#This is one of those reasons I love writing so much

[hesztia16]

My main problem with how the writers do the whole “no-kill rule” is that they don’t actually know how to write it in a way that doesn’t make it sound a bit ridiculous and honestly a little petty. They try to make it a moral argument, but make the villains so that it’s morally worse to let them live. There are so many different ways they could make Batman have his “no-kill rule” and still let the Joker die or keep him alive for reasons that actually make sense. And they really should decide already how they see his “no-kill rule”. Is he ok with letting people die even if he could have done something to prevent it? He did that many times. He has also killed many times before, or at the very least wanted to kill.

Pick one DC!

Also, I would like to point out that many, many people in this fandom seem to forget that killing is not an easy thing to do. Some of you are acting as if it’s perfectly inconsequential, even if it’s a monster like the Joker.

Because it’s not. It’s hard and it should be. I would personally not trust anyone to protect me or my loved ones, if they don’t so much as blink at the idea of taking a life. There’s a reason we call people who commit murder for fun, or even without emotion, psychopaths. It can break even the most mentally stable person who was more than justified in what they did.

“Oh, but that was a monster! They deserved to die!” Yeah, but the victims didn’t deserve the burden of taking a life!

I also saw a lot of people talking about therapy and I would like to ask those people what they think therapy is. Because it’s not some miraculous cure for something that could be against your whole personality on a fundamental level.

I hate the way Jason confronted Bruce for so many reasons. For one it’s a bit hypocritical. But mostly it’s because of how fucked up it actually was. And I haven’t seen people talk about it. Trying to force someone to commit murder? With the threat of his son whom he loved very much dying? AGAIN??? His trauma response isn’t valid because what? That’s not what YOU want???

discourse about batman's no-kill rule is so funny. imagine if a dude was like "i personally will not commit any murders and if any of my kids do i will be unhappy" and everyone booed him

[postcardsfromheapside]

Listen.

I love y'all, but some of you need to understand: the writers are not being shitty. The writing is not bad. The lore is not being ignored.

You're upset because your headcanons are not being followed.

Something Tolkien fans are constantly encouraged to do is "go back to the source material." This sounds basic, but Lord of the Rings alone is a massive book - if someone broke into my apartment, I stand a more than reasonable chance of beating them down with either of my illustrated hardcover copies. By the time you get through reading it, it's easy to forget small details in the main body of the work, much less the introductions and the appendices, and that's BEFORE you try absorbing everything in Lost Tales, or The Silmarillion, etc, etc.

Now imagine you come to Veilguard, and maybe you've been playing Inquistion because it feeds directly into the game. Maybe you played Origins, 2 and Inquisition in a white heat. Great! But those games include a lot of choices, and SO MUCH CODEX material. It's almost impossible to retain all of that knowledge all at once in your head, especially in games where you can miss shades of meaning due to the dialogue choices you make - and I often see people who claim they tend to make the same choices every time.

The reason we Tolkien fans are told to go back to the source material is that it's so easy to slip into assumptions. A great example is: do you actually know what Rangers are? Or do you think of them in D&D terms?

Dragon Age is a story that mimics the unreliability of History, where one characters's perspective and story may not be the same as another's, and neither are necessarily wrong or right - they're simply parts of a whole. And it's wild to watch y'all bend over backwards to defend your headcanons instead of accepting that maybe a character was wrong, or misinformed, or unreliable, or has a limited perspective.

[66stitches]

abby anderson request !! :)

i wanted something where abby is starting to doubt her sexuality and trusts reader to ask questions and just talk about it (reader is a lesbian and they're close friends, it can end up with them kissing — or more, if you're comfortable)

cw: sfw, kissing (a lot of it), descriptions of masturbation (abby), talk of sexuality and questioning sexuality, no physical description of reader

Daily click - Palestine masterpost - TLOU and israel

a/n: thank you for the req !! I don’t write full on smut unfortunately (though I might write some short stuff in the future), but I tried to write a few kinda sexual scenes here and there

wc: idk prob like 1k

divider creds

Abby loved Owen, truly. She was attracted to him: that is what she kept convincing herself of everyday.

Every moment with Owen was a new lie she fed herself.

He was the man she loved. There was nothing she doubted in her relationship with him. The absence of love’s warmth meant to fill her body was her own fault; her inability to reach climax when they had sex was a problem for which only she was to blame.

It doesn’t mean she never tried, though. Abby had spent nights attempting to pleasure herself to the thought of Owen: the only person she should be thinking of; the only person supposed to be capable of reaching her to her climax.

And yet, all she felt was nothing. She laid in her bed, carnal and romantical dissatisfaction utterly consuming her. She was convinced that she was simply incapable of experiencing any sort of attraction exceeding platonicity.

But it only grew more confusing from there.

In another one of her inevitably futile attempts of bringing herself to climax to the thought of Owen, she felt her mind begin to drift to another thought that would hopefully bring her to that much desired release.

She didn’t intend for it to, but the man was just not doing it for her.

That night, she thought of a woman.

That night, she came so hard she swore she could see stars.

A specific woman she thought of in particular, but she would never admit who it was that finally relieved that ache. Not even in the confines of her own thoughts.

And so here she found herself, seated on the soft cushion of your worn-out couch.

You were Abby’s sole friend who was openly lesbian. Abby had seen you bring women over numerous times before. She had listened to your rants about your sexual and romantic encounters with women.

She even helped set you up with one, which harbored a slight odd feeling in the pit of her stomach for a reason she couldn’t quite decipher.

She had thought of it many times: what it was like being with a woman. She didn’t really know what to make of those thoughts. Whether it was mere curiosity, or perhaps something more.

And now here she sat next to you, trying to find the confidence to speak.

She never found it hard to confide in you. Of course not, you were her dearest friend. But this dilemma of hers was difficult to merely utter aloud, even if it is only to herself.

You were on your phone when Abby spoke.

“So… you’re gay,” she started, and she wanted to strike herself as soon as the words left her mouth, because of course you were gay. What kind of opening is that?

“Good observation?” You chuckled, bemused. You placed your phone down, curious as to where she was going with this.

“What’s it like? You know, being with a woman,” she asked, already regretting bringing it up, but she just needed some certainty.

Your eyebrows twisted in confusion at the inquiry. You and Abby were comfortable enough to share anything with each other. Nothing was considered too much information or too uncomfortable to talk about.

It was just an odd question coming from Abby, who you thought was so sure of her sexuality.

“I guess it’s like how it feels for you being with a man.”

God, she hoped not.

“Why?” You asked.

“Just curious, that’s all. Wanna understand your sexuality more, educate myself,” she spoke rather timidly.

You laughed softly. “Oh, because you’re so woke, right?”

Abby could tell you didn’t believe her. In all fairness, she didn’t really put much effort into trying to sound the least bit credible.

She didn’t even know why she was lying to you right now. She trusted you, she always has. This was just a difficult truth to face.

“I don’t know. I’m just feeling a little confused, I guess,” she confessed, shrugging.

“About your sexuality?” Your voice was slow, but your heart beat quicker than ever before.

You would be lying if you said you didn’t find Abby attractive. You’ve always had a little childish crush on the blonde, but you constantly found yourself trying to shove your feelings aside, somewhere far away so it could no longer reach to gnaw at your heart.

But now this — this made it all different. You might be getting slightly ahead of yourself, but you can’t help but think that now you might have the smallest chance with her.

“I don’t know— I mean, yeah, I guess,” she said as she fiddled with the seams of her shirt. “Owen’s just never really made me feel… well, anything. Anything you’re supposed to feel with a partner, I don’t feel it. I thought maybe the problem was Owen specifically, but I’ve come to realize that it’s not.”

“But women get you going?”

“I think so,” she admitted, finally. “I tried to think about a woman last night, while, you know…” she trailed off, her skin suddenly feeling very hot at the confession.

“And?” You whispered, feeling just as hot at her confession. “Was it just what you were missing?”

Abby went quiet for a moment, then she answered. “Yeah, it was.”

It was silent. Abby still looked like she had something to say, so you offered no response for a moment.

“But how could I know? I’ve never tried anything romantic or sexual with another woman, so how would I be able to tell? I could just be confused,” she said.

You were quiet, contemplating your next words. What you were about to do could either ruin your friendship, or elevate it to something more. You were relying on the latter.

“You wanna try?” You asked. Your voice sounded bold, but everything within you was shaking with apprehension.

She offered naught but an incredulous look. Her eyes were blown wide, disbelieving.

“What?”

Well, shit.

“I mean, solely for experimental purposes, of course. A kiss shared with another woman, just to be certain,” you explained.

The tension was thick, almost palpable. You were nervous at Abby’s silence and you realized that this is where your boldness gets you.

You were ready for her harsh rejection and the revulsion that would surely be evident in her voice, but then she spoke.

“Okay,” she said. Not a hint of revulsion in her tone. You didn’t know it, but her heart beat just as quick as yours.

“Really?” You asked, surprised as if you hadn’t been the one to offer.

“Well, yeah,” she leaned in slightly, bringing her face closer to yours. “Just for experimental purposes, right?”

“Yeah, sure,” you breathed. You brought your face to hers, and in a split second you closed the gap between you, meeting each other in a slow kiss, your eyes fluttering shut.

Her lips were soft. Her kiss felt nervous, lacking confidence, yet it still exceeded every expectation.

You pulled away once you felt it was enough. You looked at her and waited for what she had to say.

“Oh yeah, I’m definitely gay,” she said and pushed your face right back into hers, meeting your lips in a much more heated kiss.

This kiss, however, held the confidence the previous one lacked, her lips moving skillfully against yours. You waited for the shock to wear off before kissing her back, clearly not expecting her to want more.

You disconnected your lips once again, pulling her face away from yours. “Abby—”

“Just need-” she interrupted her own words to press another swift peck to your lips. “A little more-” another kiss. “Just to make sure,” she said, finally and pulled you in for another kiss. She cupped your burning cheeks with her palms and slipped her tongue into your mouth.

What was supposed to be an innocent kiss, solely for the sake of experiment (how the thought made you laugh now), turned into her exploring your mouth with her tongue and pushing her body against yours. This kiss held no place for innocence now.

She softly moaned into your mouth, the sound vibrating throughout your body.

She used her thumb to lightly caress your cheek as she kissed you like her life depended on it. She slightly pulled apart then, nibbling on your bottom lip with her teeth.

As the kiss came to an end, you sat staring at each other, breathless, and oh so blissful.

“You wanna know something?” Abby asked with a dumb smile on her face which brought another smile upon your own. You hummed.

“It was you,” she started, still faintly breathless. “You were who I thought of.”

Your eyebrows rose at the confession. It was unexpected, but certainly not disliked.

What you were more surprised at, though, was how casually she said it, seemingly too blissed out at the moment for any feeling of embarrassment.

“You telling me I was your gay awakening?” You asked, grinning.

“You could say that.” She shrugged and scratched at the back of her neck.

You laughed and scooted closer to her. “Well, I guess I’m honored then,” you said.

“Alright,” she rolled her eyes and laughed. She leaned in then, craving more of your taste.

You giggled into the kiss and pulled away, licking your lips to savor her intoxicating taste.

“I think we’ve already come to the conclusion that you’re gay. You still want more?”

She brought her face closer again and caressed your cheeks. She was close enough that you could feel her breath against your lips.

“Yes,” she breathed. “Now shut up and let me kiss you.”

[mermaidgirl30]

✨Saving What Was Lost Part 3: You Trust Me?✨

Pre-Outbreak! Joel Miller x fem! reader

Series Masterlist

A/N: I’m so excited to bring you the next chapter! This has been one of my favorite series to write, and I have so much more in store for these two! Joel is so so soft for reader 🥹 Happy reading! I love nothing more than to read your comments on what you thought, so please consider leaving me comments and reblogs 💕

Chapter Summary: You’ve got so many reasons not to trust another man again in your life, but Joel seems to give you ten for why you should trust him. One of them being calming a panic attack in the middle of a parking lot.

