#To Trap town comic

[somekirbyhater]

CHAPTER 2

omg omg omg OH. MY. GOD.

I'M FINALLY DONE. I'm SOO sorry for taking so long!!!

hopefully the next chapter is finished before December..

NEXT CHAPTER

CHAPTER LIST

[tankgotstuckinthecircusgate]

my honest urge to give each family some fucked up abstract sacred symbolism bc i was obsessed over this game when i was 15

[heilos]

Living Harmony AU relevant character sheets/info: Harmony aka the "Tree of Harmony" Stygian Somnambula Starswirl the Bearded Shadow Lock is actually an official canon character from the IDW comics No. 51-53 and I really enjoyed his mini arc introduction enough to include him as a more significant part of my "Living Harmony" MLP AU animation project. When I found out he's a direct descendant of Stygian, one of the Pillars of Equestria, I had to find a way to work him in and give him a bit of an updated design to fit more into my story setting I have planned. My good friend Ori helped vector my finalized concept redesign in the very top image. Listed below is some character and story context for these sketches provided by my myself and Ori who's been a huge help in fleshing out the world building with this cast of characters I'm using in this AU so far. Shadow Lock's main abilities and canon backstory are expanded upon and/or flavored a bit differently here as well.

Stygian’s distant descendant, the last living branch in his family tree

Lives alone in his family’s castle after they retired to the town of Somnambula

Temporary antagonist to the mane 6 that stems from a fear of the Pony of Shadows returning to plague Equestria

Believed he was descended from a monster and desperately tried to erase any mention of the Pony of Shadows from written history

Was talked down from his history erasing spree by Twilight and ends up traveling around Equestria to find more info on the Pony of Shadows, without trying to erase the knowledge this time, and prevent it from returning

The symbol on the front of Shadow Lock’s cloak is his family crest that dates back to Stygian's time period.

There’s a glamor woven into Shadow Lock’s cloak that enshrouds its wearer’s face.

Shadow Lock’s special talent is the concealment and binding of dark magic. He can effectively bind malevolent “spirits” into vessels where they’re unable to cause harm. This can also be reversed as an unbinding spell. ("spirits" in this context are more like a culmination of lingering, concentrated dark magic that takes on a will of its own)

His family castle used to be quite “haunted”. It’s quieter nowadays, but he does have a large collection of miscellaneous items that most ponies would consider “cursed…”

Always carries a healthy stack of books on his person to read and use as a weapon. His spells can pull fictional characters and monsters from stories to fight for him

Created a spell that can trap a creature into experiencing a historical event on loop by using a small amount of written text. The spell can be broken by doing something significant enough that did not occur during the looped event in history.

Shadow Lock and Stygian are extremely hesitant to meet each other at first in present time. The mane 6 and Harmony step in as mediator eventually to help them work out their issues so they can reconnect as family

Much later in the story, Shadow Lock invites Stygian to live in his castle once their family relationship is repaired, the two becoming inseparable

His original design from the comics:

[ethanmaldridge]

THE PALE QUEEN is a dark fairy tale comic about Agatha, an aspiring astronomer who feel trapped in her small valley town, when she attracts the attention of a mysterious and ancient entity from the surrounding woods known as the Lady.

The graphic novel has elements of gothic fantasy, queer romance, and a bit of folk horror. It's available to preorder now, wherever you get books!

[majimasleftasscheek]

I've been thinking, about how you would make sea creature kazumaji... do you already have headcannons for that or is it something more new?

a lil mix of both 🤔 I originally drew eeljima for MerMay and was gonna leave it at that but I got really attached to the idea of kiryu and his dumb fish boyfriend so I rolled with it kdlsjfddsf. I got a few ideas tho 👀

majima's an eel - nothing specific but I leaned to electric since the rpg games give him electricity as an element. also, knifefish (what a coincidentally convenient name 👀) have spots that remind me of his snake's spots so that fit well with his overall theme plus they're related to eels so even better >:D saejima's also a fishdude, a grouper specifically because they're huge and chonky but also gentle uwu

kiryu's a silly lil fisherman guy, one of them commercial types that goes out on a boat to get big hauls. nishiki's there too being the saddest wettest little beast. other characters make up part of the crew in similar ways the canon families are set up. so like kazama and kashiwagi for example are captains of the crew

I have thought about if they were fish too if I wanted to do a branching AU of this and kiryu could maybe be a thresher shark - because they got that big slappy tail but also their huge beautiful eyes™. OR a betta fish because I think the colors would really compliment his heat colors. nishiki can be a koi because of course

kiryu and nishiki live in a lil shack on the shore. nishiki hates it but kiryu likes the simplicity and being close to work. nishiki would move closer to the city but frankly all the haircare product he buys is so obscene that he can't afford a place on his own ✌

majima and saejima (+ yasuko) live in some nearby kelp forests/coral reefs. merfolk tend to stay away from humans and live further out in the ocean, deeper underwater but these three take advantage of all commercial fishing going on to get some easy food. but being so close to fishing trawlers, this leads to majima getting caught in a discarded net, being trapped and beached where kiryu finds him 👀

merfolk can breath air and go on land but it is as awkward as you can imagine. when majima hangs out with kiryu, kiryu drags him up the beach to enough dry land where the tide isn't a problem. merfolk do have to be moisturized often so majima's either doused with a bucket of water or gets a big ass lathering of lotion. whether or not that'd actually be realistic doesn't matter to me I just think it'd be funny for nishiki to be very suspect of the comical amount of lotion kiryu suddenly starts buying

majima's fav thing to do with kiryu is have him fry up some fish since he's never had cooked food before and thinks it's the bee's knees. kiryu will often go into town to buy all sorts of things for majima to try or majima will catch some wack fish from who knows where for kiryu to fry up. they pick secluded beaches as not to be disturbed but kiryu is ready to fling majima into the ocean at a moment's notice just in case

majima has a second set of jaws normally not visible unless he's snacking on a fish. sometimes he pops em out for a smooch and kiryu is wary but willing to try anything 😤 nishiki is often very worried about the numerous weird bite marks kiryu comes home with but kiryu chalks it up to clumsily falling face first into some coral. you can tell by now I'm very into the trope of person dating a cretur is very bad at keeping it a secret dsklgjk

majima tends to have electrical flare ups when he's feeling emotional so kiryu ends up getting zapped a lot. it's not enough to be dangerous but kiryu has since avoided touching light switches and makes nishiki use them first

rarely kiryu will take majima out on the town in a wheelbarrow covered in a blanket and everyone's like *squint* but eventually gets used to his funny lil friend who seems fascinated by literally everything

there's defo some tigerfish action at a later point once nishiki eventually decides to follow kiryu to one of his little secret beachside escapades to not only find out kiryu's being a weirdo as usual but now with a weirdo fishguy. on the other side, saejima is eventually convinced that there is not a bunch of people on the shore waiting with harpoons and nets and joins majima for one of kiryu's fish fries and finds out hey maybe humans ain't so bad if they can put up with majima for more than five minutes

[tastesousweet]

⭒ the other woman

christopher sturniolo x poc!reader

summary: an angsty story of regret and selfishness told through different moments in time

warnings: alternate universe (takes place in the early 2000s bcs i’m obsessed), angst, implied sex, cigarettes, cheating (with, not on y/n)

a/n: hiiii srry for ghosting u guys again :/ i finally have motivation to write again!!! send in blurb or one shot ideas pls. unfortunately im putting tgwtt on hold for right now bc i feel writing that series takes so much out of me and i end up not enjoying anything i write. i hope u understand & im sorry to those who enjoy it! anyways i hope this is well received since it’s a bit different than my other works — lowkey tuned into my inner sally rooney bc her angst HITS . luv u baiiii

★ march 2004

there’s a vile and shameful look to you that you’re not so sure you’ve hidden well enough.

your stomach feels overweight and heavy with an extreme amount of pain bubbling and stabbing your insides whenever they decide to pop.

you clutch at the edge of the bathroom sink, staring at your figure and aching eyes (you added some dark eyeliner into your routine hoping to distract from your disdainful mood but you’re starting to think you may have drawn more attention with the dramatic look).

you suck your stained bottom lip into your mouth out of comfort or maybe a need for something to hold as you move to dig for the pack of slightly crumpled cigarettes in your small, wine-red purse.

the door handle begins to rattle unnervingly just as you spark the slim stick to life.

you comically still yourself in your exact position (bent over odd and cupping your hand around the cig as if there was any sudden wind to blow out your flame in your friend's classy bathroom).

"y/n? you in here?!"

your eyes widen first, before they eventually roll. you wave your hands around to cut through the plumes of clogged smoke in the quaint room.

“y/n!”

“someone’s in here!” you reply, taking another puff of smoke and adjusting your hair a bit in the mirror.

“you gonna open up for me?”

“ummm,” you sputter through the cigarette held in your mouth as you adjust your strapless dress with both hands in the mirror.

“y/n.”

you let out a soft groan and quickly smash the cigarette a few times against the french vanilla ceramic sink bowl, throwing what's left of it in the trash. you practically shove yourself against the tiny wall space to the side of the door as you inch it open enough for the two of you to gain a full view of each other.

you smile, “chris.”

★ december 2003

they say the holidays are worst when spent alone.

and despite having three siblings and parents who’d want nothing more than to spend their christmas eve with their son, chris has always preferred to spend the holidays with a beautiful girl — in hopes that she’d gift him the intoxicating feeling of her thighs tightly trapping his face by the end of the night.

so it’s shocking that he’s at your door step, dressed in a suave, ribbed white long sleeve, dark blue jeans, and somehow caught without one of his usual hats slouched on top of his head of fawn hair.

and it’s real fucking odd that you answer the door wearing a dress that fits you extremely well, paired with a cardigan to keep some modesty.

it’s so very weird given that chris has his girlfriend of over a year texting him another apology for abandoning their plans together to visit her family in wisconsin as you both share an intimate hug on your porch.

you try not to think it’s so unnatural for you and chris to go out for dinner, despite the fact that everyone in your small town knows he has a girlfriend who’s notably quite the opposite of you.

thank goodness chris keeps some casualty — leaving you to open your own door when climbing into his beloved truck.

★ february 2004

“okay, um, this is something you can eat and there’s, like, a million types- you like granny smith!”

“oo, apples!”

chris nods excitedly and flips to the next card, “it’s my favorite meal of the day.”

“breakfast!”

“yes, you’re perfect. alright this is casper the friendly-”

“ghost!”

“amazing! ‘kay, i’m always complaining that mine isn’t stiff enough.”

“your dick?” josh jokes.

“fuck off, josh! i’m more than capable…” chris laughs.

“gross! chris?!”

“what?! don’t make it a biggie. now hurry ‘n gimme that answer baby, please?”

“well i’m guessing it’s your mattress?!”

“you have 7 seconds!” nick says while intensely staring at the tiny hourglass.

chris gives an encouraging hand motion for her to continue on that path.

“ummm… your bed?!”

“yes! that’s what i’m talking about!” chris shoots up from his position, on the ground in front of the coffee table, and immediately picks liv up from the couch in celebration.

the group let out plenty of laughs and giggles at the fear in her eyes as she’s lifted up and down excitedly.

cassie yells out, “aw yay mom and dad!” when chris sets her down and kisses her lips.

you try to control your face. your eyes flicker over and see them smiling with their faces so close together. and it drives you a little mad that whatever chris whispered to make her burst into laughter can’t be heard from your spot across the couch, especially not when there are so many conversations going on at once.

it’s just a game. you have no right to be jealous. it’s fucking taboo.

you clear your throat and uncross your legs as you begin to leave from the leather couch, “matt and josh, you can go before me- i’m just gonna grab some water.”

★ march 2004

“smoking cigs again?” chris asks as he steps into the bathroom.

“no,” you lie, resting your hip against the edge of the counter.

he knows you’re lying but doesn’t bother to pressure the truth out of you, he’s not your father. or your boyfriend at that.

“are you doing okay?” he pauses and waits for you to acknowledge him.

you don’t.

he clears his throat, “you look beautiful in this,” he tugs your dress down showing off the cleavage you’d just got done hiding.

“‘m all good,” you answer his initial question while exaggerating a smile.

chris mindlessly nods his head and somehow gets even closer to you, to the point where you have to tilt your head just the slightest bit to make eye contact.

“can i kiss you?” he asks with a genuine glimmer of generosity in his eyes and tone; as if he wanted you to want it more than he wants it himself.

you’re silent. he holds your neck gently and raises his other hand to drag your large bottom lip downward, cooing a tease, “hmmm..?”

you whine a little to yourself — this can’t happen again.

“yes?” chris mocks a little, giving a squeeze to your neck, “say it.”

your eyes droop and suddenly the ache of pain and guilt melts down to a slush of excitement and warmth both inside and evidently outside, if the stickiness of your lace underwear says anything. you nod your head.

chris is so obsessed with your mouth, his thumb doesn't move from your bottom lip as you peek your tongue out to wet it, "yes, please." your words echo off of his lips that now practically hover yours.

even though you've used your manners you manage to deliver it as a command. and it doesn't help that you paired the sentence with your hands running up the hot skin underneath his dark shirt. his mouth hangs slightly ajar as his head nods softly once more and his eyes flicker over your pretty face.

you wait for his response before your eyes lock onto his and you pout, "i thought you wanted to kiss me, chris?"

★ december 2003

“that’s hot,” chris mumbles as he kicks his legs over eachother and stretches out on the longest part of your L - shaped, funky-green couch.

