#This one is going the Show People We Don't Know Burning Alive Clearly That Will Make More Of An Impression route

[muffinlance]

I'm barely to the massacre and I can already tell I'm going to be screaming at every this-makes-no-sense decision made by the writers (your temple is under violent attack, and you evacuate the kids... to a barely enclosed corner in a prominent temple room? Instead of to the hundreds of sky bison that were highlighted as flying in earlier? Why?) (And Aang left to clear his head and think instead of to run from his duties? That's such a less compelling plot arc?) (And the show had him briefly monologue about being a goofy kid who loves pies and his friends instead of using the extended temple scene to show any of that? Didn't want to pay more child actors, did you, Netflix?)

Yeah I'm just. Going to be screaming at the screen instead of enjoying this. Different decisions aren't necessarily bad, but when those decisions seem to be in the direction of "show a man burning alive before we even get to the on-screen massacre" this is just... not the show for me.

[highfantasy-soul]

I'm loving how complex and flawed both K and Evan are this season - Brennan and Erika bring so much nuance and reality to their portrayals and in that last episode, I genuinely think both characters are right and wrong with what they're doing.

K should never have tried to 'heal' Evan's already healed arm without his permission.

But Evan is wrong when he said "you don't get to tell me what my problems are, I know what my problems are"

I think a lot of people are seeing that as the truth and treating Evan like some perfect person who's magically 100% fully self-aware when like....he's not. No one is. Quite literally, that's why we have community (and interventions) - we don't always see ourselves clearly and friends are there to point it out and try to help us through it.

Evan DOES ignore his own health. Evan DOES ignore his own need for therapy and community. He has convinced himself so thoroughly that no one actually likes him that yeah, it's a problem - and his friends DO get to call that out. [Seriously, Evan reminds me of Goob from Meet the Robinsons where his internal monologue is "Everyone hates me, they all despise me, I have to ostracize myself" while in the background, literally everyone is saying hi to him, inviting him to hang out, etc]

He literally does that to Sam in the previous episode - she tells him he's not awful to be around, that they do love him, and his response? "You're full of shit - you couldn't possibly actually like hanging out with me."

You know how terrible and hurtful that is? It's not just uwu sad boi isn't he so tragic and in need of love!!! That's him treating his friends like shit.

His own self-depreciation reflects back onto the people who care about him and he devalues THEM as people because of it. That's an issue of his he doesn't see. He DOES do things that are harmful for his mental health and when the others encourage him to do things differently, he ignores them and chooses to continue the self-destructive behavior. Is it born of trauma? Yeah. But again, there's an issue of Evan's that he doesn't identify as an issue.

i think Brennan is fully aware of this. I think he's very purposefully playing this character to show that just because a character is riddled with trauma and has been victimized so much in their lives, doesn't mean that it makes them a perfect person. That trauma, ya know, traumatizes them and can lead to them having behaviors that hurt others around them.

K attempting to 'heal' Evan wasn't out of nowhere nor was it them reverting back to their season 1 self (after all, as they pointed out, K wasn't trying to fix him season 1, K fetishized Evan's "brokenness" (*cough cough* just like a big section of the fandom is doing right now *cough*)), that act was the culmination of her loving Evan and him constantly rejecting expressions of that love by saying 'you're faking it - I love you, but you don't actually love me, but I'm going to stay in this relationship for some reason while constantly belittling you and calling you a liar'.

It was K trying to help Evan after seeing his shirt on fire for so many years and Evan being burned alive but continually telling K "no, I don't need to take off this shirt, don't try to pour water on me, I'm fine" all the while his flesh is peeling off and he's suffering and K is getting singed by the fire too.

100% K was wrong to try to heal his already healed arm without his permission, but the sentiment DOES ring true.

Evan isn't perfect and I think Brennan has very carefully crafted him that way. His trauma doesn't excuse the way he treats his friends - and they're perfectly within their rights to call him on it.

[the-music-maniac]

You know what confuses me about Crisis Core.

So, we learn when Zack is dispatched with Tseng to Banora that Genesis murdered most of the townfolk, his own parents, a bunch of Shinra soldiers, and then started bombing the place with the arsenal he took. I mean, he fails because of Zack and then Shinra like. Sends an airstrike anyways to destroy evidence of company involvement, rendering that attempt moot. Then he like. Sends another summon after Zack.

In the course of the entirety of Genesis' rampage, it's implied that he killed probably a shit ton more people in cold blood and for his own ends, he turns a bunch of them into Genesis copies for crying out loud, which is quite horrific.

When Genesis is doing his rambling thing in front of the damn statue at the end of the game, Zack tells him he's here to help Genesis. And when he goes to contact the statue, Zack yells, "Don't let it take over, you're not a monster, you're one of us." Keep in mind Zack is aware of the atrocities Genesis committed of his own volition, even if he wasn't necessarily sound of mind because of the degeneration.

In contrast, during the Nibelheim incident, after Sephiroth locked himself inside the library for like a week without eating or sleeping, joined Jenova and then burned down the village, Zack finds him and demands answers. Sephiroth is clearly...not himself. His speech patterns are entirely different (creepy), he can't take his eyes off the containment unit, he ignores Zack's demands. Zack realizes Sephiroth isn't being himself, I recognize that, but it confuses me, that he didn't attempt to get through to Sephiroth harder, when he at least showed signs of doing so with Genesis and Angeal. Angeal I get, that was his mentor. Genesis though? Like even while Zack and Sephiroth were fighting, I expected at least some dialogue of Zack attempting to reason with him.

We know as players that Sephiroth goes on to do more heinous shit, but until then, his crimes are about the same as all those that Genesis committed. Genesis destroyed an entire village. Sephiroth destroyed an entire village. Genesis destroyed more than a village, so I'd argue the shit (outside of Shinra's orders of course) he did was worse.

Was it because Zack was too angry at the time? Nibelheim was still burning, Tifa was hurt, while the atrocities Genesis committed were distanced - Zack didn't see a majority of them. Maybe the whole "take over the planet" thing? Was it because Sephiroth was attacking him, and so Zack had to concentrate on surviving? Why was Genesis given grace, when Sephiroth wasn't? Yes, I understand Cloud and Tifa watched their parents get murdered in cold blood, so they're understandably furious, but what of all those families Genesis had destroyed? Even while Zack was at Shinra, he still intended to get Genesis back alive.

The entire theme of the game had been posing a question - are the SOLDIERS monsters. Zack had been adamant that they aren't at the beginning, while the three that were affected, Angeal, Sephiroth and Genesis hadn't been sure. Sephiroth was the only one who hadn't received any sort of contradiction to his own beliefs. Angeal did. Genesis did. And Zack fully WITNESSED the breakdown Sephiroth had in the reactor. I can't be certain if he witnessed the awful shit that Genesis had said to Seph, I know he was knocked down - but was he unconscious? Even if he didn't hear it all, he had to have heard the "no such luck, you are a monster." because Genesis said it BEFORE Zack was knocked over. Did he not see the pattern? I don't understand how it could be possible that he didn't see it.

And I get that Zack himself was starting to lose conviction on the idea that SOLDIERS aren't monsters, but if you knew what Angeal and Genesis had been feeling - their bitterness over being turned into monsters coinciding with Sephiroth's own breakdown and questioning of his humanity - then why did Zack let Sephiroth go through that mental breakdown on his own? Yeah, so he told him to leave him be - Zack thought Angeal had killed his own mother in cold blood and yet he still went after him. Zack said Sephiroth was like a man possessed, so he KNEW this was unusual behaviour too. Also, isn't it weird to just be stuck somewhere for seven days with no further orders? Did Zack try to get through to him repeatedly and fail? The game didn't show that to be the case, Sephiroth was alone the entire time he was reading in that library.

Or did he assume that the Silver General could've handled it on his own, once again holding Sephiroth to a different standard than everyone else?

I don't know, I just find it hypocritical. I know the Final Fantasy games are a series that only really shows you glimpses of the main villain, in an attempt to get a player to question what it means to be a hero - they did it well, the entire thing reaps of hypocrisy.

