#This is just me rambling about two characters i love tbh

[marzipanilla]

RAGE ! heh. yah.

To just veer off bc I have been rewatching this channels stuff lately - Batman stuff ! (x)

On to the rambles.

Yeah it just felt like every single character came out of the woodwork JUST to say 'wink wink nudge nudge we KNEW you two crazy kids would figure it out eventually!' and ?? why ??? why ?? why did you feel the need for their EXES specifically to give them the go ahead, to even shove them towards it even?? I just ?? surely they have other shit to talk about? Not to mention Rex and Eve's we are traumatized teens bonding was way more interesting then their very shitty romance!

I hate the fucking while I was dying I was thinking of you line too. Yes Mark. When you are panicking and freaked out, clearly that is when your mind is most clear. please. dear god. amid the ethics courses you should have been taking, a few ones about psychology and trauma response would also be good, yes?

lol Hannibal. Yeah. I agree. I love Mads' interview where he like Hannibal is the happiest man I have ever portrayed : ) and its like. he's right tho. That man IS having the time of his life and his falling in love, he is having a GREAT time. beautiful show. need to rewatch it soon.

I was talking to someone else and they compared the whole Eve and her parents situation to 'I wont be gay in the house but you can't stop me from being gay outside' and like. ugh. it really is tho. WHY are you still there. WHY are you so determined to make THESE people your family. You know you were (unknowingly adopted) they AREN'T your only option anymore. You aren't 12. You had TT ! (supposedly) You have NEW friends now!! Stop going back to these people!!

The UTTERLY SILENT (I do like the choice but it is also funny that all that happens is literally without a voice) and completely undiscussed by the main 'moral' force of the show maybe villains have REASONS for what they do opening ??? yeah it was great but it also feels so 'lol look at whats going on in the background! no one will ever realize how complex these situations can be!!' anyway here's Oliver being fucking stupid.

Like yeah, I loved the GoG breakdown/breakup in ep 3, as like a we all need to discuss autonomy and accountability and the messed up world we live and people are both right and wrong- but any of the personal-ness to it is ABSENT bc again.. we have rarely seen these people do anything. Stop calling them your family Samson! NONE of you know each other !! Also him calling out Rudy for playing the odds and then acting like he's all fond of him is wild. Amanda being so thrilled this 19 year old girl is marrying her boss is insane. AND Immortal just invited his own ass back, that shit is hilarious. You know that fucker would make anyone asking to come back jump through hoops.

I have played a bit with the idea of danger blind Debbie and it just.. it makes enough sense to me. Her response to terrible shit happening just being like 'well this is annoying : /' while everyone else is freaking out. I feel like Nolan would have been like ??? squishy human not afraid ??? and Debbie's response like ?? you think you're special bc you can kill me?? literally anything could kill me ! Why should I be afraid of you just bc you're fast and strong? A slow person with an air filled needle could get me !! and Nolan just having to be like : / Okay. I guess I see your point.

Look I find the over all narrative and some of the characters fascinating enough that I WANT to engage with and talk about this media, but honestly, I am such a hater and I don't even try not to be xD Invincible is my BUT YOU COULD BE GOOD IF YOU WERE GOOD fandom fr. 'star wars would be great if it wasn't star wars' is a thing I've seen half-jokingly get thrown around and for me its 'Invincible could be good if they weren't adhering it to the comic' lol

TBH I started a 'Cecil basically becomes Mark's parental figure' story that would take place in my Liar Liar/Man Who Played Wolf AU, but I ended up disliking it so I never really went back to salvage it. Maybe I just need to refocus and honestly just make it about Cecil : /

Honestly given a number of the dumb things the GDA gets up to I wonder how good they are at strategizing lol Like.. I really hoped they would leave out the 'we knew Nolan was lying FROM THE START!' thing, bc.. okay... he's a viltrumite. You have only just recently barely found anything that could hurt them... but... like... 20 years on the planet... and not only did you find nothing you didn't WARN anyone ? like ? where's the contingencies ??? Also I will never get over them not giving that astronaut a medical check up, just so he could go puke up more aliens into his sink. Sometimes I also think they deliberately prevent heroes from getting access to education bc the moment one of those fuckers learns how to strategize then you're ACTUALLY fucked, bc they really do make some dumb decisions in battles. constantly.

Yapping bug ! time for the yappings !!

While I'm not too familiar with the DCU- your batfam meta posts are intiguing- so in transfering some of the broader strokes from them- I think you tackling a 'Mark isn't Nolan's biological son' fic would be fascinating. Sort of a step to the side of the 'what if Mark never got his powers' fic that sometimes pop up in the fandom

OOOOOO chewing on this currently, hm, the much a distinct flavor of exactly what you’re talking about, but the potential for more family drama depending on WHO knows. Does Mark know?? Is he waiting every day only to be crushed? Does he confused non-Debbie features with Nolan’s? I suppose I’m not the most enthusiastic about non-power AUs, but I think there’s something very fun to explore about Mark having to settle with, if he knows all his life, he will never have powers? I think the trajectory of his dreams will obviously shift, I can see him still having that distinct fatherly idolization, but perhaps embraces being useful to the GDA? Cecil’s number one intern—only intern—curtesy of nepotism, ha! There is something tickling me about Mark taking the Robin Route/Role for the Teen Team in terms of having no powers, just insane skills, BUT there’s something way more delicious about intern Mark when s1e01 happens and Mark tries snooping around to find out the truth about what happened to his Dad.

I wonder if, with Mark having a whole another father, if they’re more or less distant relationship, depending on WHEN Nolan entered Mark’s life? Like if Debbie met Nolan later for this, or just for fun, they dated once, separated (Mark being born during then), then they happened to stumble into each others lives again and Mark’s already been born, anywhere from tween to teenager so there’s a gap in how close they are. I feel like one important aspect of the whole Family Drama is how close they’re supposed to be, a functional, loving family turned upside down? So I wonder what more distance does. I wonder how Nolan copes when his family is entirely human and he can’t project onto Mark.

I love thinking about these, omg.

