#This story isn't related to anything in canon

[catgirl-catboy]

I am having thoughts about Chihiro discourse in this chilis tonight.

I think the problem is that the Cis Chihiro enjoyers are looking at this from the Watsonian POV, while Trans Chihiro enjoyers are seeing this from a doyleist one.

To see Chihiro as trans invalidates his character development. That his personal growth, the very thing that Mondo killed him over, isn't real. That weakens everyones narrative arc.

But to take Chihiro's narrative arc at face value means you're going along with a lot of dated ideas and problematic tropes. That somebodies gender is determined by what is in their pants, and that gender nonconformity is something you should feel the need to change about yourself.

The horror of people taking advantage of your trust, and your entire friend circle's opinion of you doing a complete 180 and there's nothing you can do to prevent it is sadly relatable for many queer people.

Regardless of Chihiro's canon gender identity, it reads as an outing.

Very few people are transphobic or not understanding the game. If anything, its a litmus test for what lense you view stories through.

[thewatercolours]

King's Quest Ficlet: "Untwisting"

Once upon a time, a king sat alone in a lavender field at dusk, hugging his knees and spinning stories like wool. He was in fact not a bad storyteller, only he tended to save all the best stories for others and tell the worst ones to himself. He knew this evening’s story by heart from many tellings, even though it had no end and no beginning. Nor had it ever been crafted into words.

Just as golden hour began to really fade, a queen found him. Her gown blended so well into the lavender stalks and purple shadows, he didn’t notice her till she was near. The king stretched a smile for her, but did not stand, and his gaze was faraway. She smiled back wanly, but it faded almost as soon as it appeared. She ducked her head and moved to stand behind him. It was easier for both. They stayed like that for some time, as the damp in the lavender soaked into the queen’s slippers, and the first fireflies kindled in the fog.

“Should we camp here tonight?” she asked at last in a low voice. “If you can’t come home, I mean.”

“I was going to come home eventually,” the king began, but the queen went on hurriedly.

“We could catch fish with our hands in the creek the way you showed me. We wouldn’t even have to talk. Or we could talk, but about other things. We could build a fire and cook the fish. It’s so warm we wouldn’t need a tent. You could look at the stars all night. Or if you’d rather I went home, I’ve brought the tinderbox and the frying pan and things. They’re over in that copse. You could just get them. And wouldn’t that be better than sitting up all night?” She swallowed, and slowed. “And we wouldn’t have to talk, unless you felt like it.”

He didn’t look up, but he felt for her hand. She didn’t wait for him to find it. Her hand swooped round his and squeezed so hard it nearly hurt.

The king reached for the smile again. “Honey, you didn’t have to haul all those things out here.”

“Maybe not. Can we camp here anyway?” She sank down to the ground beside him. “If you want. You definitely don’t have to. I just thought. Hm.” Her words petered out.

His arm stole round her shoulder. “I – want to talk about it. Just. Maybe after we’ve both rested. But till then, just know that I don’t think you did anything wrong. It’s all in my head, I’m pretty sure.”

She sighed. “I’m not sure anything is ever all in our heads. But as long as that’s the plan, let’s wait for tomorrow.”

The king glanced at the copse, and a gleam took his eye. “I know we don’t technically need a tent, but the fact is that I’ve got a rope exactly long enough to tie between those two pines, an armload of patchwork covers, and some weird bottlestoppers that could work for tent pegs in my pockets.”

Relief washed over the queen’s face, and her hesitant smile turned bright. “Still got the marshmallows?”

“Uh-huh! The merchant didn’t consider them a fair trade for the grappling hooks – which I honestly should’ve figured. They’re a bit old, but should be pretty gooey on the inside still.”

“Good for the merchant! I was counting on that - I brought chocolate just in case. And you-know-what crackers.”

By the time the fire was lit and the stories from childhood camping trips were flowing freely, the fireflies had swarmed like a snowstorm, and a breeze was sending ripples over the dark lavender meadows. The morning would surely be wiser than the evening, and for now, there were fried fish and constellations. And the king could feel the first woollen skein of the untold story already untwisting itself.

[frodolives]

1850s Tumblr Dashboard Simulator

👸🏻 girlbossladyjane Follow

It really makes me sick to see people giving money to penny weeklies when Franklin's expedition STILL has not been found 😭 There are good men out there trapped in unimaginable temperatures and literally all that's needed is a little more funding for another rescue mission yet all you guys seem to care about are your vulgar little stories...

🧔🏻‍♂️ queerqueg Follow

the franklin expedition is dead as hell

👸🏻 girlbossladyjane Follow

Disgraceful thing to say but I'd expect nothing more from a M*lville fan

10,558 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

Sorry for posting so much about Tom Gradgrind/James Harthouse from Hard Times lately. It turns out that I was getting arsenic poisoning from my wallpaper? Anyway I took a seaside stroll and I'm normal now. Check your walls y'all

#whyyy did i assume they were committing unlawful actions together like where did i even get that from lol #hard times isn't even that good by dickens standards tbh

659 notes

🎨 asherbrowndurand

Just painted this

2 notes

ss-arctic-girlie-deactivated18540927

RIP Napoleon... you may have been unable to conquer Alexander's Russia but you sure as hell conquered Alexander's bed

🖼️ preraphaelitebro Follow

HERITAGE POST

📝 shakespearesforehead Follow

How does this have less than 100k notes you could literally not avoid this post back in the 20s lol

82,170 notes

🌄 loyalromantic Follow

poets just aren't dying young in mysterious water-related incidents like they used to :/

#as useless and degenerative as i find 'the living poets' and i'm glad we're finally moving on from them #i have to agree with op in this respect

6,884 notes

🎀 thefopdiaries Follow

I finally got a daguerreotype of myself ^_^ Porcelain urn for scaling

📜 bartlebi-thescrivener

i think i hauve consumption

112 notes

🐋 whaler4life

They found oil in the ground??? WTF. THIS IS LITERALLY THE WORSTTTT. FUCK MY LIFE FOR REAL THIS TIME

11 notes

🌿 naturesnaturalist Follow

I swear this website has 0 reading comprehension skills. Darwin NEVER claimed we "evolved" from apes like if one of you guys actually bothered to open his new book you'll see all his arguments are backed up by evidence. He actually makes a lot of sense

#sure there's nuance like i don't fully agree with all of it #but his general theory of natural selection seems pretty sound imo

56 notes

🤵🏻‍♂️ byronicherotournament Follow

🙈 butchbronte Follow

Of course these are the finalists lmao this website is so predictable. Anyway vote Heathcliff if you dont i'm going to assume you're a phrenologist

📖 sapphichelenburns Follow

It's not problematic to acknowledge the fact that Heathcliff was a brute like he literally killed dogs in case you forgot. #rochestersweep

🙈 butchbronte Follow

I love the implication here that Rochester never did anything cruel either. He literally locked his wife in the attic and lied to Jane about it 😭 like that was a pretty significant thing that happened

📖 sapphichelenburns Follow

And? God forbid women do anything

#why'd you have to pit two bad bitches against each other #anyway i'm not attracted to men but still went with rochester #bc in terms of living quarters thornfield hall > wuthering heights easily

8,027 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

Not the Russian tsar dying immediately after hartgrind became canon

#i know dickens hasn't technically confirmed it yet but like. SOMETHING was strongly implied ok #see: my previous post #dickensposting

522 notes

👨🏻‍❤️‍💋‍👨🏻 hartgrindisreal

LORD HELP ME. THE BODY LANGUAGE. THE WAY THEY'RE LOOKING AT EACH OTHER. AHHHHHH

#this installment!!! im-- #dickensposting #i can't fucking cope #dickens wants to KILL us he wants us DEAD....

2,309 notes

⭐️ newamerican

Hi guys sorry I haven't been posting lately it's been so difficult getting to California 💀 I'm finally here now though just need to find a pickaxe and soon I'll be digging! :-) wish me luck lol

#gold #gold rush #gold rush grind #california #adventure

0 notes

[prokopetz]

this ask came to me in a dream and i must speak on its behalf: what do you think about homestuck beyond canon

I think it's too early for me to have a well-formed opinion at this point, for a very specific reason.

