#Tomboy Witch Twilight Mary

[miaqc1]

Princess Lil in line art. She's from おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie. Drawing commissioned from @beardedstrangerdreamland

Princess Lil in line art [Art] - MiaQc - おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie - SEIKA [Archive of Our Own]

💮🤍👸🏻

[showamagicalgirls]

These are some images from my other Tomboy Witch Twilight Marie (おてんば魔女トワイライトマリー) paper doll book.

[showamagicalgirls]

Yes! Yes! Yes! Although Magical Designer Fashion Lala (魔法のデザイナーファッションララ) became Magical Stage Fancy Lala (魔法のステージ・ファンシーララ) and got an OVA, an animated series, and a manga, she was originally going to be featured in coloring books and stationary like Lucky Idol Lyrical Rena (おまじないアイドルリリカルレナ), Star Duet Funny Twin (星のデュエットファニーツイン), Magical Stage Idol Coco (魔法のステージアイドルココ), and Tomboy Witch Twilight Marie (おてんば魔女トワイライトマリー). What is pictured here is one of those original Lala coloring books. All of these were created as collaborations between Studio Pierrot and the stationary goods company, Seika. Sadly, it’s been very difficult to track down the debut years for all of these characters, but some say I’m sure I will.

Harbor Light Monogatari (1988)

[magicalgirloftheday]

✧・ﾟ:*Today’s magical girl of the morning is: Twilight Mary from Tomboy Witch Twilight Mary!✧・ﾟ:*

[estherkahn]

Film directresses

Few days ago I was stunned by Rebecca Zlotowski’s Une fille facile. I fell in love with the two protagonists, played by Mina Farid and Zahia Dehar. I admired their strength, their integrity, the courage to follow their desire and work hard to win their freedom. This film shows how to be honnest with one’s heart and sexuality, regardless of society’s appreciation. Rebecca Zlotowski invites us to look at women in a way that is deprived of aesthetical or moral jugdement and I believe this is important in a Bildungsroman. It’s important to understand what we want and build ourselves on the acceptance of it, in order to be ok with ourselves. I tried to remember if I had ever seen movies that became such a source of inspiration and I found out that most of the characters and stories I had felt close to throughout my history of cinema, were imagined and filmed by women. Here’s a list of movies made by women. (Not all films are feminist movies!)

Chantal Akerman (à voir)

ARNOLD Andrea: Fishtank, American Honey

AL MANSOUR Haifaa: Wadjda

AMIRPOUR Ana Lily: A Girl Walks Home Alone at Night (à voir)

ASANTE Amma: Where hands touch (à voir)  

AZUELOS Lisa: Lol, Dalida (à voir)

BARTHES Sophie: Madame Bovary

BERCOT Emmanuelle : La tête haute

BEAULIEU Renée: Les Salopes ou le Sucre Naturel de la Peau

BIER Susanne: Brothers, After the wedding (à voir)

BIGELOW Catherine: Zero Dark Thirty

BILLER Anna: The Love Witch

BREILLAT Catherine : Romance

CAMPION Jane : The Piano, Bright Star

CARRIERE Christine : Darling

CHOKRI Monia: Quelqu’un d’extraordinaire

COPPOLA Sofia : Virgin suicides, Lost in Translation, Somewhere, The Bling Ring, The Beguiled, Marie-Antoinette

COPPOLA Gia: Palo Alto

CORSINI Catherine : Un Amour impossible, La Belle Saison

DAVIS Judith : Tout ce qu’il me reste de la révolution

DONZELLI Valérie: La guerre est déclarée, La reine des pommes

DUCOURNAU Julia : Grave

DENIS Claire : Trouble Everyday

DI GIUSTO Stéphanie: La Danseuse

DIRINGER Elsa : Luna

DIOP Mati: Atlantique (à voir)  

DE BOECK Kato: Provence (court-métrage)

DE BROUWER Eve-Chems: Sous l’écorce (court-métrage)