[skunkes]

i loooove when ocs unrealized development makes them feel like real people like no i dont know whether talon is genuinely attracted to women after years of both clinging to them for safety and years of putting them onto that untouchable idealized Perfect Protector Pedestal that must remain untainted by any bad experiences, so he doesn't even try to Be With any. He doesn't know either

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[tvrningout-archived]

grabs all of you and smooches your faces and weeps!!! i miss all of you and can’t wait to subject y’all to my rambling and love once more bc you better believe i’m gonna use my spring break to make a comeback 😎😎😎

[rui-drawsbox]

remembering the most memorable mc's (with canon appearences) from the otomes i played

all of them are phone games btw. and looong rambling about the games after the cut!

Mystic messenger has been in my radar since i was in elementary school but i played it for the first time after the spanish traslation came out (2017 i think?) Seven shaped my type in such a specific way that im not really sure why loved him so much (it was the whole "he loves you in every route" stuff). I like a lot the default mc, most of the fandom did and that was enough to won me over

Rosa is top tier protagonist tbh, Tears of Themis has really good story and characters (as far i played, not a lot but i enjoyed it) The reason i'm not that much of a fan is bc the game is expensive asf and not very free to play friendly. You're either lucky or have a big wallet with the gacha

i miss my wife man(Marius)

Ephemeral has to be one of the best free to play otomes i've played tbh (if my memories aren't tricking me, it's been years) Good artwork, good storyline, good characters and as far i remember you can unlock one chapter of the character route per day (mabye two days, idk) and the mc's background has an important role in every route (she's a zombie! she's pretty now but eventually will fall apart, aaaaand her story gets expanded in one of the routes!) ((shes also adorable)) There's also a sequel, if you wanted more of the boys! never finished it but i'd recommend it

Honorable mentions! Huellitas Mágicas is a great game! has a really good cast with well fleshed arcs for all the characters, even the scondary ones! The game shines more for the development of *all* the characters rather than just the protagonist/ml. The main theme is overcoming insecurities! Each love interest has a different way of helping our (very insecure) protagonist and helping different characters with their own struggles :DD

10/10 i recommend this game if you want something cute and can be finished in a few hours, if i remember right. It also has a sequel! with like- 12 new love interests, also never finished it bc i didnt found a guide that worked for me but ñek

A3! is my canon event as a gacha player. Discovered the english/global server, tried it and got bored, left it for a few months, tried it again and fell in love, noticed the game was going to shut down bc low sales -HAHA :(-. This is not a otome btw, this is here bc Izumi has to be one of my favorite protagonists in gacha games ever

last but not least! Obey me! Shall we date? oh dear, what have they done to you :(. The original had intense powercreep to force you to pull cards -multiple times bc that makes them stronger- and even now, the company showed a lot of favoritism to some characters, leaving others to dust bc they don't make the same money. Not to say, they released a new game with the same cast and new main story (ignoring all what happend before). And let me say: THEY LITERALLY WANTED TO KILL THE ORIGINAL GAME.

Nightbringer might be a decent game but i don't trust the devs anymore, i still remember what happend with Asmo's birthday right after the release, and honestly i don't want to sit there watching how they disrespect my favorite characters again and again and again. Loved the characters hated the devs. 5/10 you can play it if you want but i don't recommend spending money on it, it's not worth it, just search #obey me here in tumblr and enjoy the amazing fanworks that i can assure you have a lot more love than the game itself

i miss my wife man (mammon and levi)

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[luna-the-cretar]

Im gonna be honest here, the only OUAW ship I WANT to be canon is Coalecroux

And it’s not just because I ship Coalecroux. If that was the case, then id also want Frostbek to be canon, when I don’t want it to be (not bc I dislike Frostbek—I fucking adore it—but because I personally don’t think any romance would help Frost or Torbek’s characters or character arcs—same with Gricko and Grimmorning for the same reason)

No, I want Coalecroux for be canon because I’m 99% sure that Gideon and Kremy’s character arcs are kinda BANKING on Coalecroux becoming canon.

Let me explain;

(Spoilers and VERY long explanation/rambling below)

Gideon’s character arc—now that I took a moment to actually think about it after rewatching episode 18, and thinking more about Gideon’s conversation with Mrs Snake-Snake—involves him learning to allow himself to feel sadness and letting himself love, romantically and platonically.

“But Gideon already clearly loves and feels sadness” I hear you say. Well…yes and no? Gideon very clearly loves his friends, that much is obvious. But I don’t think he himself has actually acknowledged the fact that he does love his friends, or that he loves them as much as he does. Kremy and Twig in particular. Based on Gideon’s reaction to his portraits, I think he was either expecting his Pa to appear in one of them (considering Gricko and Frost’s portraits), or was expecting the entire party to show up in the portraits (like Torbek’s). But it was just Kremy and Twig—the two he loves the most, but refuses to admit it to himself.

Or how about the fact that Gideon hasn’t really let himself feel sadness (or fear, for that matter)? He has clearly felt upset, don’t get me wrong, but he also usually masked it with anger. Like when Kremy revealed that Gideon was the one marrying the pixies. Gideon was upset and (rightfully) mad at Kremy, but he was very clearly scared (if his tone, body language, and the fact that he was doing how many shots of fireball to calm himself was any indication). And that fear showed itself even further when Kremy calmed Gideon down. Or with Twig’s death. Gideon was angry at Bavlorna, sure, but he was also genuinely sad, hiding behind (or maybe being overshadowed by) his anger.

Even when he was stuck as a kempestri and couldn’t move very well (since he traded away his ability to dance), and ended up trading some of his fire to help them find the pixie camp, he was as dejected as he was frustrated (probably at himself, the situation, and just…everything, really. Poor guy had a ROUGH day tbh)

I could keep going on about Gideon specifically, but I still want to talk about Kremy and this is long enough, so…Kremy.