Rating: Explicit 18+ only MDNI

Word Count: 9.7k

Chapter Tags: Mentions of being trafficked, flashbacks of being abused, angst, soft and protective Joel, PTSD, no use y/n, age gap (reader is late 20’s, Joel is late 40’s), pre-outbreak au, mentions of an acoustic guitar, panic attacks at the store

Dividers by @saradika-graphics

The long days seem to dwindle by with your heart still lodged deep in your throat. It doesn’t seem to matter that the calming rain patters on your foggy window, doesn’t matter that fall used to be your favorite season. You feel hollow, torn apart piece by piece with every second that brushes past your icy skin. 

   You feel broken. You are broken. And you’re not sure anything will ever fix that. 

   Every day you find something new that’s too hard to manage to get your body to do. Brushing your teeth, getting yourself dressed, making yourself eat when all you can stomach is the empty feeling inside you. You’re just so tired of fighting, so very exhausted of trying to just get by. But your body screams at you to fight. 

   Fight for yourself. Win. Get out of bed, eat, make an effort to survive. So, you do. You try because that’s all you hear ringing in the back of your mind. You have to keep going. Don’t let Angela or any of the ones that dragged you down keep you from thriving. 

   Live. 

   Today is like all the other days you fight to not let your depression win. Except today marks two weeks that you’ve been here. Two weeks that you’ve survived. And as much as you feel like giving up every second of every day, you always seem to find one tiny reason to get out of bed. Joel seems to be that reason. 

   Joel… and his warm cups of coffee. The kind that he douses in creamer and sugar and caramel just for you. Because that’s how you like it. And it never fails. Every single morning your cup is there just waiting for you, including Joel’s warm smile and soft brown eyes…

   That’s your reason for getting out of bed. Joel. 

   You discovered that Joel reported you as found to the police department a few days ago. You should feel relieved that he did that, but it didn’t matter. There was no one looking for you, so it didn’t make a damn bit of a difference. No one was coming to get you… Nobody even tried reaching out which makes you feel that much worse.

   You battle with yourself, wrestling your way to slide on a pair of black leggings, along with a long cashmere sweater that falls clear down your thighs. You fight to comb the knots from your hair, clenching your teeth with every painful drag of the brush. 

   Fight. Win. Don’t let them control you.

   Flexing your trembling hands, you squeeze a generous amount of spearmint toothpaste onto your purple toothbrush and jam it into your mouth, scraping it back and forth until you don’t taste the bitter aftertaste of almost two years in captivity. 

   Your fingers tremble beneath you with every slide of the toothbrush, every clinking noise against your teeth making you gag at the memories of you being left alone with disgusting men in a tiny bathroom against your will. It’s too much, this is too much. So you rinse your mouth and scamper out of the bathroom, closing the door until you can’t feel the goosebumps rising on your skin anymore. 

   You’re safe. They’re not here. You’re free. But you don’t feel free because those painful memories are alive in your mind, painting vivid pictures that make you instantly want to vomit and recoil into bed. But you don’t let the monsters take you back down into the darkness. You flee to sunlight and hope. You make your way to something that makes you feel lighter, where you can breathe easier, to something that gives you hope. 

   And that something is Joel.

   You smell the fresh coffee brew in the air, inhaling the rich scent as if you can already taste it. When you turn the corner you see Joel’s broad back to you, busy with the coffee machine and the daily newspaper, his large hand brushing past the blur of small-print words. 

   Instead of stopping to say good morning to him, you decide to venture down the hall. You haven’t been brave enough to really take in the house and explore, but now? Maybe you could try. 

   The sunlight shines through the open glass windows, making the photographs and hanging art glitter like specks of gold surrounding the black frames. Your eyes skim the family photographs, taking in Joel’s big smile in each of them. One is of him and Tommy, arms clasped around each other’s backs with a little girl standing in front of them, who you suppose is Sarah. Her dark curls spiral to her shoulders while she wraps an arm around her dad. 

   They look so happy, like a normal family who has never been broken. You wish yours looked like that. But again, it never was. You were always surrounded by screaming parents, right on the brink of a divorce while you’d stay tucked in your room with your hands covering your ears, praying for the noise to just stop. 

   But it stopped alright. It stopped the moment they crashed their car on top of a mountain and left you to fend for yourself at your uncle’s house. An uncle that never loved you. An uncle that abandoned Washington the moment you moved out at just eighteen-years-old. And then he did too…

   You keep moving, holding your composure and tears in. Even though you feel like collapsing right in this spot, right under Joel’s family picture. A family that was still together to this day while yours was nonexistent. 

   You wish you still had a family, but you never really did in the first place. Did you? No. Mom was always too busy with looking perfect, constantly obsessing with lessening her wrinkles and getting plastic surgery. And dad? Well, he was always too busy working at the law firm and hooking up with his assistant behind mom’s back. You were always left to fend for yourself, so now isn’t any different than it’s ever been. 

   You’re alone. You’ve always been alone, always just survived. Ever since you were little, that’s all you’ve known — how to be independent and just make it. So what’s different now? Now you just have to swim through the trauma and hope you don’t drown in the process. Because this right now is too much to handle, even for you. 

   It’s too fucking much.

   Choking down the held back tears, you make your way down the long hallway, your body moving on autopilot just to escape the visions that blur into muted noise. The pristine white walls clash against the polished floors, painting you a picture of hope. Something you’ve never really had before. 

   Keep fighting. Live. Make a change. Break the cycle. 

   Holding on to new hope, you keep going until you turn the corner and find a large, open room that makes you audibly gasp. All memories of broken families and internal fears are suddenly forgotten, pushed aside to take in this glorious sight. 

   Holy shit. 

   Towering mahogany bookshelves sit stacked against the white walls, the cascading windows letting in enough sunlight to reflect off the broken-in spines of each book. Two plush ivory oversized chairs sit in the corner of the room, one opposite the other. An electric fireplace sits idle against one of the bookshelves, draped in vines from the tropical plant that splays atop the bookshelf nearest the fireplace. 

   This room is… magical. Exactly what you needed. An escape from reality. An escape from your mind. 

   You trace lines against the smooth covers of the various books, feeling the cracked spines and intricate cursive letters on some of the older books. There’s genres of everything you could ever imagine. Starting from ancient history and going all the way to popular fictional books that you’d see on New York’s best seller’s lists. This room has everything. 

   You could get lost in here.

   Forgetting where you are, your hand snaps back when you hear a deep chuckle behind you. “Thought I heard you come down this mornin’. See you found one of my favorite rooms.”

   When you turn around, you see him smiling over at you, the glow of the sun making his brown eyes sparkle an almond brown honey color. If you’re being honest with yourself, it makes you feel a little lighter because his eyes are so warm. 

   He’s warm. 

   “These are all yours?” you ask with a gasp as your finger continues to trail against the golden spine of an old history book. 

   “All mine. Well, a lot of ‘em I got for Sarah. You see, she’s a bit of a bookworm, and she might’ve got me into the classics. So, now I’m jus’ as bad as her,” he laughs as he leans against the bright wall, his smile light and easy like the relaxed state he’s in now. 

   “This place, it’s incredible,” you breathe out, continuing to skim over the spotless shelves, your fingertips clashing with leather and the feel of worn pages. It smells like freedom and escape, someplace where you could stay buried for days. 

   He runs his fingers through his slicked back curls, bicep flexing against his dark blue flannel, an easy smile hanging on his lips. This might be the most relaxed you’ve seen him since you came here. He looks almost… happy the way he’s looking at you all light and carefree, like he’s enjoying the view. Like he’s happy that you’ve found something else you lost. 

   “You like it?” he asks, his eyes caramel pools that you could almost sink into. 

   “I love it,” you reply enthusiastically, your voice almost unrecognizable. 

   A warm smile spreads on his mouth, making his brown eyes sparkle that much more in the dewy sunlight. “Then it’s yours, sweetheart. Borrow anything you want, read what you want.”

   “Really?” you ask with a raised brow, sliding a book back into its place on the second shelf.

   “Really,” he nods with a smile.

   “Joel, thank you. This is… this is perfect.”

   “Jus’ glad I found someone I can share my books with again.” 

   You stay just like that for the next minute — Joel on the other end of the room, looking back at you with the warmest smile you’ve ever seen. It makes your heart flutter, makes you want to smile back, but you just give him a tight-lipped smile and look back at the cream rug covering the floor, suddenly too shaky to say anything else.

   Your eyes snap to something hidden in the corner of the room, a ray of sunlight hitting at just the right angle to make out something you missed entirely when you walked in. You guess you were too enamored by the books to notice the acoustic guitar sitting neatly on a stand right by the sheer curtain hanging over the window. 

   “Is this yours?” you ask, pointing to the acoustic guitar.

   “Oh. Yeah, s’mine.” His eyes fall to the dark wood, the body glossy and sleek as it shines against the draped curtain. A splash of sunlight makes it shimmer for just a moment, until rain clouds cover the sun and cast the guitar back in shadows.

   “You play guitar?” you question curiously as he takes a long, slow stride across the room. 

   “I used to. A long time ago.”

   You watch him make his way over to the guitar. It’s like he’s tiptoeing across glass, careful in his steps to not trip and cut his tanned skin up. That’s how it seems when he hesitantly reaches out to glide his fingertips down the tight strings, skimming his thumb meticulously against the smooth surface of the polished neck as if he’s memorizing every single particle of the instrument. Like he’s reliving something he keeps hidden away from the rest of the world to see.

   He’s quiet as he analyzes the guitar, almost like he’s reliving memories that only he can see. Were they good or bad ones? Judging by his wary stance and slow movements, you wonder if maybe they’re fragile memories.

   “Used to?” you ask quietly, careful not to disturb whatever storm’s blowing through his mind. 

   “‘S’right. Haven’t played in quite some time,” he answers defeatedly as his thumb tracks along the outline of a carved moth. He lingers there for a moment, pinching his eyebrows together as if he’s trying to fight off whatever images are haunting his mind. 

   He looks… sad. Looks as if that guitar holds years of painful memories. 

   “Why’d you stop?” you push, afraid you’ve just struck a nerve by the way his back muscles tense and his jaw clenches up. 

   His hand wraps around the neck of the guitar, veins bulging in his neck as his eyes grow a shade darker. In the flit of sunshine that creeps through the window, you see a glimmer that looks a lot like a held back tear in the center of his right eye. That in itself sends a shot of pain through your chest. 

   He clears his throat and takes a step back, just enough to where he can only graze the edge of the guitar. His dark brown eyes are in a faraway place when he replies hesitantly. “It jus’—it… I guess it’s got a few memories attached to it that makes it hard to play now.”

   When he drops his hand to his side and looks up at you, you see a man who’s hurting deep inside. You can see it in his weathered stare, in the dark circles beneath his sad brown eyes, in the way his bottom lip twitches each time his gaze falls on that acoustic guitar. 

   There’s something he lost, too. You just don’t know what. 

   Before the room gets too stifling and stuffy, he shakes off his frown and nods toward the hallway. “C’mon, I’ve got your coffee waitin’ on the counter for you. Don’t want it to get cold now.”

   “Yeah, I’ll be right there.”

   He gives you a tight-lipped smile and exits the room, leaving you all alone once again. You find yourself looking back at the guitar, your eyes feeling heavy as you stare at the little moth ingrained into the smooth wood. There’s just something about it that makes your stomach drop. 

   This guitar was special to him, maybe it still is. You just wonder what can make a big, strong man like him crumble. You don’t want to see him turn to dust like you; you’ve got enough pain for the both of you. He doesn’t deserve pain. He’s too… good. And while he doesn’t technically wear his heart on his sleeve, you can see he keeps the pain hidden behind a mask. 

   Maybe one day he’ll show you his scars, too.

   When you make your way back to the kitchen, your warm cup of coffee is sitting right there on the quartz island, the steam billowing out as if he just poured it. As you slip into your chair, you notice his shoulders are more relaxed and the weathered stare he had back in that room is nearly gone. Whether he put on a mask or tucked his feelings deep inside his pockets to where you can’t see, you still notice the dark lines that edge beneath his brown eyes.

   Something hurt him, and it still haunts him to this day. 

   Slowly taking a sip of the sugary drink, your eyes snap up to him when you hear the deep timbre of his voice. “Used up the rest of the caramel this mornin’.” 