DE WILDE Autumn : Emma

DUNN ROVINELLI Jessie Jeffrey : So Pretty

DULAC Germaine: La coquille et le clergyman

EMOND Anne: Jeune Juliette

EYRIEY Manon: La Légende (court-métrage, scénario Delphine de Vigan)

FARGEAT Coralie : Revenge

FERRAN Pascale : Lady Chatterley

FONTAINE Anne: Perfect Mothers, Blanche comme Neige

GAMZE ERGUVEN Deniz : Mustang  

GERWIG Greta : Lady Bird, Little Women, Frances Ha

GODET Fabienne : Nos vies formidables

GRANIC Debra: Leave no trace, Winters bones

GROULT Louise: Sans Plomb (court-métrage)

GUY Alice: La fée aux choux

GUIZY Marine: Alors. Heureux.ses?

HANSEN-LOVE Mia : Maya, Un Amour de Jeunesse, Eden, Le père de mes enfants

HARDWICKE Catherine: Thirteen, Twilight, Lords of Dogtown, The Red Riding Hood

HERZI Hafsia : Tu mérites un amour

HERRI Jeanne: Elle l’adore

HUSSON Eva : Bang Gang (A modern love story)

JEUNET Lou: Curiosa

JOLIE Angelina: Vue sur mer

KAVAITE Atlanté : Summer (The Summer of Sangaïlé)

KUSAMA Karyn: Jennifer’s body (scénario Diablo Cody)

LANGSETH Lisa: Euphoria

LAURENT Mélanie: Respire, Demain

LEIGH Julia : Sleeping Beauty

LVOVSKI Noémie: Camille redouble

MACNEESE Berangère: Matriochkas (court-métrage)

MAIWENN: Polisse, Mon Roi

MAUREL Valentina: Lucia en el limbo (court-métrage)

MERLANT Noémie: Shakira (court-métrage)

MULLER Valérie & PRELJOCAJ Angelin: Polina

MYSIUS Léa: Ava

POLAK Sacha : Dirty God

POUKINE Alexe, Sans frapper

RAMSAY Lynne : Morvern Callar, We need to talk about Kevin

VARDA Agnès : Cléo de 5 à 7, L’une chante l’autre pas

SATRAPI Marjane : Persepolis

SERRAILLE Léonore: Jeune femme

SCHERFIG Lone: An Education

SCIAMMA Céline : Portrait de la Jeune fille en feu, Naissance des Pieuvres, Tomboy, Bande de Filles

SERREAU Coline: La Belle Verte, Saint Jacques... La Mecque,

SIGISMONDI Flora: The Runaways, The Cannibal

THELIN Julia: Sorry not sorry (court-métrage)

TRIET Justine: Sybil

WINOCOUR Alice: Maryland, Mustang (scénario), Augustine (à voir)

ZENCIRCI Çağla : Sibel

ZLOTOWSKI Rebecca: Une fille facile, Grand Central, Planetarium

Men-made movies with an interesting view on women and/or masculinity

Sebastien Bailly :Féminin plurielles

Paul Thomas Anderson: Phantom Thread

Grímur Hákonarson: Mjolk (la guerre du lait)

Sebastian Lelio: Une femme fantastique

Paul Wright: For Those In Peril

Behnma Behzadi: Un vent de liberté

Mathieu Kasovitz: Métisse

movies by Pedro Almodovar

movies by François Ozon

Jaromil Jireš : Valerie and Her Week of Wonders

Sam Mendes: Revolutionary Road

Vasilis Kekatos: La distance entre le ciel et nous (court-métrage)

[newstechreviews]

If you find it hard to believe that three whole decades have passed since 1990, I suggest cracking open a Baby-sitters Club book. In Ann M. Martin’s sprawling middle-grade series about girls in junior high who start their own baby-sitting service, the phones have cords, the sitters keep records in bubbly cursive, all shopping takes place at the mall and “a pink sweatshirt with sequins and a large purple parrot on the front” is the pinnacle of sophistication. Each novel is a time capsule of preadolescence untouched by social media or smartphones or Fortnite or the constant specter of school shootings. It was a more innocent time, one to which Martin (and the ghostwriters who authored later volumes) added an extra dose of sugary sweetness for the benefit of elementary schoolers eager to read about slightly older kids.