Shinra does what it wants, sends airstrikes to cover up their tracks, maintains the image it wants to via control of the news, holds a monopoly on everything, destroys a different lands for resources, and while Zack begins to question what he's doing because of Angeal and Genesis, the questioning has nothing to do with Shinra as an entity, only the soldiers within. Why didn't he question Shinra, for inflicting this onto Angeal, Genesis and Sephiroth? Why didn't he question that apparently Shinra has fucking cloning technology that can be used on the SOLDIERS? He picks up Angeal's blade while he was talking to Cloud, and is reminded of his SOLDIER honour. What honour? How did Angeal and Zack go for so long in Shinra while being "good people" without being disillusioned sooner by everything else they were doing? I understand the general population being fooled, but Angeal was one of the freaking firsts. They didn't question anything until Angeal and Genesis began to degrade? They weren't quite like Sephiroth, I'm assuming they weren't physically unable to leave if they wanted to be discharged. None of them were raised in a place where this was all they've ever known. None of them were raised to be disillusioned with death, to believe any empathy and compassion was weakness. Unlike Sephiroth, they had options.

And Sephiroth STILL had the mind to not only be compassionate with his own soldiers, but to want to defect. Because that was the only way he could've ever left Shinra.

I'm more convinced now then ever that Sephiroth was done dirty.

[tenpintsof-sundrop]

Okay I'm having another thought about Isaac (I am thinking about Isaac again, big fucking surprise)

I feel like it says a lot about Isaac that during Motel California when Stiles found him and used the flare to snap him out of the mental torture spell that the motel ghost and the Wolfsbane had put all of the wolves in, Isaac was the only one not actively trying to physically harm himself. Isaac was hiding under the bed.

(If you haven't seen the episode and/or don't watch the show, mentions of trauma, suicide and self harm below.)

Like - let's run it down.

Ethan was being tortured by visions of someone trapped inside of his body and he tried to use a circular saw to cut that someone out (trying to cut himself free). It likely represents the idea that he was coming to resent merging with Aiden in their Alpha state, hating not having his own individual identity, hating the fact that Aiden might make him hurt someone (against his will while they're merged) innocent like Danny in the name of Deucalion's cause.

Boyd was being reminded of a childhood trauma (and I am actually so pissed that the show didn't go into more detail about this story and if they weren't planning on revealing the full details - why didn't they just make his visions about Erica? because he's clearly tortured and fucked up about that) where it seems like he was responsible for a younger sibling in a public place and that sibling was then abducted or went missing (and maybe turned up dead later?) and he feels responsible for her disappearance and/or death.

So he takes the safe out of the office and places it on top of himself to weigh himself down while he drowns in the bathtub - one, because he knows that no one of humans who are conscious of the goings on can lift it off and free him, and two, likely to represent the crushing weight that he feels over the guilt of losing his sibling. The crushing 'responsibility' he felt (even though he was just a child and it wasn't his fault). And it probably comes back to Erica - how he felt responsible for taking care of her during the time they were captured, and he likely felt responsible for her death too.

And Scott - sees a vision of his mother kidnapped and murdered by Deucalion, and he is told that it's all his fault. And he tries to burn himself alive while questioning if there is a ghost trying to convince him to do it or if there's something truly wrong with him. (And not knowing that Derek is alive, he feels responsible for Derek's 'death' and the lives of everyone around him - so the message here is pretty clear.)

What happens to Isaac is what interests me the most. He remembers something that happened during his childhood, a distinct memory with his father - a seemingly random, average conversation where his father is trying to teach him about tools, and things escalate quickly. When Isaac makes a simple mistake, his father's anger booms out of control, and he tells Isaac that he is inherently flawed, and then - Isaac has a vision of himself being locked back in the freezer that his father used to punish him, which we later find out means that the ghost prompted him to crawl under the bed, a tight space that would normally send him spiralling into a panic attack. The ghost is using his claustrophobia to torture him (when Stiles finds him, he's sweaty and shaking and clearly very poor off), but he's the only one of the wolves not actively trying to kill himself.

What this says to me is that - Isaac has already lived through a fate worse than death. Worse than the kind of mystery that drives the average person to suicide. This says to me that a demon (or whatever lives in the motel) that thrives off people killing themselves, gets more pain and suffering to feed off of from Isaac having a claustrophobic panic attack and believing that he's back in his father's basement in the freezer than it would if he was actually miserable enough to want to kill himself.

Isaac already died while locked in that freezer many, many times.

Idk that's just what that moment in the show says to me.

[likeabxrdinflight]

Naturally I have a lot of thoughts about Azula's role in the live action adaptation. I'd say about 95% of them are positive thoughts.

First of all, I love that she is this baby-faced, squishy-cheeked kid (I know her actress is a little older than the character but that's okay.) At Elizabeth Yu's age, I also easily passed for 14-15, she just has a young-looking face and clearly hasn't lost all her baby fat. And that is perfect, actually. I've criticized the sharpness and angularity of the animated Azula many times over, she has always looked far too old for her canonical age. I've said it before and I'll say it again- it's a problem that so many people watched the original cartoon and thought Azula was older than Zuko. I can't even blame them for it, she's drawn to look 20 or older. So it is wonderful to see a version of Azula who looks closer to her canonical age. I think it really drives home the point.

That said, this Azula is definitely different than her animated counterpart in other ways. The animated Azula was (almost) always perfectly in control. She could become angry and snap at people- but it was fairly rare, Azula always seemed the image of perfect calm, control, and precision. She was deadly precisely because she was so cool and collected and did not get easily rankled. This was also part of what made her breakdown so shocking.

The thing is, the breakdown is not especially foreshadowed prior to season three. There are a few moments that show the chinks in Azula's armor, but most of them don't come until "The Beach," and then after Mai and Ty Lee's betrayal. I've always believed that betrayal was the real inciting incident for her eventual psychotic break- I've argued before that it sent Azula into what's called a prodromal state, which is like a sort of "pre-psychosis."

More on the animated version's mental state here

Point being, there's really only one instance in season two that suggests any flaws to Azula's cool exterior, and it's one of her very first scenes. You know the one: "almost isn't good enough." It makes for a very subtle build-up to the breakdown and her eventual fall. But it comes at the cost of depicting her predominantly as a capital-V Villain prior to it. You're not really supposed to sympathize with Azula until "The Beach," arguably not until "Into the Inferno." For most of the animated show's run, you're supposed to find her scary and threatening.

And this is done effectively- almost too effectively. She's an obvious foil to Zuko, and serves as such a good primary antagonist that they had to neutralize her in the finale by giving her the breakdown. It's like they knew there was no way a healthy Azula was going to be beatable during Sozin's Comet. She appeared to be an effortlessly talented fire bender, a brilliant strategist, and a more dangerous opponent than even Ozai.

Live action Azula does not have this same feeling to her. There is still something "scary" about her- we see her watching people being burned alive with little to no reaction, and her face is quite blank at Zuko's Agni Kai. She's still cunning and still willing to manipulate things to her advantage- we see this in how she plays Zhao. So if this version gets a season two I have no doubt that this Azula will still serve as a dangerous antagonist to the Gaang and I don't doubt this is still an Azula capable of bringing down Ba Sing Se.

But she's not quite the calm, collected character she first seemed in the animated version. This Azula is a little less hinged. She has more moments of snapping and losing some of that perfect control. She's more frustrated and feels more at the mercy of her father. She reads far more like the Azula we saw in "The Phoenix King," the one who talked back and protested that her father couldn't treat her like Zuko. That Azula, however, was about one bad night's sleep away from a psychotic break. This Azula, presumably, isn't there yet.

I can agree that something of her original character gets lost when you essentially start foreshadowing the breakdown from the jump. It's not gonna be a surprise to any new audiences. She's not gonna be quite the same. But it does humanize her much sooner than the original show did, and it asks the audience to consider her circumstances from the jump- is this a sympathetic character or not? I obviously think she is in the original, and I do think in the end she was meant to be. But it's much more of a debate. The live action show unequivocally says "yes" and does not make it a debate at all.

I'd be tempted to say it's not trusting the audience to read between the lines, but given all the Azula discourse...they might be right to take this more direct approach.

Anyways. Live action Azula also feels more like a real teenager. She's petty, she's irritable, she's desperate to remain in her father's favor and beat her brother in the artificial competition her father has set up between them and will go to any lengths to do so- lengths she probably wouldn't have in the cartoon. She has a strong drive to prove herself and to protect the image she constructs about herself as the "perfect daughter." But that image also feels far more fragile than it did in the animated version.