   You swallow the coffee down your throat and shift forward on the barstool. “Already?”

   He chuckles and nods his head your way. “Apparently someone who’s got a sweet tooth used it all. Can’t imagine who that was.” He winks at you, and you can feel the bright blush stain your cheeks the wider his smile gets. 

   Clearing your throat, you push a lock of hair behind your ear and try to stop the red tint from spreading any further. “Looks like you found the culprit.”

   “Looks like it,” he smiles, his lips tugging at his tanned skin, making a deep dimple press into the middle of his cheek. You can’t help yourself, so you give him a shy smile back in return. It seems to make his brown eyes sparkle that much brighter as he stares at you. 

   You take a few more sips of the caramel drink, enjoying every single drop like it’s the best thing you’ve ever tasted. Joel sets down his glass cup and bites his bottom lip, chewing nervously as he glances over at you. “I need to go pick up some things at the grocery store today. Shouldn’t take long at all, but I was wonderin’ if you wanted to come along with me?”

   You choke on a sip of coffee and struggle to find your words. You haven’t been out in the real world in a very long time. You don’t even know how to even interact, nonetheless see strangers passing by you. 

   Tapping your nails nervously against the glass cup, you fight to get the words out. “Oh. You… want me to go to the store with you?”

   “Only if you want. Figured you’d wanna pick some things out.” 

   “Umm. Okay. Sure. I can go with you,” you breathe out nervously, pushing all your fears down as you swallow back the answer you really wanted to say.

   “Alright. Well, how’s ‘bout you finish up breakfast, and we can go after you get ready?” His thumb brushes over the curve of his coffee cup, and your eyes track his movements as he slowly brings the edge to his lips. 

   And then you’re swallowing back fears again and dropping your eyes to the floor, awaiting the panic that’ll surely flood your system when you get to the store. 

   You can do this. Fight the fear. 

   Biting the bullet, you look up and give him a slight nod. “Okay, after breakfast.”

   Joel grins and turns back to the refrigerator, away from your now wide eyes. You’re suddenly regretting your choice, but you have to go through with it. You have to be brave. For yourself. 

   You can do this. 

   Light rain patters on the passenger window, sending water droplets splashing along the side mirror. It’s only sprinkling, but the thunder in the near distance makes it seem like it might pour down at any second. 

   The engine hums as the wheels roll on the pavement, green trees blurring as Joel drives along the long, straight road. An old country song seeps through the speakers as Joel’s thumb taps along to the catchy tune. It’s oddly peaceful, driving with him in his truck. It almost makes you forget the nerves crawling up your spine. 

   “Does it always rain this much in Texas? I thought it was supposed to be like a desert here,” you ask, your eyes tracking the sea of trees outside your window.

   “Usually is. Hell, we’re usually in a drought. But for some reason, we’ve been gettin’ a record amount this year. It’s unlike anything I’ve ever seen,” he says as he continues driving through the mist.

   “That’s strange.” You trace the condensation on the window and draw little lines, hoping you’ll forget you’re about to go out in public. 

   “You must’ve brought some rain from Washington.” He smiles over at you and continues tapping his thumb along to the rhythm of the upbeat song. 

   “Guess I did,” you laugh under your breath as you finish off your window art of a blooming flower.

   The music goes silent as Joel turns down the radio with the pad of his index finger. When you turn to look at him with questions in your eyes, he clears his throat and looks warily over at you. “Do you… do you miss it?”

   “Miss what?” you whisper, letting your fingers pull against the edge of your warm sweater. 

   “Washington,” he responds back, eyes flicking between you and the road ahead.

   You take a moment to envision the forest green trees, the frigid air by the edge of the sea, the cliffsides you used to hang over to stare into the deep blue ocean. And that’s when you feel a sharp pain jab inside your chest. “Sometimes… I miss the waterfalls, the salty breeze of the ocean, the beautiful nature. I’ve never seen a state as gorgeous as Washington. And how green it is? Yeah, I guess I do miss it…”

   The front of the truck grows quiet as Joel takes in your answer. His palm rakes against his dark beard slowly, brushing across his mouth like he’s thinking really hard about your answer. And just when you think he’ll drop the conversation, he says something that leaves you speechless.

   “I’ll take you back.”

   Your eyes blow wide as you repeat the sentence in your head. I’ll take you back. Why would he do that…

   “What?” you ask, jaw dropped like you just got slapped in the face. 

   He gives you a small smile and looks over at you with the softest brown eyes you’ve ever seen. “When you’re ready, that is. And only if you want to go back. I could help you get your feet back on the ground, find you a nice place where you’ll be comfortable. If that’s what you want.”

   You stare at him dumbstruck, your words lodged deep in your throat with every second that ticks by. He’ll take you back. But why would he do that for you? Why would he do what no one else would? Why does he care what happens to you…

   “Joel, that’s—that’s too much. I can’t ask you to do that,” you protest, shaking your head like what he just said is impossible.

   He shakes his head, making a sandy lock of hair fall against the side of his forehead. “It’s not too much, and I’d do it in a heartbeat. S’no trouble,” he says adamantly, like he won’t hear anything else about it. It’s settled for him.

   “Thank you…” you whisper out, your voice barely audible above the hum of the engine. 

   He arches an eyebrow and looks over at you, tugging his lips into an easy smile. “Ya know, gonna have to get you your own car, too.”

   “Joel,” you warn through clenched teeth. He is not getting you a car. Absolutely no way.

   “What?” he shrugs. “You can’t get around without a car.”

   You shake your head unbelievably and open your mouth wide. “I can’t pay for a car.”

   “‘M not askin’ you to. I’ve got money.”

   And again, you can’t believe how insistent and easy-going he’s taking this. “Joel. I can’t ask you for a car. Absolutely not. And besides, I’m not ready to drive yet.”

   He flashes you a smile and gives you a nod of encouragement. “S’alright, sweetheart. You’ll get there in time. And when you do, you’ll have a car.”

   You lick your bottom lip, frustrated slightly that he’s being so kind to you. No one has ever been this nice in your entire life. Not even your parents… Why is he treating you like you’re important? You’ve never been important. So why does he act like you’re the only thing that currently matters? 

   “There’s no stopping you, is there?” you give up, your back flush to the warm seat as you stare into deep brown eyes that belong to the kindest man you’ve ever met. 

   He thinks you’re important. 

   “Not a chance,” he chuckles, his airy laugh floating through the cabin of the truck, striking another nerve in your heart. 

   He’s so kind, more than that. He genuinely wants you to thrive, to live. That takes a little weight off your heavy chest.

   It’s quiet for a moment, only the light wind and patter of raindrops taking up the space. But then he shifts uncomfortably and flicks his wandering eyes back over at you. There’s a deep crease between his thick eyebrows, and that look has you back on the edge of your seat. “Can I ask you somethin’?” he asks delicately.

   You swallow back nerves and nod your head in response. “Umm, okay. Sure.”

   “What, umm. What happened to your parents, if you don’t mind me askin’?”

   The question makes you tilt a little off your axis, throws you off just enough to where your right hand is discreetly clenched so tight around the side of the seat that you swear it turns pale white. You weren’t prepared for that question. You’re never prepared. But, you might as well just spill it. What else do you have to lose? 

   “They—they died when I was fifteen… Crashed their car on the side of a mountain, and they ended up rolling off the edge. On the very same day they were driving to get a divorce…”

   His eyes blow wide for a second and in the next he’s dragging a heavy hand over his mouth. “Oh, sweetheart. ‘M so sorry. That’s… traumatic.”

   You can’t help but to puff out a pathetic laugh from that. Your life has been nothing but traumatic; you just learn to live through it. 

   You silently nod and continue on. “After I found out, the judge decided I’d go live with my uncle. An uncle who barely talked to me. He didn’t even want me there, but I had no other options. So, I left as soon as I turned eighteen and moved into a dorm when I went to college.”

   “Is he still…”

   “He moved out of Washington as soon as I left. Last I heard, he died from a heart attack. So I’ve just kinda been on my own since I was eighteen. But really, I’ve been alone for much longer than that.”

   The inside of the truck goes completely silent, except the quiet hum of the purring engine. You don’t exactly like talking about your family drama and your awful past, but it’s easier when you already feel dead inside. Maybe if you talk enough Joel will decide to drop you off on the side of the street and leave you with a good luck wave. 

   He wouldn’t do that, though. That’s just your unhinged mind spiraling like your entire life is.  

   “That’s… fuck. No one should ever be put through that. What you did, what you had to do. M’so sorry.”

   You shrug it off and act like you’re just fine, but really you just don’t want to cry. You don’t want to show him how weak and pathetic you truly are. You used to be stronger than this… 

   Holding in a sob, you play it off like it’s nothing. “It’s alright. I mean, I’ve been through a lot worse since then. I guess I’m good at being alone…”

   It gets quiet again, only light breathing and shifting uncomfortably in your seat, trying to hide the pain that’s serenading through your body. Joel’s eyes keep flicking over to you, a pained expression masking his tanned face. He’s clenching his jaw, running his fingers through his dark locks, fisting the steering wheel until his knuckles are white. 

   His head turns to you when he’s stopped at a red light, and his eyes turn a lighter honey color, and those soft eyes nearly shatter you in your seat. “You don’t have to be. Alone. You don’t have to be alone anymore...”

   You swallow back the tears building in your eyes while your mouth drops open in awe. Before you even get the chance to say anything, he’s stepping on the gas and looking back into the fog of the rainy day. 

   You don’t have to be alone anymore. 

   The rest of the ride is silent as you contemplate his words and their meaning. You don’t have to be alone. He means you don’t have to be alone because he’s here now. He won’t let you be alone. Joel is the one person who isn't giving up on you. 

   He’s so patient, so generous, so good. He’s too good for you but here he is, wading through the rough waters to make sure your head’s above the waves. He won’t let you drown. Not today, maybe not ever…

   After a few more minutes, the truck is abruptly stopping, and Joel is cutting the engine. Your head lurches up, and you stare vacantly at the semi-busy parking lot. 

   The parking lot…

   It looks just like the one you got taken from… Rows of parked cars sit along the damp cement, empty carts are scattered ahead in the little blue cart holder, people rush to and from the store back to their cars. And then you see a man exit his white Sedan with a black baseball cap backwards on his head. The sight has you flinching, your nails digging into the leather of the seat when he turns his head and looks directly at you. It’s only for a second, but you feel those black pits searing into your skull just like that day they took you…

   “Well, here we are. A little more crowded than I thought it’d be for a Wednesday afternoon. We can jus’—.”Joel’s hand clasps the side of the driver’s door as he steps out, looking back at you with worried brown eyes. “Hey, you okay?”

   It’s like your voice is lurched deep in your throat as water consumes your entire vocal cords. You can’t swallow, can’t speak, can barely even blink as you watch the shady man cross the road, taking one look back at you until he disappears behind the clear sliding doors of the store. And it still feels like he’s watching you, planning his next move to where he can get you alone. 

   You remember that day all over again, just like it was yesterday. And now, all you can think of to do is panic.

   “N… no. I—.” You can’t even finish your sentence, only able to throw your seatbelt off and claw at the door handle, feeling like you’re suffocating on thick air that nearly strangles you to death. 

   You need to flee, run until your lungs collapse, but you have nowhere to go. 

   Tears well in your eyes as you fight to push out the images of the day you were taken, but they only push back harder, igniting your memories into fresh ones. You’re hyperventilating, holding your chest so tightly that you feel your heart skyrocket as you shake in your seat while your feet are planted on the wet cement of the parking lot. 

   Joel hurries around the side of the truck and throws your door open, trying his best to calm you down. “Hey, hey. It’s alright, sweetheart. You’re alright. Breathe for me.”

   “Joel… I…”

   “Breathe,” he coaxes in a soothing bravado voice. He kneels down in front of you to where he’s looking right up at you, and he’s got those soft brown eyes — the ones that always seem to calm you down. And when you have enough courage to lift your eyes, there they are. Warm, brown, soft, soothing. He’s soothing. 

   “That’s it. Take a nice deep breath for me. Jus’ like that. Attagirl,” he praises, keeping his honey-colored eyes right on you. 

