Make Stage Fright Your Friend Nicholas Pallesen Working with Military and Emergency Services Karl Smith Motivation Workshop Michael Watson Speed Attraction Dave Snyder Golfnosis Doug Juola Utilizing Cellular Plasticity in Your Hypnosis Practice Michael Ellner How to Run Ongoing Meet Up Groups Nancy Mac The Art of Successful Change Mercedes Herman Energy Work for Hypnotists Nicole Weber Overcome Allergies in Just One Session Kevin Cole Post Traumatic Growth Peter Bedard Group Trance for Hypno Junkies Sara Pugh I’m a Hypnotist. Now What? Carm Blacconiere Trance with NO Induction Kweethai Neil The CIA Dream Team Pattern Sara Carson Optimize Your Weight Loss Fern Tasig From Zero to Hero Keith Barker Instant & Rapid Hypnosis Sean Michael Andrews The Mind of an Alchemist Carl Pruitt Stuttering, Obesity, Fears, Allergies and more H. Larry Elman Everything You Wanted to Know About Hypnosis Shelley Stockwell Allergies, Sensitivities, Pain and Cravings William Wood Addiction Treatment in the 21st Century William Horton The Secret Way to Market Your Products Richard Barker Autoimmune Disorders Melissa Roth Conversational Regressions Jess Marion The Contender Pattern Toni Bryant Weight Loss: Deep Psychology Johnn Farley The Care and Feeing of Entertainment Agents Bernie Stevens 3 Must Have Sessions John Cerbone The Hypnotic Bridge Martin Peterson Creating Expectations for Your Client Michael DeSchalit Habits of Success Zoilita Grant The Shamanic Journey Tess Meissner Spoon bending 1.0 James Dayley Introduction to Ericksonian Hypnosis Mike Mandel Love, Care for and Train Your Man Sandi Graves Time Distortion in Hypnosis Richard Nongard Information Retrieval Regression Tech Marx Howell Supercharged Hypnotic Phenomena Jason Linett Say What? Kathy Gruver The Mutual Motivation Model James Hazlerig Insights into Relationships Hena Husain Body Language Secrets David Snyder Effective Presentations / Fast Phobia Release Joanna Cameron Stage Hypnosis for the 21st Century Daniel Jamison-Goyette Saturday, August 27, 2016 Hypnotic Public Speaking Derrick Watkins Breathe! Kimberly St. Laurent “ASMR” Phenomenon and Your Hypnosis Practice Jen Wilding Unlocking the Power of the Mind For Ultimate Weight Loss Didi Vergados Intro to Handwriting Analysis Linda Martinez Goodnetter How to Start Stage Hypnosis? Gyula Kovacs Locking in the Desired Change for Good! Ken Guzzo Changing Self-Concept and Self-Esteem Donald Pelles Trance Through Time Shawn & Sarah Carson, Jess Marion Introduction to the Simpson Protocol Ines Simpson Power Networking Hena Husain Internet Marketing for Hypnosis Part 2 Steve G. Jones Conflict Deescalation & Resolution Mike Wilson The Vertigo Induction Robert Otto Getting the Read on Your Client Robbie Spier Miller Rapid Release Regression Techniquies A.L. Ward Mentalism as a Hypnotic Show Warm-up Devin Knight Hypnosis and the Law Gary Urso 3 Principles and the Outside Outcome Michael Watson Kinesiology and Muscle Testing Dottie Ward Six Criteria for Creating Lasting Change Patrick Singleton Hypnosex Stin-Neils Musche Improv – You Can Do It! Cindy Levy Quickly Boost Results in Your Sales, and Sessions! Andria Michele Practical Applications of Laughter Therapy Kelley Woods Past Life Regression Therapy Debbie Papadakis How to be a Fearless Agent of Change Luke Howard Integrative Hypnosis for Sleep Melissa Tiers Pick Up the Phone to Book Gigs Rich Alexander Publishing Your Very Own Hypnosis Book for Fun and Profit Michael DeShalit Show Your Clients How the Mind Works Carm Blacconiere Creating the Vision of Your Success and making it Reality Scott Schmaren Inside Marketing: Techniquies to Propel Your Business Forward & Get More Clients Kathy Gruver Trauma Collapse Technique – The Castor Protocol Martin Castor A Pretty Website Should Also be Convincing Steve Stork Mental Training for Athletes and Performers Randi Light Five Keys to Power Anchoring William Wood What is