#This ep really makes you realize how Arthur is on the outside; how all those taxi drivers and clients see him

[coconut530]

AN. EPISODE. 🎸🪕🎻🪈🎺🎷🪘🥁🪇

[a-small-batch-of-dragons]

Not Bad

Prompts: Hihi, i have a Merlin prompt if you're interested. Merlin thinks he's a bad person bec he was taught that magic is bad, but also Bec of all the stuff he did/does to keep Arthur safe and ig throw in some touch starved!Merlin too for fun. But the knights compliment/hug/etc all the time and Merlin just doesn't understand what he's supposed to do with this, so the solution is to breakdown crying and try to convince the knights he's the bad person he sees himself as and the knights are just like "but you're wrong and he's 25 reasons why you're wrong" Plz, thx, love your writing - anon

im a fuckin sucker for soft knights & arthur w merlin so, if ur still takings reqs, i would love to see when the knights realize merlin still views himself as a "monster" like is hinted in first ep (? i thinkk, im rusty on my merlin trivia)- is it a passing comment he makes and they realize all together? knight cuddle pile? just give the poor boy some love - anon

if you'd want to write it i'd love to see the collective moment that the knights realize that merlin is self-harming in some way (in my brain this is probably in like a denial-of-things type thing that he probably doesn't even see as self-harm bc he's an idiot, could even be something like healing everyone else w magic but refusing to heal himself... idk feel free to do whatever you see fit!). i can only imagine they'd be frustrated with him and themselves but theyre just loving large idiots (': - anon

ahh yes all the prompts

Read on Ao3 Part 2

Warnings: implied/referenced self-harm in the form of intentionally depriving oneself of physical contact because THAT COUNTS

Pairings: merthur, can be platonic or romantic I don't care

Word Count: 3462

Arthur is confused, very upset, and nothing is alright anymore, thank you very much.

Because you see, despite the image that he tries to present—emphasis on the word ‘try’, there, according to his knights—he does care an awful lot about his people, especially his one particular person that happens to be able to say an awful lot without saying anything.

Merlin. He’s talking about Merlin, in case you hadn’t noticed.

The problem is that for all the man can ramble on about seemingly anything, at any time, he’s remarkably good at saying absolutely nothing about himself. He claims he’s an open book, but he’s certainly in a language that Arthur doesn’t know how to read.

He does know how to read, just to clarify. That isn’t the issue here.

No, no, the issue is that after months, years, almost a decade of Merlin by his side, watching his back, taking care of him, he’s discovered that there’s a secret that Merlin’s keeping from him. One he never intended to tell Arthur.

And before you panic, no, he’s not talking about Merlin’s magic.

Come on, it’s not like it’s not obvious, the man isn’t exactly good at hiding it. Does he seriously believe Arthur can’t see the tree branches that miraculously pick themselves up and fly at the nearest bandit or the spears that fling themselves at the foe about to behind Gwaine? Or the chores that mysteriously get done too fast for Merlin and far too efficiently? Or the way certain magical ailments seem to vanish mysteriously along with his idiot of a servant only to be greeted with a soft shrug when he pokes?

Merlin’s eyes also turn gold, that’s pretty neat.

So Merlin has magic.

Yes, we know, we had a small tantrum over the fact that he told Lancelot first, but it’s fine. Quite frankly, a lot of things make more sense now.

Except for this. Not this.

Merlin is hiding the secret that he believes he’s a bad person.

Now, Arthur’s not sure if you’ve met Merlin, but the man isn’t exactly the image of the evildoer that springs to mind when someone says ‘bad person.’

The Witch Finder, now there’s a bad person. Storming into Camelot, preying on the fear of the people, bribing and threatening and drugging people, torturing them, and condemning them to death just for the sake of a few coins.

Merlin did storm into Camelot, that is true, but he decided to pick a fight with the crown prince and then save his life. He’s not here for coin—if he were, they wouldn’t have had that small, er, issue about the steward not paying him anything for his work for the past eight years, honestly—and he’s certainly not preying on anyone’s fears. Except perhaps Arthur’s fear of losing his dignity.

The look on his father’s face when Merlin dodged the pillow…

Speaking of his father…there’s another one.

His father did not prey as openly on the people’s fear—or as obviously as Aredian, but prey on them he did. He was a strong king, sometimes too strong. He was a blind king, saw the people as nothing more than subjects, not the living breathing humans they are. He remembers Morgana’s voice, saying that authority should derive from the consent of the governed, not from the threat of force.

He always wanted to see Uther’s face when his ward—when his daughter said that to him.

And what he’s done to Morgana…

Arthur grimaces and shakes his head. Perhaps the very truth that he resents the idea of thinking about what Uther did to Morgana, to him…perhaps that is enough.

Those are bad people. At least to Arthur.

Merlin, on the other hand…

Merlin came into Camelot, knowing that if it was discovered that he has magic, he would be burnt at the stake. He came, not with any aspirations of glory, simply because he trusted his mother when she told him to come to Gaius. He came and he was given a job he never asked for, one he had no idea how to do, and stayed.

Merlin learned. Slowly, perhaps, but he learned. Now he has enough knowledge on what a servant should do to break the rules in the most spectacular fashion. Arthur smiles, biting back the chuckle at seeing George dressed up like Merlin and acting perfectly proper and the urge Arthur had to throw him out of the room.

And that’s not even mentioning what he does when he’s not following Arthur around.

Merlin learned. Merlin stayed.

Not just for Gaius, but for Arthur.

Arthur leans onto his desk, staring out into the courtyard where Merlin is tending to the knights’ horses as they mount up for patrol. He watches Leon step a little closer, lowering his head to mutter something to him, watching Gwaine clap Merlin on the shoulder.

Watches Merlin flinch a little too hard.

Watches Leon’s brow furrow and Gwaine take a step back.

This. This is the problem.

Merlin believes he’s a bad person. Which is wrong, but for some reason, he does.

And because Merlin believes he’s a bad person, he believes that anytime one of the knights touches him—or anyone touches him—it will be to hurt him.

How did they come to this conclusion, you may ask?

Arthur bites back a snarl as he turns away from the window.

It had started with the complements.

Gwaine, to no one’s surprise, was quite fond of flirting with anyone and everyone that would let him, Merlin no exception. Talking about Merlin’s looks, his personality, his work ethic, anything, and everything. Merlin would flush, bright red, ears and all, mumbling to himself.

But then Percival had said something and Merlin pushed him away—well, prodded his arm, no one really moves Percival without Percival letting them—and shook his head. Percival had shrugged but the rest of them had noticed the tension in Merlin’s shoulders.

Then Elyan complemented Merlin’s tracking abilities and Merlin hadn’t even acknowledged it, instead insisting that they keep moving before it got too dark to see and they’d be forced to make camp in the woods. They’d agreed, pressing on, but noting the way that Merlin refused to say so much as thank you.

Leon’s perceptiveness should be considered magical. Seriously, Arthur’s not entirely convinced the man can’t see into people’s heads, what with the information he’s able to produce out of nothing more than the twitch of a finger or the slightest huff of breath. But he sees the way Merlin shies away from any display of affection, even as he gently repeats it, watching Merlin turn his back and get back to work.

Arthur never saw what happened with Lancelot. All he knows is that one night, out in the woods, the two of them had gone off to collect firewood and Merlin had been hiding red-rimmed eyes when he returned, a few paces ahead of Lancelot, not ten minutes later. Arthur had glared but the forlorn confusion on Lancelot’s face had given him pause.

Then it was the touching.

One would expect Merlin to be a quite tactile person, and he is. He’s all shoulder nudges and pokes and prods and gentle shoves to get people to move where he wants them to go. And it’s not like the man has much concept of personal space.

No, some of that is not Arthur’s fault, how dare you?

But when someone else tries it, Merlin tenses reflexively, already moving before their hands make contact. He gives everyone he can a wide berth, scuttling around the outside of rooms until one of them breaks and tells him to come here, Merlin, it’s alright, we won’t hurt you. His face never quite believes them.

The strangest thing is how much of it Merlin makes small adjustments for.

He always wears those god-awful tunics, that he won’t let Arthur replace with fabric that doesn’t feel like it’s a burlap sack, with the sleeves pulled all the way down and those kerchiefs tied around his neck. Arthur’s seen his sleeves rolled up before, but only when Merlin’s working and he hasn’t realized Arthur’s there yet. It’s not like Arthur doesn’t know Merlin has forearms, but Merlin will always jump and guiltily roll his sleeves down.

He doesn’t notice why until he accidentally brushes Merlin’s bare skin once and Merlin all but tears away like he’s been burned.

He doesn’t know why.

Merlin has a secret. The secret is that he believes he’s a bad person. That means he can’t accept compliments and he can’t let them touch him.

This is a problem, because Arthur would very much like for Merlin to believe that he isn’t a bad person.

This is also a problem because Arthur has no idea how to do that.

He looks up when there’s a knock on the door.

“Enter.”

“Sire?” Leon steps through. “May we come in?”

Arthur nods, his eyebrows raising as all of his knights spill into the room.

“Shall I assume you’re on the warpath again?”

“Nah,” Gwaine grumbles, throwing himself into a chair, “know this isn’t your fault.”

Leon shakes his head. “It’s Merlin, sire, we’re…concerned.”

Arthur just sighs and tells them what’s been buzzing around his head for the past…however long it’s been. The knights nod.

“He doesn’t like to be touched when he doesn’t expect it,” Lancelot offers, “but when I ask…he doesn’t seem to want to agree either.”

“But he does,” Gwaine argues, “you’ve seen the way he stares at us when we hug each other, he looks like a poor child that’s never had a hug in his life!”

“Which isn’t true.” Elyan folds his arms. “Gwen’s hugged him.”

“We’ve all hugged him.”

“But he still thinks we’re going to hurt him.”

“Well,” Arthur mutters, “we can’t exactly blame him for being paranoid, can we?”

“If you lot are going to talk about me behind my back like it’s a war council, then yeah, I reserve the right to be paranoid.”

“Merlin!”

“Thank god, where’ve you been?”

“I thought we were meeting by the stables.”

“Did you get hurt?”

Merlin raises his hands and takes a step back. “Whoa, can I get through the door first before the interrogation starts?”

“This isn’t an interrogation,” Arthur says, glaring at the knights, “we’re concerned.”

“Uh-huh,” Merlin mutters, weaving through them to the table so he can set down the thing hooked over his arm, “yes, I’m all too familiar with your concern.”

Arthur frowns. “What does that mean?”

Merlin waves a hand. “Oh, just that it’s a prelude to more chores and things to do.”

Is that…true?

“Yes.”

Did he say that out loud?

“Also yes.”

Arthur shakes his head. “Merlin, we’re not coming up with lists and lists for chores for you to do.”

“Really? With how many you all constantly give me, here I finally thought I’d cracked the code as to why.”

Leon steps forward. “We’re not coming up with things to give you, Merlin, nor are we intending to gossip behind your back.”

“So what are you doing?”

“We’re worried,” Lancelot repeats, “about you.”

“Well, I’m right as rain, no need to worry.”

“Lie.”

Merlin’s eyes go wide and he stares at Leon. The knight smiles ruefully and takes another little step forward.

“Lie,” he repeats gently, “you don’t have to lie to us, Merlin.”

Merlin’s mouth thins. “Maybe I don’t want to tell you, then.”

“Why not—“

“No,” Arthur breaks in, causing Merlin to swing his head around again, “no, if Merlin doesn’t want to tell us he doesn’t have to.”

Gwaine looks on the verge of protest, but another look from Lancelot is enough to quell him. He sinks into the chair and tosses an apple to Merlin.