   “I—I was…” you start but like always, you can’t finish. 

   You’re pathetic.

   “S’alright, sweetheart. M’right here. Jus’ breathe for me. And when you’re ready, tell me what’s wrong.” His hand brushes past your feet, close enough to touch your exposed ankle, but he never does. Because he knows better. He knows it’ll just set off a string of catastrophic events that’ll only lead you into a deeper black hole than you already are. 

   But yet, you can’t help but want it. Because you feel how warm he is. Just like that night he carried you to the bathroom. You remember how warm and comforting you felt with your face nuzzled in the crook of his neck, remember his woodsy cologne drowning out your fight or flight panic, remember how gentle he was with you…

   You slowly lift your eyes up and push away the screaming voices in your mind. They seem to come to a jarring halt when you meet those soft brown eyes and a face you swear has an angelic glow about it. His fingers flex against the floorboard, just enough to where you can feel the warmth from his tanned skin, and just that motion causes your heart to still for just a beat. 

   Warm. He’s so warm. 

   After a few more seconds of steady breaths and his heavy gaze honing in on you, you get enough courage to shakily let your words out. “I was—I was taken in a parking lot just like this. In the middle of the day. And I—I guess I wasn’t quite ready to see another one.”

   He falls silent, and his face drops like he’s just seen a ghost. His eyes glaze over as a heavy hand rakes down his clipped beard, slowly dragging it over his lips as he takes in your words. “Oh. Christ, m’so sorry. I didn’t know. I didn’t even think ‘bout that before I brought you here. Fuck, I’m so sorry.”

   Shaking your head back and forth, you swallow and grimace. “It’s not your fault. I didn’t tell you. I didn’t—I didn’t think I’d freak out. But then the memories hit me and I—I… it’s my fault. It’s all my—.”

   He leans into the side of the truck, careful not to touch you, but still close enough to where you can almost taste his woodsy breath. “Shh. Don’t for a second think of apologizin’, sweetheart. None of this is your fault. Not one fuckin’ bit of it.”

   He looks at you so intensely, so cautiously that you can clearly see the amber flecks that swirl under the cloudy skies, his jaw flexing back and forth as he searches for more to say, but he doesn’t have to say anything. You feel what he’s feeling. Regret, rage, sorrow. He wishes it never happened to you.

   You take a shaky breath and glance up behind him, right as an older couple with two kids clinging to their arms passes peacefully by. A car door slams shut across the way, and it makes you jump in place, remembering that very moment you were corralled into a black van as the door slammed shut behind you, warning you that you were trapped.

   As you cringe in your seat and feel your knuckles go white, you whisper, “I’m scared, Joel. I can’t—I can’t...”

   “Hey. Can you look up at me?” he asks gently, slightly brushing the pad of his thumb against the side of your shoe. When you look up with watery eyes, he gives you an encouraging nod. “There ya go.”

   Your body is trembling with every swift movement and every screeching halt of tires in the parking lot. You start to drift back into a panic, but Joel sees right through you and pulls you right back out with his chocolate brown eyes.

   “Keep your eyes on me. Right on me. That’s it. Such a brave girl,” he coos; his voice sounding like a melodic tune that vanishes all your dark thoughts from wrapping their tangled vines completely around your stirred mind. 

   As you continue to stare at those beautiful caramel eyes, you get lost in the sound of his Southern drawl. “I want you to focus on one thing. It can be anything. A scent, a color, whatever brings you comfort. And I want you to focus on that one thing until your mind starts to quiet down.”

   You look around the truck, searching the fresh leather, letting your eyes wander to a nearby green tree, focusing on some drifting stormy clouds that cover the sun. But none of that makes you feel good or even remotely calm, so you let your eyes wander to the rugged, Southern gentleman who’s kneeling right in front of you, begging with those soft brown eyes for you to get even just a semblance of a second of peace. 

   Warm. He’s so warm.

   You get lost in his cinnamon, woodsy scent, fade into his coffee-colored eyes and feel like you’re crashing right into him. You can’t seem to stop staring, almost like you’re under a lovesick spell, but really it’s just your body telling you he is what brings you comfort. Joel Miller, the man who saved you from your impending doom. 

   So, that’s what you focus on. Him and his warm brown eyes.

   “Okay,” you finally whisper out, never dropping your eyes from his.

   He looks at you a second and tilts his head, making sure he heard you right. “You got it?”

   “Mhm,” you hum back.

   A faint smile appears on his mouth and then his hand is skimming the brim of the floor, close enough for you to feel the electricity from his touch zapping your leggings. But still, he doesn’t dare touch you. He’d never do it without your permission. You know this now. 

   “Now, close your eyes and picture that one thing that’s gonna drown out everything else,” he says through the light rain pattering on the tips of his broad shoulders, right onto his soft blue flannel. 

   “Joel…” you reply back leery. 

   “You trust me?” he asks with knit together eyebrows.

   You chew your bottom lip for a second before you answer, throwing the question back and forth between your brain. “I—yes.”

   He gives you a smile and nods. “Close ‘em for me then. Jus’ for a second.” You do exactly as he says.

   When your eyes are fully shut, his Southern drawl floats through your ears. “Focus on my voice, sweetheart. Focus on how still it is; make your heart that same rhythm. Slow it down, jus’ like my words.”

   You focus on every breath he breathes, every sound of the shift of his shoulders, every whisk of the wind sweeping through his tousled curls. For this moment, every single other restless sound outside the truck is silent. For the first time, all you hear is him.

   You center your mind on him and him alone. And when that whiff of cedar trees and mahogany swirl all around you, you relax and breathe him in like he’s the last thing you’ll ever smell.

   “Now, open your eyes,” he says after you lose track of time. 

   You slowly lift your eyelids and look out beneath your lashes as those bright brown eyes send you into a cloud of serenity. And in that moment, you really do feel like you’re home. 

   “There ya go, nice and slow. Feel that? Things are a bit quieter now,” he says gently, giving you a soft smile that makes you choke back tears. 

   Nodding, you reply, “Yeah, it actually is quieter.”

   It’s quiet for a beat as you sit there, your palms on your thighs, fingers digging into your leggings, but his presence right in front of you is oddly calming. Just like taking a deep breath of Washington air in the mountains. You swear you almost smell those pine trees like you’re there, but it’s Joel you smell.

   “You feel a little better?” he asks, scratching his fingers down his greying scruff, brown eyes flicking up at you like you’re the most important thing in the room.

   “Yes,” you nod, still trying to wrap your mind around how quickly Joel was able to calm you down. 

   “See? Knew you could do it.” His smile tugs at the corners of his lips, and it makes you give him a shy smile in return. 

   When’s the last time someone was able to get you to smile? You can’t even remember. 

   “I did it because you helped me,” you confirm, wanting to make sure he knows he was the reason you had the courage to break through your panic attack.

   “That’s right, sweetheart. I helped you, but you were the one that broke the panic attack. You’re so very brave, and I hope you know that.”

   You’re so brave. He called you brave.

   The way he’s looking at you makes your heart skip a beat. All soft and gentle and warm. You’ve never been around a man like Joel. Never once knew how good a man could be. But Joel, he’s like an angel sent from Heaven’s gates just for you. Or so it seems. 

   You swore to never trust a man again, but you can trust him. 

   “Now, you think you can make it in the store?” He tilts his head in the direction of the sliding doors, just as a young couple walks in with an empty grocery basket.

   Gulping some courage down, you nod. “I—I think so.”

   “Attagirl. Now, c’mon.” He holds the door open for you and calls your name softly, giving you that jolt you need to exit the truck. “It’s alright. Nobody’s gonna hurt ya. Not while I’m here.”

   “You promise?” you ask when your feet hit the concrete, your voice shaky like you don’t quite believe him, but you do.

   “Promise,” he nods, his crow’s feet pulling at the corners of his bright eyes. It’s enough to get your legs moving.

   “Okay,” you whisper.

   You follow closely on his heels, your fingertips grazing the bottom of his flannel, close enough to grab on if you need to. Your heart is galloping a thousand miles an hour with every step you take, but his woodsy scent is just enough to quiet down the yelling in your head.

   When you get to the edge of the sliding doors, you freeze when they open to a busy grocery store. The loud noises of rustling bags and screeching wheels of carts is enough to make you want to run the opposite way.

   Joel must sense your worry because he brushes his arm next to yours and looks down at you with knitted eyebrows. “S’alright. I’m gonna be right by your side every step of the way. You can do this.”

   You can do this. 

   Looking up into his syrupy brown eyes gives you that little bit of strength to get you moving again. And when he grabs a shopping cart and beckons you to follow him, you do.

   “Thanks for believing in me, Joel,” you say graciously.

   “Always.”

   You keep right by his side, the fluorescent lights feeling like spotlights shining down on you. It’s like every single person shifts their eyes toward you, faces distorted and smiling like they’re laughing at your fear. The music that filters out of the speakers makes your ears ring. Children run rampant around a restless mother, a tall man with a backwards baseball cap reaches across a barrel full of pineapples, and it’s as if he’s reaching for your wrist. 

   Without thinking, you grab on to the end of Joel’s flannel and tug it toward you, digging your fingers into the soft cotton as if it’s a safety blanket. The smell of fresh firewood and green grass envelops your senses and for the moment, everything becomes a little more still. 

   “You keep tuggin’ on my flannel and you’re gonna pull it right off,” Joel chuckles, giving you a small smile as he looks back at you. 

   “Oh, sorry,” you apologize, dropping your fingers as if you just upset him. 

   “Don’t gotta apologize. You jus’ hang on if that’s what you need right now.”

   You slowly reach back up and flex your fingers around the blue material, peeking up hesitantly beneath your lashes. 

   “Your flannel, it smells like the forest. Reminds me of the mountains in Washington. It umm… it calms me down.”

   “Well then, it’s yours, sweetheart.” Those pools of honey liquid melt you on the spot; his warm smile takes the edge of fear off your chest for just that moment. And when that whiff of autumn from his white t-shirt floats through the air, it’s like he saved you all over again. 

   He drops his hands from the shopping cart and starts unbuttoning his flannel, carefully shrugging it off his broad shoulders as you stare blankly up at him. And then, he’s holding out the faded blue material to you.

   “No, I can’t. I’m fine. I—.” You take a step back and press a palm his way.

   “Here, put it on,” he insists, stretching his arm until you have no option but to take it.

   “Are you sure?” you squeak out, unsure of yourself.

   “Mhm. Want you to feel safe. And if this makes you feel a little calmer, want you to wear it.”

   Hesitating, you carefully pluck it from his reach and end up sliding your hand against the back of his, feeling a tingle of a spark from his worn, calloused skin.

   “Thanks, Joel,” you whisper above the monotone music playing over the store speakers.

   “Anytime, sweetheart. Anytime.” He nods his head toward the produce section and smiles. “C’mon.”

   You stay right beside him, almost flush to his hip with every wavering stride you take, but Joel doesn’t seem to mind. No, he just keeps his brown eyes flickering over to you every minute that ticks by, encouraging you with that kind smile of his, telling you with the curve of his lips that you’re doing so well. You can almost hear that Southern drawl sliding off his tongue. 

   I’m so proud of you, sweetheart. Doin’ so good. Look at you, bein’ the bravest girl I know. 

   Even though he’s not verbally saying those things at this second, you can tell he’s thinking it with the way his doe eyes soften every time they look your way. You can tell by how warm and kind his essence is, how his smile seems to send a flicker of sunshine your way even behind a thick wall of grey clouds. 

   He’s just… safe. You feel so safe around him, and that’s something you’ve never felt in your entire life. You’ve never been safe. But with him, you just might be.

   The clicking of heels and the stare of curious eyes makes you physically cringe and tense your shoulders, thinking one of them will snatch you away yet again. You keep your mind busy by counting the threads of Joel’s blue flannel, training your eyes on his slicked back tan curls, meticulously staring at every single strand that’s wrapped in a silver glow. It seems to help, gives the impression that maybe you can do this. And you are. 

   At times when he strays too far, you reach for him unintentionally. It’s like your hand is magnetized to the feel of his cotton shirt, your fingers curling into the thick material. And again, he doesn’t seem to mind, only smiles and goes on with gathering groceries. 