I basically agree with the majority opinion that the post-epilogue story which would eventually become Beyond Canon is characterised by a whole lot of spite toward its target audience. Where I differ is that I don't think this is anything new; a certain sneering contempt for their audience has always been a hallmark of Andrew Hussie's work, and it's present in Homestuck right from day one. At most, Hussie getting burnt out from the Hiveswap fiasco resulted in a text that's somewhat less willing to entertain the polite fiction that its readers are in on the joke, but that's not a change – it's just saying the quiet part out loud.

The interesting part is that this contempt isn't merely undirected bile: it's motivated by a particular stance regarding the purpose of fiction. Writing a story which invites emotional investment, then turning around and calling you a stupid baby for actually becoming invested in it is one of Hussie's favoured narrative sleights of hand, but it's not the Charlie Brown-esque football pull it appears to be – or, rather, it's not only that. Lurking under it is the insistence that fictional characters are, ultimately, objects: tools for exploring a narrative space. Ironic detachment is the only "correct" way to approach works of fiction, because when you emotionally relate to a fictional character (or, heaven forfend, actually identify with one), you are fundamentally committing a category error – like you've mistaken a hat for your wife.*

To what extent Hussie actually believes any of that, and to what extent it's just a very committed bit they're doing is a fair question, but that's not important here; sincere or not, the opening stages of (what was not yet) Beyond Canon are dyed in the cloth with it. Care of the comic has subsequently been handed off to a separate creative team who, to all textual evidence, don't buy into this notion of what-fiction-is-for at all, but they're building on a foundation that's steeped in it. What we're looking at now is a serialised narrative which disagrees with its own premise. I genuinely cannot imagine what sort of flower they're expecting to grow in the soil they've been given, and I don't think we're far enough in to draw any well-supported conclusions just yet.

All of which is a very complicated way of saying that I'm just here for the show!

* With apologies to Oliver Sacks.

[dreamisols]

.𖥔 ݁ ˖ COFFEE TALK

INTRODUCTION FIC TO 'THE ART OF REMEMBRANCE'

—the rare moments of free time allow you and your boyfriend to talk about anything and everything that comes to mind... at this point, you two might as well be the third division's free podcast! —wc: 1050; fluff but mostly crack —original canon, x fem!reader, you and hoshina are just silly, hibino leno and kikoru mentions, one cuss, general pov more or less, i advocate for silly unhinged dynamics —rimi's ramble: told myself not to rush the series but i wrote this in one sitting... my summer's gonna be spent writing about this man, buckle up folks! >:]

The Third Division considers you and Hoshina as their power couple. 

Charming looks paired with commanding auras, levels of strength that no one would dare go against, all topped off with endearing one-of-a-kind personalities. Two puzzle pieces that fit as if they’re made for each other.

Everyone within the division quickly accepted and supported your relationship with the Vice Captain. And with that support comes your status as the “local love team"—an inside joke and a makeshift badge of honor (if one could even call it that).

In their defense, there isn't even any sort of competition to begin with. You two are the only couple within the division.

Every member, no matter how long they’ve been in the Defense Force, holds high respect towards both of you. They trust you with a lot of things—the wisdom you both give to your members is actually useful, and your attack combos on the field are nothing to scoff at. 

Yes, they would trust you two with their lives, and yes, the way they’d say it might blur the lines of comedy and seriousness. There’s simply one thing that’s holding everyone off…

No one trusts the both of you with coffee. 

Ironic, considering it’s one of Vice Captain Hoshina’s favorite things. 

Another inside joke is that whenever a member enters the lounge room and they’re greeted by the rich inviting scent of brewed coffee, they will be tuning in to some sort of a podcast episode hosted by their one and only dynamic duo. 

No one session is the same. Sometimes you two end up talking about some story you read or some personal experiences. Other days, it’s just opening as many controversial topics as you both can while expressing your opinions in a lighthearted debate. One time, to the division’s surprise, you two started doing a deep dive into a conspiracy theory, complete with a whole digital presentation and proven statistics. 

It’s even more surprising how convincingly well put the entire thing was to the point even Captain Ashiro listened in with interest. 

The members found it pleasant, enjoyable even. A chance to hold more conversations about different non-kaiju-related topics thanks to you and Hoshina’s exceptionally random conversation starters.

All they ask is that you guys don’t open up a topic that might get you random looks at best, or—hypothetically—get the both of you canceled on the internet at worst.   

Today was one of those days, the team figured, when you and your boyfriend step into the (initially busy) lounge with matching porcelain cups. Hibino, Leno, and Kikoru were the ones present in the room… this marks their first time listening in on the two of you rambling.

“I don’t know, Soshiro-san, don’t you think that may be a little too intense?” you made a beeline and assumed your spot on the couch right in front of Kikoru, drinking from your cup the moment you sat on the soft cushion.

Hoshina follows after you and settles right by your side, “No way!” If he weren’t holding anything, you can envision the way he’d cross his arms and huff. He mimics your movements from a while ago, taking a sip from his drink before placing the cup down with a small ‘clink!’. 

A childish pout graces his lips as he stares right at you. “If you think hard enough, I’m telling ya, dicing those kaiju is just like makin’ intricate fruit carvings!”

May the gods give the juniors strength because what the actual fuck were you two talking about?

The room is radio silent. You and Hoshina continue to glare at each other as if you’re both in a mental debate. Which seems likely enough.  

Kikoru nudges Leno’s arm to get him to break the ice and the poor guy sputters. Hibino breaks into a cold sweat when he catches the way you and Hoshina sharply look at the three of them. 

“V-Vice Captain..! (Name)-san… go–good afternoon!” Leno prays his salute doesn’t give away the fact he’s shaking.

By record, this may have to be the oddest conversation they’ve heard in passing.

You flash the three of them a small smile and Hoshina does a small wave of his hands. Not even a second later, the man beside you jumps at the opportunity to find allies for his claim.

“You guys think that slicin' kaiju is like slicing fruits, right?”

Bless your soul that you’re stubborn enough to match his energy. “If anything, it’s more like carving wood! You have to be intricate about it!” 

Hoshina looks back at you like you’ve transformed into the kaiju you were talking about, “Wood carving?! Darlin’ I love you more than the coffee I’m drinking right now, but you’ve reached a new level of insanity!”

“Comparing anything to kaiju neutralization is already some form of insanity…” Leno whispers under his breath. “Let alone wood carving and fruit dicing…” Kikoru murmurs back in agreement. 

“Aww, you love me more than coffee?”

The immediate shift from a lighthearted argument to some sappy lovey dovey confession while talking about carving patterns on kaiju may be just as impressive as your combat prowess, the trio decides. 

Hibino breathes a sigh of relief and mumbles, “Those two fit each other so well… wonder if it’s a match made in heaven or hell…”

“We’re soulmates!” Hoshina corrects him, instinctively reaching out to hold your hands as if it’ll prove his point further. He gently laces his fingers with yours before glowering at Hibino, “You also called us demons with the whole 'hell' comment. Thirty push-ups for the three of you, ya hear?”

Leno nudges his senior’s ribs like he wants to end him right then and there. Kikoru was probably devising ways to successfully kill him on the spot. Hibino’s fighting for his life, but he still manages to catch the way you and Hoshina look at each other with mirroring lovesick smiles. 

If he manages to scrape out alive, maybe this coffee talk wasn’t that bad.

likes and reblogs are appreciated, but please don’t copy or repost my work! [edited: 062424]

[lineli225]

Tomura Shigaraki 's abuse and neglect under All for One

I've decided to make this post due to the fact AFO's abuse towards Tomura is often ignored and even denied, so I'll be bringing a collection of scenes that prove he was being severally neglected during the 15 years he lived with AFO

1- Malnourishment and Underweight

At the beginning of the story Tomura used to be very skinny, his spine visible, very accentuated collar bones.

We can't see if his ribcages are exposed too since he's always dressed, but we can tell he is abnormally skinny and thin.

Some theorize AFO's purposefully keeps him in this state so he's more weak and frail similar to Yoichi. Or so it adds to his tiredness and numbness.