This Azula doesn't say that "almost [perfect] isn't good enough." She says that "it [perfect] isn't good enough." It's a subtle but meaningful difference.

(Side note- I think the reason this Azula is fine shooting lightning in the direction of her father, seemingly in defiance of his orders, is a direct result of the change to the Agni Kai- she watched as Ozai berated and burned Zuko for not giving him his all, versus in the original where Zuko's sin was in not fighting back period. So here she's showing Ozai her "all", she's giving him everything she has to prove she's capable of doing more than Zuko running drills and smoking out resistance rings.)

I like this change. I like this more desperate, more grounded take on Azula. She feels like a real girl in a horrendous home environment. This Azula was raised in a family where it's expected you be cool with setting people on fire in the throne room and where there's a tangible symbol of Daddy's love sitting beneath him at all times. This Azula was forged in the fires of competition and manipulation that's more subtle than the animated Ozai ever seemed capable of. (More on Ozai later, but he's a much more subtle character than his animated counterpart despite still being...pretty blatantly Evil). So I think it makes sense that she's not quite as calm and controlled and perfect as the animated version.

I don't know yet which version I'll prefer when all is said and done- she was ultimately a minor role in this season. Animated Azula is iconic and always will be, but there's a lot I've always been critical of about how she was depicted in the original show. I think a lot of us that love and empathize with Azula do so despite the way she was written, not because of it. This version might change things a little.

But it also might make it seem infinitely more cruel if she isn't given some kind of redemptive ending (or at least one that implies some hope for her.) The bleak ending of the original show might feel really bad for this more sympathetic version of Azula. So if they stick with that...I dunno. It could hit or miss.

For now, I like what I'm seeing. And Elizabeth Yu understood the assignment.

[babbletaels]

Like the problem I have with the jedi are the way they're a large institution that thinks they know what's best for everyone and breeds that mindset into their pupils. There are rules they have to follow to not get shunned from the jedi order, we see this as anakin can't tell anyone he's married and about to have children. It's apparently so secretive that even after anakin is left half dead and whats left of his body is actively burning to a crisp, Obi wan still doesn't call for help for padmé to give birth. It's only him and a robot! sorry I mean "droid" or whatever.

They freely host these rules that make their members want to hide their "mistakes" and their flaws instead of being able to work on their issues, and they see no fault in this system until it all goes wrong of course. It's clearly displayed this way for a reason, no?

One of the issues the jedi have is that they recruit children as young as possible, and when a person becomes a jedi they're not allowed to meet their family again because they're constantly on the job basically. We hear this being talked about in the movies and in shows too. I almost thought it was just a once or twice happenstance kind of thing, because anakins mom was a slave so she couldn't follow them, but it seems like they just literally do this every time. It's not healthy for children to be taken away from their families. Even kids from abusive or otherwise incapable families will have trauma from being taken away from their family. Even surrogate children can display trauma because of this.

Ask yourself, why are the jedi portrayed to do this instead of being portrayed as letting their pupils go home on the weekends or going home on summer break or why are they not portrayed as getting to bring one of their parents? You think it's unrealistic, that they can't host that many families. But there's fire in space. There's light sabers. There's an entire planet that's just one big industrialized city - and people actually like that place and want to be there. Why can't there be a family quarters? Some parents probably don't want to move and will let their kid go alone, so you can still have stories about sad kids who miss their parents.

The jedi are just simply portrayed as having flaws. Their methods of bringing up padawans became their downfall when one of their pupils couldn't handle these situations. In A new hope, only two jedi are left alive. They take in Luke who is an adult and train him to be a jedi, even though the jedi order doesn't take in adults to train them to become jedi. And Luke turns out great, so like what's even the issue. Why can't they take in force sensitive people of all ages based on requests? Post flyers that say "is your kid scaring you by making things fly? contact us". Everyone in the galaxy already know what the jedi order is. Instead of going somewhere and saying "your kid is force sensitive, I want to take him with me to train him because he's dangerous blah blah, and you have to make the decision right now" just let people contact you when they feel like they need you? And also let your employees have some time off where they can visit their fucking families?

Like the jedi order has flaws! Why are people so pissy when you point out that they have flaws, when the movies and everything ever deliberately made these flaws a thing in the first place! They didn't need to have flaws, they could've been perfect if they had been written as such!

[eponymous-rose]

Continuing my Arcane spiral, after coming back to the show, I am much, much more on board with this season than I was on first viewing. Call it a shift from 8.5/10 to 9.5/10 for me. Spoilers under the cut!

I'll admit, Jinx's death really put a huge damper on the show for me, so realizing that it likely wasn't intended to be seen as an unambiguous death makes the final tone of the show much, much more interesting to me (that final struggle with Vander was Jinx letting go of her old life, walking away, and leaving Vi with the gift of not having Vander's final death on her hands so she can move forward).

People have gone over the Jinx-is-alive stuff ad nauseam, but to sum it up briefly:

Cait is looking at the tunnels and vents near where she fell at the end of the show.

If you pause, you can see a shimmer-colored bolt moving away from the explosion (this one's less convincing to me, but sure).

The only recycled asset in the entire show is that footage of the airship at the end, grabbed exactly from the first scene ("one day, I'm gonna ride in one of those").

The bridge theme (which became Jinx's theme) playing at the end doesn't actually resolve its final chord.

The "the end" screens in Jinx's style.

The hilarious way the cast reacted to the question of whether Jinx was alive - after being super definitive about all other deaths, this was a super quick "uhhhhhhhh no comment".

The song that plays during the depths of Jinx's suicidal thoughts ("Wasteland") has a final verse in a completely different tone, about finding someone to help you through.

Ekko burns only one memorial, which I now assume is for his mentor, Heimerdinger.

So yeah, I'll buy it. I think the unpleasant crash of having this character whose arc is all about walking away and finding a new start just decide to die instead is rough enough that they needed a little more of a hint for the more oblivious viewers like me, but I'm happy with it on subsequent viewings.

I'm even okay with the silly Viktor-is-the-robed-man thing, because you know what? I don't think it was a season 2 retcon after all - the theme that plays under the flashback sequence in s1e2 is the first few notes of Viktor's theme.

I think Isha's death and all the Vander stuff had a lot of goofy and sort of unearned elements, but it was realized so completely sincerely and effectively that, you know what? I'm cool with it. If we can't embrace goofy tropes in our genre fiction, where can we embrace them?

I think I've come around a bit on the Vander and Silco flashback stuff - it was clear to me from the very first scene in season one that Vi clearly recognized Vander on the bridge, so that part didn't bug me. My theory is that Felicia and Connol were not a super serious thing and had just recently started seeing each other ("I'm knocked up"/"Does Connol know?" felt a lot more to me like "oh shit, this early relationship just got complicated" rather than "congrats on the long-tried-for baby!"), and while it looks like he stepped up and stuck around, the fondness between Felicia, Vander, and Silco went back a lot further.

The thing I really, really struggled with was reconciling flashback Silco, who was super close with Vi and Powder's family, with season one Silco, who threatens to kill both of them. So my half-baked headcanon here is that there was that there was a bit of a natural drift apart during the ~7-8 years between the flashback sequence and pre-show, which culminated in Vander trying to kill Silco when his plan got Felicia and Connol killed on the bridge (great, great parallel to Vi & Powder). The thing that stood out to me on a rewatch was that in season 1, Silco lays a trap for Vander's kids specifically to lure them in! Why do that? He's clearly interested in Vi's potential, which works as an uninterested supervillain, but becomes kind of complex as someone who is horribly determined to make his earlier mistake worthwhile by going all-in on Zaun. I think he sees Vi as a twisted extension of his promise to Felicia - if I can take her in and transform her into a force for Zaun (possibly via shimmer), points for effort, right? I could see him preventing Deckard from killing her, if he got the chance.

And to an extent, I'm not sure Powder was ever on his radar, either because he was less close with the family by the time she came around, or because he didn't see her as useful for Zaun in the same way as stubborn-fighter Vi. But the end result was the same, beautifully twisted by seeing her as a mirror - he took her in and he changed her. And I think the idea of having him do that in spite of this connection with her family is actually pretty effective.