   He doesn’t forget the caramel, doesn’t forget to grab a few bottles of vanilla creamer and extra sugar. In fact, those were the things he went for first. 

   He doesn’t forget things. Doesn’t forget what you wanted. And that in itself proves something. What, you’re not sure. But it proves he cares, that you do know.

   You follow him to the produce section and watch him shift his focus on picking the best meat, promising to get the best steak for dinner. You haven’t had steak in years, and you don’t doubt for one second that Joel can cook a mean one. 

   Averting your eyes from his pensive stare and flexed jaw, your gaze wanders over to the cereal aisle, and you suddenly have the biggest craving for a box of Cocoa Pebbles.  

   Saliva gathers in your mouth as you think of how sugary and good and delightful a mouthful of chocolatey goodness would taste right now. Without thinking, you pull on the end of his shirt, stretching the material mindlessly as your brain transfixes on the mountain of sugar just a few feet away. It’d be so easy to go grab a box, but your feet won’t move, your words won’t form because you’re terrified to be alone for even a second in a grocery store of all places.

   With one more slight tug on the edge of his t-shirt, he turns with a soft expression and questions, “What is it, sweetheart?” No anger or hint of annoyance in his Southern drawl, just pure warmth. 

   Your voice stays silent, your immense stare fixed on that aisle of sugar and thousands of calories you’d happily inhale. You’re sure your frail body would thank you, even if it was just junk. Joel’s eyes trace over yours, following to where yours end, and then a small chuckle leaves his lips. “You wanna go grab some?”

   “Yeah.”

   “Go on then. Why don’t you go pick some out?” He nods to the empty aisle, encouraging you on. But you stand there like your feet are cemented to the shiny floor, and you have no intention of moving. 

   Fear pulses through your blood, and anxiety is trickling down your spine. Joel takes a step forward and drawls in a low but soothing voice, “S’okay. I’ll be right here watchin’. You can do it, sweetheart.”

   You look up and see warm pools of honey staring down at you and a smile that makes your knees feel weak. He’s so fucking soft with you. 

   Nodding, you take a step forward and then another, dragging your feet toward the aisle of boxes of sugary goodness. The further you get away from him, the more anxious you get. 

   What if someone takes you, gets too close to your liking, grabs your arm and drags you away? Looking back toward Joel, he gives you a small nod, telling you it’s okay. You’re okay. 

   Turning back to your task at hand, you start scanning the shelves, your appetite suddenly stimulated as you scavenge for what you’re looking for. Saliva is coating the back of your tongue, your stomach rumbling. There’s too many choices, too many kinds you want. 

   When you finally spot a box of Cocoa Pebbles, you see two more kinds you want. Lucky Charms and Cinnamon Toast Crunch sit right next to each other, calling your name for you to take them. Gritting your teeth together, you make a choice. You want all three, so you dip into your impulses and grab them all up. Hopefully Joel doesn’t mind. 

   A middle-aged man passes you in the row, and your muscles tighten around you, making you squish the boxes together in your arms. You focus on deep breaths, telling yourself he’s not going to hurt you. Not every man is out to get you, but it certainly feels like that now. Maybe one day you’ll be able to break the cycle of thinking that. 

   Quickly passing the stranger, you prance up to Joel, all three cereal boxes shoved together in your arms, just like you’re a kid in a candy store. You hear him chuckling before you lift your eyes up to him, and then he lets out a belly-aching laugh. 

   “Look at you with three boxes. You really do have a sweet tooth, don’t ya?”

   You feel your cheeks grow warm as you set the boxes down in the cart. Nervous laughter filters out of your mouth. “I couldn’t quite decide what I wanted. I can put some back if…”

   “No. I’m jus’ teasin’, sweetheart. You get as many kinds as you want. Ain’t got a limit with me.” His wide grin and crow’s feet makes a small smile tug at the corner of your lips. 

   “Thanks,” you say shyly. “I guess it’s been a while since I’ve had any cereal, or really any kind of sugar. So, this is different. I’m not used to any of this.”

   Understanding hits his brown eyes and his jaw clenches as something tosses through his mind. “Well, we’re jus’ gonna have to change that, ain’t we?” 

   Pursing your lips, you nod. “Call me a work in progress.”

   He gives you a soft smile and wraps a large hand around the cart. “You’re doin’ jus’ fine, sweetheart. Makin’ plenty of progress jus’ by steppin’ foot in this store today. Proud of you.”

   He’s proud of you.

   “I wouldn’t have even made it into the store if it wasn’t for you…”

   He takes a long look at you and just stands there for a few seconds, searching for the right words to say. “It was all you, sweetheart. You jus’ needed a little push in the right direction and someone to be there for you.”

   “Thank you for being there when I needed someone, Joel…” you whisper, your eyes a little misty with emotions running rampant through your body. 

   It looks like he wants to reach out, but he just grips the handle of the shopping cart tighter and tips his head. “‘Course, sweetheart. Whenever you need me.”

   Whenever you need me. The words get stuck on repeat in your brain as you follow him through the rest of the grocery store. You think you’d follow him anywhere.

   When you’re all checked out and the bagged groceries are sitting inside the cart, you realize Joel’s flannel is still wrapped around you. You don’t want to take it off necessarily. It smells like him, and it’s so warm and cozy and basically drenched in forest air. But, it’s not yours. You slowly start to shed the warm layer, but he stops you before you can get it past your elbows. 

   “Keep it, sweetheart.” He presses a palm out, pausing you in your tracks.

   “Don’t you want it back?” you ask with knitted brows.

   “Nah, you go ahead and keep it,” he answers. Before you can walk out the door, he turns and smiles warmly at you. “Besides, it looks better on you.” And then he continues on, like he didn’t just give you a compliment. 

   It looks better on you. 

   You hug the blue flannel back against your body, breathing in the very essence of him that seems to calm every single nerve in your body. 

   He gave you his flannel.

   Once the groceries are all packed away in the back of the truck and both you and Joel are buckled up, he turns to you before driving out of the parking lot. “So, you wanna go get ice cream?” 

   “Ice cream?”

   “Mhm. Ice cream,” he confirms.

   “Whatever for?” you giggle.

   “Don’t you like ice cream?” he inquires, flicking his brown eyes over your way.

   “Well, yes. But…”

   “I think brave girls deserve ice cream. Don’t you?”

   You study him, looking for any sign of lies in the crow’s feet that pull tightly around the edges of his chocolate brown eyes, but you find none. He isn’t messing with you or your mind; he’s being completely sincere when he uses the word brave. “You think I’m a brave girl?”

   “The bravest.” He smiles, his eyes twinkling like golden orbs under the grey skies, and it just confirms how warm he is. 

   You gawk at him, your lips parting as you just stare and stare at him. He thinks you’re brave, and he wants to take you for ice cream? Who even is this man? 

   “What?” He catches you staring and probably wonders why you’re just marveling over him. He must not realize you’re completely mesmerized by every single thing he does. 

   No one’s ever treated you so human. Like you’re important and matter. Joel sees you. He really sees you. Your layers and all. Just like transparent glass.

   “You just surprise me, that's all,” you answer hesitantly, eyes still focused on his tanned skin and wrinkles that line like maps across his face. Something you could trace easily. “You’re not exactly what I expected, I guess.”

   “And what’d you expect?” He quirks an eyebrow up as the engine hums under your seat, his eyes making their way back to your face.

   “I don’t know. I guess I didn’t think you’d be so… kind.”

   He curls his lips into a sideways smile while he taps his thumb against the leather steering wheel, eyes still focused directly on you. “I try my best, sweetheart.”

   “You don’t even have to. You just are. Just like that first night I saw you sitting there across the room. Your eyes seemed so… kind.”

   Everything seems to quiet down for a moment, only the sound of your heart, the slow motion of the tires hitting the wet pavement, the thick tension coursing through the air, and Joel’s clear brown eyes that are smothering your insides. They speak louder than tidal waves, those deep brown irises. And right now, they’re making your heart clench in your chest.

   He clears his throat and then the tension dissipates. “So, how ‘bout that ice cream?” He wraps his large palm around the steering wheel and smiles over, making you mirror one right back to him.

   “I’d love some ice cream.”

   “Attagirl. Let’s go get you sugared up, then.” As he pulls out of the shopping center and drives down the smooth road, you giggle silently and watch the trickles of raindrops drip down the side of the passenger window. 

   “Have you ever tried espresso ice cream?” you ask, shifting your weight so you can see the question roll over his brown eyes.

   “As a matter of fact, I haven’t.”

   “I think you’d like it,” you chirp.

   He turns his head and looks at you, pulling his lips into a smirk. “Reckon I would. That what you recommend?”

   “Mhm,” you hum. “Since you like coffee so much, might be your new favorite flavor.”

   He huffs out a laugh. “Well, looks like that’s what I’m gonna have to get. Let’s see what other recommendations you have for me.”

   As you lean against the window, you place the back of your hand over your mouth to cover the blush that's building in your cheeks. Who knew this is where you’d be in the middle of Wednesday afternoon this time of year? In a truck, wearing Joel’s flannel, getting ice cream, being free of your captors… And all you can smell is the fresh woodsy scent of him surrounding you.

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[sepublic]

I remember hearing that Dana was inspired by True Crime, amongst other things and people IRL, when writing Belos. And it seems that contrary to the notoriety of True Crime fans, she actually understood the assignment.

Because she opted to demystify the serial killer as this dark, unusual psychology that operates outside of societal borders and rules, disturbed by some secret reason, and instead literally pull off the mask to reveal he’s just some white manchild who hates women and minorities to a violent degree, because he feels threatened by them and their ability to say No in his entitlement. There’s nothing special or unique about his motives.

He’s no exception to the status quo, he is it unmasked of the veneer of civility, he’s the lynch mob and the cop (all of whom inherit the violence of white supremacy and colonialism) and fittingly a lot of serial killers were clocked by women and PoC as dangerous, but cops —largely white men— dismissed their claims because look at this dude, he seems like an upstanding citizen! And that’s really how he got away.

And because his victims were people the system was less likely to believe because they both operated on the same biases, you see why a lot of cops who commit brutality are drawn to an institution where they’re given violent power over brown and/or queer communities who are labeled as ‘suspicious’, because they enjoy easy targets they know the system doesn’t care about, and are enraged by body cams and accountability.

It doesn’t matter if they’re intentionally bigoted, their support of an inherently bigoted institution makes them the same; Internalized biases and “I don’t see race” and all that. You see how Philip wanted to be a witch hunter —the prototypical cop who is not exclusively violent towards women but still has a clear slant— or colonial savior so bad, because his violence could be legitimized by the authority of the state.

He leans into it hardcore when he feels threatened by the presence of an outside girl who challenges the Christian narrative of Gravesfield, to the point of violence; It’s a position that validates killing anyone who doesn’t agree with him in general, hence Caleb and the Grimwalkers, but of course his and society’s biases slant towards women and PoC. And while it ultimately doesn’t matter whether he’s intentionally racist/misogynistic, it’s worth addressing that he very much does have the intention due to his blatant Conservative backdrop.

And seeing how charming Philip is and the portrayal of him as a little kid playing games in his youth, a perception Caleb might’ve still had which led to his death, I can see the direct line to families who find out their sons are school shooters and are in disbelief because he was such a nice kid! While ignoring the obvious Red Flags because white men are allowed to express these without being immediately scrutinized by the community, by having it brushed off. On some level cops don’t suspect him because he’s the same type of guy as them.

Part of that denial comes from the fact that he’s not an “unfeeling sociopath” who’s wired differently. Philip can feel empathy and guilt like anyone else, but he’s still a hateful prick and these aren’t mutually exclusive; Not when people can be perfectly selective about who they extend these feelings towards, or even do things in spite of these feelings, because other ones —anger and pride and hatred— exist and they choose to prioritize those. There’s an assumption that empathy and guilt inherently make you a good person, but they don’t; That ultimately comes from what you do about it, not how you feel.

