#This isn't real life where is it real life?

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

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One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

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Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)

[malereadermaniac]

Utter Devotion ~ Xiao x Male Reader drabble/imagine

Fluff and smut with Xiao :) Word count: 556 Nsfw / MDNI ~ amab m!reader / FDNI

The fact that Xiao makes sure you know that no matter when and where, if you call his name, he'll be there?? Like that's so fucking hot

Bro is devoted to you, that's for sure - the twink just loves his boyfriend, he'd quite literally die if anything happened to you

He's even teleported to you on accident before! He usually just hears the "Xia-" part and sets off - which is really silly of him, cause you're good friend with Xiangling....

Xiao was reluctant to even start dating you at first, worried that his karmic debt would affect you. But the adeptus couldn't fight off his growing feelings for you - For real, the man was absolutely lovestruck

He couldn't pass an hour without thinking about you, about your voice which he found cute or sexy depending on the situation (iykwim), about your eyes, about your body, about spending time with you

Xiao would catch himself blushing like an idiot around you so much that he himself thought it was too much - the Yaksha would even STUTTER when talking to you!

It took Xiao courting you subconsciously (giving you gifts, going out together, and spending almost everyday with you) for YOU to ask HIM out! And even then you had to CONVINCE HIM TO DATE YOU!!

Greatest decision you both ever made though - you two are like two peas in a pod now!

Dates with Xiao are incredible

This man will carry you down the Wangshu Inn and sit you down at a table filled with fresh, fancy food and act all nonchalant like it's nothing! As if it isn't the most romantic thing ever!

And the sex is crazy good too.

Xiao's a twink but he got that sleeper build for sure!

He looks like a twig but FUCK when he flexes them ARMS - it makes you crack within seconds

The man likes to pull that trick in bed a lot, fucking the shit out of you and then pushing you that extra mile by flexing an arm for you (his tattoos also look real good like that)

Oh and you bet he does that thing where he squishes your face between his bicep (Fucking hot)

And the way that his abs are toned, his 6-pack ever-so subtle - its just sooooooo good

Again, the adeptus is wholly devoted to you, so the only thing he thinks about during sex is how to make you feel the best he can - which usually means you cum before him

Xiao will suck you off and eat you out for agesss, his strong arms under your thighs as he goes crazy, leaving purple and green hickeys and red lovebites on the soft area

And though he likes to go wild and fast when drilling into you, Xiao will make sure that his angle and pace is perfect, he makes sure that your prostate is generously milked each time!

He's big too! You wouldn't expect it from such a thin and kinda short guy, but that dick is long and veiny - and it puts its work in damn!

He's perfect in every way, Xiao is just the man for you - and he knows for sure that your the one for him, for life

You just gotta love twinks n their horse CO-

[teencopandthesourwolf]

read on ao3 HERE

.

“I'm good, Stiles.”

Stiles thinks about the times when, all too often, he himself says I'm good in that particular way, and thinks about how it actually means everything in his life is currently lighting up like a dropped match landing in a trail of gasoline.

In the space of a single heartbeat, he knows he would somehow harness the contents of an entire fucking lake to dampen down that metaphorical trail for Derek, murdering the thought of that lost little boy playing Hide-Go-Seek in Derek's pale eyes.

Only he isn't about to start talking about things being on fire. Not to Derek, not ever.

Instead he says, “I always had this rule, you know, where I’d flat out ignore a problem and wait for it to—and I used to swear to myself that this would actually happen—” His lips drag themselves up one side of his face as he sweeps an arm dramatically through the drizzling rain and the pressing twilight. “—just go away.”

He then allows his arm to fall unceremoniously to his side, and the sound of hand slapping khakis rings out through the sparse and quiet branches of the preserve's stripped bare trees.

“Okay.” Derek says the word with an infinitesimal shake of his head, looking as if he wants Stiles to stop talking.

Thing is, if Derek wanted Stiles to stop talking he would say Stiles, stop talking.

So, Stiles troops on.

“And it kind of worked, a little bit. For a little while, at least. ” He takes a hit of chilly November air. Releases it slowly, enjoying the crazy plume of breath-smoke it creates. “Until I met you,” he shrugs.

Derek blinks and it's a betrayal, giving away his hard-won secrets.

Stiles briefly wonders who else—who left in the world—would know this about the werewolf standing opposite of him. Stiles doesn't need to be a ʼwolf to know this stuff, not when it comes to Derek Hale.

He tries not to look at Derek's lips when Derek licks them before asking, “What are you talking about, Stiles?”

“Magick,” he answers, his feelings and other things shifting underneath the layers of his skin, crackling away like a hundred tiny Roman Candles traversing his bloodstream and manifesting as gooseflesh.