Kremy, Kremy, Kremy. Where do I even begin with Mr Kremy Lecroux? For one, let’s start with his character arc, which is another one I didn’t catch until late into the season (with a specific conversation with Pincushion), but upon a rewatch of the early episodes, has made me realize this was a thing as early as episode 6? 7? Whatever, it’s the lying thing. Though…it’s not JUST the lying thing, because it’s similar to Gideon’s, just…different. Because Kremy KNOWS about his feelings (towards a variety of things and people), but refuses to acknowledge them, and just outright lie about said feelings.

And it’s not just his feelings towards Gideon—tho it’s primarily what I’ll be focusing on—but also his feelings towards a variety of things. Like, for example, the unicorn thing (until he decided to finally embrace his love for unicorns once they really started getting settled into the Feywild).

Anyway, Kremy’s character arc—from my understanding—is not only about him letting himself feel comfortable in enjoying the things he does and feeling the things he feels, but also just…not relying on the lies he hides behind as much.

I mean, look at how Kremy acted at the Witchlight Carnival, the moment his ability to lie was taken away. He immediately became nervous, jumpy, trying to spin his words into half-truths, or just outright not saying anything—almost as if in fear that he might reveal something he definitely doesn’t want to be revealed (not now, at least). Or how about that one episode (don’t remember which one) where he had his outburst and called Gideon his husband (“You will not talk to my husband that way”)? The entire episode—before it was revealed he couldn’t lie—Kremy was quieter than usual, aside from planning.

Or, better yet, how about his fight with Pincushion when they first met? Kremy was trying to lie and bully his way into getting Pincushion to do what they want, and it wasn’t working. In fact, Torbek was the one who got Pincushion to listen to them, by doing the exact opposite of what Kremy was doing. And iirc, Pincushion even told Kremy that lying and bullying won’t just make people listen and do whatever he wanted—especially not in the Feywild.

And obviously, I can’t say for certain how Season 2 is gonna go (if we even GET a season 2 at this point ffs), but also…I DO know that Gideon and Kremy are so emotionally constipated and refuse to acknowledge their own feelings for anyone and anything. And I also get a feeling that, somehow, either Coalecroux becoming canon would either help end their respective arcs, or help begin the end of said arcs (if that makes sense?)

Idk, this is really long and probably doesn’t make any sense, so apologies for that

[literallythegrabber]

TBP characters x somehow famous reader ? ( It's up to you how ) thank you for reading my request 👍

so I wasn't sure whether or not you wanted the cast or the characters themselves, so I just went with cast because it made more sense.

If you wanted characters I can redo it! 💗💗 (this looks way longer than it actually is btw)

Mason

he definitely stalks you

like not in a creepy way, he's just always on your social platforms, literally waiting for you to post.

he's totally your biggest fan, and will literally attempt to fight all of your haters.

Before your relationship, I feel like he was very nervous to talk to you.

Like if you two were ever at a screening together, or a fancy event back when TBP was popular, this man would legit stare you down from across the room. Then proceed to duck under a table if you catch him staring.

But during your relationship he would be way more relaxed and confident.

He would be chill about pda and taking you on dates in public, but your fanbase would be doing cartwheels, cause everybody ships yall.

Miguel

He's so obvious about his crush on you that it's hilarious.

If you seen those lives where he's just reading comments, then one mentions your name. He's gonna ramble on about you for the rest of the live.

WILL NOT SHUT UP ABOUT YOU, and his friends are tired of it tbh.

bro literally forgets he's famous too and turns into the ultimate fangirl.

But during your relationship he's so sweet.

Always wanting to hangout with you, taking you out in public almost every day.

If yall ever broke up, yalls fans would explode.

They be acting like yalls children with how lovey dovey yall are.

Brady

I feel like he'd try to hide it.

Like he's not in denial, but he don't want nobody knowing about his crush on you.

"conceal, don't let it feel" he's literally elsa.

He kinda keeps to himself around you, in public and all that.

He wouldn't want to overwhelm you, especially with how the media reacts when two popular human beings get together.

So you'd def have to approach him and ask for a date.

During your relationship, he would thaw the ice a bit.

You'd have to reassure him of your relationship a lot.

He just wants you to be comfortable. Lazy nights at home, introverted hangouts, cooking together.

Pretty chill.

Tristan

literally the opposite of brady.

IS YOUR BIGGEST FAN AND DOESN'T CARE WHO KNOWS IT.

He's definitely trying to rizz you up at a fancy event, and you're just like 😐

Like whispering random shit in your ear, trying to make you blush, posing with you at every opportunity.

Kinda annoying tbh

But if you give him a chance he'll tone it down. He'll start be more genuine and less flirty.

Taking you out to dinner, not wanting to take pictures with fangirls even though you scold him for being rude.

def starts arguments with you for fun. Starting light hearted arguments with you for fun.

this mf is still annoying.

but overall very cute.

Jacob

He's honestly pretty chill about you.

He just casually approaches you strikes up conversation.

In the middle of an interview? "These lights are bright, am I right y/n?" Talking with a fan? "Y/n, don't you have that same shirt?" Signing an autograph? "Do you think aliens are real?"

like shut up 😭

He really just enjoys talking to you, hearing your voice is the highlight of his day.

Yall would ease into a comfortable friendship before he ask you out.

From there on its late night ft calls, stealing each other's clothes, and going on casual excursions.

def the easiest to date.

Madeleine

She's so funny.

Either confesses right off the bat, or confirms you're hers after yall lock eyes.

kinda reminds me of that one audio, YOU ARE MINE, YOU ARE MINE.

Yall could be talking about pregnant hyenas, and she'll randomly be like, "I love you".

like girl what?

During your relationship she would be super cute.

Yall always out together. You can never catch her inside for more than 10 minutes.

Mason be feeling like a third wheel every time yall three are in the same room.

Yall just in the corner flirting and mason's just sitting there like 😐.

def your hype girl, yall always turning up.

srry, this was so long 💗💗

[thefoxtherapist]

Thinkin thinkin thinkin....

Reader who always wears a mask and people usually assume it's just so they could look edgy but in reality it's to cover up their face that is distorted from scars and on a random day character witnesses them without mask

Wuwa characters reacting~ (man I just don't really know who to name but maybe maybe include mortefi and scar *blinks cutely*)

No.. This isn't for self indulging because I made a wuwa character with a crow peak mask, no, not at all /liar

Anyways I know this might be more on the.. Darker side? I suppose and i tbh didn't know if you would be cool with it or nah.