He's also been shown randomly struggling before (it could've been the aftershock of Stain attack, i don't know)

2- Lack of hygiene

He literally lives in pure filth, trash bags, old soda cans, paper, boxes, packages of food that seems ordered other than homemade, it lingers all over his floor, he is clearly a hoarder

It's completely different of the kept and clean bar, and now before you say "That's Tomura's responsibility, he's an adult he should clean it himself!" just think for a minute, if you had a son, that you see as your heir, and bets on their future so much,If you truly cared about them and saw they felt into a hoarder mindset, wouldn't you at least help?

Why not even Kurogiri cleans if Tomura was being cared by him? This clearly is intentional neglect, specially to keep his mood constantly down.

3 - His teeth

Tomura canonically has crooked teeth (compare his teeth to the other's in the jump festa art), cavities or at least what looks like plaques or dirt all over his teeth.

For someone raised by someone as filthy rich as AFO, he should've had access to dental care

4- Shaggy hair

His hair looks un-brushed, shaggy and dirty, which had no reason for before MVA when he became homeless, so why even at the start? How long has he taken a bath or a shower?

Look at the blatant difference in this scene after he showered at the PLF mansion

5- Unkept, ragged and broken nails

despite his hands also being very skinny, his nails are also all rough and broken Now, I know Tomura isn't a kid to have someone cut his nails for him, but this implies he was never teached how to take care for himself.

Besides of course his clear symptoms of depression and suicidal idealism, which, are very obvious, All for One IS neglecting Tomura by keeping him in that state /knowing/ he isn't being capable of taking care of himself.

6- His bedroom

First of all: No windows

Second, notice how empty it used to be, he had nothing but a bed and a desk, but right as he committed his first murder he started to receive toys, AFO is lovebombing and manipulating him to kill more

7- The obvious neglect to his pain

Notice how every time Tomura panics or is even wounded, he is just ignored and left on the floor bleeding out, puking or writhing.

Which uh- it isn't normal to watch your kid writhe in the floor while smiling and monologuing

8- 24/7 Surveillance and lack of privacy

There are cameras everywhere, AFO spends most of the time watching Tomura, even in his own bedroom, and even talks to him, Tomura probably hasn't had any privacy ever since he was 5

Which is a sign of abuse and control

His entire childhood from 5 to 20 is often relatable for people who grew in cult like environments, and homeschooled children who grew under controlling parents, despite the abuse not being as "obvious" since AFO never directly physically hurt him, the neglect and psychological torture is still there, that and more all the manipulation, gaslighting and grooming (think of Mother Gothel from Tangled as an example of this type of abuser)

By the way, talking about it

9- Gaslighting

"but wasn't /you/ who desired my power?"

The entire body possession plot is a clear evidence AFO never saw Tomura as anything other than a toy to play with, the same way he saw Yoichi, but so many people say the possession was a retcon because "early afo cleared saw him as his heir, he even said it's all for him!"

Well, argue with the literal "he's the next me", while he is.... weirdly caressing the screen while he watches his kid with no privacy- 100% creep behavior

10- AFO's bizzare behavior towards Tomura

The way All for One's hands are often shown caressing him or encasing him somehow, which yeah, it's part of the symbology of Tomura's character (hands that can both hurt and save)

But knowing AFO represents /hurt/ and, you know, i'ts kinda weird to caress the kid you kidnaped off the streets like that-

Cuz yes! Picking kids from the street even if they are orphan is illegal!! You should take them to a police station instead :D

Tomura was KIDNAPED by AFO, not saved.

11- Proof Tomura doesn't /feel/ saved

During his fight against Bakugou, when he sees him being helped, besides being "broken" he starts to spiral on "why no one saved me even before i was broken?"

The visual including the granny that ignored him on the streets

AFO broke him.

He recurrently thinks back to when he was on the streets, even though he was already traumatized, and had already killed his family, he still had /hope/ he ADMITS he believes he could've been different if it wasn't for AFO

If AFO had truly saved him,he wouldn't think like this

12- AFO gifting Tomura the corpses of his family to intentionally keep him nauseated, uncomfortable and traumatized, so he never heals

Besides their weird placements- On a kid. the gangster's hands being in his chest...

13-AFO's intentional desire for Tomura's discomfort

If this entire thread didn't make it obvious already, All for One benefits of Tomura's tiredness, ill feelings, nausea, depression and suicidal mindset, and over all physical and psychological discomfort

This ensures he's submissive to his manipulations and orders, keep him feeling hatred and anger due to constant overwhelming feelings and makes it harder for him to think of why AFO does all of it at all.

I could go even deeper than this about it, but i've reached thread limit and am lazy, so I hope you enjoyed this thread!

Thank you for reading

[adragonsfriend]

There are no trash takes on Jedi philosophy, there is contextual analysis.

As may be obvious from the title (humorous--I have gone through several common misinterpretations myself), this is about that infamous scrap of poetry,

There is no emotion, there is peace. There is no ignorance, there is knowledge. There is no passion, there is serenity. There is no chaos, there is harmony. There is no death, there is the Force.

And the other version,

Emotion, yet peace. Ignorance, yet knowledge. Passion, yet serenity. Chaos, yet harmony. Death, yet the Force.

I've seen quite a few interpretations of these along the lines of "the second version is reasonable but the first version is crazy and stupid," so here's why I think both versions are actually communicating the same idea, and the wording doesn't really change the meaning much at all.

So just like I did in my post about "do or do not there is not try," let's start by asking some questions to establish context before we look at the text itself.

Is it THE Jedi Code or just a mantra? Legends says it's the Code, canon says it's a mantra. The fact of the matter is that no matter what, it's really a scrap of poetry which couldn't encompass the entire philosophical basis of a culture even if it was trying, so we'll consider it a mantra.

Does the fact that it's a mantra rather than THE Jedi Code mean that we can't get anything deep or meaningful out of it? Of course not. Just because it's not the whole of or a full explanation of Jedi philosophy doesn't mean it's just a nice sounding string of words.

Who is saying this to who? This mantra is often used to focus a meditation, with the first phrasing used by adults in the culture, while the second phrasing is more often used by children.

What were George Lucas' inspirations for Jedi culture that relate to this mantra? (borrowing from this post) A combination of christianity, buddhism, and his interpretations. I'm not an expert in any religion, and definitely not in buddhism, but I know enough to know I'm about to make some sweeping generalizations, so take this with a grain of salt. Disclaimers aside, this mantra, and the way it is phrased, indicate it is being inspired more by buddhism. The way christian texts, specifically the Bible, are written typically goes "here is a story about people doing something, and here is how big G god and/or Jesus reacted." There are metaphors sprinkled in, but they are mainly there to clarify for readers. Buddhist texts on the other hand (and lots of other eastern belief systems as well, like daoism, hinduism, etc. It's an important note that these belief systems don't necessarily conform to the western idea of what a religion is, and often their original languages don't even have a word which is equivalent in meaning to "religion") use metaphor in often deliberately contradictory ways, to make the reader think about things which are difficult to express in words alone. The ongoing struggle to reconcile contradictory descriptions is the point. This doesn't mean those texts can be interpreted however a reader would like. There may be multiple right interpretations, but there can also be wrong interpretations.

What the mantra does NOT mean:

"There is no ___ …" =/= "The experience of ___ is fake news."

"There is no ___ …" =/= "___ is not a useful concept."

"There is no ___ …" =/= "We should totally ignore ___ and pretend we've never heard that word before."

The mantra is not realy a set of advice on how to act. It's a set of statements about Existance. And I do mean capital E, philosophical, epistemological, weird, deep, think-y, Existence.

Temperature Metaphor

You know the first time someone tells you as a kid that cold isn't real, it's just the absence of heat and you're like… "but I'm touching something right now and it feels cold???" It sounds wild the first time you hear it, but as you think about it more, maybe learn about it a second time in science class, get some more context about how molecules work, etc. it begins to make more sense. It gets easier to grasp, until eventually the knowledge feels intuitive--especially if you're a STEM person who thinks about it a lot. We still talk about cold as a concept, because it's useful to us as well--lack of heat can have damaging effects on our bodies after all, and a cold drink is great on a hot day--and it's more efficient to say "cold" than it is to say "lack of heat." But there are some situations, like developing refrigeration or air conditioning, where it is not just useful but essential to think of temperature as it really is--heat exists, cold doesn't--and thinking of it colloquially can only hold us back (if this isn't actually intuitive to you, that's fine, it's just a metaphor--you could also think about dark being the absence of light, vacuum being the absence of mass, any number of things mirror this).

