#This is Alice

[kwebtv]

Phyllis Coates (born Gypsie Ann Evarts Stell; January 15, 1927 – October 11, 2023) Stage, film and television actress, with a career spanning over fifty years. She was best known for her portrayal of reporter Lois Lane in the 1951 film Superman and the Mole Men and in the first season of the television series Adventures of Superman.

In 1952, Coates guest-starred in "How Death Valley Got Its Name", the first episode of the anthology series Death Valley Days. She appeared in the 1954 Death Valley Days episode "The Light On The Mountain". Coates was cast as the widowed Mary in the 1959 episode, "One in a Hundred." In a 1964 episode, "The Left Hand Is Damned," she portrayed the kind-hearted saloon singer Dora Hand of Dodge City, Kansas.

Coates was cast in The Lone Ranger in 1953, and in 1955 in "The Woman in the White Mask". She was cast in 1955 as Madge in the CBS sitcom Professional Father. In 1955, Coates portrayed Medora De More in the two-part episode "King of the Dakotas" of the NBC western anthology series Frontier. In 1956, she was cast in the episode "God in the Street" of another anthology series, Crossroads, based on the lives of American clergymen. That same year, Coates appeared in a second religious drama, This Is the Life, as Betty in the episode "I Killed Lieutenant Hartwell." She was also cast in 1956 as Marge in the episode "Web Feet" of the military drama Navy Log. She guest-starred in David Janssen's crime drama Richard Diamond, Private Detective.

In 1958, Coates played the mother, Clarissa Holliday, in all thirty-nine episodes of the 1958–1959 situation comedy, This Is Alice. She made guest appearances in three episodes of Perry Mason: Norma Carter in "The Case of the Black-Eyed Blonde" in 1958, "The Case of the Cowardly Lion" in 1961, and in "The Case of the Ice-Cold Hands" in 1964. In 1961, Coates was cast as Elizabeth Gwynn in the episode "The Little Fishes" on CBS's Rawhide. Coates guest-starred as well on three episodes of Gunsmoke between 1958 and 1964. (Wikipedia)

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[confused-bisexual]

[mioakem]

the imagery in this part of the ep was actually insane like this is genuinely beautiful

[cosmichahn]

it's so beautiful finding out that the ballad of the witches' road began between agatha and nicholas and their bond, and earlier on we find out that lorna wu created her version in order to protect alice I AM ABSOLUTELY DESTROYED.

[words-and-coffee]

Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē

[ID: A poem titled: Kupu rere kē. [in italics] My friend was advised to italicise all the foreign words in her poems. This advice came from a well-meaning woman with NZ poetry on her business card and an English accent in her mouth. I have been thinking about this advice. The convention of italicising words from other languages clarifies that some words are imported: it ensures readers can tell the difference between a foreign language and the language of home. I have been thinking about this advice. Marking the foreign words is also a kindness: every potential reader is reassured that although you're expected to understand the rest of the text, it's fine to consult a dictionary or native speaker for help with the italics. I have been thinking about this advice. Because I am a contrary person, at first I was outraged — but after a while I could see she had a point: when the foreign words are camouflaged in plain type you can forget how they came to be there, out of place, in the first place. I have been thinking about this advice and I have decided to follow it. Now all of my readers will be able to remember which words truly belong in -[end italics]- Aotearoa -[italics]- and which do not.

Next image is the futurama meme: to shreds you say...]

(Image ID by @bisexualshakespeare)

[the-angriest-bunny-of-the-fandom]

Agatha when the door to the road™️ appeared knowing damn well she made the whole thing up:

[ziyuanyuan1113]

"She who, without asking, understood it all and still came to her fate."

Helaena Targaryen trapped in prophecy

Updated and fixed version on Insta

Also posted on Twitter/X

[elrondperedel]

ALICENT HIGHTOWER and RHAENYRA TARGARYEN HOUSE OF THE DRAGON — S2E8: The Queen Who Ever Was

[super-nova5045]

and just when you think you’re at your absolute lowest a blonde motherfucker comes along and makes everything so much worse

[elainiisms]

female protagonists will literally go through 30 life altering traumas at the age of 16 and you ppl still have the audacity to call them annoying bc they cry about it and act like teenage girls

[buckys-arm-and-rios-dagger]

Rio: *appears*

The Entirety of Team Witches' Road:

[thatrandomblogsays]

Low key want Aegon and larys and Helaena and Alicent to all run away to Essos purely so this can happen

[toodrunktofindaurl]

she heard the news

[blackhillverse]

they said this is the cheapest marvel series ever produced. see, this is what happens when you focus on storytelling instead of unnecessary stuff no one cares about. i loved this episode so much. please, give me more low-budget marvel shows that care about the plot, the characters, and their target audience. i don't need another rdj blockbuster marvel movie. you can have that. give me meaningful stories with a low budget, made by people who truly believe in what they're creating.