You could even say Dana and the other writers wrote him too well, because true to life, we have a similar issue but on a micro-scale via the abstraction of fiction regarding a very dedicated fan base who loves to romanticize him and his actions, attributing his issues to some secret trauma in childhood, a young man failed by society! While also scrubbing him of his racism and misogyny and reliance on the status quo, to make him ‘apolitical’ and you can see the same not just with fans but also in society.

Because society doesn’t want to acknowledge serial killers as just the truth behind their white sons and the system that absolved and encourages them, because that would require them to admit their guilt in how they’re structured. Rather, they’ll say these men reflect some dark truth inherent to humanity, and don’t exist within a certain sociopolitical framework.

And so he was a ‘loner’ whose problems can be pathologized via mental illness, his trauma can be traced back to a specific incident in his youth he just couldn’t get over. So you see how school shooters are made into victims, how serial killers are also made apolitical and even alien to distance them from the status quo.

And then you can lean into how unusual they are by writing characters like Dexter or Hannibal Lecter, you can not just defend the system but feed into it via the commodification of their violence as entertainment and consumption, and thus fuel the white supremacy train by letting their violence towards women and minorities be praised as something fascinating and interesting and conveniently clean of bigotry. This is the dichotomy of the hypothetical, romanticized Fantasy Serial Killer, and the banal IRL Serial Killer.

Thus we have the same cycle of white men’s violence being praised and validated by the system, and white men feeling entitled to this fame as a delusional fantasy. Because you’ve never heard of a black serial killer; Because black people are violent, that’s just the way they are, right? But if white men are violent, this is sensationalized as somehow unusual and fascinating and worth dedicating countless books and shows and movies towards. Obviously.

And even going back to witch hunters, sometimes I wonder about the constant consideration of, What if witches did exist? What if they were evil? Things like The VVitch or The Conjuring series, which have some framing of the Salem Witch Trials’ IRL violence towards women as legitimate in another universe, because of Satanism’s genuine predatory threat towards women, and how evil women sacrifice theirs or others’ God-given gift of a child, and now threaten another white Christian family.

And again there’s the the demystifying of the real life witch hunter too when we have a historical reenactment declare verbatim that IRL witch hunters were motivated by economics and other banal factors, not by any genuine belief in the dangers of demons; And even in a setting where the demons were real, they were not the predatory threat IRL witch hunters made them out to be, and so their very real biases and ulterior motives still apply in cumulative insincerity.

Hence, the Titan correcting Luz by explaining Belos as someone who only cares about being the hero in his own delusion; The fascist wet dream of a hidden invader here to corrupt even young white men, an outside monster to vanquish and whose destruction justifies the state, when in reality the monster IS the state, and before he was even presented as a witch (much less the human truth), his system’s destruction was called for.

Ultimately, a lot of True Crime and similar narratives are criticized for focusing more on this apparently inevitable mystique behind the perpetrators, who warrant far more attention than their victims. So when the villain is an example of True Crime, it’s worth noting how the show is so much more focused on the ‘weirdoes’ he targets, on women and/or PoC. The lives of Luz Noceda and her friends, them getting along and their psychologies, are just so much more important, and it really isn’t about that guy, who is informed as much as he needs to be.

But again, the True Crime fans dilemma; People genuinely salty at the show for not focusing on their favorite serial killer and his troubled backstory, his tragic motives and Puritan repression. The framing of his murders and motives isolated through the lens of his violence on undeserving white men, and not on the out-group he is specifically targeting and has committed much more violence on, esp if you look at the narrative’s actual framing of his impact on our protagonists, but also other victims who are witches or demons, and even his own self-professed motives; Hence, ‘Fratricide Georg’ as a joke depoliticized of his colonial violence, a violence that is not just adjacent to but fulfilling racism.

Because he hallucinated only those white men out of guilt, but that’s his biased perspective and priorities; And so you see how this is contrasted with a refusal to empathize with people like the Collector or Luz, who are put into the same situations as his white male victims via shared cinematography, yet are just as rejected. Luz is only put into this situation as convenient to Belos’ narrative, the closest replacement to a white male human he can get, but again if this girl of color says No, he tries to murder her and even does.

Yet again, people take genuine, personal insult at the creator for finding Belos to be her least favorite character to write, while ignoring that she still found him necessary to the story she was trying to tell; She just found the framing and focus should’ve been shifted to his actual victims’ deep and meaningful lives, how they matter. So people hate that S3 cares more about Luz Noceda’s relationship with her parents of color, as well as her female mentor and demonic brother, or her queer relationship with her girlfriend, etc.

And even when they get a bone of white boy Hunter, it’s still not enough; Fans inevitably gather themselves into an almost frenzied state of personal victimization, rallying into harassment of PoC who criticize their portrayal and discussion around their colonial serial killer fave, organizing dedicated trends and months to giving their white men the focus they ‘deserved’, because this is just White fandom in general.

Look at the entitlement campaigns regarding Ben Solo or Billy Hargroves deserving better, these young white men violent to women and minorities. It’s just the same thing but on a micro-scale, at least filtered via fictional characters. But Jesus you see how internalized biases bleed into everything. You’ve never heard of a black serial killer and fandom doesn’t fight for characters of color.

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[sulumuns-dootah]

Assigning WHB demons plants/flowers based off the vibes: Abyssos

⟡ Masterlist ⟡

A/N: I think I need to start attending some botany classes again bc from the way these post are turning into me rambling about plants i can tell I miss it :D

─── ⋆⋅☆⋅⋆ ───

Nepenthes rajah

I don't think this plant has a common name, but if it did it would be smth like Rat/Mouse eating pitcher plant

Bc that's exactly what the plant does

It's just big enough for the small rodent to climb into and never see the light of day again

This also probably explains why I picked it for Beel

I mean, he literally eats angels whole

(I find pitcher plants really cool bc they're literally just a pitchers filled with digestive fluid, but they're not necessary carnivorous - some life off of animal droppings or insects)

       ༺☆༻

Venus flytrap - Dionaea muscipula

At first i was gonna include maybe some other pitcher plant or completely different plant...

But then again, Bael is literally catching the King of flies on daily basis

Idk why, but looking at pics of the open leaves is really calming to me

Having them is kinda cool bc sometimes you just walk past and see one of their leaves closed bc it caught a fly and you'll feel kinda proud of your little baby for catching something

From my experience they don't close when you give them dead one, though

They might also be a bit harder to keep alive...

Mine made it few months, but then bloomed and died shortly after I cut the flower off (similar thing also happened to my friend who specialises in succulents and carnivorous plants so I don't think I did anything wrong)

       ༺☆༻

Poison Ivy - Toxicodendron

At first I was thinking I'll give Stolas something bird-named, but I really wantd somethinig that looks harmless, and the moment you mess with, you're in for a lot of pain

And this plant baby delivers

I've never had the misfortune of meeting it, but I haver heard the stories

For those who don't know: Contanct wiht the plant gives you a nasty rash, sometimes with some blisters

Interestingly, looking it up on wikipedia, there's even what would happen if you smoked or eaten it....

As if you'd wanna do that after getting a rash just touching that thing

(You skin is pretty much reacting to the oil on the leaves, so after you come to contact make sure to wash it off or you'll spread it on other things too)

       ༺☆༻

Hypoestes

I can only talk about this moody beauty from experience since there isn't much info online

From what I've found there's about 150 scpecies in this family

Doesn't require much sunlight, but needs water

And oh boy, the amount of water...

The reason why I picked this plant for Amon is how easy it is for the leaves to start drooping

Just like him being constantly tired

But oh boy, the drooping... One minute she looks good and then two minutes later she's on the verge of death

It's not good to have planters just sitting in water bc of the risk of mold, but this one might just need it

       ༺☆༻

Common Ivy - Hedera Helix

Originally I wanted to go again with a plant based off his animal form, but then while writing for Amon, I saw normal Ivy

The ultimate Dark Academia plant that looks so good growing around anything

It's perfect for a demon they sometimes call Class President

I really love Common Ivy bc of how much you can use her for

Amazing use for Ivy is putting her into floral arrangements and the amazing thing is that it'll mostly keep its color as long as it's not left out in the rain or your glue gun set on too high temperature

Fun fact: The leaves of the plant are different on normal branches from the branches with a flower

[novvabee]

The Boys in the Band

AN: I got carried away with this one, but here is the second part to the band au

word count: 2.8k

cw: language? there is nothing really bad about this one.

Since your first show, you had been quite busy. You had opened for a couple bands at The Common Room, you booked a few nights at the popular club, The Hog’s Head, and managed to snag a spot in another festival. You had become popular very quickly amongst the girls, gays, theys, and young people in the city. Each gig you noted more and more fans, crowds growing, singing so loud and dancing so hard. 

This is what you always dreamed of, performing and making people happy. You lived for the drama and theatrics of it all, dressing up on stage and singing your heart out. The girls felt the same electricity, the same passion as you. That made your bond as a group that much stronger.

Not to mention, you were all good friends. Lily had mentioned to you that she and Mary had been messing around and found out they actually sounded really good together. Then they asked Marlene if she would play drums, which she said yes to in a heartbeat. And then Lily realized they needed a front woman, someone who could sing and bring the most energy. She thought of you, your bold and fierce attitude, your flirty and fun personality. And that is how you started.

The four of you wrote all the music you performed; the fun and girly songs by Mary, the campy over-the-top songs about women by Marlene, the sad and slow ballads by yourself, and the thought provoking and experimental ones by Lily.

Mary had the upbeat, girly, pop songs down. Her personality just flowed with inspiration for them, so those were the types of songs that you mostly sang and performed. You weren’t complaining, her songs were half the fun.

Marlene was full of something you all liked to tease her about; lesbian angst. But all that angst made for great songs to perform and were usually the crowd favorites.

Lily was slightly different, she was full of thoughts and ideas about the world, and her medium to get them out of her brain and into the world, was through music and lyrics. She wrote a lot of songs for women, for rights for all and for political change. If you had to pick, you would say hers were by far your favorites. She didn’t write often, but when she did, she had a message, something to say. You loved that about her.

Your songs were all ballads and sad. The girls teased you about that too, saying you shouldn’t let a man make you cry. It wasn’t exactly your fault, you had just gotten out of a long term relationship, and were drawing inspiration from all the confusing, mixed feelings that came with that. 

You had been dating this boy, Matthew, for about a year and a half, but everything seemed to take a turn for the worse a couple months ago. Your once sweet and charming boyfriend had turned into this cold, vacant man right in front of you. You two argued all the time, about small things as well as very important, serious things. He started accusing you of sneaking around, hiding things from him, cheating on him. None of it was true, and you tried to tell him that, but he wouldn’t listen to reason.

So you had enough. You told him that if you two couldn’t work things out, you didn’t know if you could continue on. He said nothing, just agreed with you. He didn’t try to mend the broken relationship, didn't try to fight either for you or with you. You would’ve taken either, but he just walked away.

As much as you tell yourself you’re doing so much better, that you have moved on and don’t care about him anymore, that isn’t exactly true.

You leaned into the band to distract yourself, putting everything you had in it so that you wouldn’t be left with those feelings. You’re just glad you had your friends, your girls who not only could help you through it, but also help you see this band through. They ignited you.

You felt that way even just sitting on the floor of Mary’s apartment. The space was cute and cozy. You girls were sprawled out over fluffy rugs, a plush couch, and two oversized bean bags. 

Mary was nodding her head along to a beat that only she could hear, writing down what you could only guess were new lyrics. Lily was strumming a tune she had been working on for over a week. You and Marlene were talking about what to wear for your upcoming show. 

“I think you'd look good in that pink leotard with the matching cowgirl boots.” Marlene recommended.

“The pink tassels or the pink heart?” you asked.

She thought for a moment, then her eyes lit up. “The tassels, that way you can wear the boots and maybe a cowboy hat,” she paused looking at the other two, “maybe we can try out Pink Pony?”

Excited, you clapped your hands together. You had been dying to perform this new song in front of a crowd and this was the perfect opportunity. You were playing at The Common Room again, but this time it was only you. Unlike every other performance you had, this time there were no openers, and no one else after you. You got a whole set for yourselves and the whole night to perform and party with fans.

The night was going to be nothing short of magical.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James followed Remus and Sirius into the stage door of The Common Room.