Probably the easiest like to get one's head around, imo at least, is "there is no ignorance, there is knowledge."

Taken hyper-literally it would mean "why seek out knowledge ever when everyone already knows everything?" But if we say knowledge is to heat as ignorance is to cold, then we can understand the real meaning--knowledge is real, where ignorance is only the name of an experience.

The Whole Mantra

This is the way the Jedi are understanding of emotion, ignorance, passion, chaos, death, etc. They are introduced, as children, to the idea that whilst they may feel all of these things, what they are actually experiencing is the lack of the other things--peace, knowledge, serenity, harmony, the Force. That's why they start with the "___ yet ___" phrasing--it introduces them to the first steps of understanding:

They can feel emotions, yet peace is still real and out there to reach for no matter how overwhelming those emotions may be at the moment,

They can feel ignorant or unknowledgeable, yet knowledge is out there to find,

They can experience passion (meaning suffering or pain in this context), yet know that serenity will return to them,

They can find their surroundings chaotic, and yet look for the harmony in the noise,

They can understand that death happens, yet be comforted by the fact that the person dying is still as much a part of the Force as they ever were.

Eventually they move onto the full mantra:

They will always feel emotions, but if they always reckon with those emotions and pass through them they can always return to a place of peace,

If they feel ignorant, they must seek out knowledge, rather than acting rashly. Also, their own knowledge is not the limit--others may hold knowledge in places they consider clouded,

They may experience suffering and pain--it may even feel like a good thing--but there is no wisdom in pain, it is the distraction from serenity, which is where truth can be found,

No matter how chaotic the world appears, it is actually a part of an underlying harmony that makes up all the patterns and the beauty in the world,

Death is not an ending, no matter how much it may look like one. It is a natural transition back into the Force, the place all life comes from.

A Jedi youngling is someone for whom this understanding is an essential part of the culture they are being brought up in.

A Jedi Padawan is someone who is beginning to learn to apply this understanding outside the confines of the Jedi temple, in a world where not everyone shares it.

A Jedi Knight is someone who has learned to apply this understanding on their own, without supervision.

A Jedi Master is someone for whom this understanding has become intuitive and automatic, no matter their surroundings.

All this is to say,

[twistmusings]

florid and (arguably) azujade are feasting this chapter update. congrats us

Honestly Anon, you're so right.

Chapter 7 is so interesting for Octavinelle - largely because we do get to see so much of how they think of each other and themselves, and we get to see so much of their relationship with each other. Honestly the shippers are thriving, but so are so many Jade and Floyd fans.

CW: Spoilers, Twisted Wonderland Character Shipping and mentions of Neurodivergence under the cut in case that isn't your cup of tea. It's very long and examines Floyd and Riddle's and Jade and Azul's dynamics throughout TWST and is sort of Character Analysis as well. Special note that there are Visual spoilers under the cut that will spoil some of the jokes from this chapter, so proceed with caution.

First, Floyd, who we see is outright distraught when everything goes right. Honestly at this point it makes me, as an ADHD person, struggle to not view Floyd as also having ADHD. I tend to not actually assign the characters neurodivergence or diagnose them, but honestly his characteristics really point to him being understimulated and just generally miserable because he's not doing anything and that's boring him. I have heard this from so many other folks with ADHD and have experienced it myself. I think, truth be told, that Floyd is a really good picture of a young person with ADHD. Especially as someone who was just properly diagnosed later in life - I would get these random, massive intense moods and would never be able to explain them until I began to suspect I had ADHD. If we consider Floyd's general characterization - he hates to be 'bored', he hates to force himself to do things that he doesn't want to do, he had random, intense moods, randomly struggling with some academics while really excelling in the things that interest him, comparing himself to other people and not understanding why he's different ... like, yeah, as a person with ADHD I relate to him so much. It's so interesting to me because Japan in general has a lot of medical bias against diagnosing and managing neurodiversity, so I think generally speaking, he's honestly a really well written example of someone who is struggling. I think his portrayal is probably so important for young people who play the game because it makes them feel normal and accepted, and I can't deny that.

And then Floyd and Riddle... these two are so funny. Like, if you had to ask me any character that shows having a crush on someone else canonically, I would probably point to Floyd and how he acts with Riddle. Considering that they're teenagers and we know neither he nor Riddle have any experience dating (none of the characters except Ace really do), I think it's really charming because like... are they annoying the fuck out of each other? Yeah, and I think that's pretty realistic for people who are 17 who have crushes on each other. Of course, I don't want to say I support people annoying or antagonizing their partners, but they are young people who are still learning how life works. I realize that teasing =/= having a crush on someone, but like...

In the recent stitch event they had this dialogue

Riddle gets so genuinely happy when Floyd praises him. Even Jack takes note of it. And then in Floyd's Labwear...

This interaction is so telling of the sort of relationship that they have with one another - first Floyd interprets their interactions as playing. Second, Riddle takes note that Floyd is in a bad mood which means that Riddle pays enough attention to him to notice when he's having a bad day. And then you have Jade over there just like 👀. It's so goofy but it's kind of wholesome also because it shows that in spite of everything, Riddle still shows concern for Floyd and Jade is a nosy sibling.

I don't know how many people have actually read the comic anthology, but there's a side story with Floyd and Riddle where Riddle is trying to study how to control himself better following his OB and Floyd, of course, comes to bother him and notices him reading advanced books and that ends in this interaction.

Like, is Floyd being a shit? Yes, of course, but he also doesn't take it back when he says that he thinks that it's admirable that Riddle works hard.

They really are the duality. Please enjoy this too-high effort shitpost I made.

And then add the fact that in the most recent story chapters the thing that gets Floyd to wake up is Silver and Jamil reminding him of the entrance ceremony where Riddle threw him through the air, and Floyd essentially being like "Yeah goldfishie is fun that was fun" and that being what snaps him out of it? Like these two are fated to irritate the hell out of each other by the story itself.

Also I think it's such a funny cute touch that the reason Floyd even started irritating Riddle is because Riddle couldn't control his temper and flung him. Floyd was just being curious, and while, yeah he probably should have asked before he touched Riddle's hair because he was curious if it would feel hot, Riddle immediately rose to meet his energy, and generally speaking we know that Floyd is a physically motivated person. He likes to fight, and he likes to test his strength. No one else caused a scene at the Sophomore orientation except Riddle. You know, the character that is almost entirely focused on not breaking rules? Riddle painted a massive target on his own back with his temper. And honestly, what I think does make it work is that even though Floyd teases Riddle literally all the time, he does respect Riddle. Riddle is interesting to him because he's strong and reacts when Floyd irritates him. As I said before, on Floyd's end at least, the antagonism is playful, and considering Floyd's relationship with Jade and Azul it's easy to see why. It's how he was raised to view affection from friends and peers.

Now, how about Riddle's side of things? Well, while we don't get a ton of canon crumbs from Riddle, there's at least a few things that we do get. We know that Riddle sort of resents that Floyd teases him, but he has been told multiple times by other people that Floyd is just trying to get a rise out of him. And yet, every time Floyd compliments Riddle and then immediately starts teasing him, Riddle falls for it. On some level, I'm sure it's because Riddle likes the attention just as much as Floyd, even if for a different reason. Riddle gets put down a lot - from his dorm and from his own mother. But even if Floyd teases him, Floyd also gasses him up because, like I said, Floyd genuinely thinks highly of Riddle. Riddle gets complimented and he gets smug about it because he thinks highly of himself, and it probably feels good to have that recognized.

Compare Riddle's interactions with Floyd to the ones he has with Jade, for example.

From the Spectral Soiree event.

There are a couple reasons why I feel like this is important to note. First, Riddle recognizes that Jade is making fun of him immediately. Riddle also misses Jade's sarcasm. Riddle isn't good at reading Jade - he finds Jade unpredictable and malicious, and interprets this as Jade making fun of him. In contrast, you don't see Riddle outright refuse a compliment from Floyd - he knows that Floyd is being upfront about how he feels when he says the things he does, but he doesn't know that about Jade. Riddle is also the butt of the joke here, whereas if we compare it to the similar situation that he went through with Floyd during the Tropical Turbulence event.