“At least eat something,” he says by way of explanation, “you’ve not eaten anything since lunch.”

Merlin looks very confused—good, now he’s just like the rest of them—but bites into the apple nonetheless. His gaze travels around the room before coming to rest on Leon.

“Why are you all concerned?”

“Because you won’t let us complement you, Merlin,” Leon says softly, “you believe that every time we touch you we intend to hurt you, and you believe that this is deserved because you are a bad person.”

The flabbergasted look on Merlin’s face is almost enough to make Arthur laugh. Almost.

“How…”

“We notice things, Merlin,” Leon says patiently, “we notice you.”

Lancelot snorts. “Good going, mate, you’ll freak him out.”

“Um—there’s nothing worth noticing about me—“

“Not we all know that’s not true,” Gwaine says, and if it had been any other time it would’ve sounded like the next pick-up line at the tavern, “you’re worth noticing, Merlin.”

Merlin’s gaze darts back and forth, finding no disagreement in any faces.

“What—what were you concerned about?”

“Aside from what we just told you?”

“But I don’t—why is that a problem?”

Arthur swallows a curse. “Are you asking why we’re upset that you believe you’re a bad person and you deserve to be treated badly?”

“…yes?”

“Because you’re not a bad person,” Elyan says, “and you don’t deserve to feel like everyone’s about to hurt you.”

Gods, the look of disbelief on Merlin’s face hurts.

“You don’t know that,” he says lowly, setting the apple down, “you don’t know that.”

“Sure we do.” Elyan uncrosses his arms. “We know you, Merlin.”

“I don’t think you do.”

A look passes around the group of knights. Elyan smiles.

“I know that Gwen came home and told me she’d made a friend the first week you arrived in Camelot. I know that you’ve reminded us what family means. I know that you care, Merlin, about your friends, because they’re important to you.”

Merlin blinks in confusion.

“I know you’re a strong man,” Percival says, “and not just because you can lift the packs for the horses without complaining. But you work hard, because you know you can, and so that people don’t have to. You provide what you can because you know what it’s like to have nothing.”

“I—I—“

“I know you’re brave,” Lancelot says softly, standing, “I know you feel the same fear that we all do and you stare it straight in the face.”

He pauses, takes one step closer.

“I know you don’t chase the glory of being brave, but the feeling of being brave and using it.”

“Guys, I—“

“I know what you’ve done.”

Merlin’s face goes pale at Leon’s words.

The knight tilts his head to the side and smiles.

“I’ve been around the longest,” he says in a near whisper, “and I have seen the changes from when you arrived in Camelot until now. I’ve seen the differences, not just in the other men in this room but in Camelot.”

He lays a hand on his chest.

“I know that you’ve made me prouder to serve this kingdom than many others that have tried.”

Poor Merlin is shaking right now, his fingers trembling on the edge of the table. He looks around in confusion, terribly frightened, sending more aches through Arthur’s chest.

“You wouldn’t say that—“ he gasps— “you wouldn’t say that if you knew the truth.”

“And what truth is that?”

“That—that I—“ Merlin’s breaths start to ring in the chamber— “I—I—“

“That you have magic?”

Merlin’s head jerks around to stare at Arthur. Arthur raises his hands and takes a step closer. Merlin flinches.

“It’s alright, Merlin,” Arthur says softly, “I’m not angry. I’m not going to hurt you. You have magic, though, right?”

“Yes—yes, I—but I’ve only ever used it for—for you Arthur, I—“

“Easy,” he soothes, fighting the urge to reach out and pull him close, “I know. It’s alright.”

“No, it’s not,” Merlin all but whimpers, “it’s not okay, it’s bad, it’s bad and I’m bad, I’m bad—“

“You’re not.”

“I am!”

Merlin yanks his arms to his sides, curling them tightly around himself, much to the protest of the knights. His fingers whiten as he clutches the sides of his tunic.

“I’m bad, bad people get hurt, you don’t—you don’t touch bad people.”

“Merlin,” Arthur breaks in softly, “Merlin, sweetheart, I’m going to come over to you.”

He can hear the quickly stifled gasps and Gwaine’s ‘oh shit’ as he inches towards Merlin. The poor man doesn’t move, but the tremors get worse and worse the closer Arthur gets.

“I’m right here,” he murmurs, “I won’t hurt you, sweetheart, do you believe me? That I won’t hurt you?”

“I—I—“

“Because I won’t,” he promises, still fighting the urge to swoop the poor thing into a hug, “I’ll never hurt you, sweetheart.”

“Why not?”

“Because you’re not bad, Merlin, and you certainly don’t deserve to be hurt.”

“You don’t know that,” comes the strangled whisper, “you don’t know what I’ve done.”

“But I know you, Merlin,” Arthur murmurs, “and that’s enough.”

He can’t stop the concerned noise at Merlin’s huff of disbelief.

“It’s enough, sweetheart, it’s—hey! Easy, easy,” he soothes as Merlin’s knees buckle and he catches him before he can hit the ground, “I’ve got you, shh, shh, you’re alright.”

“Oh,” Lancelot murmurs as Merlin starts to shiver terribly, “oh, Merlin, you’re touch starved.”

“Touch starved?”

“He’s not been touched for a very long time,” Lancelot murmurs, hustling to join them on the floor, scooping Merlin’s legs into his lap, “and so he’s not used to it, but he needs it.”

“We all need touch?”

“Yes, otherwise our bodies get��unhappy.” Lancelot shakes his head. “I’m sure Gaius could explain it more. The short version is humans aren’t built to hold each other at arm’s length.”

Arthur tightens his grip on the lapful of shaking Merlin he has. There’s a cold nose buried in the crook of his neck, arms looping awkwardly around his shoulders. Distantly, he hears the scufflings of the other knights as they move closer.

“We’ve got you, sweetheart,” he fins himself whispering, “we’ve got you, we won’t hurt you, you’re safe, you’re good, we have you, it’s alright, now…”

Poor Merlin is still shuddering terribly.

“Shh, shh, easy, just try and relax, we have you…”

Since when has Merlin been this cold?

“Oh, I’m definitely hugging you every day,” Gwaine mutters, helping to prop Merlin up away from the table.

“Why—“ Merlin swallows— “why are you all so warm?”

“You’re cold,” Arthur says, “we’re helping.”

“I’m—I’m—what is it? Touch—touch—“

“Touch starved,” Lancelot offers gently, “yes, Merlin.”

“You’re helping?”

Gwaine shifts behind him. “We’re helping.”

“You’re not…mad?”

“No, Merlin, we’re not mad.”

“I’m not bad?”

Arthur tightens his grip. “Never, Merlin.”

“You—I can—I can stay?”

“Yes, Merlin,” comes the chorus of knights, “for as long as you like.”

Arthur is still upset, very confused, and more than a little overprotective right now.

But so is Merlin.

And they’re…they’re starting to figure it out.

One thing’s for sure: Arthur’s definitely pulling Merlin into bed to cuddle with him instead of getting up in the morning.

[dustedmagazine]

Slept Ons: The Best Records of 2020 That We Never Got Around To

Tattoos and shorts! How did we miss the Oily Boys?

It happens pretty much every year.  After much fussing and second-guessing, the year-end list gets finalized, set in stone really, encapsulating 12 months of enthusiastic listening, and surely these are the best ten records anyone could find, right? Right?  And then, a day or a week later, someone else puts up their list or records their year-end radio show, and there it is, the record you could have loved and pushed and written about…if only you’d known about it.  My self-kick in the shins came during Joe Belock’s 2020 round-up on WFMU when he played the Chats.  Others on our staff knew, earlier on, that they weren’t writing about records they loved for whatever reason — work, family, mp3 overload, etc. Except now they are.  Here.  Now. Enjoy.  

Contributors include me (Jennifer Kelly), Eric McDowell, Jonathan Shaw, Justin Cober-Lake, Bill Meyer, Bryon Hayes, Ian Mathers, Andrew Forell, Michael Rosenstein and Patrick Masterson. 

The Chats — High Risk Behavior (Bargain Bin)

High Risk Behaviour by The Chats

Cartoonishly primitive and gleefully out of luck, The Chats hurl Molotov cocktails of punk, bright and exploding even as they come. They’re from Australia, which totally makes sense; there’s a sunny, health-care-subsidized, devil-may-care vibe to their down-on-their luck stories. Musically, the songs are stripped down like Billy Childish, sped up like the Ramones, brute simple like Eddy Current Suppression Ring. Most of them are about alcohol: drinking, being drunk, getting arrested for being drunk, eating while drunk…etc. etc. But there’s an art to singing about getting hammered, and few manage the butt-headed conviction of “Drunk & Disorderly.” Its jungle rhythms, vicious, saw-toothed bass, quick knife jabs of guitar frame an all-hands drum-shocked chant: “Relaxation, mood alteration, boredom leads to intoxication.” Later singer Eamon Sandwith cuts right to the point about romance with the couplet, “I was cautious, double wrapped, but still I got the clap.” The album’s highlights include the most belligerently glorious song ever about cyber-fraud in “Identity Theft,” whose shout along chorus buoys you up, even as the dark web drains your savings account dry. The album strings together a laundry list of dead-end, unfortunate situations, one after another truly hopeless developments, but nonetheless it explodes with joy. Bandcamp says the guitar player has already left—so you’re too late to see the Chats live—but it must have been fun while it lasted.

Jennifer Kelly

Oliver Coates — skins n slime  (RVNG Intl)

skins n slime by Oliver Coates

2020 was a year of loss, of losing, of feeling lost. Whether weathering the despair of illness and death, the discomfort of displacement or the drift of temporal reverie, English cellist Oliver Coates creates music to reflect all this and more on skins n slime. Using modulators, loops and effects, Coates employs elements from drone, shoegaze and industrial to extend the range of the cello and conjure otherworldly sounds of crushing intensity and great beauty. Beneath the layering, distortion and dissonance, the human element remains strong. The tactility of fingers and bow on strings and the expressive essence of tone form the core of Coates composition and performance. If his experiments seem a willful swipe at the restrictions of the classical world from whence he came, the visceral power of a track like “Reunification 2018”, which hunkers in the same netherworld as anything by Deathprod or Lawrence English, the liminal, static bedecked ache of “Honey” and the unadorned minimalism of “Caretaker Part 1 (Breathing)” are works of a serious talent. skins n slime is an album to sit with and soak in; allow it to percolate and permeate and you’ll find yourself forgetting the outside world, if only for a while.  

Andrew Forell  

Bertrand Denzler / Antonin Gerbal — Sbatax (Umlaut Records)

Sbatax by Denzler - Gerbal

Tenor sax player Bertrand Denzler and drummer Antonin Gerbal released this duo recording last summer which slipped under the radar of many listeners. Denzler is as likely to be heard these days composing and performing pieces by others in the French ensemble ONCEIM, playing solo, or in settings for quiet improvisation. But he’s been burning it up as a free jazz player for years now as well. Gerbal also casts a broad net, as a member of ONCEIM, deconstructing free bop in the group Peeping Tom, or recontextualizing the music of Ahmed Abdul-Malik along with Pat Thomas, Joel Grip and Seymour Wright in the group Ahmed amongst many other projects. The two have worked together in a variety of contexts for a decade now, recording a fantastic duo back in 2014. Sbatax, recorded five years later at a live performance in Berlin is a worthy follow-up.  