“what is?” you ask as you return to the living room, popcorn cradled in an oversized bowl against your waist.

“pamala anderson,” chris jokingly moans out, biting his bottom lip and covering his lower half with one of your fuzzy throw pillows.

“gross, you perv!” you throw a handful of popcorn at his face — that’s stretched into an adorable smile — and take a seat next to him.

“baywatch reruns are all that nbc play anymore,” you squint with a sigh, taking a swig of the cool bottle of beer chris requested before handing it to him.

“they lost the best thing to ever happen to ‘em, i’d milk that shit too.” he then takes a sip, smirking when a desperate pamala anderson begins to run in slow motion on your fuzzy box television.

“what would liv think of you drooling over some baywatch tits?”

“what would liv think of me replacing her with you for my christmas eve dinner?”

you can’t help but think that ‘replacing’ is possibly the meanest word he could have used.

he smiles and gives a soft laugh when your face doesn’t respond, “joking- don’t spaz on me now…” he rolls his eyes from you back to the screen in front of you.

you swallow and adjust your legs to sit underneath you, trying to get comfortable while remaining in your small red dress.

★ march 2004

“never again,” you remind chris and yourself as you step into your once discarded underwear.

chris nods his head a few times, replying when he finally catches his breath, “right.”

“okay,” you slip your dress back on and chris redresses himself away from you.

chris slowly comes up behind you, kissing your shoulder once and hugging you gently. you want to cry — because in any other circumstance you’d embrace this feeling. but you can’t help but feel dirty.

he whispers with his head buried in the side of your crowded neck, “you know your my best friend, right? i love you.”

and you can’t help the shivers and sobs that decide to escape from your sad, used body.

“shhhh,” he apologizes, “i’m sorry.”

★ december 2003

chris imagined having sex with you plenty of times before — figuring most guys have thought of it with all of their girl friends, at least his friends made it seem true.

though his imagination could never ever live up to your whines and the way your body effortlessly takes him as you bounce yourself on top of him.

you both knew this was a bad idea, it was bad before you ended up back at your place after dinner. chris is an admittedly horny drunk and you’re no better so sharing a few beers while sitting so close to each other was bound to backfire.

only in the morning would some ounce of guilt and regret wash over him, when he’d listen to the cheerful voicemail his unknowing girlfriend left him while he was busy with his fingers in your mouth.

★ november 2004

chris hasn’t spoken to you since you came clean to liv about your disloyalty, six months ago.

he yelled and cried at your doorstep. he told you that you ruined his entire life, that he never wants to see you again.

you convince yourself you never want to see him again, but you tend to miss him in the loneliest times. when you’re sat awake in your dark bedroom.

you still miss his voice and his face.

[punkitt-is-here]

Is there some kind of in-show detail (or comics I guess? Don’t know too much about MLP lore) that makes everyone think Big Mac / Orchard Blossom is trans or is this just a widely accepted fanon thing? Love it either way just wondering if there’s an origin

okay, quick and dirty and by no means comprehensive, but my reasoning comes from two Season 5 episodes, Brotherhooves Social and Do Princesses Dream of Magic Sheep?

In Brotherhooves, Mac desires the same kind of admiration that AJ gets from Applebloom and through a series of mental gymnastics decides his best option for this is dressing up as Orchard Blossom, a Dolly-Parton-lookin' horse gal who is exceedingly confident and talkative, extremely energetic, and also like kind of flirty from what I remember? Mac basically transforms into a completely different person. In the end its revealed he didn't even have to do that because people who aren't someones actual sister have always been allowed in the competition.

In DPDoMS, the entire town is trapped in a shared dream and they're told they can imagine anything, and the first thing Mac does is transform into an alicorn princess, an exclusively female (from what we've seen) type of pony. There's also some misc. stuff here and there, like how seems to enjoy cute or effeminate things like Smartypants as long as no one sees him doing it, and how little he talks (which I've seen folks HC as him not enjoying his own voice).

Was this all a secret plan by the writers to showcase a closeted trans character? Nah, almost assuredly not. It's all mostly jokes around a big manly character having interests in and doing things that are stereotypically very non-masculine. But! I think that's the fun of it. As a rural trans woman, I saw those little dots and thought that connecting them let to a genuinely very compelling idea of a trans character, and I'm glad other folks have had the same idea to take the canon and see where it takes us. :)

[soullumii]

it's a risk but babe, i need the thrill | joel miller x f!reader

part 1, part 2

summary: everything finally comes to a head

warnings: 18+!!! smut! unprotected piv, gentle smut

tags: angst, reconciliation, fluff, pining, smut (but it's light compared to the other two parts), halloween vibes (i was supposed to finish this in october, oops)

word count: 5.8k

a/n: guys. i am SO SORRY for the wait. this was so hard for me to finish i almost gave up so many times. i'm still unhappy with this but i can't make myself work on it anymore so here u go. thank you all so much for your patience, i really appreciate it. special thank you to @joelsfaveouritegirl for your support... i probably would've never finished this if it weren't for you, so thank you. <3. and thanks to all of you who kept me accountable. i hope you enjoy this fucking mess. also, this is probably the last joel fic i'll write for a while. i'm sorry. still, i hope you like this.

______________________________________________________________

There are only two seasons in Jackson, Wyoming: winter and not winter.

Where other states might have a gradual shift from warm to cold, in Wyoming, it’s like a slap to the face, quite literally. The moment you step into the evening October air, it feels as if you’ve walked into a wall of cold. 

You shiver in your thick coat, and pull your scarf over your frosty nose as you meander down to the plaza.

While Jackson residents enjoy their time indoors and close to the fireplace during the colder months, they still love to celebrate outdoors, relying on their booze to keep them warm.

You don’t stop by Joel’s for a drink this time, he’s likely already in town square, dragged there by his daughter. Or… sort of daughter. He’s told you how he feels about Ellie, but the girl has her own opinions. Sure, she might deny that he’s like her dad, but she sure as hell treats him like he is. 

You’re meeting them there. 

The stars are already twinkling in the sky when you reach the throng of people. All of Jackson’s residents are in the plaza tonight for Halloween, dressed in homemade costumes and ones raided from the Party City in Idaho Falls. Jack-o-lanterns glow menacingly in corners and scarecrows are propped against brick walls. A few people in particularly frightening costumes prowl about, startling kids and adults alike.

Stalls line the edges of the plaza, each one providing something different. Tipsy Bison’s stall is run by Tommy, serving alcohol for the adults of the town. Seth’s stall is serving pork and brisket sandwiches. There’s a few stalls down the road advertising pumpkins and pastries, and you get a whiff of apple cider. Barrels of fire are scattered about to provide warmth. Lights are strung from the roofs of buildings, spread across the road, like clothes on a clothesline. 

It’s incredibly cozy, and already, you feel much warmer than you did walking out of your house. 

Within moments of passing Seth’s stall you hear Ellie’s voice ring out. 

“She's here!”

You can’t see her weaving through the crowd but you can see Joel trailing behind, his arm trapped in front of him. He politely excuses himself and apologizes to those he bumps into as his daughter drags him through a crowd of people. 

You can’t help but laugh, especially when you hear him say, “Jesus, kid, slow down.” 

And then she’s in front of you, smiling and bouncing excitedly on her heels, dressed as one of the superheroes from the comics she reads. Joel is behind her wearing a black blindfold with the eyes cut out, and a felt superhero crest is stitched to the front of his black sweater. He looks very adorable. Clearly, Ellie forced him to dress up. His gaze catches yours, full of something you can’t quite grasp, a small, embarrassed smile on his lips.

“Hi,” he says, voice soft.

“Hi,” you repeat.

It’s been… well… you’re not quite sure how to describe how it’s been since you told him to stop kissing you. 

It’s not like you guys have stopped seeing each other since then. Or that it’s been more awkward or anything. It just feels as if you’ve been depriving your body of what it needs, like you’re actively starving yourself. 

You’d feel full while he was fucking you, and yet there was a hole in your chest, gnawing at your thoughts, a hunger so deep rooted that it’s been taking you longer to come. 

Joel had noticed, too. Noticed your struggle and your frustration. He took it as something he was doing wrong, even though you insisted that wasn’t the case. Still, he took his time with you, trying to meet all your needs, and that, funnily enough, just made you feel worse. 

Your meetings have grown fewer. Sometimes you would go a couple weeks without seeing each other—at least like that.  Funny, how before you were so upset when he hadn’t been with you for a while. And now… now the distance is needed.

You still went out to dinner with him and Tommy and Maria. You still stopped by to say hi to Ellie and ask Joel how he’s been. Things have been normal, besides the overwhelming feeling of longing that strikes your breast the moment you see him. 

You worry that it shows on your face, especially because of the dreams you’ve been having, like some lovesick teenager. Dreams that don’t involve just having sex. Dreams that frame the two of you as lovers, as parents as… growing old together. 

Sometimes you’ll wake up crying, wondering if maybe you should just stop seeing him, talking to him, being around him all together. But then you’ll see him in town, or on patrols, and you know you’d never be able to stay away.

You swallow down the lump in your throat, and turn your attention to Ellie. 

“Hey kiddo!” You greet, plastering a smile on. She doesn’t seem to notice your being off. 

“You’re not dressed up,” she remarks, arms crossing over her chest. 

“Um. Yes I am,” you gesture to your black sweater and black pants. “I’m a black cat.” 

“You don’t even have ears or whiskers and a nose. That's a terrible costume.” 

Joel squeezes her shoulder with a frown. “Hey, quit.”

“No, she’s fine. She’s right,” you sigh. “This was super last minute.” 

“Cat is doing face painting down by the haunted house. You should let her paint some whiskers on you.” 

You take a glance at Joel and he shrugs. God he looks ridiculous in that costume. Your heart constricts. You might as well be as ridiculous as him. 

“That sounds great,” you say. Ellie looks like she’s about to drag you there when Dina comes running around the corner, practically slamming into her. 

“Hey!” Ellie laughs, “Slow down.” 

“You have to come with me. We’re going to do the haunted house, Jesse is already waiting for us. Come on,” Dina says, and pulls Ellie away before you and Joel can say a thing. 

The two of you stand there for a moment, watching the kids with fond smiles before finally looking at each other. 

His gaze seems to soften impossibly more when it lands on you.

“Your costume is kinda lame,” he says after a moment. 

“Oh shut up.”

**

The paintbrush glides smoothly over your skin as Cat paints the tip of your nose black and whiskers on your cheeks. You keep sneaking glances at Joel who waits patiently for your face painting session to finish.

Once you’re done you stride over to him, grinning.

“Well?” You prompt, turning around and showing off your newly improved costume. “Not so lame anymore, huh?”

He chuckles, eyes roaming your figure. Heat simmers low in your belly at the glint in his dark eyes. “Much better.”

He pauses, eyes catching on your face. “Hey, wait.” He grabs your hand and pulls you in close. He’s warm, a nice contrast to the cool October air. You want to just snuggle up to him, wriggle your fingers up under his sweater to share his warmth.

“You got a little somethin’…” he trails off, hand coming up to press his thumb to your skin. He gently wipes off a stray black smudge from beneath your eye. It takes no less than five seconds, yet it feels like an eternity. Your chest presses into his, his hand is warm as it cups your cheek. His breath puffs against your lips, an almost kiss. And his eyes, focused so dearly on the smudge, slowly drift up to lock with yours. 

“Perfect,” he mumbles, gaze never straying from yours. His hand never leaves your cheek, his thumb brushing carefully below your eye once more, a soft, subconscious caress now.

“Thanks,” you breathe.

Time feels like it’s stopped. 

A kid rushes by with a delighted scream as another kid in a costume chases after him. You and Joel jolt apart, snapped back into motion.

He clears his throat and you swallow hard.

“You want somethin’ to drink?” he asks.

“Yes, please.”

***

Tommy is beaming with his own little flush of alcohol when you and Joel come across his stall.

Maria hangs by his side, but her eyes follow every action happening around you. Ever the diligent leader.

“Howdy,” Tommy says, and Maria takes the time to glance over at the two of you with a welcoming smile.

“Hey,” Joel says, and you nod your head in greeting.

“You guys lookin’ for a drink?” Tommy asks. “We’ve got spiked apple cider.”

You bounce excitedly on your toes at that. Joel laughs lightly at the way your expression brightens. “We’ll take two.”

“Comin’ right up.”

“You’ve done a great job planning for this, Maria. Everything looks amazing,” you say.

She turns to you, and to your surprise, she looks a bit bashful. “Thanks. Everyone on the council helped a lot. I’m glad we can provide something fun like this.”

“The kids really need it.”

“I think the adults do, too. It’s nice to be able to scream without it being true fear.”

“Amen to that,” Tommy pipes up and sets two mugs of steaming spiked apple cider down. 

“Thanks, Tommy,” Joel says, and hands you a mug.

“There’s a haunted house down the road, you guys should go check it out. Laney and Paul spent a long time on it,” Maria says.

“We will, thanks. See you guys around!”

You wave goodbye to them and make your way through the plaza. Joel’s hand finds the small of your back, warm and steady. You’re glad for it, as scarers prowl along the streets, jumping out randomly and thrusting their hands in your face.

The haunted house lingers at the edge of the road like a ghost. Party City decorations blot the yard: gravestones, plastic skeletons, witches with rotted cloaks. It’s like everything they could manage to carry was dumped here. 