The Baby-sitters Club doesn’t seem like a franchise that could survive these cataclysmic times, when the President calls people mean names on Twitter as young people face threats from racist policing to climate crisis—and, since March, the COVID-19 pandemic has turned even friendly bedroom communities like the BSC’s fictional Stoneybrook, Conn. into ghost towns. So it’s a wonderful surprise that the new Baby-sitters Club, a 10-episode Netflix series due out July 3, isn’t an anachronism so much as a tonic. Helmed by first-generation fans Rachel Shukert (Glow) and Lucia Aniello (Broad City), who honed their voices telling lighthearted stories about women who have each other’s backs, the show strikes a shrewd balance between earnestness and humor, freshness and nostalgia, fidelity to Martin’s beloved characters and awareness of how much has changed since her books dominated girl culture at the end of the 20th century.

Unlike earlier adaptations—a short-lived 1990 HBO series and a 1995 movie, neither of which has aged well—the new Baby-sitters is a proper reboot, with an origin story millions of women in their 30s and 40s probably remember in detail but their daughters might not know. It all begins when seventh grader Kristy Thomas’ (Sophie Grace) single mom Elizabeth (Alicia Silverstone, lip-bitingly funny as ever) can’t find anyone to watch her youngest son. Teen sitters never pick up their cellphones. Internet-based babysitting services charge exorbitant fees. “Why is this so hard?” Elizabeth whines, adorably. “When I was a kid, my mother would just call some girl in the neighborhood on a landline. And she would answer, because it was part of the social contract.”

Soon, Kristy—a sporty tomboy whose ingenuity, bossiness, self-absorption and inexplicable fondness for turtlenecks make her a prototypical mini-entrepreneur—is pitching her best friend Mary Anne Spier (Malia Baker) on what will go down in BSC lore as “Kristy’s great idea.” What if parents actually could call one phone number at a predetermined time, reach a whole roomful of responsible young women and nail down a sitter on the spot? It’s a smart way of justifying the seemingly obsolete conceit without which the show could not exist: club meetings, several evenings a week, where the girls cluster around a good old-fashioned landline to set up appointments, compare notes on clients and help each other through growing pains of all kinds.

Liane Hentscher/Netflix

Shukert and Aniello manage to update the characters without sacrificing their essences. While fuming over Elizabeth’s relationship with a rich guy, Kristy leans into #girlboss feminism. Mary Anne is still shy, with an overprotective single dad, but now she’s also biracial. Their neighbor and perennial BSC meeting host Claudia Kishi (Momona Tamada) retains her artistic talents, academic struggles, secret sweet tooth and multigenerational household, complete with hilariously condescending older sister and adoring grandma; this time around, her Japanese-American heritage comes to the fore. While New York City expat Stacey McGill (Shay Rudolph) still looks perfect, has secrets and obsesses over boys, her storyline now addresses the contemporary scourge of cyberbullying. Once a blonde treehugger, California transplant Dawn Schafer (Xochitl Gomez) is now Latinx and knows how to wield terms like socioeconomic stratification. (Never mind that every family in Stoneybrook seems to have the money for sleep-away camp.)

This may all sound painstakingly woke on paper, but nothing feels forced about these updates. The main cast is spirited and authentic—Tamada and Grace are especially great—and they look like real tweens, not aspirational Barbies. Stoneybrook gains a thoroughly modern population, from the little trans girl who forms a bond with Mary Anne to an out-and-proud witch (though she prefers the title spiritual practitioner) who leads workshops in her backyard, without losing the tree-lined streets and stately Colonial homes that have always marked it as an all-American town. A standout episode scripted by The Wangs vs. the World author Jade Chang, in which Claudia enters an art contest and learns about her ailing grandmother’s childhood in a Japanese internment camp, develops into a moving representation of a young artist finding her creative voice.