I feel really chatty today forgive this yapper Anon, Have a lovely time zone🫡

Actually.... What is your favorite animal? Mine are crows :]

Hello thank you for the request! I never mind rambling don't worry! Haha I love the wuwa character inspired asks don't worry, my friend sent me one for Aalto based off of MY wuwa oc so (,: <3 handshaking.

CROWS MAKE SENSE! Mine are foxes<3 Specifically silver foxes or arctic foxes. But I love all foxes. My beloved creatures.

I hope you don't mind that I did headcanons!

Scar is almost insulted you didn’t tell him? The disgust in his mind is entirely based off of the “my fellow black lamb is even more similar to me and HID IT?!” thought.  He confronts you about it. If you have your mask in hand, he grabs your wrist before you can put it back on. “Hello, beautiful.” while staring deeply at your face. “Shameful of you to hide such beauty from me.” Scar, you're so weird. Surprisingly sweet though..

Scar doesn’t really give you time to react before his lips start pressing against the outlines of the scars. If there are no outlines, he just starts smooching from your cheek across your face, your nose, your jaw, your chin, your forehead, before finally. He kisses your lips.

“You should really grace me with this sight more often~” Thanks Scar.

Anyways any time you two are alone in private he will POUT for you to take the mask off so he can kiss you and stare at you. Scar will compliment you a BUNCH. Anything to make you blush or smile.

He will also encourage you to touch his facial scars. And yes, he rubs his scarred cheek against your face. Like a cat. Congrats on the cat.

Mortefi literally doesn’t care.

He doesn’t even notice, he is mid sentence, hence why he caught you in such a situation. And he will NOT stop his sentence. Once he’s done rambling you’ve probably already got your mask back on. And he’ll stop you from responding by raising an eyebrow and “Why did you put it back on?”

“I’m more comfortable this way.” and that’s it, end of conversation. Mortefi respects you more than he feels the need to be curious about their origins. And he’s right back to talking about whatever it was he wanted to bounce off of you.

If you begin to take your mask off around him more often in private, he will notice, but he won’t comment on it. Mortefi isn’t a big show of affection guy, but he’ll encourage this by kissing your cheek whenever he’s on his way out or his way in.

Mortefi doesn’t see the need for verbal reassurances. He’s a bit of a stiff lover anyway. But he tries his best to show you support and affection. Its clearly a sensitive spot, and while he doesn’t really get it, especially as a Resonator with physical changes caused by his awakening and overclocking, he knows he doesn’t /need/ to understand to be supportive.

Aalto is soooo curious, unlike Mortefi, he STOPS MID SENTENCE. And stares. Then realises he shouldn’t stare and turns around. “Sorry, babe! Didn’t expect you to be changing.” You weren’t, he just does not know how to phrase it. He’s definitely the ONLY one on /this/ list who actually thought it was for edgy purposes :sob: loser

Once he has a sign you have it back on, he WHIRLS AROUND. “As cool as the mask is, you should show off a pretty face like yours more often!” he wants to ask SO BAD. But Aalto knows he shouldn’t. And he’s a respectful guy! Sometimes.

Resumes what he was saying but he’ll be thinking about this allllllll night forever and always. 

The next time you have your mask off around him, knowing he’s supportive of your skin, he feels GLEEFULLLL. Aalto is so happy. Aalto “You shouldn’t make ties with other people” Black Shores realises from this ordeal that he is in DEEP. SO SO deep. 

That isn’t his problem though, he’s busy trailing his fingers over your jaw, neck, collarbones as he spoons you from behind. His aero abilities always leave a nice sensation against the scar tissue. Especially a fan of your jaw if there are any there in particular. Aalto is a jaw kisser through and through.

[amalythea]

「 actor kazuha 」

⤷ info: kazuha x gn!reader || fluff, with a little comfort? || wc: 1879

⤷ warnings: modern au, reader and kazuha have to hide their relationship, near 2k words of me rambling tbh

⤷ extra: this is a little different than my usual formatting (and it's longer) because it was originally a gift for @milk-violet so everyone better thank her for convincing me to post this here

The entertainment industry is a world of glitz, glamour, and unrelenting scrutiny. You knew this the moment you stepped into it, but nothing quite prepared you for the secret-keeping. Or, more specifically, the secret you and Kazuha had been guarding for almost two years now.

Dating a co-star—especially one as universally adored as Kazuha—was a perilous game. The whispers of fans, the prying eyes of paparazzi, and the ironclad contracts that forbade any public display of affection were all things you had to navigate carefully. But no amount of restrictions could dim the warmth of Kazuha’s love, the way his eyes would soften when he looked at you or the quiet moments you stole together in between filming.

You were good at pretending. Both of you were. It was practically a requirement for your jobs. But when the announcement came that you and Kazuha had been cast as the leads in a new romantic drama, your heart nearly stopped.

“It’ll be fine,” Kazuha had said when you told him your concerns. The two of you were curled up on his couch, a rare evening off spent hidden away in his apartment. His hand rested on yours, fingers drawing lazy patterns on your skin. “We’re professionals. No one will suspect a thing.”

“You mean no one will suspect a thing if you stop looking at me like that during rehearsals,” you retorted, though the playful lilt in your voice couldn’t hide your nervousness.

He smiled, that soft, lopsided smile that always made your heart flutter. “I’ll do my best,” he teased.

You rolled your eyes, but you couldn’t help smiling back.

---

The first few weeks of filming went smoothly… mostly. The script was a classic love story with all the hallmarks of a hit: misunderstandings, longing glances, and a climactic confession scene that promised to leave audiences breathless. It was the kind of story that could make or break careers.

But for you, every take felt like walking a tightrope. Playing opposite Kazuha was both exhilarating and terrifying. When the cameras rolled, his every touch, every look, felt so achingly real that you had to remind yourself to stay in character. Worse still, the cast and crew were beginning to notice.