A line curves outside the door, kids bouncing on their feet as they await their turns. You feel a little ridiculous joining them, being your age, but Joel probably feels even more ridiculous so you push the thought from your mind.

“I’m actually kind of nervous,” you tell him as screams ring out from within the house.

“This thing ain’t nearly as terrifyin’ as the real world,” Joel says.

“Yeah, but still. I’ve never been a fan of being scared.” 

Joel takes a sip of his spiked apple cider and shrugs. “I’ll protect ya.”

“My hero,” you coo and run your hand over the superhero crest stitched to his chest. He smiles. 

Soon enough you’re at the door. 

“You go first,” you tell Joel, and shove him in front of you, but you don’t let go of him.

"Good to know you're not afraid to throw me to the wolves."

"Your sacrifice will not be in vain."

He rolls his eyes but lets you fist one of your hands in his sweater and hold onto his arm with the other. You peer around him as the two of you venture inside. 

A radio plays spooky sounds from all directions as you trail behind Joel through the house. Your eyes flit across every crevice, searching for who is going to scare you. Still, you don’t notice everything.

From seemingly nowhere, someone pops out in a Michael Meyers mask with a fake knife. You screech and hold tight to Joel. He hardly even flinches.

“How are you so chill?” you ask with a pout once you’ve recovered. Red lights flash in the hallway. Your voice is shaking. God, you’re a wimp.

“Because I’ve got someone I need to protect. I can’t act all scared, now, can I?”

You roll your eyes, knowing he’s just making shit up. He’s not scared at all.

You get closer and closer to him as the house progresses. Your hands are now interlinked, your cheek pressed against the warm muscle of his shoulder blades. You’re practically on top of him, trying to stay as close as possible. 

Even with Joel acting so nonchalant, you’re scared. You get jump scared a few more times as you continue, thankful that your hands are preoccupied with holding onto Joel else you might’ve punched one of the scarers.

Eventually you make it to the end in one piece, your heart racing. You know it’s ridiculous—Ellie probably got through this with a straight face. Still, it’s kind of fun, being scared. You’re giggling into Joel’s sweater by the end of it, and he’s tucked you into his side, hand still interlocked with yours as you meander back to the plaza.

Warmth blossoms in your chest. Is this what it would be like if you were truly together? You feel the urge to push up on your toes to kiss him, but you shove it down. Guilt tugs at the back of your mind at the thought. 

“You’re such a scaredy cat, I guess that costume is fittin’,” he muses, rubbing warmth into your waist.

“Sorry we can’t all be macho men like you."

You go to pull away, to create some distance. You can’t keep getting close to him like this. It weighs too heavily on your heart. But Joel squeezes your hand and tugs you back into his side, and you’re so very weak. You melt into him despite yourself.

“I think you rather like my macho-ness,” he says.

Heat pools in your belly at the smirk on his face, the darkness in his eyes. You avert your gaze with a small smile, warmth coloring your cheeks. “Yeah right.”

He turns toward you, towering over you. His hand splays heavily on your hip, and you shudder. “Playin’ coy now, huh? Where was this yesterday when—“

“Joel!” Ellie screeches, skidding to a stop in front of the two of you. You feel the urge to jerk away, but Joel only shifts so that he’s no longer in your face. He still keeps you close. 

“What’s up kiddo?” 

“There’s a campfire, everyone’s asking us to play a song.” 

That piques your interest. Joel has played guitar for you a couple times, though he’s always very shy about it. You’ve stumbled across him playing on his own with no one to watch. It’s fascinating what the music does to him.

It’s like he’s transported somewhere else, his eyes closed as his fingers pluck the strings of his guitar, his foot tapping to the beat, his head nodding along as his hands tell a story through the notes. 

You’ve never seen him play a whole song like that, he’s always noticed you before he could ever finish. And when you’d ask him to keep playing, there was a bit of stiltedness. You realized it was nervousness… he wanted you to be impressed, to like what he was doing. 

You’re not sure how you ever could dislike his playing. 

“You should do it,” you say. 

Joel’s hand comes up to rub the back of his neck. “I dunno—“

“What, you’re not scared, are you?” you tease.

“Don't talk to me about being scared. Pretty sure you stretched out my sweater with how hard you were holding onto me,” he counters. 

“Will you two stop bickering like a married couple? Joel, they’re waiting. Come on!” Ellie says and grabs his hand, tugging him along. You laugh as you follow, though her little comment sticks in your mind. 

***

Joel settles down on a log with his guitar in his lap. Ellie sits at his side. You got a spot a couple logs away, so you could get a good view of them. The campfire lights his silver hair copper, reflecting like stars off the wood of his guitar. 

“Any fans of Bread here?” he asks, and a few hoots and hollers sound out. Joel laughs at that, and Ellie rolls her eyes. You've never heard of the band, but you wait with bated breath. They tune their guitars, and then Joel takes a deep breath and counts down. 

One, two, three, four…

Soft strumming fills the air. Ellie keeps the main melody, but Joel plucks more of the details. He sings first.

Baby I’m-a want you

Baby I’m-a need you

You’re the only one I care enough to hurt about

His voice is smooth, a bit shaky from the nerves, but it washes over you like a warm wave of water. Immediately, you’re drawn in. It’s unrealistic, but you still think that Joel could save the world with his voice. It’s scratchy but soft, if one can be both of those things at the same time.

He looks up through his lashes, his gaze catching yours.

Maybe I’m-a crazy, but I just can’t live without

your lovin’ and affection… givin’ me direction

Like a guiding light to help me through my darkest hours

Lately I’m-a prayin’ that you’ll always be-a stayin’

Beside me…

Your breath catches in your throat while he sings.

It’s just a song, you tell yourself. But the way he’s looking at you… it’s as if everyone else has disappeared. As if the words were created specifically for you. As if… as if maybe he chose this song for a reason…

Ellie picks up the prechorus with her angelic voice, and you’re brought back into the present. But then Joel starts the solo, his eyelids fluttering shut as the music takes over him. His head nods along to notes as he plucks each one out with precision and skill. His foot taps in time with the beat, and people cheer, but you can’t stop staring. 

The solo ends all too soon, but Joel’s voice merges beautifully with Ellie’s harmonies back on the prechorus once more. 

Lately I’m-a prayin’ that you’ll always be a stayin’

Beside me…

Used to be my life was just emotions passin’ by. 

Then you came along and made me laugh and made me cry

He gives you a small grin, secret, for no one else but you.

You taught me why…

Baby I’m-a want you. 

Baby I’m-a need you. 

Oh, it took so long to find you baby

Baby I’m-a want you.

Baby I’m-a need you.

Your chest constricts at the sight of him, at the sound of the last few notes being plucked expertly by his fingers. At the blend of his voice with Ellie’s. You can't bear to sit here at this campfire, watching him only as a friend, a fellow neighbor, just like everyone else. You want him to sing this song for you. To know that it’s only you he’s thinking of as the last few strings are plucked by his nimble fingers, ringing out into the dark, cold night. That it’s only you he sees clapping and cheering him on. But you can’t even grant him that, already on your feet the moment the song ends, practically sprinting away from the campfire as your throat grows tight and tears spring to your eyes.

You hope no one has noticed. You hope the footsteps you can hear crunching on crimson leaves are just someone walking past. Of course they’re not though.

“Are you okay?” the familiar timbre of Joel’s voice asks.

God, no! Why! 

You frantically wipe the tears from your eyes, sniffling snot so it doesn’t drip down your lip and betray you. 

“Oh,” you start, and internally curse the way your voice shakes. You turn toward the one who has been unraveling you at the seams with a trembling smile. “Hi, Joel.”

“Christ, what’s wrong, baby?”

“Don’t—don’t call me baby,” you say, and it’s not at all what you mean to say. You mean to just reassure, to just brush this off and bury it deep inside and never let it out. But you don’t. 

Joel’s face hardens, and he steps in closer with a hand stretched out but at the look on your face, thinks better of touching you.

“Okay, I’m sorry,” he says. “Why are you crying? What happened?”

Nothing. It was just a pretty song.

Was it for me?

Nothing. I’m just being hormonal.

Do those lyrics mean something to you?

Nothing. 

Enough. Enough with the excuses and the rules and the lies. 

“You happened,” you spit. 

He takes a surprised step back. “What?”

“You and your stupid fucking—your stupid fucking friends with benefits and your stupid fucking big heart and your stupid fucking guitar happened, Joel.”

This is probably the first time you’ve ever rendered Joel speechless outside of sex. He looks so stupid standing there staring at you with his wide eyes and his dropped jaw. And yet all you want to do his pull him in and hug him and tell him how much you love his stupid fucking face. Instead, you take a step back. 

“I don’t… I don’t understand,” he mutters. “You’re freezin’. Let’s head back to my place, we can talk about it there—“

“No. No. I won’t let you just fuck me and then pretend like whatever’s between us doesn’t exist.”

“That’s not—“ he starts, but then must register what you said because his brows furrow over his ice cold gaze. “Me? I pretend like it doesn’t exist?” 

“Yes!”

“No I don’t. You’re the one that told me you didn’t want me to kiss you anymore. You’re the one that’s been keepin’ me at arm's length all this time. You’re the one pretending.”

You go to yell back at him, to deny, but the realization that he’s right kills the words in your throat, and you fall silent. 

Joel steps closer, his voice dropping. “You can act like I’m the one that’s been torturing you as much as you like, but it just ain’t true.” 

His eyes flit across your face wildly, taking in the tears in your eyes, the tremble of your lips, the tint of your cheeks from the cold. He softens.

“Darlin' I... I have been in love with you since the first time I heard you laugh. Since the first time you even glanced my way. Every god damn day is torture wanting all of you when all I can have is some of you.”

You can’t speak, can hardly even breathe. 

“If you don’t want to make this anythin’ other than sex, just tell me,” he whispers, his hand coming up to cradle your jaw. His breath condenses into steam in the cold air. “Tell me you want to keep pretending, and we can keep pretending."

“I…I don’t.” You shake your head. “I don’t want to keep pretending.”

His nose brushes yours, his breath warm against your lips. “Tell me you don’t want more.”

You swallow harshly. “I want more.” 

“Tell me you’re sorry you made me stop kissing you.”

“Please, kiss me, Joel.”

“You’re not very good at followin’ directions, are you?” he says, grinning, and you can’t help but laugh into the kiss when he pulls you in.

His lips are soft, deliberate when they meet yours. He coaxes you open, makes you slow down, pulls you into it so you feel it entirely. Reminds you of what you were missing when you forbade him from kissing you. 

God, you missed it so much. Missed him. 

Joel’s arms wind around your waist, his hands sliding along the fabric of your coat, and it’s so cold but god you wish you had less layers on right now. You’re sure the warmth of his hands could keep you from hypothermia. 

“I’m sorry I forbade you from kissing me,” you say. 

He hums, “I guess I can forgive you. Might need some convincing.”

“Oh shut up,” you grin, and pull him back in again. 

“I hate pretending like I don’t love you,” he murmurs against your lips, hands gripping your waist.

“You… really love me?”

“Did you not hear my speech earlier?” 

“I did. I just… can’t really believe it.”

He pulls you in close and gently grasps your jaw with his large hands. He kisses you again, thumbs brushing against your cheeks. 

His lips find the corner of your mouth. “I love you,” he says. 

A kiss to your cheek. “I love you.”

A kiss to your eyelid. “I love you.” 

When he pulls back, he’s smiling again. It’s strange to see Joel smile. He really doesn’t do it often around anyone. But you guess you’re an exception.

All that time you had spent pushing him away, agonizing over how much you loved him, fearing that he’d leave you if you so much had hinted that you were in love with him, only for him to be in love with you all this time? Holy shit. The world feels like it’s turned upside down. 

“Okay, I think I believe you now,” you say in a laugh. 

“You haven’t said it back, which I guess is alright—“

“I love you too, Joel,” you interrupt. 

He softens again. “I love you,” he murmurs, and pulls you in again for another toe curling kiss. God, you were an idiot for making him stop.

He wipes the tears from your eyes with a calloused thumb. “Your face paint is smudgin’.” 

“It was a stupid costume anyway.”

“No, it's cute. But…” Joel glances about, lips quirking in a smirk. He leans down, and his voice is so low you almost don’t hear it. “I think it would look better on my floor.”

“Well…” you fight the grin on your face, delighting in the heat curling low within you. “I guess since you love me and we’re kissing again and aren’t exactly friends anymore… we could really put that statement to the test.” 

“I think we should,” he says, and leans down to kiss your neck. 

You hum in approval. “What about Ellie?”

“She had plans to go to Dina’s after the festival,” he says, between kisses. “Come over, please? Or do I need to send you a letter with a wax stamp and everythin’?”

“Well… since you said please, I guess that will do.”

The whole walk to his place he has his arm slung about your waist, proudly displaying that you’re his. 

You nuzzle yourself into his side, grateful for his warmth and companionship. Your heart feels so full, so light, as if you might actually drift up into the air. Thank god Joel is holding you to keep you grounded. 

You smile at Maria and Tommy when you pass by them, and they exchange a look that says something like Finally. 

Then you’re at his house, and he’s unlocking the door and letting you go in first. And this time when you’re welcomed inside, you’re no longer worrying about rules or how you feel, or how you might fuck this up. It’s so fucking freeing. 

Joel doesn’t ravish you the moment the door closes. Instead, he kind of just stares at you. 

You squirm under his attention, growing self conscious. “What?”

He smiles, hands gravitating to your hips. “Nothin’. I just love you.” 

You grin. “I love you too.” 