The creators still find space to acknowledge the timeless middle-school growing pains for which the books have prepared so many younger kids: strict parents and absent parents and divorced parents, first kisses and first jobs and first periods. And they bring the same playful wit to these rites of passage that made their past projects so irresistible. Revisiting the older adaptations that I devoured as a kid—particularly the TV version—I was surprised at the extent to which saccharine dialogue and uneven performances rendered them unwatchable as an adult. Yet once I started the Netflix reboot, I found it hard to stop watching (in no small part because the familiar characters and cheerful tone felt so soothing at a time when comfort was in short supply). Shukert and Aniello have said that they want the show to have “multi-generational” appeal, and their referential comedy accomplishes it. There are Handmaid’s Tale jokes. In one scene, Kristy prepares to take out a rival baby-sitting service by reading Sun Tzu’s The Art of War. (The wearying trend of Netflix shows promoting other Netflix shows did, however, ruin any enjoyment I might’ve gotten out of a montage where the girls redecorate a room as a cover of the Queer Eye theme plays.)

Not every artifact of girlhoods past deserves to be resurrected for the current generation. Good riddance, Twilight trilogy, with your super-retrograde take on supernatural romance (but thanks for giving us Robert Pattinson and Kristen Stewart). Check your privilege with the doorman, upcoming HBO Max reboot of Gossip Girl. If the Sweet Valley High twins—a virgin/whore binary with long blonde tresses and size 6 figures—never give another imperfect reader a complex again, it’ll be no great loss. The Baby-sitters Club takes place in a younger, gentler universe, one ruled by friendship, responsibility and inclusion, not materialism or popularity politics. Though the some of the sitters may love clothes and boys, it’s their “big ideas” and special talents that really distinguish the BSC members. The characters’ appeal endures not in spite of their purity, but because of it.

[miaqc1]

Chibi Princess Lil. Drawing commissioned from @CentArt0.

Chibi Princess Lil [Art] - MiaQc - おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie - SEIKA [Archive of Our Own]

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[miaqc1]

Chapters: 1/1 Fandom: おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie – SEIKA Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Lil | Marie & Lil | Marie (Tomboy Witch Twilight Marie) Characters: Lil | Marie (Tomboy Witch Twilight Marie) Additional Tags: Digital Artwork, Art, Fanart, Embedded Fanart, Embedded Images, Artwork – Freeform, Commissioned Art, drawing, Manga & Anime, Chibi, colors, POV Third Person Limited, Wordcount: 0-100, Princes & Princesses, Cute, Full Color, Cute Kids Summary:

Chibi Princess Lil. Drawing commissioned from @CentArt0 on twitter.

[miaqc1]

Wondrous Cavern (NSFW!)

Wondrous Cavern (447 words) by MiaQc Chapters: 1/1 Fandom: Chronicles of Prydain - Lloyd Alexander, The Black Cauldron (1985), Pikmin (Video Game), Disney Theatrical Animated Universe, おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie - SEIKA Rating: Explicit Warnings: Rape/Non-Con Relationships: Horned King (Prydain)/Lil | Marie (Tomboy Witch Twilight Marie), Lil | Marie (Tomboy Witch Twilight Marie)/Olimar (Pikmin) Characters: Lil | Marie (Tomboy Witch Twilight Marie), Horned King (Prydain), Olimar (Pikmin), Olimar's Wife (Mentioned) Additional Tags: Rape, Rape/Non-con Elements, Dark, Lich, Aliens, Nipple Play, Breasts, Nipple Licking, Vaginal Fingering, Cunnilingus, Forced, Forced to rape, person in giant pussy, Sad Ending, Sad, Plot What Plot/Porn Without Plot, Licking, Non-Consensual Touching, Smut, POV Third Person, Explicit Sexual Content, Not Suitable/Safe For Work, No Plot/Plotless, Out of Character, Crossover, Crossovers & Fandom Fusions, Crossover Pairings, Rare Fandoms, Rare Pairings, Neck Licking, nipple sucking, Size Difference, Wordcount: 100-500, One Shot, Aged-Up Character(s), Olimar’s Wife is named Pedrina, Top Horned King (Prydain), Bottom Lil | Marie (Tomboy Witch Twilight Marie), Not Beta Read, author is autistic Summary: Dark fanfic. Lil is raped by the Horned King who then forces Olimar to explore the woman's wondrous cavern for his own pleasure. All the characters are over 18.