“You two have such natural chemistry,” the director said one day, after a particularly intense scene. “It’s like you’re not even acting.”

Kazuha’s hand brushed yours under the table during the script meeting that followed, a silent reassurance that he’d felt it too. The line between reality and fiction was blurring, and neither of you was doing a great job of hiding it.

It wasn’t just the director who was noticing, either. The makeup artist teased you about how easily Kazuha could make you laugh, while the wardrobe team joked about how effortlessly you complemented each other’s looks. Even the lighting crew started setting up shots with an unspoken understanding that the two of you simply fit.

“You know,” your co-star remarked one afternoon, a knowing glint in their eye, “if I didn’t know better, I’d think there was something going on between you two.”

You’d laughed it off, feigning confusion with a well-practiced air of innocence. Kazuha, ever the picture of calm, had simply smiled and quipped, “That’s just the magic of a good script.”

But behind closed doors, the pressure was mounting. Each whispered comment or lingering glance felt like a thread unraveling the careful tapestry you’d both woven to keep your relationship hidden. Still, the fleeting moments of stolen intimacy—when his hand would linger just a second too long on yours as he passed you a coffee, or when he’d quietly slip you a note during a break—were worth every risk.

It was a game of balancing acts, a performance within a performance. And as the days turned into weeks, you began to wonder how long you could keep the act going without the truth slipping through the cracks.

---

And then came the confession scene. The one the entire drama hinged on.

It was a quiet, tender moment set under a canopy of stars. Your character, heartbroken and hesitant, would finally admit their feelings. Kazuha’s character would take your hand, look into your eyes, and deliver a monologue so heartfelt it would make anyone believe in love.

You’d rehearsed the lines a hundred times, but as you stood there on set, with Kazuha’s eyes locked on yours, the words felt impossibly heavy.

“Action!” the director called.

Your character hesitated, voice trembling as you spoke. “I can’t keep this to myself anymore. I… I love you.”

Kazuha’s response was immediate, his voice rich with emotion. “And I… I’ve loved you all along.”

His hand cupped your cheek, thumb brushing against your skin with a tenderness that made your breath hitch. The kiss that followed was supposed to be carefully choreographed, a perfect balance of passion and restraint. But the moment his lips met yours, everything else faded away. The cameras, the crew, the carefully constructed facade—none of it mattered. It was just you and Kazuha, your emotions spilling over in a kiss that was as real as the love you shared.

When the director called “cut,” the set was silent. Then came the applause.

“That was incredible!” someone exclaimed. “You’d think they were really in love or something.”

You tried to ignore the knowing looks the crew exchanged as you and Kazuha stepped apart, faces flushed.

The applause and laughter carried on around you, but your heart pounded so loudly it drowned out the noise. Kazuha’s hand lingered on your arm for just a second longer than necessary, his thumb brushing against your sleeve as if silently grounding you. His expression was calm, unreadable to anyone else, but you caught the flicker of something more in his eyes—a mixture of pride and affection that sent a shiver through you.

“You two absolutely nailed that,” the director said, beaming as he walked over. “It’s the kind of chemistry you can’t fake. Keep it up.”

You forced a laugh, nodding in agreement as Kazuha gave a humble shrug. “We’re just following your direction,” he said smoothly, his voice steady and professional. The perfect answer.

Still, the knowing glances didn’t stop. The cast whispered, the crew exchanged smirks, and you could feel the invisible thread tightening around the secret you and Kazuha had worked so hard to protect. Every interaction was now under the microscope, every laugh, every glance, every moment that felt too genuine for comfort.

Later, as you retreated to the quiet sanctuary of your dressing room, Kazuha slipped in after you. He closed the door softly behind him, leaning against it with a small smile that melted some of the tension in your chest.

“You okay?” he asked, his voice low, meant just for you.

You nodded, though your hands were still trembling slightly. “I think we might’ve been a little too convincing.”

Kazuha chuckled, stepping closer to take your hands in his. “Good,” he murmured, his thumbs brushing soothing circles on your skin. “That just means we’re doing our jobs.”

You gave him a half-hearted glare. “You’re enjoying this way too much.”

“Maybe,” he admitted, his voice dipping into something softer, more intimate. “But it’s worth it. As long as you’re by my side.”

The words, simple and earnest, made your heart ache in the best way. For a moment, the walls around your secret didn’t feel like a cage, but a shared refuge. And even if the world came dangerously close to uncovering the truth, you knew that, with Kazuha, you could face whatever came next.

---

You could not face what came next.

The weeks that followed were a whirlwind of filming and speculation. Fans dissected every trailer, every behind-the-scenes clip, noting the undeniable chemistry between you and Kazuha. Gossip columns ran headlines like “Are They or Aren’t They?” and “On-Screen Lovers or Something More?”

Through it all, you and Kazuha maintained your careful act, deflecting questions with practiced ease. But behind closed doors, you laughed about the irony of it all.

“We’re not very good at this, are we?” you said one night, as the two of you reviewed the latest batch of fan theories.

“On the contrary,” Kazuha replied, pulling you into his arms. “I think we’re doing exactly what we set out to do.”

You looked up at him, confused.

“Convincing the world we’re madly in love,” he explained, a playful glint in his eyes. “Because we are.”

You laughed, burying your face in his chest. It was a secret you’d keep as long as you had to, but in moments like this, you didn’t mind.

But the world had a way of testing your resolve.

The tension reached a breaking point during a promotional event for the drama. The room was buzzing with energy, a sea of cameras flashing and reporters clamoring for the best soundbite. You and Kazuha sat side by side on the panel, answering questions with the kind of polished charm that came from months of media training.

“I have to ask,” one reporter began, her tone light but her intent razor-sharp, “the chemistry between you two is… extraordinary. It’s not often we see something this authentic. What’s your secret?”

The question hung in the air like a challenge. You felt your pulse quicken, a bead of sweat forming at your temple. Kazuha, ever the master of composure, leaned forward with a small smile.

“We’ve spent a lot of time together, both on and off set,” he said smoothly. “Getting to know each other’s quirks and nuances is key to creating that kind of connection on screen.”