He kisses you again, and you don’t think you could ever get enough of it. You kisses you roughly against the door, hips colliding with yours, over and over, and soon enough you’re shaking with want. Mind muddled, whispering a single word into his ear, “Bedroom.” 

It feels different here this time. All those times in the past had felt restrained, now, everything feels exactly as it should. 

When before you used to strip down quickly just to get him inside you, this time, you both take your time. He carefully unwraps you like a present as he noses kisses down your throat. He peels your thick black sweater off, and slides the straps of your bra down your shoulders, his dark eyes locked with yours. Joel reaches behind you and undoes the clasp with ease. You can hardly hold back your shaky sigh. 

Your hands smooth over his sweater-clad chest before pulling it up and over his head. That jagged scar is there on his stomach, a reminder of everything he’s been through. You run your hand along it, and he shudders. 

“Sit down,” he says. 

You sit on the edge of the bed, and he kneels before you. Then, he grabs your boot-clad foot and sets it on his thigh. He undoes the laces and carefully takes the boot off. He does the other, and then hooks his fingers around your waistband and pulls it and your panties off together. 

“I was right,” he says. “It really does look better on my floor.” 

“You’re ridiculous,” you say, and pull him back into you. His lips catch yours gently, but the kiss intensifies when your mouth parts eagerly as his tongue swipes across the seam of your lips. His tongue slips in, and a moan tumbles out of you as your hands scrabble at his shoulder blades, your nails lightly scratching over thin scars.

His nose squishes against your cheek, and his large, hot hands slide up and down your body, like he just can’t keep them still. Like he wants to catalog all of you right now, remember it forever. 

He rocks against you, still confined in his jeans, but you can feel the hard shape of him brushing against your sensitive core, the friction incredibly delicious. Your hands find his button and zipper, undoing them both with as much concentration as you can muster, though it’s really difficult when he’s kissing you like you contain all of the world’s oxygen. 

Finally, he allows you to breathe, his beard scraping against the sensitive skin of your throat as he mouths hot kisses down your skin. He grips one of your thighs, setting it against his hip, large, rough fingers splaying across the whole of it. God, you love how easily you fit in his palms.

He grinds his hips into you over and over and you moan, aching for the feel of him inside you. You tug at his waistband again. “Joel, please take these off already.” 

“Not yet,” he says, and releases your leg, his hand skating across the skin of your thigh, brushing gently along, making you shudder in his hold. You can feel the warmth of his fingers as he nears where you want him most. 

And then, his fingers are on you, swirling in gentle circles, unraveling you at the seams. Your head hits the mattress and your back arches. He knows exactly what to do to make you putty in his hands, has had so much time to practice. But this time, it feels so much better, knowing now that he loves you. That you’re more than just friends. 

Your palms find his face and you pull him in for a slow, meaningful kiss, trying to tell him just how thankful you are for him. How glad you are that he loves you. How sorry you are for not letting him kiss you. It’s kind of hard to kiss him, though, when he’s making you feel this good. Your fingers curl into his hair, tugging at it, and he moans into your mouth. 

He slips one, two fingers inside you, pumping them at a steady pace that has your hands gripping his hair tightly and your hips scrabbling for that pleasant release dangling in front of you. He urges you on with encouraging, quiet words, his dark eyes boring into yours. Your mind, body, and soul feel hot.

When his thumb finds your clit it’s only moments until you’re shattering against him, warmth flooding your body. Your hips jerk, your legs shaking as he takes you over the edge. 

“Pants off. Now,” you huff between breaths, and he finally listens. 

“Yes, ma’am.” 

Then, he shifts you up the bed… it reminds you of the first time the two of you had sex again after he was so busy. So much the same yet so different. His hand moves up your body, cups one of your breasts, kneading it gently. When his thumb ghosts over your nipple, you shiver. 

“You’re so beautiful, darlin’,” he murmurs, and grasps your knee, pulling it over his hip. 

And then he’s sliding in, and the stretch is blissful, so welcome, so familiar and yet so new. You hold onto him, keeping him close as he begins to move. You feel full, mind faraway with bliss.

“God, Joel-“ you hiss. 

He groans out your name, and it rumbles through you like rolling thunder. Lightning lights a fuse at the end of your spine. 

You’re out of control. He tends to do that to you. Make you angry, make you sad, draw all the emotions you tend to not want to deal with out of you. Frustrates you, makes you so hungry with want that you throw all semblance of rational thought away. And he likes it. You like it. 

God, you love him so much. 

You move together as one, pushing and pulling. Everything shrinks down to just this. Him. You. Where your bodies meet. 

“More,” you moan, and he huffs out a laugh, but obliges, thrusting into you deeper, harder, and you’re as tight as a bowstring. 

Every anxious thought, every worry, every single doubt dissipates with every movement of his hips. You shift your own to meet his thrusts, and soon he’s gasping into your skin, growling your name. His hand winds into your hair, and he breathes with you, eyes locked with yours. 

“Come on, baby,” he murmurs. “Come for me.” 

Well, who are you to deny him? He pushes you over the edge in an instant, your body going taught, eyes rolling back into your head. His name flows out of you like a mantra.

Joel. Joel. Joel. Joel. 

“I love you,” he says into your throat when he follows you, hips jerking with sloppy thrusts as he comes inside you. 

Joel collapses next to you, pulling you into him, his arm slung heavily across your waist. When you can finally catch your breath, you say, “I love you, too.”

His grin is sated, eyes heavy when he pulls you in for another deep kiss. “We’ve said that a lot, huh?”

“Just making up for lost time. I think it’s alright.” 

“I should’ve said it a lot sooner,” he says, calloused fingers brushing against your cheek as he tucks a strand of your hair behind your ear. 

“Me too. Telling you not to kiss me was really dumb.” 

“Probably not the smartest thing you’ve said.” 

You scoff in mock offense, pushing at his shoulder. “Asshole.” 

“Yeah, but you love me.”

You roll your eyes, but scoot further into him, laying your head on his chest. 

It might have been a risk to fall in love with your best friend, but God, you’re glad you did. 

“Yeah, I really do.”

[shxuga]

Whispers of the Deep I | Twisted Wonderland

Jade × Floyd Leech x Female!Reader | Pirate AU | TW: Drowning attempts, unhealthy relationships, mentions of death, alcohol and acts of piracy.

This serie is based on a comic, click here to find it!

The salt in the air stung your skin.

The night was cold, a clear sign that you and the proud Rosehearts fleet had ventured too close to the poles. The icy wind that seemed to seep beneath your very skin reminded you of the night when the imposing and chaotic ship first found you. Drifting on a piece of wood, lost at sea in the dense, dangerous waters. With the promise of making you someone useful, not just another mouth to feed, Captain Rosehearts allowed you to join his crew.

And six months later, you had become a true pirate.

You couldn’t boast, like Ace, about losing a hand in a fierce pirate battle (though that was a lie; the first mate, Mr. Trey Clover, had told you Ace actually lost it after being caught stealing in a town, where they cut it off as punishment). Or like Deuce, who, after a few too many drinks, tearfully confessed how he lost his foot due to a miscalculation during a cannon test. But hey, you looked the part now, with a snug black heart-shaped eyepatch covering your right eye. You didn’t wear it for fun; underneath was a nasty scar and a useless eye. So, when Captain Rosehearts offered you the leather accessory, you didn’t refuse. In hindsight, you would’ve had to accept it regardless.

You bit down on a splinter of wood between your teeth, lazily rubbing your arms against your sides to fight off the chill as your gaze remained fixed on the sea from your lookout perch. Waves crashed wildly against the ship, but that didn’t stop Cater’s slippery tongue. He was animatedly telling one of those old sailor tales that always captivated the younger—or dumber—members of the crew.

“Can you imagine it? Beings beneath the waves, looking like angels!” Cater sighed, gesturing with his hands as though the entity he described could be touched. You weren’t interested in his drunken ramblings, but with nothing better to listen to, you resigned yourself to eavesdrop from your position atop the crow’s nest. “I’m talking about mermaids! Those extraordinary creatures, almost as deadly as they are beautiful.” You took a moment to glance at the crowd of crewmates, enraptured by their superior’s words. It didn’t surprise you to see Ace and Deuce’s mesmerized faces in the middle of the group. “They say their song is like a gentle caress, a deadly trap! Something that turns even the smartest or cruelest sailor into putty in their hands. Once they’ve marked you as prey, there’s no escape.” He concluded with a leap onto the bow, eliciting gasps of surprise from some. You grimaced from your high vantage point.

Between the flickering oil lamp lights, you spotted a flash of red you recognized immediately. You stifled a laugh as you watched that furious red blur make its way toward the drunken group on the bow, entirely unnoticed. Cater brought a finger to his face, his eyes darkened by alcohol and his cheeks flushed despite the biting wind.

“Legend has it, if you manage to get one of their scales, they’ll become your eternal servants!” To your surprise, he continued, drawing even more interest from the others—and more ire from their lurking captain. Cater sighed, like a lovestruck maiden. “Personally, if I could choose how I’d die, I’d want it to be at the hands of one of those beauties...”

His statement shocked no one. His reputation as a ladies’ man was well-known. Rumor had it that, during a stop at a port, several courtesans he’d scorned banded together to get revenge. They supposedly drugged him and... well, the whispers said they castrated him. You had no idea if it was true, but given his nymphomaniac tendencies, it wouldn’t have surprised you.

“If you’re so eager to die, let me be the one to throw you overboard,” growled Riddle, snapping everyone out of their drunken stupor. His stern voice and sharp glare forced Cater to stand straight and regain composure. The others followed suit, fleeing in fear of their temperamental captain’s icy gaze.

The laughter and idle chatter faded. The moon reached its peak in the sky, and everything fell into a deep silence, broken only by the sound of waves, the constant creak of worn wood, and the snores of your crewmates, who had abandoned their posts to huddle on the cold deck. Everything was so peaceful you hesitated when you noticed a distant silhouette on the horizon. You extended your spyglass—practically an extension of your arm at this point—and directed it to the point in the sea that seemed to be approaching rapidly.

The emblem on the flag sent a chill down your spine: an apple dripping with poison smiled at you. If not for the light color of the flag and the ship’s golden detailing, anyone would’ve mistaken the naval guard insignia for a pirate’s Jolly Roger. You yanked the bell rope hard, alerting your crewmates to take their positions.

“Ship sighted!” you announced. To your dismay, the elegant Pomefiore reached you with alarming speed. You were about to jump down from the crow’s nest, rope in hand, when the sound of a cannonball firing echoed in your ears, and the ship shook violently. Everything around you blurred. You heard shouts, the wild splashing of the sea, and before you realized it, you were falling.

The freezing water welcomed you with open arms.

• • •

You have no idea how many days have passed since then. While you frantically fought against the raging sea, someone noticed your absence and dropped a lifeboat in your direction. Somehow, you managed to climb aboard, but as temperamental and vain as the ocean is, a fierce storm broke loose, carrying you far from the fight. And far, far away from your crew.

Despite the cold winds, the sun blazed proudly in the sky. The skin not covered by your wrinkled clothes burned as you sprawled languidly in the small boat, feeling your lips crack and your tongue stick to the roof of your mouth. Your eyes stung, yet another sign of your dehydration. The lifeboat was equipped with a few emergency rations, but you weren’t foolish enough to consume them all at once. Experience had taught you it could take weeks to be found. Deep down, buried in the darkest corners of your mind, you recognized the possibility that you might never be. But you refused to dwell on that thought.

The real battle now was with your own mind.

You were hallucinating—or so you believed. At night, you would wake up in a panic, gripped by the eerie sensation that something, or someone, was watching you. You couldn’t explain it, but it felt like hundreds of eyes emerged from the depths of the sea, silently stalking you. It was morbid. Unsettling. Since then, you hadn’t been able to sleep for more than a few fleeting moments. Paranoia gnawed at your sanity; you could only close your eyes when sheer exhaustion forced you to. But even then, rest was elusive.

You had nothing except your clothes and an old tarp, which you used to wrap yourself during the frigid nights. You were surprised by your own stubbornness—how, despite the bone-chilling cold and the relentless growling of your empty stomach, you refused to give up.

Because you trusted your captain.

He might have been a small and temperamental man, obsessed with his rules, but he was a man of his word. And he’d given his word to you and every other misfit on the ship:

"I will never abandon any of my men. So don’t you dare die."

Clinging to that promise, you wrapped yourself tighter in the stiff tarp, keeping your eyes wide open, watchful, as that disturbing sensation lingered in the dark of the night.

• • •

It's been a month.

You know because the moon, which had been absent for some time, finally showed itself again, bringing with it an unsettling sense of hope. Yet, its absence left you uneasy in the dark, shivering from the cold and the fear that at any moment, something might emerge from the water and drag you into the icy depths of the sea.

But it never happened.

By now, you didn’t know whether to see it as a blessing or a curse.

Your rations were gone. Somehow, you made them last until that morning when you devoured the remnants of stale bread and drained the final bitter drops from your leather canteen. Now, you simply waited for the inevitable. Staring into the water with the moon behind you, you saw your gaunt reflection, thinking about how pitiful and miserable your death would be.

Completely alone. Isolated. Perhaps you would have preferred being arrested, accused of piracy, and hanged in the town square. That death would have been kinder than dying of starvation and dehydration, your body covered in blisters.

Resigned and delirious, you found yourself remembering your first nights aboard the Rosehearts fleet. Nostalgia struck as you softly hummed that song Cater always loved to sing at any opportunity:

"There is nothing... that console me... but my jolly sailor bold."