Rolling his hoodie sleeve, he lifts a cold hand between the two of them and allows a miniscule fraction of whatever beats like a heart at the earth's core to flow up through the ground and into his feet and up his legs and down an arm, warm and thrilling, to then spring free out of his right palm.

A small sphere of pure light around the size of a tennis ball now glows about an inch above his hand, kind of like an oversized firefly—and just as alive.

“Cool as fuck, huh?” Stiles mutters, basking in its incandescence, super-proud of himself. Then he gets to his point. “Deaton showed me how to harness my spark, yeah? But I would never have found it in the first place, if you hadn't followed Scott and I into the woods that day.”

Derek blinks again. His jaw ticks like a clock.

“Stiles, that's a little like saying one, two miss a few, ninety-nine, a hundred,” he deadpans, and Stiles can't help but bark out a laugh.

Then he steels himself for one anticipatory moment before daring himself to take a step closer to Derek.

Derek stays put.

“Doesn't make it any less true,” Stiles shrugs.

Derek just stares at him for a moment, before peering down properly at Stiles's little orb, for the first time since Stiles summoned it.

“You've been practising,” he says simply, his eyebrows doing their thing.

He's now staring at Stiles's effort as if he wants to sink his fangs into it, like you would a quarter to test if it's real.

“Is it freaking you out?” Stiles asks.

“No,” he answers flatly. “I think it's cool as fuck,” and he looks up at Stiles like he might want to keep looking.

Stiles wants him to never stop.

“Then here, you can have it,” he says.

He takes another step closer to Derek.

They are toe to toe, now, and still Derek doesn't bolt, nor pounce, nor warn Stiles off.

So, Stiles—really slowly—reaches for Derek's hand.

Derek lets him.

Stiles then transfers the light to Derek's palm, cupping his hand around Derek's to ensure it keeps hovering there. He directs their hands to Derek's chest, stopping right over his heart and flattening them both there, he and Derek watching as Stiles's spark dissipates into Derek's body, leaving behind a few wispy tendrils of light that Stiles guides back into himself with a couple of waves of his free hand.

“Now, whenever you're good, I can be right there being good with you, even if I'm not around,” Stiles says, and then he hopes and hopes when he asks, “Is that okay?”

Derek smiles, and it's the first truly happy-looking smile that Stiles has been privileged enough to witness blooming on that beautiful, beautiful face of his.

“It's better than okay, Stiles,” he says. “It's magick.”

.

unedited, soz! this is for @dontcallpanic (pip knows why) <3

.

...edited version now found HERE on ao3 :)

[wisteria-lodge]

Why do female protagonists complain about their looks? I was reading a novel a friend recommended and within the first few pages the narrator is complaining that her eyes are the color of mud, her hair is boring and brown, she has freckles, etc. Is this supposed to make them relatable? I don't particularly like my freckles but it's not something I think about more than once or twice a year. It's just annoying and a downer when the character does this.

It's because girls in books (... and girls in real life...) are supposed to walk this tightrope where of course they are beautiful (because beauty = value.) But they can't seem like they're trying to look beautiful (because trying to be beautiful = vanity, shallowness, a kind of girly femininity that's either childish, pathetic, or sinister.) The Stepsisters are trying to be beautiful. Cinderella just is beautiful. Dress her in a potato sack and roll her around in mud, she'd still be more beautiful.

This is where the "protagonist who doesn't think they're beautiful" thing comes from. Obviously if they don't think they're beautiful, then they're not trying to be beautiful, with all the negative junk surrounding that. So you get these annoying descriptions where a regular or even cute-sounding person will say "ugh, I have eyes the color of mud and hate my freckles," not "I have brown eyes and freckles." (Bet you five dollars the love interest thinks her freckles are adorable, and gets lost in her deep, dark doe eyes.) Also - "mud colored eyes" is such a strange thing to think about yourself? If the author wanted to commit to writing about someone who actually had body image issues - then the internal narrative would be my skin sucks and I'm too fat. But that's a little too real: the reader can't actually think the protagonist is unattractive.

Which is too bad, when you have a female protagonist who is just isn't very attractive, that can be fantastic. In Jane Eyre, it's important that Jane is sort of unfortunate looking - it effects how people treat her, the sort of jobs she can get, but it also lets her fly under the radar and be invisible in way that would be impossible if she were more beautiful.

I tend to prefer descriptions that stress - how people move, or what they're wearing, because that reveals character in a way that "brown hair" just doesn't. I want to hear about a character's attractiveness if they are so remarkably attractive (or unattractive) that it affects how other people treat/perceive them. Same way someone might treat a character differently if they had a dramatic scar, or looked a lot younger than they actually were, or were a different ethnicity from the rest of the cast. Just give me a handful of their most distinguishing characteristics, and you don't have to do it on the first page.