Floyd is teasing Riddle, yes, but in this situation he isn't making Riddle the butt of the joke, he's just causing a little bit of chaos. Floyd already has a plan in place, but Riddle the two aren't arguing with each other. It's also important to note that Floyd is one of the few characters outside of his dorm that Riddle really banters with comfortably.

The other thing is that though they compete with and annoy each other, Floyd and Riddle are actually genuinely pretty nice to each other otherwise. They both compliment each other pretty frequently even if they usually pepper in barbs as they do.

Floyd and Riddle are also pretty similar people, too:

At any rate, that's a lot of screenshots to basically say, yes they do make fun of each other and tease each other, but when they do get onto the same page, they work very well together and seem to have a mutual respect for each other even if they criticize each other. They can identify the aspects in each other that they can't identify in themselves and it makes their chemistry interesting because every time they share screentime it seems like they learn from each other.

Anyway, Florid fans eat well literally any time these two share screen time.

And then Jade and Azul... honestly those two cracked me up the entire time.

First you have Jade's dream with his god awful imagination. Jade literally gets the knockoff versions of Azul and Floyd as I said in the first post about it, but I think it's interesting to see how he perceives both of them. I'll be including images this time.

I'll start with Floyd because HOO buddy if I was Floyd and had to endure this shit.

This is an actual crime.

That being said, Floyd is noticeably more childish in Jade's dream than the actual Floyd is in reality, both in his rather immature visage as well as a more child-like way of speaking.

It's worth noting, in Floyd's dream, Floyd doesn't really pay much attention to where Jade is, and he doesn't really pay any attention to where Azul is either. He says "Eh, Jade's probably with Azul on land because the Mostro Lounge was succeeding." Floyd also makes a point of saying that it's a rule between the three of them - they don't have to stick together - if they don't want to do something, then they won't stick together and whoever wants to do it can do it on their own, or if they don't want to involve someone in something, they don't involve them in it. (Ironically, I would argue that this is one of the healthier dynamics for friendship in TWST that we see. All three of them have discussed and come to understand that if they need to separate ways, they will, they don't want to hold each other back from the things they enjoy.)

Jade on the other hand, and whether Floyd likes it or not, seems to view Floyd as a younger brother. We don't get confirmation as to whether or not Jade hatched first or if Floyd hatched first, but regardless of whichever it is, it seems like Jade views Floyd as his younger brother, and seems to have an instinct to coddle him, even if this portrayal of Floyd is deeply unflattering to Floyd and starts a whole fight.

It's also of note: Floyd didn't expect to be in Jade's dream at all. Floyd talks about how he figures that Jade has just dreamed about him in a similar way that Floyd had dreamed of Jade - off doing whatever he wanted to do. That's not true - Floyd is there, with Jade, and engaging in Jade's interests.

In Jade's official EN school uniform home tap he says:

Though some translations tend to interpret this line differently, and essentially instead say that Floyd is clingier than he seems.

The reason I'm pointing this out is because Jade is the only one of the three who's primary dream features all three of them together. This would seem to point toward Jade actually being the one who's clingier, and to being the one who's most attached to both of them. I can't really say for certain, but I almost wonder if Jade has a bit of a fear of abandonment with regard to Azul and Floyd and that's why his ideal dream world is one where they're both so reliant on him.

And then Azul...

Is Giorno Giovanna in the room with us?

Seriously though, I think it's kind of interesting to see how Azul is portrayed in Jade's imagination.

For reference, here's what Azul actually looks like in his mer form in the same pose.

The thing I immediately noticed is Azul's eyes. Sure, the image Jade has of Azul is a JJBA joke, but there's something else I want to point out about them in particular.

Azul's eyes are an entirely different, brighter color. In fact, it's also a different color from Azul's overblot eye color as well.

We know that Jade's limited imagination means he's working on his own impressions of Floyd and Azul and you're telling me that Jade's impression of Azul is that he looks like a character from a manga known for being about handsome, fabulous men and that he has ginormous, bright, shiny blue eyes that look like sapphires? Hello?????? Jade???

I think this is fascinating because had they just drawn Azul as like a normal old JJBA reference but kept his color palette the same, I could see it just being explained as "oh, neat, Jade thinks Azul is handsome when Azul doesn't" but follow me with this: Jade's imagination is painting them in broad strokes the way that Epel's imagination was doing in his dream. These are Jade's impressions of Floyd and Azul.

Floyd tracks - he sees Floyd as a younger brother and someone he inherently wants to take care of, even if it's not realistic. Floyd is a childish younger brother in a cartoonish way. Azul is motivated by money in a cartoonish way. These are the traits that stick out the most about the both of them to Jade.

So when Jade imagines Azul physically what he sees is Azul being handsome AND that he has these shiny bright blue eyes even if his memory gets the shade of blue wrong. Jade....... honey................ I need you to sit down when I tell you this..........

And then after he and Floyd fight, because Jade is too stubborn to wake up because he can't grasp that what he's seeing is wrong, the thing that finally triggers him to realize something is off is this version of dream Azul checking on him after the fight and being relieved he's okay and then saying that he's afraid he would have lost his "かわいい部下".

The thing that triggers Jade to start waking up is Azul calling Jade his cute subordinate (essentially his cute assistant). I am not exaggerating this. That is literally the phrase that triggers Jade. Jade even repeats it.

AND HE FUCKING PANICS

JADE. I AM BEGGING THE SECONDHAND CRINGE THIS MADE ME FEEL.

From there the dream Floyd of course says he's going to cry if Jade left him and like that just seals the deal. And everyone is super impressed because Jade realized it was wrong by himself and woke himself up.

I don't tend to insert my opinions much in my post but there is not a single person on this planet that is not going to make me believe that Jade did not just gay panic himself awake. I feel like most queer people have experienced something just like this. Jade literally wakes himself up because he's like "no, wait, hold on, Azul wouldn't say that, right?" and then Floyd saying he's going to cry sells it. Dream Azul essentially just fucking "baby girl"ed him and Jade was like "no, actually, that's too cringe for me to even dream about".

Then you have Azul's dream. Honestly there aren't a lot of crumbs there for Jade, but I think it's sort of sweet how even if they're sort of forced to, Jade and Floyd don't want to force Azul to do anything. They have a lot of respect for each other's personal boundaries, and they were fully prepared to let Azul stay asleep and allow him to work it out himself if he wanted to wake up. It doesn't end up working out that way, but it's not hard to tell that both the twins and Azul had respect for each other as individuals.

Another neat thing is that Azul is one of the few people who's dreams aren't inherently things he really wants. They're more of "what-if" scenarios. What if Azul was good at sports and ended up being a high school athlete? What if Azul actually got to follow through on burning that picture of his younger self and then opened a Mostro Lounge branch? I think it's interesting that Azul seems to be kept in these dreams because his imagination is vivid, and not because they're an ideal world perse. In a sense they are - but Azul himself admits that he doesn't really want either of them.

Azul gets so much growth shown in this chapter. He ends up wanting to wake up because he wants to live for himself, and not live for what other people think of him or having to rely on them. Azul still wants to succeed, but he wants to succeed for himself and not because he feels a need to one up the people that bullied him, and he wants to be fulfilled in himself. He's actually working on his mental health, I love that for him.

And, one more thing of note, I think it's so fucking cool that at the end of the book, Azul doesn't freak out about other people seeing him in his true form. In fact, he doesn't freak out about seeing himself in his true form when Idia makes a proxy version of him - he's just thinking about how cool it would be to have a second version of himself. I feel like most people have gotten the sense that Azul has a sense of self-loathing regarding his mer-form, but it seems like if he did at some point, he's made peace with it.

Anyway that's an unnecessarily long infodump about my feelings about the character relationships that we've got in the new update. Like obnoxiously long. So, uh... I'll just end the post with Azul's smiling sprite because I just think it's fucking adorable.