You were also absolutely correct, I missed a lot of Cait's transition away from Ambessa's shadow (my only excuse is that I watched Act II on a massive adrenaline high after vending at my first major card show and wasn't retaining much) - I also managed to miss that she purposely let Jinx escape at the end by calling away all the guards (look, I may have been slightly distracted by what happened next). I was already pretty happy with her arc, but I think this solidifies it and ties in really nicely with the season's themes of forgiveness.

I do still think the need to project onto the next shows somewhat hurt the way this show works as an ending, but I think it'll age better as we figure out what those next shows are.

[starstofillmydream]

Unpopular opinion on Commander Cody?

Hi anon! Thank you for the question! 😊

Okay, I can see this ruffling some feathers, so if you don't agree with my opinion, that's okay! I just want things to stay civil, even if people disagree 😅

My unpopular opinion of Commander Cody is twofold: 1) the "sunshine commander" narrative needs to go, and 2) Cody needs to be separated from Obi-Wan's character.

(1) The "sunshine commander" narrative needs to go.

I've talked about this before, but I'm sick of seeing Cody being characterized as "the sunshine." It's inaccurate and a tired assessment. Just because the fandom assumes the sunrise is painted on his armor doesn't mean we should automatically ascribe him to "sunshine" traits—you have to think about the connotations. In media, personifying characters as "the sun" and personifying characters as "the sunshine" are two completely different projects. A character personified as "the sun" has steadfastness and strength/power—after all, the sun leads the day. But it also burns and is dangerous. A character personified as "the sunshine" is cheery, upbeat, quirky, optimistic/idealistic, and sometimes, ditzy. Because Cody clearly doesn't fall under the latter, it would be more fitting to characterize him as a "sun" character (if you're even going to do that at all, because honestly, it's not even necessary. Categorizing clones as stock characters/characters in a trope minimizes the individuality and complexity they try so hard to establish, since you're only attributing them to one personality trait). Cody is a marshal commander—he leads a third of the Grand Army of the Republic under Kenobi, and for good reason. He's calm and collected under pressure; extremely intelligent, especially in military strategy/tactics; has insane combat skills, both with a blaster and hand-to-hand; he's stern and disciplined in order to keep his men alive; and he's diplomatic and has a sound moral compass. Most clones, including Cody, have a jaded outlook on life because of all they experienced during the war, both in combat and out of combat (e.g., Cody's hesitance to believe Rex that Echo was alive in TCW S7E1). There is nothing cheery, upbeat, quirky, optimistic/idealistic, ditzy, and thus sunshine-y, about the guy. He's not frolicking in a field of flowers and stopping to smell the roses—he's a soldier, a highly-trained and cunning one at that. So stop diminishing that core part of him just to fit an inaccurate narrative.

(2) Cody needs to be separated from Obi-Wan's character.

I swear, I can't see a sentence with Cody's name in it without Obi-Wan being in there too. Let Cody live his own life on his own terms without his general encroaching on it! There is so much more to Cody as a person than being Obi-Wan's shadow, and thank God for the writers of TBB S2E3 for showing that so clearly (I know people love to bring up the fact Cody frowned when Crosshair mentioned the Jedi being traitors and that Cody's negotiation skills with Tawni Ames came from Obi-Wan being "the negotiator" and all...but what if...and stay with me...Cody did that all on his own? You know, because he's one of the most brilliant minds in the Republic's military?). It hurts me so much to see Cody cast aside as a side-kick (or romantic interest, which I'm not personally a fan of. Cody would not be desperate enough to be in love with his general. Come on now. The man has standards, and disrupting the military hierarchy is a little icky, in my opinion. The power dynamics will always be off, whether people want to recognize that or not.)—I listed a whole bunch of canon attributes above that people seem to conveniently forget. People in the fandom are very selective as to which clones they give grace and which clones they do not. Cody is one of the clones they do not, as well as Bly, Crosshair, and Dogma, to name a few. But, what blows my mind is that clones like Fox—who only get a few minutes of screen time in the entire Clone Wars series—are given complex personalities, fanon-created faces, and ships with multiple people while Cody, who is the first live-action named clone we meet, is completely dependent on Obi-Wan. It's such a strange phenomenon.

That was long-winded, sorry anon 😅

Hang out with me ask game!

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[queenofallwitches]

I FEAR NO FIRE

SALAMANDER SPEAKS THROUGH ME

Tuesday morning, past midnight.

I don't fear fire, I fear the people who fear the fire

I'm my own salvation

I am worthy of my goals, dreams and visions of the future

I will manifest all my purpose in life drives me towards pursuing. My soul will find its fire and once more, the ashes begin to pile from the scraps that settled after the last fire.

The entrails of scorched trails torched in the wake of the flame, the flame roaring. Soaring.

The flames devour. Hungry orange flickers of fury.

Glowing red.

Unable to be contained.

Burning. Brazen. Brilliant.

Flickering in mega monolithic shades of sunset and sunrise hues but bound by the inferno of allegories painted in the stories of hellfire and inferno.

Burning, screaming, howling, people in ego, fire comes to pick up possessions and they aimlessly try to kill natures warrior with a garden hose made of plastic.

The human error, the human created hell set upon the place from where it rose. The earth. Now the fire is here to prove to us who know how it is to burn, be burnt alive, life after life, and we rise to excitement and adoration when fire is venerated. We fear not fire, nor nature.

Those who are averting the burn of the fire of self annihilation are those fire follows. If not metaphorical fire, literal fires spark up awakening. If not that, then, only realising how the life is never ending and the soul lives on, could save suffering; instead; they face nothing but shallow soul devoid placating life that is flat. Society is approving, not the self or the soul of self.

Should we know we are infinite sparks, sunlight sustained beings who began from temperature and matter colliding, time immemorial, beings who are souls that fire or any way to die could kill, then we can no longer be afraid. For one thing that we know, is death is the only certainty.

The other we are born to be told anything, but we all share being born into this world as a common human attribute. We all share the end of life in whatever way as the other. Nothing else can be categorised or defined because it splits us and divides us. Nothing can progress until we as humans together, find a way forward. Not in adversity, but harmony.

Only individual humans journey into the soul, to discovery a spark. That spark becomes the only light as we analyse, define and resign to the presence of that burning drive inside.

We realise over time to follow our spark, creates a feeling that gives us light. The shadows from the valley of death we once knew from our dark night of the soul illuminate.

Our life now depends on pursuing that spark, knowing that each time we temper the spark, by ignoring or going against what the spark wills for us to do, we learn the lesson. But when we follow it, we see a beautiful inferno ignite the social worlds we inhabit, people find this passion we speak with, contagious, and from there, they are ignited to journey on the quest to find what give them light.

For some of us, the brightest ones I was told, once, those who burn the brightest, are deliberately hurt the most.

I am mastering the destruction of what was, to the rebuilding of what will be. Learning no matter how many times my lapse into dark valleys of desolate emotionally draining labyrinth forests that I go through.

I seem to ignite a heat, a warmth, a tiny little sparkle.

The scintillating glistening that whispers in the windless night of no light 'I will guide you on your way".

A fairy, a fantasy, a figment of unreality?

The end result begins the art of alchemy.

Igniting a spark, begins a flame, the flame burns to expose a light, a light trail is eyes able to perceive the way out of the unholy forest of decay.

As I find the fire once more to illuminate shadows.

I see clearly as my fire grows to encompass a ball of flame.

In this flame sphere its showing me what was not seen.

to expose things that led to my transient trip, into what tangled vines, a never ending, timeless, cold, dark, desolate, dread ridden devoid of all feelings of hope, help, promise, happiness or love.

Nothing of positive intonation resides with these Cthulhu wispy warping black ink squids drooling.

Sticky, slug slash tentacle, the bottom of the ocean with no light. Days are the same as the plutonian nights of tendrils siphoning infinite squids sucking the dreams from a sleeping brain, as we wake, wrapped in the remnants of a tendril or ten, tight on the brain.

All we can hear is the howling of burning children over millennia, molech, mammon, black matter sacrificial lambs. The time chunks blown in space and time, only perceived by the rifts in the lack of space and time.

The sounds, the silence, the all and nothing. Is what drives the evil stuck here mad.

They would rather be tormented by the black holes blowing parallel worlds apart, won't matter. If you cannot look inside.