You sighed, closing your eyes. Slowly, humming until sleep began to take over.

"Is it dead?"

You jerked awake at the sound of a splash and an unfamiliar voice close by. You scrambled backward, drawing the pistol hidden at your side and pointing it without hesitation toward the source of the voice.

Your face drained of color.

An olive glow painted the dark sea. At first, you thought it was a star. But soon, you realized it wasn’t. A star wouldn’t have such a human face—yet also something not entirely human.

The blue-green scales on the masculine body leaning against your boat shimmered like tiny jewels. Like a fish’s—but this being staring at you with a curious, almost morbid amusement was definitely not a fish. Its uneven, dual-colored eyes lingered on your pistol, tilting its head slightly. The moment you fell into the water with it, the gun had turned into dead weight among your clothes, but you had kept it as a precaution. Still, the creature before you didn’t seem to recognize the threat it posed.

It was a mermaid… no, a merman.

A sharp-toothed smile greeted you after a moment of silent contemplation.

“Heh~, I guess I was wrong.”

You couldn’t decide what was more astonishing—that this creature spoke your language or that all those mermaid tales Cater had spouted were actually true. If you made it out of this alive (which, honestly, you doubted), you’d apologize to him and pay closer attention to most of what he had to say. Because even with Cater, half the things that came out of his mouth were lies… if you were lucky.

"I told you, Floyd. You shouldn’t have been so impatient," another voice chimed in, followed by a new splash. You tensed further, whipping your aim to this new direction. Panic gripped you. If you thought one was intimidating, you quickly realized two were the embodiment of pure terror.

Like an animal assessing its odds against a predator, your single eye darted between them. They were identical, equally menacing. Broad shoulders, sharp teeth, and piercing eyes. Where human ears should have been, fins jutted out. Their webbed hands, tipped with claws, scratched lazily at the sides of the boat.

Your chances of surviving this encounter dwindled with each passing second.

“But it was soooo boring...! We’ve never seen a human before—not a live one, anyway.” Floyd grinned widely, and your expression hardened. “Aren’t you curious, Jade?”

"Of course, but I’d rather not be reckless. You know, there could be more of her kind around," Jade said, his olive eye gleaming in a way that churned your stomach. "And that would be so unfortunate..."

"It’s been a month!" Floyd protested, shaking the boat in a fit of impatience. When his gaze shifted from his twin to you, it softened slightly. "I’m so curious… Hey, can you talk?"

"I have nothing to say to you," you spat, gripping the pistol painfully tight in your fingers. Floyd chuckled, leaning heavily on your boat. The wood groaned under his weight, and you wobbled from the shift.

"Heh~, look at her. Trembling like a little shrimp but acting like a shark."

"Humans are, as always, such fascinating creatures."

They started inching closer, their eyes seeming to glow more intensely against the absence of light.

“Stay back—don’t come any closer!”

“Poor thing, she’s so scared…” Jade sighed, placing a hand on his chest as if feigning sympathy. However, his eyes were sly crescents of amusement.

“Do you think a swim might help her relax?”

They shared a look of wicked complicity.

“Only one way to find out…”

“Wa-wait…!” Your protests died on your tongue as they overturned the boat, and the salty water enveloped you.

The sea consumed you, like dark, thick ink. The salt stung your eyes, but you refused to close them, knowing what lurked nearby. The cold clung to your skin, much like your soaked clothes. You swam upward toward the moonlit surface, barely catching a shallow breath before something yanked your ankle, dragging you back down.

You fought against the iron grip coiled around your body, your mind reeling in horror as you noticed the elongated appendage wrapping around your legs and most of your torso. The mermen were enormous, and their tail resembled that of a serpent. Your hands scrambled for the knife hidden in your boot when a faint glow emanating from the chest of your captor (Floyd, perhaps?) caught your blurred vision.

"Legend says if you claim one of their scales, they’ll become your eternal servants!"

You didn’t even think. You couldn’t, not when their clawed fingers were digging into your sides and the water had invaded your lungs. With the last of your strength, you tore the glowing scale from its chest. You caught a glimpse of its shock, but you kept fighting until the small, jagged piece was clutched tightly in your hand. You didn’t know if it would work, but you wished with all your might.

"Take me to the surface! Now!"

Your world flipped in seconds. You vomited the salty contents of your stomach, bile burning your throat as your lungs were granted a second chance. Trembling on your hands, you spat out every last drop of seawater stinging your insides. You didn’t even notice you were still gripping the small scale until your blood began to seep from your palm.

"You... What did you do to me?" the chattier merman hissed, his mismatched eyes glowing with hostility.

“Floyd… your chest.” Jade pointed out, his previously amused expression replaced with shock. You followed his clawed finger’s direction, spotting the faint trickle of blue blood dripping from where you had ripped the scale.

“Oh, looks like it actually worked... That charlatan was right.” You spat out the last salty remnants in your mouth before straightening up. Holding the scale firmly between your fingers, you glared at the two stunned mermen. “Now, would you kindly get your filthy hands off my boat, creature?”

Floyd seems to struggle against a force pulling at his neck the moment you finish speaking your command. It was a fact—with the scale in your possession, he was forced to obey you, much to his dismay.

“Don’t move” you warn Jade when you notice the gears of his mind turning behind his sharp gaze. You shake the scale. “Or I’ll have to use this thing and make your brother kill you.”

Floyd lets out a guttural growl, his eyes sparking with fury and disdain, but he can’t resist the invisible pressure of the scale trembling between your fingers. His body tenses, and an almost tangible force seems to wrap around him, making him falter for a moment, though not enough to fully yield.

“Damn it…” he mutters through clenched teeth, clearly struggling against the control now imposed on him. His hands, which had earlier tried to snatch the object from you, now remain rigid at his sides, as though he’s afraid to touch you.

Jade, on the other hand, appears calm, more surprised by your bold threat. His narrowed eyes and typically impassive face show only a hint of curiosity. The scale, with its lethal gleam, is a card he doesn’t yet fully understand but certainly respects.

“Don’t act tough, human.” Jade replies, his lips curving into a subtle smile. “Not now that you know you can kill me without laying a finger on me.”

It’s not a threat—it’s a certainty, and he says it so casually that it almost makes you doubt your own power. But you know what this scale represents now that it’s in your hands. The energy pulsing within it doesn’t just govern Floyd; it also connects to you in a way neither of them can yet comprehend.

“It’s true,” you respond, feeling the truth in his words. But there’s something else at play here—something that goes beyond mere threats or physical power. You know the scale grants you control, but you also feel how the connection to the merfolk consumes you, like a slow poison seeping into your skin, your mind. You can’t stop it. Not even if you wanted to.

A shiver runs through your body, and you glance at the water’s surface, fearful of what might be lurking beneath the dark waves.

“Listen to me” you say, gritting your teeth as the scale begins to vibrate more strongly, its power growing. Floyd stirs, his gaze no longer on you but fixed on something else, as if the scale’s invisible threads had bound him to an inescapable fate. You feel the pressure in your chest but remain firm. “I’m not going to use this thing to hurt you. That’s not what I want. But if you think you can take me by surprise, you’re wrong.”

Floyd doesn’t respond, but his expression speaks volumes. There’s something in his eyes now—a deep fear. Not of you, not of the direct threat, but of what the scale might do to him if he defies you. And that’s where you have him. You don’t need to harm him. You just need him to believe you will.

Jade approaches slowly, his movements stealthy and calculated, as if waiting for something… something more. But he can’t hide the slight tremor in his hand as the water shifts around him, forming invisible ripples.

“What do you want, then?” he asks, his tone shifting from a threat to something akin to acknowledgment, almost as if he were measuring you, testing you.

“I want your cooperation. Take me to the nearest port, and I’ll return this thing.”

“Why should we trust a human?!” Floyd’s fins bristle, and you frown, irritated by his behavior when you clearly have the upper hand.

Jade observes silently, assessing the conflict between you two. For a moment, everything seems to pause, the tension nearly palpable. Then, a faint glint in his eyes suggests he’s finally made a decision.

“Fine” he says, his tone now more calculated than aggressive. “We’ll take you to the port. But don’t get any ideas, human. You won’t manipulate us at will.”

As he says this, his hand extends toward you, and though you know he isn’t doing it out of kindness, the fact that he’s agreed to the proposal at all is a victory. Despite his reservations, Jade has relented. And that’s the opportunity you need.

“I know you can’t trust me” you reply, keeping calm despite the emotional weight at play. “But understand this—I’m not your enemy. And this deal is the only way we all come out ahead.”

And it’s true. Your only desire was to survive. You understood that these creatures acted according to their nature, but that didn’t absolve them of trying to drown you. You had no intention of becoming their master (as Cater’s tale suggested) or anything of the sort—you just wanted to go home. Because the Rosehearts, with its smell of cheap perfume and rum, had become that. Your home.

The wind whips your face as the sea begins to churn around the small boat. Jade and Floyd, working in silence, haul the ropes with tremendous strength, and the vessel speeds forward, leaping over the waves with the grace of sea creatures. The water bubbles around them as if the ocean itself is aiding their journey, propelled by the determination of the merfolk. Your heart races at the power of their effort, but you remain calm. You know there’s no turning back.

The horizon begins to clear as the port takes shape in the distance. In less than an hour, the water around you seems to calm, as if the sea recognizes the urgency of their mission. The sun’s light starts to ascend, bathing the landscape in golden hues that herald the start of a new day. Under the merfolk’s direction, the small boat nears solid ground.

Finally, the boat touches the first rocks of the port, and with one last push of their fins, Jade and Floyd gently ground it on the shore. The water settles, and the boat halts with a soft creak. The wind no longer blows as fiercely, but the ocean’s echo still lingers in the air. You take a moment to feel solid ground beneath your feet and allow yourself to breathe calmly for the first time in weeks.

Jade retreats, his expression etched with distrust and exhaustion, while Floyd can’t help but cast a withering glare your way. You notice their unease—this close to human territory must be unfamiliar to them, but at this point, that’s the least of your worries. Without a word, you toss the scale toward Floyd. The stone gleams briefly in the morning light before landing in his hands. There’s no gratitude, no farewells, just a cold and calculated exchange.

Without looking back, you step toward the dock, walking like someone who has finally finished what needed to be done. Your attitude is dismissive, as if all those days adrift at sea were just a nightmare you want to forget. As you leave, your footsteps echo against the empty pier in the early hours of dawn. The twins, on the other hand, watch from the water’s edge, their eyes fixed on your retreating figure. Their bodies slip beneath the sea’s surface, leaving behind an ephemeral trail in the water, like a sigh. No words. No promises. The tension between you all seems to dissolve with their disappearance.

You recognize the town as soon as you set foot in it. It was marked on the Rosehearts’ route, so with a bit of luck, you might reunite with your crew by the end of the day. You’re exhausted; fatigue clings to you as clearly as the salt and smell of the sea in your clothes. You trade the trinkets you kept from the lifeboat for some gold. It’s not much, but it’s enough to buy a cold drink and secure a place to sleep for the afternoon. Because, for heaven’s sake, you need some rest. And to think. Now that you’re no longer on the brink of death, you feel you have a lot to process. While your life as a pirate had been full of madness and fantastical experiences, this, by far, had been the most surreal.

The creaky bed in the rundown inn you found with your meager budget groans in protest as you collapse onto it. You’ve bathed, and your clothes have been replaced with something resembling what you wore before. At this point, all you want is to lie down and sleep until the harbor bell announcing incoming ships wakes you. But there’s a strange itch pricking at the skin of your palm. Annoyed, you open your hand in front of your eyes.

The greenish glow that greets you makes your guts churn.

The scale… the damn scale. How had it returned to your hand? You were sure you’d thrown it away!

You don’t even think before opening the window and hurling it out for the second time. Seconds pass, during which all you hear is the erratic pounding of your pulse in your ears. Just to be sure, you check your hand again, and…

The scale is back.

A knot tightens in your stomach. The harbor bell snaps you out of your stupor. You lift your eyes and recognize the Jolly Roger of roses and skulls painted on a menacing black flag. A new fear blooms in your gut, alongside a growing doubt forming in your head:

How are you going to explain this to your captain?

[hurtspideyparker]

Hi, sorry but could you recommend any of your favourite Peter Parker fics please?

For sure !!! *cracks open ao3 bookmarks*

Thirty Hours by polaroid15 - Peter doesn't take any breaks during a lengthy fight with the Avengers. The mind-melting fever that follows really should have been expected.

Hurt Peter Parker, my favourite tag <3 I love when Spider-Man is a badass and also lacks self-preservation. He's so cool fighting alongside the Avengers and we get some sweet hurt/comfort irondad!

Fitting In (Tiny Spaces) by aloneintherain - Peter's trapped beneath a collapsed building during a mission, hurt and unable to move. Luckily, his comm still works. Unluckily, the Avengers don’t realise how bad of a state Peter is in, and Peter isn’t inclined to tell them.

This fic is an icon in the fandom and for GOOD REASON. I just can not get enough of Peter Parker hiding his injuries. More heavy whump and angst!

All good things come in threes by Bergen - Peter has three secret identities: Spider-Man, the superhero who swings around the city to save people. Parker Benjamin, who gives Tony Stark unsolicited advice on his research. And NightMonkey, the Instagrammer who keeps uploading increasingly popular but embarrassing drawings of Iron Man.