[listen-to-the-inner-walrus]

Okay listen, I'm real tired of seeing that post that's like "actually bell hooks was talking about how we raise boys" and other miscontrusions of what it is that The Will to Change is about.

So directly from the source, from bell hooks herself in the preface:

"The Will to Change: Men, Masculinity, and Love is about our need to live in a world where women and men can belong together. Looking at the reasons patriarchy has maintained its power over men and their lives, I urge us to reclaim feminism for men, showing why feminist thinking and practice are the only way we can truly address the crisis of masculinity today. In these chapters I repeat many points so that each chapter alone will convey the most significant ideas of the whole. Men cannot change if there are no blueprints for change. Men cannot love if they are not taught the art of loving.

It is not true that men are unwilling to change. It is true that many men are afraid to change. It is true that masses of men have not even begun to look at the ways that patriarchy keeps them from knowing themselves, from being in touch with their feelings, from loving. To know love, men must be able to let go the will to dominate. They must be able to choose life over death. They must be willing to change."

I ain't wading headfirst into the discourse here. This isn't to state some opinion, but to correct the record about what bell hooks was talking about.

No one is saying you have to agree with her, but don't misconstrue what it is she wrote about to make it look like she agreed with you. The Will to Change is not solely about how we raise boys; it is also about men and the will of men to change.

[profoundbondfanfic]

Any destiel amnesia au fic recs to soothe my gentle heart, I read one au called two worlds apart and as much fun it was I'm also heartbroken 😭 and I want to fix it with another amnesia au where they are both are very much alive in the end, also maybe with a dash of fluff and tension?

Here are a few recs with fluff and a happy ending!

Basic Lessons in First Aid, Magical or Otherwise by stuffy_j (Explicit, 54k words)

Most people probably wouldn’t take the naked, heavily wounded man they found in an alley home with them. Most people probably wouldn’t also offer that man a place to stay and become his best friend after realizing he’s suffering from an intense case of post-traumatic retrograde amnesia. Most people probably wouldn’t then risk almost everything they know to save said man, and maybe save the world in the process. But then again, Dean Winchester, RN (with a specialty in supernatural care), has never been like most people. He may not have a magical bone in his body, unlike his brother Sam, but he’ll do whatever it takes to help. Even if Castiel has questionable opinions about Star Trek.

Here We May Be Free by FriendofCarlotta (Explicit, 39k words)

When Dean was eleven, he saw something in the ocean: a boy with blue eyes and iridescent scales. Almost twenty years later, a spontaneous detour after a hunt brings Dean and Sam back to the town where that encounter took place. And Dean can’t shake the feeling that Castiel, the owner of the local Mermaid Museum, looks familiar…

Memories Bring Back Memories (Bring Back You) by sobsicles (Explicit, 66k words)

When he wakes, he has no idea who he is. Not his name, what he looks like, or why he’s flat on his back, staring up at the stars littering the night sky. The first thing he learns about himself is that he has shitty instincts, especially if his first one is to protect the blue-eyed man currently stabbing someone in the face. Or, the story where two strangers can’t agree on much and know even less, but they’re both fairly certain that they’re in love.

Paper Moon by robotsnchicks (Explicit, 43k words)

By the time he hits thirty-three, Dean's given up on the apple pie life, accepting that a serious relationship isn't in the cards for him. But when he meets Cas everything falls into place. Now he’s happily married, hopelessly in love, and they’re about to buy their first home together. It almost feels too good to be true. It turns out it is. His world comes crashing down when he wakes to find that he’s been a subject in a virtual reality simulation gone wrong. All the years he thought he spent with Cas were actually experienced in less than a week. And when he gets out, Cas is nowhere to be found and nobody has heard of him. Ignoring the possibility that Cas may not be real, Dean sets out to find him and convince him that it’s worth giving Dean — and their relationship — a shot in the real world.

The Same Mistake, Again by zaphodsgirl (Mature, 43k words)

One night, after watching Dean pick up yet another girl while they're out at a bar, Cas heads to the local diner. Over the years his feelings of attraction have only deepened into something more, and he wishes desperately to go back to the time before he was in love with his best friend. His wish is granted in an unexpected way: he wakes up in the hospital the next morning with broken limbs - an arm and a leg- and a fractured memory with the last four years missing.