I spent years in self reflection.

I had a lapse because of a bad experience with a loser from the america.

Now I move on!

In the end the inferno leads me into my truth, my passion, purpose, prosperity, progress, positive drive and peace all flow in this blaze, burning bright, crackling the desolate vines that wrap alien concepts by the nature of not of this world, burning, bursting and crackling, bubbling into nothing but void. For void is where it was concocted. Void is where it returns.

I dance, in harmony, hallowed kindred soul merging into the ever growing flames that devour the devoid of soul, transyuggothian, beyond time and space and into the infinite nothingness, filling with fires that are contagious.

outrageously sparking by the will of furious dancing witches from burnt ancestral pain who forge another way out.

We fear nothing, no fire, no flame, no water, no wave, no earthquake, no mountain, no wind or thunder or lightning.

For our souls are ashes to embers, embers to inferno, for centuries, so we become one with the earth, the trees and the leaves. Our souls are oak, granite, stone and lava.

Our lives are not easy. But they are here to be ready, ready to roll with nature; not letting the transient cycles be a cause for fear but a collective faith we can see as a spark that drives a new start.

Start from the ashes and watch the world around you burn.

Those who are too, alike to you, will be there dancing around the fire too.

[no-passaran]

This is award-winning Israeli philosopher, public intellectual and polymath, Prof. Yeshayahu Leibowitz. He was appearing on the Israeli TV show Popolitika, back in 1992. Leibowitz argues with pundit Tommy Lapid, the father of Yair Lapid, former Israeli Prime Minister.

Yeshayahu Leibowitz argues that Israel is not a democracy after its 1967 occupation of the West Bank and that there are circles in Israeli society that possess a Judeo-Nazi mentality.

Transcription of the video's English subtitles under the cut.

Link to the tweet / Link to the video on IG.

It's interesting to hear the end of this clip. The other man is arguing that until Israel is burning Arabs (Palestinians), Leibowitz's comparison has no base. Leibowitz's answer is that, after the concentration camps (which Israel has used to jail Palestinians in for decades), burning them is the "prophecy". That is: after the dehumanization, ghettification, ethnic separation, and apartheid that Israel puts Palestinians through, the next step is genocide, and it can be seen before it happens because we know what leads to it. In the tweet above, journalist Samira Mohyeddin remembers this "prophecy" now that Israel is, indeed, burning Palestinians alive to kill them.

But it made me think of something else, too. The man arguing with Prof. Leibowitz says that this isn't the case because Israelis don't "burn millions of Arabs just for fun". And, again, this is another place where the "prophecy" has been fulfilled:

Israeli extremist groups linked to the government's party take families (including children) to boat tours to watch Gaza getting bombed and cheer on the deaths and suffering of Palestinians. To extremist Israelis, Palestinian death is fun.

I'm aware it isn't new, we've seen news like this for years, like this one from 2014:

But it goes to show how Professor Leibowitz was right. Regardless of wether you agree or not with his word choice or semantics, genocide is where all these decades of occupation, dehumanization, and apartheid were headed to.

Transcription.

Interviewer: In this situation where you get an award from the government that you referred to as the government of a Judeo-Nazi state. When you get The Israel Prize from that state, do you still think as you said here before, that this state is not a democracy?

Leibowitz: these are two different things. The first, since you raised that issue then I'm forced to respond to it even though I never found the need to respond on the matter, as if I said that the state is a Nazi state.

Interviewer: Judeo-Nazi.

Leibowitz: I used the term Judeo-Nazi to describe a certain MENTALITY which exists among certain circles. A Judeo-Nazi mentality indeed exists within certain circles.

Lapid: Would you go back on this statement for a better atmosphere while receiving the prize?

Leibowitz: the Judeo-Nazi mentality within certain circles is alive and well.

Lapid: Jews who burn millions of Arabs just for fun? Right, professor Leibowitz?! Certain circles whose wish is to establish concentration camps and burn Arabs in a crematorium...

Leibowitz: I do know that the State of Israel holds many thousands of Arabs in concentration camps.

Lapid: And once in a while places them in gas chambers and burns them?!

Leibowitz: I know that the State of Israel holds many thousands of Arabs in concentration camps!

Lapid: and then burns them...?! And places them in gas chambers... Professor Leibowitz?!

Leibowitz: I spoke very clearly! I know that the State of Israel holds many thousands of Arabs in concentration camps.

Lapid: And then burns them?! And puts them in gas chambers!

Leibowitz: That is your prophecy! That is YOUR future prophecy!

[zvtara-was-never-canon]

What makes you think Azula was lying about hurting Suki? She took her clothes and somehow knew Sokka was her boyfriend and already traumatized about losing his first love

I mean, the episode itself basically screamed "AZULA IS LYING! SHE'S A LYING LIAR WHO LIES!" during that scene was a pretty good hint. She was fighting the Gaang to prevent them from going to finding her father before firebending came back, "warned" them about a trap waiting for them where Ozai was (which we know was bullshit), and only then does she suddenly go "By the way I have your girlfriend as my prisoner and she thinks you failed her!" to hurt Sokka - aka the one who was telling Aang and Toph to just ignore everything she said.

We literally see a few episodes later, and sure, she's in prison, but she's clearly not hurt. And more importantly, during their escape, when Suki says this is a rematch she had been waiting for, she is focused on TY LEE and on not letting her hit her once - which could suggest Ty Lee was the one to take down all the Kyoshi Warriors, with Chi blocking, like she did with the Terra Team in Ba Sing Se.

If Azula had done anything beyond just capturing and maybe taunting her over the defeat, don't you think Suki would have wanted to at least punch her in the face or something? Hell, she's more mad at Zuko than at Azula, since he burned her village.

Not to mention, Sokka taunted her in Ember Island Players over losing to Azula, and Suki just looks bothered by the mention of the defeat, not like she's reliving some terrible trauma. The writers could be insentitive at times, but I think even they wouldn't do something like "This character was tortured/raped in prison and her boyfriend makes fun of her for it."

As for Azula knowing Sokka and Suki were a thing, he LITERALLY told Ty Lee about it at the end of season 2, when she's trying to flirt with him. Plus I can totally see Suki going "My boyfriend is friends with the Avatar, and they'll kick your ass and save me" after her defeat.

(Seriously guys, "Dude that is friends with the Avatar and openly supports him is dating the leader of a group of warriors that also supports the Avatar openly" is not exactly top secret information that Azula would need to torture people to find out about).

Also I don't think she show is implying she knows about Yue and how much it affected Sokka. There's a literal war going on for longer than Azula has been alive, Sokka's home was one of the areas the Fire Nation attacked the most, and he has been traveling the world for months, meeting a ton of new people - it's practically mathematically garanteed that he lost someone at some point. Plus "I captured someone you care about and they lost all hope" is the kind of shit that would upset ANYONE, even if they never lost someone before that.

As for the whole "Azula stole her clothes" thing: The Northern Water Tribe stole clothes and armor of Fire Nation soldiers and the Gaang did the same thing in book 3, and Zuko was also made to wear inmate uniform like Suki. "This character had to take this off at some point" does not mean "They were abused while changing clothes."

For fucks sake people, we see Hakoda humiliate the warden and only be sent to his cell, we see guards mocking Sokka for wanting to beat up a prisoner (who just happened to be the traitor prince) as they see that as "new guy trying too hard" aka that's not something that usually happens in the boiling rock, and even the cooler is a punishment for picking up a fight not a place to throw prisoners in randomly. The ONE torture session we see in the boiling rock happens because an escape plan was discovered - and AZULA was the one to stop it, before she even knew what the hell was going on.

("But she visited Suki in the comics and it was implied that Suki was being starved!" Retcons don't fucking matter, we literally see in the show that Suki was fine, just sad to be imprisoned and away from everyone she knew. She was not tortured.)

Azula is no saint, but this "theory" that she tortured or raped Suki is nothing but fans being oddly fixated on the idea of this kids show secretly being Game Of Thrones.

[everythingwillsurelybealright]

OOPS don't mind me, it's a frantically written unhinged Black Butler theory post

IMAGINE.

IT'S THE PRESENT DAY.

BLACK BUTLER SEASON 4 IS PARTWAY THROUGH AIRING.