And he can juggle them all just fine, thankyouverymuch.

Okay here is the fluff!!! Peter is a genius, a menace, and a sweetheart. Tony Stark runs into him (again and again) and can't help but have a soft spot for him every time. Funny and cute and an all 'round good time!

Held Together by Spiderwebs by TunaFishChris - Steve is not coping well in the twenty-first century. At all. Three months after the Chitauri invasion, he decides he's had enough.

But just as he's about to end it all, he runs into the new hero in town.

This one focuses a lot on Steve but I really like him and Peter's relationship in it, and I think this is great Peter Parker characterization. TW for discussions of depression and suicide, it gets a bit dark!

5 Times Spider-Man Saved an Avenger's Ass (and 1 Time They Saved Him) by TunaFishChris - this fic showcases how strong and capable Peter is, he's definitely a BAMF. I really like this genre where the Avengers know Spider-Man but not Peter Parker, makes Peter feel more independent and mature like in the comics.

Five Time Faculty Members Had to Call Peter's Emergency Contact + One Time He Shows Up Anyway, Five Times Tony Stark's Fabled Intern Just Showed Up + One Time He Was Invited, and Five Times Strangers Talked About Peter and Tony + One time Someone They Know Did by kingdomfaraway - I am just gonna recommend this entire series. Super fluffy, extreme irondad and spiderson. They're just adorable from an outside perspective and I love when Peter gets to just be Tony's intern and a teenager for a while :)

research and disaster by blueh - “So, uh, Mr. Stark definitely knows Roomba-Kid,” Becket says and discreetly tilts his head in the direction of the pair.

“Oh my god,” Jess says. She almost sounds gleeful. “Oh my god, he’s not just some random kid. He’s Mr. Stark’s kid.”

or: the interns at Stark Industries have some questions about Peter Parker. The answers aren’t quite what they expect.

I just love intern Peter mk? Let him be a kid genius and have fun!!! Fluffy and humorous, again with the irondad.

Captain, Oh My- Not My Captain! by uncouth_peasant - Peter swallowed hard before firing a web to swing into the fray. “Cap’s going after civilians. I’m out of time.”

Bruised and bloody men <3. Just Peter being a badass and getting beat to a pulp. Cool fighting, lots of Peter whump, and of course the Avengers being protective.

Good publicity by Bergen - Between Peter Parker barely speaking, and Spider-Man being the ultimate chatterbox, how was Tony ever supposed to figure out that they were one and the same person?

Tony Stark is secretly a softie for cute kids, especially when they're a genius and have a sense of humour to rival his own. Peter is a foster kid who ends up finding a home with Pepper and Tony, very sweet.

The Third Option by Uncertainty_Principle - When Ben is murdered Peter goes into foster care. It takes just a tiny taste of superpowers for Peter to decide he doesn’t want to put up with his horrible foster father anymore—the streets are infinitely more appealing. All he wants is to be Spider-Man anyway.

So he leaves, simple.

Simple, that is, until Iron Man needs Spider-Man’s help.

Heavy TW for this one, mind the tags. This is a popular fic and for good reason. A very mature and realistic portrayal of the foster care system and homelessness. The Peter angst is really great and I could barely put it down, that boy needs a hug so bad.

Now here's some hydra!Peter fics cuz they're my jam:

Peter is a precious chickpea by Bergen - They attack the HYDRA safe house shortly before sunrise.

The only people defending said safe house are Peter and Leo, and Leo slams his cell door open and starts spitting out orders, but then promptly gets clobbered over the head and keels sideways.

So that just leaves Peter. And he’s not even going to try to fight a whole team of Avengers. He looks up at Iron Man filling the doorway. “I surrender.”

He’s never been captured before and he’s not sure what to do. Escape, probably.

This entire series is PERFECT. I just love how adorable Peter is, and all the relationships Peter forms with the Avengers absolutely melt my heart. Peter's characterization in this is really unique and I wish there was more. The Bucky and Peter friendship is everythingggg. I love hydra!peter and bucky fics.

Indoctrination by phoenixon - The Avengers thought they were on a typical assignment: Infiltrate the Hydra base and find the weapon. What they didn't expect was the small boy raised by Hydra that they found instead. And they definitely didn't expect him to stay at Avengers Tower or how he somehow wormed his way into their lives. As for Peter, he just wants to be good and obey what the Hydra men told him so he doesn't get in trouble.

I just really love hydra Peter changing into a sweet and intelligent boy once he's rescued and safe, and how all the Avengers take up such heart-warming parental roles around him.

out there, living in the sun by Hailfire_73 - The Avengers rescue Peter from a Hydra base ran by his father, Richard Parker, except Peter doesn't really see it as a rescue, and has trouble settling into a new life away from Hydra and his father at the Avengers compound. OR - Peter learns how to be an actual teenager, live life, and put his abusive past behind him, and Tony learns how to be a father.

Hydra Peter but he's most definitely a traumatized and moody teenager. I really enjoyed Peter's character arc and the exploration of his trauma. It felt more realistic the way his journey isn't just a straight or clear path. He's more mature in this one and it was a really compelling read, balancing the angst with some humour and fluff. Loved the ending.

Tinker, Tailor, Spider by Bergen - Tony is roped into a mission to transport a teenager to safety. But when things go south, it soon becomes more and more puzzling who the teenager is and what ‘safety’ means for him.

I really enjoy that the author doesn't water Peter being hydra down. Yes he is a highly skilled assassin and a badass who's trauma pervades his every thought and decision. Made me fall in love with the Tony, Pepper, Morgan and Peter as a family dynamic. Super domestic while still highlighting Peter's troubled past.

[somekirbyhater]

Can’t post the comic right now because of image limits, I need to get home first in order to post it.

[luffington]

heat of the summer ♡

➤ summary: It's the hottest day of the year, and thankfully, you're dating the coldest man alive. (18+)

➤ pairing: aokiji (kuzan) x afab!reader

➤ word count: 1.7k

➤ warnings: temperature play, unprotected sex, creampie, squirting, established relationship, post-timeskip (mild spoilers)

➤ notes: easily one of the sexiest characters in op but he does Not get the love he deserves... sorry if this feels rushed, i tried my hardest to write pwp!

NSFW under the break! minors dni thank uuu

Summer days on summer islands were always pretty intense, but that day was particularly unbearable. According to the daily news, the entire area was experiencing a heat wave, and it was the hottest day the town had seen in decades. Steam rose off of the pavement outside as the sun beat down relentlessly. The air was thick and muggy. Even with every window open, heat was trapped inside your house and it baked like an oven. 

Not that it mattered to Aokiji, of course. He was actually enjoying the bit of warmth he could feel in his unnaturally cold body. The man was lazily reclining back in a chair with the forgotten newspaper draped over his face, giving him some shade he could doze off in. 

The door to your bedroom suddenly slammed open. He blinked away the sleep from his eyes and peeked out from underneath the paper. You looked miserable. Cheeks bright red, sweat dripping down your face, wet strands of hair stuck to your forehead. Your shorts had been discarded long ago and patches of sweat even soaked through your t-shirt – well, technically his t-shirt, which was comically oversized on you. You held your chest as if you were in genuine pain and whined, “Kuzan, I’m hot.”

“Arara...” Your boyfriend gave you a blank stare. “How cliché.”

Soon your sticky back was pressed against his deliciously cool bare chest, his scarred arm wrapped firmly around your waist to hold you still in his lap. Chilly breath tickled the side of your neck, which would’ve felt refreshing had the situation been innocent. Aokiji’s large thighs hooked under your own to keep your legs wide open for him, your pussy on full display and ass nestled snugly over his clothed bulge. His free hand cupped and kneaded at your breasts.

“I-I think that nipple is, ahh, cool enough now…” You moaned as his icy fingers pulled at the fully pebbled nub, already overwhelmed from the shocking change of temperature. Your other nipple had received the same treatment moments earlier.

“Really?” He asked in his typical deadpan tone, resting his stubbly chin on your shoulder to watch himself run his thumb over the areola. You squirmed in his lap and whimpered, not missing the way his cock twitched beneath you. “I dunno, still feels sweaty to me.”

He could play with your tits for hours if you let him, but you were growing impatient. “I’m hot in other p-places too.” You nuzzled your cheek against his own, his dense curls tickling your skin. 

Aokiji hummed thoughtfully and gave your nipple a final harsh twist, making you gasp. “Show me where.” He teasingly trailed his fingers across your stomach to rub at your hip bone soothingly. “Here?” Moving further down to wrap around your upper thigh, which he gently squeezed in his large palm. “Or here?”

“You’re so irritating,” you pouted. “You know where.”

“Hey, I’m doing all the work here. I’m allowed to have fun.” He grunted and playfully slapped your thigh, smirking at your reaction. But the man didn’t waste any more time – his patience was running almost as thin as yours, judging by the hardon straining for release beneath you. He shifted his knees to spread your legs even more and ran his middle finger through your needy slit. You let out a shaky sigh of relief, eyes fluttering closed. “Mm, I think this heat may be a little out of my control.”

The former Admiral slyly made his thumb a bit frostier than usual, then pressed it firmly against your clit. You yelped in surprise. “Hey, that’s too cold!”

“First you’re too hot, now you’re too cold. Pick a side, baby.” 

“You’re making my body sound like Punk Hazard.”

“Haha, very funny.” He replied sarcastically, trying to hide the amused smile tugging at his full lips. “See what that smart mouth gets you.” 

Suddenly, two fingers shoved past your lips and prodded at the back of your throat. They were instantly coated in spit as you gagged around them, the ridges and grooves of his scarred skin pressing against your wet cavern. The sensation actually felt pretty nice, like sucking on an ice cube. You wished it was his tongue shoved down your throat instead, but Aokiji refused to turn his head and tear his gaze away from your body. 

The man hummed contently when he felt how wet you already were, slick already flowing out of your hole. He shoved a finger inside your cunt all the way to the knuckle, watching transfixed as the large digit slid in and out with a lewd squelching noise. Soon a second finger was added, rubbing at your walls deliciously.

“You could’ve come to me hours ago and asked me to help with the heat, y’know. Then you wouldn’t be all sweaty.” You whined around his fingers as he expertly scissored you apart, messy drool running down your chin. “But you waited until you were all riled up, right? Knowing that I can’t resist this wet pussy?”

Without warning, he firmly pressed against the spot inside you that made you see stars. You jerked in his grasp but he wouldn’t let up his rough pace, pistoning in and out of you while completely ignoring your clit. With wide eyes, you realized what he was trying to do. 

“C’mon baby, let this pretty cunt squirt for me.” He rasped, speeding up his movements and practically hitting your cervix with every thrust. You tried to moan his name around the intrusion in your mouth, heat building in your core until it exploded in a rush of juices spewing out of you. Fingers milking every last drop until you were shaking and shuddering in his arms. He let out a deep chuckle when he noticed the wet stain on his pants. “So good.” He withdrew his digits from your mouth, turned your head towards his and kissed you gently, tongues lazily dancing around each other. 

In one fluid motion, Aokiji stood with your bodies still pressed together and bent you over the table in front of you. You tried to regain your senses, lost in the aftershocks of your orgasm, when you heard the metallic sound of a zipper behind you. “Wh-wha…?” You looked over your shoulder to see the man stroke his fully hardened dick a few times. “More already?!”

“I thought this was about cooling you off,” Aokiji tapped the head of his cock against your clit, making you cry out from overstimulation. “Last I checked, it’s only getting hotter outside.” 

He danced his fingertips down your spine, leaving behind a light trail of ice that quickly melted into cool droplets of water. Delighting in the way his icy touch made you shiver and shake. Then he grabbed your hip hard and slowly pushed his massive length inside your awaiting heat. 

“Shit, so tight,” Aokiji groaned from deep in his throat. He was only halfway inside you and you were already overwhelmed, desperately clawing at the table’s smooth surface for some stability. The man halted his movements and folded his body over yours, careful not to put too much of his weight on you. Your size difference wasn’t lost on him – even after countless rounds of fucking over time, your cunt still had trouble adjusting to his length. “Hey, you okay?” He asked softly, his chilly breath tickling your ear. You took a deep, shuddering breath and nodded. “I know it’s a lot. Just relax, baby. You’re doing so well.”

He took your hands in his own, interlacing your fingers, and pressed a quick kiss to your temple. Once your breathing had slowed, he continued to slowly move his hips forward, pushing in inch after inch of his cock. You mewled when his hips finally met yours, heavy balls slapping against your cunt. 

“Let me know when it’s okay to move.” His thumb ran soothing circles over the back of your hand. 

You only took a minute to adjust, letting your muscles relax and open up for him. Your cunt was still sensitive from your previous orgasm, but at least it was wet enough to make the glide smoother. When you were ready, you smiled to yourself and said, “I’m surprised you’re moving at all. I figured your lazy ass would make me ride you. Again.”

“Yeah, you’re okay now.” He rolled his eyes affectionately and pulled his cock halfway out before roughly slamming back into you. You practically shrieked at the delicious burn on your walls. 

He quickly established a harsh pace, rocking the table back and forth with the force of his thrusts. His enormous dick hit your cervix every time, causing a delightful mix of pleasure and pain throughout your core. Your stomach felt so full — you knew from experience that it was bulging with the outline of his cock. 

Your eyes rolled back into your head when he started rubbing your clit in tight circles. He was already close. He normally had more stamina, but seeing you so desperate for him, the only person in the world who could provide this comfort on a hot day, made his balls ache. 