It was a perfect answer, one that drew a chorus of approving murmurs from the room. But you weren’t sure how much longer you could keep this up.

Later, as the event wound down, you slipped away to catch a moment of peace. You found yourself on the balcony, the cool evening air a welcome reprieve from the stifling heat of the spotlight.

“I thought I’d find you here,” Kazuha’s voice came from behind you.

You turned to see him leaning casually against the doorway, his expression soft but laced with concern.

“I’m fine,” you said quickly, though the tremor in your voice betrayed you.

Kazuha stepped closer, his presence steady and reassuring. “You don’t have to be,” he murmured, reaching for your hand. “Not with me.”

His words broke through the wall you’d been holding up all night. The weight of the charade, the constant scrutiny, the fear of being exposed—it all came rushing to the surface.

“Kazuha,” you whispered, your voice trembling. “What if they find out? What if this all falls apart?”

He cupped your face gently, his eyes locking with yours in that way that always made the world feel like it was spinning just a little slower.

“Then we’ll face it together,” he said, his voice a quiet promise. “No matter what happens, I’m not letting go of us.”

The resolve in his gaze, the steadiness of his touch, was enough to anchor you. In that moment, the world and its prying eyes didn’t matter. It was just you and Kazuha, holding on to the truth you shared, ready to weather whatever storm came your way.

───── ⋆⋅☆⋅⋆ ─────

@amalythea 2025. | do not re-upload, copy, translate, etc. my works on any form of media.

[red-talkin-graves]

I feel like. HEA isn't too out of character for the smitten or princess tbh, and it feels like a very natural endpoint for the Damsel. I'm gonna. Ramble about it a lot below the cut

The smitten is blind to her flaws, single-minded, and obsessive. Even before the pristine cut all these traits were present. He never saw issue with the grey burning us alive. He never saw any issue with the razor cutting us to bits. He never took any issue with the deconstructed damsel, who existed as a two-dimensional cutout of a person that refused to have her own will and seemingly only existed for us. That's not really a healthy way to think of someone you love, I think. Which isn't to say there aren't chapters where the smitten does genuinely love the princess. The damsel just... doesn't strike me as one of them.

And the princess forgives the player so easily because the shifting mound is as we percieve her. In the damsel, we saw her as a loving being who would do anything for us, and in the chapter before, we refused to listen to the narrator's warnings(blinding ourselves to her flaws, creating the smitten). That perception becomes cemented into her nature. In the adversary, we had seen her as a capable fighter who we were evenly matched with, so that perception becomes part of her. This is how the princess is, as a narrative device and a character. There's a reason we get to the shifting mound by interacting with a mirror. She reflects what we see in her, and we see what she reflects, and that cycle goes around getting amplified every time. Every chapter is the last pushed to the extreme. The cage is the most extreme form of the prisoner, the apotheosis the most extreme evolution of the tower... she always amplifies what we see her as. And in the Damsel, we saw her as forgiving, loving; and willing to do anything for us.

Tbh I found the Damsel to be a very uncanny and uncomfortable chapter from the start, long before the pristine cut was released and even without having gotten the deconstructed ending myself. The Damsel was never romantic to me, she was always uncomfortable and jarring, because I know what it's like to be in her place, having to abandon my own autonomy and will to appease people just to survive. And I know what it's like to be loved by someone who takes no issue with me lacking autonomy, too.

At the start of the Damsel, she's still chained up. Her freedom is in our hands. She forgives us for the stabbing attempt in the damsel, and that becomes amplified. She loves us despite her lack of autonomy in the Damsel, and that gets amplified too. Even in the damsel, even after we bring her out of the cabin, she still is bound to our will for the few seconds before the world ends, because we still have the blade and still could kill her. HEA feels to me like where the Damsel was always going to end up, a natural continuation of how uncomfortable and uneasy the "romantic" parts of the Damsel were.

[magua-vida]

SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================

[gouraminnow]

If it's okay can I request a yandere sir crocodile x single mother reader. I've been thinking about what would happen if the reader had a baby, like would they take the reader and leave the baby or take the reader and the baby. If they did take the baby what would happen, would they be mean to the baby, nice to the baby, or just distance. Would they become a platonic yandere. I'm so sorry if I already sent this in, I can't remember if I did or not.

Yeah I got the first one, but dw about it lol tumblr can get weird with asks anyway.

Rambling under the cut! Not sure if you meant literal baby, child is of ambiguous age but can talk.

Hoo boy you've handed me a rough one, huh? I don't think Croc is a kids guy. But I don't think he'd be outright horrible to a small, unthreatening child- if not because of standards, but because it just isn't worth his time or energy to direct actual hatred toward. Yes, he was willing to destroy a whole country and hundreds of lives which no doubt included children, but I think that degree of faceless separation is very different from looking at a kid directly and going "Yeah I'm gonna kill this. Personally. With my hands." Vivi was 16 and Luffy was 17 iirc but one is an important opposing political figure with crucial information on his misdeeds, and Luffy... is Luffy. Idk. What I'm saying is at the very least I don't see him being abusive or disposing of the child- he does like you, and that's a pretty surefire way to destroy you and any reason you have to cooperate.

It could be a "cooperate and your child remains happy/unharmed" situation but tbh I don't wanna write that. Child abuse is a topic I'm willing to touch on in specific circumstances, mostly backstory but I don't really want to write about canon characters doing it. So I simply won't lol. Reader inserts can be held against their will and mistreated but I don't want to involve a kid in that dynamic, so if I write something where the reader is caring for a kid (such as Galley on 4th) then the yandere in question does things through much softer more under-handed methods.

Honestly? The best way I see this working out is Pre-Alabasta arc where Crocodile is still seen as a hero by the masses. There's a good chance that, at least initially, his affections start and end with you. Is irritated if he finds out about the kid after he's decided that he likes you. But you- you're a little slice of domesticity, you fit into his life rather nicely, he thinks. Plus you and the brat help round out his image as a wholesome do-gooder, don't you? A protector of the people, and a loving husband and father to boot. The... dark parts of his business all swept under the rug and kept away from you both, of course.