I know nothing about what happens in the manga but THESE THOUGHTS WILL NOT LEAVE ME ALONE.

AND SO: A POST

I present to you; WHAT'S GOING ON AT WESTON COLLEGE, as pieced together entirely by the parts of the Intro that haven't shown up in the show yet.

LET'S SEE WHAT DO WE HAVE HERE

(1) The lake, and something blood-like coming out of it

(2) A tree growing out of the courtyard, and something rising up out of the ground

(3) The Undertaker's medallions show up several times

(4) Imagery of recreating bodies

(5) The Zombies at the end

SO WHAT COULD THIS MEAN? LET'S TAKE A WILD STAB IN THE DARK.

Put these together and I would guess that the Undertaker is 100% involved in the mystery behind the missing students, but also that it's a direct continuation of what he was trying to do on the Worst Boat Trip of All Time. Ie, he's trying to perfect his process of bringing people back from the dead - not just as zombies like last time but as actual functioning people.

Let's add more screenshots to the recipe!

(6) The four elements of Alchemy show up in the intro - Earth, Air, Fire and Water

(7) The four house colours merge together to make a shining new fire - like they did for the cricket competition cup

(8) The shot of a body turning to ash and a shining soul hovering above the remains

So add these to the mix and I'd guess that the new theory of resurrection is based on where the failure in the old one was. Previously, just altering someone's Cinematic Record wasn't enough to really keep them alive after death, as their body kept moving but the soul was gone.

This time it looks like the process might revolve around destroying the old body altogether (ie, turning it to ash), capturing the soul, and building an entirely new body to house it.

ALSO throw into the mix that the four house colours combine into FIRE, since in Alchemy the soul is associated with the idea of Combustibility

Extra symbols for this could be:

(9) The Whole Diamond in the intro which is then split four ways -

leaving a separate smaller diamond to the side (which would be the soul, captured and kept separate from the four elements that make up the rest of the body)

(10) The diamond is present again when the tree is growing in the courtyard, where the implied undead bursts out of the ground

(11) The newly recreated body looking like it's breathing fire, notably against the same backdrop of the school that was present when the diamonds split apart in the first place

Anyway! This new body should in theory be free of the limits of the Cinematic Record (since the old body is already gone), and because the soul is still intact it could freely return to the new body and function normal.

I suspect the Alchemy theme might also be the conceptual connection behind the old body burning (leaving behind the pile of ash) and the new body (or maybe just the soul itself?) being made of fire, like this:

(12)

So that's what I think happened to the students! They were tests to see if the process worked, hidden by the prefects - who may or may not have even known what the process was for or even if it worked.

Either way, with the reappearance of Derrick at the end of Episode 8 I would say that it does indeed work.

But! Also! The mystery of the headmaster.

He's clearly not really there, or not really alive. This could be for a number of reasons but for now I'd guess that (a) he's partway through the process, so his soul is technically around but his new body isn't finished yet, which is why he never speaks and vanished completely when Sebastian tried to grab him, or (b) the process failed on him, but they're keeping him around as a convenient figure head while the prefects run the school instead.

AND ONE MORE THING?

There's always a hovering question mark over what exactly happened to Ciel in his big dark secret backstory that I assume we learn later, but this OP in particular is giving me a few ideas that are probably hugely wrong BUT CONSIDER

(13) In the courtyard the undead rising up out of the ground is in the middle of the frame, and the VERY next shot is of Ciel in the same place

COINCIDENCE? Yes probably! But also:

(14) The shot of Sebastian holding his cloak protectively over Ciel, who flashes briefly as a skeleton

WHICH IS INTERESTING? Ciel is often depicted as dead or dying, I would assume in reference to Sebastian taking his soul in the future. BUT WHAT IF?

It makes me guess that PERHAPS perfect resurrection has already been performed and potentially it was used on Ciel.

Which would also match the brief sequence when the body burns to ash and leaves behind a ghost, the fire seems to come FROM Ciel

(15)

Which is wild and I don't understand whatsoever. Was Ciel resurrected? Was his soul kept and put inside a new body (and maybe that's why he's so short? He's not growing?) Or did Ciel raise someone else from the dead? Or is there some other mystery behind Ciel's identity that just hasn't been hinted at yet?

EITHER WAY THERE WE ARE. BRAIN WORMS: EXPELLED. ENJOY.

[msunitedstatesjames]

As someone who legitimately enjoys House of the Dragon, this show has some real issues with side characters. Specifically, the timing and scene quality of side characters.

I feel like I have to point out that I have read Fire and Blood, as well as all the published A Song of Ice and Fire books, but I read them all years ago and don't remember a lot of the specifics.

I'm also going to be comparing HotD to Game of Thrones in here, even though I realize this show and that one are very different beasts.

One of the great things about early Game of Thrones was its characters. Almost every character was given a unique personality, story, and enough time to thrive. Even the side characters were given this more often than not. And frequently, even characters with incredibly small parts, who might show up in just a few episodes, were memorable.

In total, Game of Thrones had 73 episodes. Hot Pie was only in 12 episodes. Shireen Baratheon was only in 10. Lyanna Mormont was in 9. The Blackfish was in 7. Robert Baratheon was in 7. Mance Rayder was in 5. Hell, Maggy the Frog was in 1 episode and I still remember her. You probably remember most or all of these characters by name and face if you watched GoT, as well as knowing some of their traits, motivations, and possibly deaths. But I'm struggling with the sheer number of side characters being introduced and rushed past our faces with very little fanfare in House of the Dragon.

I thought this was highlighted quite clearly in episode 6 with Ser Darklyn. He's been in 9 episodes, which is more than Robert Baratheon and, perhaps a fairer comparison, the same amount as Lyanna Mormont. His attempt to become a dragon rider and his subsequent death could have been a genuinely impactful scene. I really wasn't sure going into the scene if he would be successful or not. I've read the book, so I knew some of the off-shoot Targaryens did eventually succeed, but I didn't remember specifically if he was one of them. They had five episodes before this (not even counting season 1) to try to make him a memorable character whose death had some impact, and they just didn't really try. I knew this guy had been in other scenes, but his character was so bland that I couldn't have told you anything specific about him. The only reason I remembered he was in the Queensguard was because of the armor and cloak. Even when I looked him up on the wiki most of the description was just like, "he escorted Rhaenyra." I feel like Game of Thrones would have really taken the time to make this dude likeable before they had him burned alive. And it's not like they didn't have the time. Daemon's been fumbling around Harrenhal for like 5 episodes, doing very little. He even had Alys tell him in this episode to just wait 3 days for something to happen. I know he's kind of become the flagship character of this show, and I like the little cameos we're getting, but I feel like I've seen the same 3 scenes happening over and over there: Daemon is awoken from a weird dream by Ser Simon, Daemon talks to Alys, Daemon saunters around trying to threaten people. I get it. But what I don't get is why I'm supposed to care about all these randos who have been given 5 minutes of time total in the last 5 episodes.

There's Alyn, a sailor who apparently saved Corlys off screen and who has a seemingly ambitious brother. That's all we know about him for the first 4ish episodes until we find out he's Corlys's bastard. Now we also know he doesn't want others to think he's getting special treatment for being Corlys's son, but that's about it, and he's already been in 5 episodes I think.

There's Hugh, the obviously Targaryen blacksmith with the sick daughter and long suffering wife. Honestly I wouldn't remember his name if not for subtitles. I think he's been in four episodes so far.

There's Ulf, whose name I had to Google. He's another bastard Targaryen allegedly, and he seems to be a typical struggling peasant of King's Landing. That's honestly all I can remember about him. I think he’s been in 3 episodes.

I could have told you Hot Pie's name after 3 episodes. Or Shireen's. Or Lyanna's.

I understand that all of these characters will have narrative importance eventually, but the writing is just not doing a good job of making you really care. Look at Lyanna Mormont, we loved her from her very first scene.

I feel like the writers are really relying on the audience having read Fire and Blood, and either being superfans or having read it so recently that they remember minor characters who might have gotten a few pages of mentions in the sprawling narrative of that book. And this just isn't realistic for a show with a fanbase of this size.

Again, I really do enjoy this show. I think compared to other fantasy shows it is overall of good quality. It's just a shame that the writers weren't able to fill in some of the blanks left by the "historical" slant of Fire and Blood.