“Gonna cum,” he grunted and nipped at your ear.

That was the only warning you got before the icy man’s hot cum burst inside you, coating your walls. The feeling of nearly impossible fullness brought you to your peak as well and you cried out, eyes scrunched shut and mouth hanging open. Aokiji’s giant body stayed pressed to your back, thumb drawing cold circles on your hip as he waited for you to come down from your high. You jolted when he finally pulled his cock out and he let out a low whistle at the sight of his semen flowing out of your hole and down your thighs. 

Body still slumped over the table, you looked back at him and batted your eyelashes. “Can you cool me off in a normal way now?”

“Sure,” he shrugged and hoisted your body over his broad shoulder, making you squeal in surprise. He paid no mind, casually strolling towards the bedroom. “I’ll be the big spoon.”

“Wha— Kuzan, it’s two pm!” You protested, knowing you’d be stuck in bed cuddling him for at least a few hours. “I meant, like… creating ice cubes for me. Or taking a cold shower together.”

“Nope. It’s my nap time.” 

Well, it was too hot to do something else, anyways.

[she-who-fights-and-writes]

Ideas for subverting popular character tropes? I've started a story and am having difficulty making my cast of characters unique. I'd love it if you had any fresh takes on tropes like the mentor, the sidekick, etc...

POPULAR CHARACTER TROPES AND PROMPTS TO SUBVERT THEM

A character trope, sometimes called a character archetype, is a “recognizable element within a story or plot that defines or conveys information about a character. Character tropes can either define a character's entire role in a plot or the character's personality or motivations.” (source: arcstudiopro).

Many people bash “tropes,” but what you have to remember is that there is no such thing as a unique idea; everything has been done before, and the reason why tropes are so popular is because (a lot of time) they work!

It is totally possible to have a "normal" trope in your story without making it a cliché. However, if you’re looking to subvert these expectations, here’s a list of ideas I’ve come up with!

(This is me brainstorming on the fly to help get your gears turning, so I apologize if these aren’t fully fleshed out or if they’ve already been done before!)

1. THE CHOSEN ONE

The “Chosen One” is a trope where “one character is framed as the inevitable hero or antihero of the story, as a result of destiny, unique gifts, and/or special lineage” (source: Wikipedia). The Chosen One is often depicted as naive or unwilling at the beginning, and has a progression of growth through the narrative when they “accept their destiny.”

Examples:

Luke Skywalker (Star Wars)

Harry Potter (Harry Potter)

Frodo (The Lord of the Rings)

Neo (The Matrix)

Subversions:

1. The protagonist who was believed to be the chosen one from the very beginning discovers that it was actually someone else the whole time and must come to terms with the realization that they no longer have this title that they’ve based their entire life (and perhaps personality) around. (Bonus points if the new Chosen One is someone they’re close to).

2. Every solstice, the “Holy Order” sends a Chosen One to defeat the monster that has been ravaging their town. None ever return. The protagonist is selected as the next Chosen One, only to find that being Chosen does not mean “Chosen to defeat the monster” but rather “Chosen as the sacrifice to appease the monster.” (Bonus points if the reason the Chosen Ones always die is because the “Holy Order” misguides them (gives them broken weapons/drugged food/faulty armor/directs them into traps/etc.)).

3. Having the Chosen Power comes with a price. After someone is Chosen, it is a death sentence. The protagonist must find a way to defeat the villain AND purge themself of the Chosen Power before it’s too late (Bonus points if the villain helps them purge the Chosen Power).

2. THE SIDEKICK

The sidekick is a friend and helper of the main protagonist. They are often depicted as a loyal comic relief character made to emphasize the hero’s greatness, and may be killed off to advance the hero’s journey.

Examples:

Robin (Batman)

Samwise Gamgee (The Lord of the Rings)

Chewbacca (Star Wars)

Pan (His Dark Materials)

Subversions:

1. The “sidekick” is actually the hero of the story; the narrator just has an inflated ego and believes themself to be the hero. Meanwhile, their “sidekick” is the one saving the world.

2. Sidekicks are often depicted as younger than the hero. Perhaps an older sidekick might do good to spice things up (Bonus points if it’s without turning them into the mentor trope).

3. The sidekick is a former hero who had to watch their own sidekick sacrifice themself, and was convinced to leave hiding by the current hero. (Bonus points if the sidekick dies in a poetic way that is a narrative foil to the way his own sidekick died, perhaps in a “I didn’t understand why they would sacrifice themself for me but now I get it”).

4. A ridiculously strong/powerful Mary Sue type character is the sidekick to a Normal Guy™ (Bonus points if they are incredibly content in this position).

5. The sidekick is not a willing sidekick; they were kidnapped by the hero because they have an object/bloodline/power/etc. that is essential to defeating the villain.

3. THE MENTOR

The Mentor is the protagonist’s teacher, who helps them transition from a “normal” person into a hero. The Mentor is often depicted as wise and virtuous, teaching the protagonist not only the ways of fighting or magic, but also the ways of good and evil. The mentor is often killed off to advance the hero’s character arc, due to the fact that they are sometimes seen as a parental figure.

Examples:

Dumbledore (Harry Potter)

Yoda (Star Wars)

Uncle Iroh (Avatar the Last Airbender)

Mr. Miyagi (Karate Kid)

Subversions:

1. The mentor is the narrator. After spending so much time training the Chosen One and raising them like their own child, they must hear news that they have been killed by the villain. While still grieving (or perhaps fueled by revenge), the mentor must venture out and defeat the villain themself.

2. Have the mentor be a woman! You would be shocked at how overwhelmingly male-dominated the “mentor” archetype is!

3. The mentor turns on the protagonist that they trained…not because the mentor has turned evil, but because the mentor believes that the protagonist has become a monster (à la Kung Fu Panda). (Bonus points if the mentor is actually right and the protagonist really has become a monster).

4. The bright-eyed Chosen One thinks the world of their mentor, only to realize through experiences with others that the mentor trained them horribly, and that the mentor only used their training to boost their renown—without expecting them to survive their fight with the villain. (Bonus points if the protagonist is an unreliable narrator, and we as the readers feel just as betrayed by the mentor because we, too, thought they were a great person).

5. The mentor is the former Chosen One, desperate for the current Chosen One to not make the same mistakes. The current Chosen One resents the mentor for pushing them so hard and treating them so cruelly, but in reality the mentor is just overprotective (Bonus points if it’s not revealed that they were the legendary “Defeated Chosen One” until later).

4. THE DAMSEL IN DISTRESS

Although a Damsel in Distress is often associated with female characters, any character is capable of falling into this archetype; mostly known for being a passive figure who exists mostly as an object for the hero to save.

This is one of the few character tropes that is difficult to break the negative stigma, due to its root in misogyny and the disadvantages that come along with having a character without personal goals or motivations. In my opinion, if you have a character that follows this archetype to the T, perhaps you should consider some revising.

Examples:

Lois Lane (Superman)

Princess Buttercup (The Princess Bride)

Mary Jane Watson (Spiderman)

Ann Darrow (King Kong)

Subversions:

1. The passive, meek damsel in distress whom the hero has been working relentlessly to save actually turns out to be a villain! Their supposed rescue efforts were used as a distraction while the evil plot unfolds, and ends with a fight to the death!

2. The damsel in distress gets in a huge fight with the protagonist when they come to the rescue; they were undercover the entire time, and the protagonist has ruined their plans!

5. THE FEMME FATALE

The femme fatale is usually characterized as a mysterious woman who seduces and entraps men with her body. This doesn’t necessarily have to be a gendered archetype, but often errs into sexualization and misogyny (especially in works written by men).

Examples:

Jane Smith (Mr. & Mrs. Smith)

Nikita (La Femme Nikita)

Catwoman (Batman)

Catherine Tramell (Basic Instinct)

Subversions:

1. The Femme Fatale doesn’t know they’re a femme fatale. They are a master of seduction and gaining valuable information through licentious wiles, but it’s all an accident; they just-so-happen to sleep with rivals and they just-so-happen to say important information. The femme fatale casually brings this information up in conversation, rendering the team awed by their “impressive skill set.”

2. The Femme Fatale is male or nonbinary (Bonus points if they will seduce any gender).

3. There is a Femme Fatale team; an icy power couple dedicated to killing through threesomes.

6. THE GEEK (OR MAD SCIENTIST OR NERD OR KNOW-IT-ALL ETC.)

The Geek, or the Mad Scientist, is the character known for knowing everything. They often have a lack of social skills, and their vast knowledge of random things helps the characters when they’ve been backed into a corner…though they sometimes tend to be a quick fix for writers who’ve written their characters into a corner and need an easy solution.

Examples:

Sheldon (The Big Bang Theory)

Spencer Reid (Criminal Minds)

Spock (Star Trek)

L (Death Note)

Subversions:

1. The Geek has leadership skills and ability to inspire others. Awkward is not the complete opposite of charismatic; just because someone may have trouble talking to people doesn’t mean they can’t foster intense loyalty from their comrades. (Think along the lines of L from Death Note. Bonus if they’re the leader of their organization, and their subordinates would face God and walk backwards into Hell for them).

2. Combine the Geek with another archetype, perhaps an antithesis archetype like the Dumb Jock. For example, a Geek that enjoys the outdoors and extreme sports like rock climbing (but rather than to get buff, they just want to look at the fantastic granite deposits on the side of the mountain they’re climbing). Or perhaps a Geek Femme Fatale, whose “special interest” is the psychology of seduction.

3. The Geek hates what they do. The “passion” that Geeks usually have for machines/non-humans/their chosen expertise is forced upon them because they’re super smart. In reality, they’d wanted to take it easy going to business school but nooooo the world was at stake so they had to become an expert in the intergalactic space-time continuum.

4. The Geek is useless. Their musings are more mania than genius, their explanations and ideas incomprehensible to a normal human being, and the group only keeps them around with the hopes that one day they’ll come up with an idea that actually makes sense. (Bonus if that idea comes at the climax of the story).

8. THE DUMB JOCK (OR HIMBO)

The dumb jock, also known as “the brawn,” is an archetype that is often categorized by being all buff and no brains. They often are, or at least begin as, the antagonist of the story, and if they aren’t, they’re considered the “Himbo” character (with character traits being buff, dumb, and respectful to women), who are often reduced merely to their attractiveness and stupidity, without much depth.

Examples:

Jason Carver (Stranger Things)

Mitch Downe (ParaNorman)

Kronk (The Emperor’s New Groove)

Bolin (The Legend of Korra)

Subversions:

1. The himbo and/or jock is frustrated with the way that their comrades always reduce them to the brawn. They feel left out and isolated because they can’t understand the lofty conversations of their peers, and know that they, in a way, look down on them for not being as smart (Bonus if this becomes a major plot point in the character’s arc, causing a huge blowout fight that fissures the group because of it).

2. The himbo/jock’s stupidity does not reduce them to comic relief. The himbo/jock is well-respected and has incredible emotional intelligence and charisma/street smarts, but merely lacks in textbook intelligence.

3. The himbo/jock is a woman! Break through the stereotype of dumb strong people being men and put some herbos in your story (Bonus if you don’t sexualize her and just let her be herself).

4. An idea from the jock/himbo becomes an integral part of the plan to save the world!

9. THE ANTIHERO

The antihero archetype is categorized by their lack of conventional heroic attributes, their execution of their goals through morally gray means, and their frequent reluctance to be the one saving the world. Their motivations may be vengeance, hatred, or any other less-than heroic inspiration besides “the greater good.” In fact, the antihero is sometimes the antagonist of the story, but due to the fact that the audience is seeing things from their perspective, they often tend to root for them.

The antihero used to be its own subversion of the “Chosen One” archetype, but became so widespread that it itself became its own archetype. That’s why antiheroes are so varied, to the point where you may not even need a subversion due to how many possible ideas there are to choose from. (This was the hardest list to make!)

Examples:

Barry Berkman (Barry)

Harley Quinn (DC)

Cassie Thomas (Promising Young Woman)

Deadpool (Deadpool)

Subversions:

1. The antihero feels guilt. Oftentimes, an antihero is depicted as stone-cold and dead-set on their actions (and sometimes they’re right! If someone killed my family, I wouldn’t care about “being the bigger person”). However, an interesting subversion may be guilt or self-awareness surrounding their actions playing a large role in the execution of their goals.

2. The antihero is not a lone wolf, and develops meaningful and positive relationships with others rather than having it be 90% snarky banter. Sometimes, antiheroes suffer from a lack of three-dimensionality due to most of their dialogue being cheeky one-liners. Anchor them solidly into the story by building a web of relationships to support them! (They don’t have to all be lovey-dovey, either! Even enemy relationships can be more than snark).

3. An honor code. Giving an antihero with an interesting honor code regarding killing, stealing, or any of their other morally gray deeds could be an excellent subversion! Having characters who are stone-cold killers but draw the line (perhaps in an odd way, such as refusing to steal cars or kill pets), somewhere can be a great way to develop their personality and show the readers their motivations.

Hope these all helped, and happy writing!

[zeasty]

Toby leaned back in his armchair, watching the scene unfold with a subtle, satisfied grin. It was all going according to plan.

Liam sat on the edge of the bed, his usual slim, twinkish frame now transformed into the tall, muscular body of Jake from the gym. Liam was still adjusting, his hands hesitantly running over his brawny, sculpted pecs and down to the hard ridges of his abs. The buzz cut and short beard were alien on him, a stark contrast to the thinner, softer features he was used to seeing in the mirror. His new bulk dwarfed the bed, yet despite the transformation, he remained passive, sitting obediently, still wearing the collar and chastity cage Toby had locked him in.