All three boys wanted to come and see the performance that The Pixies were giving tonight. They had gained a lot of traction recently, seemingly overnight.

James didn’t feel at all jealous or threatened, they were doing just as well themselves, and they made entirely different music. He was more curious as to the fact that this band came out of nowhere.

The Marauders were used to competition revolving around the music world. They had been doing this for a while now, they understood the fight to fill spots and book sets. This band was just another contender now.

James was more frequently used to The Snakes stealing their gigs or spots in festivals, but now even they were pushed aside for this new band. The Snakes was led by Sirius’s little brother Regulus, another person on the list James hadn’t spoken to in a while. James knew that Regulus was a grudge holder, hell, he was related to Sirius, so he shouldn’t be surprised that Regulus cut all contact.

He fucked up, he knew he did. But he still wasn’t ready to think about it.

Slipping through the crowd and continuing to follow as best he could, all three boys ended up in the back of the already packed room. 

“Holy shit,” Sirius began, “there are so many people. How much were tickets?” He asked Remus.

Remus answered with a head shake. “Don’t know, Lily told me to come in through the back door so we wouldn’t have to pay.”

James’s stomach sunk, maybe he shouldn’t have come. Lily didn’t even invite him, he just tagged along with Remus. But, she had to have known that would happen, right? The boys didn’t do anything or go anywhere without each other.

“Oh my god! Hi,” came a voice from a girl to his right. “You’re The Marauders right? I love you guys. I’ve been to, like, a bunch of shows.” James recognized this girl. She was always front row or close enough, always giving Sirius a look that showed she wanted to fuck him, or at least become a groupie. “Could I get a pic?” she asked.

Sirius smirked. “Course you can sweetheart.” he said while she handed her phone to someone she was with. She stood between Remus and Sirius for the photo, then thanked the boys, obviously wanting the interaction to continue. 

James did not. He would look like such an asshole taking pictures with fans at Lily’s show.

The thought was cut short when the house lights dimmed and the stage turned a hazy pink color. James lost every thought in his head when you came out on stage.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Walking out onto the stage, you were met by a wall of sound, cheers and screams. Your nerves and butterflies instantly fluttered away. This is where you were meant to be, up here on this stage, in front of a crowd, making music. You had dreamed of this since you were a little girl.

You pranced yourself out in a cowboy hat and high heel boots, a matching sparkly and intricately tasseled leotard to top it all off. Your ass may be out, but that was the fun of it, the aesthetic. Especially for the new song you had prepared for the night. 

“Hello my friends.” you said, the cheers and screams somehow getting even louder. “We are The Pixies,” you introduced, “and we are here to give you the night of your life.”

You looked around the crowd to see so many faces enhanced with intricate and beautiful makeup looks, so many fans copying looks from your previous performances, so many bodies in bright colors. So many people who felt confident in what they were wearing and how they looked. 

“We’re gonna start off with a new one if that’s ok with you.” You announced you got an astounding amount of cheers, noting many phones launch into the air to record this new one. “This song is a fun one but more importantly,” you paused, the whole crowd hanging on your breath, “it is about what my mother thinks I am doing with my life. Here is Pink Pony Club!”

The girls started playing the intro and you walked to the front of the stage, sitting down, legs dangling off.

I know you wanted me to stay

But I can't ignore the crazy visions of me in LA

And I heard that there's a special place

Where boys and girls can all be queens every single day

You stood, walking back to center stage.

I'm having wicked dreams of leaving Tennessee

Hear Santa Monica, I swear it's calling me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

You whipped around to the audience

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You started dancing and jumping around stage, Lily and Mary joining you, smiles plastered on their faces

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The audience had settled into the performance, had gotten into the groove of the song, and joined in the dancing and the fun.

I'm up and jaws are on the floor

Lovers in the bathroom and a line outside the door

Blacklights and a mirrored disco ball

Every night's another reason why I left it all

I thank my wicked dreams a year from Tennessee

Oh, Santa Monica, you've been too good to me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The crowd was going crazy, right along with you, until you slowed down and the girls played quieter for the bridge.

Don't think I've left you all behind

Still love you and Tennessee

You're always on my mind

And mama, every Saturday

I can hear your southern drawl a thousand miles away, saying

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You jumped up and danced like crazy, the crowd joining in, loving this new song. Some picked up on the lyrics and were singing them back to you, the feeling indescribable.

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

I'm gonna keep on dancing

I'm gonna keep on dancing

You kept dancing as Lily and Mary played the outro, out of breath and so happy. Once the song was finished, the whole building was filled with cheering. You looked to Mary, then over to Lily, they looked just as ecstatic, you could imagine Marlene felt the same. 

“Thank you, thank you!” you said into the mic. “Well, if you like that Common Room, we’re just getting started.”

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James had never seen a concert, a band like yours. There was no way to describe it, you were just, stars already. 

The rest of the concert was filled with just as much fun, joy as the first song. The dancing and singing and laughing was indescribable. 

The boys waited after the concert, waited until the last of the fans trickled out, then they made their way backstage. Walking down the halls and to the dressing room that had a piece of paper with the word “Pixies” in bold letters, Remus knocked on the door. 

The giggling and sounds of excitement were radiating from the room, loudly even with the door shut.

They waited for a moment before the door pulled open, revealing Mary. The smile dropped from her face for a moment before she put another one in its place, this one though, was more of an uncomfortable grimace more than anything. “Hey! I didn’t know you guys were here.” Mary said, opening the door to let the boys slide through. She hugged each of them on their way in.

James made eye contact with Lily who was on the couch with Marlene. She didn’t break away. He quickly looked over to Marlene and smiled. “We wanted to come and say great show!” he said, directed at them all, but not being able to look away from Marlene, who just smirked, knowing the situation and that James was incredibly uncomfortable right now.

“Thanks.” Marlene replied smoothly. 

Sirius noted the tension and decided to break it. “Where is she?” he asked.

All eyes went to him as Mary asked “Y/N?”

He looked at her and rolled his eyes, “No, the queen.” he said sarcastically.

“Are you going to try to sleep with her?” Mary asked, not holding back.

“What, no!” Sirius denied as if it wasn’t exactly something Sirius would do. “I just want to meet her. ‘Know thy enemy’ and all that.”

Lily scoffed. “She’ll be out in a minute, I think she's taking off her makeup.”

And as if right on que, you waltzed right out of the connected bathroom and into the dressing room. Smiling, you looked at the boys standing across from the couch. 

“Here she is!” Mary ushered you over, chipper and still energized from the performance. “This is Y/N, Y/N these are the boys in The Marauders.”

Your smile grew. “The Marauders? You guys were amazing at the festival.”

Sirius smiled back at you, charming as ever. “‘I'm Sirius.” you looked to the next boy, who was glancing at a fuming Lily.

“Uh, I’m James.” He smiled, seeming to come back to reality and out of whatever thought he was lost in. 

You looked at the final boy, tall and leaning against the wall. “And you’re Remus, right?” you asked.

He nodded. “Yeah we met a while back, lovely to see you again.”

“Lovely to see you! And it is lovely to finally meet you two.” you said to the newly acquainted Sirius and James, they nodded and smiled politely. There was a noticeable tension between everyone in the room, was there really that much of a rivalry?

“I think the boys were just heading out,” Mary said to the three boys standing in front of her. “Isn't that right?”

Sirius huffed and led the other two out throwing a “See you all soon.” over his shoulder as Mary escorted and followed them out into the hallway, shutting the door beyond her.

“That was… strange.” you said to Lily and Marlene. They just looked at each other and laughed, rolling their eyes. You didn’t understand.

“They're idiots.” Marlene supplied.

“They're boys.” Lily corrected.

Taglist 💌:  @adharalikethestar @mayuwolfstar @ieatboysalive @maraudereestauderelb @bugg06 @slytherinambitious (yell at me if I forgot anyone)

[childrenofcain-if]

I'm sorry if it's insensitive to ask, but is W anorexic? Only asking because I used to struggle with that as well and it's very cathartic to have that represented in an interactive fiction.

I hope you have a nice day, author ☺️

TW: EATING DISORDERS

i’m really sorry to hear that, dear bonnie, hopefully you’re well on your way to recovery and doing good.

W is actually diagnosed with avoidant/restrictive food intake disorder and is also a recovering bulimic. a lot of their struggle stems from wanting to take up less space, being more desirable, having some semblance of control, and punishing their own body.

for most of my characters, i’ve based their struggles around what i and a lot of the people i care about have gone through. i’d also like to preface this by saying that the descriptions of it might get a little too triggering so imma add options to skip those scenes to make it less upsetting.

overall, i’m just happy that a lot of people can see shadows of themselves in my characters and it’s one of the reasons why i love writing so much.

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[mysticcollectionbee]

My thoughts on the Playbill Character bios (Part 1):

Was gonna share my theory on Alastor's powers but since SOMETHING possibly leaked and put my theories and thoughts into question I'm putting it on hold for a bit.

Not gonna talk about each character because I don't have something to say for each one.

-Charlie: So THIS is how we find out she has mommy AND daddy issues. Good to know, good to know.

-Alastor: Either writing on a typewriter, glitched the writing somehow, left the caps lock on, or was screaming the entire interview. All fitting to his character. Also, glad to know my joke headcanon that his broadcasts in hell aren't really that scheduled and are whenever. Also he picks people who "wrong him" first to be his 'Guests' genuinely thought those could just be either random demons or ONLY Overlords. And of course, the dude is actively encouraging violence so he can have fun and ends his thing with a smile. :)

-Vaggie: So...Do all the exorcists have training for synchronized dancing? Would explain them doing that during Adam's song in Ep.1. But I'm curious if it's connected to why Vaggie is apparently the best dancer in the hotel or she just naturally is good at it.

-Husk: Why 'Husker'??? I thought it was just a random nickname Alastor made, is that his legit demon name and EVERYONE just shortens it? Also grouchy dude is grouchy. Little disappointed we didn't get another cool lore bomb from him.

-Sir Pentious: FINALLY AN ANSWER TO MY QUESTION!!! The dude is technically not an Overlord. Just wanted to be one or was just beginner level (little sad since he's been around before many of the actual other overlords, but makes sense. He's too nice for his own good). Worked for Carmilla and Vox, explaining why her daughters personally delivered him equipment (he's a former employee so they know it's safe to go in-person) AND why Vox knew of him enough to know he would do anything to join the Vees. I don't believe he made the Egg Boiz himself for the same reason I don't believe Vox beat Alastor in a fight. If it happened, you wouldn't repeat in emphasis. So for people who wanted Pent to have a past partnership with Baxter this is good evidence of that.

-Lucifer: "I miss my wife tails, I miss her so much". I would love to see him and the Sins actually perform on screen. Maybe for Sinsmas episode??? Please.

[I can't believe the longest thought I wrote was about a character I don't even like]

[shydroid3000]

On the subject of Light Yagami, Misa Amane, and guilt (guilt as in culpability and guilt as in the internal experience of feeling guilty): [Rambled about this as part of a response to an ask game but decided I'd pop it into its own post too 'cause I ended up writing a lot on the topic lol]

The question was: was misa just as guilty as light? Ooh, guilt in relation to Misa and Light is interesting to think about. On the one hand, I do think that they're both culpable for their actions at the end of the day. I have maybe some more grace to extend Misa in terms of her having an understandable reason to go down that path, what with her parents being murdered (and almost being murdered herself). Like, that's a level of trauma that makes you go, 'yeah, I can understand why she was all-in on killing criminals with the death note, even if I don't agree.' Light, on the other hand, had this good, stable, pretty privileged home life, in addition to him being a top student, talented, handsome, etc. He's got less of an excuse, you know? The fact that Misa's drawn to Kira's ideals out of lived trauma, whereas Light is drawn to those ideals largely out of ego is sort of a meaningful distinction. (By ego I don't just mean the belief that he's exceptional, but I mean -- the way he is so desperately driven to protect his conception of himself as a Good Person. That's a tragic and heart-rending manifestation of ego, but it's still about protecting his ego). But I also think there's 'guilt' on the level of the actions and choices you make regardless of motivations, and I'd see them as more equal on that front. Misa was an enthusiastic DN user and participant in Kira's plans/ideology. She's motivated by different things than he is, but she makes her choices knowingly. I think it would be diminishing of her agency and complexity to say that she's less responsible for her actions than Light is, if that makes sense. (Also, there are things Misa is guilty of that Light isn't, and vice versa. E.g., Misa pushes Light's boundaries in a way that can be very uncomfortable; Light uses Misa/others without real regard for them).