[cephalofrog]

been playing rain world and thinking about saint again recently

full rain world spoilers below

I hate the "saint is the triple affirmative" interpretation. hate even more how it appears to have become the accepted truth in the fandom

first off, my dislike for this interpretation is not logical. it isn't something I can be convinced out of using canon evidence, because my reason for not interpreting the story this way is not evidence-based, it's because I don't find it to be a satisfying conclusion to the entire story of rain world.

but here's some rambling about logical reasons why it doesn't make sense anyway

if saint was created as the triple affirmative by sliver, that makes them extremely old - they came into existence LONG before spearmaster's campaign even started. if they came into existence with the purpose of ascending iterators, they sure took a long time to ascend any iterators - like okay, travel time and whatever, but you'd think they'd get at least one or two more before all the iterator comms break down entirely post-spearmaster. SM and hunter managed to get from SRS and NSH to the pebbs/moon area pretty quickly.

they also have fur, which seems to be an adaptation for the cold judging by the lizards in the campaign, despite the world not being cold at the point at which they were created. this could be easily explained by sliver just being very forward-thinking, but...

if sliver created saint, their entire triple affirmative thing comes across as incredibly thoughtless, which imo contrasts with sliver being forward-thinking enough to make saint immune to cold. like they finally created the magical rat that will ascend them all but didn't even think to send out a message beforehand like "hey guys I'm trying something new if I send out the triple affirmative and die right after this it worked and you should be visited by a flying green dude with an ascension beam at some point in the future"

there's also the thing of... wait so how does this whole iterator ascension work again? cause saint's timeline loops. after they ascend, they end up back in sky islands, with the iterators back where they were. this could be explained by "later playthrough loops aren't canon and pebbs and moon are ascended if you got em" but there's literally a specific gameplay mechanic - carrying stuff in your stomach between campaigns - meant to make it clear that the campaign is a loop.

anyway. the real reason I hate the theory isn't related to any of this - it's that it absolutely destroys pebbles and moon's story, thematically speaking.

sliver of straw's triple affirmative/death is a random event that could mean basically anything. the futility pebbles felt around trying to solve the great problem caused him to assign meaning to sliver's death that wasn't necessarily there - they found the solution, and it was self-destruction. that's what they were trying to tell everyone. it wasn't a random event, the triple affirmative was real. one of the bugs in the maze found the way out, and he's going to prove it to everyone by following them and escaping.

and that's what leads to the events of the main story. this random event - this horrible tragedy, the death of someone who seemed to mean so much to so many people - was assigned meaning by someone desperate to prove that his entire existence, and the existences of everyone around him, are not futile. the ancients created the iterators without knowing whether the answer to the great problem could ever be found, and this is the result of that.

a nihilistic, hopeless person, abandoned by his creators to work forever on an unsolvable problem, assigns meaning to a random tragedy, and tunnel visions on what he has to believe is what he's been looking for - because it is an unimaginable understatement to say that the alternative would be worse than death. and then, in his self-destructive desperation, he kills his sibling* and dooms himself to the slowest, most painful death imaginable. this is the legacy of the ancients' dead society, the result of all of their stupid ideals and obsession with karmic perfection. (*as far as he knows)

but saint being the triple affirmative undermines all of that. not only does it make sliver's death less of a tragedy and more of a noble sacrifice - like yeah, sure, they were loved, but solving the great problem was far more important - but it also makes pebbles look less desperate and more just kinda stupid. like you thought that the solution was self-destruction? nah, it's a magical flying rat. in this version of the story, pebbles wasn't striving for something that didn't exist, he was just not smart enough to figure out the real solution.

even outside of canon evidence, that sucks. it causes pebbles' story to go from being about how you should value the people around you over the impossible striving that life always seems to expect from you or you're gonna end up hurting them and yourself to how you should just be smarter to find the right solution to all of your problems.

anyway as for my own interpretation of saint, I think that the campaign is just a representation of what it's like to be an echo. reliving the moments that led up to your failed ascension over and over, reaching maximum karma and gaining superpowers because you're just that karmically pure - you are a saint, after all - and then letting your ego consume you at the crucial moment of ascension, over and over again, cycling into infinity. (I don't think they actually had superpowers prior to ascending, I just think that they kinda thought of themselves so highly that they thought they should have those powers.) then contrast this with the world as the age of the iterators and the rain finally ends, and you have an unchanging echo reliving the same few cycles over and over contrasted with a world that is, at last, changing and moving on.

yeah it doesn't make sense with the joint iterator dialogue in rubicon (at least, the final line doesn't make sense). I don't care. it's what makes me happy as an interpretation. you can pry my morally dubious hypocritical ego-driven saint from my cold dead hands

[libraryraccoon]

A Raccoon in Twisted Wonderland ?

Gender : Raccoon

Pronouns : Raccoon

Infos : You're a raccoon. A real raccoon. That's it, that's the story. TW : Rook, bad english, english isn't my first language.

You were a normal raccoon, well normal, you had the power to speak in human language and to be smart.

These were the only powers, the only magic, you had, so imagine your shock when you found yourself at the NRC, the Black Mirror choosing you to be a student.

“BUT I DIDN’T EVEN APPLY ?!” -Raccoon!Reader, when a confused Crowley explained the raccoon situation.

Grim was jealous.

You, a fucking raccoon whose only magic was human language and intelligence, had been chosen but not him ?! Jealousy.

Grim became your rival without being asked, literally trying to be better than you at everything, while you didn't even acknowledge his existence-

You are in Savanaclaw, the only real raccoon there is in Savanaclaw.

When Leona and Ruggie started their plan in Book 2, you knew about it too.

They didn't tell you about it, no, you just had heard everything one day.

"You know this can lead to serious problems ? Like broken limbs ?" -Raccoon!Reader, on Leona's bed.

“Well, the nurse- WTF ARE YOU DOING HERE, FUCKING THIEF ?!” -Leona not having seen you arrive.

He give you money in exchange of your silence.

You are known at the NRC for stealing anything and everything, from money to trash passing by student and teacher files.

You once stole Crowley's file thinking it was Crewel's... You are the only student who knows his age and his true identity (you say nothing in exchange for him turning a blind eye to the illegal things you do).

You didn't know who Malleus was before the NRC, the reason is simple : no one knows anything about magic in your origin little forest. Magic and anything related to it isn't really something animals care about, so you didn't know it before the NRC.

“Oh, child of, uh, raccoon ?” Malleus suggested, confused about what nickname to give you.

"Kits. A raccoon child is a kits." -Raccoon!Reader.

Underrated friendship : Idia & Raccoon!Reader & Ortho.

You were adopted by the Shroud the moment Idia realized that you were not afraid of him and that you saw Ortho as Ortho and not just a robot.

You let them pet you, especially if one of them (most often Idia) is stressed.

You are Idia's support animal and the reason for his occasional attendance at class IRL.

Every class where Idia goes IRL (which is 3 times a month since you've been here) you accompany him and let him caress/pet you.

Imagine the look on all the 3rd years' faces the first time they saw him go to flight class with you that very first time (it was also the first time of all year he go to a class IRL).

Headcanon that you and Rook had some sort of weird alliance that consisted of you giving each other information on all the students.

A scary duo.

Literally the hunter and the supposedly "prey" teaming up was something no one at the NRC expected. Even less that they give each other information about the students.

Crewel is the one who makes your clothes, whether those for classes or those to use in everyday life, because for him it's not because you are a raccoon that you are obliged to have no style.

Lilia 🤝 Raccoon!Reader : playing jokes on students who didn't ask for anything (especially Sebek).

I like to think that Raccoon!Reader would be friends with all the NRC ghosts, and that they would give him free food.

For Overblots where you have to fight, be aware that you will jump on the Overblotter's face each time unexpectedly. No one knows why you do this, not even you. Your only answer is always “instincts”.

And it's not even just with Overblotters, but with everyone who annoys you.

The nurse is fed up with you, that's canon.

The Black Mirror is maybe the only one (with the Shroud brothers) who doesn't regret having you at the NRC.

[doctorprofessorsong]

I don't even attend this school, but I did sit in on the class last night and what a seriously gorgeous way to tell a story about someone who is bi and who is percieved as straight because of assumptions the audience makes. Is there ANYTHING more relatable for a bi person? I literally started a new job and want desperately to be seen but people are almost certainly assuming I'm straight because of the gender of my spouse.

The episode last night wasn't an left turn from prior characterization. It was the natural arc for a character who has been connecting with and experiencing attraction and feelings for more than one gender (apparently since season one per the article I read).