[nobodysdaydreams]

If Pryce and Cutter hate the youths so much, then why don't they move across the universe to get the marriage counseling they clearly need and stop making their BS everyone else's problem?

(Or my reaction to Episodes 59-60 of Wolf359).

I said I would have self control. I said I wouldn’t listen to or react to anymore Wolf359 this whole weekend. But guess what dear readers? As usual, I lied, to you and myself. Sadly, I am weak. Now, with my confession out of the way, let’s get into it!

Tagging the mutuals who got me invested in this, and if you want to be tagged or untagged from these posts, lmk, or you can follow my blog or simply follow the tag "#bods wolf359 reactions". Anyone who has followed me for a while knows my updates are inconsistent, so I apologize in advance for that and for any spelling/grammar mistakes in my posts.

@sophieswundergarten @oflightningandstars @acollectionofcuriousreblogs @herawell @commsroom @lovelyladylavie

Episode 59: Crash and Burn

"Oh how fun. Come on kids, scream if you want to go faster." It's trippy that when I hear Pryce talk for a moment I'm like "Hera?" and then I realize. Also she and Cutter really do act like criticizing and mean disappointed parents.

"But just a small fire, and look it's out now!" good point Doug.

"This time you finally killed us" Congrats Doug!

"It's a fire on a spaceship, you shouldn't need explicit instruction to know it's a bad idea" "You don't know the first thing about commanding Douglas F. Eiffel" LET HIM KNOW DOUG!

"Cyborg De Vil" Eiffel really does have the best nicknames.

"I'm just a poor little old lady" Oh, I've met old ladies like you Pryce. Terribly entertaining, but awful all the same. Hated their own children too. At this point, I'm just waiting for your sad little backstory.

"Nobody says "thank you" anymore. Kids these days..." Pryce, maybe when you do something worthy of thanks, then you will be thanked.

"If it seems like I'm wrong, you don't have all the data" Well geez, I hope that pride doesn't kill you.

"Why are you asking us to read the values for you?" OH GET HER MINKOWSKI.

Okay, Pryce, in fairness to Doug, I think we've well established that most characters in this show are "metaphorically blind" in one way or another.

"Blinded by my own survival manual" it's fitting to be honest. The next edition? No, we don't need another edition Miranda.

"Well this should be easy!" Doug...Doug when is it ever easy?

Well gang, it looks like the gang's not getting out of this one this time. I will miss you all. Minkowski and Doug most of all. Kepler and Pryce less so.

Calling Pryce's husband is unfortunately the only plan. Let's see how he feels about wifey being in danger. This is either gonna go one of...potentially a few ways, and I'm very interested to see his reaction.

Will he leave her to die in space? Will he feel bad about that? Will he give up an advantage for her?

Wait. Is this Hera? Oh it's Marcus and Hera. I love the juxtaposition between Doug and Pryce and Marcus and Hera. I guess they both have a common interest. Nothing brings people together quite like it.

Oh gross Rachel's here too.

Skin alive whoever designed the flight's pod system? But this is so arbitrary...if all their enemies had been the ones to get blasted off, Cutter would give the man a promotion. For a guy who only promotes "the best" a lot of this is really just luck.

Wait. GUESTS???

Oh they got Lovelace and Jacobi. Oh dear. At least they can't kill or control Lovelace.

"I can't do much without her" I see. So she is the brain's behind Cutter's little happy murder business operation.

"Part of my signature look" Jacobi's sarcasm is growing on me the more he uses it against the right people.

"Pretty please with sugar on top" OH SO CUTTER DID HEAR JACOBI SAY THAT AND THREATEN TO SHOOT KEPLER. I think those were the exactly words he used too.

And speaking of that episode, we're back to singing about beer! 🍻Jacobi really is (formerly)evil Doug. 😂 They even sing the same song.

Is Pryce threatening to...EAT Doug? Well this is creepy.

Pryce, shut it. If you're so much of a grownup, stop acting like a pouty child.

Geez all Pryce knows how to do is complain. I guess Cutter is into that. For some weird reason. "Do I have to do everything around here." All you do is make trouble.

"You can't afford to take a chance on this" CALL HIM OUT JACOBI! I love his arc, I love his arc so much, it took way too long, but I'm so happy he's gotten here.

Oh dear. Is Jacobi in the right headspace for this? "Prettiest pumpkin princess at the ball?" Well good for Jacobi. Also very similar to the line Pryce gave to Hera. It's scary how much they sound and speak alike.

That is true. It might need to be a self-sacrifice mission. If Jacobi misses, Cutter kills him, and Eiffel and Minkowski don't survive. It's a tough situation, especially because we're not even sure how many lives are at stake here. But Jacobi, the whole point of self-sacrifice is that the people making the sacrifice agree to it, or there's literally no other way.

Yeah, Doug, Pryce is not gonna be reassuring. That's not in her generation's vocabulary.

Uh oh. Jacobi, I hope you know what you're doing.

Oh dear. Marcus seems testy.

And how much longer do we have with Rachel and Reimann? (Yes, I was corrected on the spelling).

"Just get it right this time Marcus" wow she is demanding.

Ah...there it is.

...or not...

...Jacobi?

...DUCK BOY?

Well they got them. But what happens now?

Oh great Marcus' slow clapping. And let me guess, he kills him anyway?

Business to catch up on? Pryce doesn't sound too happy.

And yeah Minkowski, hold her at gunpoint! (Though in my experience, people like her don't fear death, rather they complain it's not coming fast enough), but whatever gives you the upper hand.

Episode 60: Terms and Conditions

What's with the beeping?

"You are alright?" Strange that Rachel asks that. I guess she'd be the one to notice he's quiet.

Ah. The sunset. Very fitting.

Westerns. Cutter probably saw some of them down at the old timey picture show when he was a wee lad.

Yes, yes, "the bigger picture". But what if there is a bigger picture to even your story, Cutter? One that you're not in control over?

Cutter knows what's about to happen. He knows it's time to choose. Work wifey or scary evil plan? What's it gonna be old man?

"Who is it?" 😂 I love Doug. I love him so much.

"We could have a cup of tea" oh gosh Cutter really is every old person stereotype.

"Reflect on the working conditions. Are you fostering a supportive company culture? One that values the contributions of its employees?" Doug is the best. Doug is the best.

"If you ever want to see your worst half ever again" 👏 Tell him. TELL HIM.

So now Cutter has to a choice. He can go Legend of Korra and kick Pryce to the curb, or he can drop his tragic backstory and try to come to an understanding.

"Can you guarantee the safe recover of Dr. Pryce?" "96%" Hm. Cutter doesn't seem happy with those numbers.

Special Projects? "Similar to you while still not you. You will see what you miss and say what you don't want to" interesting. So that's why Cutter keeps Rachel around.

"How possible would it be to complete the mission without Dr. Pryce?"

DANNGGGGGGG... Rachel asking the real questions.

"I don't know what your partnership with Dr. Pryce means" Interesting...so Cutter kept that even closer to his chest.

"Before I decide, I want the information" Cutter is unraveling.

See this is why you shouldn't talk when Cutter can hear them.

"Handle this personally?" Did he just crack his knuckles? Is he going to try to fight them? 😂

Neat idea? Is Cutter gonna make his own radio show?

Kepler and Lovelace are speaking for them? This is weird. And unnecessary unless some other mischief is a foot.

CUTTER IS MAKING HER DO THE "MM-HM" 😂😂😂

Kepler reading out Eiffel's words too 😂

Cutter's promises are stupid. And taking the collar off Hera doesn't mean that Pryce can't do something else terrible.

"Those are big promises" That's basic human decency.

"That's one thing. I'm giving you three. What else?"

Kepler and Pryce are two people. I love how it clearly shows Cutter views Kepler, who he's having Lovelace talk to, a disposable.

"You wouldn't lift a finger to help anyone if you didn't need them for something." CALL HIM OUT. CALL HIM OUT. 👏👏👏

"With all due respect to you Warren, that Dr. Pryce's return is worth two of your demands" wow, Cutter just went there didn't he?

"We won't annoy you" "I'm not sure you can promise that" "First off this is...this is your boy, Douggie Fresh at the mic" 😂 I knew it was Doug when he said the "won't annoy you" thing, but having him use Kepler like this is amazing. "Gumming up the works" I love Eiffel. I love his whole speech.