Gerbal attacks his kit with ferocity out of the gate, with slashing cymbals and thundering kit, cascading along with drubbing momentum. Denzler charges in with a husky, jagged, repeated motif which he loops and teases apart, matching the caterwauling vigor of his partner straightaway. Over the course of this 40-minute outing, one can hear the two lock in, coursing forward with mounting intensity. Denzler increasingly peppers his playing with trenchant blasts and rasping salvos, riding along on Gerbal’s torrential fusillades. Throughout, one can hear the two dive deep in to free jazz traditions while shaping the arc of the improvisation with an acute ear toward the overall form of the piece. Midway through, Denzler steps back for a torrid drum solo, then jumps back in with renewed dynamism as the two ride waves of commanding potency and focus to a rousing conclusion, goaded on by the cheering audience. Anyone wondering whether there is still life in the tenor/drum duo format should dig this one up.  

Michael Rosenstein

Kaelin Ellis — After Thoughts (self-released)

After Thoughts by KAELIN ELLIS

To be sure, “slept on” hardly characterizes Kaelin Ellis in 2020. After a trickle of lone tracks in the first months of the year, a Twitter video posted by the 23-year-old producer and multi-instrumentalist caught the attention of Lupe Fiasco, quickly precipitating the joint EP House. It’s a catchy story from any number of angles — the star-powered “discovery” of a young talent, the interconnectedness of the digital age, the silver linings of the COVID-19 pandemic — but it risks overshadowing Ellis’s two 2020 solo records: Moments, released in the lead-up to House, and After Thoughts, released in October. It doesn’t help that each album’s dozen tracks scarcely add up to as many minutes, or that the producer’s titles deliberately downplay the results. And some, of course, will judge these jazzy, deeply soulful beats only against their potential as platforms for some other, more extroverted artist. “I’d like to think I’m a jack of all trades,” Ellis told one interviewer, “but in all honesty my specialty is creating a space for others to stand out.”

Yet as with all small, good things, there’s reward in savoring these miniatures on their own terms, and After Thoughts in particular proved an unexpected retreat from last fall’s anxieties. Ellis has a poet’s gift for distillation and juxtaposition, a director’s knack for pathos and dramatic sequencing — powers that combine to somehow render a fully realized world. As fleeting as it is, Ellis’s work communicates a generosity of care and concentration, opening a space for others not just to stand out but also to settle in.

Eric McDowell   

Lloyd Miller with Ian Camp and Adam Michael Terry — At the Ends of the World

At the Ends of the World by Lloyd Miller with Ian Camp and Adam Michael Terry

Miller and company fuse the feel of a contemporary classical concert with eastern modalities and instrumentation. The recordings sound live off the floor, and give a welcome sense of space and detail to the sensitive playing. Miller has explored the intersection between Persian and other cultural traditions and jazz through the lens of academic scholarship and recorded output since the 1960s. With this release, the performances linger in a space where vibe is as important as compositional structure. The results revel in the beauty when seemingly unrelated musical ideas emerge together in the same moment, with startling results.

Arthur Krumins

 Oily Boys — Cro Memory Grin (Cool Death)

Cro Memory Grin by Oily Boys

The title of this 2020 LP by Australian punks Oily Boys sounds like a pun on “Cro-Magnon,” an outmoded scientific name for early humans. It’s apt: the music is smarter than knuckle-dragger beatdown or run-of-the-mill powerviolence, but still driven by a rancorous, id-bound savagery. The smarts are just perceptible enough to keep things pretty interesting. Some of the noisier, droning and semi-melodic stretches of Cro Memory Grin recall the records made by the Men (especially Leave Home) before they decided to try to make like Uncle Tupelo, or some lesser version of the Hold Steady. Oily Boys inhabit a darker sensibility, and their music is more profoundly bonkers than anything those other bands got up to. Aggro, discordant punk; flagellating hardcore burners; psych-rock-adjacent sonic exorcisms — you get it all, sometimes in a single five-minute passage of Cro Memory Grin (check out the sequence from “Lizard Scheme” to “Heat Harmony” to “Stick Him.” Yikes). A bunch of the tunes spill over into one another, feedback and sustain jumping the gap from one track to the next, which gives the record a live vibe. It feels volatile and sweaty. The ill intent and unmitigated nastiness accumulate into a palpable force, tainting the air and leaving stains on your tee shirt. Oily Boys have been kicking around Sydney’s punk scene since at least 2014, but this is their first full-length record. One hopes they can continue to play with this degree of possessed abandon without completing burning themselves to down to smoldering cinders. At least long enough to record some more music.

Jonathan Shaw

 Dougie Poole — The Freelancer's Blues (Wharf Cat)

The Freelancer's Blues by Dougie Poole

A cursory listen might misconstrue the heart of Dougie Poole's second album, The Freelancer's Blues. When he mixes his wobbly country sound with lyrics like those in “Vaping on the Job,” it sounds like genre play, a smirking look at millennial life through an urban cowboy's vintage sound. Poole does target a particular set of issues, but mapping them with his own slightly psychedelic country comes with very little of the postmodern itch. His characters feel just as troubled as anyone coming out of 1970s Nashville, and as Poole explores these lives with wit and empathy, the songs quickly find their resonance.

The album, though it wouldn't reach for pretentious terms, carries an existential problem at its center. Poole circles around the fundamental void: work deadens, relocation doesn't help, spiritual pursuits falter, intelligence burdens, and even the drugs don't help. When Poole finally gets the title track, the preceding album gives his confession extra weight, a mix of life's strictures and personal limitation combining for a crisis best avoided but wonderfully shared. The Freelancer's Blues comes rich in Nashville tradition but finds an ideal fit in its contemporary place, likely providing a soundtrack for a variety of times and spaces yet to come.

Justin Cober-Lake

 Schlippenbach Quartett — Three Nails Left (Corbett Vs. Dempsey)

You might say that this record has been slept on twice. The second recording to be released by the Alexander von Schlippenbach, Evan Parker and Paul Lovens (augmented this time by Peter Kowald) was released in 1975, and didn’t get a second pressing — on vinyl — until 2019. So, Corbett Vs. Dempsey stepped up last summer, it had never been on CD. But this writer was so stumped on how to relate how intense, startling, and unlike any other free improvisation it was and is, that he just… slept on it. Until now. Even if you know this band, if you don’t know this album, well, it’s time you got acquainted.

Bill Meyer 

Stonegrass — Stonegrass (Cosmic Range)

STONEGRASS by Stonegrass

Released on the cusp of a tentative re-opening for the city of Toronto after two months of lock-down, this slab of psychedelic funk-rock was the perfect antidote to the COVID blues when it arrived at the tail end of a Spring spent in near-isolation. The jam sessions that became Stonegrass were also a new beginning for multi-instrumentalist Matthew “Doc” Dunn and drummer Jay Anderson, who reignited a spirit of collaboration after a decade of sonic estrangement following the demise of their Spiritual Sky Blues Band project. Listening to these songs, you’d never know they spent any time apart. The tight, bottom-wagging jams on offer are evidence that these two are joined together at the third eye. Anderson’s grooves run deep, and Dunn — whether he’s traipsing along on guitar, keys or flutes — is right there with him. There’s enough fuzz here to satiate the heads, but the real treat here is the rhythmic interplay. Strap in and prepare to get down. 

Bryon Hayes 

 Bob Vylan — We Live Here EP (Venn Records)

Bob Vylan flew under the radar in 2020 successfully enough that when someone nominated them for the best of 2020 poll in Tom Ewing’s Peoples’ Pop Polls project on Twitter (each month a different year or category gets voted on in World Cup-style brackets, it’s great fun and only occasionally maddening), most of the reaction was “is that one a typo?” Nobody had that response after listening to “We Live Here” — my wife also participates in the poll, so we just play all the candidates in our apartment, and Bob Vylan was the first time both of our jaws dropped in amazement; the song got played about ten times in a row at that point. Bobby (vocals/guitar/production) and Bobbie (drums/“spiritual inspiration���) Vylan’s 18-minute EP lives up to that title track, fireball after fireball aimed directly at the corrupt, crumbling, racist state that seems utterly indifferent to human suffering unless there’s profit in it. Whether it’s the raging catharsis of the title track or the cool, precise hostility of “Lynch Your Leaders,” Bob Vylan have made something vital and essential here, that very much speaks to 2020 but sadly will stay relevant long past it.  

Ian Mathers

 Working Men’s Club — Working Men’s Club (Heavenly Recordings)

It’s been evident these past few years that I’ve retreated from music and committed myself to the slower world of books as a way of giving my mind a break from the accelerating madness outside, but I could never really leave my radio family the same way I could never really leave Dusted. Another great example why: A fellow CHIRP volunteer played “John Cooper Clarke” in a December Zoom social I actually managed to catch, and I’ve been addicted to Working Men’s Club’s debut LP from October ever since. The quartet hails from Todmodren, a market town you won’t be surprised upon listening to discover is roughly equidistant between Leeds and Manchester; the album screams Hacienda vibes in its seamless integration of post-punk signifiers and dancefloor style. It’s easy to bandy about names from Rip It Up and Start Again or even The Velvet Underground in 12-minute closer “Angel,” certainly one of the most arresting tracks of the year, but the thing that struck me immediately is that this was the record I’d always anticipated but never got from Factory Floor — smart, aloof and occasionally calculated, yet still fun enough to play for any crowd itching to move. Until the community of a dance party or Working Men’s Club live set is once again possible, patience and a fully formed first album will have to suffice. You’ll have to imagine the part where I corner you at the party to rave about it, I’m afraid.

Patrick Masterson

[steve0discusses]

Yugioh S4 Ep 24: Someone Actually Called the Cops.

So recently I was like, “I should do something different than my usual” and I decided to open up a little thread for critiquing ppl’s short stories, and I kid you not, the very first story I got was someone’s Seto Kaiba erotica. Which, even in erotica form, did not have very much romance in it. So, now that Yugioh will apparently haunt my every waking move forever until I die, lets get back to S4. Lets desperately get back to canon. I miss canon.

Last we left off, Kaiba lost KaibaCorp...again. Really feels like he loses this company once every couple of years (weeks if we count season 1-3). Except, this time, Dartz didn’t read the fine print in the legal files that says the company must be run by a member of the Kaiba family. While that was a huge plot point with Pegasus, turns out that Seto and Mokuba’s memories have been blended so thoroughly, like a very fine Shadow Realm smoothie, that they just...forgot.

And like I’m positive that Roland remembers, but Roland’s not gonna say something and accidentally reveal he’s the 4th Kaiba brother and have to get abducted all the time and actually work for a living. Anyways, they forgot why Pegasus abducted them in the first place in Season 1, and honestly, so did the writers of this season 4 years later. Not like it mattered, because if Seto and Mokuba did take Dartz to court, the world would end before their case would even start.

Which is how, after one talk with Roland, Seto and Mokuba just sort of laid prone on the metaphorical ground and let it wash over them that yes, KaibaCorp is gone.

I really like this extra-long helicopter, PS.

Both members of Kaiba’s Sunglasses Army decided to align themselves with Kaiba, although honestly, I don’t think anyone else in this company has realized that they’ve been bought. It happened...1 hour ago. Like what do you even do if your company randomly gets bought in the middle of a workday? Like no lead up, no indication, just BAM you’ve been bought?

And if Duke works for Pegasus who got bought out by Dartz and then Dartz bought Kaiba Corp-------What does that make Duke? Is he gonna have to start wearing sunglasses inside?

Anyway, Roland knows better than to tell Seto Kaiba he doesn’t work for him anymore while still in the same helicopter as Seto Kaiba, who already crashed one plane today and will crash yet another plane before this episode is through.

(read more under the cut)

Seto decides to align with Yugi since he needs to confront Dartz eventually. Which is when we find out that Seto always planned to align with Yugi and was just giving him a really hard time.