the “IT” in Spriritual Hypnosis Keith Dykes Are You Effective? Kate Beaven Marks introduction to Crafting Metaphors Mike Mandel Become a Hypnosis Recording Artist James Dayley Perception, Curiosity & Creativity Elizabeth Carnwith The Reality Distortion Field Shawn Carson 2 Rapid Inductin Tricks Sandi Graves Heroic Hypnosis Bob Offer The Clubnosis Experience – A Mind/Music Mashup Matt Hale Autism and Aspergers Kevin Cole & Kelley Woods Troubleshooting the Dave Elman Induction Workshop Sheryl Elman Mediation Padman Pillai Neurology 101 – Left and Right Brain Sara Pugh Why You Should Become a Practitioner of the Virtual Gastric Band Joanne Eadie How to Write Your book Using CreateSpace.com Kathy Linkdert IBS and Hypnotherapy Melissa Roth Energetic Healing with Opening the Heart Transmissions Paul Wong Inductions That Convince Your Client Scott McFall Dealing with Distractions During Self Hypnosis Nancy Hunter Hypno Spa for Practitioners and Performers Patricia Eslava Vessey Sunday, August 28, 2016 Your Six-Figure Hypnosis Business Suzie Bowers Groups & Spiritual Hypnosis Cheri Baumann Hypnosis & NLP for MMA and Combat Athletes Joshua Manuel Day Traders Can Make You Money Jeffrey Richrds A Mind is an Awful Thing to Waste Marx Howell OTHER Inductions H. Larry Elman Lie to Me… If You Dare – How to Catch a Liar David Snyder Hypnosis for Heroes Steve Roehm Group Sessions Made Easy Robert Otto Transpersonal and Suprapersonal Hypnotherapy Timothy Trujillo Coaching the Unconcious Mind Melissa Tiers Moving Through Struggles to Grow Your Practice Greg Beckett Working with Military and Emergency Services Karl Smith Musical Inductions James Hazlerig & Rachel Raucher Scripted (Don’t Sell the Sizzle!) Bob Burns Let’s Talk Sex Will Horton Corporate Clinical Hypnosis Programs John Cerbone Q & A on the Business of Smoking Cessation Ken Guzzo Interactive Erotic Hypnosis Ethics Discussion Linda Nelson Refining Your Access to Past Life Regression Albert Marotto The Perfect Presentation to Medical People Seth-Deborah Roth Spoken Word a Tool for Change Mercedes Herman & Toni Bryant Designing Your Own Self-Hypnosis Regimen Adam Kilgore Easiest Way to Book High Paying Corporate Speaking Robert Harrison Hypnosis for Heroes Rick Green Demonstrational Hypnosis Mariana Mathews & Sean Michael Andrews Stepping Into Your Power Scott Schmaren Come Get Hypnotized! Rory Fulcher Overcoming Fear of Public Speaking Roy Hunter Waltzing with Wolverines: Working with Troubled Teens Mark Andreas How to Kill Cravings William Arandell Crush Facebook Marketing Richard Barker The Magic of Erickson: Moving Beyond Language Patterns Jess Marion Enneagram & Hypnosis Nancy Hunter The Free Speaking Secret Heather McFall The Magic Mirror: Hypnosis & The Differently Able Robert Schlesinger Helping Injured Athletes Heal Jo Moon Secretes of a Successful Hypnosis Session Stin-Neils Musche Spriritual Regression and Progression David Newman How to Heal a Broken Heart Beryl Comar Use Meetup to Grow Your Practice Robert Riddlemoser The Key Belief That Prevents Change Duff McDuffee Inductions , Inductions, Inductuions! Timothy Trujillo Rapid Non-Contextual Trauma Resolution Michele Braun Conversational Hypnosis in Client Settings Michael Ellner Hypno-Scan – Using the Super-Conscious Mind to Heal Ted Robinson Hypnotic Webinars for Explosive Profits Jason Linett Acupressure Facelift Dottie Ward Twice the Money… Twice the Fun Zolita Grant Why I Did it & What I’d do in a Different Venue Kevin Lepine The Rapid Inductions Workshop Rory Fulcher You Can Make Your Own (Template) Website Tina Pineiro Evidence Based Miracles Kevin Laye 26 Direct Suggestions Richard Nongard Subliminal Therapy Eugene Popa Connecting to Your Source Agnie Hernandez Stern-Sentencing: The Techniquie You Need to Know About Phylicia Mason

Complete HypnoThoughts Live 2016 Conference MP3 Audio Recordings Package published first on http://ift.tt/2qxBbOD