Is Cutter making her slow clap? Cutter and Eiffel really are a theatrical duo.

Reject your terms? Taking advantage of you guys? You should be asking for way more. That's very true. They should ask for way more. They really should. But um...what is Cutter doing???

Ugh. It's like Cutter is still trying to teach them a lesson. Like an evil twisted mentorship figure.

I have a bad feeling about it too.

"You two crazy kids still there?" Shut up Cutter (no offense Isabel).

Cutter is gonna destroy the sol when it leaves. He has a plan to do so.

"No catch" THERE IS ALWAYS A CATCH.

"Talk to us baby" Aw, I'm so happy Hera loves it. 💕🥰

"Tell us who you are and what you're doing up here?"

YES! THE TRUTH AT LAST.

Ah, Doug has figured it out. Cutter is just ecstatic.

"Super old, look like you're 28, no need to sleep or eat, know everything, obsessed with aliens..." Oh Doug thinks they are aliens.

Not a bad theory Doug, but I feel like you're not correct.

I feel like they're about to say something like "no silly Doug. We're not aliens. Don't be an idiot. That would be over the top and ridiculous. We're obviously cyborgs from the past and future who have travels here to enslave all of humanity and rewrite the course of human history. Which is SO much more reasonable."

Also given that Lovelace WAS an alien, it's not that crazy of a guess. They're being a little unfairly mean to him right now.

Modified???? Wait, no, no deal, what does modified mean? Explain that first please, explain it now.

Send Kepler first. Cutter doesn't care about him.

"You want to stay with us" "No Boy" oh dear. Looks like they're in the middle of a little marriage spat. "You'll never be rid of me 214" I knew it, Pryce has a thing for keeping Hera under control.

Yeah, what did Jacobi do? Hopefully that alien blood works quick.

OH WHAT IS THE TEA THE BOOMERS ARE FIGHTINGGGGG!!!!

"Better to be lucky than good" something tells me you won't be for long, Miranda.

Rachel is going with them? Um. It doesn't sound like either of them like that. "Fill you in on the details" that's obviously code for something. I don't like how fast Rachel agreed to that.

Oh dear. Trouble in paradise it would seem. Worried about wifey, Marcus? "Be quiet. I was worried." "For me?" "I was." "You're not immortal" "yet" "of course, I was worried for you."

"Your only task is to back my play" wow. They really ARE a toxic married couple from the early 1900s. I guess Cutter couldn't stand the thought of losing his precious cold detached mean evil science early 1900's house/work wife.

"Friends?" "Partners." Hm.

This relationship fascinates me. Miranda shows him hardly any respect or gratitude. Yet Cutter seems to care about her in a...weirdly toxic way. Though I do wonder if Miranda feels the same.

Very true something has to be wrong here. Cutter wouldn't let them leave unless...

Wait. Unless it was irrelevant to his plans. Unless them getting back to Earth didn't matter.

"That's not why you're not gonna leave" ...um Rachel. What are you talking about? Please fill us in on the plan.

Oh Kepler's here too.

THE END OF THE WORLD?????

Wait...oh my gosh...

So...there will be no Earth to return to? And all the people on it?

ARE PRYCE AND CUTTER TRYING TO MAKE A DEAL WITH THE ALIENS???

Well I did say in a private discord chat that it was odd that they mentioned Minkowski’s husband and Doug’s daughter only to never bring up threatening their lives again. I guess they really saved that one in their back pockets for the grand finale.

Kepler, how much longer are you going to go along with this? If they destroy the Earth, everything on it goes too, including your beloved Whiskey.

Rachel, idk how much longer you think Cutter is gonna keep you around, but he clearly only cares about his evil science arm candy, and that's not you or Reimann. He'll toss you both under the bus when he's done.

Cutter, wifey seems a bit unstable, and Pryce, your man seems to not be valuing you as an equal, and as much as I dislike you, I'm still not cool with that on principle. Perhaps the two of you ought to see to some marriage counseling, somewhere...oh I don't know...far far far far far away on the other side of the universe? Where you two can finally stop having to deal with those pesky youths you claim to hate so much?

Well at least the thing about Cutter naming the AI and putting on a charming appearance and Pryce hating it and acting so cold towards them makes so much sense now. Cutter wants to play house. House where he casts himself in the role of a toxic, stereotypical, controlling, abusive, and terrible father, with a flimsy "I care so deeply" facade and horrible taste in women, but house all the same. I guess it makes sense given when he was born. Pryce views the AI and their employees as things, Cutter views them as their children or rather their "creations" but at the end of the day, their views amount to the same thing: tools from which they demand unquestioning obedience that they can cast aside if and when they chose to do so. Absolutely disgusting.

Wait. 2 hours?

THE LAST EPISODE IS TWO FULL HOURS.

And Volte Face is one hour. But then...when will I have the time to...

oh boy. Stay tuned everyone. Hopefully I'll get my answers soon. Thanks for reading!

[tobiasdrake]

On a quest for primal forces concentrated into music. What the fuck is my job description?

I saw these things when I was in the past. So that's what they are. They're. Like. Time Spotlights creating a window into the past. For platforming.

What the hell is that? Is it like a laser barrier to stop me from going that way?

Only one way to find out. When in doubt, ram your face into things. That's how you get Bestie Time.

...or it's a time portal. Valuable tool to facilitate an adventure across time and space? Or a useful mechanism to avoid needing to re-render every area in 16-bit? Two things can be true.

Oh, never mind. There are casual portals to flippy-floppy everything whenever you want. Huh.

With dramatic effects on the landscape, at that.

This is going to be a trippy adventure.

YOU GUYS WERE ALIVE THIS WHOLE TIME!?

I mean, I knew you were, but I thought the other ninjas were all killed in the firebombing.

That sounds like a fuck-up on your part. You had... Ambiguous Many Years to teach me everything I knew and prepare me for this adventure. Don't let my poor attentiveness in class be an excuse for your teaching failures.

Is it as cosmic as it sounds, or is that just a brand name? Because if it's as mind-bending as properly ground up Time Shards then I will stab people for it.

I'll stab that guy over there. The one by the door. He's always rubbed me the wrong way. I mean, look at him. Standing out of formation just so he can be closer to the master. Fucking teacher's pet.

Funny that, I might have a solution!

We grind the seed up and make coffee out of it. ^_^ Oh, fine, I'll use time travel instead.

It needs DIRT. Why can't I plant it in the DIRT. We could put it right fucking here in front of the training hall. Then it's just a hop, skip, and a jump to the future where demonic forces have once again burned to ash every single thing in the regi--

...

I'll go find a flowerbed.

Just gonna throw this out there but if I were a flowerbed, the Forlorn Temple is probably where I'd be.

Never did manage to get inside that place. Shopkeeper/Archer just laughed at me over it. I should make a point to go raid that place when I get a chance.

Allegedly the Demon King lives there. But. Like. Then what's the fucking point of the Underworld? There's a non-zero chance the Forlorn Temple is, like, a cardboard pop-up of a castle just to inspire Messengers to make bad choices.

So these are the notes. Finding all of these notes is going to be the key to breaking the curse, allegedly.

And this one's made of... crystallized hope? Ugh, this really does have Immortal Alchemist written all over it.

So survivors have well-wished Messengers off on their journey so many times over loop after loop after loop after loop that their hopes have crystallized into a physical object.

This one's been haunting me. It's been bothering me since my very first Power Seal. There was clearly a passage into the ground behind destructible rocks, but I didn't have the ability to strike downwards at them.

Things are different now. I'm different. I'm stronger. Faster. This time, I'm no fresh-from-the-village rookie, dashing along with a sparkle in his eye.

This time, I soar.

.........

Shut up, I'm different now. T-T I am a big boy ninja who glides like a falcon illuminated by a moonbeam. Shut up, I am!

So. I guess. Since we're hoping to break the cycle for realsies, we don't need the Cabinet of Broken Dreams anymore.

...but I want to know now--

OH GODDAMMIT This is "Don't touch my cabinet" all over again. Fuck you. I don't even care what landfill your stupid cabinet is rotting in. It's no skin off my back if I never see it again!

...which is why you should tell me, so I can show you how aggressively I don't care!