Because over the last several episodes, Seto has had an entire team at this random museum in Florida in order to take some pictures (that really should have already been on the internet but wtv, it was 2003 so maybe it wasn’t?)

It’s like most of the way through s4 and the biker ninjas still send me. How did he make SO MANY biker ninjas? At what point was Dartz like...and now...all my mooks...will be ninja bikers. Or orcs. Mostly Ninja bikers.

Did Alister or the others ever tell him “hey, Master Dartz, I get that your 10000 years old but like...do you not understand what a biker is?” and was Dartz like

“clearly bikers are the most evil thing in the world, obviously.” completely unaware that most bikers are just 45 year old accountants.

In these scenes we also get a gander at their laptops and, if you ever want to see high level life crippling OCD anxiety in picture form, it’s illustrated very clearly right here:

Not only did they draw this keyboard in 1 pt perspective, they used like a ruler to draw all those letters so they were the same size. Some artist put so much time getting this nice and crisp and smooth...and then this happened.

And I’m pretty sure they died after that. I’m pretty sure this scene killed an artist.

It’s at this point that Yami kinda puts two and two together and was like “WE BOUGHT PLANE TICKET’S, YOU ASSHOLES.”

(It’s been such a long time since we’ve seen Mokuba smile like this, and it’s because he’s been hiding the fact for So Many Episodes that he and his brother prepped like hours ago to get this huge dunk on the rest of the party. He just wants to dunk on them so bad. Look at him. His company was bought today. BUT he gets to spend time with his bro dunking.)

Serious question, will Delta refund your flight if the Great Leviathan appears in the sky and tries to eat your soul to reboot the world from the ground up?

Of course not. They will never refund your flight. Trick question.

We switch back over to Rebecca and Duke, who have been absent from this show for so long, I actually forgot what Duke’s name was and had to think for like...5 entire minutes until I remembered that his nickname sounds like a poop and I was like “oh man, what name of poop would it be???” and then I recalled “Dookie. Yes. His name is literally Dookie. Wow that took way too long!”

Then we start a story arc I’d to call “My Kingdom For a Sharpen Filter” where, much like King Lear, the Yugi crew splays themselves on a battle field just strewn with different ways to sharpen an image, but can’t for the life of them use any other one, but the one deep in the heart of what is now DartzCorp.

And so yes, we are going to fly to San Fransisco, hop into ye Olde KaibaCorp, and log into proto-Noah in order to read a language that Arthur Hawkins can already read.

This is nonsense, but they put it there because it’s something to do. And honestly, it’s not a card game, so I’m down for this change-up. Lets go visit a version of Noah’s brain. At least they won’t drop an orichalcos for the 12th episode in a row.

On the way, Seto decides to try and egg on Yugi.

This backfires as you expect it will because Yami doesn’t freakin care. Like he’s not Yugi, he doesn’t care who the King of Games is, he harnesses freakin Dark Magic. The Wizard never cares if he’s King Arthur or not, and in fact, he probably prefers it....

..................Except in that spinoff where they had Yugi as a reincarnation of King Henry VII.

...................................................never mind.

And then Seto Kaiba says this actual line and I just...

WH.

WHHH

WHAT?

This entire show is just watching Yugi desperately cling to his scary ass hobbies. The tagline of Yugioh is “1001 reasons to go back to school and get a real job.”

What does Kaiba think Yugi does when he’s not around? Does he actually think Yugi attends school or sleeps at night or works an actual job? Like...he thinks Yugi has...NO HOBBIES.

Very interesting insight into what Seto considers a hobby and not hobby.

Especially since this Yami, who spends most of his spare time farting around his scary ass brain castle and getting lost. Occasionally he is forced on a date with Tea and wipes minds. That’s it. That’s all the things Yami does outside of hobbies.

Anyway, what is Dartz doing during all of this?

After this, Dartz pulls back the literal curtains on this room to reveal these candles that each hold the soul of someone he’s murdered.

There are not NEARLY enough candles for this segment.

A very brave man to have candles littered on the floor when his hair is down to his ass and all of his mooks have floorduster coats.

I really want to know what the local arts and crafts store thought when Dartz strode in there and bought every single tiny styrafoam skull during the Halloween sale and was like “can I put souls in these? You sell the kind I can put souls in, right?” and then immediately pulled out like a dozen 50% off coupons like a complete asshole.

Anyway, using this candle hocus pocus, Dartz uses the Orichalcos powers to take advantage of something Yugi did in the first episode. We distantly recall there was a giant eyeball in the sky--turns out if you bust up the eyeball with, lets say, a card that has a dragon on it, the eyeball will explode into many tiny Orichalcos pieces that will fall all over planet Earth.

So apparently Yugi didn’t save anyone at all when he busted that eyeball, because he instead set in motion Dartz’ evil plan to eventually use these many tiny Orichalcos pieces like the one seen here, to kill the hell out of people.

Good job, Yugi. Too bad you missed the Actual Bakura.

In fact, actual Bakura is probably the only one who survived this incident because I guarantee that Ryou Bakura is too busy eating all the contents of his fridge out of stress. He’s probably opened his window at this point, seen the crazy lights in the sky and in the street and was like  “Blooooooody nope nopenopenopenopenope” and just locked the windows and doors, turned up Hercule Poirot to max volume, and stuffed his face with cookies.

(Or biscuits, I guess.)

WELL.

I don’t know how to tally that.

Yugioh not only broke the tally I was using to measure the distance they spent commuting this season, it also broke the tally on the amount of people who have died on this children’s show.

That’s a really big number.

We’ve had real duel monsters for a couple weeks but youknow...this time they’re extra, extra, extra real. More so than the last times. Also they’re all Orichalcos versions of their cards so their extra edge now. They’re the hot topic versions of what were already pretty hot-topic ass cards.

MMM. We come full circle, back at a dock, a warehouse, and some huge ass boat.

Right where we belong. Where all friends meet, where we can all finally be one.

Yugioh found one of the only cities that has a very famous and tourist heavy pier/warehouse district in it just so the Yugi gang could finally feel comfortable in their natural habitat. HOWEVER, there’s just one tiny problem in this scene, and it’s that it’s not overlaid with the actual soundscape of a SF pier, which is that of 100000 screaming seals

I don’t have a seal problem, you have a seal problem.

Anyway, the only healthy adults here attempt to follow the children into danger but someone on the animation team was like “we just lost the keyboard drawing guy to that capslock! We cannot lose any more interns to a crowd scene with 9 people in it and 2 dead bodies!” and they uh...

And we immediately eject Roland and whoever that weird sunglasses guy is out of the script. Mokuba gave them a longing glance as they helicoptered away. Maybe because he missed his Dad stand-ins that he went through such efforts to call in the first place. Or more likely, because Mokuba would have preferred to be on that helicopter and far away from whatever the hell is going to go down on this dock.

Honestly the rest of Joey’s storyline this episode is him going rogue because of Mai rage, and it both comes out of nowhere and also seems very on point for him.

Meanwhile, Rebecca’s unbridled rage towards Yami Muto is still low key hilarious to me.

Witness the only character here who thinks Yami should suffer actual consequences and witness Yami just appear to not give a single damn about it.

Nearly spat out my own drink watching this.

The...

...police...

...exist in this universe?

Anyway, while Tristan and Tea try to locate a payphone to dial 911, Seto and Yugi decide to invade Seto’s own company by going through an elevator that you have to reach through the sewers.

Straight up I don’t think SF even has sewers. At least, not in the sense that you can walk in em like New York or Paris or other cities that have sewers. Our sewer systems are very small cuz we got something called “liquefaction” which means our ground is so soft (and artificial--a lot of the land is fake), that when there is an earthquake, certain parts of the city will...liquefy. It’s Terrifying. We kind of...avoid going and building underground except in certain stable places. (like even BART gives me the heebies.)

I just have a very strong distrust of basements, caves and other underground places in general and it’s not because of spiders, or ghosts or whatever, I’m just afraid of faultlines. It’s like having an active volcano, but you just don’t see it, and we haven’t had a Big One since 1989 so...any day now (I mean, 2020 has been such redic content, that I think we’re finally ready)

Again, Japan has way more intense Earthquakes than we do, and yet they have a billion underground subways and very, very tall buildings, so like, this is mostly a big cultural difference between the two of us. And the bedrock. They probably have better bedrock than we do (honestly, I just have no idea).

MASTER HACKER SKILLS.

Almost as good as that time he hacked into Pegasus’ company by dropping a satellite on it. I’m starting to think Seto actually doesn’t know how to use a computer.

Anyway, Seto is faced with...real cards, real monsters, indisputable evidence, and he decides, it’s time. It’s time to finally face facts.

So, while these two are just flinging cards around willy nilly, Tea and Tristan are ...actually talking to police.

4 seasons. They’re actually doing it.

Although, TBH, they probably should have gone to the Japanese Embassy first? Just throwing that out there.

Ah Yugioh, the only kids show around that tells you point blank not to trust cops. Timeless.

U.S

In some weird underground earthquake hazard, Rebecca proves that she is smarter than Seto Kaiba. She’s maybe even the smartest person on this show. Nice that we gave her nothing to do this season but pine over Yugi who is already taken by Tea who he is also not even dating.

Not that I love Rebecca or anything, I actually have a hard time with her voice, but like...they really dropped the ball on Rebecca.

If she does end up joining Kaiba corp as their back up Felicity Smoak while Seto just runs around aimlessly punching stuff that really is just offbrand Arrow but with cards. And with slightly less resurrections.

So, lets get a gander at that computer.

We didn’t get to see Kaiba pull out 12 other discs to complete the installation process for these all these Hard Discs. Maybe the lure of throwing a very aerodynamic CD across the room like a paper card was so strong that his dev team forced him to switch to these defunct squares?

PS, I am a true millennial, OK? But, I don’t remember Hard Discs.

Hard Discs were SO long go. I stopped using these damn things in Elementary school. The last Hard Disc I ever touched was in college, when I had to put my art portfolio on a disc to submit it to my degree. I don't know even why. Everyone had a mac, so I knew no one’s computer in the department even...HAD a disc drive so it was like...whomst among you has this damn computer from 1997? Whomst among you is still using Windows 95? WHY would I put IMAGES on a floppy when I can just email them to you?

Anyway, I had to get a USB hard disc reader, and to get that reader, I had to call my Dad who had legacy software because he’s a computer engineer, and he had to mail it to me.

In that same portfolio review, PS, I also had to submit my portfolio as slides.

I didn’t even know where to produce slides so I had to ask all these old people and go to the last photo processing store on earth to get digital pictures turned into negatives and then turned into freakin slides.

SLIDES.

I honestly think they just did that to weed people out of the art degree.

Anyway, I tell you this story just to say that there is no way in hell that Kaiba was using a hard disc during the height of the CD era. We were CD or go home since 2000. We had pretty decent jump drives at this point. We had wifi. It was realllly bad wifi, but we had it. Your phone could connect to the internet. It would charge you 50 bucks, but it COULD connect.

Who on the Yugioh team DID this?

Anyway lets see these pictures that for which, we spent thousands of dollars in unused plane tickets, destroyed a Caltrain, killed 2 ancient Atlanteans (and their dog), killed 3 random mid-villains, walked across the entire Peninsula, crashed an international plane, and left both the plane and the train to rot gas fuel into the nearest lake which is right next to a ghost graveyard?

Yeaaaaaaaaaah!

Like he reads it and is all “They’re gonna resurrect Atlantis” and it’s like WE KNOW. Dartz and his hooligans have talked about starting their Utopia to reboot the world since Gurimo. Since Day 1.