There is something affirming specifically about a story where a character is percieved straight by the audience (including queer fans who have been screaming queerbait under the assumption he's straight tbh) is revealed to be bi. Not in some huge OH MY GOD crisis moment (which may happen and I'm here for that later), but in a scene where his flirting with a man comes to a natural conclusion of a date and a kiss.

The story has done something beautiful. It's said (in the words of Misha Collins) "you're not crazy" and (in the words of Mark Hamill)  "If you think [he's] gay, of course he is."

What a gorgeous affirmation of subtext. What a beautiful illustration of the experience of being presumed straight. CHEF'S FUCKING KISS and I am popping bottles for all my besties.

Which unfortunately brings me to the fucking discourse on my timeline. I am not a fan of comparing queer media. I think it's a bullshit practice. Enjoy the stories and shows you love and shut the fuck up about other shows is my motto.

But if we MUST and we apparently always must: Bi Buck isn't some loss for Bi Dean Winchester or other queer headcanons. It's a fucking win. Because this story says from its soul: the subtext is real. The interpretation is valid. He was bi the entire time. You don't have to be part of the audience that presumes a character is straight. You can lean into those interpretations because they are valid and real.

Discourse over, I again want to scream about how happy I was to witness that with my friends who are fans. An absolutely gorgeous bit of storytelling and a rich and beautiful win for the list of canon bi (and a man which is rarer) characters. I am consensually kissing you all on the lips this morning.

[aromantic-diaries]

Yknow I feel more represented by characters who aren't confirmed to be aro/ace or even written as such, but can still be interpreted that way because of how they're characterized, rather than characters who are confirmed to be aro/ace through word of god while the actual story has no implications of that character being aro/ace beyond them not having a love interest. The latter kind of waters it down to not wanting to date or have sex which isn't really all there is to it. I get that not all representation has to be a 100% accurate, deep and touching depiction of the aro/ace experience, but that doesn't mean completely ignoring the character's identity beyond not giving them a love interest.

I will elaborate with two examples under the cut

So for the word of god representation, let's take Lilith Clawthorne from the owl house as an example. I think she's a great character, I liked her, and I think the owl house is a fantastic show that deserved better. However I don't think of Lilith as good representation because the only real confirmation we have is outside of the actual show. It's not in the canon material, she doesn't have a love interest but she's not even the only character who stays single so that doesn't mean much. She isn't shown to be any different from anyone, her being aroace isn't really relevant in any way. I'd say the best word for describing this type of representation is Passive. We know she's aroace because it was confirmed outside of the show, she doesn't have a love interest, but it doesn't really go beyond that. I get that the show was cut short and maybe it would have been elaborated on more but that's just a generous assumption on my part. My point is, I don't really see any real aro or ace experiences reflected in her character, neither mine or anyone else's. She doesn't really represent any actual aspec experiences at all which is why I don't consider her to be good representation. I still understand the community's attachment to her though, we take what we can get and what we get is very little. So while I love the owl house, the aroace representation is pretty dissapointing compared to the great representation of other queer identities and I'm kinda bummed that the aroace character still gets sidelined in an otherwise very queer friendly show

For another example I'll bring up my all time favorite, Rudy Waltz, protagonist of the book Deadeye Dick by Kurt Vonnegut. Deadeye Dick is not a feel good story. The story is dark, bitter and the conclusion is no different. Still, I would describe it as oddly comforting and pretty funny at times. So what does that have to do with anything? Well, our Rudy can very well be interpreted as asexual and probably aromantic as well. He isn't referred to as such, he describes himself as a neuter, the author states in the preface that the protagonist's disinterest is a metaphor for his own declining sexuality, and the book was written before the term aromantic was even coined. However, as an aromantic asexual reading the book, I could not help but deeply relate to Rudy's lack of interest in ever having sex or finding a romantic partner. I felt kinship with him as he described knowing how many people there are who are just like him and yet they go unnoticed by most people, because I was one of those people. I related to him and the way his disinterest in sex was met with such confusion from another character. Despite not being described as such, Deadeye Dick is very much in part an asexual and an aromantic story because the protagonist's experiences line up with that of someone on those spectrums. You could argue that calling him aroace is problematic due to him fitting a negative stereotype due to his emotional detachment, or that he only fits the label because of said detachment, but that does not change the fact that he is still better representation than a character who was confirmed outside of the story with no real implications. I see myself in Rudy more than I do in Lilith because Rudy actually feels like an aroace character

Anyways, rant over. Feel free to disagree with me

[zuureleena]

i now present to you!!! NOCOVEMBER 2023

i decided to give you guys two options for each week this year and i wanted them to correlate to one another in some shape or form + an extra month to work on it!

the rules are simple!

⋆ use #NocoVember2023 and tag me when you post your art/story (i wanna see it so badly u guys 🥲🫶)

⋆ comment/reblog saying that you'll be joining and tag 3 people who you think might be interested (it is totally okay to still be unsure and not participate in the end okayyy :D)

⋆ you can pick one theme, both, or mash them together for each week! the choice is yours, and you don't even have to do all of 'em

⋆ feel free to post your work at any point in november (or if you want to do it a month earlier or later, it's up to you :0)

⋆ for the angst and older prompt, please don't do anything nsfw related. i'm asking you to not draw/write smut, but if you want to do something gory for the angst prompt, always put a proper warning!

⋆ remember to have fun, never hesitate to ask me questions, and don't feel pressured to join <3

each prompt is explained under the cut

Week 1 - Sun & Moon / Cat & Dog

these can either be taken literally (as in you make them into for eg; noah, a black cat, and cody, a golden retriever) or metaphorically (noah has moon energy so you include things that symbolize that, and same goes for cody with his sun energy)

Week 2 - Monsters / Angst

you can turn them both or one of them into (a) monster(s)! this could be tethered to the angst genre or you could make a completely different angsty scenario between the two of them

Week 3 - Older / Childhood Friends

they can either be in university, full-grown adults, or heck! even elderly men 😭 so how do they look now? what's changed in their lives and in their relationship? do they still keep in touch or have they strayed away from each other? who knows! it's all up to you

as for childhood friends? they could be toddlers like on dramarama, maybe prepebusecent teens? just make sure they are younger than they are on the show (aka 16)

Week 4 - Canon Divergence / Reality TV Duo

i wanna see you put these two nerds in a completely different reality tv genre! it could be a cooking competition, something like wipeout or love island, a quizz show! anything as long as it isn't total drama.

unless,,, you do want them to be a duo in TD then you could make a canon divergence situation where these two are the ones participating in ridonculous race, or write/draw them in a scenario that's based off any scene in total drama (one that either has them or has nothing to do with them whatsoever) and twist it in a way that makes Noah and Cody's relationship the main focus

PLEASE GO ABSOLUTELY WILD WITH YOUR CREATIVITY!!! I HIGHLY ENCOURAGE IT :D

[teambyler]

New Mil*ven footage: There's a reason they get interrupted (Byler analysis)

Whoever posted this new footage said they're "not breaking up" because El is smiling?

That's presumptuous of you ;)

Source

Maybe they're not breaking up in THIS scene. Or maybe they are, and making clear that things are alright between them. It's possible to be on good terms with someone you break up with. (Shocker!) And even crack a smile while you're wishing the other the best.

One really can't conclude either way. The body language does suggest honesty between them though. (Something not seen in s4.) But that honesty could be about anything.

WHAT'S MORE IMPORTANT IS THAT WE GET THE INTERRUPTION TROPE LOL:

If you ask me, this is CONFIRMATION that not everything's sunny in Mileven land. This is not a "will they or won't they?" interruption of a kiss, because they're already a canon couple. No, this is something closer to the Pineapple Pizza Interruption scene(TM) where SOMETHING the audience is WAITING to be said is NOT said:

In s4, the GA was supposed to think Mike was going to say "I love you." (Or perhaps he was going to call it off after thinking the painting was from Will? Can't say for sure.) POINT BEING: the Interruption Trope is a writing device to tease something, only to deny it. The purpose of it is to set up an IMPORTANT conflict/tension in the story that will be resolved later.