The Stars Will Remember by casblackfeathers (Explicit, 60k words)

Being a hunter was all Dean knew ever since his mother had been killed by a demon when he was four. Hunting, offing monsters, and then jumping to the next case was his life. Then he met the most alluring and breathtaking omega he had ever seen and spent the next five years loving the hell out of Cas, their life together filled with the domestic lovey-dovey stuff Dean had never thought he would dig so much. When a simple salt-and-burn goes sideways, it ends up with Cas’ memories stolen from him. Dean is left to pick up the pieces of the life they built together, his ‘make it up as he goes’ strategy to prove to his mate that Dean’s still worth a damn, his only chance at getting Cas back. He’s done a shitty-ass job at keeping Cas safe before, but he will pull out all the stops now to woo his mate again and stir the memories Dean knows are still there buried deep inside Cas’ mind.

The Story of You and Me by the_diggler (Explicit, 54k words)

Dean wakes up in bed next to a very human Castiel, and a journal in his own handwriting that tells him it’s two years in the future. The house looks a lot like Bobby’s, and Sam lives there too… He just can’t remember how they got from angels falling in the sky – to comfortable domesticity. While there is much in the journal Dean doesn’t remember, there is much of their story he’s always known. And as he settles into the routine of his new life and relationship with Castiel, it quickly becomes something he doesn’t know how to live without.

Unveil the Splendours of Your Heart by thefandomsinhalor (Mature, 68k words)

When a reporter asks Dean, a homeless man with a mysterious past, why he exclusively keeps close to the billboards and posters of a specific male model—the one Dean likes to refer to as the angel with spectacular blue eyes—in a moment of weakness, thinking it won’t change anything about his situation, Dean tells him the truth: it’s how he finds comfort and solace. Something that is difficult to come by. That is until the story reaches the ears of Castiel Novak, the model in question.

Whiskey & November by dothraki_shieldmaiden, FriendofCarlotta (Explicit, 188k words)

There is a place in L.A. where the richest of the rich can make their dreams come true. For an outrageous sum, they can hire an “angel” who is programmed to be exactly what they need: a stripper, a scientist, a temporary boyfriend. Most people don’t choose to question who the angels are, or where they came from. Sam Winchester is not most people. His brother Dean went missing in L.A. two years ago, and Sam has spent all that time trying to track him down. The trail leads him to a shadowy organization known as “Heaven” that coerces people into giving up their identities and personalities so they can be reprogrammed for Heaven’s purposes. Inside Heaven, trouble is brewing: two of the angels, Whiskey and November, are beginning to break through their programming. As they fall for each other and fight to remember who they are, they discover that they have an ally already working to bring down Heaven from within.

Not really amnesia, but they think they have it:

Found Family by Dizzybunny (Explicit, 55k words)

When Alpha Captain Castiel Novak returns to the US after being rescued from three years of captivity, he is amazed to find a family he doesn’t remember living in his house. Not just any family - his omega husband and pups. Dean had been told Castiel was MIA, and probably dead. Living in Castiel’s old house, raising his own and Castiel’s pups as a single father had been difficult, but he managed. Now Castiel is back. Can he fit into the life Dean has made? Can Dean adjust to having an alpha? Does Castiel want a husband he can’t remember?

White Lies & Winter Blues by PaperAnn (Explicit, 37k words)

When Castiel drives by a car wreck, he should’ve heeded the warning, ‘the road to hell is paved with good intentions.’ He’s a nurse, it’s a record-breaking, cruel winter, and upon seeing the driver hypothermic and near-death—his instincts kick in. Cas doesn't think, he jumps into action to save the omega. Once the ambulance arrives, Castiel joins the ride. Then in the hospital room, he keeps a watchful eye over the omega's treatment and care. All under the guise of being ‘his alpha.’ Castiel’s plan was innocent, wishing for a quick recovery, followed by quicker exit. Except, he misses his shot. The omega awakes and the nurse beats Cas to the punch, with the declaration, “You’re lucky your mate found you in time!” causing all hell to break loose. There are no questions. A starry-eyed and love-struck Dean Winchester automatically believes the accident caused amnesia, that Cas is his mate. This wasn’t supposed to happen! Now entangled in his own lies—still reeling from the unexpected discovery they’re true mates—Cas feels helpless. He doesn’t know what the fuck to do! Besides...playing along. Paving his road to hell, one good intention at a time.

[b-lossm]

•+*Forevers a long time*+•

Vi (arcane) x reader [angst-> comfort kinda..]

synopsis: Vi visits your new home before her big mission..

SEASON 2 SPOILERS KINDA!!!!

This is hard; fathoming the possibility that this may be the last time she sees you, its hard.

Vi tries her best to put up her brave walls again but when she hears your breath getting caught in your throat she realizes that its pointless "H-Hey this isn't goodbye" she says while haphazardly wiping your tears, trying to wipe her own as well, she knows that she might be lying, but for your sake she cant believe that too.