Man.

Anyways, there was one plus to the pictures, and it was that Seto Kaiba recognized the Oricalchos logo.

just...

The Oricalchos logo is...

...This logo, Seto?

You...didn’t recognize...seriously? Not until just now? You have been inside of this logo, rearing to lose your soul to Alister 2 times, and he only recognized it...just now.

I mean Seto takes a while y’all. He’s a genius, but his memory is so, so bad, that he will Eventually get smart, but you have to wait until like episode 24. But he’ll get there. Just gotta be patient.

And, when he saw it, he wigged out in a way I wasn’t prepared for.

Y’all I feel like I’ve seen to many weird zooms on Kaiba’s crotch in this show. Or just in life in general, especially after that surprise fic. That’s all.

I don’t know why everything exploded, but maybe the logo is cursed in the same way as God Cards? I dunno.

Anyway, this is when Dartz shows up with his brand new dog.

So they run outside onto the roof.

Now listen, does every Kaiba Corp building need the same weird ass roof? Is it like a McDonalds?

Because I’m just picturing this type of roof in SF and I’m having a time.

Forgive me if I made this lemming joke already. He’s just stood on a cliff’s edge so many times I can’t keep up.

RIP Dragon Jet, who took us from S3-S4, you’ll always live on in our memory, you glorious, wasteful, beautiful death trap.

Seto and Yugi are fine by the way, they just kinda jumped out, as you do when you’re an immortal god possessing a small boy and a...whatever the hell Seto is.

It’s at this point we reintroduce Valon because Joey went rogue and has decided to take on Dartz by himself. This is what happens when Tristan leaves the party. You always need Tristan to hold back Joey by his armpits to keep him from fighting random people.

So I guess Valon’s gonna die next episode. That’ll be nice.

What’s great about this show is each arc is just watching each villain die. You know they’ll die. But...how much?

Anyway, that’s all for today. I’m still drawing a hell ton of stuff so I don’t know when the next update will be...but just now I haven’t dropped off or something. I’ll...eventually get to it.

And if you just got here, this is a link to read all of these in chrono order.

Anyway, I mentioned Hercule Poirot, (because watching a hell ton of BBC was how I spent time with my family when I was a kid, and my very Southern Grandma freakin LOVED Hercule Poirot) So here is the best subplot of that show, which is David Suchet eating stuff.

And which doesn’t want to embed for some reason. Probs can’t embed more than one video https://www.youtube.com/watch?v=17antzzJrzQ

[carndriverrecords]

First Blog Post 3/20/20

Started CnD Records today. Feels Good.

Working on some diss tracks. Not sure if they see it coming - doesn’t matter either way.

Planning to release Car and Driver first real record this Friday 3/20/20. Driving Test Driver Fest 1. 

Self release first record - another 20 tracks next week. Compile top 10 - 15 for first release with other label - thinking Terrible, Kranky, blu ish label or Thrill Jockey. Citrus City a no-go for now. Maybe just keep building CnD records.

Be the middle man - take advantage of opportunities without sacrificing my bands’ (and those I represent) integrity.

Reach sleep destroyer.

Last night at Ted’s - great DJ set. Kidz bop remixes, Fancy. Crowd hated it. Ted disappointed we had to leave but it’s ok with everyone. Tall guy took aux right out of computer, have video. Started dancing - cucked everyone. Everyone thinks they’re the crazy charismatic guy. Am I actually? I think so. Syd thinks so. 

CnD Fest 2 , 3 , 4 at Purchase and beyond. Would like to play apartments, Scully’s den in BK (reach out) and Philly, DC etc.

Next voice memo album - 20 - 25 tracks right now. Better than the first. Danny said best album ever.

Working on “My oh Maia Reason Why” video - my favorite video I’ve ever seen. Getting good feedback.

Important to collab with certain SUNY people before I go:

Members of Lip Critic, Dawson, Neal, Gabe.

Send stuff back and forth with Joseph Kress. 

Need to write song about not sharing a stage w unstable Car and Driver - cost me 2 gigs. Ok because I had the police interaction that night. 

Things have been working out quite well. Syd is keeping me in check. Main priorities are keep the energy going while I can and make sure everyone around me is comfortable with me doing my thing, specifically mom, sofia.

Going to Only Angels tomorrow to collab with Alex.

Tues/Wed in RI with Zach Gorton. Need to see Nick Holcomb, Sofia, Will Orchard if he’s around. Riley in Boston? Would love to. 

Visit Dad soon on the way to Richmond, in a few weeks perhaps. Grandma Roberta etc. They have a BBQ place now - I bet it’s great. 

Follow up in the morning (3 hours from now) with wedding band, Kevin Daniels, drummer etc.

Film sunrise sessions at Purchase: My Ride’s Here, Splendid Isolation, Keep me in your heart, Studebaker, Cat’s in the Cradle, Everybody that you know. Don’t think twice, Boots of Spanish Leather, Someday my Prince, Teenage Dirtbag, Arthur (Woof Woof), Forget You, Signed Sealed Delivered, Superstition, The Promise, Hold me now (TT), Love on Top, Townes Van Zandt, 1-800 superstar, Evan Wright, Tom Petty, Blinded By the Light, Searching for a Heart, Mag Field’s, Barenaked Ladies, TMBG, Dolly Parton one sided love, Byrds, Beatles, Kinks, Stones, Parquet Courts, T Swift (Red, Way I loved you), Mitski, Sasami, Anything Could Happen, Beach House, He Needs Me, These Days, YLT, Beach Boys, Big Star Take Care, G500/Luna, Felt, Psychic TV, Shelia, BJM, Yellow Sarong, Over and Over, Hazel St, Heatherwood, Helicopter, He Would’ve Laughted, I wanna be your lover, The pump, Good enough (sleep destroyer), Them airs, BH (14, indian summer), help me scrape mucus off my brain), Beach Comber, DO YOUR THING, Icehead, Bobby, 1000 times, WIll Orchard, Bon Iver, MGMT, Tame impala, Instant Crush, etc. Art Vandelay, Quick Canal, Stereolab, Grouper, Broadcast, Animal Collective, Panda Bear, Bachelor Kisses, Cranberries, Cure, Pastels, MBV, I found a reason, pale blue eyes, Deerhoof, Gretel Alex G, Dancing w tears in my eyes, Elvis Costello, No age(things i did), Are ya ok, Maus, Ariel, R Stevie, Aphex Twin, Zomes, Vampire Weekend etc.

Bring Laptop for Beats on some and lyrics for all. 

Love life more than ever before. Music feels so good. Want to help, make amends, everything that moondog did. Don’t be homeless much longer.

Not sure if I like throbbing gristle - definitely like Psychic TV.

How savage should diss tracks be? Very? Match the severity of the person’s treatment of me/others. Aka - pretty bad for all except for Auto.

Listened to new Kanye today - 10x better and more influential than death grips. 

Realized today that i’ve spent my whole life wishing I was Kanye and now I am Kanye. Feels very good.

Everyone is gifted but internet makes us angst. 

I am mostly Camus right now - maybe more Kierkegaard soon. Religion and Terrence Malik. Still need to read books.

Order of Books: The graduate Portrait of the artist Consider Lobster Infinite Jest Pynchon Ulysses (At recommendation of American gamer association)

Syd is incredibly gifted. Want to help her feel comfortable doing art/work here in the chaos but also sort out the chaos for both of ours’ sake. I thrive in it, she tolerates well. Want to move to Riverdale still, maybe East Williamsburg with Backpack Chris. We’ll see about money. Philly perhaps, little too far. Jersey is good location but bad commute. Bad to RI. 

Visit RI and Boston Tues - Thurs. Sell Cigarettes at Concerts. Feels right.

Keep smoking for now - quit end of summer perhaps. 

Don’t have Corona Virus - glad we are not quarantined. Still be smart. Don’t expose mom regardless. Protect at ALL costs. 

Really though, why does Journee hate me? Write new track (Journee into forever nevermore not now not ever (Lou)) or Journee into SJW self righteous moral posturing (way too savage - maybe voice memo outro)

AR Kane album is incredible. Syd loves too. Sample everything.

Crazy - sound better at jazz than ever in my life. Exploring harmony - never practice. Teach free lessons all the time. Love the diminished scale. Might be best jazz guitarist to ever live. Time will tell. Would be cool long term. Prefer singing. 

Getting good at piano too.

I’m my favorite lyricist/comedian/actor.

Is maia right, acting isn’t hard? Weird they can’t act.

^Remember to delete^

Don’t share this on Facebook yet.

Why does Journee hate me so much? Just the Louis CK joke?

People who stay home and do nothing hate to see irreverent people doing things.

People like when you’re losing - don’t like to see you win.

^That makes me sound crazy.

F00D outsider might make me famous first.

Need to keep up with legal situation.

Hope mom and dad both live long. Call Syd, get something nice for everyone in family. Get weird jewel cases. Order jewelry from etsy. Post merch on bandcamp.

Finish album art soon. Music videos. Get better at animation etc. Pay Ben for his poster. Actually really good. Maybe album art? Duo album! Record in Wisconsin, release under his name. WIll success be good for Ben? I think so. Still can’t believe Liv told him I wasn’t ok. Wow - good content for lyrics. You truly cannot write this.

How will people react to diss tracks? Extremely negatively. Or no reaction. We shall see. Maybe no real names in the titles...... only on Oh my. 4 names in titles is too many. Don’t release Auto track. Maybe on Voice Memos. 

Track List: Good God Bed Head Rosa Reprise Oh My House Pop 1 skydive Pop 2 APhex GVO Pay 4 Take some Cherish Stars in F Are ya ok too bright Honeys Get to work Everybody That You Know Frost Bit BPC NYC New Age Heimet Helmet Deadbeat dads watermill for slitting bars romantic song david byrne Cinema study in cinema Brain ego Cherry doc marten Can’t liv w/o Venmo groceries Oh you like? Dancin DJ blues We are the State Farm robots Danny dorito is a dirty devito My funny valentine Zoomer blues The thing abt genres Blss Like minds ft dawson Lil toucha jazz Introducing car and driver The holy moment empire Ethics 101 - gma in the street Otto is sad I don’t know what it means! Operatic mellismatic Car and driver fest will be a success! Car and driver fest was a bust again! Cipha’s comedy corner Ryder Be gone evil atonal spirits!

Unreleased mental breakdown compilation ep:

I like all music! I’m a stupid pos Electric micro bike Get off your phone! John frusc Nice song Lap steel for 2 My masseuse advice Bed head wash sq Punchie John Maus yoyo interview Diminished  kinda thing

Build the NYC scene, w Blu ish, Evan, 1 800, sweet joseph, Comics Club, Dawson, Sloppy Jane, Wheatus,

See Jack Fortin in NYC soon. Either my event or his. 

Things are still good. Syd will be a great filmmaker. WIll maybe will end up with a dancer or a filmmaker - Probably not a musician. WIll have many loves. 

Things are good right now - hope they stay that way. 

Feel like Ezra Keonig - hopefully someone reads this one day and agrees. Different time in history and the internet - hope this is less cringe than Ezra’s blog , probably not. Ezra, if you’re reading this, sorry. See ya at Bernie’s rally. 

[danjaley]

Questions Tags

I was tagged in a number of those recently. And because I got behind and they were piling up, I decided to have my pick and answer those I felt I had something to say on.

Questions from @declarations-of-drama , @simcatcher , @sillylittlesimblr , @jepensedoncjesims , @trembling-hands , @mada-didi

Declarations-of-Drama’s questions

1. The boss of EA is in front of you asking for one statement about The Sims before he goes away and makes TS5. What do you say to him?