Now, beyond all that... the question is obviously about their culpability for their use of the DN. But it also makes me think about each of their *experiences* of guilt internally, and that might be even more interesting to me. I think that their relationship to guilt is one of the things that makes them so divergent from one another. Because... running away from guilt is such a huge part of what propels Light to go all out with the Kira thing. So much of his psyche is shaped around that black pit of guilt where whispers of "I did a bad thing. If I did a bad thing I'm not a good person" come from. He diligently tries to cover over that and barricade it off. He crafts an ideology that makes his murders righteous, and commits to making a New World(tm) where the meaning of 'good/right' is reshaped around that. He makes himself a God so that his actions are beyond judgment, or at least he is, because his murders are divine - they're acts of creation, even of love and self-sacrifice. And then Misa... well, guilt doesn't seem to be as obvious a factor for her, whether as motivation or reaction. I mean, I could imagine a reading where there's some well of underlying guilt about the death of her parents and her survival -- I think that would make sense given the circumstances. But... we never actually see that kind of Bruce Wayne -esque psychology peeking through, so that feels more like headcanon territory than direct analysis. Obviously she has deep feelings about the murder of her parents, but she has a very different relationship to guilt than Light. She usually comes across as very free from guilt. She knows what she wants and what her priorities are, and she pursues those without shame. She's impressed by Kira so she becomes the second Kira; she decides she loves Light and wants to be with him regardless of whether he even likes her, so she pursues that undeterred by his response to her. It feels like Misa is always calmly pushing forward toward what she wants, whereas Light's sprint forward toward his New World is really a running-away-from. But at the same time... what kind of underlying emptiness would make someone so completely devotional in the way Misa is, wanting to devote themselves to someone who mostly loathes them, to the point of not even seeming to be hurt by that person's disdain for them as long as they can still have that person in their life? I think there's definitely beneath-the-surface stuff with Misa, but it comes across like guilt is a colour that just doesn't exist in her world. Whereas with Light, every shadow in his world is the colour of guilt. If goodness or righteousness are the rays of the sun, Light Yagami is the moon that reflects the sunlight while trying to create a reality in which those rays are his -- are him -- a reality in which he becomes the sun. And yet he's a moon, and the dark side of it that he disavows is guilt, is 'I did a bad thing', is 'what if I'm not a good boy?' (Wow, went overboard with the metaphors there but too lazy to edit lol).

[impactrueno]

I saw your twt about holding back on telling stories with serious and deep tones and it reminded me of an issue I had a while back. Im a south park fan and I loved reading deep analysis of the characters. and south park being south park, people dont take it seriously and think its just funny so it doesnt deserve deep analysis like other forms of media. I always came across comments saying "its not that deep" or "doing all of that for south park" and I used to hate that so much because why are you commenting that under the authors post? In media there is like a "spectrum" of how deep you are in it as a fan, and it doesn't make you less of a fan if you like to binge watch the show when you feel like it because its funny. Someone who makes fan fiction and psychoanalyses the characters doesnt make them a better fan than you. I hate "it's not deep" because it is that deep to me, I enjoy it, but it dismisses critical thinking and discourages deep discussions about our interests. I want to learn more about the turning point for eric cartman and the friendship dynamics between the main 4. I want to read psychoanalysis of the characters and understand why they do the things they do. I loved reading fan fics with an author that understood how the characters work and put them in situations while making it believable. Whether the content was deep and serious or lighthearted and silly. I don't see those as cringe at all. What I see as cringe is trying to downplay someones time and effort. you dont care for it. cool, just dont make it our problem.

I believe in recent years, this cringe and its not that deep mentality is linked to media literacy/reading comprehension issues. On top of the fact, that fandoms right now has been "normalized", so alot of mean and rude kids and adults are in this space not having a mature and respectful conversation and discussions, as well as zero fandom etiquette. (I understand the past wasnt this magical respectful place but this behaviour has increased compared to past years).

Please don't worry about making deep content, its super fun and there will be fans of what you write/draw that will definitely be into it.

GOSH anon you are absolutely right. cringe culture has done some serious damage to people's creativity and freedom of expression. doing things in earnest is now cringe to so many people (specifically that 18-21 age where they think they're better than everyone else and everything is cringe to them, image is everything) and they actually give you shit for it?? it's crazy. the most harmless thing in the world. whenever my hey arnold comics would leave my target audience on instagram i would get the meanest comments for no fucking reason, because i was taking hey arnold "seriously" (nevermind that hey arnold is probably the nicktoon with the most emotional depth and moments besides ginger but i digress) but hey at least i'm not the one losing my marbles over some random cartoon comic on the internet.

i think rudeness in general has been too normalized not just in fandom, but in social media in general. it's sad. the only thing you can do about it is be kind as much as you can to counterbalance it. i'd like to think that rubs off on people just like how being rude rubbed off on them.

i said that thing about holding back because i'm admittedly too hard on myself sometimes. no one is calling me cringe or making fun of me for what i do, thankfully, people have been super cool and supportive. and it means a lot to me because i'm very earnest about everything i create, even when i try to hold back. i literally cannot help being myself. it's all i know how to do. i'm just glad i was able to grow a platform where i'm free to be openly passionate about the things i like, talk about them and why i like them, the little things that i find fascinating, the emotions they make me feel, all of that shit is awesome and i wish more people did that.

[albinokittens300]

!Spoilers Under The Cut!

A/N: SO...been a minute since I wrote fic but. Made sense since I have ideas floating around might as well write and share them. Please note not only am I rusty writing in general, this is my first attempt at these characters. Be gentle on me please XD. I do hope you all enjoy. Let me know what you think, and maybe I'll try and get another one out maybe before Act 2 drops this weekend. All this ended up being was a little drabble of a possible reunion between Ekko and Jinx because I need some Timebomb goodness. Isha making an appearance is a bonus! Fair warning I make some wild leaps about what goes on during Act 2, so beware this is based some of my speculation.

He lets it go on for a few turns into different allies before finally stopping.

Ekko knows his little shadow is nothing more than a child, judging by the sound of the sets on the stone and the occasional clang of metal being kicked or tripped on. He usually wouldn't be worried- but with no one chasing after and taking her back to where she belonged, he took it as the sign it was. To follow him so far means she is all alone. Having just gotten back across the bridge, helping an orphan wasn't something on the list of deep concerns. At least, not until it needed to be.

"As quiet as you are, I have to say it'd be easier to get around if you weren't hiding." He says softly. Light brown eyes peek around the corner, playing at being undercover without actually doing so. She is hard to make out in low and greeish light, but he manages. "You can come out. Not gonna hurt you. All safe, I promise."

His hair raises, though, when her gaze flicks back to where he can't see. By all appearances, she is getting permission. So the girl isn't alone. When she takes a few steps out, he tries to remain unsuspicious.

"Whose behind there?" He asks as he kneels while she approaches.

"Definitely not who you're expecting." A darker, familiar voice speaks.

Jinx hasn't even revealed herself before the instinct takes over, and Ekko grabs the little girl and puts her behind him.

Attempting to pull her away from the known danger sets off another problem, though- the little girl reacts as if she has been burned. Letting out a cry, she wiggles away from him quickly before running back and wrapping herself around Jinx. While she removes the hood of her cloak, revealing a far too proud smirk, another arm wraps around the kid's shoulder. His eyes quickly scan her other side. A few bombs are latched there, but no pistol or any of her bigger toys. It was not a situation he loved, but it was preferable to facing down a minigun.

When Ekko's eyes return to the child, he doesn't think someone so small has ever looked at him so frightened. Something screams this isn't right as he watches for a few seconds.

"Relax, this one, I'll admit, has a reason to be a bit jumpy." She says, directing the words at the girl. Then, leveling a look at him. "What was it Vi said you had to say when the two of ya caught up? About looking good for a dead person?"

"That makes three of us, then." He says back. "Wanna explain what is going on down here, seeing as you are my welcoming party."

"Ah, nothing much. War, revolution, infighting, and unifying! All of that. If you are looking for the Firelights, they aren't at the tree. Or what's left of it." She says with a wave of her hand and a shrug. The blood runs like ice at the words and he rounds on her.

"What did you-"

"Woah, woah, I didn't do anything. Those wackos from Noxus? They are the ones who tracked the tree. My only part was helping everyone out." She hisses back. When his face changes, so does hers—relaxing just the slightest bit. Helped them out? Months trapped away should mean nothing surprise him. But it does.

He sees her arms crossed, watching and almost waiting for him to decide how this will go. Deciding to match her lack of hostility, just this once, he looks around to the eerily empty and quiet lanes.

"Guess I got a lot to catch up on."

That brings a less taunting smirk to her face. "Just a bit."

[mistriavalley]

Alex with an insecure chubby farmer (gn!farmer)

Note: Got this idea from @hermits-crab. I also had sm fun writing this! I struggle a lot with my own body image so writing these headcanons brought me some comfort :3

TW: negative body image, negative comments from the past, farmer is insecure, mentions of bullying from the past

Masterlist

Alex has never and will never give you any reason to feel insecure or self conscious about your body. He worships not only you, but the ground you walk on as well and he honestly would have never thought that you'd feel bad about your looks. You're perfect in his eyes. Godlike even

But while he rolls out the red carpet for you, you still can't help yourself. Alex is so athletic and fit and you feel like people are judging you for being on the bigger side. Of course no one has ever said anything regarding that in Pelican Town. On the contrary, when you confided in Haley she praised you and your figure

You still can't help, but to wonder what his friends in the city or from gridball practice might be saying when Alex shows them pictures of you though. Are they saying "you lucky bastard" or "as long as you're happy"? It's eating you up from the inside, but you don't wanna bother your partner with that

And when you guys go on a date or shopping in the city, do the people around you actually stare at you and whisper amongst themselves or are you just imagining it? Nevertheless, the thought alone that someone might be judging you makes you wrap your arms around yourself to hide

It takes an embarrassingly long time for Alex to notice anything and even then he only does, because it's painfully obvious in that moment. Like you're out on a beach date and you refuse to get out of your baggy t-shirt even though you're obviously suffering from the scorching heat. That's when it clicks inside his head and his heart breaks

He walks you back to your farm after the beach date and sits down with you to talk about it. He wants you to trust him with these things and for you to know that you can talk to him about anything. When he hears how worried you are about what others might think when they see "someone like him" with "someone like you" he grabs both your hands and squeezes them gently

After he asks why you'd worry about such a thing, you explain how you've gotten comments thrown at you in the past and how every single one stuck with you to this day. It makes him angry and he wishes he would have met you sooner so he could punch every single person who has made you feel bad

Alex knows what it's like though. His father has made him feel like shit his entire childhood, but you've helped him get rid of these negative thoughts and he wants to do the same for you. There is obviously no pressure, because he understands that you can't shake these chains off in one day, but he'll do everything to make you feel loved and appreciated

That evening and every single one afterwards, he leads you to bed where he showers every inch of your body with kisses and praises. Also due to him working out so much and his lifestyle in general, he knows a lot about the human body. So if you stumble upon a "fitness guru" online talking about how unhealthy it is to do this or look like that, Alex is jumping in immediately to correct the person before it gets to your head

"But my BMI-" "No. Don't. BMI is a faulty system in more ways than just one. I'm not in the green area either, because of the weight from my muscles."

Or when he notices that you refuse to get a second serving even though you're still hungry or when you decide not to order a desert when you clearly want one. "You have to eat if you're hungry, baby. You're doing hard physical work on your farm every single day and your body needs the energy."

"I've gained weight again..." "Baby, listen to me. I'm 100%- no 500% certain that those are just muscles. You're lifting, pushing and pulling stuff on your farm from morning to evening. It's fine. You are fine."

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3