[miaqc1]

Caverne Merveilleuse (NSFW!)

Caverne Merveilleuse (489 words) by MiaQc Chapters: 1/1 Fandom: Chronicles of Prydain - Lloyd Alexander, The Black Cauldron (1985), Pikmin (Video Game), Disney Theatrical Animated Universe, おてんば魔女トワイライトマリー | Tomboy Witch Twilight Marie - SEIKA Rating: Explicit Warnings: Rape/Non-Con Relationships: Horned King (Prydain)/Lil | Marie (Tomboy Witch Twilight Marie), Lil | Marie (Tomboy Witch Twilight Marie)/Olimar (Pikmin) Characters: Lil | Marie (Tomboy Witch Twilight Marie), Horned King (Prydain), Olimar (Pikmin), Olimar's Wife (Mentioned) Additional Tags: Rape, Rape/Non-con Elements, Dark, Lich, Aliens, Nipple Play, Breasts, Nipple Licking, Vaginal Fingering, Cunnilingus, Forced, Forced to rape, person in giant pussy, Sad Ending, Sad, Plot What Plot/Porn Without Plot, Licking, Non-Consensual Touching, Smut, POV Third Person, Explicit Sexual Content, Not Suitable/Safe For Work, No Plot/Plotless, Out of Character, Crossover, Crossovers & Fandom Fusions, Crossover Pairings, Rare Fandoms, Rare Pairings, Neck Licking, nipple sucking, Size Difference, Wordcount: 100-500, One Shot, Aged-Up Character(s), Olimar’s Wife is named Pedrina, Top Horned King (Prydain), Bottom Lil | Marie (Tomboy Witch Twilight Marie), Not Beta Read, author is autistic Summary: Fanfic sombre. Lil est violée par le Seigneur des Ténèbres (Horned King) puis celui-ci oblige Olimar à explorer la caverne merveilleuse de la femme pour son plaisir. Tous les personnages ont plus que 18 ans.

[showamagicalgirls]

I bought this Tomboy Witch Twilight Marie (おてんばは魔女トワイライットマリー) notepad thinking it was a coloring book, but I guess I don’t regret it because even just these two images from this franchise are precious to me.

[showamagicalgirls]

Some paper doll pages look extra cool. This is Tomboy Witch Twilight Marie (おてんば魔女トワイライトマリー).

[showamagicalgirls]

I have two books of paper dolls from the series Tomboy Witch Twilight Marie (おてんば魔女トワイライトマリー) and these are images taken from the front and back cover of one of them. Marie is along the first wave of Magical girls created only for coloring books and other stationary products like paper dolls.

I’m also particularly interested in her from a gender lens because of the use of the word おてんば, meaning tomboy. Unfortunately, her story is very simple and there’s not a lot to grab hold of for deeper gender analysis, but it never fails to catch my attention when I think about her.

[miaqc1]

New Vs/Antagonist relationships tags added on Squidgeworld. Part 2!

Relationship: Colette Brunel vs Horned King [Prydain] vs Iratus [Iratus: Lord of the Dead] 