Ask @simcatcher about her ideal Sims game and do exactly as she says. (She suggested a Sims game with passing eras, and really I think that should be doable. Sim City 2000 was a bit like that - you could choose to start 1900, 1950 or 2000, and development would take place accordingly.)

2. Do your Sims know of you as their Sim God or are you the invisible deity to them?

More like the invisible deity, but I wouldn’t call it that. I see my Sims like fictional characters in writing or in a play. Even if the author is of course in charge of their fate, this doesn’t affect religiosity within the work of fiction. And even more abstract, those Sims in heavily scripted and posed stories I see as fictional actors playing the actual characters (not unlike the production of MKASONP ;) To those I’m the director, which makes it a lot easier to keep the right emotional distance for storytelling.

3. How do you see yourself connected to your Sims? Do those of you who say you love them, really mean this? How deep is your game?

I’m definitely feeling responsible and sometimes even overprotective about my Sims. Partly because that’s just my personality, partly because I started playing Sims 1 as a kid and there it was not so easy to keep a Sim alive and happy. And the way I understood games at the time, Sims dying meant: You lost!

Nevertheless, I’ve finally gotten rid of the habit to start every new household with making all Sims learn cooking in order to avoid fires.

4. What’s your Sims Secret? Is there something going on in your game that none of your screenshots will ever tell us? WHO IS LOCKED IN YOUR BASEMENT???? What are those secret Sims doing behind closed doors?

Nothing major. The weird stuff that happens is usually so funny that I post about it anyway.

5. Can we learn anything from our Sims to take away into our real lives? And/Or can you give us an example of how The Sims has influenced you outside of gaming.

When I finished highschool, I was really nervous about going to university, and playing the Sims 2 University EP was strangely therapeutic in this situation.

Simcatcher’s questions

1) What’s your favorite story/tale/scenario playing over and over in your head ? Gimme a glimpse ?

It used to be the central scenes of Chevalry, but not so much any more since I got them out of my system. It still feels so weird to think of this as a finished story.

2) What’s the screenshot/edited pic of yours that you’re the most proud of ? Can I see ?

There are so many screenshots I love... Here’s one of which I’m particularly proud of the editing:

3) I would want to read an unedited bit of your writing. Something you did, something personal or neutral, something that feels important. Cos it probably is. You can use your joker on this question. Or share your talent ♥

Most of my unedited stuff is German, so this is really random: It’s a fragment of a shortstory I never got to work properly. It’s supposed to be about a girl who’s haunted by a story. It’s a fairytale-ish story of love and adventure and she’s just waking up to the realization she’ll have no chance of this in her own life. She tries to avoid hearing how it ends, but wherever she goes she stumbles upon snippets of it. I wrote this in English because I meant to hand it in for the University’s English magazine.

The only way to flee from the story was down the stairs. My bare feet were freezing cold when I entered the kitchen. I could still hear a mutter from upstairs, but there was no other room I could go to. For the first time I realized how small our house was. I sat down on a kitchen-chair and sang to myself under my breath to keep me from listening. That's how Mama found me. “Hey, what was the matter with you just now? It's such a nice story.”

“I didn't like it.,” I told her curtly and hurried back upstairs. The story had unsettled me. My hands were shaking when I opened our bedroom-door.

“[...]”, Caroline beamed at me, when I entered. “[...]”

“Shut up!”

Luckily Caroline is easy to impress. She threw her blanket over her head and didn't say another word.

I went to sleep, I got up the next morning, I went to school. I was sitting at my desk sleepily. I had been dreaming of running away all night, but the faster I ran, the more clearly I heard the words I so dreaded. I wasn't paying any attention, so I was rather surprised, when my neighbour handed me a worksheet. “Read the following extract:,” it said. [And it’s an extract of The Story, of course]

4) What do you get inspiration from ?

Everything. History, houses I see in town, places I’ve been to, songs and misunderstood lyrics, listening to music on the train. Stories that I like, or dislike, or like parts of, or when reading a lame story and imagining it was a good one.

5) Do you sometimes want to create a sim story out of a dream you had ?

Not exactly a Sim story, but I have a collections of dreams written down that I’d love to make into stories. Unfortunately, they’re all completely crazy and surreal.

7) If you’re a writer/storyteller, what’s your working pattern ? What’s your routine, if you have one ? How do you write ?

I think the most work I’m doing when I’m walking somewhere or doing boring work. Especially since I started writing in dialogues, I practically know the scenes by heart and can fine-tune them wherever I am. It’s just important to write them down when I get back to my computer.

8) Which sim of yours do you like the most ? Why ? Feel free to tell me more infos about them, what’s their sign, religion, beliefs, what do you think is relevant ?

I’m finding it increasingly difficult to distinguish between Sims and Characters...

9) What is your favorite sim couple ? Yours or other simblr’s ? Why ? What specifically makes you want to see them together ? Becaaaaaause will not be taken as an answer*

I’m all for including @jepensedoncjesims ‘ Mazen and Ara Frost in the Ultimate List of Most Romantic Couples Ever. Y’know because they literally waited an eternity for each other, and lost themselves in the process beyond recognition and still there are sparks between them. And also they’re both very good-looking! And I’m so curious about how things are with their daughter!

10) Do you have a story you wrote/write/want to write that you want to tell me about ? I sure would want a link :)

There used to be one on the internet, I wrote for the above mentioned magazine, but it’s down...

Jepensedoncejesims’ Questions

2.  What do you look forward to the most, as you wait for your game to load?

That depends on which save I’m loading, but the most exciting is when I’m testing some self-made item for the first time and can’t really tell if it’s going to work as I imagined.

It has actually happened that when loading a playing save without special purpose, I found the book I was reading in the meantime more interesting...

3.  When is the last time you went in game AND what did you get up to?

The last time I opened The Sims 3 was when I did the What’s-in-my-Sim’s-bag photoshoots, and the very last time was when I drafting the posts and suddenly realized that Edward and Arthur should change bags. ETA: And by now I also did a story-scene.

5.  If you decide to actually do this…why are you even answering my questions?

Because I love question 2!

Sillylittlesimblr's questions

1. Why did you create a simblr?

I discovered simblr through cc-hunting, and then I saw that one could also post gameplay pictures there. I was just at the beginning of learning to make cc myself and this community felt like something I wanted to join (and that’s a rare feeling with me!)

3. When did you start playing the sims & which game (1 - 4) was it?

A friend from school showed me the Sims 1 on her computer when I was eleven, and I instantly loved it. I was super shy about asking my parents if I could have the game for Christmas - it was so grown-up! I had only played interactive learning games before. I got it though, and that's the reason why the ts1 buymode tune still puts me in a Christmas mood when I hear it.

4. Who is your favourite sim you have ever created?

Valea. She's perfect.

6. Mermaids or fairies?

Mermaids! Fairies! Fairies!! Mermaids!!

7. What’s the weirdest thing that has happened naturally in-game?  

Admittedly, this was mod-generated in its cause: The fist time I played a male pregnancy in Sims 3 I didn't know I’d need to install special clothing. So the poor guy became invisible from the neck down. Well, he lived as a floating head until the baby was due and then he floated off to hospital. Ten seconds later his sister, who lived in the same household and worked as a nurse, was called to hospital. They said, an emergency had just arrived...

8. Big pets (cat, dog, horse) or small pets (turtle, bird, etc)

Big pets. I always lose small ones - either in Sims' inventories, or through death or during household rotation.

9. What’s your favourite build you have ever done OR EA made build?

My favourite self-made build is Broadbent Manor. For once this turned out to have realist proportions and be playable, and look decorative.

10. What’s your favourite EA made neighborhood (can include the vacation ones too!)?

Dragon Valley! It's beautiful and it has so many interesting Sims in it.

Teltaodstool's questions

1. How many screenshots do you have?

Ah well, I'm a historian. I like archives. Windows says it's 19.596 files in 179 folders. That's not counting technical screenshots for cc; those are stored with the respective project. I actually deleted a bunch of those recently.

4. I know this is asked a lot, but which expansion did you get first?

Pets. Actually I bought Sims 1, 2 and 3 only after the Pets EPs came out, so I could get those right after the basegame. (When I started playing the Sims, one of my biggest wishes was to have a pet in real life)

5. Do you remember who your first sims were?

I have a visual memory of my first (or at least a very early) Sims 1 family. It was a single mother with her daughter (I wasn't good enough at the game to manage more than two Sims). I don't remember what they were called, but I think the daughter's name might have been 'Kiera'.

6. Have you ever accidentally killed a sim?

Yes, that happened once in Sims 1. More recently, my Cave Island Legacy founder was accidentally killed by the game (meteor), but I decided to turn it into a close call for the story's sake.

The classic thing of walking away without pausing happened to me once in the Sims 2. All my Sims survived, but served a large number of stuffed turkeys :D

7. How many sims are in your household usually?

2-6. One sim alone makes me claustrophobic (and causes the game to glitch), and with more than 6 Sims it gets stressful. That's for gameplay though - for storytelling, 8 Sims is a small household.

8. Have you ever tried to make a custom world? Whether by the Create a World tool or in a save, it doesn’t matter.

Well, making Bakafox's Howell Island DIY into my Maplethorpe Save counts, I guess :) Sometimes I work on a custom edit of the France WA world to resemble ts2 Veronaville, but I haven't touched it recently.

9. What’s the weirdest thing you’ve seen the Grim Reaper do?

In my own game: Playing with the little chickens. But the weirdest Reaper scene I've ever seen was on someone else's blog shortly after ts4 came out and there was that glitch that made Grim appear all over town. He came to a party and felt a pregnant woman's belly. (Sorry, I don't remember who posted that!)

Mada-didi's questions

2. What type of simmer do you consider yourself to be? Storyteller, builder, casual player, simsphotograph, all of them, none of them or other?

Storyteller. Even when I'm just playing.

3. Can you choose a near-future objective for you to accomplish as a Simmer? (Example: for me, it would be to finish the first generation of Ostracizing Humanity.)

I'm super excited for the Cave Legacy finale. But I'm going to take a short break from it first.

5. Imagine you have no responsibilities. Would you rather play the Sims a little everyday or spend two days a week playing as much as you want?

I'd rather have some responsibilities during which I can find new inspiration for (sim-)stories :)

6. In your opinion, what Sim resembles you the most personality-wise? (It can be created by anybody, may it be EA, you or another player.)

Marie-Constance by @aroundthesims - always completely frightened, especially in public and most particularly at parties.

[steve0discusses]

Yugioh S4 Ep 15: Yami Joins the Bay Area Tribe By Throwing a Riot About Sports on Caltrain

So as you’ve probably guessed because of my lack of posts--I got kinda busy with life stuff and just got hit with this really nasty flu at the same time. Yes, I am in a Coronavirus-affected area but no, I don’t have it and I am not dying (although I did do the right thing and quarantined myself anyway, much like a whole lot of the Bay who are just...working from home. Traffic’s been great.) It’s just that every January/February I tend to fall apart and get the flu so bad I lose my voice for 5 days. This year was 6 days. I just catch the flu a lot, but at least I get my shots so it’s not as bad as it would have been.

So, I took a hell ton of Nyquil and Dayquil and while I’m...functional...I don’t know if any of this make sense. So forgive my rambling. I usually ramble, today I’ll be like...hella rambling. About TRAINS.

So anyway, Lets talk about Yugioh.

Lets board a Californian train!