"B--But--" you start "No, I will come back, not in a box, okay?" she tries to reassure you through her shaky words wrapping her arms around you to bring you down "Vi d--don't even say that don't say that I wasn't trying to bring it up but--" hic "You cant leave, no, not right now, everything was going good before the explosion, you cant" you ramble on about how you two where finally gonna have a good life together, how her impatient self waited so long to get out of Stillwater to have a good life with you and now this? She quickly shuts you up with a soft kiss to bring you down.

"Hey--Hey Y/n breathe, breath Lovebug" she attempts to calm you down by tracing shapes into your side and kissing your cheeks, something that always works "I know, I don't like waiting for anything and we finally got here, but to make sure we keep everything we worked for I have to go, its only gonna be for a week ok and the---" you cut her off "Yeah a week where you might die!" she sighs, your right, your almost always right "Yeah, I know" she starts, pausing her motion for a split second, contemplating her life "Lovebug, you gotta understand that even if I do die, its for the greater cause, plus you know Cait, she doesn't miss, and you know me! I don't miss.. well most of the time" she chuckles while planting kisses all over your face and hairline.

When she finally gets you too stop crying she holds your hand "Tell you what.." she starts "When I come back, I'll get you that pretty promise ring you always wanted hm?" your mouth runs dry "Really Vi..?" you ask while your face flushes red "mhm' really, then I'll be yours forever, well until I really propose" she looks into your eyes, the color soothes her, it always does. You shake your head while smiling sadly "Well m' gonna hold it to you Vi, forever's a long time and I need you for that so you better come back" you say bittersweetly, still coping with the idea that your girlfriend might not come back.

"I want you to pinky promise that you'll come back Violet" 'Oh shit', she thinks you used her real name, She smiles and holds up her pinky “If I don't come back I want you too cut my pinky off for the funeral" she jokes as you interlock your fingers and lock it in with your thumbs "M' serious Vi, I need you here.. a lot of us do" you smile shyly "yeah I know" she says with a cocky smirk

Afterwards you two headed to bed and had hot and sad sesbian lex

———————————————————————————

The day after you where a mess.

You got dressed and got her ready to go "Go get her Vi, I'm sorry that its her that you have to get.." you say sadly, reminiscing on the times you and Vi hung out with powder, the times that you wanted the small girl to cherish. "She's gone Y/n, m' sorry but she is, I think I'll be ok." she takes a deep breath, realizing that in a way she's become something she never wanted to be "I know, just, be careful.." You say while admiring your tall girlfriend in the mirror thinking its weird how she's wearing the enforcer uniform, then you hear Caitlyn's knock at the door.

"I guess this is it then.." she starts but you quickly shut her down "No, we where sad yesterday, today your gonna go be the only cool ass enforcer and your gonna get her. Then your gonna come back to me like you promised" You say, determined to lighten the mood, She quickly pulls you into a deep kiss, its a goodbye kiss you know it is, but it doesn't matter to you anymore.

"Bye--Bye Vi, I'll hold up the fort while your gone"

"Bye Lovebug, I'll see you in a week"

you watch them as they leave, Vi looking back too see if you where still looking as many times as she can to make sure she can remember your face.

------------------------------------------------------------------------------

A/n

Season 2 brings me so much sorrow I made a playlist :(

This was supposed to be like Japanese Denim by Daniel Ceaser but it didnt really come through, I'll def make a fic based off of it more in the future though.

also why is there a Vi fanfic drought????, someone pls send me some, not alot of smut tho because there is so much.

[dragonofthedepths]

#poorly drawn mdzs #mdzs #wei wuxian #jin zixun #Everytime I have to write his name I feel like I'm running outside in a blood rain trying not to get wet. Misspelling it feels so inevitabl #But so far so good! He doesn't have too many more appearances before he gets Cheesed. #Dear god I love it when characters go on the war path for someone they care about. #And I love it even more when you have an ambiguity between personal debt and genuine act of selflessness. #WWX saving WN is purposefully messy! Like a lot of our real life reasons for how we act - there isn't a clear single cause or answer. #Sometimes we forget that we are a collection of experiences and learnt reactions. #Sometimes we forget that what we see on the surface is not the point to address. Everyone is more complex than we think. Even yourself. #And yet...it always comes back to love doesn't it? Attachment styles and self-esteem and bonds and relationships to others. #Everything comes back to love and our perceptions of it. #WWX is on a self-destructive war path and he will absorb as much damage as he can for those he feels obligated and attached to. #Does it make him feel needed? Does it give him purpose? Does it ease anxieties of the past? I do not think there is an answer.