Relationship: Cult Leader [Honey I Joined a Cult] vs Samson [Skullgirls] ‎

Relationship: Cultist(s) [Honey I Joined a Cult] vs Samson [Skullgirls] ‎

Relationship: Demon King [Exatron Quest] vs Eliza [Skullgirls] ‎

Relationship: Double Switch Ensemble vs Voldemort ‎

Relationship: Dreamily AI [Anthropomorphic] vs Original Character(s) ‎

Relationship: Elodie [Long Live The Queen] vs Original Character(s) ‎

Relationship: Emperor Bulblax vs Louie [Pikmin] ‎

Relationship: Faust [My Lovely Daughter] vs Olimar [Pikmin] ‎

Relationship: Fukua vs Filia Medici ‎

Relationship: Ganondorf vs Link [Legend of Zelda] ‎

Relationship: Generative AIs [Anthropomorphic] vs Original Character(s) ‎

Relationship: Harry Potter vs Ron Weasley ‎

Relationship: Hermione Granger vs Ron Weasley ‎

Relationship: Horned King [Prydain] vs Lil | Marie [Tomboy Witch Twilight Marie] ‎

Relationship: Horned King [Prydain] vs Lorien [The Girl From Tomorrow] ‎

Relationship: Iliana (OC) vs Original Male Character(s) ‎

Relationship: Iratus [Iratus: Lord of the Dead] vs Hanasaki Momoko | Wedding Peach ‎

Relationship: Iratus [Iratus: Lord of the Dead] vs Kaname Madoka ‎

Relationship: Iratus [Iratus: Lord of the Dead] vs Lorien [The Girl From Tomorrow]

Relationship: Iratus [Iratus: Lord of the Dead] vs Minky Momo [Magical Princess Minky Momo] ‎

Relationship: Kaiou Michiru vs Meiou Setsuna vs Tenoh Haruka vs Ruben "Ruvik" Victoriano ‎

Relationship: Kaiou Michiru | Sailor Neptune vs Tenoh Haruka | Sailor Uranus ‎

Relationship: Kitana [Mortal Kombat] vs Tulista [The Girl From Tomorrow]

Relationship: Kitana vs Sindel [Mortal Kombat] 

[estherkahn]

Film directresses

What do we want and what do we need? Why is it so hard, sometimes, to be honest with one’s heart? How to build ourself on the acceptance of our desires?

Few days ago I was stunned by Rebecca Zlotowski’s last movie and her two protagonists, played by Mina Farid and Zahia Dehar. Une fille facile offers a reflection on women following (or learning to) their desire, working in order to gain freedom and affirm integrity, regardless of society’s appreciation. I admired their strength and their courage. Zlotowski invites us to look at women in a way that is deprived of moral jugdement (an important issue, I believe, in coming of age stories). Movies can be such a source of inspiration. And in a business that is mostly ruled by men, watching stories through a woman’s eyes is always quite an experience. Here’s a list of movies made by women.

Chantal Akerman (à voir)

ARNOLD Andrea: Fishtank, American Honey

AL MANSOUR Haifaa: Wadjda

AMIRPOUR Ana Lily: A Girl Walks Home Alone at Night (à voir)

ASANTE Amma: Where hands touch (à voir)  

AZUELOS Lisa: Lol, Dalida (à voir)

BARTHES Sophie: Madame Bovary

BERCOT Emmanuelle : La tête haute

BEAULIEU Renée: Les Salopes ou le Sucre Naturel de la Peau

BIER Susanne: Brothers, After the wedding (à voir)

BIGELOW Catherine: Zero Dark Thirty

BILLER Anna: The Love Witch

BREILLAT Catherine : Romance

CAMPION Jane : The Piano, Bright Star

CARRIERE Christine : Darling

CHOKRI Monia: Quelqu’un d’extraordinaire

COPPOLA Sofia : Virgin suicides, Lost in Translation, Somewhere, The Bling Ring, The Beguiled, Marie-Antoinette

COPPOLA Gia: Palo Alto

CORSINI Catherine : Un Amour impossible, La Belle Saison

DAVIS Judith : Tout ce qu’il me reste de la révolution

DONZELLI Valérie: La guerre est déclarée, La reine des pommes

DUCOURNAU Julia : Grave

DENIS Claire : Trouble Everyday

DI GIUSTO Stéphanie: La Danseuse

DIRINGER Elsa : Luna

DIOP Mati: Atlantique (à voir)  

DE BOECK Kato: Provence (court-métrage)