Yugioh has decided that out of every vehicle they’ve devoted episodes to--they haven’t done trains yet, so it’s train time. Train time...in America...which is not a great place for trains. Like I never really think about it but...people take the freakin Greyhound over trains. Which is wild, guys, the Greyhound is...it’s a state of mind. We ignore trains so much.

It’s just really funny that they left Japan to go to America to ride a train when it’s like...the show takes place...in Japan. The land of wonderful trains. But wtv, they wanted ye Old Western experience.

Anyway, Rebecca really wanted to go on the train with them, but everyone pretty much decided that children were no longer safe on this trip with Yugi and co. The fact that Yugi and co are also children is something I guess we decided to push under the rug. I mean Duke Devlin has a freakin job and a work Visa at 17 so...that’s adult enough, right?

(*in a very Roaring Camp Railroad Commercial voice, and over the dulcet sounds of a banjo* More TRAINS under the cut!)

And then Arthur decided to just really grill it into Yami for some reason.

I think it was mostly to act as a recap but damn, Arthur Hawkins just really seems to hate Yami for killing Yugi. Anyway, lets get a good look at our train.

Surprisingly for this show, they decided not to put us on the Roaring Camp Railroad through the Santa Cruz Mountains, instead, they put us on an actual legit commuter train, and it blew my mind because...it’s the CALTRAIN.

That’s my train! What’s my Caltrain doing in Yugioh!?!?

They even got the paint job right! This is absolutely the Caltrain!

We never update this train. So yes, it still looks like this over 10 years later. It’s very underfunded.

+++THIS IS TRAIN FACTS FEEL FREE TO SKIP TRAIN FACTS+++++

So the Caltrain was originally privately owned tracks--which is how they are really nicely laid out--a private company bought everything/pushed out the old owners before the place got developed. When trains went under, the tracks were purchased by the State and then given to Amtrack to manage. So, Caltrain is strictly property of the State Government but still run by the Federal Government at the same time. Don’t ask me how it works, I don’t know, I just pay my taxes and it goes vroom.

We’ve wanted to extend the Caltrain down to Southern California for a very long time, but because of corruption and a lot of people in politics refusing to expand the Bay out of the fear of maybe dropping our housing prices to reasonable limits, and the fear of making it way too feasible to get more children to Disneyland, the track has stayed roughly the same length for over 40 years.

Overall, It’s less drive time than this duel that takes up this next arc, I’m pretty sure. I’m gonna guess that the duel will be 3 episodes long because c’mon. This is Yugioh. It’s always 3 episodes long, like a Nintendo boss.

Anyway, all these train facts are things that are probably so weird and foreign to places that have ample trains--but in America, we just don’t have a strong train lobby compared to our auto lobby. So, I’m sure that people in Japan making this series thought “Oh they’re on a train--it can just go forever because why wouldn’t it be long? Aren’t all American trains connected?” but uh...it’s a short train. Like we’re talking like a few hours max, and that’s only if they’re starting from Gilroy.

I will say that BART is longer and has multiple tracks, so you would think they’d just take BART instead. But, it goes under the ocean for part of it, and we’ll get to why that would have been a very big problem in this episode later. Also, BART is very gross and no one wants to animate that outside of a horror movie.

But at least they didn’t go way out of left field and take the SF trolley. The Caltrain does actually go pretty fast. It...kind of makes sense. They did actual research into a real thing that we do have.

++++END RANT ABOUT THIS TRAIN AND HOW NONE OF THIS EPISODE MAKES SENSE BUT IT’S YUGIOH SO I WILL IGNORE THAT++++

And youknow...there’s something just so adorable about seeing desert mesas reflected in the window of the Caltrain. It’s just delightful. Because, in reality the entire stretch of the Caltrain is very densely suburban/urban, and the only place where it isn’t surrounded by city is when it’s flanked by the sea.

But yeah, just put mesas on it!

*freakin curtains*

Joey and Tristan hit the “dining car,” which I don’t think is a thing in any form of commuter train. These trains are for trips the length of about 1 extensive Puzzles and Dragons session on your phone, give or take.

(And man, speaking of, the Yugioh PAD collab was so good, guys. Ah man. Been wrecking like every dungeon in multiplayer ever since Bro and I both got a Yugi to put as our leader. He’s basically one of the best leaders in the game right now and I feel like people at PAD were huge Yugioh fans because they were like “what if we made...basically every Yugioh pull into a freakin beast that broke every dungeon in the game?”)

I can’t believe Joey Wheeler went thousands of miles from his homeland and was like “I better drink an American soda” and chose Orange. I mean he might be drinking an Arizona Tea, but I’m pretty sure he thought “ah, Kenan and Kel, right?” and just nabbed the nastiest soda that exists outside of grape.

I feel like I can still taste the orange soda I drank over 20 years ago. It is terrible. It is SO orange. Gross. But at the same time...good? I really don't know with Orange Soda. It’s probably gross.

Meanwhile, Tea decides it’s an appropriate time for Yami to work on his social skills. Now. When he’s visibly grieving after being berated by his Basically-Step-Grandfather and Rebecca.

And then we find out something I’ve never realized before, and it’s that Tea is really bad at social cues. Like maybe even worse than Yami. Like, I dunno how Pharaoh could look more like an angry cat/hedgehog but Tea was not picking up on it.

And y’all I’m not making that up, these are the topics Tea actually came up with for the guy who just saw his best friend die/was very implicit in said murder. Beaches and Bathing Suits.

She got over Yugi being dead like immediately.

Of course, this episode is kind of weird because, much like this show has done so many times already, these guys are still struggling to truly understand that Yugi is two people in one body. Tea sort of comes to this realization as if she...forgot that she has stepped inside his actual head and seen this for herself.

Or maybe it’s denial, but I’m thinking maybe the show did this for the new people coming to the show, to explain a rather complicated thing that took 3 seasons to cement in our minds. But still, it makes Tea seem very forgetful over a guy she should sort of be dating I guess.

Anyway it’s their first real fight. Kind of. I mean it’s hard to tell if anyone on this show is dating, and it’s equally hard to tell if they are fighting, too.

Well, first real fight if you don’t count Zero when Yugi tried to make out with Miho over a card duel, but I think we’re all doing our best to forget that ever happened. Yugi especially.

Or I guess that time she strangled him nearly to death in the nurse’s office when Shadi took over his body. That counts as a fight, right?

Ah. Now we’re on Caltrain.

Don’t take it the wrong way, Caltrain is actually our higher end safe train, compared to our other transit, BART, which will always sit you next to a weirdo, guaranteed. Caltrain--you can take a good nap on Caltrain. BART...you will never feel comfortable enough to take a nap on BART (also because there’s not enough seating room anymore)

But a lot of people who take the train are just freakin WEIRD. I used to take the Caltrain with my older brother (different bro than the bro of this blog, this is my chaotic neutral bro) because we both worked near the same place in downtown SF, and he would always take with him--I kid you not--a 2 liter bottle of Mountain Lightning for a snack.

For those not in the States, Mountain Lightning is the offbrand Walmart version of Mountain Dew. Yes. I know what I said. It seems dumbfounding as Mountain Dew is already an off brand of Sprite--the true lemon/lemon lime--but indeed, like Inception, you can always go deeper, and if there is a soda so bewildering and random, my older brother will be ON IT.

Anyways, my older bro is a train weirdo, so not only does he prefer Mountain Lightning to Mountain Dew, he would take out a 2 liter from his backpack, tilt back his head, and just chug the whole thing straight from the huge ass bottle in front of God and everyone on that train.

He’d polish it off completely on the ride there and the ride back, because my older brother has this weird medical problem where he can’t really feel pain and he has an insane metabolism and never gained weight until he was like 32, so he can just...chug as much soda as he freakin wants. So, at some point of the trip he would have to use the very tiny bathroom, and it would be very urgent, and he’d just scramble over me to get to the aisle and then kind of skip and hop all the way there on the rush hour train that was completely full of people.

Like, most people don’t even know that Caltrain has a bathroom--well now you know, and for several years there, it was just always taken by my brother violently pissing. That was us (well...him). My apologies.

In case your curious, now my bro has hardcore acid reflux, and all he needs to do is stop drinking so much damn soda, but it’s been very hard for him, so he has cut back to “diet soda”. This is still a lot of soda and it still causes acid reflux. His doctor is working on him.

And yes, Diet Mountain Lightning exists. That’s just so many steps removed from Sprite at this point.

Anyways, enough waxing long about train memories, lets get back to the show, because it’s not this season of Yugioh until there’s a problem with the commute.

Unrelated to Pharaoh punching the walls, everyone has “disappeared.”

My bro looked up the Wiki that says there's “no explanation for the missing train passengers” but we all know what that really means on this show, right?

So, how many people fit on Caltrain?

There’s just NO WAY they’re alive anymore, right? Like Yugioh went and killed 756 Bay Area passengers because...it’s a filler season!

I really feel like there’s just no way Seto or Bakura will ever catch up to Darts’ death count at this rate.

After this, we have ourselves this fun train-jumping trope.

Pretty sure it was the superhuman opposing force of Tea jumping from the back train to the front of the train that forced the back to lose all of it’s 100+ mph momentum and immediately come to a full and complete stop.

Not sure how Darts did this thing with the train separating. But he did. Or maybe it was Rex and Weevil? Either way, he somehow managed to do this well enough to strand Joey and Tristan on the other side of the line that now has no engine.

(course I say this like in 1400 AD the Bay wasn’t full of the Ohlone. this place was basically always developed because...the weather’s hella good when it’s not on fire.)

Now if you go East--southern Utah looks like this, and parts of me wonder if maybe the artists thought they were taking the train all the way to Florida. Did the English dub add “we’re taking the train to the airport” because they knew there was no one in their right mind in America who would take a California-Florida train?

I have no other explanation for why the Bay Area looks like this, than to assume that this is an alternate California where there never was a Loma Prieta Earthquake and also one where Seto and Pegasus bought out and destroyed both Steve Jobs and Bill Gates. Which makes Seto and Pegasus sound like just real true heroes, never paving any sort of way for Mark Zuckerberg to happen and unintentionally (or intentionally who knows) screw up our elections.

Or maybe that was entirely Darts? Maybe it was Darts who’s been eating up the Bay, harvesting nerd souls for the leviathan and knowing that no one will miss these Twitter developers if Twitter never happens in the first place. Especially if he’s just ghosting entire Caltrains willy nilly.

But anyway, fun fact about the Caltrain that the creators of this show didn’t know--the train is a push-pull train, so...It has an engine on both sides of the train. Joey and Tristan...still have an engine. It would have never stopped, even with Tea’s incredible backward momentum.

This is normal train stuff and is something you should always assume about a commuter train that cannot afford the time to reattach the locomotive in order to turn around, but we forget about this in TV shows basically all the time.

However, there are fantasy rules that we give to TV that we sort of don’t extend to other places. We suspend our disbelief for things like this train stopping in a track that would, realistically, have another train passing by in 10 minutes anyway. Things like rogue waves that topple over ocean liners. Or CEOs in Silicon Valley who have ass-length blue hair that is tied with one single hair precarious band.

The point at which we no longer can suspend our disbelief when it comes to TV is SO interesting to me. Because I’m fully willing to let go of the fact that Caltrain is A Push-Pull train because it’s still a fun trope although this can never really happen to you on...almost any train at all anymore. But if this were a movie? People would be losing their freakin MINDS. Look what they did after Star Wars. They lost their entire minds over force-field science that doesn’t even exist.

Like, maybe the people who made this episode really do know that San Jose is the 3rd largest city in California, and that this is a push-pull train, and that there are no mesas anywhere near the ocean of San Fransisco. Maybe they did know that--but they decided to suspend our disbelief by pushing this Wild Wild West fantasy aesthetic SO HARD so it makes it believable although this is just...so wrong. Mostly because...it’s fun TV. Not because it makes any sense, but because I would like to have fun instead of thinking.