His dates with you are no doubt extravagant, but he prefers your kid not accompany the two of you on these. Probably prefers to shower them in expensive gifts, rather than spend much one-on-one time with them. I think he could get attached but he'd be in denial about it for a bit. He's able to rationalize the lack of time spent with them to you, specifically in public- he's a notable figure, is he not? While he's a Warlord and could no doubt protect the both of you(his pride will NOT have you believe otherwise), he just doesn't want the risk. You're an adult with full comprehension of the possibility of being targeted, so it's different. He is a good actor, though. While he doesn't spend as much time with the kid, he's good enough that they don't feel actively disliked. A bit... put out, maybe. It's possible your kid just... thinks he's really cool, despite it. Mysterious, close yet distant, someone who makes mom happy and is the reason they both have all this nice stuff, now. Which can be annoying, but stroking the ego doesn't hurt the kid's case. Liking the bananawanis would score them a couple points too...

-

"Do you think I could, um, meet them sometime? Y'know, if you aren't busy..." Crocodile raises a brow, taking in the brat sitting in a chaise lounge chair. They're leaning forward, looking hopeful- swinging their little legs in anticipation. They look comically small compared to the chair. He chuckles, takes a drag of his cigar- turning his head away from the child to exhale. "...I'm not sure if I can do that without consulting your mother first," he muses, watching the kid visibly deflate. Even if he knows the bananawanis will listen to him, that they would pose no threat if he did not wish them to do so- he preferred you to be happy. Introducing your small child to the large, imposing reptiles used as guard-dogs behind your back would be unwise. "So I'm afraid you'll only be looking from a distance or through glass, unless we can get her approval. We could always ask though, hmm?" The kid grins at him- and Sir Crocodile feels a disquieting lack of disdain.

[feyrescourt]

This is a long and rambly discussion post for elriel nation btw so strap in

I want to preface this by kindly asking the elriel hive to not use any tags of #those ships if reblogged. I want to keep this in the elriel echo chamber. Please and thank u!

A huge part of fandom culture is to ship canonically compliant characters and crack ships. Everyone’s got them, and it’s totally normal, and it’s usually fun to engage with.

The majority of the time I have no issue with this (I am a wolfstar shipper and even though there is canonical evidence of them in the original HP books, they’re widely accepted online and balked at IRL usually due to homophobia and #that nasty, nasty woman’s bigotry), but over the last few years a certain group of crack shippers have taken it upon themselves to fly a little too close to the sun, and want to make it our (elriels) problem. I am talking about the Glees.

It’s late and this just popped into my head so I want to rant about it.

My friend who got me into ACOTAR gave me a breakdown of the ships (bc I read ToG first and went in blind. I became a doraelin shipper very early on and remained one halfway through QoS, it was a whole thing when I realized they were not end game lol), bc I asked her to after my ToG experience. She told me all the characters names and then told me about feysand and nessian endgames but didn’t mention az or elain’s situation. I asked her about it and she told me that she didn’t want to mention much about Az because “by the end of the series azriel has two options for how his story could go, elain or another way”. She shared some anti elain sentiment with me because she’s “boring and doesn’t do anything”. That went in one ear and out the other with me tbh.

When I started acowar, and feyre returned to the night court, I saw how elain and azriel were interacting and I concluded that mor was the second LI of az bc of acomaf. I was not apart of the fandom online at this point, so I was genuinely in the dark about everything around these two. I was just reading and talking to my friend about what I read. I also want to add that I still liked L*cien at this point in the series (it changed in acofas, I became apathetic towards him rather quickly when I finished reading that whiny ass convo with feyre…..I don’t play when it comes to her) but wasn’t sold on eluce because they had like one interaction and it wasn’t a great intro to a ship.

However this first meeting in acomaf….. :)

‘Can you truly fly?’ He set down his fork, blinking. I might have even called him self-conscious. He said, ‘Yes. Cassian and I hail from a race of faeries called Illyrians. We’re born hearing the song of the wind.’ ‘That’s very beautiful,’

“Rhys chuckled, Cassian’s wrath slipping enough that he grinned, and Elain, noticing Azriel’s ease as proof that things weren’t indeed about to go badly, offered one of her own as well.”

Well imagine my surprise when I finished acowar and it turns out mor (the person az has crushed on for 500 years) comes out to feyre before the book ends and she explains that she can never love az the way he loves her. After three books, and everything that happens in acowar it was clear to me that elain and azriel were being set up as each others love interests, despite the mating bond with l*cien.

After Acofas I was officially on the elriel train. I mean…

“Azriel strode to the lone window at the end of the room and peered into the garden below.”

“Azriel emerged from the sitting room, a glass of wine in hand and wings tucked back to reveal his fine, yet simple black jacket and pants. I felt, more than saw, my sister go still as he approached. Her throat bobbed.”

“But Azriel only took Elain’s heavy dish of potatoes from her hands, his voice soft as night as he said, ‘Sit. I’ll take care of it.’ Elain’s hands remained in midair, as if the ghost of the dish remained between them. With a blink, she lowered them, and noticed her apron. ‘I—I’ll be right back,’ she murmured, and hurried down the hall before I could explain that no one cared if she showed up to dinner covered in flour and that she should just sit.”

“Elain swept in, apron gone and hair rebraided. ‘Please don’t wait on my account,’ she said, taking the seat at the head of the table.”

“He [Azriel] was the portrait of relaxed, an arm braced against the carved mantel, his wings tucked in loosely, a faint grin on his face and a glass of wine in his hand. He slid his hazel eyes toward my sister without him moving an inch.”

“Azriel and Elain remained in the sitting room, my sister showing him the plans she’d sketched to expand the garden in the back of the town house, using the seeds and tools my family had given her tonight. Whether he cared about such things, I had no idea.”

(Damn the more I read elriel’s acofas moments the more I can’t help but conclude that they just hate/don’t understand introverts 😭)

Before I started SF, I decided to look at the online fandom and bitch……my jaw hit the floor with all the elain/elriel hate I saw on TT. And everyone was talking about a newer character in SF, and I was seeing the glee fan art and was like oh shit ok maybe elriel isn’t endgame.