Tags by @poorly-drawn-mdzs

I snort giggled so hard at "WHERE IS MY SPECIAL BOY?" and then the tags went and hit me right in the feels

Have you seen my little lad?

[First] Prev <–-> Next

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[questions-about-blorbos]

With all the proship stances you've been making recently I just wanted to put my two cents in:

I feel like the reason proshipping gets the reputation it has is because of apps like tiktok where younger people hear a term, water it down to the absolute max and then apply it to nearly everything they dislike, and people make it way worse than it actually is

"Fiction affects reality" is the most used stance i see and to some degree they are right but. Holy moly two characters doing immoral things to eachother isn't gonna change the world, especially when its a situation where you can choose to see it or not

If you really don't wanna see that thing then block and move on, it isn't that hard

(For the record i am not an anti or a proshipper i think labels for ships are dumb: i mainly agree with everything you have said and I do not personally enjoy stuff like noncon or pedophilia in fiction, just to give you an idea)

to be fair, the “proship” and “anti ship” have been one of the most famous fandom discourses way before TikTok was even created.

and I believe that if people do terrible things in real life because of something they saw from a piece of media then chances are they were already troubled and they would have done those terrible things anyway whether or not they consumed that media, as @allthingswhumpyandangsty said before, people do bad things in real life because they are bad people. a movie, a tv show, a book or a fanfic doesn’t make someone do bad things.

no one starts murdering and eating people in real life because they like Hannibal. so the term “fiction affects reality” is a very weak stance because while fiction can affect reality, fiction alone isn’t going to make someone eat people in real life because that someone is a big fan of Hannibal. my point is, yes, fiction can affect reality. but it’s not going to affect reality to the point the entirety of people’s moral compass change. and if it does get to that point then the real issue would be that these people were already troubled. not because they watched a tv show where the main character is a cannibal.

also, yes, the block button is your friend. see something that makes you uncomfortable? that’s what the block button is for. harassing people for liking fictional things you hate just makes you a shitty person in general who values the lives of fictional characters who are not real over the lives of real people.

[disaster-j]

What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.

[aspergerasparagus]

I wanted to ask, what do each of the Frankies think of the contestant?

Real Frankie:

He is the rabbit that likes the contestant a little too much. Obsessive and possessive he doesn't let them out of his sight unless he has a good reason to. And while he plays up the part of caring for the contestant, maybe even playing into the romance idea, there is absolutely no love there. He is manipulative, cunning and malicious at his core and the contestant is more than aware of this and knows how this is all going to play out in the end. When they no longer prove to be useful, Frankie will dispose of them. Will he be sad doing it, maybe, but in the end ending them with his own hands will the greatest thrill (plus think of the ratings!)! In the end, while he won't outright hurt the contestant (physically anyway) he still can't be trusted.

Cartoon Frankie:

"Hate. Let me tell you how much I've come to hate you since you turned up on my show." (Insert AM speech here yadda yadda) So toon Frankie is the one who hates the contestant the most, despises them actually. They are the reason his show was "ruined" and why he finally lost and being the brat that he is he still holds the grudge regardless if the contestant saved the show in the end. But at the same time they are the only human to stand up to him, to talk back, to make jokes at his expense and it drives him mad. He wants to put this little human in their place and remind them who's in charge (how he plans to do that is really up to the imagination), see them on their knees begging for mercy but on the other hand wouldn't it be fun to be put into his place by them from time to time. He's very internally conflicted by the contestant, he wants them dead, he wants their undivided attention, he wants from pleading for their life, he wants them to talk down to him. He a mixed up bunny and that only pisses him off more.

Monster Frankie:

Simply, he wants to eat his face. He is straight to the point, he doesn't like the contestant (considering they did kill him) and will be hostile to him but know he can't do anything to him right now. So they kinda exist in a weird limbo, where yes Frankie will chase him, but he isn't trying to kill him, maybe throw him a round a little like a cat with a mouse but that's all. Until the next season of course. He isn't as vocal about his feelings towards them but it's clear he is still bitter about what happened but does at least hold some respect for them, hence why he listens to Real Frankie and not Toon Frankie about the contestant's fate. He rarely interacts with them due to the contestant being the most frightened of him but will occasionally drift around them like a house cat merely to spend time in their presence until he gets that look in his eye and it's time to play again.

[befuddledcinnamonroll]

As much as I was not emotionally prepared for the end of episode 10 after the utter hell that was last week irl, I keep thinking about how well they constructed this episode.

I know there's a lot of varying opinions out there, but to me, when it came to the core themes, what happened made so much sense, and was crafted really, really well.