Which is also how most romance novels work ps. But Yugioh, although *almost* understanding the key ingredient to how romance actually works, I will assume never figures that out.

I hope.

Also, Rex is here.

Bro would like to bring up that Red Eyes is not a rare card in the real world. So Rex is going out of his way to venge a card that costs...$4.50 at Target. That’s less than a meal at McDonalds. This card may have been in a Happy Meal at McDonalds.

*pictured here, the actual canyons of San Jose*

So something that’s interesting between Yami and Joey is that Yami gives in basically immediately and decides to duel Weevil, who would be very easy to just gently push off of this train. Joey on the other hand, looks down at both of his punching fists and is like “why would I bother?”

Not that it mattered, it’s just interesting that even Joey has more restraint than Yami, who has 0 restraint, apparently, when it comes to dueling cards.

Joey has more restraint that Yami, and Joey is the kid who has tried to punch out Seto Kaiba in nearly every conversation he has ever had with Seto Kaiba over the last 4 seasons.

Also, Tea is just standing on top of this train like it’s a completely normal day outside. Girl has no fear.

Wouldn’t these people be covered in bug guts? Like how are they not getting assaulted by so many flies and birds?

But because she has no decent cards the Oricalchos just kicks her out? I dunno. There’s a lot of weird physics in the next scene.

And she just grabs onto a moving train with her bare hands. I feel like Tea is just so woefully overpowered in this group but for the wrong game. I say this a lot. She’s like their One Punch Man but will never, ever know.

So anyway, that was a long time between updates and now I’m out of sync and behind on everything so...hell knows when the next update will be. Depends on the length of episode I guess? Bro really wants to get to what comes next soon though. He’ll pester me until I do it.

Now I can’t mention Mountain Lightning without sharing with you what you do with 2-4 liters of Mountain Lightning after your brother leaves and then just...doesn’t have enough room for all of his Mountain Lightning AND his baby in his car, so he just leaves it in your house.

It’s called Mountain Dew Cake <-(that is a link) and it’s actually pretty damn good.

I made this once and fed it to a British person and they were like “this is so decadent--what’s in this?” and I uh didn’t know how to respond to that other than “it’s really just Mountain Dew, I’m so sorry” and that was a lie, because it was full of Mountain Lightning.

Anyway, if you just got here, this is a link to read these recaps in order.

[steve0discusses]

Yugioh S2 Ep 46 Part 1: Young Marik Goes to a Craft Fair/Immediately Murders His Own Dad

Ah Yugioh, last episode got pretty weird, and this one, I’m pleased to say, is that much weirder.

We start with Mokuba, who either has a PHD in languages studies, or is just completely full of BS. And, when it comes to the Kaibas, we’ll just never know. It could go either way and I’d absolutely buy it.

Of course, none of this matters since Kaiba is cursed, in case you forgot. His curse is a lot easier than everyone else’s because all he does is vibe with a ancient relic he refuses to think is real and then hallucinate his dead wife he refuses to talk about.

I am still kind of reeling over the fact that Seto’s Previous-Life’s Dead Wife is Blue Eyes is canon. I’m sure they thought turning this card into a person would be simple and fun. It’s still fun, for me, for that room of writers that now has to untangle this mess they just created? Yeah good freakin luck with that.

Also, I forgot something last episode.

Much better. Seto’s catching up, slowly but surely, to Marik.

(read more under the cut)

And I mean...Seto is just low-key unaware that he’s vaguely obsessed with his Great^nth Grandma, right? Like that’s the canon? Nice. I mean there’s a 5000 year difference and she is like a card, so...legally it’s fine, whatever, it’s not like they can ever hook up.

But like...didn’t Seto tear a Blue Eyes completely in half in the first episode? That’s kind of messed up now! Granted, back in Episode 1 the writers probably didn’t know that 1 season later they’d all be sitting around a table and going like “so...what if they were married???”

Like...how weird is it now that Grandpa still has that torn up Blue Eyes?

(I say as if this is a big deal on a show where the canon flagship relationship of Yugi and Tea involves Yugi who is 3 people and Tea who is, as we find out at the end of this episode, also 3 people. Mind you, 2 of those people is just 2 Bakuras, but it’s still an awkward 5-way. Who would they even be kissing if they were kissing? ((JK we all know it would just be Bakura and Bakura)) )

Does Grandpa and Arthur even realize how freakin weird it is that their token of eternal friendship/marriage is literally the dead waifu of that random rich guy over there? That Arthur was like “remember my not-romantic love always, by wifing with this wife who is also my wife. Goodbyyyyyye.”

Was Episode 1 just Kaiba walking in on a three way with his predestined card-ex? Was that how he got so freakin pissed? It actually would make more sense than what actually happened. And like I’m pretty sure that particular Blue Eyes chose Grandpa over Seto so, what even is that? Is that like a divorce or something?

Also, and this is the most important thing about this entire situation, did Pegasus really try like a billion times to resurrect his dead wife unsuccessfully (I hope) but TOTALLY resurrected Kaiba’s dead wife in the process? Like, just by accident he resurrected not just any dead wife’s soul into a playing card but his sworn enemy that Pegasus super tried to murder and destroy that one time? Like damn, that’s some good irony right there.

...it’s a lot to process in a show where like 4 people are also body swapping at the same time.

Anyway, back to this episode, Seto can also read this Ra card. But, I assume he cannot marry it because he and three of the four sides of his Blue Eyes Wife have just changed their status from “It’s complicated” to “It’s still complicated” (the fourth version hanging out with Solomon Muto is still card divorced and living her best life)

Faced with definitive proof that all this is absolutely real, Kaiba never actually graduates from the Denial step to any of the other steps of acceptance.

Neither would I. Neither would I.

Never forget, that him actually accepting any of this makes him a widow to a freakin paper freakin card.

I will say, that my prediction that Kaiba’s relationships, if he ever got into one, wouldn’t last more than 2 minutes apiece came true in the weirdest way possible.

I’m glad we got this lore bomb that will disappear into the Yugioh’s forgotten plot-threads graveyard faster than you can say “and then Bakura put a piece of his soul into the Millennium Puzzle.”

Speaking of,

And so enters our exposition, who decided to actually leave her bedroom and see what else is on this blimp. Took her long enough. If she had come out, I dunno, before Joey dueled, then her brother, Odion would have never been struck by lightning since she could’ve been like “lol guy’s, that’s not Marik” but wtv. Nice to see you, Ishizu. You are late, as usual.

Also, the art team left us a breathtaking still life.

Meanwhile, holed up in this room staring at Mai Valentine for the last 30 minutes on this little aqua cube, Serenity has decided she is done with this BS they keep calling a card game. I guess her vow to be brave and suck it up lasted all of half an hour.

And it was during this complete 12yo meltdown that Ishizu was like “oh, that reminds me, I also have a brother who’s having a complete meltdown” As if this would somehow help Serenity feel any better about being trapped on a blimp with them.

So, Ishizu takes a very long sip of water and starts her very long story about When Marik Truly Went Evil But This Time The Flashback’s For Reals Last Time He Was Kind of Evil But This Time We’re For Serious Telling You Exactly The Moment He Went Cray.

Please admire the nonsense stairs and columns supporting nothing in this image. Nice.

Now before, I knew they lived underground but I kinda figured they left occasionally to get snacks and pick up babies from the side of the road. Apparently it’s only certain people who can do that, so not only has this kid been living underground but he has never seen sunlight.

But here’s my question um--what happened to all the other cultists? Like we’re assuming that we have 5000 years of an underground situation, and if their growth happens geometrically since human beings tend to have multiple children, then there should be like thousands of people down here. Like SO MANY people. Was there some sort of plague? Did all the cultists just keep killing each other as each one went completely mad down here? Like, what’s the story?

I have made so many jokes about Marik being a crafty bastard who knits hats but I kid you not he literally went to the flea market. He has only one hour in the real world and all he wants is to see the Handmade Industry.

Again, Marik would be the hero in any YA dystopian novel, guys. Any of them. Like I’m pretty sure I read three separate books by three separate people in the late 2000′s about underground mole people cults and Marik would have been the hero in every single one of them. Leave it to Yugioh.

Odion decided to stay behind as a lookout rather than go outside in the stinky sunlight, meaning that Marik got to feel a sunburn for the very first time ever as he looked directly into it’s surface.

So I can see the allusion that they wanted to make. That without light you can never see shadow--and that because he literally stepped out into the light, his shadow was finally able to fully manifest itself for the first time.

But...Marik was locked underground, how long could he have realistically lasted before losing his mind just like his Father already has?

And then Marik finds the one relic that truly drives him mad, a discarded magazine. But not that type of magazine. I’m actually not quite sure what type of magazine this would be, TBH. it’s got some REALLY good anime soda on the back, and then pets, and then autos? I don’t know.

This motorcycle had spooky music and everything. Truly the embodiment of evil, a mid-30′s gentleman driving to work with a sensible helmet.

He also saw a TV and confused the hell out of this vase salesman.

And then, no weird episode is truly weird enough without an abrupt visit from Shadi.

So they rush back home to the very obvious cellar door in the middle of the desert that no one except for this cult has ever found.

But, unfortunately, these kids are really, really dumb and so because Shadi told them to go the hell back home, Shadi set in motion the tools needed to send Marik completely off the deep end.

So Shadi is just really really bad at his job or he really wants to watch it burn, I’m thinking probably both.

We get a voice-over from Ishizu that Marik’s father was using the rod on Odion but we don’t actually see much. I think a bunch of this probably got edited out because obviously, abuse is something you can’t really show on kid’s daytime TV, although...they kinda did anyway.

OH.

I mean, he is possessed so like he would act real different but there was absolutely no fighting back on Marik’s part to kill his own Dad. He just straight up went for it. Complete 180 on this character in a matter of time it takes to look at a picture of a motorcycle.

And so, Evil Marik decides it’s time to kill Odion, much like he’s been trying to do in our current timeline, but seeing his older brother snaps Marik out of it, which would have been just real confusing for him. I mean Yugi’s snapped out of his Pharaoh blackouts in strange positions, sure, but this one in particular is like “wow I just killed my Dad.” If he even knows.

Bro was saying he actually didn’t know at this point. Of course my Bro has a lot of spicy Yugioh headcanons and he’s becoming less and less reliable the more we watch. (Bros editorial note: how does one remember what actually happens in this show?)

Why were you even here Shadi!? Just to be judgy and then peace out? Like back in Season Zero it felt like Shadi had a...job. Here he’s just like...watching the show with me. He’s just the most useless millennium item, I swear.

After this sad tale, at least we have Joey to remind us that Marik’s killed 100+ people since then.

So yeah, Marik killed his Dad because he saw a Motorcycle.

Literally killed his Dad because he saw a motorcycle and it awoke a desire in him to leave the nest, and then Odion got beat up because Ishizu was too dumb to ever notice that they had an alarm on the freakin front hole in the ground.

A Motorcycle.

And we can pretty much assume that his Dad’s been threatening to kick out Odion basically forever to get Marik to stay put, right? That this has definately happened before but this time...there was a motorcycle.

Truly evil, motorcycles.

In this show where one guy was literally dueling Yugi while tying him to a bandsaw--those motorcycles though. Pure satan.

Bro just asked me that if Pharaoh’s tomb had free wifi, Would people live there on purpose and I’m just going to leave that there.

Anyway, here’s a link to read these in order from S1 Ep1