Toby smirked as he observed Liam’s reaction. There was no denying who he truly was—his submissiveness was obvious, no matter how intimidating his body now appeared.

"How do you feel?" Toby asked, his voice calm but commanding, as he stepped closer to his transformed slave.

Liam looked up, those innocent, submissive eyes still the same despite his new, imposing form. "Good, Sir. Really good," he said quietly, his voice deeper now, more masculine, but the tone remained soft, eager to please.

Toby’s grin widened. "You look good," he said, running his fingers over the collar on Liam’s thick neck. It was slightly too tight now, digging into the muscular flesh.

Meanwhile, across town at the gym, Jake, the former owner of that hulking body, was in the middle of his workout. He’d just finished a set of heavy deadlifts when the world suddenly spun around him. He blinked in confusion, his vision briefly blurring. When it cleared, his body felt lighter. His massive hands were gone—replaced by much slimmer ones. He looked down and his eyes widened in horror. Where there should have been thick slabs of muscle, there was now smooth, pale skin and a much smaller, more fragile-looking frame. His previously tight gym vest was now comically loose.

“What the—?!” Jake stumbled backward, his heart racing as he ran his hands frantically over his new, thin body. He was shorter, much less muscular—everything about him had changed. His once bulky, athletic physique had been replaced by this slender form. Panic set in as he touched his now bare, smooth face.

Toby was very pleased with himself for this idea. The swap had been perfect—Jake had been an arrogant prick and now his slave Liam has his body. While Jake was trapped in Liam's submissive, twinky form. The chaos that was surely erupting in the gym amused Toby to no end, but it was Liam who had his immediate attention.

Despite the new muscles bulging under his skin and the powerful build he now possessed, Liam remained just as obedient, just as eager to serve. Toby leaned down, gripping Liam’s chin between his fingers, lifting his head slightly to meet his gaze. “You know what’s happened?”

Liam nodded, his lips parting in a soft breath. “Yes, Sir. You’ve given me this body.”

“And are you happy with it?”

“Yes, Sir. Very happy.”

Toby chuckled darkly. “Good.” He released Liam’s chin and patted his head in a mockery of affection. “Because you’re still mine. You may look like Jake now but you’ll never be anything more than my obedient little slave.”

Liam’s lips curled into a small, submissive smile. His muscles may have grown, but his spirit remained unchanged. Toby liked that about him—the contrast between the imposing physique and the compliant soul beneath.

"Stand up," Toby ordered.

Liam rose to his feet. His new body towered over Toby, but the dynamic remained the same. He looked down at his master, a mixture of awe and adoration in his eyes.

"Flex for me," Toby said, his voice dripping with satisfaction.

Liam complied, raising his arms and flexing his biceps. The muscles swelled, rippling under his skin. He glanced at his own arms, clearly amazed at the size and power they now held, but he waited for Toby’s approval.

"Good boy," Toby murmured, stepping closer, his hand grazing the bulging muscles. "You’ll do nicely like this."

Toby leaned in, his lips brushing against Liam’s ear. "You’re going to make an impressive display for me. A big, strong body, but completely under my control. Just the way it should be."

Liam shivered in pleasure, completely content in his new form, happy to be whatever Toby wanted him to be. Even with the muscles, even with the height and strength, his place was at his master’s feet.

[xxtha-blog]

Why Horrortale Sans is Definitely Evil

Horrortale Sans is evil. This is the opposite of a defence post, I am calling out this character and his many misdeeds! I do not know how people legitimately defend his actions or claim he’s just a normal guy who tries really hard not to eat people. I do not think we read the same comic. This is a comprehensive deep dive into why Horror is evil.

First a chronological look at Horror’s dubious actions. Not all of theses are evil and some have good justification as standalone events, but provide wider context for things:

1. He has to be convinced into helping repair the Core which he knows is broken, and has inside info he knows could help get it fixed, only when Grillby begs him to because as revealed on another page, the loss of the Core means “the fire eats at [Grillby’s] very soul like acid, perpetually burning him alive”

2. He spends a total of 12 months trying to figure out how to repair the Core but based on Undyne’s statements about how he rarely works, either means he’s a. Not actually putting enough effort into it (if we believe her and not Sans) or b. Not telling Undyne and Alphys how his work is going which is probably pertinent information for them to have (If we believe Sans, but want a reason as to why Undyne has that impression)

3. He finally brings her a solution to the Core after knowing he’s going to die (but if you want to be generous, maybe it was just really bad timing and he really did only needed a few more days to bring her a solution) and claims it’s a “long shot” meaning he doesn’t even know if it will work.

4. Undyne, thinking that is an insane plan, tells him she has a different plan. Sacrificing him to save everyone. Sans makes it clear he would never let himself die to save everyone.

5. When a guard begs him to sacrifice himself to save his wife and children, Sans launches him into the stratosphere saying: “fuck off.”

6. Even though Undyne attacks him first, it’s actually Sans that takes out her head and eye first.

7. Sans brutally murders the guards who helped Undyne.

8. When Alphys, showing Sans that her plan has objectively work and he is not dead (bonus!!), Sans destroys the Core.

He destroys the thing that will keep him, his brother, and literally every person in the underground alive. Grillby now suffers eternally, and everyone will die a slow and painful death. This does not help him in any way, does not change the fact his head is broken, he does it purely out of malice. The equivalent of getting shot, surviving, and then nuking the town you were shot in. He does not take his eye back if you thought it was to take his eye back. It’s still in the broken Core.

9. He lobotomizes Alphys

10. He gets Aliza to become a cannibal

11. He tortures and maims Aliza (let’s her get cut in half by a bear trap, pulls her hair so hard it bleeds, let’s her freeze to death in a puzzle, sends her to Grillbys where she gets partially cooked alive, cuts her arm off)

Really great guy here.

Secondly let’s get some of the common defences out of the way:

1. Sans had a plan that would save everyone! Undyne was therefore making a bad decision by trying to killing him

a. Sans says his plan IS A LONG SHOT

b. Alphys explains Sans’s plan would have taken a lot of time and magic ie. time that would get a lot of other people killed

c. Undyne’s plan actually goes better that expected! What was assumed would kill Sans doesn’t end up killing him at all. Literally a win-win for everyone involved.

d. Undyne/Alphys’s plan works, and therefore objectively saved more people. 0 net casualties if Sans had a single ounce of humanity.

2. Sans worked really hard and Undyne betrayed him. Undyne should have told him first

Undyne doesn’t tell him because she doesn’t want to consider hurting Sans despite monsters dying. Moments before Sans shows up, a child dies in a mother’s arm. Then Sans explains his plan is to dismantle the Core, which ‘might’ work, and will take a lot of effort and magic to do so, which is time they do not have (it’s been 12 months. He has had 12 months.). He also blames Undyne for getting them into this mess and mocks her for letting people die. She then attacks him. They end up both losing half their head and eye in the fight, making them perfectly even. The core’s power is restored.

But, whether or not Sans feels betrayed or not is irrelevant to the fact that Undyne makes the most reasonable and moral decision in this moment and also Sans has kind of done everything in his power to not sell his idea and piss off the person he knows is considering killing him so big L on his part for that one.

It also does not in any way shape or form justify destroying the Core, which is probably the most evil thing you could possibly do in that scenario.

3. They both are at fault for the Core/Both Evil then

There is literally a world of difference between:

“Sacrifices 1 person who ends up not dying, to save everyone. Which succeeds.”

And

“Destroys the thing that will successfully keep everyone alive, thus dooming everyone including yourself to die a slow and agonizing death, because you are angry your friend tried to kill you in an effort to save everyone”

That’s not even including the 10 other things on my list that are definitely also evil, but I cannot take people seriously if they put these two things on some sort of a moral equivalence. Undyne is in the right. 1 person for everyone is a worthy sacrifice. If anything Undyne’s only flaw is waiting so long to do it.

4. (Unrelated to the Core incident) Sans is actually morally grey, he doesn’t eat humans like everyone else which is a complex character motivation

You’re right, Sans doesn’t eat humans. Instead he finds enjoyment in torturing them brutally, a much worse thing than eating to stay alive.

His fight with hunger is also entirely self-made. Both because it’s not morally wrong to eat another living being to survive (and it’s not cannibalism to eat a human as a monster) and because he is the reason this is still happening 7 years later. It is literally his fault he is hungry. There is no interesting moral conundrum here, he does not care about hurting people. He is just out of his mind.

In conclusion, Horrortale Sans is a deeply selfish and uncaring person. Whatever minor good deeds he does throughout the comic are so immensely overshadowed by his absolute depravity that they might as well not exist. He is the reason every single monster in that underground continues to suffer, including himself, and while in his mind maybe there’s some weird justification, no outsider observer should look at these actions and think, yeah, that was reasonable. Much less think Undyne or Alphys are somehow WORSE. He destroys the Core because he didn’t die after everyone is saved, solely to be vindictive. He does not gain anything by doing this. He doesn't even take back the eye he lost which is still in the broken core! He lobotomizes Alphys because he’s mad he looks like a freak. He murders people who wants him to help everyone stay alive. He maims and tortures children and no amount of not eating them afterwards makes that any less morally apprehensible.

None of this is meant to say you can’t like him as a character. It is just to explain why characterizing him as a poor lil guy who did nothing wrong, is a little… wrong.

i believe this is an extensive look into why Horrortale Sans is evil.

Thank you for reading :)

[sp00pypumpkins]

This is how I feel Zero would met player HAHHA, they werent prepared to face an adult human per se XD.

Au belongs to @asamary!

I am going to rant a bit about it under the cut.

He uses they/he pronouns

He is slightly smaller than catnap

So Zero was just in a intership for a short period before he found the truth and wanted to out it but they got him and turn him into a toy! When he found the truth he met the prototype but his fascination of gadgets and mechanism was stronger than feeling fear XD

He can produce energy via his emotions and on his own will if he is in good shape, he met the critters soon after, he was in charge of the time for movies or shows and story telling. His knowledge in mechanism made him be able to have more dinamic storytelling using tricks with lights and such.

Zero then loses their temper electrocuting a scientist not on purpose trying to stop them for taking more kids, in wich the scientist take notice and take him to the labs in wich he got experimented more and amplifying his production of electricity.

He then kept being experimented while being plugged to the facility providing electricity to a portion of it. He became a living generator.

The prototype then offered them to be part of the hour of joy by the promise of revenge and freedom and no more pain, he accepted and shut the facility down from electricity and closed the doors from many places trapping everyone inside.

Now this is where the the au and canon takes different paths

Since in canon Zero gets deceived by the Prototype and was kept as a generator for the prototype (basically he will still be used as a generator by the prototype) the prototype would carve a mouth in the shape of a smile on Zero so he can feed. Zero dislikes him after being betrayed.

In the au since the prototype just killed the scientists and the bad people, Zero is very loyal to the prototype and helps them finding the more bad people by hacking security cameras or websites, but he stays in the town most of the time.

In the au Zero lives in the basement of the aparment the critters live in (if they are in a building and not just a singular house lmao) He produces the energy of a portion of the city, if he doesnt their electricity would go hirewire, he just plugs himself at night and acumulates the electricity in the generators.

If there is a storm and ther ei s apower outage he can easily feed the building, you just need to wake him up and tell him about it.

Zero has 6 minicritters of themselfves in wich some are patrolling and some are around him, they are like security cameras in a way

They go around fixing a lot of stuff around town specially electronics,

He likes to create gadgets, toys or artwork from metal, thats why he would go to the dupmster zone to search for parts and bring them home, they find admiration how the prototype can dissamble an object to create another so he looks up to the prototype like a teacher.

He is usually in the background doing mundane fixes there and there, because he was isolated and the only contact was when they experimented on him, he gets veyr anxious around adult humans but with time you can see he is just a silly guy who adores affection he just doesnt know how to handle it yet.

I like to think they are the guy whom people go when something gets broken or need assitance with.

I really couldnt stop thinkning about the au, its 2 am but I probs forgot things.

If ya dont mind I shall keep doing lil comics about this au with my oc in it qwq

Now just a wip of a future ref I am making

Some fun facts:

He dislikes being touched in the back

The Prototype helped zero gain a mouth and get unplugged from the cables since it was a tedious and careful task.

The minicriters have different shapes (i forgot to put the x body marks on the square anthena minicrtitter :()

Simple shape on anthena= complex shape on body and vice versa.

He can speak human language very soflty but it feels off for him specially if he talks for to long it starts to hurt. (He normally talks in gibberish like puppycat from the show :D)

The stronger the emotion the more energy he can produce

If there are tvs plug on them or he touches them, he can comunicate with those using memories and replicating the voice from that memory (is like doing a collage of different voices and images in a tv) he can also project their dreams on tvs

He is very light

The scarf/coat is attached to them like part of their body.

They are protective of their friends he isnt very strong but will fight for them

He gets sometimes ghost pains in their back, the scale of pain depends of the day

ANYWAYS thats it me thinks I shall make lil comics about all the facts and other stuff other times qwq

If u read everything, thank you and hello! Hope u have a good day :D

Also sorry about the grammar and writting english is not first language and its 2 am HAHAHA

They have a hard time hidding how they really feel because the color their anthena, eyes and stars may change by how he feels

He tries to always stay calm and with right composure but he is actually very emotional, he just had learn how to manage the emotions