(EDIT: After writing all this I realize that there's another time interruptions happen: AFTER a scene achieves resolution. Will and Mike had one of these in 4x4 with "It looks like it'll be up to us again." "It always is, isn't it?" and Jonathan barges in. For Mike and El, the Painting Lie still needs resolution and is almost certainly related to this conversation. So everything I say here might actually not get interrupted and is actually SAID, leading to a new phase in their relationship. I just think it's less likely because any frank discussion of the Painting Lie makes a Byler conclusion too obvious. Okay, on to the likelier theory!)

Now what is this NEW unspoken thing between Mike and El? Season 4 was all about Mike being unable to say "I love you" to El. And now he has already SAID IT. On paper -- what Milevens call "canon" -- the Mileven relationship is fine and healthy.

So why prepare the audience for a NEW development in their relationship if it's not a breakup, or at least an emotional confession of some kind that threatens the last canon development that made everything "fine"?

The Painting Lie is Chekhov's gun. If this scene is indeed early in s5 (there are very few scenes with Mike and El together in the s5 teaser, perhaps she's with Mike only at the start of the season), then there's very little time for the writers to prepare something ELSE "waiting to be said" that is NOT related to the Painting Lie.

So what is being interrupted? Is it:

Mike asking if she commissioned the painting?

El saying she didn't commission it and telling Mike she thinks Will loves him?

Mike has realized the painting was from Will and is about to confess he doesn't know how he feels about him?

One of them is initiating a breakup?

WHATEVER IT IS, the Painting Lie challenges the stability of Mileven because it was core to the Pizza Freezer Confession(TM) that was supposed to tie up Mileven in a neat bow at the end of s4. The moment the Painting Lie is mentioned, this tells the GA that not everything will stay the same between Mike, El, and Will.

By the time Mike and El get interrupted, (1) the audience has already been made to expect something to come to light between them (likely related to the Painting Lie), and (2) resolution of this plot point will not happen right away and is IMPORTANT to s5.

That's because Stranger Things follows nearly 100% of all TV/movie writing in following a three-act structure. The start of each season sets up the conflicts and character motivations that drive the rest of the season. (Just as the first episodes of s4 set up El's "problem" of feeling like she's the monster and why she went on a journey of self-discovery.)

It's hard to imagine the writers setting up Round THREE of Mike struggling to say "I love you" to El. No, what's being interrupted is the next development, which has to do with the Painting Lie and its ramifications for Mike, Will, and El.

Add to this the fact that all the teasers we're getting suggest that El is separated from Mike and most of the others for some chunk of the season. What's left unsaid between them might remain unsaid. And we know that Mike and Will are side-by-side much of this season. (As promised, Mike said they will "be a team.")

Which begs the question: WHAT is interrupted between Mike and El, and what is it setting up plot-wise? Is it something whose RESOLUTION involves multiple scenes of Mike ALONE with the boy who canonically loves him and made the painting that made him feel so wonderful? Someone who Mike confessed he REALLY missed and Hawkins "isn't the same" without him?

The conflict's GOT to have something to do with Mike's feelings for Will. It FAR surpasses any other possibility, given how much set-up there has been for it.

Another plot point for season 5: on Will's end, he still hasn't come out of the closet. Doesn't part of his "emotional arc" have to include coming out to his BEST FRIEND? This is probably set up in the first episode, also.

That, together with the interruption of Mike and El, helps prime the GA to look at every scene with Mike and Will, reading every interaction and figuring out what will happen between these 2 best friends who have never lied to each other, until now. We'll even see a flashback of when they were younger. How their relationship changes after the inevitable revelations is central to s5.

The ENTIRE SEASON will be the Interruption Trope for Mike and Will, while they confront the full danger of Vecna together. It will be "the painting tucked away in Will's backpack" times a hundred.

-teambyler

(My own theory of how Byler will culminate, in case you haven't seen it!)

[midniiights-garden]

Modern!Mizu General Headcanons!!

I have so many many ideas for Modern!Mizu omg you don't understand (I wish she was real...)

Ok, so first of all I wanna start out with some HCs about her past and her mother.

I think she probably grew up in rural Japan, her relationship with her mother basically still the same as in the show.

Due to not being exposed to very many foreigners her relationship with her peers was strained because of her blue eyes (ofc. hate discrimination smHHH)

Anyways, although Mizu doesn't have to hide her gender, and I personally headcanon that Modern!Mizu wouldn't hide it, she still has some internalized mysogyny.

This is namely due to the huge issue with sexisim in Japan, sexual harassment and sexualisation of women and so on. Mizu grew up wishing she was a boy because she didn't want to feel like a piece of meat to be eyed up and down and sold.

I HC that she meets the Swordfather when she attempted to run away from home. Probably due to another bullying incident or something.

In my head she actually moves to America or Europe to study something related to craftsmanship or to become a professional martial artist. It makes the most sense in my head at least.

She got into Uni on a scholarship lol. I mean, translated into a modern setting I do think her skill would be enough to warrant a large scholarship.

University was a rough time in the beginning for her due to the many changes that come with moving to a new country, as myself and most other third country kids will know.

Mizu had to juggle learning English, beating racist asshole and school all at the same time.

Due to her reluctance to socialize she also struggles to learn English in the verbal sense. She learned how to read and write in English much faster than to speak it because she had no one practice with. That, and she refused to talk to anyone.

As for how she met Mikio...

Modern!Mizu probably met him because he was a teacher at her Uni.

Long story short when he finds out how she was concieved and how strong he is, well, big strong man gets emasculated and throws a fit and Mizu leaves him (as she should)

And then she realises she's gay lol

I think it'd happen in a pretty similar fashion as to Canon!Mizu but you can look at my headcanons for those if you need them.

I think the main differences between Modern!Mizu and Canon!Mizu would primarily be in how she deals with her rage. Of course, Modern!Mizu isn't allowed the luxury of just stabbing people to get revenge so I believe she may resort to a lot of physical exertion in the gym or just a lot of lashing out towards people in general.

(A/N: Yayayayayya second post for the day!!! As usual, if anyone has any requests or anything feel free to ask!! Happy holidays everyone!!! <3)

[tallseaweed]

Buddy Request: are you a Loki obsessed high fantasy lover?

I would really like to connect with fellow Loki fans who want to rant about/analyze Loki and Thor's psychology, family dynamics, Asgardian society, Jotunheim, magic/seiðr, and the Nine Realms. Ideas/thoughts that aren't canon-compliant with the MCU are more than welcome!

Here are some fics with these types of themes that I have thoroughly enjoyed and been inspired by:

Ásgarðrian Galdr by Valerie_Vancollie

Bargaining by proantagonist ( @proantagonista ) [thank you SO MUCH for the rec @alwida10!]

Frostbite by Maiden_of_Asgard

Once More With Empathy by Kairyn ( @bfaymiller )

A Fairytale Beginning by the_lady_amphitrite ( @the-lady-amphitrite )

Let me set the scene:

For the past year and a half, I've been working on developing a longfic featuring a Thor 2011 Loki and an OC Sigyn. Honestly, I don't think that I'll get around to posting it anytime soon (there's still so much work to be done on it), but it's constantly on my mind. It's sort of a hybrid concept of the MCU, Norse Mythology, my own ideas, OCs, and magic systems. It has an epic scope with multiple arcs and characters from most of the Nine Realms. Do you like characters with wings? I got you covered. An imminent threat to the Nine Realms? Check. An in-depth analysis of Ásgarðr and Jǫtunheimr's history uncovered during Loki's identity crisis? A Jǫtunn OC? A Laufey that never wanted to lose his child? Check, check, and check.

I've found it hard to talk to people about all this because it involves a LOT of worldbuilding. Epic fantasy definitely isn't for everyone and this will not be a "light" read. Some non-fanfic stories that have inspired me along the way include the Roots of Chaos series by Samantha Shannon (The Priory of the Orange Tree and A Day of Fallen Night) and Lord of the Rings by J.R.R. Tolkien. So if you like those types of stories, you might like the ideas I come up with.

If you relate to anything I've said, I also want to mention that I would love to hear about your ideas as well! If you feel trapped inside your own head and feel hesitant to "info-dump" on people, I am the person for you. And hey, maybe we can inspire each other :) Fanfiction is not about gatekeeping, and I have been unabashedly inspired by so many different takes on Loki that I've read along the way.

Sending this out into the Tumblr void, hoping it finds the right people!