DE BROUWER Eve-Chems: Sous l’écorce (court-métrage)

DE WILDE Autumn : Emma

DUNN ROVINELLI Jessie Jeffrey : So Pretty

DULAC Germaine: La coquille et le clergyman

EMOND Anne: Jeune Juliette

EYRIEY Manon: La Légende (court-métrage, scénario Delphine de Vigan)

ELOUAGAR Margaux: Princesses (court-métrage)

FARGEAT Coralie : Revenge

FERRAN Pascale : Lady Chatterley

FONTAINE Anne: Perfect Mothers, Blanche comme Neige

GAMZE ERGUVEN Deniz : Mustang  

GAUCHERAND Roxanne, Pyrale (moyen-métrage)

GERWIG Greta : Lady Bird, Little Women, Frances Ha

GODET Fabienne : Nos vies formidables

GRANIC Debra: Leave no trace, Winters bones

GROULT Louise: Sans Plomb (court-métrage)

GUY Alice: La fée aux choux

GUIZY Marine: Alors. Heureux.ses? (documentaire)

HANSEN-LOVE Mia : Maya, Un Amour de Jeunesse, Eden, Le père de mes enfants

HARDWICKE Catherine: Thirteen, Twilight, Lords of Dogtown, The Red Riding Hood

HERZI Hafsia : Tu mérites un amour

HERRI Jeanne: Elle l’adore

HUSSON Eva : Bang Gang (A modern love story)

JEUNET Lou: Curiosa

JOLIE Angelina: Vue sur mer

KAVAITE Atlanté : Summer (The Summer of Sangaïlé)

KUSAMA Karyn: Jennifer’s body (scénario Diablo Cody)

KREBITZ Nicolette: Sauvage

LANGSETH Lisa: Euphoria

LAURENT Mélanie: Respire, Demain

LEIGH Julia : Sleeping Beauty

LOPEZ CURVAL Julie: Le beau monde

LVOVSKI Noémie: Camille redouble

MACNEESE Berangère: Matriochkas (court-métrage)

MAIWENN: Polisse, Mon Roi

MAUREL Valentina: Lucia en el limbo (court-métrage)

MERLANT Noémie: Shakira (court-métrage)

MULLER Valérie & PRELJOCAJ Angelin: Polina

MYSIUS Léa: Ava

POLAK Sacha : Dirty God

POUKINE Alexe: Sans frapper (court-métrage)

RAMSAY Lynne : Morvern Callar, We need to talk about Kevin

RYSTO Lysa: Love Hurts

VARDA Agnès : Cléo de 5 à 7, L’une chante l’autre pas

SATRAPI Marjane : Persepolis

SERRAILLE Léonore: Jeune femme

SCHERFIG Lone: An Education

SCIAMMA Céline : Portrait de la Jeune fille en feu, Naissance des Pieuvres, Tomboy, Bande de Filles

SERREAU Coline: La Belle Verte, Saint Jacques... La Mecque, 

SIGISMONDI Flora: The Runaways, The Cannibal (court-métrage)

THELIN Julia: Sorry not sorry (court-métrage)

TRIET Justine: Sybil

WINOCOUR Alice: Maryland, Mustang (scénario), Augustine (à voir)

ZENCIRCI Çağla : Sibel

ZLOTOWSKI Rebecca: Une fille facile, Grand Central, Planetarium

Men-made movies with an interesting view on women and/or masculinity

Sebastien Bailly :Féminin plurielles

Paul Thomas Anderson: Phantom Thread

Grímur Hákonarson: Mjolk (la guerre du lait)

Abdellatif Kechiche: La vie d’Adèle, Mektoub my love

Sebastian Lelio: Une femme fantastique

Paul Wright: For Those In Peril

Behnma Behzadi: Un vent de liberté

Mathieu Kasovitz: Métisse

movies by Pedro Almodovar

movies by François Ozon

Sam Mendes: Revolutionary Road

Vasilis Kekatos: La distance entre le ciel et nous (court-métrage)