Fast forward to SF……

‘What happened to Elain?’

“Nesta saw the blow land, like a physical impact, in Elain’s face, her posture. No one spoke, though shadows gathered in the corners of the room, like snakes preparing to strike. Elain’s eyes brightened with pain.”

……and I’m thinking ok, az obviously likes her. Then comes az’s BC. When I finished the elriel portion of the BC I was actually crying bc I was like oh fuck I really love these two….I knew it was over for me, and I was freaked out bc I thought I was going to get got with this “new ship” involving az. Plus I was thinking about elain being left alone in the dark without any explanation and feeling like an idiot for finally showing her true feelings towards him😭. It was like 3AM when I read it so I was hyper emotional lol. But then I read the rest of the BC and was still confused because I didn’t see any romantic subtext with g/wyn. I read it and saw a hurt male who couldn’t stand what he had done to elain the night before, was pissed at his brother for stopping it and making him feel bad when he was finally willing to voice what he’s been feeling for the past year or so and hating that he was shut down because we know he never voices his emotions, and couldn’t bear keeping a gift he picked out specifically for her. A necklace…..for solstice……Then I finished SF as a whole, and still, was confused as to why glee is a ship. Nearly all of their conversations were centered around training, and Sarah didn’t use any descriptors in their encounters that elude to any romance or mutual interest. (Btw I have a whole take on rhys’ part in that BC and I think a lot of ppl are dense and don’t understand what he was going through in that book but I can save that for another time)

Cassian and Feyre have more chemistry than those too lol.

I then talked to my friend about the these ships (elriel, eluce, and glee) ((i didn’t talk about eluce much in this post but that’s a lifeless ship too. I mean…..she can’t stand that red head anyway soooo)), and I said “I’m an elriel through and through. Idc that eluce are claimed to be mates you can tell she does not like him. also glee makes no sense to me.” Not verbatim but you get the point. My friend is very sensible so by the end of our convo, she told me that she’ll accept whatever way Sarah goes and that she’ll give elain a chance when her book comes out.

But isn’t that what all of this shit is about in the end: unjustified dislike/distain/hate for elain? That’s certainly how is appears to me. You cannot look me in the eyes and tell me that you love elain if you ship her with a male whom she has expressed, on multiple occasions, zero interest in AND becomes a shell of herself when he’s around because she just doesn’t want to interact with him. (I want to reiterate that I don’t hate L, I don’t think he’s awful or anything. elain just doesn’t want to know him. And that’s her right.) The glees don’t like her bc she doesn’t fit their stereotype for what they want in an FMC and therefore, for azriel. Which is why they have been chirping that the next book will be azriel’s. Not elain’s….WHAT??? You sound fucking crazy. The eluces (even though they claim they like her) dislike her so much that they go on and on about how she needs to grovel and apologize to the male they like because HE deserves to be happy……the same male who she associates with one of the most traumatic days of her life. Who also has not apologized to her for the part he played in that day, but I digress.

I say all that to point out that Glee specifically is in the crack ship category. No canonical evidence in the text can be used to claim they are ‘mates’ or endgame or anything more than acquaintances. And that’s fine, but don’t act as though they’re to be taken seriously as a canon ship when there’s no evidence to support it. Don’t boldly claim that azriel “has two love interests” when he literally doesn’t. He can’t sleep because of elain. He can’t stop thinking about her. He’s short with his family and others around him the days and weeks following solstice. His shadows threaten to strike nesta when she hurts elain and causes her pain. He doesn’t assign his spies to watch L*cien in acofas because he doesn’t want to know if he’s trying to court elain. He goes full lethal when he hears she may have been hurt. He follows the sound of her laugh to see what caused it. He goes on a suicide mission to save her. They communicate through looks alone when their family is around. Have you read an SJM book before? This is how she sets up her relationships. Like, holy fuck.

You cannot claim elriel is a crack ship because they have had background build up that both FMCs in their respective books have noticed and commented on. Cassian has noticed it too DESPITE not being hyper aware of what’s going on with az in SF. (referencing the scene in SF where elain tells everyone at family dinner about nesta’s love for dancing and the ball story from when they were human).

This ship war shit is fucking crazy because really this should only be between elriel nation and the eluces. Anyway, I’m over dealing with the fever dream brigade and their hallucinations. They’re going to come crashing down like Icarus when the elriel bible release day arrives and all our suffering will finally come to an end.

Then after that I’ll need to defeat the tamlin redemption arch threats, bc that is not a claim, that’s a fuckin threat and I won’t stand for it. But let’s tackle one problem at a time.

Pink: side notes/thoughts that give more context to my points

Blue italics: convos I’ve had being referenced

Purple: elriel moments <3

[lunar-inkclipse]

girl help instead of doing anything serious I'm drawing more goddamn chibis 😭 (ramblings under the cut)

Here are my takes on proper designs for these two! Why did I make them chibis? For the bit. Which is half my motivation for any creative decision I make tbh. For Logico- I showed the sketches to my irl best friend, who said that Logico had "plaid vibes" and showed me those drawings of Sherlock that had the plaid cape over the shoulders and I saw the vision. Plus, it gives a little more spice to his design while preserving the integrity of Logico being a Seltzer Water Flavored man. I also gave him blue jeans and sneakers since he's out and about a lot solving murders, and that's probably the most reasonable (and budget friendly) option for him. Were his sneakers white once? Yep! Are they greyish now from dirt and wear and tear? Yep! For Irratino- I'll take any excuse to deck a character out in purple. Also I fw the tailcoats on his ostentatious ass vest. The buttons on his vest are moon phases, because who woulda guessed tumblr user Lunar Inkclipse loves moon stuff- plus if I had that much money I would get custom moon buttons. For his name, I actually wrote it myself and copy/pasted some letters for consistency vs just typing it out and its the one instance of my handwriting being legible. And yes, the upper right corner is indeed a garnet pin >;)