Like I couldn't give less of a shit about the ring and how it works, because it doesn't matter - there's always some bastard with power that he's abusing, and how he got it and who is going to get it from him next is irrelevant to those of us just trying to survive. They already spent plenty of time showing it's all a game, the ball has just changed hands. It very well could be a magic ring - just look at how people in real life worship and obey money, which is a creation of humanity, not an inherent truth. The point isn't for us to understand how the system works overall, but to see the ways that those of us lower down get manipulated into exhaustion and despair and self-punishment. That's what we need to know about the system - how it breaks us down.

What mattered with the episode was the escalation, the throwing of the crabs into the bucket where they start to pull and tear each other - and themselves - apart.

And it started early. It started when Jack & Joke saw Jennie's character being harassed, and did nothing. Because they thought they were ok, in their little couple bubble. But that's the whole point. It's not just about the two of them, it's about all of them, the collective community, and how none of them are safe even when it feels that way. How none of us are safe.

Jack and Joke both did things we didn't want to see them do, but those are the things the system is designed to draw out of them. Just look at those of us in the U.S. right now. We live in a country that was founded as a white supremacist patriarchal institution, and last week it worked exactly as it was designed to.

Yes, the angst in this episode hurt, but it had purpose here. Because this shit is insidious and horrible and devastating, and even our heroes are not immune to it.

But you know who is immune? Who sees what's truly happening? Who understands what needs to happen?

Hoy. Sweet innocent, baby Hoy.

Hoy gets it, and he convinced his cougar girlfriend, and she convinced the people in the temple. Because as horrific and insurmountable as it all feels sometimes, it is possible for holds of power to be broken, for an oppressor to be brought down.

But it has to be collective. It has to be community.

Jack and Joke are suffering because they are not special, they are not perfect. They are us.

But they will get there, because of what they've built in the community up to this point. And the community will come back for them.

[spaceorphan18]

The other thing I've seen going around today (not here... on other sites) is discussion on when did Colin fall in love and...

Hmmm....

There are a couple of issues I have on this subject.

The first being, why is loving someone as a friend valued less than loving someone in a romantic capacity? It's just a different type of love. And, maybe this is a me thing, but sometimes I get frustrated that friendship is deemed less than romantic love.

(I mean, I could go on a full tangent about Penelope and Eloise, and how their friendship, and their love for each other, was another love story during Season 3 -- and that relationship to Penelope is just as important to her as the one with Colin. As is, Eloise and Colin's familial relationship - which is, again, another form of love.)

anyway, Penelope, we know, had romantic feelings right from the start. but they were childlike, in a way. Colin was a boy (and a person in general) who didn't laugh at her for being awkward. This meant the world to her. It was a childhood crush, that developed and matured into an actual friendship, and developed and matured into romantic love. These are two separate things that happen but are very intertwined for Penelope.

As for Colin - he says to his brothers that his feelings aren't some thunderbolt from the sky, and that they had developed over time. There isn't one point where he was bam! in love. It was always something simmering and taking shape.

And I mean - in Season 1, there was friendly affection there -- they grew up as literal children together. She was always around. They were fixtures in each other's lives, and it probably was a familial caring for her - in the way he cares for Eloise. There there are points in which he shows that she is special to him. He recognizes that she helps him understand himself. And that there's a unique dynamic there - beyond, hey, this girl is my sister's bff.

And then comes Season 2 - and the letters are incredibly important to their development. It starts an intimacy between them that they don't have with other people. It also lets them be open and vulnerable in a way that they aren't able to in person. There's a connection there. And a valuable one at that. And Colin sees her as a friend, and someone important and special in his life. The friendship is very real, and his love for her is there. Even if it is friendship that doesn't mean it's something less than how Penelope feels for him - it's just different.

And then the thing that does separate romantic love from friendship love is sexual desire -- and Colin doesn't really recognize this until they kiss, that he is attracted to her, as well as everything else. It compounds. So, by the time they finish up that carriage ride, there are three types of love going on -- familial, friendship, and romantic love, and Colin understands this enough to be sure in knowing that she's the one for him. (He also knows he has to lock her in, because she could develop all of that with someone else - she almost did - so that's also apart of the proposal, but i digress.)

I guess my long winded point is that it's odd to talk about Colin's love for Penelope in distinct moments, when it's all a spectrum, and overlapping kinds of love. And I mean - I think there's a better conversation to be had about what love is to Colin, how does he define it?

Because I think how we love is different person to person. And letting fictional characters be complex like that is really kind of fascinating (to me).

And I guess - what draws me to Polin (over Saphne and Kanthany) is that it's a love story where the foundation is friendship, and the specialness in that, is absolutely valued first, and romantic love stems from that, instead of vice versa.

But that's just me.

[journeysfable]

Making this it's own post cause I think I already made an ask about Gem's lore in Martyn's inbox and don't want to bother him about it anymore

Anyway I think Gem is more powerful than the watchers

hear me out

(this is both me presenting an idea for the Eyes and Ears lore and also me begging people to pay more attention to Gem's lore pls am lonely over in the loving Gem's lore corner) (And this also accidentally turned in A Character Gem character study of sorts I think. Oops)

During the Empire's crossover, Scar, in at least Joel's pov, said "did anyone else think this was a new life series?" cc!Scar had no reason to ask such a question meaning he was in character and his character, who just came from the Hermitcraft world and was now in the Empires world, wondered if he was in a life series game, which puts all three servers in the same universe imo. For at least Scar.

In the crossover Gem revealed her HC and Esmp characters were one and the same and that her character is a being that can casually move between worlds by sleeping, an ability no one else had. And because she can just hop between worlds and slip into whatever role fits best for that world and she doesn't realize that not everyone is just playing like she is.

A person is merely a costume to c!Gem.

And again, this is 100% canon

From "I have a SECRET?! Empires x Hermitcraft" "I have a secret. You see, when you join a Minecraft world you can be anyone that you want to be. Sometimes I'm a princess, but sometimes I change. And then I'm an elf. And in some worlds, I'm just me. And you see, where I'm from. That's kind of normal."

And then the following line has something interesting in it.

"One day I was just walking casually in the Empires world, playing DnD as I always do as a princess with my friends."

The Empires world is a game of DnD to c!Gem. That's haha silly meta but if you've watched the other esmp povs you know not everyone's character is role playing.

Like yea the content creators are role playing but Sausage's character is not roleplayong. But Gem's character is.

For example: In Empire's Shubbble plays Shelby the witch. Geminitay plays Geminitay the world hopping larper. Shelby the witch isn't larping, though.

But Geminitay The World Hopping Larper is seemingly not aware of this.

Further evidence that c!Gem is so powerful and used to playing a character she doesn't realize that Real People exist comes in "Exanding my Medieval Kingdom! Empires x Hermitcraft"

After patiently explaining to Sausage that she can move between worlds and that she's role playinng, Gem is greatly confused by the fact that Sausage (who through the whole season has been hopping across time and space by accident) can't control his abilities.

And at first it's seemed like Gem was aware that Sauasage wasn't roleplaying as she explained her world hopping and role playing to him. But then his freak out causes Gem to make this comment that I can't tell if it came from cc!Gem poking fun at cc!Sausage or c!Gem realizing that c!Sausage isn't roleplaying "He's not role playing is he? That's genuine. He's actually crazy"

There are a lot of implications that come with the fact that Gem doesn't even realize that the other Empires members aren't roleplaying. What else does she not realize because she can move between the worlds and be whovever she wants on a whim?

In "Empires 2: Building my BEST Medieval Minecraft Village!" Gem says she's a celestial being.

What does that mean? Well, the word celestial means related to the sky or heaven and is synonomous with heavenly, planetary, stellar, and godlike.

It may allude to the fact her name is Geminitay, a constellation(stellar). But it also sort of implies she's a fucking god or at least similar to one.

So what does all this have to do with Eyes and Ears lore?

I think c!Gem is so powerful it makes her dangerously naive. Not to herself but to others. Because she's possibly so powerful she potentially doesn't realize that danger exists.

And perhaps she's so powerful that the watchers can't feed on her emotions. Or at least not all of them.

Or maybe they're too scared to. Afraid of what she could to do them if they angered her in any way.

[jaybleu25]

If I can add onto this, the main reason for me not liking Starlow for a while was mainly because of the time I got introduced to her. I found out about her when I was around 13 ish (which was also the same time I learned about the whole Mario Matpat theory that, as a naive child who believed everything everyone told her, believed)

I eventually grew out of the Mario hate phase because I realized that hey, it really is just a theory; it's not real. Mario's a super awesome guy.

For a while though, I still disliked Starlow, mainly for similar reasons. She just seemed super rude to Luigi which threw me off, but again, I was exposed to her at a young age where at that part of my life, I saw that less as playful teasing and more as actual bullying.

Currently, I don't think Starlow's that bad. I also think that the past stuff she said before was during that weird Luigi hating phase Nintendo had for a while where Luigi just constantly got made fun of, so it's not surprising that Starlow was sort of part of that. In the present though, she seems to be written way better, not seeming to hate Luigi and just playfully teasing.

TL;DR, Starlow isn't a bad person.

Snoutlet respects Luigi so he is automatically better than Starlow.